Lecture 1 - Introduction
Lecture 1 - Introduction
History of Architecture I
Lecture 1. Introduction
architecture • n.
1. The art or practice of designing and constructing buildings.
>the style in which a building is designed and constructed.
Defining Architecture 2. The complex structure of something.
>the conceptual structure and logical organization of computer
or computer-based system.
Tectonics
Subjective
Objective
Defining Architecture
Architecture:
The Art
• The product or result of architectural work: buildings, collectively.
And Science
• A style or method of building characteristic of a people, place, or time.
Defining Architecture Of Designing
• The profession of designing buildings and other habitable environments.
And Constructing
• The conscious act of forming things resulting in a unifying or coherent
structure.
Buildings
Defining Architecture
But if we restricted our definition of architecture solely to those
buildings that raised our spirits, then we would end up with rather
a short list.
Defining Architecture Architecture is an art for all to learn because all are
concerned with It.
John Ruskin
Architecture Environment
Defining Architecture
Firmness Beauty
Elements of Architecture
Commodity
Firmness Durability
Delight
Elements of Architecture
Firmness Structure
Beauty Aesthetics
+
Economy
• Architecture is the art and technique of designing and erecting buildings, as distinguished from the
skills associated with construction.
• It is the practice of erecting physical structures where it is employed to fulfill both practical and
expressive requirements, and thus it serves both utilitarian and aesthetic ends.
• It is a practice where these two ends may be distinguished, while they cannot be separated, and the
relative weight given to each can vary widely.
• Because every society – whether highly developed or less so, settled or nomadic – has a spatial
relationship to the natural world and to other societies (natural and social contexts), generally the
structures they produce reveal much about their:
4. Characteristics of Architecture
• The characteristics that distinguish a work of architecture from other man-made structures are:
a. Its suitability to use by human beings in general and the adaptability of it to particular human
activities;
Characteristics of Architecture
• The second is a constant, while the first and third vary in relative importance according to the social
functions of buildings.
• In some buildings, such as churches and city halls, utility and communication may be of equal
importance.
• The types of architecture are established not by architects but by society, according to the needs of
its different institutions.
• Society sets the goals and assigns to the architect the job of finding the means of achieving them. The
uses of architecture is concerned with architectural typology, with the role of society in determining
the kinds of architecture, and with planning - the role of the architect in adapting designs to
particular uses and to the general physical needs of human beings.
Types of Architecture
A. Domestic Architecture: Vernacular, Power, Group housing
• Domestic architecture is produced for the social unit: the individual, family, or clan and their
dependents, human and animal.
• It provides shelter and security for the basic physical functions of life and at times also for
commercial, industrial, or agricultural activities that involve the family unit rather than the
community.
• The basic requirements of domestic architecture are simple: a place to sleep, prepare food, eat, and
perhaps work; a place that has some light and is protected from the weather.
• A single room with sturdy walls and roof, a door, a window, and a hearth are the necessities; all else is
luxury.
Prepared by Tsegaye K., 2024 / 25
History of Architecture I Lect. 1, Introduction to the History of Architecture
Types of Architecture
B. Religious Architecture: the Temple or Church, Shrines and memoria, Funerary art
• The history of architecture is concerned more with religious buildings than with any other type,
because in most past cultures the universal and exalted appeal of religion made the church or temple
the most expressive, the most permanent, and the most influential building in any community.
• The typology of religious architecture is complex, because no basic requirements such as those that
characterize domestic architecture are common to all religions and because the functions of any one
religion involve many different kinds of activity, all of which change with the evolution of cultural
patterns.
Types of Architecture
C. Governmental architecture
• The basic functions of government, to an even greater extent than those of religion, are similar in all
societies: administration, legislation, and the dispensing of justice.
• But the architectural needs differ according to the nature of the relationship between the governing
and the governed.
• Where governmental functions are centralized in the hands of a single individual, they are simple and
may be exercised in the ruler's residence; where the functions are shared by many and established as
specialized activities, they become complex and demand distinct structures.
Types of Architecture
C. Governmental architecture
• There are, however, no basic formal solutions for governmental architecture, since the practical
needs of government may be met in any sheltered area that has convenient space for deliberation
and administration.
• A distinct type is created rather by expressive functions arising from the ideology of the different
systems of political organization (monarchy, theocracy, democracy, etc.) and from the traditions of the
various offices of government (law courts, assembly houses, city halls, etc.).
Types of Architecture
D. Recreational architecture: Theatres, Auditoriums, Athletic facilities, Museums and libraries
• Few recreations require architecture until they become institutionalized and must provide for both active and
passive participation (athletic events, dramatic, musical performances, etc.) or for communal participation in
essentially private luxuries (baths, museums, libraries).
• Throughout history, recreational architecture has been the most consistent in form of any type. Diversions may
change, but, as in domestic architecture, the physical makeup of the human being provides consistency.
• If his participation is passive he must be able to hear and to see in comfort. If his participation is active, he must
be given spaces suited to the chosen activity.
• In most cultures, recreational institutions have their origins in religious rites, but they easily gain independence,
and religious expression is reduced or eliminated in their architecture.
Types of Architecture
E. Architecture of welfare and education
• The principal institutions of public welfare are those that provide facilities for education, health, public security,
and utilities.
• Some of these functions are performed by the church and the state, but, since their character is not essentially
religious or political, they may require independent architectural solutions, particularly in urban environments.
• A consistent typology of this architecture, however, cannot be established throughout history, because the
acceptance of responsibility for the welfare of the community differs in degree in every social system.
Types of Architecture
F. Commercial and industrial architecture
• Buildings for exchange, transportation, communication, manufacturing, and power production meet the
principal needs of commerce and industry. In the past these needs were mostly unspecialized.
• They were met either within domestic architecture or in buildings distinguished from domestic types chiefly by
their size. Stores, banks, hostelries, guildhalls, and factories required only space for more persons and things
than houses could accommodate. Bridges, warehouses, and other structures not used for sheltering people
were, of course, specialized from the beginning and survived the Industrial Revolution without basic changes.
• The Industrial Revolution profoundly affected the typology as well as the techniques of architecture. Through the
introduction of the machine and mass production, economic life moved out of the domestic environment into an
area dominated by devices and processes rather than by individuals, creating the need for buildings more
specialized and more numerous than the total accumulation of types throughout history.
6. Meaning in Architecture
• All buildings have the power to transmit ideas and emotions, whether or not the building is designed
to be ‘beautiful’.
• Meaning in architecture can be conveyed in many different ways, for example through form,
materials, scale, ornamentation, signage and conventions and traditions.
• Meaning is not limited to indicating function (non-abstract, for example, a cross indicating a church)
but may be more abstract (for example, adopting the latest fashion to indicate wealth and status).
Meaning in Architecture
• Ideas of beauty and meaning in architecture change according to place, time and the point of view of
the observer;
• The role of architectural history is to interpret the meanings of buildings and how the meanings are
conveyed;
• There are no right and wrong answers, interpretations are open to argument and must be supported
by reasons;
• To understand technological, sociological, aesthetic, and artistic influences which determine our built
environment;
• To understand the inception and growth of towns and cities, and the influences that have shaped
their urban forms and their architecture;
• To study and understand the patterns and characteristics of human settlements and individual
structures built according to local traditions;
prehistory • n.
1) the period of time before written records.
2) the events or conditions leading up to a particular phenomenon.
B. Civilization:-
• Historians often write of world history in terms of the development of civilizations defined by a
characteristic empire.
• The regions of Mesopotamia, Egypt (the Nile Valley), and the Indus Valley are three rich areas for
studying how people and ideas come together to create civilizations and empires. - Civilization is
transmitted primarily by writing.
i. Stone Age
• Prehistoric cultural stage, or level of human development, characterized by the creation and use of stone tools.
The Stone Age is usually divided into three separate periods—Paleolithic Period, Mesolithic Period, and Neolithic
Period—based on the degree of sophistication in the fashioning and use of tools.
• Paleolithic archaeology is concerned with the origins and development of early human culture between the first
appearance of man as a tool-using mammal, which is believed to have occurred about 600,000 or 700,000 years
ago, and near the beginning of the Holocene Epoch, about 8000 BC. It is included in the time span of the
Pleistocene, or Glacial, Epoch—an interval of about 2,600,000 years.
• Third phase in the development of material culture among the ancient peoples of Europe, Asia, and the Middle
East, following the Paleolithic and Neolithic ages.
• The term also denotes the first period in which metal was used.
• The date at which the age began varied with regions; in Greece and China, for instance, the Bronze Age began
before 3000 BC, whereas in Britain it did not start until about 1900 BC.
• The date of the full Iron Age, in which this metal for the most part replaced bronze in implements and weapons,
varied geographically, beginning in the Middle East and south-eastern Europe about 1200 BCE but in China not
until about 600 BCE.
• Although in the Middle East iron had limited use as a scarce and precious metal as early as 3000 BCE, there is no
indication that people at that time recognized its superior qualities over those of bronze.
Architectural history is always a part, sometimes even the most important part, of history in general. Yet to
consider architectural history merely as a part of general history is to miss a great deal of its potential interest.
Despite the social, technical, and functional aspects of buildings - those that link architecture most closely to
other aspects of history — architecture also exists in the realm of art, more specifically of the visual arts.
It is the history of way of life: architecture is part of our personal history – we are born, we work and play, learn
and teach and worship, we sell and buy, try criminals, etc. in buildings.
It is an expression of what men thought of life and death of each other and of their gods.
Architectural Education
Architectural Education
• Hence, architectural education provides the understanding to the artistic urge that impels humans to
build, as well as to the structural properties that enable buildings to stand up.
• It is also an education to the silent cultural language that every building expresses. It, then, might be
thought of as a primer for visual environmental literacy.
• Architectural Education is about learning to understand our human-made environment. It is about
architecture as a physical vessel, a container of human activity.
• Architecture is generally something people take for granted, moving toward it, around it, through it,
using it without a thought. It is simply there, an unassuming backdrop, a mute, utilitarian container.
• Architecture is much more, however; it is the crystallization of ideas. It has been defined many ways -
as shelter in the form of art, a blossoming in stone and a flowering of geometry (Ralph Waldo
Emerson), frozen music (Goethe), human triumph over gravitation and the will to power (Nietzsche),
the will of an epoch translated into space (architect Ludwig Mies van der Rohe), the magnificent play
of forms in light (architect Le Corbusier), a cultural instrument (architect Louis I. Kahn), and even
inhabited sculpture (sculptor Constantin Brancusi).
• More recently, architectural critic Ada Louise Huxtable framed a rather clinical definition, calling
architecture a “balance of structural science and aesthetic expression for the satisfaction of needs
that go far beyond the utilitarian.”
• The architect Louis I. Kahn wrote that “architecture is what nature cannot make.”
• Humans are among several animals that build, and indeed some structures built by birds, bees, and
termites, to name but a few, demonstrate human-like engineering skill in their economy of structure.
• It is possible to deliberately avoid looking at paintings, sculpture, drawings, or any other visual art,
but architecture constantly touches us, shapes our behaviour, and conditions our psychological
mood.
• The blind and deaf may not see paintings or hear music, but they must deal with architecture.
• Moreover, aside from being shelter or a protective umbrella, architecture is also the physical record
of human activity and aspiration; it is the cultural legacy left to us by all preceding generations.
• Since architecture is a social activity, building is also a social statement and the creation of a cultural
legacy.
• Hence, architectural education provides the understanding to the artistic urge that impels humans to
build, as well as to the structural properties that enable buildings to stand up.
• It is also an education to the silent cultural language that every building expresses. It, then, might be
thought of as a primer for visual environmental literacy.