The Art Science of Java An Introduction To Computer Science 1st Edition Eric Roberts Download
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The Art Science of Java an introduction to computer
science 1st Edition Eric Roberts Digital Instant Download
Author(s): Eric Roberts
ISBN(s): 9780321486127, 0321486129
Edition: 1
File Details: PDF, 75.90 MB
Year: 2008
Language: english
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out 2 or 3 tapestry threads. If extremely worn a good strengthening
is a backing of stout crash.
Carpet Joining.—Felts and all light fabrics are simply seamed by
flat sewing; but in Brussels, Wilton, and thick piles the joins to lie
smooth are connected by passing the needle in and out first one
edge and then the other. Should the seam set full, dashing on a little
water will rectify it. If in case of accidental burns, &c., the carpet has
to be mended on the floor, the only available plan consists in placing
on the patch, and securing both surfaces by darning. Repairing
carpets when up gives the opportunity of strengthening patches,
hems, &c., by felling stout webbing on the wrong side. When stair
carpets require binding, the webbing matches the predominant
colour in the pattern.
Matting Seams.—These are made in the following manner: Bring
the two edges together, take a straight stitch over both, pass the
needle slantwise under one edge, and through the adjacent one.
Thus the right side presents a row of slight sewing, the wrong a
series of sloping stitches taking in one selvedge only.
Velvet Joining.—Faults or cuts, &c., in velvet and plush are
concealed by very careful seaming on the wrong side. The needle
enters half the thickness of the material (Fig. 165), leaving no
stitches visible on the upper surface, and the sewing is drawn till the
edges just meet and no more. Care must be taken to work in all
stray filaments that no fluffiness disturbs the smoothness of the pile.
When finished make the seam still firmer by rows of darning, 4 or 5
stitches in height, and running parallel to the sewing; leave no loops,
but pass a horizontal stitch from one darning line to the other (Fig.
166). The preceding is also adapted to satin repairing, though on
account of the close shiny surface this cannot be quite as
satisfactorily made. Complete the mending by passing the wrong
side of the fabric over a cool iron, the steam of which raises the pile.
165. 166. Velvet Joining. 167. Laced Joining.
Supplementary Literature.
Misses S. F. A. Caulfield and B. C. Saward: ‘The Dictionary of
Needlework; an Encyclopædia of artistic, plain, and fancy
needlework; with over 800 illustrations.’ London, 1882. 21s.
Beeton’s ‘Book of Needlework; including tatting, crochet, knitting,
netting, embroidery, point lace, guipure d’art, Berlin work,
monograms, initials, names, crewel work, pillow lace, and lace
stitches.’ London. Latest edition. 7s. 6d.
THE LIBRARY.
The library in a house is a haven to which the unlucky wight, kept
indoors by a steady rain overhead and a slushy mire underfoot, may,
or ought to be able to, seek retreat and pass many hours of quiet
and thorough enjoyment, instead of wandering aimlessly about the
house, and looking out of the windows with an idiotic expression on
his face at the dim and misty landscape. But how can it be a
peaceful, restful refuge, when the would-be reader finds a vast
number of volumes, treating of all manner of subjects, intermixed in
a most marvellous fashion; flighty romantists, witty memoir writers,
heavy theologians, enigmatic scientists, and deep-thinking
philosophers elbowing each other and almost crushing the unlucky
poets out of sight? Dismay seizes the daring explorer of the wonders
of a country-house library; the book he wants is not to be found,
and what is more he does not know where to look for it, great
names stare at him from all sides, and seem to sneer at him for
being so foolish as not to read them; but then he wants a particular
book, and in despair, rather than face the long row of books which
seem to jeer at his unsuccessful attempt to get what he is in search
of, he composes himself down to read Punch, or stare out at the
drip, drip, dripping rain.
Let us see if this can be avoided. Of course it can; the way to
change the whole aspect of affairs is so to arrange the books on
their shelves that the veriest stranger, after he has been in the
library a couple of minutes, should know where to look for what he
wants, and put his hand on the book if it be in the collection.
The twelve essential rules for the management of the library are:
1. Arrange your books on their shelves into classes, according to
the subjects they treat of.
2. Put everything in its proper place.
3. Always keep directories, peerages, gazetteers, atlases, county
maps, and lexicons in convenient and easily got at places. It will
often save much time and trouble to keep them in book slides on the
table, or in a separate bookcase.
4. Write your name and address in a large bold handwriting on the
fly-leaf of every volume.
5. If you have your books specially bound, let the same style and
colour of binding be used for one class of books.
6. Never allow animals in a library. They are apt to do serious
mischief to MSS. and books, while chasing some imaginary rat.
Newton had the results of many years of hard brain work completely
destroyed through the pranks of his favourite little dog.
7. Keep servants out of the library, except at stated intervals, and,
when admitted, let them be under your personal supervision.
Everybody will remember that the first part of Carlyle’s ‘History of
the French Revolution,’ while yet in MS., was used by a servant to
light a fire.
8. Avoid dampness or excessive heat; books require warm dry air,
in order to preserve their bindings. Thus it will be seen that the
more the books are read the better it will be for the books.
9. On no account let the library be turned into a refreshment room
for a juvenile party.
10. Never allow MS. notes, letters, &c., to litter the tables and the
room. MS. notes should be kept in folding pads, or in drawers, and
letters carefully filed and put away.
11. No book should be left open and placed face downwards, in
order to mark the place where the reader has left off; no other
practice so speedily spoils books as this.
12. Always have a good index or catalogue of the contents of your
library.
The last is as important a rule as any. A library without a
catalogue is, as Thomas Carlyle expresses it, “A Polyphemus without
an eye in his head.” Isaac D’Israeli, who has left us such a vast
treasure-house of book lore, says that the man who possesses a fine
library cannot be “more animated than a leaden Mercury who does
not aspire to make some small addition to his library, were it only by
a critical catalogue. He must be as indolent as that animal called the
sloth, who perishes on the tree he climbs, after he has eaten all its
leaves.”
The task of cataloguing must not dismay the amateur; the task is
a most useful one, and can easily be managed. The best catalogue
would be this:
Let it be divided into three primary divisions: The body, containing
the titles, authors’ names, date, and place of publication, and the
size and description may be added if considered necessary; index of
authors’ names, with the number of the pages of the catalogue on
which their works will be found, and an index of subjects.
The body should be divided into thirteen divisions, which are: 1,
Theology; 2, history and biography; 3, science and philosophy; 4,
art; 5, bibliography; 6, antiquities; 7, political and commercial; 8,
poetry; 9, travels; 10, MSS.; 11, novels; 12, miscellaneous; 13,
periodical literature. These may be subdivided, if necessary. The
subdivisions are: History into (1) national, (2) local, (3) biography,
and (4) genealogy; science into (1) medicine, surgery, and
chemistry, (2) natural history, (3) geology, and (4) mechanics; art
into (1) painting, sculpture, &c., (2) music; antiquities into (1)
chronicles, ballads, and other ancient literature, (2) history of
antiquities; political into (1) standard works, (2) pamphlets, &c.;
travels into (1) ancient, (2) modern; miscellaneous into (1) law, (2)
drama, (3) educational, (4) miscellaneous.
The books in the body should be entered under the authors’
names, alphabetically arranged, under each division, the full titles,
description, &c., following. A very good plan is to tack to each entry
in the catalogue finding symbols, as “Bookcase A, shelf 3,” which
denotes where the book is to be found.
Now as to the actual mode of taking the census of the books to be
catalogued. A large number of sheets of paper, about the size of
ordinary writing paper, must be procured, each sheet being divided
into three columns. The centre column (the largest of the three) is
reserved for the full description of the book as it is to stand in the
body of the catalogue; the column on the left is reserved for the
exact account of the subject treated of by the book; that on the
right for the author’s name, as in the following example:
* Of course, the number of the page which should follow these entries
cannot be filled in until the body of the catalogue is properly written out,
when, as each entry is made in the catalogue, the number of the page in
which the entry is made is placed both in the left and right columns.
The slips, when duly filled up, should be set aside in packets
under their respective divisions. As soon as every book has been
noted down, there remains nothing more to be done but to
transcribe alphabetically the various slips on sheets of foolscap, and
the task is completed.
Any works which are published anonymously should be entered in
the third primary division under the heading “Anonymous,” and have
the abbreviation “Anon.” added in the body or first primary division.
Supplements may be from time to time prepared, carefully pursuing
the same method as observed in forming the original catalogue. The
supplement is then attached to the catalogue, the first page having
a piece of parchment gummed on, with about an inch protruding
from the cover; on this the words “Supplement of 188-” should be
written.
The ancient learned Greeks and Romans had their book-shelves,
or rather rows of niches, in which the parchment rolls were placed,
made of cedar wood, encrusted with precious metals. Although this
would, perhaps, be impracticable in our days, still the bookcases
should be solid and massive, yet elegant. In some libraries the
bookcases run right round the room, but no higher than 3 ft. to 4 ft.,
the tops forming a resting-place for various curiosities. This method,
of course, leaves the upper part of the wall clear, whereon to hang
pictures, trophies of arms, armorial shields, or other mural
decorations. Other libraries have cupboards, or rather bookcases,
with wooden panelled doors of 2 ft. to 2 ft. 6 in. high, the regular
bookcases being placed on the top of these. This is a very good
plan, for the lower part of the bookcase may serve as a convenient
resting-place for magazines, pamphlets, newspapers, and drawings.
One great point to be observed is to have the books protected by
good glass; it gives a better appearance to the whole room when the
glass is really good, and, above all, the books are safe from the
injurious effect of dust or damp.
Magazines and periodicals are generally bound, and, therefore,
may be placed on the shelves. A number of pamphlets relating to a
certain subject may be cheaply, neatly and easily bound at home.
Each pamphlet should be taken and opened at the middle; then,
with the aid of a needle and some strong twine, it should be sewn in
such a manner as to leave two loops, occupying about two-thirds of
the length, on the outside at the back. When each pamphlet has
been treated in a like way, taking especial care that each loop is of
equal size, two strips of coarse canvas must be cut, long enough to
wrap entirely round the whole set of pamphlets. Two pieces of
pasteboard, of the exact size you wish the volume to be, must be
procured; then, having previously passed the canvas strips under the
loops of twine, you carefully paste or glue the canvas, and place
them on the boards. Two pieces of clean paper, well gummed, are
placed inside the cover over the canvas strips. A piece of canvas, or,
better still, leather, of about double the thickness of the back of your
volume, and the exact height of the pasteboard cover, is glued on to
the back, a good piece overlapping on each side of the cover. Now
nothing remains to be done but to glue a piece of parchment
behind, writing on it the description of the contents. The whole is
placed under a substantial weight, and in a couple of days you have
a neat volume instead of a collection of stray sheets of printed
paper.
Dabblers in literature, and the searchers after general knowledge,
frequently cut out from papers and periodicals articles and
paragraphs which interest them. These accumulate and soon
encumber the writing-table, library-table, and the mantelpiece, and
ultimately find their way into the fire or the waste-paper basket. This
may be obviated and a more orderly appearance be given to the
room, by collecting these newspaper scraps in a box or drawer, and
at convenient intervals pasting them, in alphabetical order, into a
large book formed of cheap paper. The cartridge paper should be
folded twice; thus each sheet gives eight pages, and the printed
scraps pasted in in two rows or three columns, leaving a good
margin, whereon the subject treated of in the newspaper scraps
should be legibly written, the date and name of the paper whence
the scrap has been cut being written at the end of each cutting.
The foregoing notes are due to the late E. C. Rye, Librarian of the
Royal Geographical Society.
Books placed in a library should be thoroughly dusted two or three
times a year, not only to keep them in all their freshness, but also to
prevent any development of insects and to disclose signs of
dampness. The interior of a book also asks that care, which
unfortunately is neglected very often. After having taken a book
from the shelves, it should not be opened before ascertaining that
the top edge is not covered with dust. If it is a book that has had
the edge cut, it should be dusted with a soft duster, or the dust
simply blown off. If it is a book which has uncut edges it should be
brushed with rather a hard brush. By this method in opening the
volume, one need not be afraid that the dust will enter between the
leaves and soil them.
A library has generally three kinds of enemies to be guarded
against, viz. insects, damp, and rats or mice. Every one knows how
to guard against damp and rats or mice. Several means are adopted
to keep insects at a distance. The first consists in the proper choice
of woods: these are cedar, cypress, mahogany, sandal, or very dry
and sound oak. All these are compact or of very strong aroma, and
are such as insects do not like to pierce. Another source of safety is
the use of astringent or poisonous chemicals in the binding of books.
The insects that make ravages in books multiply very rapidly; and
very few libraries are free from them. The microscopic eggs, that are
left by the female, give birth to a small grub, which pierces the
leather boards and book for its nourishment, and to get to the air.
These are familiarly called bookworms, but by the scientific world
they are known as Hypothenemus eruditus which eats the leather,
and Anobium striatum which bores through the paper. The larvæ of
the Dermestes also attack wood as well as books.
Alum, as employed in the paste used by binders, is not an
absolute preventive, although it contributes greatly to the
preservation of the leather. Resin as used by shoe-makers is
preferable, and in effect works in the same way; but oil of turpentine
has a greater effect. Anything of strong odour, like aniseed or
bergamot, mixed perfectly but in small quantities, preserves the
paste during an unlimited time.
THE FARMYARD.
This chapter will embrace the ordinary domestic animals, birds, &c.,
usually kept at a country-house.
s. d.
2 bush. oats, at 3s. 6d. 7 0
1½ trusses hay, at 2s. 6d. 3 9
14 lb. beans 1 6
60 lb. straw (say) 2 0
——
14 3
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