VOWS
VOWS
VOWS
(A Monologue About A Marriage
in Seven Scenes)
by
Jose Victor Z. Torres
I. Ceremony
(The lights open on onstage. Angeli is standing in the middle of the stage. She is
from this day forward, for better, for worse, for richer, for poorer, in sickness and in
(Blackout)
(The lights fade in. Angeli is standing in center stage. She is now dressed casually in
ANGELI : I could never answer in a simple way when people ask me what
was my idea of a good relationship in a marriage. I tell them it comes in many ways.
We begin with our names. Something I had always believed that it asserts
who you are… (pause) “I, Angeli”. Then what we are going to be— “to be your
wife.” Then the list of what would happen next in a marriage— “to have and to
hold”, “for better, for worse”, “richer or poorer”, “in sickness or in health”
(pause) “to love and cherish” (pause) “till death do us part.” (smiles) I do make
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an exception on those last words. (pause) I am a cynic. We all know that nothing
lasts forever.
I met Cedric after I broke up with my first boyfriend. Cedric was working as a
usual hangout with Anton after work when we both used to handle shoots and
editing work for production houses. That is, until we broke up.
That night I stayed at the bar and my first night going solo ended with me
throwing up in the ladies room. Cedric took me home, where… nothing happened.
(laughs) I still lived then with Mama and she found Cedric quite the gentleman. He
became my boyfriend then a year later he proposed. (pause) So, it’s just your
common boy meets girl—boy marries girl kind of story. Or rather, boy meets girl,
boy and girl always tries to find time to meet each other with their busy skeds until
they finally gave up and boy said to girl, “Let’s get married.”. And when we did
get married, we tried to surprise each other… if we could. (pause) It is love. But there
(The lights change. Cedric exits. Angeli continues her monologue but in a
ANGELI : So. (pause) Two years. (pause) It’s been two years. Who
(laughs) Maybe I meant who would’ve thought that we… we would’ve lasted this
long. (pause) Not that it means anything… (pause) Forget it. Let’s celebrate.
year. So we should celebrate this year. And the year after. And all the coming years.
(pause) What? You have to go to work? (pause) I dropped an editing schedule just…
just to have this afternoon. (pause) Oh, I know it’s payday night. But you could
have at least…. (pause) And I ordered. (pause) I ordered. For lunch. (sighs) But if
you have to go, well… I guess you’re right. We can have it for dinner… (pause) …
if our nightly skeds will allow us to have some time to have dinner. (sarcastically)
Maybe a midnight snack, if you like. (pauses then raises her hands in surrender) Fine.
Fine. Go. (pause) Just go. Shoo! Get away from me!
(The lights changes. Angeli turns her back to the audience and vents her frustration
by screaming angrily. A brief pause. The light changes on Angeli as she turns and
ANGELI : Two and half years, actually. (pause) Yes, I’ve been counting.
And no, I’m not keeping tabs on what we were doing during those years. And like
all marriages, I had to admit we started out a bit rocky. And always… always we
were told to work things out. That’s what our friends usually say. We have to work
things out. Marriage is something for partners who placed this idea in their heads
and hearts that in order for the marriage to last, they should understand each other.
(pause) And love. (pause) Heads and hearts. Understanding and love. (pause) If I
had listened and written to all what our parents and friends said about marriage, I
space, and those little things that make up a marriage. (pause) Can you imagine all
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of that in just thirty months? (pause) And anniversaries. Well, at least we had an
actual celebration in a year so far. (pause) Two years and six months. (pause) I kept
count because I always wanted to fix something for this special day. (pause) Did I
list or one of those Starbucks notebook things or anything. I usually keep things in
(A light fades open. A table set up for a dinner of two can be seen. A slow dance
tune begins to play. Cedric enters, smiling as he stands on one part of the stage.
Angeli turns and faces him. She wipes the tears from her eyes and smiles back.)
ANGELI : Oh, yes. (pause) Surprises. Who would want to forget surprises?
(Cedric goes up to Angeli and extends his hand, asking her for a dance. Angeli
hesitates, nods and takes his hand. The two begin a slow dance as the lights fade
out on them.)
(Blackout)
III. Offspring
(The lights open onstage. Angeli is standing on center stage. A table is behind her
downstage on top of which a teddy bear has been placed. Angeli pulls out a letter
ANGELI : (reads the letter) Dear Angie. I know this kind of letter would be
a bit early to write. I don’t even know what you look like yet. I cannot even predict
what gender you will be when you’re going to be born. You could probably be a
boy and we will name you “Angelo.” (pause) But Cedric and I always wanted a
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girl. And when you start reading, this letter would be the least thing you would
choose to read over Snow White or Goldilocks or Red Riding Hood or later, whatever
But it became a habit with me to anticipate things. My job, you see. For
something you shoot on film to look good, always anticipate the best shot. And
since your Papa will be quite busy for the time trying to feed three mouths, I might as
You were still a wish when we decided to name you Angelina. Or Angie for
short. Or “Angelo” if you’re going to be a boy. But as I said, I wish you would be
a girl. But your father and I were not sure if we wanted to have two girls named
Angelis in the house. Can you imagine a situation where your Papa would call an
Nickname Angie.
If there was something that I can think of as love in a family, it was to have a
daughter like you, Angie. I can imagine the feeling enveloping me once I will hold
you in my arms. It would be a feeling that will only come once in a lifetime. My
you. Until my last breath, I will whisper to you. I will love you until beyond with my
(The lights change. Angie folds the letter and places it beside the teddy bear. She
I cant remember anymore the medical term the doctor used for it. It didn’t
matter. It sounded like… like an alien language. I asked her, “Can you give it to me
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in more simpler terms?” She said it was faulty plumbing. (pause and laugh sadly) I
think that was a bad term. (pause) Now I felt like a dirty, clogged sink. Or a blocked
“Can it be cured?” I asked. “Or can something be done?” She said there
are vitamins. Medicines. Surgery is a possibility. But everything seems so iffy. And
everything will always depend how my body will respond. (pause) No matter how
Cedric and I tried… It’s almost four years already. (smiles sadly at the thought)
Faulty plumbing. (pause) Adoption was a possibility. But we wanted one of our own.
(pause) Our own. (pause) Our Angie. (pause) And all, I could do at the moment is
hope. (pause) I mean, we still have each other. (pause) Then it turns out, I was
mistaken.
(Blackout)
(The lights open onstage. Angeli enters and pauses. She faces the audience.)
ANGELI : What would you do when the illusion you always had about a
marriage was replaced by a reality you knew existed? And you were sure that it
wouldn’t happen to you? (pause) Four and half years. (pause) Happy Anniversary.
ANGELI : (angrily) Where have you been? I’ve been messaging and
trying to call you all night! You were always out of the service area. Was your phone
turned off? (pause then shakes her head) No. No, don’t tell me you were doing
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overtime. (pause) I know it’s payday night. (pause) I called up the diner. They
said you left like an hour before closing. You didn’t even tell them where you’re
going. That was four hours ago. (pause) Where did you go? (pause) DON’T GIVE
ME THAT KIND OF ANSWER, CEDRIC! I am not spying on you! I want to know why I
came home and you’re not here. You know we were finishing a shoot and I was
going to do some editing. I come home and no one’s here! (pause and sniffs) Are
you drunk? (pause) Oh, you had fun with the boys. (pause) Where? (pause) Where
have you been? (pause) One thing I had always learned about you, Cedric, in our
four years of being together is that I know when you’re lying. (pause) DON’T TELL
ME IT’S NONE OF MY BUSINESS! I’M YOUR WIFE! (pause and begins to tear up)
I’m… your wife. (pause) Oh, don’t you shove that baby and family shit in my
face. You know I tried! (pause) Is there someone else? (pause) Cedric? Is there
someone else? (angrily cries) God damn you, Cedric! WHAT DID YOU WANT?
MAKE A BABY SOMEWHERE ELSE! Prove to your fucking machismo that you can
be a father? No! Don’t come near me! I can face my fucking body problem
without you if you wanted to. (pause) I didn’t want to think about it but I somehow
felt something like this might happen. (pause) I had always… always made sure I
can save this marriage! (pause) Then why don’t you just bring your fucking whore
in this house and make a baby on our bed? Stupid fucking macho man! NO! I’M
NOT GOING TO SHUT UP! I’LL SAY WHAT I WANT TO SAY! NO, I WON’T SHUT
UP! (pauses then eyes widen in panic) NO! CEDRIC! NO! I’M SORRY! CEDRIC,
NO!
(Blackout)
V. Passive Reality
(The light fades in. Angeli is sitting uncomfortably on a high stool. During the entire
time she is delivering the marriage vow, Cedric is hovering around her, staring
my… husband. (pause) To have… and to… hold… from this day forward.
ANGELI : (in a shaking voice) For better… For better… (pause) or for…
(Cedric goes up to Angeli, slaps her, then exits. The lights changes. Angeli stands up,
ANGELI : What would you do when the illusion you always had about a
marriage was replaced by a reality you knew existed. (pause) And refuse to accept
that it can happen to you? (pause) That reality has been going on for me for almost a
year now.
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(Pause)
I am sorry. (pause) I’m sorry. (pause) This is not my fault. I tried to talk it
over with you but every time we did so, all we did was thread through mazes and
end up in dead ends. And after almost five years … I don’t know who you are.
(pause) The anger. (pause) The fists. The belt. (pause) You are no longer the man I
married.
It is not my fault. I did not even know my body would be this way. I did not
even know that despite every love and care I can give to someone like you, my body
acted in a different way. Didn’t you even think about me? Didn’t you even think
It is not my fault. I just became the reality that you had to face. I may have
changed in your understanding of me being your wife but I am still that person who
can… who still loves you. But you have to understand that we change and things
will never be the same. Except for what we supposedly have for each other. (pause)
That would’ve been our anchor but it just became a stone that sank us.
It is not my fault that things became too complicated. And I had to deal with
everything in any way I can. My work is one of them. My life beyond these four
walls is one of them. (pause) Did I become too strong? Did I become too complex
for you to understand? Too alive in many ways that I may have scared you. (pause)
You have to understand, I had to replace something that I knew I could never give
you now. (pause) People told me it was a big mistake that I still decided to remain
your wife in spite of the complications that happened. (pause) Was I wrong? I still
want this marriage. (pause) But it seemed that you were no longer able to accept it.
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How do you know that the illusion of a marriage you had always dreamed of
became a reality? Does it start with the words that hurt you? With the mental abuse
of insecurities because he said that without him you would be nothing? When does
it start? Does it begin with the physical when he slaps you across the face? When
he hits you in places where the bruises will not show? Or when he just hits you just
so the bruises will remind you that things will happen now on his terms? (pause) The
(A light fades in upstage. The table with the teddy bear on top can be seen in the
background. Angeli looks at the teddy bear, reaches for it but pauses and changes
her mind.)
ANGELI : I now think it was right that I didn’t have you. (pause) Because
I would never ever break your heart with what I will do now.
(Pause. Angeli takes up the letter she had wanted to give Angie and tears it up. She
places the fragments on the table. She faces the audience and walks downstage.)
I thought I knew you well enough, Cedric. But not this. Not this. (building up
her anger and frustration) Your anger. This… this… bad side. (inhales as her
features harden) WHAT DID I DO WRONG? DID I HURT YOUR PRIDE? DID I DO
SOMETHING THAT PUT YOU ASIDE AS A HUSBAND? THAT YOU ARE NO LONGER
THE MAN OF THE HOUSE? (calms down) Please help me understand. (pause) I
love you… still. (Inhales deeply then sighs) But no more. It ends now. It has gone on
too long. (pause then firmly) If you ever… EVER… lay a hand on me again… I will kill
you.
(Blackout)
VI. Beguilement
(The lights open onstage. Cedric is facing Angeli but Angeli is facing the audience.
ANGELI : (silent)
ANGELI : (silent)
(Silence. Then Angeli turns to face Cedric. Although her face is tear-streaked there
(Blackout)
VII. Estrangement
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(The lights open onstage. Cedric is standing on one side of the stage. Angeli is
facing him. The table with the teddy bear is in the middle between them. A trolley
ANGELI : It ended in six years. (pause) I was counting (pause) Four, if you
didn’t count the bad things. (pause) Whatever we had after four years was no
longer a marriage. (pause) Where do we go from here? (pause) For you? (shakes
her head) It is not my place to say, Cedric. (pause then smiles sarcastically) You?
Setting me free? What do you mean? Our marriage wasn’t something we locked
ourselves into. (pause) You were not a jailer. You were my husband. (pause) Yes, I
may be too kind. (pause) Because this is the only way I can hurt you back. (pause)
(The light changes. The table where the teddy bear once was is now empty. Angeli
goes to the table. She removes her wedding ring, places it on the table then turns to
Cedric.)
(Cedric looks at her. He is about to say something but changes his mind. He turns
and exits.)
(The lights fade out on the scene except a light on Angeli. She faces the audience. )
I. Angeli.
(Blackout)
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CURTAIN