FILM CERTIFICATE

FILM & TELEVISION PRODUCTION

Module 2 DSLR Cinematography - Lesson 1
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A lot of times, I’ll resist the temptation to visually define a movie until, one, I
really understand just what the movie’s about, and two, until I start talking to
my cinematographer.

- Tom McCarthy

Cinematography

Noun
The art of photography and camera work in film-making.
INTRODUCTION TO DSLR CINEMATOGRAPHY

WHAT IS DSLR?

Digital Single Lens Reflex

When you think back to older point-and-shoot

disposable cameras, that are still semi popu-
lar at weddings, you might remember that the
framing of the shot always seemed to be off.

The viewfinder looks directly through the hole

in the camera body, while the lens is ‘looking’
somewhere else.

This is an offset in position that occurs when

using these cameras.
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WHY DSLR?

Because of this offset found in other cameras,

the DSLRs are such a pleasure to shoot with.

The diagram shows how the light that enters

through the lens is actually the exact light that
you will see in the viewfinder, and therefore the
exact same image.

Accuracy is key in producing quality footage.

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Exposure

The most important part of DSLR film making is to simply get your exposure right,
There is no point in shooting your video, with potentially the best story, if it is executed poorly.
DSLR is the closest we can come to that “film look” at a reasonable price.

PROPER EXPOSURE ACHIEVING PROPER EXPOSURE

When you record your video you might find that outside in When using your DSLR camera it is very important to use the
daylight your footage is too bright. MANUAL settings in order to get the best quality video.

On the other hand, you might be shooting a night scene This means you now have control over:
where ninjas are about to take over the world... Here you
might have the problem that your footage is too dark. – Aperture

The solution is proper exposure. It is letting enough light – Shutter Speed

through the lens in order for the sensor to record the correct
information. – ISO
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APERTURE

It is a hole!

The aperture is an opening that allows a certain amount of

light to enter through the lens.

All settings on the DSLR cameras occur digitally in the

camera body, but not aperture. It is the one element that is
actually controlled by the lens.

Although the aperture can be set from the digital display on

your camera, it actually sends messages to the lens and that
is where the magic happens.

The measurement for aperture is F-stop.

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APERTURE

The smaller the actual number of the F-stop (e.g. F 1.4) the
bigger the opening.

The bigger the actual number of the F-stop (e.g. F 22) the
smaller the opening.

This means that more light will be allowed through the lens at
a large aperture opening and less light will enter through the
lens with a small aperture opening. F4 F 5.6
On a DSLR camera, we also get an increase of 1/3 of a stop
when turning the dial. This gives you more control over your
exposure.
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BY-PRODUCT OF APERTURE

Depth of Field. Your depth of field will determine how much of the shot is in focus, or rather, how deep or shallow your focus
is. Bokeh is a style where certain areas are out of focus.
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DEPTH OF FIELD
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SHUTTER SPEED

The shutter opens up to let light hit the sensor, which records
your frame.

We set the shutter speed to control the period of time that

the shutter opens, exposing the sensor to the incoming light.

So, shutter speed is how long the shutter stays open.

When you look at the shutter speed settings on your DSLR

camera, you will see what appears to be random numbers.

Lets take a shutter speed of 50 for this example. This means

that the shutter will stay open for one 50th of a second. So a
shutter speed of 50 actually means 1/50 of a second.
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SHUTTER SPEED

What should my shutter speed be?

There is something called the magic spot. A 180° shutter.

At this shutter speed we get the closest image to what the

human eye naturally sees, and here is the formula for the
perfect shutter speed...

Take the frames per second you are shooting at

x2
= shutter speed.

E.g. 25fps x 2 = 50
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BY-PRODUCT OF SHUTTER SPEED

There might be stylistic reason to change the shutter speed.

If you shoot at a high shutter speed you will get an effect called staccato. This means there is no motion blur. If you wave
your hand in front of the camera really fast you should naturally see a blurry trail, but with a high shutter speed the move-
ment is so clear and crisp that there is not motion blur. This looks strange as it is not what the human eye is used to.

On the other hand you can have a slow shutter speed, which will cause crazy blur! Even if you are moving slowly, or very
slightly, you will see the blur.
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ISO NATIVE ISO

The ISO settings on your DSLR camera will affect the light Your camera will have a native ISO of:
sensitivity of your camera.
200 400 800 1600 3200 6400
Setting your ISO is a good way to deal with low light situa-
tions when you have opened up your iris (aperture) as much
as possible, and you still need a lighter brighter shot.

Once again, when you turn the dial to set your ISO it will
step up, or step down in 1/3 increments.

Most settings on the DSLR will have 1/3 increments. DIGITAL PULL
The native ISO is where your sensor is set and designed for
optimal performance. But, if you go 1/3 stop lower it creates a 160 320 640 1250 2500 5000
digital pull that makes for the cleanest and clearest shots.
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NOISE

Depending on the camera you use, the higher ISOs from 1200 ISO upward, will create noise. At e.g. 1600 ISO, your cam-
era will try to enhance the image and instead generate noise. If you are shooting a grungy horror film, noise might be a style
choice, but it is always better to add noise or grain in post, rather than to struggle removing noise from your footage.
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DSLR ARTIFACT - MOIRÉ

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DSLR ARTIFACT - ROLLING SHUTTER

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DSLR ARTIFACT - ALIASING

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DSLR ARTIFACT - NOISE

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DSLR CONSIDERATIONS

DSLR BENEFITS DSLR LIMITATIONS

Interchangeable lenses Overheating

Quicker “start REC” time No viewfinder
Film quality Shaky when shooting hand held
Low noise (because of large sensor) (because of light weight)
Cost Poor audio
Depth of Field Limited REC time
Low light solutions Only manual zoom
Compact and light weight (which you should be using anyway)
Modular (add to your kit as your budget allows)