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JavaScript Mini−FAQ
By Danny Goodman
All materials Copyright © 1997−2002 Developer Shed, Inc. except where otherwise noted.
This Mini−FAQ is posted periodically to the comp.lang.javascript newsgroup. It covers the language through
JavaScript 1.2, the version deployed in Netscape Communicator 4.0x, plus some compatibility items with
Microsoft Internet Explorer 3.0x. The focus here is on client−side JavaScript.
Documentation for Microsoft's implementation of its core language (called JScript) is at:
• http://www.microsoft.com/JScript/us/techinfo/jsdocs.htm
Also be sure to download Microsoft's document object model description. You can find a link from:
• http://www.microsoft.com/JScript/
Documentation for JScript in Internet Explorer 4 is part of Microsoft's Internet Client SDK documentation:
• http://www.microsoft.com/msdn/sdk/inetsdk/asetup/
• read or write random text files on the local disk or on the server?
• invoke automatic printing of the current document?
• control browser e−mail, news reader, or bookmark windows and menus?
• access or modify browser preferences settings?
• capture a visitor's e−mail address or IP address?
• quietly send me an e−mail when a visitor loads my page?
• launch client processes (e.g.,Unix sendmail,Win apps,Mac scripts)?
• capture individual keystrokes?
• change a document's background .gif after the page has loaded?
• change the current browser window size, location, or options?
• get rid of that dumb "JavaScript Alert:" line in alert dialogs?
No, however many of these items are possible in Communicator 4.0. Those items perceived to be security
risks (e.g., access browser settings) require "signed JavaScript". MSIE JScript version 2 (see below) can
read/write local files via ActiveX−−but only from server−side scripting.
1
JavaScript Mini−FAQ
Why won't my script work under MS Internet Explorer 3 for the Mac? JScript is available on the Macintosh
starting with 3.0.1 (which is different from the Windows 3.01). I am still evaluating the Mac implementation,
whose object model and other support for JavaScript does not necessarily jive with the Windows version (e.g.,
the Mac version supports the Image object for mouse rollovers). MSIE 3.0.1 runs on Mac 68K and PPC.
Why won't my Navigator 3.0x script run under MSIE 3 for Windows 95?
Most language features and objects that are new in Navigator 3.0 are not supported in MSIE 3.0, although
several Navigator 3.0 items have been added to JScript version 2 (see below). Here's the quick list of items not
available in MSIE 3.0:
UNSUPPORTED OBJECTS
• Window
onerror closed blur() focus() scroll() onBlur= onFocus=
• Location
reload() replace()
• Document
applets[] domain embeds[] images[] URL
• Link
onMouseOut=
• Form
reset() onReset=
• (All Form Elements)
type
• Navigator
mimeTypes[] plugins[] javaEnabled()
• String
prototype split()
One more item: the <SCRIPT SRC="xxx.js"> facility for loading external JavaScript library files runs on the
copy of MSIE 3.02 for Windows that I use (with JScript.dll versions 1 and 2). However there are also reports
that this is not working for some users. Try specifying a complete URL for the SRC attribute.
2
JavaScript Mini−FAQ
IE4 adheres closely to a standard called ECMAScript, which is essentially the core JavaScript 1.1 language.
This does not cover the document object model (another standard being studied). Navigator 3 document
objects not supported in IE4 are:
FileUpload navigator.mimeTypes[] navigator.plugins[]
The JScript.dll shipping with IE4 is version 3.
3
JavaScript Mini−FAQ
After window.open(), how do I access objects and scripts in the other window?
First, be sure to assign an 'opener' property to the new window if you are using a version of JS that doesn't
do it automatically (Nav 3.0x and MSIE 3.0x do it automatically). The following script should be a part of
_every_ new window creation:
To access items in the new window from the original window, the 'newWind' variable must not be damaged
(by unloading), because it contains the only reference to the other window you can use (the name you assign
as the second parameter of open() is not valid for scripted window references; only for TARGET
attributes). To access a form element property in the new window, use:
newWind.document.formName.elementName.property
From the new window, the 'opener' property is a reference to the original window (or frame, if the
window.open() call was made from a frame). To reference a form element in the original window:
opener.document.formName.elementName.property
Finally, if the new window was opened from one frame in the main browser window, and a script in the new
window needs access to another frame in the main browser window, use:
opener.parent.otherFrameName.document.formName. ...
A more secure way is to set the password to be the name or pathname of the HTML file on your site that is the
'true' starting page. Set the location to the value entered into the field (unfortunately, you cannot extract the
value property of a password object in Navigator 2.0x). Entry of a bogus password yields an 'invalid URL'
error.
If the protected pages need additional security (e.g., an infidel has managed to get the complete URL), you
might also consider setting a temporary cookie on the password page; then test for the existence of that cookie
upon entry to every protected page, and throw the infidel back to the password page.
What does the IE4 "Access Denied" error mean when accessing a new window?
The "Access Denied" error in any browser usually means that a script in one window or frame is trying to
4
JavaScript Mini−FAQ
access another window or frame whose document's domain is different from the document containing the
script. What can seem odd about this is that you get this error in IE4 frequently when a script in one window
generates a new window (with window.open()), and content for that other window is dynamically created
from the same script doing the opening. The focus() method also triggers the error.
In my experience, this occurs only when the scripts are being run from the local hard disk. You get a clue
about the situation in the titlebar of the new window: It forces an about:blank URL to the new window, which
is a protocol:domain that differs from wherever your main window's script comes from. If, however, you put
the same main window document on a server, and access it via http:, the problem goes away.
There is a workaround for the local−only problem: In the first parameter of the window.open() method call,
load a real document (even if it is a content−free HTML document) into the sub−window before using
document.write() to generate content for the subwindow. The loading action 'legitimizes' the window as
coming from the same domain as your main window's document.
(This solution does not affect scripts that load a page from a secure server into a separate window or frame.
An http: protocol in one window and https: in the other−−even if from the same server.domain−−yield a
security mismatch and "Access Denied." Setting the document.domain properties of both pages may solve the
problem (but I am unable to test it for sure).)
...............................................................................................................................................................................15
Other documents randomly have
different content
those liable to mental worry, and all brain workers, its action is often
a boon, the only danger being in overstepping the boundary of
moderation to excess. It is not suitable to every constitution, and
those who can trace to it evil effects should not continue its use.
CHAPTER XIX
POISON HABITS
From a very early period poisoning mysteries have been woven into
romance and story, and in later times have been a favourite theme
for both novelist and dramatist. But unfortunately, the scientific
knowledge of writers of fiction, as a rule, is of a very limited
description, and the effects attributed by them to certain drugs are
usually as fabulous as the romances of the olden times. They tell us
of mysterious poisons of untold power, an infinitesimal quantity of
which will cause instantaneous death without leaving a trace behind.
They describe anæsthetics so powerful, that a whiff from a bottle is
sufficient to produce immediate insensibility for any period desired.
In fact, the novelist has a pharmacopœia of his own. After all, why
should we question or cavil, and wish to analyse it in the prosaic test
tube of modern science; for take away the marvels and mysteries
and you kill the romance. The novel performs its mission if it
succeeds in interesting and amusing us, and the story-teller has
accomplished the object of his art when he is successful in weaving
the possible with the impossible, so that we can scarce perceive it.
That master of fiction, Dumas, gives us an instance of this, in his
wonderfully fascinating adventures of the Count Monte Christo.
Nothing seems impossible to this extraordinary individual, and
incident after incident of the most romantic and exciting nature
crowd one upon another throughout the story; yet so beautifully
blended by the wonderful imagination of the author, that it enthrals
us to the end. The Count, who is supposed to have studied the art
of medicine in the East, has always a remedy at hand for every
emergency, from hashish, in which he is a profound believer, to his
mysterious stimulating elixir, described as "of the colour of blood,
preserved in a phial of Bohemian glass." A single drop of this
marvellous fluid, if allowed to fall on the lips, will, almost before it
reaches them, restore the marble and inanimate form to life. His pill
boxes were composed of emeralds and precious stones of huge size,
and their contents consisted of drugs, whose effects were beyond
conception. His knowledge of chemistry and toxicology is equally
astonishing, as instanced in the conversation he holds with Madame
de Villefort, who, for nefarious purposes, desires to improve her
knowledge of poisons. Monte Christo discourses on the poisonous
properties of brucine, a drug rarely used in England, but largely used
in France. "Suppose," says the Count, "you were to take a
millegramme of this poison the first day, two millegrammes the
second day, and so on. Well, at the end of ten days you would have
taken a centigramme: at the end of twenty days, increasing another
millegramme, you would have taken three hundred centigrammes;
that is to say, a dose you would support without inconvenience, and
which would be very dangerous for any other person who had not
taken the same precautions as yourself. Well, then, at the end of a
month, when drinking water from the same carafe, you would kill
the person who had drunk this water, without your perceiving
otherwise than from slight inconvenience that there was any
poisonous substance mingled with the water." The Count thus
explains the doctrine of immunity from a poison, by accustoming the
system to its effect in small doses for a length of time, a process
which is actually possible with some drugs, but not with all. His
satirical description of the bungling of the common poisoner, as
compared to the fine subtlety and cunning he advocates, is also
worth quoting: "Amongst us a simpleton, possessed by the demon
of hate or cupidity, who has an enemy to destroy, or some near
relation to dispose of, goes straight to the grocer's or druggist's,
gives a false name, which leads more easily to his detection than his
real one, and purchases, under a pretext that the rats prevent him
from sleeping, five or six pennyworth of arsenic. If he is really a
cunning fellow he goes to five or six different druggists or grocers,
and thereby becomes only five or six times more easily traced; then,
when he has acquired his specific, he administers duly to his enemy
or near kinsman a dose of arsenic which would make a mammoth or
mastodon burst, and which, without rhyme or reason, makes his
victim utter groans which alarm the whole neighbourhood. Then
arrive a crowd of policemen and constables. They fetch a doctor,
who opens the dead body, and collects from the entrails and
stomach a quantity of arsenic in a spoon. Next day a hundred
newspapers relate the fact, with the names of the victim and the
murderer. The same evening the grocer or grocers, druggist or
druggists, come and say, 'It was I who sold the arsenic to the
gentleman accused'; and rather than not recognize the guilty
purchaser, they will recognize twenty. Then the foolish criminal is
taken, imprisoned, interrogated, confronted, confounded,
condemned, and cut off by hemp or steel; or, if she be a woman of
any consideration, they lock her up for life. This is the way in which
you northerners understand chemistry." And so he endeavours to
incite a woman, who is already anxiously contemplating a series of
terrible crimes.
The recital of the ingenious experiments of the Abbé Adelmonte is a
piece of clever construction, as the quotation will show. "The Abbé,"
said Monte Christo, "had a remarkably fine garden full of vegetables,
flowers, and fruit. From amongst these vegetables he selected the
most simple—a cabbage, for instance. For three days he watered
this cabbage with a distillation of arsenic; on the third, the cabbage
began to droop and turn yellow. At that moment he cut it. In the
eyes of everybody it seemed fit for table, and preserved its
wholesome appearance. It was only poisoned to the Abbé
Adelmonte. He then took the cabbage to the room where he had
rabbits, for the Abbé Adelmonte had a collection of rabbits, cats, and
guinea-pigs, equally fine as his collection of vegetables, flowers, and
fruit. Well, the Abbé Adelmonte took a rabbit and made it eat a leaf
of the cabbage. The rabbit died. What magistrate would find or even
venture to insinuate anything against this? What procureur du roi
has ever ventured to draw up an accusation against M. Magendie or
M. Flourens, in consequence of the rabbits, cats, and guinea-pigs
they have killed? Not one. So, then, the rabbit dies, and justice takes
no notice. This rabbit dead, the Abbé Adelmonte has its entrails
taken out by his cook and thrown on the dunghill; on this dunghill
was a hen, who, pecking these intestines, was, in her turn, taken ill,
and dies next day. At the moment when she was struggling in the
convulsions of death, a vulture was flying by (there are a good many
vultures in Adelmonte's country); this bird darts on the dead bird
and carries it away to a rock, where it dines off its prey. Three days
afterwards this poor vulture, who has been very much indisposed
since that dinner, feels very giddy, suddenly, whilst flying aloft in the
clouds, and falls heavily into a fish-pond. The pike, eels, and carp
eat greedily always, as everybody knows—well, they feast on the
vulture. Well, suppose the next day, one of these eels, or pike, or
carp is served at your table, poisoned, as they are to the third
generation. Well, then, your guest will be poisoned in the fifth
generation, and die at the end of eight or ten days, of pains in the
intestines, sickness, or abscess of the pylorus. The doctors open the
body, and say, with an air of profound learning, 'The subject has
died of a tumour on the liver, or typhoid fever.'"
After attempting to kill half the household with brucine, Madame de
Villefort changes her particular poison for a simple narcotic,
recognized by Monte Christo (who in this instance frustrates the
murderer) as being dissolved in alcohol. The name of the latter
poison is not told us by the novelist, but on the doctor's examination
of the suspected liquid we read, "He took from its silver case a small
bottle of nitric acid, dropped a little of it into the liquor, which
immediately changed to a blood-red colour."
Perhaps the most curious method of poisoning ever used in fiction is
that introduced by the late Mr. James Payn in his novel, "Halves."
The poisoner uses finely chopped horse-hair as a medium for getting
rid of her niece. In this way she brings on a disease which puzzles
the doctor, until one day he comes across the would-be murderess
pulling the horse-hair out of the drawing-room sofa, which causes
him to suspect her at once. This ingenious lady introduced the
chopped horse-hair into the pepper-pot used by her victim. The
inimitable Count Fosco, whom Wilkie Collins introduces into "The
Woman in White," was supposed to possess a remarkable
knowledge of chemistry, although he says, "Only twice did I call
science to my aid," in working out his plot to abduct Lady Glyde. His
media were simple: "A medicated glass of water and a medicated
bottle of smelling-salts relieved her of all further embarrassment and
alarm." This genial villain waxes eloquent on the science of
chemistry in his confession. "Chemistry!" he exclaims, "has always
had irresistible attractions for me from the enormous, the illimitable
power which the knowledge of it confers. Chemists—I assert it
emphatically—might sway, if they pleased, the destinies of humanity.
Mind, they say, rules the world. But what rules the mind? The body
(follow me closely here) lies at the mercy of the most omnipotent of
all potentates—the chemist. Give me—Fosco—chemistry; and when
Shakespeare has conceived Hamlet, and sits down to execute the
conception—with a few grains of powder dropped into his daily food,
I will reduce his mind, by the action of his body, till his pen pours
out the most abject drivel that has ever degraded paper. Under
similar circumstances revive me the illustrious Newton. I guarantee
that when he sees the apple fall he shall eat it, instead of
discovering the principle of gravitation. Nero's dinner shall transform
Nero into the mildest of men before he has done digesting it, and
the morning draught of Alexander the Great shall make Alexander
run for his life at the first sight of the enemy the same afternoon. On
my sacred word of honour it is lucky for Society that modern
chemists are, by incomprehensible good fortune, the most harmless
of mankind. The mass are worthy fathers of families, who keep
shops. The few are philosophers besotted with admiration for the
sound of their own lecturing voices, visionaries who waste their lives
on fantastic impossibilities, or quacks whose ambition soars no
higher than our corns."
In "Armadale," the same novelist introduces us to a poisoner of the
deepest dye in the person of Miss Gwilt. This fair damsel, whose
auburn locks seemed to have possessed an irresistible attraction for
the opposite sex, was addicted to taking laudanum to soothe her
troubled nerves, and first tried to mix a dose with some lemonade
she had prepared for her husband's namesake and friend, whom she
wished out of the way. This attempt failing, and a second one, to
scuttle a yacht in which he was sailing, proving futile also, he was
finally lured to a sanatorium in London, where she had arranged for
him to be placed to sleep in a room into which a poisonous gas
(presumably carbonic acid) was to be passed. At the last moment
she discovers her husband has taken the place of her victim, and in
a revulsion of feeling she rescues him, and ends her own life instead
in the poisoned chamber. According to the story, the medical
investigation which followed this tragedy ended in discovering that
she had died of apoplexy; a fact which had it occurred in real life
would not have redounded to the credit of the medical men who
conducted it.
The heroine of Mr. Benson's novel, "The Rubicon," poisons herself
with prussic acid of unheard of strength, which she discovers among
some photographic chemicals.
On the stage, "poisoning" has gone somewhat out of fashion with
modern dramatists, although it was a common thing in years gone
by for the villain of the play to swallow a cup of cold poison in the
last act, and after several dying speeches to fall suddenly flat on his
back and die to slow music. The death of Cleopatra, described by
Shakespeare as resulting from the bite of a venomous snake, is like
no clinical description of the final effects of death from the bite of
any known snake. Beverley, in "The Gamester," takes a dose of
strong poison in the fifth act, and afterwards makes several fairly
long speeches before he apparently feels the effects, and finally
succumbs. The description of the death of Juliet, which
Shakespeare, in all probability, conceived from reading the effects
that followed the drinking of morion or mandragora wine, is an
accurate description of death from that drug. The use of this
anodyne preparation to deaden pain dates from ancient times, and it
is stated it was a common practice for women to administer it to
those about to suffer the penalty of the law by being crucified. We
have another instance of the fabulous effects ascribed to poisons by
the early playwrights, in Massinger's play, "The Duke of Milan."
Francisco dusts over a plant some poisonous powder and hands it to
Eugenia. Ludovico approaches, and kisses the lady's hand but twice,
and then dies from the effects of the poison.
Miss Helen Mathers, in one of her recent works, viz., "The Sin of
Hagar," a story warranted to thrill the soul of "Sweet Seventeen,"
makes some extraordinary discoveries which will be new to
chemists. For instance, she tells us of strychnine that actually
discolours a glass of whisky and water. One of the characters, a
frisky old dowager, professes to be an amateur chemist, and this
lady, we are gravely informed by the novelist, "detects the presence
of the strychnine in the glass of whisky and water at a glance."
But Miss Mathers has still another poison, whose properties will
doubtless be a revelation to scientists, and it is with this marvellous
body the "double-dyed villainess" of the story puts an end to her
woes. For convenience she carries it about with her concealed in a
ring, and when at last she decides on committing suicide, we are
told "she simply placed the ring to her lips, a strange odour spread
through the room, and she instantly lay dead."
Sufficient eccentricities of this kind in fiction might be enumerated to
fill a volume, but we must forbear. It is perhaps hardly necessary to
state that the lady novelist is the greatest sinner in this respect, and
stranger poisons are evolved from her fertile brain than were ever
known to man.
CHAPTER XXI
THE LAMBETH POISON MYSTERIES
Towards the close of the year 1891 and the early part of 1892, public
interest was excited by the mysterious deaths of several young
women of the "unfortunate" class residing in the neighbourhood of
Lambeth. The first case was that of a girl named Matilda Clover, who
lived in Lambeth Road. On the night of October 20, 1891, she spent
the evening at a music-hall in company with a man, who returned
with her to her lodgings about nine o'clock. Shortly afterwards she
was seen to go out alone, and she purchased some bottled beer,
which she carried to her rooms. After a little time the man left the
house.
At three o'clock in the morning the inmates of the house were
aroused by the screams of a woman, and on the landlady entering
Matilda Clover's room, she found the unfortunate girl lying across
the bed in the greatest agony. Medical aid was sent for, and the
assistant of a neighbouring doctor saw the girl, and judged she was
suffering from the effects of drink. He prescribed a sedative mixture,
but the girl got worse, and, after a further convulsion, died on the
following morning. The medical man whose assistant had seen her
the previous night, gave a certificate that death was due to delirium
tremens and syncope, and Matilda Clover was buried at Tooting.
A few weeks afterwards a woman called Ellen Donworth, who
resided in Duke Street, Westminster Bridge Road, is stated to have
received a letter, in consequence of which she went out between six
and seven in the evening. About eight o'clock she was found in
Waterloo Road in great agony, and died while she was being
conveyed to St. Thomas's Hospital. Before her death she made a
statement, that a man with a dark beard and wearing a high hat had
given her "two drops of white stuff" to drink. In this case a post-
mortem examination was made and on analysis both strychnine and
morphine were found in the stomach, proving that the woman had
been poisoned.
These cases had almost been forgotten, when, some six months
afterwards, attention was again aroused by the mysterious deaths of
two girls named Alice Marsh and Emma Shrivell, who lodged in
Stamford Street. On the evening of April 11, 1892, a man, who one
of the girls in her dying testimony called "Fred," and who she
described as a doctor, called to see them, and together they partook
of tea. The man stayed till 2 a.m., and during the evening gave them
both "three long pills."
Half an hour after the man left the house, both girls were found in a
dying condition. While they were being removed to the hospital Alice
Marsh died in the cab, and Emma Shrivell lived for only six hours
afterwards. The result of an analysis of the stomach and organs
revealed the fact that death in each case had been caused by
strychnine.
There was absolutely no evidence beyond the vague description of
the man for the police to work upon, and this case, like the others,
with which at first it was not connected, seemed likely to remain
among the unsolved mysteries; when by the following curious chain
of circumstances, the perpetrator of these cold-blooded crimes was
at last brought to justice.
Some time after the deaths of the two girls Marsh and Shrivell, a Dr.
Harper, of Barnstaple, received a letter, in which the writer stated,
that he had indisputable evidence that the doctor's son, who had
recently qualified as a medical practitioner in London, had poisoned
two girls—Marsh and Shrivell—and that he, the writer, required
£1,500 to suppress it. Dr. Harper placed this letter in the hands of
the police, with the result, that on June 3, 1892, a man named
Thomas Neill, or Neill Cream, was arrested on the charge of sending
a threatening letter. He was brought up at Bow Street on this charge
for several days, when it transpired that in the preceding November
a well-known London physician had also received a letter, in which
the writer declared that he had evidence to show that the physician
had poisoned a Miss Clover with strychnine, which evidence he could
purchase for £2,500, and so save himself from ruin.
Neill Cream was remanded, and in the meanwhile the body of
Matilda Clover was exhumed, and the contents of the stomach sent
to Dr. Stevenson, one of the Government analysts, for examination.
He discovered the presence of strychnine, and came to the
conclusion that some one had administered a fatal dose to her.
An inquest was then held on the body of Matilda Clover, with the
result that James Neill, or Neill Cream, was committed on the charge
of wilful murder.
This man's lodgings were searched after his arrest, and a curious
piece of paper was discovered, on which, written in pencil in his
handwriting, were the initials "M. C.," and opposite to them two
dates, and then a third date, viz. October 20, which was the date of
Matilda Clover's death. On the same paper, in connection with the
initials "E. S.," was also found two dates, one being April 11, which
was the date of Emma Shrivell's death. There was also found in his
possession a paper bearing the address of Marsh and Shrivell, and it
was afterwards proved that he had said on more than one occasion
that he knew them well.
In his room a quantity of small pills were discovered, each
containing from one-sixteenth to one-twenty-second of a grain of
strychnine, also fifty-four other bottles of pills, seven of which
contained strychnine, and a bottle containing one hundred and sixty-
eight pills, each containing one-twenty-second of a grain of
strychnine. These, it is supposed, he obtained as an agent for the
Harvey Drug Co. of America. It was found he had purchased a
quantity of empty gelatine capsules from a chemist in Parliament
Street, which there is little doubt he had used to administer a
number of the small pills in a poisonous dose.
Thomas Neill, or Neill Cream, was tried for the wilful murder of
Matilda Clover at the Central Criminal Court, before Mr. Justice
Hawkins, on October 18, 1892, the trial lasting five days.
It transpired that Cream, who had received some medical education
and styled himself a "doctor," came to this country from America on
October 1, 1891, and on arriving in London first stayed at Anderton's
Hotel, in Fleet Street. Shortly afterwards he took apartments in
Lambeth, and became engaged to a lady living at Berkhampstead.
He was identified as having been seen in the company of Matilda
Clover, and also by a policeman, as the man who left the house in
Stamford Street on the night that Marsh and Shrivell were murdered.
Dr. Stevenson, who made the analysis of the body of Matilda Clover
on May 6, 1892, stated in his evidence that he found strychnine in
the stomach, liver, and brain, and that quantitatively he obtained
one-sixteenth of a grain of strychnine from two pounds of animal
matter. He also examined the organs from the bodies of Alice Marsh
and Emma Shrivell. He found 6·39 grains of strychnine in the
stomach and its contents of Alice Marsh, and 1·6 grain of strychnine
in the stomach and its contents, also 1·46 grain in the vomit, and ·2
grain in a small portion of the liver of Emma Shrivell.
The jury, after deliberating for ten minutes, returned a verdict of
guilty, and Thomas Neill, or Neill Cream, as he was otherwise known,
was sentenced to death. He was executed on November 15, 1892.
CHAPTER XXII
THE HORSFORD CASE
Towards the close of the year 1897, a Mrs. Holmes, a widow, was
living with her three children at Stoneley, near Kimbolton. She had a
cousin named Walter Horsford, a well-to-do young farmer who
occupied a farm at Spaldwick about twelve miles away, and who
frequently came to Stoneley to visit her.
A romantic attachment eventually sprang up between them, which
resulted in a too intimate acquaintance.
After a while Horsford's affection began to wane, and in the end he
married another lady.
Shortly afterwards Mrs. Holmes left Stoneley and took up her
residence at St. Neots.
About December of the same year she wrote a letter to Horsford,
informing him of her condition, a piece of news which appears to
have greatly upset him, as he was in fear the information might
reach his wife.
On December 28 he called at a chemist's shop in Thrapstone, a
neighbouring town, and asked for a shilling's worth of strychnine,
some prussic acid, arsenic, and carbolic acid, which he stated he
required for poisoning rats. The chemist, to whom he was a stranger,
requested him to bring a witness, which he did, and the chemist's
poison register was duly signed by Horsford and a man who
introduced him. He took the poisons, which consisted of ninety
grains of strychnine, one pound of arsenic, and some prussic acid
and carbolic acid, away with him.
About a week afterwards Mrs. Holmes received a letter from
Horsford. It was taken in by her daughter, who recognised his
handwriting, and the envelope is also supposed to have contained
two packets of strychnine.
On the evening of January 7, 1898, Mrs. Holmes retired to bed,
apparently in her usual health, about half-past nine. The only other
persons in the house were her daughter Annie, her son Percy, and
her infant. The daughter noticed that her mother took a glass of
water upstairs with her, which was an unusual circumstance. On
going to her mother's bedroom shortly afterwards, she found her
suffering great pain, and she saw the glass, now almost empty,
standing on a chest of drawers.
Percy Holmes ran out and called in the assistance of some
neighbours, and then went for a doctor. When medical aid arrived,
the unfortunate woman was in convulsions and died shortly
afterwards.
The day after her death the police searched the house, but failed to
find any trace of poison, and an inquest was held on January 8,
which Horsford was summoned to attend.
In his evidence before the coroner, he swore that he had neither
written to nor seen the deceased woman. The medical evidence
proved that death was caused by strychnine.
The inquest was adjourned for a week, and in the meanwhile Mrs.
Holmes was buried. From information received by the police, a
further search was made in the house, with the result that two
packets were discovered under the feather bed in Mrs. Holmes'
bedroom. One packet of buff-coloured paper was found to contain
about thirty-three grains of strychnine in powder, on which was
written the words, "One dose. Take as told," in Horsford's
handwriting. On the second packet, the contents of which had been
used, was written, "Take in a little water. It is quite harmless." This
was also in Horsford's handwriting.
On January 10, Walter Horsford was arrested on the charge of
perjury committed at the inquest, and it was resolved to have
another examination made of the body of the deceased woman. On
examination of further documents and letters discovered by the
police, the charge of wilful murder was added to corrupt perjury
against Horsford, and he was committed for trial.
The trial took place on June 2, 1898, at Huntingdon, before Mr.
Justice Hawkins.
Dr. Stevenson stated in his evidence, he first made an analysis of a
portion of the body of Mrs. Holmes on January 19, and extracted
1·31 grain of strychnine, but no other poison. Subsequently he
examined the two packets discovered under the bed, and found one
contained 33¾ grains of powdered strychnine, and the other, which
presented the appearance of having had the powder shaken out, a
few minute crystals of strychnine. In each case it was the pure
alkaloid. The body was exhumed nineteen days after death, and he
then made an analysis of all the chief organs, and obtained
therefrom a total quantity of 3·69 grains of strychnine. Death usually
occurred about half an hour after the commencement of the
symptoms. He judged there could not have been less than ten grains
of strychnine in the body at the time of death.
The jury found Walter Horsford guilty, and he was sentenced to
death.
CHAPTER XXIII
THE GREAT AMERICAN POISON MYSTERY
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