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Contents
iii
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iv Contents
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Contents v
Appendices
Appendix A: Proofs of Selected Theorems A2
Appendix B: Integration Tables A3
Appendix C: Precalculus Review (Web)*
C.1 Real Numbers and the Real Number Line
C.2 The Cartesian Plane
C.3 Review of Trigonometric Functions
Appendix D: Rotation and the General Second-Degree Equation (Web)*
Appendix E: Complex Numbers (Web)*
Appendix F: Business and Economic Applications (Web)*
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Preface
Welcome to Calculus, Tenth Edition. We are proud to present this new edition to you.
As with all editions, we have been able to incorporate many useful comments from
you, our user. For this edition, we have introduced some new features and revised
others. You will still find what you expect – a
pedagogically sound, mathematically precise,
and comprehensive textbook.
We are pleased and excited to offer
you something brand new with this edition –
a companion website at LarsonCalculus.com.
This site offers many resources that will help
you as you study calculus. All of these
resources are just a click away.
Our goal for every edition of this textbook
is to provide you with the tools you need to
master calculus. We hope that you find the
changes in this edition, together with
LarsonCalculus.com, will accomplish just that.
In each exercise set, be sure to notice the
reference to CalcChat.com. At this free site,
you can download a step-by-step solution to
any odd-numbered exercise. Also, you can talk
to a tutor, free of charge, during the hours posted
at the site. Over the years, thousands of students
have visited the site for help. We use all of this
information to help guide each revision of the
exercises and solutions.
New To This Edition
NEW LarsonCalculus.com
This companion website offers multiple tools
and resources to supplement your learning.
Access to these features is free. Watch videos
explaining concepts or proofs from the book,
explore examples, view three-dimensional
graphs, download articles from math journals
and much more.
vi
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Preface vii
Trusted Features
Applications
Carefully chosen applied exercises and examples
are included throughout to address the question,
“When will I use this?” These applications are
pulled from diverse sources, such as current events,
world data, industry trends, and more, and relate
to a wide range of interests. Understanding where
calculus is (or can be) used promotes fuller under-
standing of the material.
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viii Preface
Theorems
Theorems provide the conceptual framework for calculus. Theorems
are clearly stated and separated from the rest of the text by boxes for quick
visual reference. Key proofs often follow the theorem and can be found
at LarsonCalculus.com.
Definitions
Definition of Definite Integral As with theorems, definitions are clearly
If f is defined on the closed interval 关a, b兴 and the limit of Riemann sums over stated using precise, formal wording and
partitions ⌬ are separated from the text by boxes for
n quick visual reference.
lim 兺 f 共c 兲 ⌬ x
储⌬储→0 i⫽1
i i
exists (as described above), then f is said to be integrable on 关a, b兴 and the
Explorations
limit is denoted by Explorations provide unique challenges
兺 f 共c 兲 ⌬ x ⫽ 冕
n b to study concepts that have not yet been
lim i i f 共x兲 dx. formally covered in the text. They allow
储⌬储→0 i⫽1 a
The limit is called the definite integral of f from a to b. The number a is the
you to learn by discovery and introduce
lower limit of integration, and the number b is the upper limit of integration. topics related to ones presently being
studied. Exploring topics in this way
encourages you to think outside the box.
Technology
Throughout the book, technology boxes show
you how to use technology to solve problems
and explore concepts of calculus. These tips
also point out some pitfalls of using technology.
Section Projects
Projects appear in selected sections and encourage
you to explore applications related to the topics
you are studying. They provide an interesting
and engaging way for you and other students
to work and investigate ideas collaboratively.
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Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it.
Additional Resources
Student Resources
• Student Solutions Manual for Multivariable Calculus
(Chapters 11–16 of Calculus): ISBN 1-285-08575-2
These manuals contain worked-out solutions for all odd-numbered exercises.
www.webassign.net
Printed Access Card: ISBN 0-538-73807-3
Online Access Code: ISBN 1-285-18421-1
Enhanced WebAssign is designed for you to do your homework online. This proven
and reliable system uses pedagogy and content found in this text, and then enhances
it to help you learn calculus more effectively. Automatically graded homework allows
you to focus on your learning and get interactive study assistance outside of class.
Enhanced WebAssign for Calculus, 10e contains the Cengage YouBook, an interactive
eBook that contains video clips, highlighting and note-taking features, and more!
CourseMate is a perfect study tool for bringing concepts to life with interactive
learning, study, and exam preparation tools that support the printed textbook.
CourseMate includes: an interactive eBook, videos, quizzes, flashcards, and more!
• CengageBrain.com—To access additional materials including CourseMate, visit
www.cengagebrain.com. At the CengageBrain.com home page, search for the ISBN
of your title (from the back cover of your book) using the search box at the top of the
page. This will take you to the product page where these resources can be found.
Instructor Resources
www.webassign.net
Exclusively from Cengage Learning, Enhanced WebAssign offers an extensive online
program for Calculus, 10e to encourage the practice that is so critical for concept
mastery. The meticulously crafted pedagogy and exercises in our proven texts become
even more effective in Enhanced WebAssign, supplemented by multimedia tutorial support
and immediate feedback as students complete their assignments. Key features include:
• Thousands of homework problems that match your textbook’s end-of-section
exercises
• Opportunities for students to review prerequisite skills and content both at the
start of the course and at the beginning of each section
• Read It eBook pages, Watch It Videos, Master It tutorials, and Chat About It links
• A customizable Cengage YouBook with highlighting, note-taking, and search
features, as well as links to multimedia resources
• Personal Study Plans (based on diagnostic quizzing) that identify chapter topics
that students will need to master
• A WebAssign Answer Evaluator that recognizes and accepts equivalent
mathematical responses in the same way you grade assignments
• A Show My Work feature that gives you the option of seeing students’ detailed
solutions
• Lecture videos, and more!
ix
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x Additional Resources
CourseMate is a perfect study tool for students, and requires no set up from you.
CourseMate brings course concepts to life with interactive learning, study, and
exam preparation tools that support the printed textbook. CourseMate
for Calculus, 10e includes: an interactive eBook, videos, quizzes, flashcards, and
more! For instructors, CourseMate includes Engagement Tracker, a first-of-its kind
tool that monitors student engagement.
• CengageBrain.com—To access additional course materials including CourseMate,
please visit http://login.cengage.com. At the CengageBrain.com home page, search
for the ISBN of your title (from the back cover of your book) using the search box
at the top of the page. This will take you to the product page where these resources
can be found.
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Acknowledgements
We would like to thank the many people who have helped us at various stages of
Calculus over the last 39 years. Their encouragement, criticisms, and suggestions
have been invaluable.
Many thanks to Robert Hostetler, The Behrend College, The Pennsylvania State
University, and David Heyd, The Behrend College, The Pennsylvania State University,
for their significant contributions to previous editions of this text.
We would also like to thank the staff at Larson Texts, Inc., who assisted in preparing
the manuscript, rendering the art package, typesetting, and proofreading the pages and
supplements.
On a personal level, we are grateful to our wives, Deanna Gilbert Larson and
Consuelo Edwards, for their love, patience, and support. Also, a special note of thanks
goes out to R. Scott O’Neil.
If you have suggestions for improving this text, please feel free to write to us. Over
the years we have received many useful comments from both instructors and students,
and we value these very much.
Ron Larson
Bruce Edwards
xi
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Your Course. Your Way.
Calculus Textbook Options
The traditional calculus course is available in a variety The book can be customized to meet your individual needs
of textbook configurations to address the different ways and is available through CengageBrain.com.
instructors teach—and students take—their classes.
APPROACH
TOPICS
COVERED Late Transcendental Early Transcendental Accelerated
Integrated coverage
Functions Functions coverage
LARSON EDWARDS F I F T H E D I T I O N
LARSON EDWARDS F I F T H E D I T I O N
choices can
be customized
to fit the
individual
needs of your
course. LARSON EDWARDS F I F T H E D I T I O N
xii
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Multivariable
Calculus
10e
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Vectors and the
11 Geometry of Space
11.1 Vectors in the Plane
11.2 Space Coordinates and Vectors in Space
11.3 The Dot Product of Two Vectors
11.4 The Cross Product of Two Vectors in Space
11.5 Lines and Planes in Space
11.6 Surfaces in Space
11.7 Cylindrical and Spherical Coordinates
Auditorium Lights
(Exercise 101, p. 765)
Figure 11.1 directed line segment PQ has initial point P and terminal point Q, and its length (or
\
magnitude) is denoted by PQ . Directed line segments that have the same length and
direction are equivalent, as shown in Figure 11.2. The set of all directed line segments \
that are equivalent to a given directed line segment PQ is a vector in the plane and is
denoted by
\
v PQ .
In typeset material, vectors are usually denoted by lowercase, boldface letters such as
u, v, and w. When written by hand, however, vectors are often denoted by letters with
arrows above them, such as → u,→ v , and →
w.
Equivalent directed line segments Be sure you understand that a vector represents a set of directed line segments
Figure 11.2 (each having the same length and direction). In practice, however, it is common not to
distinguish between a vector and one of its representatives.
can use the Distance Formula to show that PQ and RS have the same length.
\
PQ 3 0 2 2 0 2 13
\
RS 4 1 2 4 2 2 13
y
Both line segments have the same direction,
because they both are directed toward the (4, 4)
4 S
upper right on lines having the same slope.
\ 20 2 3
u
Slope of PQ
30 3
(1, 2) (3, 2)
2 Q
and R
\
42 2 v
Slope of RS 1
41 3
\ \
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11.1 Vectors in the Plane 749
y
The directed line segment whose initial point is the origin is often the most
convenient representative of a set of equivalent directed line segments such as those
4
shown in Figure 11.3. This representation of v is said to be in standard position. A
directed line segment whose initial point is the origin can be uniquely represented by
3 the coordinates of its terminal point Qv1, v2 , as shown in Figure 11.4.
(v1, v2)
2 Q
Definition of Component Form of a Vector in the Plane
1 v If v is a vector in the plane whose initial point is the origin and whose terminal
v = 〈v1, v2 〉 point is v1, v2 , then the component form of v is
(0, 0)
x
P 1 2 3 4 v v1, v2 .
A vector in standard position The coordinates v1 and v2 are called the components of v. If both the initial
Figure 11.4 point and the terminal point lie at the origin, then v is called the zero vector
and is denoted by 0 0, 0.
This definition implies that two vectors u u1, u 2 and v v1, v2 are equal if and
only if u1 v1 and u 2 v2.
The procedures listed below can be used to convert directed line segments to
component form or vice versa.
1. If P p1, p2 and Q q1, q2 are the initial and terminal points of a directed line \
Q (− 2, 5) 6 Find the component form and length of the vector v that has initial point 3, 7 and
terminal point 2, 5.
4
Solution Let P3, 7 p1, p2 and Q2, 5 q1, q2 . Then the components
of v v1, v2 are
x
−6 −4 −2 2 4 6
v1 q1 p1 2 3 5
−2
v and
−4
v2 q2 p2 5 7 12.
−6
So, as shown in Figure 11.5, v 5, 12, and the length of v is
P (3, −7)
−8
v 5 2 122
Component form of v: v 5, 12 169
Figure 11.5 13.
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750 Chapter 11 Vectors and the Geometry of Space
Vector Operations
Geometrically, the scalar multiple of a vector v and a scalar c is the vector that is
The scalar multiplication of v c times as long as v, as shown in Figure 11.6. If c is positive, then cv has the same
Figure 11.6 direction as v. If c is negative, then cv has the opposite direction.
The sum of two vectors can be represented geometrically by positioning the
vectors (without changing their magnitudes or directions) so that the initial point of one
coincides with the terminal point of the other, as shown in Figure 11.7. The vector
u v, called the resultant vector, is the diagonal of a parallelogram having u and v as
its adjacent sides.
u+v
u u u+v
u
v v
To find u v, (1) move the initial point of v (2) move the initial point of u
WILLIAM ROWAN HAMILTON to the terminal point of u, or to the terminal point of v.
(1805–1865)
Figure 11.7
Some of the earliest work with
vectors was done by the Irish
mathematician William Rowan Figure 11.8 shows the equivalence of the geometric and algebraic definitions of
Hamilton. Hamilton spent many vector addition and scalar multiplication, and presents (at far right) a geometric
years developing a system of interpretation of u v.
vector-like quantities called
quaternions. It wasn’t until the
(ku1, ku2)
latter half of the nineteenth
century that the Scottish physicist (u1 + v1, u2 + v2)
James Maxwell (1831–1879) (u1, u2) ku
restructured Hamilton’s u+v ku2 −v
quaternions in a form useful for u u2 (u1, u2)
representing physical quantities u u−v
u u2
such as force, velocity, and (v1, v2)
acceleration. v2 u + (−v) v
v u1
See LarsonCalculus.com to read
more of this biography. v1 u1 ku1
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11.1 Vectors in the Plane 751
Vector Operations
For v 2, 5 and w 3, 4, find each of the vectors.
1
a. 2 v b. w v c. v 2w
Solution
a. 2v 22, 25 1, 2
1 1 1 5
* For more information about vector spaces, see Elementary Linear Algebra, Seventh
Edition, by Ron Larson (Boston, Massachusetts: Brooks/Cole, Cengage Learning, 2013).
The Granger Collection, NYC
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752 Chapter 11 Vectors and the Geometry of Space
c v12 v22
c v .
See LarsonCalculus.com for Bruce Edwards’s video of this proof.
In many applications of vectors, it is useful to find a unit vector that has the same
direction as a given vector. The next theorem gives a procedure for doing this.
Proof Because 1 v is positive and u 1 v v, you can conclude that u has the
same direction as v. To see that u 1, note that
u 1
v
v 1v v v1 v 1.
So, u has length 1 and the same direction as v.
See LarsonCalculus.com for Bruce Edwards’s video of this proof.
2
294 2925 2929 1.
2 2
5
29 29
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Another Random Document on
Scribd Without Any Related Topics
Pietro in Montorio is said to derive its name Montorio, monte aureo,
from the yellow colour of this sand.
On Monte Mario an abundance of fossil shells, of the Ostrea
hippopus and other varieties of sea shells, may be seen, plainly
indicating the marine origin of this formation.
The only places within the actual walls of Rome where these tertiary
marine strata are to be found, are the Vatican and the Janiculum. At
the base of the Capitoline, in the subterranean vaults of the Ospitale
della Consolazione, under the volcanic rock which forms the upper
part of the hill, Brocchi found a stratum of calcareous rock and clay,
which he affirms to be of marine origin, and to resemble the
limestone of the Apennines.
Volcanic
formation.
The second group of strata found on the site of Rome is one which is
not confined to the neighbourhood of Rome, but is most extensively
spread over the whole of the Campagna, the district of Campania,
and a considerable part of southern Italy. The great mass of the
Capitoline, Palatine, Aventine, Esquiline, Cælian, Viminal, Quirinal,
and Pincian Hills, is composed of this formation. Geologists give it
the general name of tufa, and divide it into two kinds, the stony and
the granular. It is distinguished from lava by not having flowed in a
liquid state from the volcano, and is a mechanical conglomerate of
scoriæ, ashes, and other volcanic products which have been carried
to some distance from the crater of eruption, and then consolidated
by some chemical re-arrangement of their constituent elements. The
harder kind of tufa, the tufa litoide, is a reddish brown, or tawny
stone, with orange-coloured spots. These spots are embedded
fragments of scoriaceous lava. It is hard enough to be used as a
building stone, and has been quarried largely under the Aventine Hill
near S. Saba, at Monte Verde, on the southern end of the Janiculum,
and at other places near Rome, as at Torre Pignatara on the Via
Labicana, at the bridge over the Anio, on the Via Nomentana, and at
the Tarpeian rock.
This tufaceous stone presents itself in very thick banks, traversed by
long vertical and oblique fissures, probably produced by the
contraction of the mass on passing from a humid and soft to a dry
and hard state. The Arch of the Cloaca Maxima, near S. Giorgio in
Velabro, is built of this stone, and the inner part of the substruction
of the so-called tabularium on the Capitol. Portions of the Servian
wall were also built of it, and many stones which were taken from
this wall are to be seen at the present day in the walls of Aurelian,
near the gate of S. Lorenzo; and others have been laid bare by the
railway excavations in the Servian Agger. Brick-shaped masses of it
are found in the ambulacra of the Theatre of Marcellus, so that the
use of it must not be restricted to the earliest times of Roman
architecture. In fact, several buildings of the Middle Ages in or near
Rome consist of this stone, as may be seen at the Fortress Gaetani,
near the Tomb of Cæcilia Metella, and in the large tower at the side
of the palace of the Senator.
Freshwater
formation.
The river water has no longer the power which it once possessed of
depositing the travertine which we find lying in thick beds upon the
slopes of some of the hills of Rome, and from which the larger ruins
are all built. This travertine is formed from carbonate of lime which
the waters take up as they pass through the soil containing it. In
order to give the water the power of holding this carbonate of lime
in solution, a certain quantity of carbonic acid gas must be present
in it. When by means of the rapid movement of the water or from
other causes this gas becomes disengaged, it leaves the carbonate
of lime behind in the shape of a hard stony deposit. This natural
process of petrifaction is familiar to all who have seen the Falls of
the Anio at Tivoli, and the way in which the artificial canals of
running water in that neighbourhood are choked by limestone
concretions, and it may be seen in all vessels made use of to boil
water which is impregnated with lime. The more violent the agitation
of the water the more rapid is the disengagement of the carbonic
acid gas, and the consequent settlement of the lime. This process is
accompanied, in most places where it can be seen, by the presence
of sulphuretted hydrogen, which produces a white colour in the
water by depositing the sediment called gesso by the Italians. Hence
an explanation of the ancient name of Albula given to the Tiber is
easy. In the period when the Tiber had the power of depositing
travertine, its waters were much more strongly impregnated not only
with carbonate of lime, but also with gesso, which gave a white
tinge to the water as it now does to the sulphureous waters near
Tivoli. The same colour was characteristic of “the white Nar, with its
sulphureous stream,” Virgil’s description of the chief stream of the
central Apennines.
Climate.
The Appian
Road.
Of the great roads along which the principal traffic from ancient
Rome passed, the Appian Road may perhaps be said to have been
the most important, as it led to the southern and oriental provinces
of the great empire; and it is on the line of this ancient road that the
greatest number of ruined tombs and other buildings are still left.
Two hundred ruins are said to stand on the sides of the Appian Road
between the site of the Porta Capena, by which this road left the
Servian walls, and Albano, a distance of fourteen miles. The tombs
were of the most varied and fantastic shapes and designs, the most
common forms being those with square or circular bases, cylindrical
superstructure, and conical roof. Some were square with several
floors, and surmounted by a pyramid, others consisted of chapels in
brick, placed upon a cubical base, or of sarcophagi in various
shapes, mounted upon brick substructions.
Many fragmentary inscriptions have been found which once
belonged to these tombs, but not one of any historical importance.
The greater part of them record the names of freedmen, and other
obscure people, as the larger and more highly decorated tombs were
plundered first, and their marble casing and inscriptions completely
destroyed at an early period. The older fragments which have been
saved may be studied in the Berlin Collection of Inscriptions where
they are learnedly and ably edited by Th. Mommsen.
There were also many fountains and semicircular ranges of seats by
the side of the road designed as resting-places for travellers.
The commencement of the ancient Appian Road now lies between
the Porta S. Sebastiano and the site of the old Porta Capena. From
this part of the road the Via Latina diverged on the left, and the Via
Ardeatina on the right. Beyond the Porta S. Sebastiano, the first
monument now visible is a mass of stonework on the left hand,
about one hundred yards from the gate. From its form and the style
of masonry there can be little doubt that it was a pyramidal tomb
similar to that of Caius Cestius at the Porta S. Paolo, and that it was
built in the Augustan era. The road then crosses the Almo, and the
remains of another pyramidal tomb are to be seen on the left. This is
sometimes called the Tomb of Priscilla, mentioned by Statius, but
that name more probably belongs to the larger tomb further on,
beyond the Church of Domine quo Vadis. This latter ruin agrees
better with the description of Statius, as it had a cupola and loculi
for the reception of unburnt corpses. The immense number of ruined
tombs and other buildings which crowd the sides of the road beyond
this point, make it necessary to restrict our remarks as much as
possible, and we shall therefore only notice a few of the most
prominent ruins upon the road or in the immediate neighbourhood.
Divus
Rediculus.
The brick building called the Temple of the Divus Rediculus stands
half a mile to the left of the road at the second milestone in the
Caffarella valley. The legend which connects it with Hannibal’s march
on Rome is altogether unworthy of credit,[129] and it is plain that the
building, which had no rows of surrounding columns, but is
constructed with Corinthian pilasters, had two stories, and cannot
therefore have been a temple. Professor Reber considers that it was
a chapel tomb similar to that to be seen further on the road at S.
Urbano, near the Tomb of Cæcilia Metella.
Grotto of
Egeria.
On the left of the Appian Road, where it dips suddenly into a valley
near the Church of S. Sebastian, lies a group of ruins, the principal
of which consist of a circus, a building enclosed in a large square
court, and some remains of rooms apparently belonging to an
ancient villa. The walls of the circus are still in such preservation that
they can be easily traced round the whole enclosure, and are in
some parts nearly of the original height. They are built of rubble
mixed with brickwork, and with jars of terra-cotta to lighten their
weight, as in the case of the masonry in other walls of the same
date. The towers at each side of the Carceres, or starting post, the
curved line of Carceres themselves, and the spina, or central division
line, can be easily traced. An inscription in honour of Romulus, son
of Maxentius, found here in 1825, and now placed at the entrance to
the ruins, seems to show the circus was built in honour of Romulus,
son of Maxentius, who died before his father, a.d. 309. This is
confirmed by a statement in one of the ancient chronicles published
by Roncalli, in which it is said that Maxentius built a circus near the
catacombs, evidently referring to the neighbouring catacombs of S.
Sebastian and others, and also by the style of masonry used in the
circus. The adjoining ruined temple, with its enclosing court, seems
to belong to a somewhat earlier style of construction, but some
reasons derived from the coins of Maxentius and Romulus have been
given for supposing that it was the temple dedicated to Romulus
after his apotheosis by his father.[131] The ruins are not sufficiently
preserved to make it certain that the building was a temple, and
there is nothing to contradict the hypothesis that it was a tomb. Nor
is anything whatever known about the adjoining villa.
Tomb of
Cæcilia
Metella.
On the end of the mound formed by the great lava stream which
ages ago flowed down from the Alban Hills, and along the top of
which the Via Appia runs from this point, stands the conspicuous
Tomb of Cæcilia Metella, the daughter of Metellus Creticus, and wife
of Crassus, but whether of the Triumvir Crassus, or of the orator, or
of some other less well known Crassus is uncertain. The inscription
on the tomb is Cæciliæ, Q. Cretici Filiæ, Metellæ Crassi. The shape
of the tomb is the same as that of the Mausoleum of Hadrian, and
the Tomb of the Plautii at Tivoli; a cylindrical towerlike edifice,
resting on a square base of concrete with massive blocks of
travertine. The upper part has been destroyed, and the marble
casing stripped off, with the exception of a band of ox skulls and
garlands which surrounds it, and some trophies carved in relief
above the inscription. The roof was probably conical. Mediæval
battlements, erected by the Caetani family, who held it as a fortress
in the 13th century, now crown the upper edge. The remains of their
castle are still visible on each side of the road beyond the tomb.
Roma
Vecchia,
Villa of
Seneca.
After passing the third milestone, the Appian Road is fringed with
ruins of innumerable tombs, and here and there the relics of a
suburban villa. Scarcely any of these can have names attached to
them with any certainty. The spot is now called Roma Vecchia, and
the Campus sacer Horatiorum, the Fossa Cluilia, and the Villa
Quintiliana Commodi lay here. The suburban villa in which Seneca
committed suicide by opening his veins was at the fourth milestone,
as we learn from Tacitus, and near this was found in 1824, by Nibby,
a marble slab with the name of Granius, a military tribune. A tribune
of this name was employed by Nero to compel Seneca to kill himself,
but whether the stone refers to him or not is of course doubtful.
Tomb of
Atticus.
At the fifth milestone on the right hand of the road is a round mass
of ruins with a rectangular chamber inside, which has been
supposed to be the tomb mentioned by Cornelius Nepos, as the
burial place of Atticus, Cicero’s friend. Near this is the great platform
of peperino blocks which are thought to have been used as a
burning place (ustrina) for the bodies interred at the sides of the
road.
Villa
Quintiliana.
On the left hand, a little way beyond the fifth milestone, the remains
of the Villa Quintiliana of Commodus begin, and reach along the side
of the road for at least half a mile, extending also towards the left
into the adjoining fields as far as the edge of the great lava current,
on the top of which the Via Appia is here carried. The whole of this
space, nearly two miles in circumference, is covered with fragments
of costly marbles, of sculpture, and bits of mosaic, showing that it
was covered with handsomely decorated buildings. The style of
construction, says Nibby, belongs to three different epochs. The
buildings nearest to the Appian Road, comprising the great reservoir,
on the foundation of which the farmhouse of S. Maria Nuova is built,
are of brickwork and reticulated work of the time of Hadrian, the
great mass of the ruins which lies on the left towards the new road
to Albano, exhibits workmanship of the Antonine era, and amongst
them have been found numerous fragments of sculpture, also
belonging to the reigns of the Antonines. The third style of building
is that called opera mista by the Italian antiquarians, which prevailed
in the Constantinian times, at the beginning of the fourth century.
The buildings of the Antonines have been repaired and overlaid in
many places by this later work. The stamps of most of the bricks
found here belong to the reigns of Antoninus Pius, Marcus Aurelius,
and Commodus, and were made chiefly in the imperial brickyards.
Thus the date of the principal parts of the building is decided, and it
is seen that the villa was most probably an imperial villa. But all
doubt on this point was completely cleared away by the discovery in
1828, of a number of large leaden pipes bearing the inscription, ii.
quintiliorum condini et maximi, from which it became evident that the
villa was the same place which Vopiscus and Dion Cassius mention
as the property of the Quintilii, consuls in the year a.d. 151, under
Antoninus Pius, and victims of the spite of Commodus in a.d. 182.
[132] Commodus seized their property, and the villa became one of
his favourite residences. The great extent of the ruins explains the
circumstance related by Herodian, that the emperor, being in the
back part of the villa, could not hear the shouts of the infuriated
mob on the Appian Road, who were demanding the life of Cleander.
[133]
The ruins which extend along the side of the road, are plainly
fragments of a kind of vestibule or grand entrance to the imperial
villa. They consist of a nymphæum or grand fountain, and a row of
chambers intended for slaves’ lodgings. The fountain is supplied with
water by an aqueduct, the arches of which can be seen at the
seventh milestone, where it leaves the lava rocks, and crosses the
country towards Marino, at a higher level than even the Aqua
Claudia. This nymphæum and aqueduct are built of opera mista,
which shows that they are probably the work of the Constantinian
Age.
The principal mass of the villa itself stood nearly half a mile from the
old Appian Road, on the edge of the rocks of basaltic lava. Between
them and the road the space was occupied by gardens and
ornamental summer-houses and ponds. Nibby describes the chief
ruins as having belonged to a richly ornamented fountain, and a
suite of bathing-rooms of great grandeur.
One spacious saloon, the walls of which form a picturesque ruin, as
seen from the new post road to Albano, stands on the edge of the
rising ground, and commands a magnificent view of the whole of the
Alban and Sabine Hills and the city of Rome. Near this was a small
theatre, from which the cipollino columns of the entrance to the
Tordinone Theatre in Rome were taken.
An immense quantity of valuable sculpture, now in the Roman
museums and palaces, was discovered by excavations here in 1787
and 1792. Among these sculptures was a splendid statue of Euterpe,
now in the Galleria dei Candelabri, a tiger now in the Hall of
Animals; and the busts of Lucius Verus, Diocletian, and Epicurus,
Socrates, the Isis and Antinous in the Vatican, with numerous Sileni,
Fauns, and Nereids.
Casale
Rotondo.
Between the sixth and seventh milestones from the Porta Capena
there is a large round ruin 300 feet in diameter, called Casale
Rotondo, now supporting a house and olive orchard upon the top.
The fragments of sculpture found here have been arranged on the
face of a wall, close to the pile of ruins. The name Cotta was found
on an inscription belonging to this, and hence it has been supposed
to be the tomb of the gens Aurelia, who bore the surname of Cotta.
On the left are the arches of the aqueduct which supplied the Villa of
Commodus.
At the eighth milestone there was a Temple of Hercules erected by
Domitian. Martial mentions this temple in several passages. There
are considerable remains of a tetra-style temple on the right hand of
the road, consisting of columns of Alban peperino; but this, which
was once supposed to be the Temple of Hercules, is now said to
have contained an altar to Silvanus.
Bovillæ.
The Villa and Farm of Persius the poet is said by his biographer to
have been near the eighth milestone. At the ninth stood the Tomb of
Gallienus, and perhaps the ruins there belong to his suburbanum. At
the tenth milestone, the Rivus Albanus, formerly the Aqua Terentina,
is crossed; and at the eleventh, the road begins to ascend the slope
towards Albano. At the twelfth, the circuit of the walls of the ancient
town of Bovillæ is approached. Dionysius says that Bovillæ was
situated where the hill before reaching Albano first begins to be
steep, and this answers to the position of the modern Osteria delle
Frattocchie. The ruins which are now generally held to be those of
Bovillæ lie on the cross road, called Strada di Nettuno, a little way
above Frattocchie.[134] They consist of a small theatre built of
brickwork and opus reticulatum, and a somewhat larger circus, the
enclosure of which and the carceres are still pretty well preserved.
The town did not lie close to the road. It was founded by a colony
from Alba Longa, and was a flourishing place until Coriolanus
destroyed it. For centuries afterwards we find but little notice taken
of it. In Cicero’s time it was a very insignificant village, and had it
not been immortalised by the assassination of Clodius there, which
led to such important results, it could hardly excite any interest in
later times.[135]
The honour of being the native place of the gens Julia gave it some
artificial importance in the imperial times. Tiberius is mentioned by
Tacitus as erecting a sacrarium of the Julian family and a statue of
Augustus there, and founding Circensian games in honour of the
gens Julia. Some inscriptions found on the spot show the town still
existed in the 2nd century a.d. It is now occupied by plots of land
laid out as gardens. The Villa of Clodius, Cicero’s enemy, appears to
have been at or near the thirteenth milestone from Rome, close to
the left side of the Appian Road, between Bovillæ and the modern
Albano. It was raised on immense substructions, the arches of which
were capable of concealing a thousand men, and Cicero declares
that Clodius had not respected even the confines of the Temple of
Jupiter Latiaris or the sacred groves of Alba.[136] The ruins which lie
under Castel Gandolfo, on the left side of the road towards the Porta
Romana of Albano, may have formed part of the substruction of
which Cicero speaks. The estate of Clodius passed after his death,
when the family of the Claudii Pulcri became extinct, into the hands
of the Claudii Nerones, from whom Tiberius inherited it, and thus it
became imperial property.
Villa of
Pompey.
The Villa of Pompey was between that of Clodius and Aricia, and
therefore occupied the site of the present town of Albano. Nibby
thinks that the walls of reticulated work in the Villa Doria belonged
to Pompey’s house, and that the great tomb, near the Roman gate
of Albano was Pompey’s burial place. Plutarch states that Pompey
was buried at his Alban villa. The tomb, with five truncated cones,
usually called the Tomb of the Horatii and Curiatii, has also been
called the Tomb of Pompey. It is more probably an imitation of the
old Etruscan tombs executed at a later time. After the death of that
great general, the estate became the property of Dolabella, and
subsequently of Antony, who held it till the battle of Actium, when
Augustus took possession of it. After the adoption of Tiberius, it was
united with the Clodian grounds, and thus formed the nucleus of the
Albanum Cæsarum.
Albanum
Cæsarum.
Lago
Albano or
Di Castello.
The Alban lake belongs to the water system of the Tiber, and has
most of its outlets on the western side. It has been supposed that a
subterranean communication exists between this lake and that of
Nemi, but Nibby asserts that this is impossible, as the level of the
lake of Nemi is higher than that of the Alban lake. The circumference
of this sheet of water is more than six miles, and it is nearly elliptical
in shape. The story of the sudden rise of its waters in the sixth year
of the siege of Veii is well known, and the response of the Delphic
oracle as given in Livy.
Cicero gives a distinct account of the drainage of the lake. “We are
told, he says, by the Annalists, that during the siege of Veii, when
the Alban lake had risen to an unusual height, a Veientine noble fled
to Rome as a deserter, and declared that it was written in the books
of fate which were kept at Veii, that Veii could not be taken, so long
as the lake was overflowing its banks, and that if the lake were
tapped, and flowed into the sea by its own channel and stream, it
would be fatal to the Roman nation, but that if the water were so
discharged as to make it impossible for it to reach the sea, then the
Romans would be victorious. In consequence of this our ancestors
contrived that admirable plan for drawing off and dispersing the
water of the lake.”
From this passage it would seem likely that the whole object of the
drainage of the lake was to obtain a constant supply of water for the
irrigation of the Campagna. In another passage Cicero states his
opinion still more clearly, that the work was really undertaken for the
benefit of suburban agriculture. “The Veientine prophecy that if the
water of the Alban lake rose above its margin and flowed into the
sea, Rome would perish; but that if it were checked, Veii would be
taken, in consequence of which the Alban water was diverted, was
intended to benefit the suburban farms, and not to secure the safety
of Rome.” What appears strange, is that it should have been
necessary to appeal to a superstitious motive in the case of a people
evidently so far advanced in civilization as to be capable of carrying
out an engineering work of such difficulty in a single year.[139]
Emissariu
m of the
Alban lake.
The tunnel which still carries off the superfluous water of the lake is
cut through solid peperino and occasional masses of still harder
basaltic lava. It is more than a mile and a half in length, from seven
to ten feet in height, and never less than four feet in breadth. The
height of the edge of the lake basin above the level of its water at
the part which is pierced by the tunnel is 430 feet. Three vertical
shafts are still discoverable, by which a draft of air was created and
the rubbish was removed, and one slanting shaft for the entrance
and exit of the miners. The rock was cut with a chisel an inch wide,
as may be seen from the marks left upon the sides of the tunnel.
At the points where the water enters and leaves the tunnel,
considerable pains have been taken to regulate the flow. The
channel of stonework at the mouth is placed in a slanting direction
so as to break the force of the rush of water. At the end of this first
channel is a cross wall with openings, protected by gratings to catch
the leaves and floating rubbish. Behind this is a reservoir, similar to
the cisterns in use in the Roman aqueducts, allowing the mud to
settle before the water entered the tunnel. Next to the tunnel itself
there is a closed building to protect the canal from the fall of rocks
and stones, and the actual entrance into the rock is faced with a
massive portal of wedge-shaped blocks of stone. The water in this
enclosure is now used by the fishermen of the lake as a receptacle
for keeping fish, and is for this purpose provided with sluices. Hirt
thinks that these arrangements at the mouth are very ancient.[140]
Others ascribe them to the imperial era.
The point where the tunnel emerges from the mountain on the west
of Castel Savelli, nearly a mile from Albano, is called Le Mole. The
water was there received in a long troughlike reservoir arched over
with a stone vaulted roof. From this it ran through five smaller
openings into five separate channels, and was so dispersed into the
fields for irrigation. At the present time the whole stream is united,
and after passing the road to Anzio, thirteen miles from Rome, takes
the name of Rio d’Albano, receives the brook from the valley of
Apiolæ, and joining the Acqua Acetosa and Cornacciola crosses the
Ostian way near Tor di Valle, three miles and a half from Rome, and
then discharges itself into the Tiber.
It is the opinion of some archæologists that the Romans brought
engineers from Greece to superintend the Alban tunnel. This
supposition, however, is not necessary. If the Italian engineers could
construct the Cloaca Maxima they would be fully equal to the task of
tapping the Alban lake.
The physical conformation of Central Italy compelled its inhabitants
to turn their attention at an early period to the construction of drains
and other hydraulic works. Considerable artificial channels were
rendered necessary in order to regulate the flow of the Arno and
Tiber in the neighbourhood of Chiusi. In southern Etruria, the district
now known as the pestilent Maremma, could only have been
rendered healthy by systematic artificial drainage. The sites of
Populonia, Saturnia, Cosa, Veii, and Cære were thus rendered
habitable and fertile, and a great part of Latium Maritimum, the
Pomptine marshes, and the tract about Suessa Pometia must have
been artificially and skilfully drained at the time of the greatest
prosperity of those places. Many of the ancient cities of Central Italy
had tunnels bored underneath their streets which served as
thoroughfares connecting the different parts of the city, or as secret
passages leading out into the country. Such tunnels are found at
Præneste and Alba Fucensis. An account of the attempted escape of
Marius from Præneste, by means of the tunnels, is given by Velleius.
The catacombs show that the same genius for tunnelling operations
existed at a later time among the Italians of the empire.
Alban
Mount.
The explorations carried out in 1876 seem to have proved that the
buildings consecrated to Jupiter Latiaris on Monte Cavo were a
walled area of about sixty-five yards long, and fifty wide, a fragment
of the wall of which was found; a chapel dedicated to Jupiter, one
corner of which was excavated; a large altar, and some other
chapels dedicated as votive offerings. A tracing of the shape and
position of the area, chapels and altar was found by M. S. De Rossi
in a seventeenth century MS. in the Barberini Library, and was
published in the Annali dell’ Instituto for 1876. This traced sketch
agrees with the excavations. (See Plan.)
Alba
Longa.
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