The document recounts the discovery of a woman's body in a car embedded in a wall, revealing her tragic fate as the housekeeper for the Portuguese ambassador. The narrator reflects on a past encounter with a woman who wore a similar serpent-shaped ring, evoking memories of their meeting in Vienna thirty-four years prior. The narrative highlights themes of loss, memory, and the impact of time on individuals.
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The document recounts the discovery of a woman's body in a car embedded in a wall, revealing her tragic fate as the housekeeper for the Portuguese ambassador. The narrator reflects on a past encounter with a woman who wore a similar serpent-shaped ring, evoking memories of their meeting in Vienna thirty-four years prior. The narrative highlights themes of loss, memory, and the impact of time on individuals.
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3/I SELL MY DREAMS
and everything returned to normal. During the morning
nobody worried about the car encrusted in the wall, for people assumed it was one of those that had been parked on the pavement. But when the crane lifted it out of its setting, the body of a woman was found secured behind the steering wheel by a seat belt. The blow had been so brutal that not a single one of her bones was left whole. Her face was destroyed, her boots had been ripped apart, and her clothes were in shreds. She wore a gold ring shaped like a serpent, with emerald eyes. The police established that she was the housekeeper for the new Portuguese ambassador and his wife. She had come to Havana with them two weeks before and had left that morning for the market, driving a new car. Her name meant nothing to me when I read it in the newspaper, but I was intrigued by the snake ring and its emerald eyes. I could not find out, however, on which finger she wore it. This was a crucial piece of information, because I feared she was an unforgettable woman whose real name I never knew, and who wore a similar ring on her right forefinger which, in those days, was even more unusual than it is now. I had met her thirty-four years earlier in Vienna, eating sausage with boiled potatoes and drinking draft beer in a tavern frequented by Latin American students. I had come from Rome that morning, and I still remember my immediate response to her splendid soprano’s bosom, the languid foxtails on her coat collar, and that Egyptian ring in the shape of a serpent. She spoke an elementary Spanish in a metallic accent without pausing for breath, and I thought she was the only Austrian at the long wooden table. But no, she had been born in Colombia and had come to Austria between the wars, when she was little more than a child, to study music and voice. She was about thirty, and did not carry her years well, for she had never been pretty and had begun to age before her time. But she was a charming human being. And one of the most awe-inspiring. Vienna was still an old imperial city, whose geographical position between the two irreconcilable worlds left behind by the Second World War had turned it into a