Oral Comm Outline
Oral Comm Outline
Consonants:
a. Voicing vs Voiceless consonants
b. Nature of Obstruction or Manner of Articulation
These are sounds created by stopping the passage of the
breath with a build up of pressure before the release of
breath.
Fricatives/affricates/Nasalas/lateral/semi vowels.
c. Point of Articulation
i. Bilabial : when lower lip touches the upper lip to produce
the sound.
Rhythm of English
1.A.Most words with two syllables are stressed on the first
syllable:
B. Some words have more specific rules:
a. Compound nouns – stress on the first word.
lampshade armchair
doorknob playground
boyfriend
sunflower
sunrise
blackboard
2.b. Compound verbs – stress is placed on the second word
Ex.
undergo outdo
overdose overflow
interact
understand
3.c. Intensive-reflexive pronouns – receives stronger stress
on the second syllable.
yourself herself
themselves
Course Module
Intonation of English
These are the basic tones of English:
1 - low
2 - normal
3 - high
4 – extra high
1,2,3 are commonly used. Tone 4 is used when strong emotions are
expressed.
Rising-Falling Intonation
1. The slide or inflection
Ex. Good day Good afternoon Good night
Course Module
2. The drop or shift
Ex. Good morning Good evening
Rising Intonation
Rising intonation happens when your pitch switches from one
pitch to a higher pitch.
Ex. Are you married? Am I right?
Can you see that? Is he alright?
2. Syllabic Consonants
These are consonants that occur only when a stressed syllable
ends in /t/, /d/, or /n/ and is followed by /I/ or /n/ in the
unstressed syllable.
3. Vowel Length
Vowel length refers to the length of time given to pronounce a
vowel sound. It is the duration or quantity of time rather than
the quality or difference in sound. Vowel length refers to the length of time given to
pronounce a
vowel sound. It is the duration or quantity of time rather than
the quality or difference in sound.
Vowel length may be altered by two things: 1) Stress, and 2)
Syllable structure.
Stress goes with the length of the vowel sound.
Ex. Can’t he swim? No, he can’t.
Intrapersonal Communication
a. The way we see ourselves will influence how we act,
and how we respond when interacting with others.
Our self-concept is affected by our beliefs, values,
and attitudes.
b. Perception focuses on looking outward. Our perception of the
world is deeply entwined in our self-concept. Perceptions are
rooted in our beliefs, attitudes, and values.
c. Expectations are “future-oriented messages dealing with roles we call life scripts”.
Our relationship with other people mold
our expectations.
INTERPERSONAL
a. Dyad – this kind of communication involves two
people in the process.
b. Small group – this involve three or more people.
Group communication is often done to solve
problems and strategize.
c. Public – this involves a large group of persons.
Usually a one-way monologue happens here. This
kind of communication has very little feedback.
Information sharing, broadcasting, and recitals are
some examples.
COMMUNICATIVE COMPETENCY
1. Grammatical competence – proficiency in syntax and
morphology
2. Discourse competence – ability to use the proper words
(cohesion) and coherence, which is the appropriate
combination of communicative function.
3. Sociolinguistic competence – ability to use the appropriate
words in a particular social situation.
4. Strategic competence – proficiency to cope and adjust with
the imperfect knowledge and ability to sustain
communication through various methods.
6. Repair
Within the process of communicating, miscommunication or
misarticulation could occur which may result to stopping the
interaction. To repair is to correct, to ensure that interaction
does not stop, that the turn sequence does not fail and to avoid
the distortion of the subject. Repair can come from the
listener- other initiated, or from the speaker (self-initiated).
7. Termination
This strategy entails ending a conversation “artistically”. This
is to end the discussion indirectly or directly. Indirect
strategies can be gestures such as looking at your phone,
yawning, or looking somewhere else. Direct strategies, on the
other hand, is when you use verbal and non-verbal signals.
You can point at your watch or simply say “I have to go….” Or
“Sorry, I need to leave now. I think we’ve talked long enough”.
Methods of delivery: Reading from a manuscript – this is delivering a speech from a text
written word-for-word. This is a good for speaker who would want to
practice beforehand the speech they will be delivering. This is to ensure that
they will not forget their words. Congressional hearings, educational paper
presentation are places where this can be done.
Impromptu speech-This method is used when you speak at the spur of the moment.
Recitations or speaking during a meeting are some instances where you use this
method.
d. Fluency
This if frequently observed when engaged in an impromptu
speech. This is the ability to express and speak smoothly
without difficulty in utilizing the appropriate words. Fluency
or good diction adds the value of smoothness of flow in
communication.
BODY
1. Shoulders
Movement and position of shoulders convey the behavior of the
speaker. Relaxed shoulders are always a must to communicate
integrity and maintain your influence. Hunched shoulders projects
doubt and uncertainty on the speaker’s part which results to your
listeners doubting you.
2. Arms and hands
The movement of the hands and arms signals purpose and grace. If
not used to express something, let them rest at the side. Be careful
with gestures. Too big gestures may look to theatrical and no hand
or arm movements tend to make you look stiff and awkward.
3. Eyes
Maintaining eye contact with your audience conveys confidence and
encourages connection with them. How you move your eyes also
affect the message you are sending. Rolling your eyes may convey
disregard while giving them the side eye may send a message that
you were offended in some way by a member of the audience.
4. Posture
Good posture, specially when speaking, signals control, courage,
authority and belief. Stand straight with your feet apart and
shoulders squared facing the audience. Do not lean or slouch as it
may convey anxiety or disinterest.
5. Walking
Movements attract attention when delivering a speech. Every once
in a while, a speaker must move away from the lectern to be visibly
available to the listeners. This movement provides a mental
connection where in you show that you want your audience to
connect and empathize with you. Too much movement; however,
may become too distracting and work against you.
6. Facial expressions
The face can give a lot of information to the receiver of the message.
The face unconsciously communicates fear, joy, sadness, or doubt. So
Oral Communication in Context
Types of Speeches 7
a speaker must always be mindful of his reactions. The brain is
programmed to make sense of even the slightest ticks or micro ticks
of the face. Practice in front of the mirror or record yourself
speaking so you can observe how your face moves when speaking.
7. Appearance
Like the old adage, first impressions last, it is important for a
speaker to also take extra care of her or his appearance. This means
you have to be aware of how you dress up. Each occasion entails
different dress codes, and as a speaker you must always dress
accordingly to convey integrity, confidence, and authority. Good
grooming is a basic element to always practice. Remember that you
must always be mindful of how you project yourself as to avoid
distracting your audience from your message.