The Guide RKN
The Guide RKN
Narayans novel, The Guide, as in most of his novels, is Malgudi, a fictional town in southern India. The novel is told through a series of flashbacks. Raju, the central character, grows up near a railway station, and becomes a shopkeeper, and then a resourceful tourist guide. He meets Rosie, a beautiful dancer, and her husband, whom Raju nicknames Marco, because the man dresses in a thick jacket and helmet as if undertaking an expedition, like Marco Polo. Marco is a scholar and anthropologist, who is more interested in his research than in his young wife Rosie. Rosie and Marco engage Rajus services as a tourist guide, and he takes them sightseeing. She wants to see a king cobra dancing; Marco wants to study cave paintings. Rosie and Marco quarrel constantly, and Marco remains cold and aloof toward Rosie. While Marco is away studying cave paintings, Raju falls in love with Rosie. When Marco discovers that Raju and Rosie have become lovers, Marco abandons her and returns to Madras. Raju becomes infatuated with Rosie. He is so obsessed with Rosie that he forgets his business, falls into debt, and loses his shop at the railway station. He also loses his mothers respect because he is living with a married woman. Rajus mother moves out of their house, and the house is claimed to pay off his debts. Raju encourages Rosie to resume her career as a dancer, and becomes her manager, launching her on a successful career as an interpreter of Bharat Natya, the classical dance of India. But he spends money extravagantly, and is tricked by Marco into forging Rosies signature for a package of her jewels, a mistake that earns him a two-year prison sentence. On his release from prison, Raju stops to rest near an abandoned temple, where a villager named Velan mistakes him for a holy man. Raju does not want to return in disgrace to his friends in Malgudi, and reluctantly decides to play the part of a holy man. He is happy to accept the daily offering of food which the villagers bring him. Gradually he accepts the role which has been thrust upon him, and he acts as spiritual advisor to the village community. Raju is content with the arrangement, until a drought occurs, and, to save face, he has to take up a 12-day fast. As a great crowd gathers to watch him during his ordeal, he begins to believe in the role he has created. He has taken on an unselfish task, not for love or money, for the first time in his life. Despite grave danger to his health, he continues to fast until he collapses. His legs sag down as he feels that the rain is falling in the hills. The ending of the novel leaves unanswered the question of whether he dies, or whether the drought has really ended. A central theme of the novel is the transformation of Raju from his role as a tour guide to that of a spiritual guide. The title of the novel, The Guide, has a double meaning, and Raju is in a sense a double character. As a tour guide and lover, he is impulsive,
unprincipled, and self-indulgent. After his imprisonment, and after his transformation as a holy man, he is careful, thoughtful, and self-disciplined. The novel also tells two stories, that of Rajus relationship with Rosie, and that of Rajus relationship with the villagers as a holy man. The novel begins with Raju sitting beside the temple and meeting the villager named Velan, who mistakes him for a holy man. The novel then alternates between an account of Rajus career as a holy man, which is told in the third-person, and Rajus account to Velan of his previous career as a tour guide and lover, which is told in the first-person. This dualism reflects the dualism in Rajus character. He is transformed from a sinner to a saint, though he is never truly a sinner, and never truly a saint. Because of his capacity for empathy, Raju is a sympathetic character throughout the novel.
somehow, with some misunderstanding, he gets entangled in villagers problems, and is expected to fast unto death, to pacify the Rain God. Raju, who is corrupt to the core, is street-smart, knows how to fleece people for his petty benefits, is now tied with the innocent, expectant countrymen, who hail him as their savior and are ready to do anything for him. Will Raju be able to satisfy the villagers and the Rain Gods, or will he run away from the tricky situation, and return to his earlier life of falsehood and forgery is what the story is all about. The Guide with its 247 pages long narrative, is essentially a tale of human instincts, where faith and love can be expected to bring about a massive change in a mans nature, capable of transforming a devil into saint. R.K. Narayan is at his best in this novel. He is sublimely funny, satiric and thought provoking at the same time. Within the limited spheres of a small town Malgudi, he once again fabricates an engaging, highly entertaining story. Narayans clever use of third person narration to tell the story of Raju the Saint and first person narration to talk about Rajus past as a young restless boy, a careless son, a smart crook, a blind lover and an over clever event manager for his beloved Rosie was simply awesome. I always thought it was a cardinal sin to mix up the narrator in a story, as it confuses the readers. However, Narayan dispels all my doubts as the story oscillates between Rajus past and present, with him adopting the changing garbs of an efficient manager, a jilted lover and a holier than thou saint easily, rapidly changing the narration from third person to first person. All thanks to the authors well laid narrative, I was privy to Rajus innermost thoughts and was laughing out loud at the foolishness of people, whom Raju took for an easy ride. He fleeced his believing customers, worldly unwise Marco, cunning Gaffur and ambitious Rosie, in his disarmingly charming style. And yet, Rajus inner change becomes noticeable, when he begins to take his role as a saint seriously, really wishes to bring about a change in the lives of people, and is ready to sacrifice his own life for the betterment of villagers. As I said earlier also, while reading Bachelor of Arts, I had an inkling that the renunciation episode of Chandran was in a way responsible for creation of a fake saint in The Guide. And, I expected something on the lines of a loser trying to hide behind holy garbs theory in Guide as well. But, the story turned out to be quite different and impressed me more than I ever expected. The Guide is delightfully funny, and yet extraordinarily serious at the same time. I simply loved the contrasting nature of its characters, who struck me as real as Tagores characters, as neither Raju, nor Rosie or Velan are entirely black or white, they all have a mysterious grey shade and are blended well to chalk out a wonderful story of trust and betrayal. Though, I was not very satisfied with the climax, as Narayan leaves it dangling, with just a hint of the future events. But, all in all, it is a wonderful book and I have
marked it prominently on my Read Again list. A true Guide to light up the paths of your life!
In telling Raju's story, Narayan alternates third-person and first-person narration and uses such cinematic techniques as flashbacks and jump cuts. When we first encounter Raju, he is about to meet Velan, and he is seen at this point from the perspective of an omniscient narrator. Then Raju takes over the narrative chores and relates his progress from sweetmeat seller to jailbird to Velan. In between, the omniscient narrator punctuates Raju's narrative by showing him dealing with the villagers as a holy man. At the end, Raju ceases to be a narrator as he loses his hold on his consciousness. The omniscient narrator concludes the story, showing us a Raju who is...