0% found this document useful (0 votes)
5 views38 pages

Computational Mechanics of Discontinua 1st Edition Antonio A. Munjiza

The document provides information about the book 'Computational Mechanics of Discontinua' by Antonio A. Munjiza and others, including details on its content, authors, and publication. It includes links to download the book and other related titles from ebookultra.com. The book covers various methods and applications in the field of computational mechanics, particularly focusing on discrete element methods.

Uploaded by

liacifles
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
5 views38 pages

Computational Mechanics of Discontinua 1st Edition Antonio A. Munjiza

The document provides information about the book 'Computational Mechanics of Discontinua' by Antonio A. Munjiza and others, including details on its content, authors, and publication. It includes links to download the book and other related titles from ebookultra.com. The book covers various methods and applications in the field of computational mechanics, particularly focusing on discrete element methods.

Uploaded by

liacifles
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 38

Visit https://ebookultra.

com to download the full version and


browse more ebooks or textbooks

Computational Mechanics of Discontinua 1st Edition


Antonio A. Munjiza

_____ Press the link below to begin your download _____

https://ebookultra.com/download/computational-mechanics-of-
discontinua-1st-edition-antonio-a-munjiza/

Access ebookultra.com now to download high-quality


ebooks or textbooks
Here are some recommended products for you. Click the link to
download, or explore more at ebookultra.com

Large Strain Finite Element Method A Practical Course 1st


Edition Antonio Munjiza

https://ebookultra.com/download/large-strain-finite-element-method-a-
practical-course-1st-edition-antonio-munjiza/

Continuum Mechanics Advanced Topics and Research Trends


1st Edition Antonio Romano

https://ebookultra.com/download/continuum-mechanics-advanced-topics-
and-research-trends-1st-edition-antonio-romano/

Computational Mechanics Research Trends 1st Edition Hans


P. Berger

https://ebookultra.com/download/computational-mechanics-research-
trends-1st-edition-hans-p-berger/

An Introduction to Computational Fluid Mechanics by


Example 1st Edition Sedat Biringen

https://ebookultra.com/download/an-introduction-to-computational-
fluid-mechanics-by-example-1st-edition-sedat-biringen/
Structural Mechanics Graph and Matrix Methods
Computational Structures Technology 3rd Edition Ali Kaveh

https://ebookultra.com/download/structural-mechanics-graph-and-matrix-
methods-computational-structures-technology-3rd-edition-ali-kaveh/

Computational Materials Science of Polymers 1st edition


Edition A A Askadskii

https://ebookultra.com/download/computational-materials-science-of-
polymers-1st-edition-edition-a-a-askadskii/

Organized Crime A Cultural Introduction 1st Edition


Antonio Nicaso

https://ebookultra.com/download/organized-crime-a-cultural-
introduction-1st-edition-antonio-nicaso/

Introduction to Finite Element Analysis Formulation


Verification and Validation Wiley Series in Computational
Mechanics 1st Edition Barna Szabó
https://ebookultra.com/download/introduction-to-finite-element-
analysis-formulation-verification-and-validation-wiley-series-in-
computational-mechanics-1st-edition-barna-szabo/

Computational Models of Brain and Behavior 1st Edition


Ahmed A. Moustafa

https://ebookultra.com/download/computational-models-of-brain-and-
behavior-1st-edition-ahmed-a-moustafa/
Computational Mechanics of Discontinua 1st Edition
Antonio A. Munjiza Digital Instant Download
Author(s): Antonio A. Munjiza, Earl E. Knight, Esteban Rougier
ISBN(s): 9780470970805, 0470970804
Edition: 1
File Details: PDF, 10.15 MB
Year: 2011
Language: english
COMPUTATIONAL
MECHANICS OF
DISCONTINUA
WILEY SERIES IN COMPUTATIONAL MECHANICS

Series Advisors:

René de Borst
Perumal Nithiarasu
Tayfun E. Tezduyar
Genki Yagawa
Tarek Zohdi

Introduction to Finite Element Analysis: Szabó and Babuška March 2011


Formulation, Verification and Validation
COMPUTATIONAL
MECHANICS OF
DISCONTINUA
Antonio A. Munjiza
Queen Mary, University of London, UK

Earl E. Knight
Los Alamos National Laboratory, USA

Esteban Rougier
Los Alamos National Laboratory, USA

A John Wiley & Sons, Ltd., Publication


This edition first published 2012
© 2012 John Wiley & Sons, Ltd
Registered office
John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, United Kingdom
For details of our global editorial offices, for customer services and for information about how to apply for permission to
reuse the copyright material in this book please see our website at www.wiley.com.
The right of the author to be identified as the author of this work has been asserted in accordance with the Copyright,
Designs and Patents Act 1988.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any
form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK
Copyright, Designs and Patents Act 1988, without the prior permission of the publisher.
Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available
in electronic books.
Designations used by companies to distinguish their products are often claimed as trademarks. All brand names and
product names used in this book are trade names, service marks, trademarks or registered trademarks of their respective
owners. The publisher is not associated with any product or vendor mentioned in this book. This publication is designed
to provide accurate and authoritative information in regard to the subject matter covered. It is sold on the understanding
that the publisher is not engaged in rendering professional services. If professional advice or other expert assistance is
required, the services of a competent professional should be sought.
The Los Alamos National Laboratory strongly supports academic freedom and a researcher’s right to publish; therefore,
the Laboratory as an institution does not endorse the viewpoint of a publication or guarantee its technical correctness.
Library of Congress Cataloguing-in-Publication Data

Munjiza, Antonio A.
Computational mechanics of discontinua / Antonio A. Munjiza,
Earl E. Knight and Esteban Rougier.
p. cm. – (Wiley series in computational mechanics)
Includes bibliographical references and index.
ISBN 978-0-470-97080-5 (hardback)
1. Continuum mechanics. I. Knight, Earl E. II. Rougier, Esteban. III. Title.
QA808.2.M87 2011
531– dc23
2011020576

A catalogue record for this book is available from the British Library.
Print ISBN: 978-0-470-97080-5
ePDF ISBN: 978-1-119-97118-4
obook ISBN: 978-1-119-97116-0
ePub ISBN: 978-1-119-97301-0
Mobi ISBN: 978-1-119-97302-7
Typeset in 10/12pt Times by Laserwords Private Limited, Chennai, India
To Cheryl, Jasna, Sole, Ignacio, Matias and Boney.
Contents

Series Preface xi

Preface xiii

Acknowledgements xv

1 Introduction to Mechanics of Discontinua 1


1.1 The Concept of Discontinua 1
1.2 The Paradigm Shift 3
1.3 Some Problems of Mechanics of Discontinua 7
1.3.1 Packing 7
1.3.2 Fracture and Fragmentation 8
1.3.3 Demolition and Structures in Distress, Progressive Collapse 11
1.3.4 Nanotechnology 12
1.3.5 Block Caving 15
1.3.6 Mineral Processing 16
1.3.7 Discrete Populations in General 16
References 18
Further Reading 18

2 Methods of Mechanics of Discontinua 21


2.1 Introduction 21
2.2 Discrete Element Methods 21
2.2.1 Spherical Particles 22
2.2.2 Blocky Particles 23
2.2.3 Oblique and Super-Quadric Particles 23
2.2.4 Rigid Potential Field Particles 25
2.2.5 3D Real Shape Particles 25
2.2.6 Computer Games and Special Effects 26
2.3 The Combined Finite-Discrete Element Method 27
2.4 Molecular Dynamics 28
2.4.1 Common Potentials 29
2.5 Smooth Particle Hydrodynamics 31
viii Contents

2.6 Discrete Populations Approach 33


2.7 Algorithms and Solutions 35
References 36
Further Reading 37

3 Disc to Edge Contact Interaction in 2D 39


3.1 Problem Description 39
3.2 Integration of Normal Contact Force 39
3.3 Tangential Force 44
3.4 Equivalent Nodal Forces 45
Further Reading 46

4 Triangle to Edge Contact Interaction in 2D 47


4.1 Problem Description 47
4.2 Integration of Normal Contact Force 47
4.3 Tangential Force 54
4.4 Equivalent Nodal Forces 55
Further Reading 56

5 Ball to Surface Contact Interaction in 3D 59


5.1 Problem Description 59
5.2 Integration of Normal Contact Force 59
5.3 Tangential Force 73
5.4 Equivalent Nodal Forces 74
Further Reading 75

6 Tetrahedron to Points Contact Interaction in 3D 77


6.1 Problem Description 77
6.2 Integration of Normal Contact Force 79
6.3 Tangential Force 84
6.4 Equivalent Nodal Forces 86
Further Reading 86

7 Tetrahedron to Triangle Contact Interaction in 3D 89


7.1 Problem Description 89
7.2 Integration of Normal Contact Force 89
7.3 Tangential Force 99
7.4 Equivalent Nodal Forces 101
Further Reading 102

8 Rock Joints 103


8.1 Introduction 103
8.2 Interaction between Mesh Entities in 2D 104
8.2.1 Interaction between a 2D Disk and a Straight Edge 105
8.2.2 Numerical Integration of the Roller-Edge Interaction 111
Contents ix

8.3 Joint Dilation 113


8.4 Shear Resistance of a 2D Rock Joint 116
8.5 Numerical Examples 120
References 124
Further Reading 124

9 MR Contact Detection Algorithm for Bodies of Similar Size 125


9.1 The Challenge 125
9.2 Constraints of MR Contact Detection Algorithm 125
9.3 Space Decomposition 127
9.4 Mapping of Spherical Bounding Boxes onto Cells 127
9.5 Spatial Sorting 129
9.6 Quick Sort Algorithm 130
9.7 MR-Linear Sort Algorithm 135
9.8 Implementation of the MR-Linear Sort Algorithm 136
9.9 Quick Search Algorithm 141
9.10 MR-Linear Search Algorithm 143
9.11 CPU and RAM Performance 145
9.12 CPU Performance and RAM Consumption 151
References 152
Further Reading 152

10 MR Contact Detection Algorithm for Bodies of Different Sizes 155


10.1 Introduction 155
10.2 Description of the Multi-Step-MR Algorithm (MMR) 155
10.3 Polydispersity 156
10.4 CPU Performance 157
10.5 RAM Requirements 158
10.6 Robustness 158
10.7 Applications 160
Further Reading 160

11 MR Contact Detection Algorithm for Complex Shapes in 2D 163


11.1 Introduction 163
11.2 Contactor Circle to Target Point MR Contact Detection Algorithm 163
11.2.1 Cell Size and Space Boundaries 163
11.2.2 Rendering of 2D Target Points onto Cells 166
11.2.3 Sorting of Target Cells 167
11.2.4 Interrogation Tools for Sorted Target Cells 167
11.2.5 Rendering of 2D Contactor Circles onto Cells 168
11.3 Contactor Circle to Target Edge MR Contact Detection Algorithm 176
11.3.1 Rendering 2D Target Edges onto Cells 176
11.3.2 Searching for Contacts 182
11.4 Contactor Triangle to Target Edge MR Contact Detection Algorithm 184
11.4.1 Rendering 2D Triangles onto Cells 185
x Contents

11.5 Extension to Other Shapes 192


11.6 Reporting of Contacting Couples 193
Further Reading 194

12 MR Contact Detection Algorithm for Complex Shapes in 3D 197


12.1 Introduction 197
12.2 Rendering Target Simplex Shapes 198
12.2.1 Rendering 3D Points onto Cells 198
12.2.2 Rendering 3D Edges onto Cells 198
12.3 Sorting Target Cells 210
12.4 Target Cells Interrogation Tools 211
12.5 Searching for Contacts 212
12.5.1 Rendering Contactor Tetrahedron 212
12.5.2 Rendering Contactor Triangular Facet 226
12.5.3 Rendering Other Contactor Simplex Shapes 241
Further Reading 241

13 Parallelization 243
13.1 Introduction 243
13.2 Domain Decomposition Approach 247
13.2.1 Communication Engine 252
13.2.2 Broadcasting Engine 254
13.2.3 Summing Engine 254
13.2.4 Gathering Engine 256
13.2.5 Distribution of Physical Objects across Processors 257
13.2.6 Creating Proxies 258
13.2.7 Relocating Originals 259
13.3 Graphics Processing Units (GPU) 260
13.4 Structured Parallelization 262
Further Reading 263

Index 265
Series Preface

The series on Computational Mechanics is a conveniently identifiable set of books cover-


ing interrelated subjects that have been receiving much attention in recent years and need
to have a place in senior undergraduate and graduate school curricula, and in engineering
practice. The subjects will cover applications and methods categories. They will range
from biomechanics to fluid-structure interactions to multiscale mechanics and from com-
putational geometry to meshfree techniques to parallel and iterative computing methods.
Application areas will be across the board in a wide range of industries, including civil,
mechanical, aerospace, automotive, environmental and biomedical engineering. Practicing
engineers, researchers and software developers at universities, industry and government
laboratories, and graduate students will find this book series to be an indispensible source
for new engineering approaches, interdisciplinary research, and a comprehensive learning
experience in computational mechanics.
Discrete element methods are used in a wide variety of applications – ranging from
fragmentation and mineral processing in engineering to the simulation of the dynamics
of galaxies in astrophysics. This book – written by leading experts in the field – provides
a comprehensive overview of discrete element methods with an emphasis on algorithmic
and implementation aspects. A unique feature is the in-depth treatment of accurate and
fast methods for contact detection between particles, which is of pivotal importance for the
efficiency of discrete element methods. Starting from basic concepts in discontinua, the
book further touches upon molecular dynamics simulations, smooth particle hydrodynam-
ics and the combination of discrete element with finite element methods, and discusses
parallel implementations of discrete element methods.
Preface

One of the more important breakthroughs of the modern scientific age was the develop-
ment of differential calculus. The key to differential calculus is the concept of a point
which contains an instantaneous quantity such as point density or instantaneous velocity.
Implicitly hidden is the assumption of smoothness of physical quantities, which translates
into the assumption of a continuum. Based on this assumption, a whole range of scien-
tific and engineering disciplines were developed, such as Fluid, Solid, and Continuum
Mechanics. Common to all these is the existence of a set of governing partial differential
equations describing the physical problem as a continuum. With exponential advances in
computer hardware, fiber optics and related technologies, it has now become possible to
solve these governing equations using powerful computers and the associated numerical
methods of computational physics.
Modern science of the early decade of the 21st century is increasingly addressing prob-
lems where the assumptions of smoothness and continuum are no longer true. The best
example is Nano-Science and Nanotechnology where length scales are so small that the
continuum assumption is simply not valid. Other examples include complex systems such
as biological systems, financial systems, crowds, hierarchical materials, mineral process-
ing, powders, and so on. In these systems it is the presence of the interaction of a large
number of individual atoms, molecules, particles, organisms, market players, individual
people in the crowd or other individual building blocks of a complex system that produce
new emergent properties and emergent phenomena such as a droplet of liquid, market
crash, crowd stampede, and so on. A common feature of all of these is the departure from
the continuum assumption towards an explicit adoption of the discontinuum. The new
scientific discipline that has therefore emerged is called Mechanics of Discontinua.
While Continuum Mechanics smears out all the complex processes occurring at a
certain length and time scale, Mechanics of Discontinua emphasizes these processes. Solv-
ing equations of Continuum Mechanics produces numerical simulations which quantify
“a priori” described physical quantities. In contrast, solving equations of Mechanics of
Discontinua produces a virtual experiment that generates new qualities and properties,
thus surprising the observer; for instance, from individual atoms a droplet of liquid or a
crystal may appear; from individual market players a market crash may happen; from the
behaviour of individual people a stampede may occur.
Mechanics of Discontinua is a fundamental paradigm shift from the science that mea-
sures “a priori” defined properties to the science that produces these as emergent properties
and emergent phenomena.
xiv Preface

This book aims to provide a comprehensive introduction to the subject including a


detailed description of state of the art computational techniques. As such it is a must
read for both experimental and theoretical researchers or practitioners involved in fast
developing areas such as nano-science, nanotechnology, medical sciences, pharmaceu-
ticals, material sciences, mineral processing, complex biological and financial systems.
The book comes with open source 3D discontinua computer software and also with
open source MR nano-science computational tools, which are available on the companion
website: www.wiley.com/go/munjiza.
Acknowledgements

The authors would like to express their gratitude to the publishers, John Wiley & Sons,
Ltd, for their excellent support. We would also like to thank our numerous colleagues
and research collaborators from all over the world: the USA, China, Japan, Germany,
Italy, Canada, and the UK. Our thanks also go to current and previous PhD students
as well as Postdoctoral researchers. Special thanks go to Professor J.R. Williams from
MIT, Professor Bibhu Mohanty from University of Toronto, Professor Graham Mustoe
from Colorado School of Mines, our colleagues at Los Alamos National Laboratory
(Robert P. Swift, Theodore C. Carney, Christopher R. Bradley, Wendee M. Brunish, David
W. Steedman, Doran R. Greening and others), Professor F. Aliabadi from Imperial College
London, Dr. Ing Harald Kruggel-Emden from Ruhr-University, Bochum, Germany, and
Dr. Paul Cleary, CSIRO, Australia. Many thanks must also go to Dr. Nigel John for all
the help he has provided.
1
Introduction to Mechanics
of Discontinua

1.1 The Concept of Discontinua


It was Galileo who noticed that the velocity of a free falling body increases by a constant
amount in a given fixed increment of time. The more general case of this is the variable
change of velocity, as shown in Figure 1.1.
This velocity change can be written as

a= (1.1)
t
where a is the acceleration. From his observations one can say that Galileo nearly discov-
ered differential calculus. The discovery of differential calculus would have naturally led
him to the laws of motion and the story of classical mechanics would have come much
earlier in history.
In reality it was Newton who extrapolated the concept of

a = lim (1.2)
tt→0

to the case that when t is nearly zero, instantaneous acceleration is achieved, as shown
in Figure 1.2.
Leibnitz took the concept even further and generalized it, thus developing what is
now called “differential calculus”. One could argue that differential calculus is the most
important discovery of modern science. It has enabled scientists and engineers to describe
physical problems in terms of governing equations. The governing equations are usually
a set of partial differential equations that describe a particular engineering or scientific
problem. Examples of these include equilibrium equations of the linear theory of elasticity
and also the Navier-Stokes equations describing the flow of Newtonian fluids.
All of these are based on the concept of instantaneous, point or distributed quantity
such as
dr
v= (1.3)
dt

Computational Mechanics of Discontinua, First Edition. Antonio A. Munjiza, Earl E. Knight and Esteban Rougier.
© 2012 John Wiley & Sons, Ltd. Published 2012 by John Wiley & Sons, Ltd.
2 Computational Mechanics of Discontinua

Δv

Δv

Δt Δt t

Figure 1.1 Nonlinear change of velocity as a function of time.

Δv

Δt → 0 t

Figure 1.2 Graphical representation of instantaneous acceleration.

which is the instantaneous velocity or


dm
ρ= (1.4)
dV
which is the point density. Without differential calculus one would have to use the average
density given by
m
ρ̄ = (1.5)
V
where V is some finite volume and m is the mass of that volume.
This concept can be expanded to any distributed quantity such as load
f
p = lim (1.6)
x→0 x

where p is the value of the distributed load at a specific point, as shown in Figure 1.3.
Of course, in these extrapolations a hidden assumption is made: Qualitatively nothing
changes as x or V gets smaller and smaller. This is the standard continuum assump-
tion and it is both true and not true. It is true if one is solving a problem where one
is really interested in results in terms of average quantities, that is, the physics of the
problem are contained at relatively large finite time, length, volume or similar scales.
One of the first surprises engineers encountered regarding solutions of governing
equations on the theory of elasticity involved failures of structural components at stress
Exploring the Variety of Random
Documents with Different Content
Früher ist erschienen:
F. Gräfin zu Reventlow

Ellen Olestjerne
Roman
Drittes Tausend

Geheftet 3 Mark 50 Pf., gebunden 5 Mark


Neue Freie Presse, Wien: Die Idee erinnert an Renate Fuchs, die
auch durch allen Schmutz schreitet, ohne daß er ihr höher als bis zu
den Sohlen dränge, aber Renate Fuchs ist eine wandelnde Idee, mit
ungeheuer viel geistreichem Beiwerk. Ellen Olestjerne ist aus Fleisch
und Blut, und das Leben pulst ihr in jeder Fiber. Wir folgen ihr durch
ihre eingezwängte Jugend auf dem freiherrlichen Schloß ihrer Eltern,
durch alle Gouvernantenkämpfe und die mit der strengen Mutter, die
keine Ahnung von den seelischen Vorgängen ihrer heißblütigen
Tochter hat, und die sie reizt und quält bis zu Ellens eroberter
Freiheit in München, wo sie in der Malerbohème unterzugehen droht
und sich dennoch mit Aufgebot übermenschlicher Kräfte schließlich
für ihr Kind rettet. Es ist der Roman einer Übergangszeit für das
Weib … Die Münchener Malerbohème ist geradezu glänzend
geschildert. Man vergißt oft, daß man liest, man erlebt alles mit,
ihren Idealismus, ihre wundervolle Kameradschaftlichkeit, ihren
Übermut, ihre Zwanglosigkeit und ihren Hunger. Man muß das Buch
lesen … Ellen macht alles durch, was ein Weib nur erleben kann,
unentrinnbare Gewalten treiben sie, so zu handeln, so zu lieben.
Immer glaubt sie fest an ihre Liebe und immer kommt wieder ein
anderer und beweist ihr, daß es eine Täuschung war. Nicht in der
Liebe findet sie sich, nicht in der Kunst – in ihrem Kinde findet sie
sich aus einem Leben, das sie in die Irre gejagt.

Früher ist erschienen:


F. Gräfin zu Reventlow
Von Paul und Pedro
Amouresken
Umschlag und Einband von Alphons Woelfle

Geheftet 2 Mark, gebunden 3 Mark


Königsberger Hartungsche Zeitung: Die Gräfin zu Reventlow schickt
ein Geisteskind auf den Büchermarkt, in dessen krausem Sinn tolle
Jugendlust, diskrete Pikanterie und fein pointierter Spott um die
Vorherrschaft streiten. In diesem köstlichen Büchlein ist, von der
ersten bis zur letzten Seite – man denke! – nur von Amouren die
Rede, von der Liebe als »flüchtiger Minnehandel oder als seriöse
Dauersache«, von den galanten Abenteuern einer Grande dame,
vom verschwiegenen Schäferstündchen mit wechselndem Schauplatz
und wechselvollem Spiel. »Von Paul zu Pedro« – eine ganze Welt von
Gefühlsnüancen umschließen diese beiden Begriffe; sie sind
gleichsam eine goldene Leiter, auf deren einzelnen Sprossen ein
Ritter, als Repräsentant eines Männertyps, winkend oder warnend,
steht. Das ist es, was dem Buche sein Plätzchen in der Literatur
anweisen dürfte und es vor dem Geschick der belletristischen
Eintagsfliegen bewahrt. Es sind weniger die Bekenntnisse einer
schönen Seele, die in diesen Frauenbriefen niedergelegt sind, als ein
Capriccio der irdischen Liebe, immer amüsant, immer treffsicher und
mit erstaunlichem Feingefühl für das notwendige Einsetzen der
Fermate … Nur wer leichten, tänzelnden und sicheren Schrittes
durch die verschlungenen Pfade des Irrgartens der Liebe zu wandeln
vermag, der nehme dieses Büchlein zur Hand: »unsres Fühlens Heut
und Gestern«.

Albert Langen, München


Umschlag und Einbandzeichnung von Alphons Woelfle
Druck von Hesse & Becker in Leipzig
Papier von Bohnenberger & Cie., Papierfabrik,
Niefern bei Pforzheim
Einbände von E. A. Enders, Großbuchbinderei, Leipzig
Weitere Anmerkungen zur Transkription
Offensichtliche Fehler wurden stillschweigend korrigiert. Die Darstellung der Ellipsen
wurde vereinheitlicht.
Korrekturen:
S. 38: sollte → sollten
Sie sollten eigentlich immer einen grünen Frosch
S. 46: Ihr → in Ihr
Ach Willy, wir tun ihn in Ihr Schlafzimmer
S. 93: meitwegen → meinetwegen
O, meinetwegen soll alles zerbrechen
S. 168: brach → brach ab
er brach ab und räusperte sich
S. 184: Verwendung → Verwunderung
und ohne besondere Verwunderung hinnahmen
*** END OF THE PROJECT GUTENBERG EBOOK HERRN DAMES
AUFZEICHNUNGEN: ODER, BEGEBENHEITEN AUS EINEM
MERKWÜRDIGEN STADTTEIL ***

Updated editions will replace the previous one—the old editions


will be renamed.

Creating the works from print editions not protected by U.S.


copyright law means that no one owns a United States
copyright in these works, so the Foundation (and you!) can copy
and distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth in the
General Terms of Use part of this license, apply to copying and
distributing Project Gutenberg™ electronic works to protect the
PROJECT GUTENBERG™ concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if
you charge for an eBook, except by following the terms of the
trademark license, including paying royalties for use of the
Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is
very easy. You may use this eBook for nearly any purpose such
as creation of derivative works, reports, performances and
research. Project Gutenberg eBooks may be modified and
printed and given away—you may do practically ANYTHING in
the United States with eBooks not protected by U.S. copyright
law. Redistribution is subject to the trademark license, especially
commercial redistribution.

START: FULL LICENSE


THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the


free distribution of electronic works, by using or distributing this
work (or any other work associated in any way with the phrase
“Project Gutenberg”), you agree to comply with all the terms of
the Full Project Gutenberg™ License available with this file or
online at www.gutenberg.org/license.

Section 1. General Terms of Use and


Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand,
agree to and accept all the terms of this license and intellectual
property (trademark/copyright) agreement. If you do not agree
to abide by all the terms of this agreement, you must cease
using and return or destroy all copies of Project Gutenberg™
electronic works in your possession. If you paid a fee for
obtaining a copy of or access to a Project Gutenberg™
electronic work and you do not agree to be bound by the terms
of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only


be used on or associated in any way with an electronic work by
people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project
Gutenberg™ electronic works even without complying with the
full terms of this agreement. See paragraph 1.C below. There
are a lot of things you can do with Project Gutenberg™
electronic works if you follow the terms of this agreement and
help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the
collection of Project Gutenberg™ electronic works. Nearly all the
individual works in the collection are in the public domain in the
United States. If an individual work is unprotected by copyright
law in the United States and you are located in the United
States, we do not claim a right to prevent you from copying,
distributing, performing, displaying or creating derivative works
based on the work as long as all references to Project
Gutenberg are removed. Of course, we hope that you will
support the Project Gutenberg™ mission of promoting free
access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for
keeping the Project Gutenberg™ name associated with the
work. You can easily comply with the terms of this agreement
by keeping this work in the same format with its attached full
Project Gutenberg™ License when you share it without charge
with others.

1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside
the United States, check the laws of your country in addition to
the terms of this agreement before downloading, copying,
displaying, performing, distributing or creating derivative works
based on this work or any other Project Gutenberg™ work. The
Foundation makes no representations concerning the copyright
status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project


Gutenberg:

1.E.1. The following sentence, with active links to, or other


immediate access to, the full Project Gutenberg™ License must
appear prominently whenever any copy of a Project
Gutenberg™ work (any work on which the phrase “Project
Gutenberg” appears, or with which the phrase “Project
Gutenberg” is associated) is accessed, displayed, performed,
viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United


States and most other parts of the world at no cost and
with almost no restrictions whatsoever. You may copy it,
give it away or re-use it under the terms of the Project
Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United
States, you will have to check the laws of the country
where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is


derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of
the copyright holder), the work can be copied and distributed to
anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the
phrase “Project Gutenberg” associated with or appearing on the
work, you must comply either with the requirements of
paragraphs 1.E.1 through 1.E.7 or obtain permission for the use
of the work and the Project Gutenberg™ trademark as set forth
in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is


posted with the permission of the copyright holder, your use and
distribution must comply with both paragraphs 1.E.1 through
1.E.7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg™
License for all works posted with the permission of the copyright
holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project


Gutenberg™ License terms from this work, or any files
containing a part of this work or any other work associated with
Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute


this electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1
with active links or immediate access to the full terms of the
Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if
you provide access to or distribute copies of a Project
Gutenberg™ work in a format other than “Plain Vanilla ASCII” or
other format used in the official version posted on the official
Project Gutenberg™ website (www.gutenberg.org), you must,
at no additional cost, fee or expense to the user, provide a copy,
a means of exporting a copy, or a means of obtaining a copy
upon request, of the work in its original “Plain Vanilla ASCII” or
other form. Any alternate format must include the full Project
Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,


performing, copying or distributing any Project Gutenberg™
works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or


providing access to or distributing Project Gutenberg™
electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive
from the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
about donations to the Project Gutenberg Literary Archive
Foundation.”

• You provide a full refund of any money paid by a user who


notifies you in writing (or by e-mail) within 30 days of receipt
that s/he does not agree to the terms of the full Project
Gutenberg™ License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of


any money paid for a work or a replacement copy, if a defect in
the electronic work is discovered and reported to you within 90
days of receipt of the work.

• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project


Gutenberg™ electronic work or group of works on different
terms than are set forth in this agreement, you must obtain
permission in writing from the Project Gutenberg Literary
Archive Foundation, the manager of the Project Gutenberg™
trademark. Contact the Foundation as set forth in Section 3
below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend


considerable effort to identify, do copyright research on,
transcribe and proofread works not protected by U.S. copyright
law in creating the Project Gutenberg™ collection. Despite these
efforts, Project Gutenberg™ electronic works, and the medium
on which they may be stored, may contain “Defects,” such as,
but not limited to, incomplete, inaccurate or corrupt data,
transcription errors, a copyright or other intellectual property
infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be
read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except


for the “Right of Replacement or Refund” described in
paragraph 1.F.3, the Project Gutenberg Literary Archive
Foundation, the owner of the Project Gutenberg™ trademark,
and any other party distributing a Project Gutenberg™ electronic
work under this agreement, disclaim all liability to you for
damages, costs and expenses, including legal fees. YOU AGREE
THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT
EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE
THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY
DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE
TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL,
PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE
NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you


discover a defect in this electronic work within 90 days of
receiving it, you can receive a refund of the money (if any) you
paid for it by sending a written explanation to the person you
received the work from. If you received the work on a physical
medium, you must return the medium with your written
explanation. The person or entity that provided you with the
defective work may elect to provide a replacement copy in lieu
of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund
in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set


forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’,
WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR
IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF
MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied


warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this
agreement violates the law of the state applicable to this
agreement, the agreement shall be interpreted to make the
maximum disclaimer or limitation permitted by the applicable
state law. The invalidity or unenforceability of any provision of
this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the


Foundation, the trademark owner, any agent or employee of the
Foundation, anyone providing copies of Project Gutenberg™
electronic works in accordance with this agreement, and any
volunteers associated with the production, promotion and
distribution of Project Gutenberg™ electronic works, harmless
from all liability, costs and expenses, including legal fees, that
arise directly or indirectly from any of the following which you
do or cause to occur: (a) distribution of this or any Project
Gutenberg™ work, (b) alteration, modification, or additions or
deletions to any Project Gutenberg™ work, and (c) any Defect
you cause.

Section 2. Information about the Mission


of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new
computers. It exists because of the efforts of hundreds of
volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the


assistance they need are critical to reaching Project
Gutenberg™’s goals and ensuring that the Project Gutenberg™
collection will remain freely available for generations to come. In
2001, the Project Gutenberg Literary Archive Foundation was
created to provide a secure and permanent future for Project
Gutenberg™ and future generations. To learn more about the
Project Gutenberg Literary Archive Foundation and how your
efforts and donations can help, see Sections 3 and 4 and the
Foundation information page at www.gutenberg.org.

Section 3. Information about the Project


Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-
profit 501(c)(3) educational corporation organized under the
laws of the state of Mississippi and granted tax exempt status
by the Internal Revenue Service. The Foundation’s EIN or
federal tax identification number is 64-6221541. Contributions
to the Project Gutenberg Literary Archive Foundation are tax
deductible to the full extent permitted by U.S. federal laws and
your state’s laws.

The Foundation’s business office is located at 809 North 1500


West, Salt Lake City, UT 84116, (801) 596-1887. Email contact
links and up to date contact information can be found at the
Foundation’s website and official page at
www.gutenberg.org/contact
Section 4. Information about Donations to
the Project Gutenberg Literary Archive
Foundation
Project Gutenberg™ depends upon and cannot survive without
widespread public support and donations to carry out its mission
of increasing the number of public domain and licensed works
that can be freely distributed in machine-readable form
accessible by the widest array of equipment including outdated
equipment. Many small donations ($1 to $5,000) are particularly
important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws


regulating charities and charitable donations in all 50 states of
the United States. Compliance requirements are not uniform
and it takes a considerable effort, much paperwork and many
fees to meet and keep up with these requirements. We do not
solicit donations in locations where we have not received written
confirmation of compliance. To SEND DONATIONS or determine
the status of compliance for any particular state visit
www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states


where we have not met the solicitation requirements, we know
of no prohibition against accepting unsolicited donations from
donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot


make any statements concerning tax treatment of donations
received from outside the United States. U.S. laws alone swamp
our small staff.

Please check the Project Gutenberg web pages for current


donation methods and addresses. Donations are accepted in a
number of other ways including checks, online payments and
credit card donations. To donate, please visit:
www.gutenberg.org/donate.

Section 5. General Information About


Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could
be freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose
network of volunteer support.

Project Gutenberg™ eBooks are often created from several


printed editions, all of which are confirmed as not protected by
copyright in the U.S. unless a copyright notice is included. Thus,
we do not necessarily keep eBooks in compliance with any
particular paper edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,


including how to make donations to the Project Gutenberg
Literary Archive Foundation, how to help produce our new
eBooks, and how to subscribe to our email newsletter to hear
about new eBooks.
Welcome to our website – the ideal destination for book lovers and
knowledge seekers. With a mission to inspire endlessly, we offer a
vast collection of books, ranging from classic literary works to
specialized publications, self-development books, and children's
literature. Each book is a new journey of discovery, expanding
knowledge and enriching the soul of the reade

Our website is not just a platform for buying books, but a bridge
connecting readers to the timeless values of culture and wisdom. With
an elegant, user-friendly interface and an intelligent search system,
we are committed to providing a quick and convenient shopping
experience. Additionally, our special promotions and home delivery
services ensure that you save time and fully enjoy the joy of reading.

Let us accompany you on the journey of exploring knowledge and


personal growth!

ebookultra.com

You might also like