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Table of Contents
Chapter 1: Introduction to Web Design
Section 1.1: The Role of Web Design in Modern Business
The Business Impact
Web Design as a Competitive Advantage
Evolving Trends
Section 1.2: The Web Design Process
Understanding the Web Design Process
The Role of Collaboration
Agile and Waterfall Approaches
Tools for Web Design
Section 1.3: Key Technologies: HTML, CSS, JavaScript,
and JQuery
HTML (Hypertext Markup Language)
CSS (Cascading Style Sheets)
JavaScript
JQuery
Section 1.4: Setting Up Your Web Development
Environment
Choosing a Text Editor or Integrated Development
Environment (IDE)
Installing Required Software
Organizing Your Project Structure
Setting Up a Code Editor
Testing Your Environment
Section 1.5: Web Design Trends and Inspirations
Why Follow Web Design Trends?
 Key Web Design Trends
Finding Inspiration
Chapter 2: HTML Fundamentals
Section 2.1: Introduction to HTML Markup
HTML Document Structure
HTML Elements and Tags
Adding Attributes
Nesting Elements
Section 2.2: Document Structure with HTML5
The Importance of Semantic Elements
Header and Footer
Navigation
Main Content
Section and Article
Aside
Figure and Figcaption
Section 2.3: Working with Headings, Paragraphs, and
Text
Headings
Paragraphs
Text Formatting
Section 2.4: Lists, Links, and Anchors
Unordered Lists (<ul>) and List Items (<li>)
Ordered Lists (<ol>) and List Items (<li>)
Nested Lists
Hyperlinks (<a>)
Anchor Links
 Linking to Email Addresses
Linking to Files
Opening Links in a New Tab
Section 2.5: Semantic HTML Elements and Accessibility
What Are Semantic HTML Elements?
Benefits of Semantic HTML
Common Semantic Elements
Accessibility Considerations
Chapter 3: CSS Styling
Section 3.1: Understanding CSS and Stylesheets
What is CSS?
How CSS Works
Including CSS in HTML
Cascading and Specificity
Inheritance
CSS Comments
Conclusion
Section 3.2: Selectors and Style Rules
CSS Selectors
Style Rules
Section 3.3: Formatting Text and Typography
Font Properties
Text Color and Background
Text Decoration
Letter Spacing and Word Spacing
Text Shadows
 Section 3.4: Managing Colors and Backgrounds
Setting Text Color
Background Colors
Gradient Backgrounds
Background Images
CSS Gradients vs. Background Images
Transparency and Opacity
Background Size and Position
Section 3.5: Layouts and Positioning with CSS
CSS Display Property
Box Model
Positioning
Flexbox Layout
Grid Layout
Responsive Design
CSS Positioning and Layout Resources
Chapter 4: Advanced CSS Techniques
Section 4.1: CSS Box Model and Margins/Padding
CSS Box Model Overview
Box Sizing
Margins and Padding
Margin Collapsing
Box Model Resources
Section 4.2: Flexbox and Grid Layouts
Flexbox Layout
Grid Layout
 Flexbox vs. Grid Layout
Flexbox and Grid Layout Resources
Section 4.3: Responsive Web Design with Media Queries
What Are Media Queries?
Anatomy of a Media Query
Using Media Queries for Responsive Design
Common Media Query Conditions
Breakpoints and Mobile-First Design
Testing and Debugging
Media Query Resources
Section 4.4: CSS Transitions and Animations
CSS Transitions
Transition Properties
CSS Animations
Animation Properties
Choosing Between Transitions and Animations
Animation Libraries
Resources
Section 4.5: CSS Preprocessors like SASS or LESS
Why Use CSS Preprocessors?
Getting Started with SASS
Getting Started with LESS
Integrating with Build Tools
Preprocessor Resources
Chapter 5: JavaScript Basics
Section 5.1: Introduction to JavaScript
 What Is JavaScript?
JavaScript in Web Development
How to Include JavaScript in HTML
Basic JavaScript Syntax
Variables and Data Types
Operators and Expressions
Control Structures
Functions and Scope
JavaScript Resources
Section 5.2: Variables and Data Types in JavaScript
Declaring Variables
Data Types
Type Coercion
Variable Naming Rules
Hoisting
Conclusion
Section 5.3: Operators and Expressions in JavaScript
Arithmetic Operators
Comparison Operators
Logical Operators
Conditional (Ternary) Operator
Operator Precedence
Conclusion
Section 5.4: Control Structures in JavaScript
Conditional Statements
Loops
 Switch Statement
Control Statements
Conclusion
Section 5.5: Functions and Scope in JavaScript
Function Declaration
Function Expression
Arrow Functions
Function Scope
Global Scope
Function Parameters and Return Values
Conclusion
Chapter 6: Document Object Model (DOM)
Section 6.1: Understanding the DOM
Section 6.2: Accessing and Manipulating DOM Elements
Accessing DOM Elements
Manipulating DOM Elements
Section 6.3: Event Handling and Event Listeners
Understanding Events
Event Listeners
Event Object
Removing Event Listeners
Event Propagation
Event Delegation
Section 6.4: Modifying HTML and CSS with JavaScript
Modifying HTML Content
Modifying CSS Styles
 Practical Examples
Section 6.5: DOM Traversal and Manipulation Techniques
Traversing the DOM
Modifying the DOM
Practical Use Cases
Chapter 7: Interactive Web Pages with JavaScript
Section 7.1: Creating Dynamic Content
The Need for Dynamic Content
JavaScript for Dynamic Content
Building Dynamic Web Pages
Section 7.2: Form Handling and Validation
The Importance of Form Handling
Accessing Form Elements
Form Submission
Form Validation
Real-Time Validation
Conclusion
Section 7.3: Working with Cookies and Local Storage
Cookies
Local Storage
Choosing Between Cookies and Local Storage
Section 7.4: AJAX and Fetch API for Data Exchange
AJAX (Asynchronous JavaScript and XML)
Fetch API
Cross-Origin Requests
Asynchronous Operations
 Conclusion
Section 7.5: Creating Interactive Web Forms
Building a Web Form
Form Validation
Enhancing User Experience
Server-Side Validation
Handling Form Submissions
Chapter 8: JQuery Framework
Section 8.1: Introduction to JQuery
Why Use jQuery?
Getting Started with jQuery
Conclusion
Section 8.2: Selecting and Manipulating Elements with
JQuery
Selecting Elements
Manipulating Elements
Conclusion
Section 8.3: Event Handling and Animation with JQuery
Event Handling
Animation and Effects
Conclusion
Section 8.4: AJAX and Data Retrieval with JQuery
AJAX Basics
Working with JSON
Handling Errors
Conclusion
Section 8.5: Extending JQuery with Plugins
 What Are jQuery Plugins?
Using jQuery Plugins
Popular jQuery Plugins
Conclusion
Chapter 9: Web Design Best Practices
Section 9.1: User-Centered Design Principles
Understanding User-Centered Design (UCD)
User-Centered Design Process
Usability Testing
Conclusion
Section 9.2: Accessibility and Inclusive Design
The Importance of Accessibility
Principles of Inclusive Design
Web Content Accessibility Guidelines (WCAG)
Practical Implementation
Conclusion
Section 9.3: Cross-Browser Compatibility
Why Cross-Browser Compatibility Matters
Strategies for Cross-Browser Compatibility
Common Cross-Browser Issues
Conclusion
Section 9.4: Performance Optimization Techniques
Why Performance Optimization Matters
Performance Optimization Techniques
Testing and Monitoring
Conclusion
 Section 9.5: Debugging and Testing Web Pages
Debugging Techniques
Testing Techniques
Automated Testing
User Testing
Conclusion
Chapter 10: Responsive Web Design
Section 10.1: The Importance of Responsive Design
The Multi-Device Challenge
Key Concepts of Responsive Design
Benefits of Responsive Design
Section 10.2: Media Queries for Different Devices
Basic Syntax of Media Queries
Targeting Different Screen Widths
Orientation-Based Media Queries
High-Resolution Displays
Testing Media Queries
Section 10.3: Fluid Layouts and Flexible Images
Designing Fluid Layouts
Making Images Flexible
Section 10.4: Mobile-First Design Approach
Why Mobile-First?
Key Mobile-First Principles
Implementation
Section 10.5: Testing and Debugging Responsive Sites
Why Test and Debug Responsive Sites?
 Testing Tools and Techniques
Debugging Common Issues
Version Control and Backups
Chapter 11: CSS Frameworks and Libraries
Section 11.1: Introduction to CSS Frameworks
What Are CSS Frameworks?
Advantages of Using CSS Frameworks
Popular CSS Frameworks
Getting Started with a CSS Framework
Conclusion
Section 11.2: Using Bootstrap for Responsive Design
Getting Started with Bootstrap
Grid System
Responsive Navigation Bar
CSS Classes and Components
Customization
Conclusion
Section 11.3: CSS Grid Systems
Understanding CSS Grid
Defining Grid Rows and Columns
Placing Grid Items
Grid Item Auto Placement
Responsive Grids
Conclusion
Section 11.4: Customizing Frameworks
Why Customize a CSS Framework?
 Steps to Customize a CSS Framework
Customization Examples
Conclusion
Section 11.5: Integrating External Libraries
Selecting the Right Library
Adding External Libraries
Common External Libraries
Conclusion
Chapter 12: Web Typography
Section 12.1: Typography Fundamentals
The Anatomy of Typography
Font Categories
Readability and Legibility
Web Typography Tools
Conclusion
Section 12.2: Web Fonts and @font-face
The Need for Web Fonts
The @font-face Rule
Web Font Services
Font Loading Strategies
Conclusion
Section 12.3: Font Styling and Effects
Font Styling Properties
Text Shadows
Letter Spacing and Line Height
Custom Fonts with Font Icons
 Conclusion
Section 12.4: Pairing Fonts for Web Design
Principles of Font Pairing
Font Categories
Font Pairing Techniques
Practical Font Pairing Examples
Section 12.5: Typography Tools and Resources
Typography Tools
Typography Resources
Font Management Software
Design Inspiration
Chapter 13: Multimedia Integration
Section 13.1: Working with Images and Graphics
Section 13.2: Embedding Audio and Video
Embedding Audio
Embedding Video
Responsive Multimedia
Section 13.3: SVG Graphics for Scalability
Advantages of SVG Graphics
Creating SVG Graphics
Inline vs. External SVG
Styling SVG
Animating SVG
Optimizing SVG
Section 13.4: Optimizing Multimedia for the Web
Image Optimization
Exploring the Variety of Random
Documents with Different Content
 Wa-al then. Then that there Eye-talian colony got so big over to
Cove Neck, and, seeing as how their votes war only a dollar apiece
and a kiss for the babies, why, our votes warn’t strong enough to
beat the politicians.
THE DEVIL
You see, money has a long memory, Sheriff. And it always wins in
the end.
PEATTIE
But think of all the good he done in them fifteen years.
THE DEVIL
With the result that the railroad doesn’t run within seven miles of
this village and the population has fallen to two thousand
inhabitants.
PEATTIE (sulkily)
Wa-al—we’re all Amurricans, anyway. It kept the Eye-talians and
the Polacks out. You—can’t—buy—votes—here—and he (points to
Schwartzenhopfel, meaning Magnus) can’t scare anybody like he
kin New Yorkers. (He jerks his head with a sneer at the
Detectives) Keeping ’em from arresting the man they’re sent to git
—a furriner—not Amurrican, mind—a cowardly furriner that blows
people up. Magnus, nor twenty Magnuses couldn’t keep me from
doing my dooty on sich a villin—couldn’t keep any real Amurrican.
(Turning to the Detectives) I’ll bet you folks ain’t Amurricans?
LIEUTENANT (who all along has spoken with an Irish accent, and
now, when violently angry, speaks with a pronounced brogue) Go
on, ye scut! (He makes threatening motion at him)
PEATTIE (triumphantly)
Amurrican! Huhnh? (To second Detective) And you?
SECOND DETECTIVE (excitedly)
I haf my naduraladion pabers got us goot as you or any udder
man—
PEATTIE (more triumphantly)
Amurrican! Hey? (To the third Detective) And you?
THIRD DETECTIVE (trying to speak carefully)
I—was—born—in—New—York—
[Peattie slaps thigh and grins unbelievingly.
THIRD DETECTIVE (angrily)
By your lave, Lootenant, I’ll—(Losing his temper, he takes a step
forward)
PEATTIE (clapping his hands in glee)
You see? Not an Amurrican in the lot. (To The Devil) And so it’s
with such cattle—and with anarchists—for just as your dad said of
the Commodore, he’s (points to Schwartzenhopfel, meaning
Magnus) as much of an anarchist as him (points to Agnus,
meaning Schwartzenhopfel)—it’s with such—that the son of my
old Senator has truck today. Good day to you, sir, and
(sorrowfully) may you learn better before you come to my age.
[He goes out.
THE DEVIL (to Judge Critty, indicating Detectives)
See that these fellows are paid something to keep their mouths
shut—
LIEUTENANT (protesting)
Now, Doctor—you know—
THE DEVIL
 Pshaw! No nonsense, my man! That old fellow just gone is worth
the lot of you. With such men in your shoes, we’d hear no more
talk of police graft and extortion.
LIEUTENANT (sarcastically, pointing to Agnus)
We’ll take this fellow if it’ll please you better—
SCHWARTZENHOPFEL (thoroughly enjoying himself)
Keep your tongue quiet, policeman!—Here! (Takes out a handful
of bills and gives them to Judge) Give ’em these. (He looks for
approval toward The Devil, who nods) Now get out: the lot of you!
LIEUTENANT (hurt)
That’s no kind of language to use to men doing their best to favor
you, Mr. Magnus. And, as for the money, that’s an insult—
THE DEVIL
I suppose you want it sent mysteriously? From an unknown
benefactor who loves your fat housewife and your ugly babies.
Well—you’ll—take—it—this way—(He has snatched the bills from
the Judge while talking and separated them into three parts; now
he forces one on the Lieutenant)
[The Lieutenant pretends to push them away.
THE DEVIL (finishing)—or—not at all—(He looks at Schwartzenhopfel
to back him up)
SCHWARTZENHOPFEL (importantly)
Or not at all—
[The Lieutenant hesitates, but takes the money shamefacedly. The
two Detectives repeat his actions and manners.
LIEUTENANT (to Schwartzenhopfel diffidently, after looking at the
women, the Judge and Agnus) I suppose (humbly) there’ll be no
 come-back to this? It’s value received, ain’t it, sir?
SCHWARTZENHOPFEL
Yes. Get out.
LIEUTENANT
Yes, sir. (He tips his hat and goes out on tip-toe)
SECOND AND THIRD DETECTIVES (in the same manner)
Yes, sir. (They go out)
JUDGE CRITTY (to Schwartzenhopfel)
Such actions cause talk, sir—
THE DEVIL
If I’ve promoted even the germ of Socialism in those robber-
barons’men-at-arms, I’m satisfied—
JUDGE CRITTY (stiffly)
I was not addressing you, Doctor Agnus—
THE DEVIL
Don’t try that fake dignity with me, you hoary-headed old fraud,
because you haven’t the moral dignity back of it to hold you up.
Get out, you arrant knave! (Catches Schwartzenhopfel’s eye)
JUDGE CRITTY (dumfounded)
Mr. Magnus—will you allow me to be so insulted by this cockerel?
He’s either drunk or crazy.
SCHWARTZENHOPFEL (softly motioning The Devil to wait) Didn’t you
say once, Judge, that to properly punish anarchists they should
not be hanged but burned?
JUDGE CRITTY (with swelling dignity, thinking that Magnus is
recalling the incident favorably) I certainly did, Mr. Magnus.
SCHWARTZENHOPFEL
You didn’t say anything about the causes that make them
anarchists, though—did you? (Catching The Devil’s eye) But how
about a six-months’strike prolonged because millionaires wouldn’t
pay fifty cents more a day to men who work with hot rivets two
hundred feet in the air—twenty-five per cent of them killed every
year? How about the wives of those strikers who died of overwork
and little food trying to support homes and husbands until
employers gave in? How about their children who died unborn—
eh? Who was it murdered wives and children? And who, after six
months, still refused even to compromise? Was it any wonder that
men went crazy? Murder for murder—they said—murder for
murder. Schwartzenhopfel had such a wife, such children, all dead
now, and he shouted: Dynamite, the worker’s friend! (Fiercely to
the Judge) And so it isn’t enough to hang him? You’ve got to burn
him, have you? Well, what about the men who took an honest
workman and made him what he is today?
JUDGE CRITTY (frantically)
Mr. Magnus—
[The Devil goes to the garden door, opens it and points the way
out.
JUDGE CRITTY (nervously, suddenly changing his attitude) Mr.
Magnus, your admission delights me—for the first time in my
relations with you, I—I find it—possible—to—to—be—to be—
perfectly natural with you. You cannot blame me for being a
hypocrite. If you will pardon me, sir: who made me a hypocrite?—
SCHWARTZENHOPFEL (disgruntled)
I didn’t tell you to burn anarchists, did I?
JUDGE CRITTY
Pardon me, sir—theoretically, no; but practically, yes, you did. If
my bench orations hadn’t been passionately opposed to
everything that even threatened the divine right of capital, why,
you wouldn’t be considering me for the Supreme Bench now. How
can a lawyer succeed nowadays except through capital?
THE DEVIL (closes door and stands with his back to it)
True enough, Magnus; true enough—(Looks at the light, which
has hung gravely suspended through these operations)
THE DEVIL
The greedy millionaire criminal makes all the little criminals. He
needs men like this hypocrite here (pointing to the Judge)—needs
them to save corporations from fines, their officers from jail—with
that damnable word “unconstitutional”; just as he needs Senators
to make trust laws easy to break; Governors to sign exemptions
and pardons; aldermen to steal city franchises; bosses to elect
those aldermen to order; murdering gangsters to kill honest
voting; and police who will permit the gangsters to steal, pimp
and kill, and who share in their spoils. (Still addressing the light)
And every crime of the lot—yes—don’t shrink from your guilt—
even the stealing, the pimping, and the killing—is the fault of the
greedy millionaire. (Pointing to the Judge) Even that might have
been a man—
JUDGE CRITTY (anxiously)
But, Mr. Magnus—
THE DEVIL
No hypocrite may be trusted upon the Supreme Bench, Judge.
[Schwartzenhopfel nods.
JUDGE CRITTY (wildly)
 You use me—cast me aside—
THE DEVIL
Just what a prostitute would say when the man to whose worst
passions she has pandered seeks to be clean again and casts her
off. (He opens the door again and points) Get out! (He fixes the
unhappy Judge with his eyes. Unable to resist, the Judge follows
the slowly pointing finger and goes out)
DOLL BLONDIN (whose admiration for The Devil has grown quickly,
as evidenced by the expression on her face as she has sat
listening almost with awe) You are some man—believe me!
FANNY (turns quickly on her at this danger-note in her voice, and
speaks with an effort at politeness) You said you would not like a
certain party to hear a certain story—
[The Devil, being recalled to this situation, looks hopelessly
around.
DOLL BLONDIN
Let the certain party go—
FANNY (glares at her)
What?
DOLL BLONDIN (glares back)
I wouldn’t stay where I wasn’t wanted if I were some people—
FANNY
And I suppose you think you are wanted?
[Doll Blondin smiles aggravatingly.
FANNY
What?
DOLL BLONDIN
I’ve been asked to stay anyhow. That’s more’n some people have
—
FANNY
Addington! You’ll let this woman insult me?
THE DEVIL
Certainly, my dear.
DOLL BLONDIN
You see—(She spreads hands and her manner becomes still more
aggravating)
FANNY
I’ll go and get mother. Even she will see who’s in the wrong now.
When I’m prepared to give up everything for you—
THE DEVIL
But you aren’t—
FANNY (wildly)
I am. You needn’t even have a flat in town. I’ll stay here. Why, I’ll
even live on your income.
THE DEVIL
You only say that until you get me safely married.
FANNY (beside herself)
I swear it. Addington—I didn’t realize how much I loved you until I
saw you save your friend (points to Agnus); heard you defy those
policemen, and—then—the way you talked to that nasty old
Judge. Oh! I want you—I love you—
THE DEVIL (stepping back to avoid an embrace)
Well, you can’t have me!
DOLL BLONDIN
You see—(Spreads her hands as before)
FANNY
You give me up—for this woman?
THE DEVIL (desperately)
Yes!
FANNY (suddenly realizing she is combating Fate)
Oh, Addington, Addington, Addington—I love you—I love you—
(She bursts into real tears; there is no tragedy in her attitude now,
no affectation, no theatricalism—just real sorrow and regret)
AGNUS (wildly to The Devil) You must explain! You must! You must!
THE DEVIL (whispering)
Who’d believe us? We’d all be clapped into a lunatic asylum. Is
one woman to stand in the way of science—a big step in world-
regeneration? Think, man! One woman against a million better
men? For the sake of humanity—think!
[Agnus turns away. It is his tragic moment; his face should be that
of a combined Hamlet and King Lear—for, while to others Fanny is
comedic, to him she represents earthly happiness. Fanny
continues her sobbing like an animal in pain. Doll Blondin looks
troubled, but stands her ground.
THE DEVIL (awkwardly)
See here, Fanny—
FANNY (trying to stem, her tears)
 Yes, dear—
THE DEVIL
It isn’t any woman—it’s my work. It needs me—all of me—
DOLL BLONDIN
Then you don’t love me?
THE DEVIL (impatiently)
Of course not. I only just saw you—didn’t I?
FANNY
You don’t love her? Your work? You’re giving me up for—
THE DEVIL
The good of humanity, Fanny—
FANNY (forgetting tears)
Ah, I knew you were too noble, Addington, too big to jilt me for
another woman. “For the good of humanity!” That’s different. We’ll
work together, dear. I’ll help, not hinder.
[The Devil groans.
FANNY
You’ve brought out my true nature. I’m changed. I see now how
hateful I was.
THE DEVIL
Fanny—
FANNY
Yes, dear—
THE DEVIL
No!
[Doll Blondin catches his eye above Fanny’s head and winks
hopefully.
THE DEVIL (to Doll, in the same tone)
No!
[Mrs. Felix and Tromper enter, bundled up for motoring. They are
followed by Magnus’s chauffeur and his valet carrying motoring
coats.
VALET
Miss Felix, miss! (He holds up her coat)
[Fanny inserts her arms mechanically in sleeves.
TROMPER (grumpily, showing his watch to Schwartzenhopfel) I took
the liberty of getting ready to go back, Mr. Magnus. I thought
you’d forgotten the time.
VALET
You have an appointment for dinner with Mr. Gayton, sir.
[Schwartzenhopfel looks blank.
VALET
You know, sir—the Secretary of the Treasury—
[The Devil nudges Schwartzenhopfel.
SCHWARTZENHOPFEL (arrogantly)
The Secretary must wait; that’s all! I’m staying here tonight.
THE DEVIL (sotto voce to Agnus, indicating Tromper)
 Who’s he?
[Agnus whispers the information in a thoroughly miserable
manner.
SCHWARTZENHOPFEL (to the chauffeur)
You take these ladies back to New York. (To the valet) You go with
him and bring me some clothes back.
THE DEVIL
Enough for a week or so.
[The light shows that it is struck motionless by this last statement.
And now, Mrs. Felix, good-bye! Come and see me some time. I’ll
find a husband for you yet.
[The light flirts across his eyes.
THE DEVIL (looks at it meditatively)
I don’t know but what you’re right, Magnus. After I start training
you—she might be able to complete the training—
SCHWARTZENHOPFEL (viewing Mrs. Felix with approval) Suits me!
[The light darts as viciously at Schwartzenhopfel as the latter once
did when he was in Magnus’s condition.
THE DEVIL (to the light)
I meant you—Magnus—
[The light hovers, sullenly suspicious.
THE DEVIL (to all)
And—now—good day to all of you. Schwartzenhopfel and I are
about to do some important work together. (Puts his arm on
Agnus’s shoulder) So we must ask you to excuse us.
DOLL BLONDIN
And what about me?
THE DEVIL
Aren’t the rooms good?
[Doll Blondin nods.
THE DEVIL
And the food?
[Doll Blondin nods again.
THE DEVIL
And the service?
DOLL BLONDIN
Yes—but—
THE DEVIL
Then what about you? And as for amusement: why, there’s
Magnus. (He points to Schwartzenhopfel. Then he goes, almost
dragging Agnus with him)
[Agnus’s head is turned, with lack-lustre eyes, toward Fanny. They
pass out through the folding-doors, closing these behind them.
TROMPER (whose indignation has been mounting, now vents himself
explosively) Well, damn his nerve! I beg your pardon, ladies. Mr.
Magnus, you let a whippersnapper doctor talk that way to you?
You! Why, sir, I wouldn’t—I actually wouldn’t permit you to talk
that way to me!
SCHWARTZENHOPFEL (viciously)
You wouldn’t?
TROMPER (nervously)
With all respect: no, sir.
SCHWARTZENHOPFEL
Then you’re discharged.
TROMPER (thunderstruck)
Have you gone crazy, Mr. Magnus? Discharged? After twenty-five
years’service? After saving you hundreds of thousands of dollars?
MRS. FELIX (putting her hand on his shoulder)
John, that’s petty! That’s small, John. I never knew you to be
petty or small before.
SCHWARTZENHOPFEL (to Mrs. Felix)
Wait! (To Tromper) Saving? How?
TROMPER (stuttering)
Why, the Churchstead strike alone—
SCHWARTZENHOPFEL (militantly)
Strike! Ha! Go on! What did you do?
TROMPER (miserably)
You know well enough what I did, sir—
SCHWARTZENHOPFEL
Tell me anyhow—
TROMPER
I locked ’em out, the bums!
SCHWARTZENHOPFEL
 What did they want? Just union rates, union hours; white men’s
pay, white men’s hours; not nigger slaves—?
MRS. FELIX (admiringly)
Bravo, John! You ’re shaping up!
[The light moves closer, as if listening intently.
SCHWARTZENHOPFEL (nodding)
I told you to wait! (To Tromper) You beat them, didn’t you?
TROMPER
And a tough job! Strike-breakers weren’t enough—
SCHWARTZENHOPFEL (to Mrs. Felix)
New York thugs, gunmen—with brass knuckles, hand spikes, and
automatics—licensed to bruise, maim and kill—
TROMPER
Weren’t the strikers breaking windows and burning fences? Didn’t
they threaten to burn the works?
SCHWARTZENHOPFEL
Fighting for their children and their homes, they were—for the
right to have more than cattle or pigs—more than a place to sleep
—and enough food to keep them working. Food! Ha! Like gasoline
put into a motor-car—
TROMPER
I was fighting to save you money—
SCHWARTZENHOPFEL
Against the men you used to work with, side by side, your own
blood-brothers—
TROMPER
No brothers of mine, those sweating, smelly ignorant dogs! I
might have been born one. That wasn’t my fault. But I didn’t stay
one.
SCHWARTZENHOPFEL
No, and I’ll bet I know why. Because you spied on them, carried
tales, for little foreman jobs, and sweated more work out of them.
TROMPER (bitterly)
Always saving you money—
MRS. FELIX (to Schwartzenhopfel)
You see, John: all crime, bloodshed, murder finally comes back to
yourself. He said it: “Always saving you money.”
SCHWARTZENHOPFEL
I’m going to change all that. Consequently I don’t need his sort
any more.
MRS. FELIX (delightedly)
You are? (Suspiciously) But so suddenly—what’s changed you?
SCHWARTZENHOPFEL (points toward the laboratory) The—(corrects
himself) D—Doctor. (Enthusiastically) The trouble about us human
beings is that we don’t know nothing about nothing—
MRS. FELIX
Can’t you be moral and retain your grammar?
SCHWARTZENHOPFEL (disregarding her, enthusiastically) Then he
comes along (pointing toward laboratory) and shows us that
millionaires on one hand—anarchists on the other—are one part
right, ninety-nine parts wrong—
FANNY (bursts into wild tears again)
And I’ve lost him! I’ve lost him!
[Mrs. Felix comforts her.
SCHWARTZENHOPFEL (to Tromper)
How much have you saved? Not for me—for yourself?
TROMPER (haughtily)
I don’t save; I invest.
SCHWARTZENHOPFEL
Worth half a million, aren’t you? Not above grafting some of that
sweat-and-blood money you saved for me, are you?
TROMPER
I defy you to prove it. I defy anybody. I’ve been strictly honest.
SCHWARTZENHOPFEL
No matter, Tromper, no matter—you ’re fired! I never want to see
your face again.
TROMPER
You’ll regret this the longest day you live, you—
SCHWARTZENHOPFEL
Be careful. I still own the judges and the politicians. Don’t try to
stand in my way, or I’ll job you into jail. Get out!
TROMPER (suddenly whining)
How am I to get back to New York?
MRS. FELIX (touching Schwartzenhopfel’s shoulder)
 Don’t be little, John—
SCHWARTZENHOPFEL (repressing himself)
The automobile will take you back. Wait for it at the Inn.
TROMPER (thinking he is relenting)
One word, sir—
SCHWARTZENHOPFEL
Not one. (Points to the door)
[Tromper goes out abjectedly.
SCHWARTZENHOPFEL (turning suddenly to valet)
What do I pay you?
VALET (alarmed on behalf of his own position)
Only a hundred a month, sir.
SCHWARTZENHOPFEL
And what you can steal, eh?
VALET (earnestly)
Mr. Magnus, sir.
SCHWARTZENHOPFEL
Percentages from haberdashers and shirt-makers, tailors,
bootmakers, jewellers. Double bills: one for me, one for you—you
pocket the difference?
VALET (astounded at his accuracy)
Mr. Magnus, I swear—
SCHWARTZENHOPFEL
 Don’t perjure yourself. Take one hundred and fifty dollars a month
—I’m buying back your self-respect with the extra fifty and giving
it to you. But if you cheat again—remember, if you cheat again—
jail!
VALET (with tears in his eyes and choking voice)
Sir—
SCHWARTZENHOPFEL
Wait in there. (Points to the door, and the valet goes out; then to
chauffeur) And I give you?
CHAUFFEUR (trembling)
One hundred and twenty-five dollars a month, sir.
SCHWARTZENHOPFEL
And the gasoline you take out every night and put back in the
morning? The extra shoes that don’t wear out? The valve-cleaning
and new parts that only figure in the bill? Other things—how much
do they come to?
CHAUFFEUR
Mr. Magnus—
SCHWARTZENHOPFEL
Don’t lie. Please—how much?
CHAUFFEUR (whining)
I don’t know, sir. Please—
SCHWARTZENHOPFEL
Take one seventy-five and be a decent man—a skilled mechanic
who respects himself and his craft too much to be a thief. Will that
do?
CHAUFFEUR (thickly)
If they all treated us like that, nobuddy ’ud steal except dirty
scoundrels, sir. (Goes out)
MRS. FELIX
You see: the generals make the morals of their soldiers. Let
generals loot a church-treasure, and the privates will loot a hen-
roost. Magnus steals a Subway. Therefore, his manager steals his
profits, his valet steals his stickpins, his chauffeur his gasoline.
SCHWARTZENHOPFEL
Reform always begins at the top, I know. The trouble with us—
(corrects himself) with Socialists and anarchists—they try to begin
reforms among the ignorant. It will take me many years to break
even with my criminal misunderstanding.
MRS. FELIX (suddenly touched)
I’ll help you. (In a whisper) I love you, John—
[The light jumps.
MRS. FELIX (with her hand on his shoulder)
I’ve always wanted to say “Yes”—always hoped for the day when
your great brain would resent the petty use you were making of it
—
[Fanny does not hear this. For some time she has been sitting all
humped up, staring blankly into space. Doll Blondin sits in same
position, showing the same attitude, and the same lack of
expression. The two of them look more like decorative statues
than human beings, one on either side of the room. The light flies
about distractedly. Mrs. Felix slowly drawing the startled
Schwartzenhopfel around until he faces her and stares into her
eyes.
SCHWARTZENHOPFEL (stutters)
When I’m—wor—worthy, I—I ’ll ask you to say “Yes” again—I
don’t de—deserve you yet—
[Doll Blondin turns wearily around to watch them. Fanny does the
same. The light pauses, satisfied.
MRS. FELIX
John Magnus—you’re a great man at last— (Smiling shyly, she
practically offers her cheek to be kissed) Remember my worthless
years, too, and consider you’re worthy now—
[The light begins again to fly about distractedly. Schwartzenhopfel
looks at it apologetically before he bends over to kiss her. The
light deliberately flashes between them. Both of them stand back
dazzled.
MRS. FELIX (blinking)
What a powerful reflection! (Smiling and holding out her hand to
Schwartzenhopfel, she bends toward him again)
[The light again flashes between them.
MRS. FELIX (as they stagger back again)
What is it, John? I see no mirrors or lenses—
DOLL BLONDIN (who has been watching the light in an awed way
ever since she turned) It doesn’t come from mirrors or lenses. (In
an awed tone) There’s something queer about that light—almost
as if it were human—
SCHWARTZENHOPFEL
Non—nonsense!
MRS. FELIX (noting his look)
 John Magnus! You—frightened?
DOLL BLONDIN (pointing to the light)
Look at it now, as though it was listening!
FANNY (with a little cry)
Mother! mother! Forgive me—
MRS. FELIX (patting her hair)
Forgive you—why, my dear?
FANNY (shivering)
I don’t know—but I’m afraid.—There’s something wrong in this
house—
[The light twitches as if trying to sneak out of the room.
FANNY (with a little scream)
Look at it—now!
[The light stands still. The three women huddle together with that
feminine instinct that prefers to die with its worst enemy rather
than alone.
DOLL BLONDIN
Whenever he made a move to even touch you, it flew at him—
FANNY (shrieking)
It moved again!
[Mrs. Felix clutches Schwartzenhopfel. Fanny gives another short
scream. At that moment the folding-doors fly open and Agnus
reënters quickly, disclosing The Devil inside.
THE DEVIL (with his eye to microscope, examining slide)
 As well as I could do myself! Bravo! Bravissima!
AGNUS (agitated)
Can I do anything? (Sees the tableau of the three frightened
women, clinging to Schwartzenhopfel; his eyes follow theirs, and
he sees that they are watching the light; then he falls back,
holding his head)
DOLL BLONDIN (seeing Agnus’s look)
See! He’s frightened, too.
THE DEVIL (puts up the microscope and comes out)
What’s wrong?
FANNY (running to him)
Addington, Addington!
DEVIL (wearily)
Not gone yet?
FANNY (pointing to the light, which twitches sullenly)
Addington, I’m frightened. What is it?
THE DEVIL (shaken, but retaining his mastery)
Oh—that? (He tries to move over to the table and shake Fanny
off)
FANNY
Oh, Addington, don’t leave me! I’m frightened, I tell you,
frightened!
THE DEVIL
I thought you wanted to know what that was?
MRS. FELIX
What is it?
DOLL BLONDIN
(simultaneously)
Yes, what?
FANNY
We do—

THE DEVIL (to Fanny in an irritated tone)

Well, how can I explain while you hang on to me?—
FANNY
Just let me hold one hand—just your little finger—that’ll make me
brave—
[The Devil crosses to the table, scowling. Fanny tags after him,
holding on to one of his fingers. The Devil looks sternly at the
light. Then he turns to the women and touches the switch-key of
the lighted electric cigar-lighter.
THE DEVIL
When I turn this off, it will disappear! (He waits for Magnus to
understand. Then, showily, he snaps off the electric-lighter,
bending down as if it required some effort) You see?
[The light does not budge.
DOLL BLONDIN (since Fanny is looking admiringly at The Devil and
Mrs. Felix is hiding her head on Schwartzenhopfel’s shoulder)
But it didn’t work!—
THE DEVIL (looking up and seeing it, nonplussed and desperate)
No?