Economics - Report Final
Economics - Report Final
1
INDEX
12. Conclusions 26
13. References 27
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own entertainment, such as when they spontaneously invent a game; participate actively in an
activity they find entertaining, such as when they play sport as a hobby; or consume an
entertainment product passively, such as when they attend a performance.
The entertainment industry (informally known as show business or show biz) is part of the
tertiary sector of the economy and includes many sub-industries devoted to entertainment.
However, the term is often used in the mass media to describe the mass media companies that
control the distribution and manufacture of mass media entertainment. In the popular parlance,
the term show biz in particular connotes the commercially popular performing arts, especially
musical theater, vaudeville, comedy, film, fun, and music. It applies to every aspect of
entertainment including cinema, television, radio, theater, and music.
Source: https://www.google.com/url?sa=i&url=https%3A%2F%2Ffanyv88.com%3A443%2Fhttps%2Fyourstory.com%2F2023%2F01%2Fmedia-
entertainment-sector-likely-to-grow-16-crore-
revenue&psig=AOvVaw1jqVW7MLaXbYVb4zXocBIB&ust=1732182614184000&source=images&cd=vfe&opi=
89978449&ved=2ahUKEwj05sCc0eqJAxWLwTgGHdq1K7QQjRx6BAgAEBk
The Indian entertainment and media (E&M) industry has out-performed the Indian economy and
is one of the fastest growing sectors in India. The E&M industry generally tends to grow faster
when the economy is expanding. The Indian economy has been growing at a fast clip over the
last few years, and the income levels too have been experiencing a high growth rate. Above that,
consumer spending is also on the rise, due to a sustained increase in disposable incomes, brought
about by reduction in personal income tax over the last decade. All these factors have given an
impetus to the E&M industry
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and are likely to contribute to the growth of this industry in the future. Besides these economic
and personal income-linked factors, there are a host of other factors that are contributing to this
high growth rate.
The Indian Media and Entertainment (M&E) industry is a sunrise sector for the economy and is
making significant strides. The increasing availability of fast and cheap internet, rising incomes,
and increasing purchases of consumer durables have significantly aided the industry. India’s
media and entertainment industry are unique as compared to other markets. The industry is well
known for its extremely high volumes and rising Average Revenue Per User (ARPU).
This significantly aided the country’s industry and made India leading in terms of digital
adoption and provided companies with uninterrupted rich data to understand their customers
better. India has also experienced growing opportunities in the VFX sector as the focus shifted
globally to India as a preferred content creator.
Proving its resilience to the world, the Indian M&E industry is on the cusp of a strong phase of
growth, backed by rising consumer demand and improving advertising revenue. According to a
FICCI-EY report, the advertising to GDP ratio is expected to reach 0.4% by 2025 from 0.38% in
2019.
In its earliest form, Indian entertainment was deeply influenced by classical music and dance,
which have been practiced for thousands of years. These art forms, like Bharatanatyam, Kathak,
and Odissi, were not only methods of storytelling but also spiritual and cultural expressions. Folk
theater, too, held a significant place, with performances like Kathakali in Kerala and Yakshagana
in Karnataka portraying mythological tales and moral lessons. These early art forms were central
to the lives of many Indians, providing both a form of entertainment and a means of preserving
tradition and identity.
The arrival of cinema in the early 20th century marked a new era. Dadasaheb Phalke, known as
the father of Indian cinema, produced Raja Harishchandra in 1913, India’s first full-length silent
film. This was an ambitious project for its time, and it resonated with audiences. As cinema
gained popularity, the industry grew rapidly. The advent of sound in the 1930s with Alam Ara
(1931) introduced a new cinematic experience—the “talkies”—which captivated audiences and
quickly made music and dance an essential part of Indian films. These early films often drew
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from mythological and historical themes, creating a unique cinematic language that reflected
Indian culture and values.
The post-independence era in the 1950s and 60s is often regarded as the “Golden Age” of Indian
cinema. This period produced a wave of socially conscious and artistically rich films, often
compared to Italian neorealism in their depiction of societal issues. Directors like Satyajit Ray,
Bimal Roy, and Guru Dutt gained international recognition, and their films tackled themes of
poverty, class struggle, and human resilience. Bollywood (Hindi cinema) began to take shape as
an industry during this period, though regional cinemas in Tamil, Bengali, and Telugu languages
also gained prominence and produced remarkable works, each contributing a unique flavor to
Indian cinema.
Television transformed Indian entertainment in the 1980s and 90s with the launch of
Doordarshan, India’s state-owned broadcaster. This was a revolutionary time for many Indian
households, as television became accessible to millions for the first time. Shows like Ramayan
and Mahabharat captivated the nation and created communal viewing experiences. Daily soaps
and reality shows became popular, and television stars gained celebrity status. The introduction
of satellite television in the early 90s opened the market further, bringing in international
channels and private Indian broadcasters.
Source: https://www.google.com/url?sa=i&url=https%3A%2F%2Ffanyv88.com%3A443%2Fhttps%2Fwww.freepik.com%2Fpremium-ai-image
%2Fphoto-realistic-person-with-modern-home-theater-movie-screen-popcorn-overlay-double-
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d_VAdAQjRx6BAgAEBk
The turn of the 21st century ushered in an era of globalization and modernization for Indian
cinema. Multiplex cinemas began to emerge, offering a more segmented viewing experience that
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catered to urban audiences and allowed a wider variety of films to flourish. Bollywood films
began aiming for a global audience, with productions like Lagaan and Dilwale Dulhania Le
Jayenge achieving international success and sparking interest in Indian films abroad. This period
also saw collaborations with Hollywood studios, a trend that continues to this day.
The 2010s marked the rise of the digital age with the arrival of Over-the-Top (OTT) platforms
like Netflix, Amazon Prime Video, and Disney+ Hotstar. These platforms revolutionized the way
Indians consumed entertainment, providing access to global content and allowing viewers to
watch on-demand. OTT platforms also encouraged Indian filmmakers to experiment with
storytelling, resulting in popular and critically acclaimed series like Sacred Games and Paatalok.
This shift to digital streaming has broadened the scope of Indian entertainment, enabling diverse
voices and unique narratives to find audiences beyond traditional television and cinema.
India’s entertainment industry has evolved into a diverse and influential global powerhouse,
blending tradition with innovation. It continues to be a dynamic force, pushing boundaries in
storytelling, technology, and cultural influence.
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3. Music Industry:
● Music Production and Recording: Music production involves the creation of
songs, albums, and soundtracks, with recording studios serving as the foundation
for professional music production.
● Live Concerts : Live performances by popular artists are significant revenue
drivers in the music industry, with global tours attracting millions of fans.
Concerts provide a personal and immersive experience for music lovers.
● Music Streaming Platforms: Services like Spotify, Apple Music, and YouTube
Music allow listeners to stream music on-demand, changing how people access
and enjoy music while also providing a platform for artists to monetize their
work.
4. Gaming and Esports:
● Video Game Development: Game development involves designing,
programming, and producing interactive entertainment, with studios like
Electronic Arts and Ubisoft leading in the creation of popular titles across various
genres.
● Console and PC Gaming: Console gaming (PlayStation, Xbox) and PC gaming
are major platforms where gamers engage with both single-player and multiplayer
experiences. The gaming hardware market continues to grow rapidly.
● Mobile Gaming: Mobile gaming has seen a surge in popularity, with games like
PUBG Mobile and Candy Crush dominating app stores, offering casual and
immersive gaming experiences.
5. Live Entertainment and Events:
● Theater and Performing Arts: Theater productions and live performances
(musicals, dramas) offer rich, live entertainment experiences.
● Stand-Up Comedy: Stand-up comedy has become a popular form of live
entertainment, with comedians performing in front of live audiences.
6. Digital Media and Social Media:
● Content Creation (YouTube, Instagram): Content creators produce videos, short-
form content, and vlogs on platforms like YouTube and Instagram, gaining
millions of followers and monetizing their work through ads and sponsorships.
● Digital Advertising: Digital advertising is a crucial component of the
entertainment industry, where brands target specific demographics through ads on
platforms like Google, Facebook, and YouTube.
7. Theme Parks and Amusement Parks:
● Large-Scale Parks (e.g., Disney, Universal): Large theme parks like Disneyland
and Universal Studios provide immersive, family-friendly entertainment
experiences, offering rides, shows, and themed attractions.
● Regional Amusement Parks: Regional parks like Essel World and regional water
parks cater to local communities, offering roller coasters, water rides, and family
entertainment.
8. Virtual Reality (VR) and Augmented Reality (AR):
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● Immersive Gaming: VR gaming offers an unparalleled level of immersion, where
players experience interactive environments using headsets and PlayStation VR,
pushing the boundaries of video game experiences.
● VR Cinema and Entertainment Experiences: VR cinema offers an innovative
viewing experience, where audiences are placed inside the movie's world, offering
an immersive experience in contrast to traditional cinema.
9. Radio and Podcasts:
● Traditional Radio: Traditional radio remains a key source of news, music, and
entertainment, with stations like BBC Radio, Radio Mirchi
● Podcasts : The podcast industry has grown exponentially, with platforms like
Spotify, Apple Podcasts, and Google Podcasts hosting millions of episodes
covering virtually every topic imaginable.
From all these sectors Television and broadcasting, particularly through streaming
services and cable networks, continues to lead the entertainment industry with 35-40% by
offering a diverse range of content, attracting millions of viewers, now let us see the
subsectors of the television and broadcasting sector.
Source: https://www.researchandmarkets.com/reports/5105843/india-broadcasting-and-cable-tv-market-by
So here, we can see these are all the subsectors of the Television and Broadcasting
Sector,
Now let us understand the leading sector of this industry.
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4. Leading Sector of Television and Broadcasting Industry:
Leading Sector of Television and Broadcasting Industry is Over-the-Top(OTT):
Market Share:
● Netflix leads the global OTT market with a 23% share
● Disney+ Hotstar holds the top spot in India, capturing 25.65% of the market.
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Here is the distribution of Indian OTT Market
Source: https://yourstory.com/2024/04/fragmented-flourishing-landscape-indias-ott-market
Demand Dynamics:
The demand for OTT platforms in India has grown exponentially due to a confluence of factors.
The proliferation of affordable smartphones and the introduction of low-cost, high-speed internet
services, primarily driven by Jio, democratized access to digital content. This infrastructure laid
the foundation for a surge in digital viewership.
Consumer preferences have also evolved, favoring convenience and personalized entertainment
over traditional formats. OTT platforms cater to these preferences by offering on-demand
content that is accessible across devices. Viewers, especially younger audiences, prefer binge-
worthy series and niche genres, while older demographics lean toward family-friendly films and
live sports. Platforms like Disney+ Hotstar have capitalized on this trend by integrating live
sports with other entertainment options.
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Localization has played a pivotal role in meeting the diverse linguistic and cultural needs of
Indian consumers. Platforms such as ZEE5 and SonyLIV invest in producing content in multiple
Indian languages, appealing to regional markets. Furthermore, the pandemic-induced shift
toward digital entertainment accelerated the demand, making OTT platforms a primary source of
entertainment for millions.
Supply Dynamics:
On the supply side, OTT platforms are driven by the race to produce high-quality and engaging
content. Original series and films have become a hallmark of success, with significant
investments going into content production. Netflix's Sacred Games and Amazon Prime Video's
The Family Man are notable examples of original Indian series that gained both domestic and
international acclaim.
Acquisition of rights for blockbuster films, classic television shows, and live sports has become
another critical supply strategy. Disney+ Hotstar, for instance, has exclusive rights to stream the
Indian Premier League (IPL), which draws massive audiences.
Pricing strategies vary across platforms, with some opting for freemium models supported by
advertisements (e.g., MX Player) and others focusing on premium subscription services. Hybrid
models, offering a mix of free and exclusive paid content, have become increasingly common.
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The demand and supply graph for Indian OTT platforms helps us visualize the interaction
between consumer behavior and market offerings, highlighting how prices and quantities are
determined in this growing industry. Here's a more detailed explanation:
Demand Curve:
The demand curve slopes downward, reflecting the inverse relationship between price and
quantity demanded:
● At higher prices, fewer consumers are willing or able to subscribe to OTT services. This
could include premium tiers of services like Netflix or Disney+ Hotstar, which cater to
niche audiences who value high-quality or exclusive content.
● At lower prices, the demand increases significantly as more consumers find the services
affordable. Platforms like MX Player and YouTube, which often offer free or ad-
supported content, tap into this broader consumer base.
● The affordability of smartphones and internet access drives a high baseline demand for
OTT services.
● Regional content and flexible pricing strategies (e.g., mobile-only plans) further boost
demand by targeting diverse socio-economic segments.
Supply Curve:
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The supply curve slopes upward, showing that platforms are willing to produce and supply more
content as prices increase:
● At lower prices, platforms may limit the production of expensive original series or reduce
licensing agreements, as revenues may not cover costs.
● At higher prices, the platforms are incentivized to expand their offerings, including
original productions, live sports streaming, and more regional language content.
Equilibrium Point:
The equilibrium point is where the quantity demanded by consumers equals the quantity supplied
by the platforms. In our hypothetical graph:
● The equilibrium price (INR 200/month) reflects a balance that maximizes subscriptions
while ensuring platforms can profitably sustain content production and distribution.
● The equilibrium quantity (600,000 subscribers) is the level of adoption where consumer
needs meet the industry's capacity to deliver.
Each firm has some degree of pricing power due to these differences, allowing them to set prices
above marginal cost. However, since substitutes exist, a firm's ability to increase prices is limited
by consumer willingness to switch to alternatives. Entry barriers in such markets are typically
low, enabling new competitors to enter when firms charge excessively high prices or offer
subpar products.
The key characteristic of this market is product differentiation, which creates a unique identity
for each firm's offering. This fosters innovation and variety but also leads to inefficiencies like
excessive advertising or non-price competition.
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OTT is a monopolistic market with different platforms distinguishing themselves.
● Many players: In the OTT market, multiple companies (Netflix, Amazon Prime,
Disney+ Hotstar, Zee5, etc.) offer similar services, such as streaming movies and TV
shows, but each has its unique selling points .This is a hallmark of monopolistic
competition, where firms sell differentiated products that are not perfect substitutes.
● Differentiation:
a. Netflix: Known for its globally acclaimed originals, Netflix offers a wide range of
exclusive series and films which are not available on other platforms. This focus
on high-quality, diverse original content is a major differentiator.
b. Amazon Prime Video: Prime Video stands out with its integration with
Amazon’s retail ecosystem, offering added value such as Amazon Originals and
the ability to purchase or rent movies and shows outside of the subscription
model.
c. Disney+ Hotstar: The platform differentiates itself with its exclusive sports
content, especially in India, where it holds broadcasting rights for major cricket
tournaments, including the IPL, along with a strong catalog of family-friendly
Disney and Indian serials content.
d. Zee5: Zee5 distinguishes itself through its focus on regional content in multiple
languages, including Hindi, Marathi, Bengali, Tamil, and Telugu, catering to a
broad Indian audience with a variety of films, series, and original shows.
e. Sony LIV: Sony LIV stands out for its live sports streaming in India, including
cricket, football, and other sports, alongside a strong offering of local TV shows
and web series.
f. JioCinema: JioCinema offers exclusive access to Jio users in India, allowing
them to stream movies, TV shows, and sports content for free or at discounted
prices, often bundled with Jio’s mobile data plans.
g. ALTBalaji: Known for its focus on bold, adult-themed, and original Hindi
content, ALTBalaji offers exclusive shows which cater to younger, more urban
Indian audiences.
h. MX Player: Initially a media player, MX Player is now distinguished by its ad-
supported free content, offering a wide variety of movies, TV shows, and
originals, available in multiple languages, without requiring a subscription.
i. Discovery Plus: Discovery Plus differentiates itself by its non-fiction content,
focusing on documentaries, reality TV, and lifestyle shows. Popular content
includes nature documentaries, travel shows, and exclusive series from
Discovery’s global network.
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Pricing strategies:
1. Subscription-Based Pricing: OTT platforms, such as Netflix, Amazon Prime Video, and
Disney+ Hotstar, use subscription models to provide premium content. Subscriptions are priced
differently, with options for monthly, quarterly, or yearly payments, attracting a wide range of
customers.
2. Ad-Supported Models (AVOD): Platforms like MX Player and YouTube use ad-supported
content models to provide free access to content, attracting price-sensitive customers. This
strategy may work well in areas with low average revenue per user (ARPU) but high viewing.
3. Bundling and Discounts: Jio Cinema delivers added value to users by bundling OTT
subscriptions with phone or internet contracts, which increases retention. Offering discounts for
longer subscription periods (such as annual subscriptions) also helps to reduce customer churn.
4. Freemium models: Platforms like Spotify have both free and premium tiers, allowing users to
enjoy basic functions for free before upgrading to a subscription plan for an ad-free experience.
This method boosts user engagement and eventually turns free users into paying clients.
5. Pricing Localization: Setting prices based on regional income levels can attract more
customers in price-sensitive areas. For example, cutting pricing in rural or tier 2 and tier 3 cities
could expand market reach.
Marketing Strategies:
3. Partnerships and Collaborations: Working with local production firms and celebrities
improves visibility and content appeal. For example, collaborations between OTT platforms and
Bollywood studios or local superstars increase exclusivity and viewership.
4. User Engagement and Personalization: Platforms use AI and data analytics to provide
personalized recommendations, increasing engagement. Netflix, for example, utilizes its
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recommendation algorithm to adapt content to individual customer tastes, increasing user
satisfaction.
5. Expansion into Emerging Technologies (AR/VR): Virtual reality (VR) and augmented reality
(AR) offer innovative approaches to engage tech-savvy consumers. VR cinema experiences and
interactive AR presentations help differentiate products and improve immersive experiences.
6. Enhanced User Experience: Providing high-quality streaming (4K, HDR) and flexible access
across platforms (smartphones, tablets, and smart TVs) offers a consistent experience, which can
be a key driver of customer retention.
These pricing and market methods are in line with India's dynamic entertainment sector,
catering to a wide range of viewer interests, economic backgrounds, and digital shifts among
Indian customers.
The pricing and marketing strategies for the top three OTT platforms in India are Disney+
Hotstar, Netflix, and Amazon Prime Video. Each of these platforms has distinct approaches to
pricing, content, and customer engagement that align with their target audiences and brand
strengths.
1. Disney+ Hotstar
Pricing Strategy:
● Freemium Model: Disney+ Hotstar offers both free content and paid tiers. The free tier,
supported by ads, provides basic content access, attracting budget-conscious viewers.
● Subscription Tiers: Disney+ Hotstar offers two main paid plans: the VIP plan (focused
on local and sports content) and the Premium plan (including international content and
Disney originals). This tiered pricing appeals to both casual viewers and those looking for
comprehensive access.
● Localized Pricing: To appeal to Indian consumers, Disney+ Hotstar’s pricing is
relatively low compared to global standards, maximizing accessibility and user base in
India.
Marketing Strategy:
● Sports Content Dominance: Disney+ Hotstar markets itself heavily around its exclusive
sports content, particularly cricket, which is highly popular in India. IPL (Indian Premier
League) streaming rights have been a strong driver of subscriptions.
● Localized Content and Language Diversity: The platform emphasizes regional content
in multiple languages, allowing it to capture diverse audiences across India.
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● Partnerships with Telecom Providers: Disney+ Hotstar has collaborated with telecom
companies (like Jio) to bundle it's subscriptions with data plans, expanding its reach
among mobile users.
2. Netflix
Pricing Strategy:
Marketing Strategy:
● Heavy Investment in Original Content: Netflix has invested in Indian original series
and films that resonate with local audiences, like Sacred Games and Delhi Crime,
establishing itself as a source of unique content.
● Data-Driven Personalization: Netflix’s recommendation algorithm tailors content
suggestions, enhancing user engagement and keeping subscribers loyal.
● Global Brand Appeal with Local Stories: While Netflix has a global brand, it localizes
marketing efforts by promoting content that reflects Indian culture and values, targeting
India’s diverse demographic groups.
Pricing Strategy:
● Bundled Pricing with Amazon Prime: Amazon Prime Video is bundled with the
Amazon Prime membership, making it effectively “free” for users who subscribe for
shopping benefits. This bundled pricing offers high perceived value.
● Annual Subscription Focus: Amazon emphasizes annual subscriptions to encourage
long-term user retention, offering it at a lower monthly equivalent compared to other
platforms.
● Localized Pricing Approach: By bundling various services (shopping, Prime Music,
etc.), Amazon effectively lowers the perceived cost of Prime Video, making it
competitive.
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Marketing Strategy:
● Regional Content and Localized Originals: Amazon Prime Video focuses on regional
cinema and series in multiple Indian languages to cater to diverse Indian audiences, such
as The Family Man and Mirzapur.
● Integrated Marketing with Amazon Ecosystem: Amazon cross-promotes Prime Video
through its e-commerce platform, targeting existing Amazon customers with offers and
ads within the Amazon shopping app.
● Promotions and Trials: Amazon regularly offers free trials, promotions, and discounted
first-year prices to attract new users and familiarize them with the platform’s benefits.
Entry Barriers:
1. High Competition: The Indian OTT market is fragmented with over 40 players, including
giants like Netflix, Amazon Prime Video, Disney+ Hotstar, and local platforms like ZEE5 and
MX Player. New entrants face stiff competition from well-established platforms that already
have loyal audiences and vast content libraries.
5. Localization Demands: The growing demand for hyper-localized content in regional languages
increases the complexity and cost of content creation, making it challenging for new players to
build large, culturally relevant libraries.
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Exit Barriers:
1. Sunk Costs: OTT platforms often invest heavily in technology infrastructure, marketing, and
content libraries. Exiting the market would mean writing off these sunk costs, making exits
financially painful.
2. Long-Term Contracts: Content licensing agreements and partnerships with production houses
often span several years, preventing platforms from exiting the market quickly without
significant penalties.
3. Brand Damage: Exiting a competitive market like India can tarnish the global brand reputation
of OTT companies, especially for international players like Netflix and Amazon Prime.
4. Existing Subscriber Base: For established platforms, leaving the market would mean
abandoning a growing subscriber base, which could potentially impact their global market
presence.
Despite the barriers, the Indian OTT market remains an attractive space due to its rapid growth.
Companies must focus on:
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Variety of Content: Diverse Offerings: Online platforms provide an immense variety of
entertainment options, catering to different tastes and preferences. This includes films, series,
music, podcasts, video games, live-streamed events, eSports, and much more.
● Affordability: Many online entertainment platforms offer competitive pricing, often
cheaper than traditional cable or satellite TV subscriptions, or movie theater experiences.
This cost-effectiveness makes entertainment more accessible to a broader audience.
● Interactivity and Engagement: Live streaming platforms (e.g., Twitch, YouTube Live)
allow audiences to interact with creators in real time through comments and live chats,
creating a more immersive and participatory experience.
Weakness:
● High Competition: The market is highly saturated with many players, leading to fierce
competition and thin profit margins.
● Content Piracy: Unauthorized distribution of digital content leads to revenue loss and
compromises content creators’ intellectual property.
● Dependence on Internet Access: Limited or unreliable internet connectivity can hinder
user experience and restrict market reach in certain areas.
● High Production Costs: While distribution is cheaper, creating high-quality content still
requires significant investment.
● Subscription Fatigue: Consumers may be overwhelmed by too many subscription
services, causing churn rates to rise.
● Expansion into Emerging Markets: There is significant potential for growth in regions
with developing internet infrastructure, such as parts of Africa, Asia, and Latin America.
As connectivity improves, so does the opportunity to reach new audiences.
Opportunities:
● Expansion into Emerging Markets: Increased smartphone penetration and improving
internet infrastructure in developing regions open up new customer bases.
● Technological Advancements: New technology, such as AR/VR, offers innovative ways
to engage users and create immersive content experiences.
● Diverse Revenue Streams: Platforms can expand income through merchandise, live
events, advertising, and partnerships.
● Collaborations and Bundling: Partnering with other services for bundled packages can
attract more subscribers and reduce churn.
● Growth of User-Generated Content: Platforms that leverage user-generated content,
such as TikTok and YouTube, can expand content offerings at a lower cost.
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● E-Sports and Competitive Gaming: The surge in popularity of e-sports provides
opportunities for streaming platforms, game developers, and sponsors to engage a
passionate, growing audience.
Threats:
● Regulatory and Legal Challenges: Content restrictions and data privacy laws vary by
country.
● Piracy and Illegal Streaming Sites: Continuous threat that undercuts revenue.
● Subscription Fatigue: Users overwhelmed by multiple services may cancel
subscriptions.
● Economic Downturns: Economic challenges can affect advertising revenues and
subscription rates.
● Rapid Technological Changes: Difficulty in keeping up with the latest tech trends and
user expectations.
● Dependence on Third-Party Infrastructure: Outages or service failures (e.g., cloud
services) can disrupt access.
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Source: https://www.google.com/url?sa=i&url=https%3A%2F%2Ffanyv88.com%3A443%2Fhttps%2Fwww.headspin.io%2Fblog%2Fmaster-test-
automation-maintenance-in-audio-and-video-
testing&psig=AOvVaw2nrlN1SHdIkudrM8XgG6kR&ust=1732183271401000&source=images&cd=vfe&opi=8997
8449&ved=2ahUKEwiXkvLV0-qJAxWKmWMGHfk-HCsQjRx6BAgAEBk
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● Fitness industry seeks virtual presence via OTT: Gyms in India closed when the
lockdown restrictions were strictly levied. According to a Bobble.AI report, besides video
conferencing apps, and websites, fitness applications such as Lose Weight, Cure.fit,
recorded a 104.53% rise in daily active users (DAUs) with engagement rate increasing by
14.72% and time spent on the app increasing by 39.50%.
● Redefining Sports through OTT: Sports content has traditionally been the largest
contributor to the revenues for all Pay-TV services. The disruption of sports broadcasting
due to Covid-19 has led to significant erosion of revenue for operators and Pay-TV
providers. Yet at a time, when social distancing norms have disrupted live sports, Star &
Disney India in the form of Disney+Hotstar VIP have given great joy to a cricket crazy
nation.
Almost every streaming service under the sun is offering free trials and consumers are lapping up
the trials. However, the real test is customer retention achieved not just with great content but
also great technology. To provide a seamless experience for content viewing, OTT providers
need to adopt technology in all the phases of the OTT subscriber’s lifecycle, and it starts with
content discovery. Application of AI & ML will help personalize the search experience by
understanding the customer psyche and offering the right content at the right time.
23
By analyzing user demographics, behavioral data and viewing habits, targeted advertising
ensures higher conversion rates and maximized revenue. Platforms leverage
programmatic advertising tools for precise ad delivery.
1. What subscribers like to watch: This metric lets you track how many people are
watching specific content, and for how long on average.
2. When and how often subscribers like to watch: See how often subscribers are
watching your content, and how the usage is changing over time.
3. How subscribers access the content: This metric allows you to keep track of how much
time your subscribers spend watching your content across the different streaming
platforms.
Sources: https://www.google.com/url?sa=i&url=https%3A%2F%2Ffanyv88.com%3A443%2Fhttps%2Fwww.softcrylic.com%2Fott-content-analytics-
platform-services
%2F&psig=AOvVaw26_Qkmh2NkEafGjfpRORx5&ust=1732181664776000&source=images&cd=vfe&opi=89978
449&ved=0CBQQjRxqFwoTCICD3tnN6okDFQAAAAAdAAAAABAE.
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12.Conclusion
The Indian entertainment sector has witnessed a paradigm shift through rapid technology
progressions, higher penetration of the internet, and shifting consumer tastes. This demonstrates
how the OTT sector is witnessing a relatively large deviation from traditional TV viewing habits
and explores the industry's adaptability to cater to various audiences.
This study underlines regional content, affordable pricing models, and innovative storytelling as
the driving factors in the growth of India's OTT landscape. Additional original productions and
hyper-localized content suggest an understanding of the depth of linguistic and cultural diversity
in India, ensuring inclusivity and reaching a vast market.
Competition between giants and homegrown players indeed engenders innovation, while
competitive dynamics enhance consumer choice. Strategic interventions will, however, be
required to mitigate challenges such as content saturation, piracy, and market fragmentation with
a view to consolidating growth.
Future developments include the infusion of AI-driven personalization, adoption of immersive
technologies like VR, and focus on regional storytelling-the Indian OTT market remains a
dynamic and high-potential segment poised to become one of the leaders in digital entertainment
worldwide. This process underscores the industry's relevance as an integral element of India's
wider cultural and digital economy.
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13.References:
● National Film Archive of India (NFAI): https://www.nfai.gov.in/
● FICCI Media and Entertainment Reports: https://ficci.in/sector/74/project_docs-Media-
Entertainment.html
● https://www.statista.com
● https://www.theglobalstatistics.com
● https://yourstory.com/2024/04/fragmented-flourishing-landscape-indias-ott-market
● https://www.medianews4u.com/indian-svod-market-share-as-on-31st-march-2024-
disney-hotstar-amazon-prime-and-netflix-gains/
● PwC Global Entertainment & Media Outlook:
https://www.thebusinessresearchcompany.com/market-insights/global-tv-and-radio-
broadcasting-market-2024
● PwC India: https://www.pwc.in
● FICCI-EY Media Report: https://ficci.in
● https://timesofindia.indiatimes.com/
● https://community.nasscom.in/
● Bollywood: A Guidebook to Popular Hindi Cinema by Tejaswini Ganti - book
● The Indian Film Industry by Ashok Ranade - Book
● https://tavant.com/wp-content/uploads/2023/10/ott-viewership-analytics-media-
whitepaper.pdf.
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