FFC PChart
FFC PChart
FIFTH:
(Station 2) 4th string-G 3rd String-D 2nd String-A 1st String-E
1st FFcP 1st FFcP 1st FFcP XX
5 C G D XX
1st FFcP 1st FFcP 1st FFcP XX
6 C#/Db Ab Eb XX
SEVENTH:
(Station 3) 4th string-G 3rd String-D 2nd String-A 1st String -E
1st FFcP 1st FFcP 1st FFcP XX
7 D A E XX
1st FFcP 1st FFcP 1st FFcP XX
8 Eb Bb F XX
2nd FFcP 2nd FFcP 2nd FFcP XX
9 E B F# XX
2nd FFcP 2nd FFcP XX XX
10 F C XX XX
3rd/2nd FFcP 3rd/2nd FFcP XX *Note: XX
More often than not, some of the
11 F#/Gb Db/C# XX XX especially Cb, Db, Gb,
flat keys,
would use the latter position. The
3rd FFcP 3rd FFcP XX generalXXprinciple for these flat
keys, move the FFcP Down,
12 G D XX SharpXX a key, move the position
up.
4th FFcP 4th FFcP XX XX
Lower postion Cb and Gb would
be conceptually better with the 3rd
13 Ab Eb XX FFcP; XX
Lower postion Db would be
4th FFcP 4th FFcP XX XX better with the 4th
conceptually
FFcP
14 A E XX XX
Understand you are not limited to the above fingerings! The chart is based on three
"wrist station" possibilities: low (open) position, 5th fret, and 7th fret. You can start
almost anywhere you can finish the octave.
You can also transpose these up even higher than the 12th fret, if your instrument
and your own playing proficiency can handle it.