Ambition Vs Morality
Ambition Vs Morality
Jessica Rolson
ENG4U - English
Ms. Kausen
different. Much like these everyone has their own ambitions and goals they wish to achieve. In
"The Seven Husbands of Evelyn Hugo," Taylor Jenkins Reid intricately explores the theme of
"Ambition vs. Morality" through the life of the enigmatic Hollywood icon, Evelyn Hugo. The
novel shows the conflict between ambition and morality in terms of Evelyn's career; her love life
and also Monique Grant's decision to write about Evelyn's life story.
Firstly, Evelyn Hugo's ambition for a flourishing career in Hollywood is evident from
the very beginning. As a young actress, she is unapologetic in her desire to achieve fame and
success at any cost. Ruthless and determined, Evelyn navigates the cutthroat industry with
calculated precision, unafraid to make morally ambiguous decisions to climb the ladder of
stardom. When she was twelve Evelyn learned that the only power she truly possessed was her
body and she quickly learned how to use it to get what she wanted, often justifying her wrongs
based on their outcomes. Evelyn meets Ernie Diaz when she is fifteen years old and this is when
she makes her first ambitious choice to achieve her goal of stardom. Having heard rumours that
Ernie was moving to Hollywood Evelyn knew she needed to take the opportunity presented to
achieve her ambition of leaving Hells Kitchen and her abusive father. She tells Monique; “I put
on my favourite green dress, the one I had just about grown out of. And I knocked on the door of
the guy I heard was headed to Hollywood.” (Jenkins-Reid). She traded her virginity for a ride to
Hollywood, and the two married on February 14th, 1953. Years later after Evelyn has signed
with Sunset Studios she sleeps with forty-eight-year-old producer, Ari Sullivan, to get the role
she wanted. Not long after getting the role, she divorces Ernie as she knows that she would
garner more attention when single or dating big actors rather than being married to a nobody
from Hell's Kitchen. Another instance of Evelyn choosing ambitions over her relationships is
when she sleeps with, marries and divorces Mick Riva in a single night. When rumours start
spreading about Evelyn and Celia St. James being lesbians, Evelyn purposes she marries Mick
Riva, a singer who had lately been talking a lot about his crush on her, to dissuade them. Celia
freaks out and tells Evelyn as they argue that she’d; “give it all up, you know. All of it. The
money and the jobs and the fame. I’d give it all up just to be with you, just to be normal with
you.” (Jenkins-Reid). After Evelyn tells her she doesn’t know what she is talking about she says,
“What’s really going on here is that you’re not willing to give it up for me.” (Jenkins-Reid). And
while they do make up for a bit after this Celia was proven right when Evelyn ends up pregnant
and Celia had no idea she planned on also sleeping with Mick, even though it was implied, they
say some mean things to each other as Celia leaves and she even goes as far as to call Evelyn a
whore. In both these scenarios, choosing to keep her fame and reputation as a rising star over the
relationships she’s built causes them to crumble around her and showcases that Evelyn's
character reflects the harsh realities of the entertainment world, where ambition can become a
Secondly, toward the end of the novel, readers witness a transformation in Evelyn's
character. As she reflects on her past actions and the repercussions they have had on her personal
life, she begins to grapple with the true cost of her ambition. Six months after the death of her
best friend, fifth husband and father of her child, producer Harry Cameron Evelyn watches as her
daughter struggles with her emotions from losing her father and is reminded of how she felt as a
child when she lost her mother. Standing by and watching as fourteen-year-old Connor started
doing drugs, drinking, skipping school and after catching her having a threesome Evelyn decided
she finally needed to do what was best for her family and not her career. At this point we see her
leaning more into her morals rather than her ambitions as she chooses to move herself and
Connor to Aldiz Spain with her lover and future wife Celia St. James and her brother, also
Evelyn’s seventh husband, Robert Jamison. “I want to be the kind of person who made dinner,
who scrubbed a toilet, who was available to my daughter at all times.” (Jenkins-Reid). This is a
very pivotal point in Evelyn's life as she shows both Celia and herself that she is able to throw
away the money and fame to live out her days with her family. Another instance when Evelyn
chooses her morality over her ambition is when she hires Monique Grant through Vivant to write
her life story. At first, the motives behind this decision appeared self-serving, driven by Evelyn's
desire to control her narrative and ensure her legacy endured. Yet, as their interactions deepened,
Evelyn's morality took an unexpected turn. By revealing her involvement in Monique's father's
death, Evelyn demonstrated a rare vulnerability and honesty, unearthing a long-buried secret that
haunted her conscience. While her past actions were tainted by ambition and a willingness to
manipulate, this revelation showcased a profound willingness to confront her past and seek
reminding readers that even a character perceived as morally flawed can harbour moments of
Finally, When Monique Grant was presented with the opportunity to write Evelyn Hugo's
life story her ambition and morality came into sharp focus. When Evelyn first presented the idea
of writing a book with Monique about her life but not writing it with Viavnt, Monique was
hesitant to take it. As an employee of Vivant, a prominent magazine, Monique had a professional
obligation to uphold the trust of her employer. “‘Can I get some time to think about it?’ For
instance, how am I supposed to handle this with Vivant?’’What do I do? Go back to my office
and tell my boss that you’re not talking to Vivant, that instead you and I are selling a book? It’s
going to look like I went behind their backs on company time.’” (Jenkins-Reid). However, her
ambition to make a mark in the world of journalism and her deep curiosity to uncover Evelyn's
intriguing past clouded her moral judgment. Wrestling with conflicting emotions, Monique chose
to prioritize her personal ambition and the once-in-a-lifetime opportunity to tell Evelyn's story
over the ethical concerns of betraying her employer's trust. She later lied to her boss, Frankie,
telling her that Evelyn wanted to do a tell-all but not with Vivant and that Monique was trying to
convince her otherwise even though she wasn’t, but she needed a promotion and raise to keep up
the fight. Frankie agreed to the terms believing Monique's deception. This decision illuminated
susceptible to the allure of ambition and the allure of a remarkable story, even if it meant going
against the principles of loyalty and integrity she had previously upheld
In conclusion, in Taylor Jenkins Reid's "The Seven Husbands of Evelyn Hugo," the
theme of "Ambition vs. Morality" is intricately woven through the narrative, centering around
the enigmatic Hollywood icon, Evelyn Hugo. Throughout the novel, the conflict between
ambition and morality is vividly portrayed in various aspects of Evelyn's life. Her relentless
pursuit of a successful career in the ruthless world of Hollywood forces her to make morally
questionable choices, blurring the lines between ambition and ethical principles. Additionally,
her romantic relationships serve as a battleground for this internal struggle, as she navigates the
complexities of love, commitment, and personal ambition. Moreover, the novel delves into
Monique's decision to write Evelyn's life story, raising ethical dilemmas that challenge her own
ambition as a journalist against the responsibilities of loyalty and integrity. Reid skillfully
explores the interplay between ambition and morality, making "The Seven Husbands of Evelyn
Hugo" a thought-provoking and multi-layered examination of human desires and ethical choices.
Works Cited