PAPER-III

VISUAL ARTS
Signature and Name of Invigilator
1. (Signature) __________________________ OMR Sheet No. : ...............................................
(Name) ____________________________ (To be filled by the Candidate)

2. (Signature) __________________________ Roll No.

(Name) ____________________________ (In figures as per admission card)
Roll No.________________________________
D 79 1 3 (In words)

Time : 2 1/2 hours] [Maximum Marks : 150

Number of Pages in this Booklet : 16 Number of Questions in this Booklet : 75
Instructions for the Candidates ¯Ö¸üßõÖÖÙ£ÖμÖÖë Ûêú ×»Ö‹ ×®Ö¤ìü¿Ö
1. Write your roll number in the space provided on the top of 1. ‡ÃÖ ¯Öéšü Ûêú ‰ú¯Ö¸ü ×®ÖμÖŸÖ Ã£ÖÖ®Ö ¯Ö¸ü †¯Ö®ÖÖ ¸üÖê»Ö ®Ö´²Ö¸ü ×»Ö×ÜÖ‹ …
this page. 2. ‡ÃÖ ¯ÖÏ¿®Ö-¯Ö¡Ö ´Öë ¯Ö“ÖÆü¢Ö¸ü ²ÖÆãü×¾ÖÛú»¯ÖßμÖ ¯ÖÏ¿®Ö Æïü …
2. This paper consists of seventy five multiple-choice type of 3. ¯Ö¸üßõÖÖ ¯ÖÏÖ¸ü´³Ö ÆüÖê®Öê ¯Ö¸ü, ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ †Ö¯ÖÛúÖê ¤êü ¤üß •ÖÖμÖêÝÖß … ¯ÖÆü»Öê
questions. ¯ÖÖÑ“Ö ×´Ö®Ö™ü †Ö¯ÖÛúÖê ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ÜÖÖê»Ö®Öê ŸÖ£ÖÖ ˆÃÖÛúß ×®Ö´®Ö×»Ö×ÜÖŸÖ
3. At the commencement of examination, the question booklet •ÖÖÑ“Ö Ûêú ×»Ö‹ פüμÖê •ÖÖμÖëÝÖê, וÖÃÖÛúß •ÖÖÑ“Ö †Ö¯ÖÛúÖê †¾Ö¿μÖ Ûú¸ü®Öß Æîü :
will be given to you. In the first 5 minutes, you are requested (i) ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ÜÖÖê»Ö®Öê Ûêú ×»Ö‹ ˆÃÖÛêú Ûú¾Ö¸ü ¯Öê•Ö ¯Ö¸ü »ÖÝÖß ÛúÖÝÖ•Ö
to open the booklet and compulsorily examine it as below : Ûúß ÃÖᯙ ÛúÖê ±úÖ›Ìü »Öë … ÜÖã»Öß Æãü‡Ô μÖÖ ×²Ö®ÖÖ Ã™üßÛú¸ü-ÃÖᯙ Ûúß
(i) To have access to the Question Booklet, tear off the ¯Öã×ßÖÛúÖ Ã¾ÖßÛúÖ¸ü ®Ö Ûú¸ëü …
paper seal on the edge of this cover page. Do not accept (ii) Ûú¾Ö¸ü ¯Öéšü ¯Ö¸ü ”û¯Öê ×®Ö¤ìü¿ÖÖ®ÖãÃÖÖ¸ü ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ Ûêú ¯Öéšü ŸÖ£ÖÖ
a booklet without sticker-seal and do not accept an open ¯ÖÏ¿®ÖÖë Ûúß ÃÖÓÜμÖÖ ÛúÖê †“”ûß ŸÖ¸üÆü “ÖîÛú Ûú¸ü »Öë ×Ûú μÖê ¯Öæ¸êü
booklet. Æïü … ¤üÖÂê Ö¯ÖæÞÖÔ ¯Öã×ßÖÛúÖ ×•Ö®Ö´Öë ¯Öéšü/¯ÖÏ¿®Ö Ûú´Ö ÆüÖë μÖÖ ¤ãü²ÖÖ¸üÖ †Ö
(ii) Tally the number of pages and number of questions ÝÖμÖê ÆüÖë μÖÖ ÃÖß׸üμÖ»Ö ´Öë ®Ö ÆüÖë †£ÖÖÔŸÖË ×ÛúÃÖß ³Öß ¯ÖÏÛúÖ¸ü Ûúß
in the booklet with the information printed on the ¡Öã×™ü¯ÖæÞÖÔ ¯Öã×ßÖÛúÖ Ã¾ÖßÛúÖ¸ü ®Ö Ûú¸ëü ŸÖ£ÖÖ ˆÃÖß ÃÖ´ÖμÖ ˆÃÖê
cover page. Faulty booklets due to pages/questions »ÖÖî™üÖÛú¸ü ˆÃÖÛêú ãÖÖ®Ö ¯Ö¸ü ¤æüÃÖ¸üß ÃÖÆüß ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ »Öê »Öë …
missing or duplicate or not in serial order or any ‡ÃÖÛêú ×»Ö‹ †Ö¯ÖÛúÖê ¯ÖÖÑ“Ö ×´Ö®Ö™ü פüμÖê •ÖÖμÖëÝÖê … ˆÃÖÛêú ²ÖÖ¤ü ®Ö
other discrepancy should be got replaced immediately ŸÖÖê †Ö¯ÖÛúß ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ¾ÖÖ¯ÖÃÖ »Öß •ÖÖμÖêÝÖß †Öî¸ü ®Ö Æüß †Ö¯ÖÛúÖê
by a correct booklet from the invigilator within the †×ŸÖ׸üŒŸÖ ÃÖ´ÖμÖ ×¤üμÖÖ •ÖÖμÖêÝÖÖ …
period of 5 minutes. Afterwards, neither the Question (iii) ‡ÃÖ •ÖÖÑ“Ö Ûêú ²ÖÖ¤ü OMR ¯Ö¡ÖÛú Ûúß ÛÎú´Ö ÃÖÓÜμÖÖ ‡ÃÖ ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ
Booklet will be replaced nor any extra time will be
given.
¯Ö¸ü †Ó×ÛúŸÖ Ûú¸ü ¤ëü …
(iii) After this verification is over, the OMR Sheet Number
4. ¯ÖÏŸμÖêÛú ¯ÖÏ¿®Ö Ûêú ×»Ö‹ “ÖÖ¸ü ˆ¢Ö¸ü ×¾ÖÛú»¯Ö (A), (B), (C) ŸÖ£ÖÖ (D) פüμÖê
should be entered on this Test Booklet.
ÝÖμÖê Æïü … †Ö¯ÖÛúÖê ÃÖÆüß ˆ¢Ö¸ü Ûêú ¾Öé¢Ö ÛúÖê ¯Öê®Ö ÃÖê ³Ö¸üÛú¸ü ÛúÖ»ÖÖ Ûú¸ü®ÖÖ Æîü
4. Each item has four alternative responses marked (A), (B), (C) •ÖîÃÖÖ ×Ûú ®Öß“Öê פüÜÖÖμÖÖ ÝÖμÖÖ Æîü …
and (D). You have to darken the circle as indicated below on ˆ¤üÖÆü¸üÞÖ :
the correct response against each item. •Ö²Ö×Ûúú(C) ÃÖÆüß ˆ¢Ö¸ü Æîü …
Example : 5. ¯ÖÏ¿®ÖÖë Ûêú ˆ¢Ö¸ü Ûêú¾Ö»Ö ¯ÖÏ¿®Ö ¯Öã×ßÖÛúÖ Ûêú †®¤ü¸ü פüμÖê ÝÖμÖê OMR ¯Ö¡ÖÛú ¯Ö¸ü
where (C) is the correct response. Æüß †Ó×ÛúŸÖ Ûú¸ü®Öê Æïü … μÖפü †Ö¯Ö OMR ¯Ö¡ÖÛú ¯Ö¸ü פüμÖê ÝÖμÖê ¾Öé¢Ö Ûêú †»ÖÖ¾ÖÖ
5. Your responses to the items are to be indicated in the OMR ×ÛúÃÖß †®μÖ Ã£ÖÖ®Ö ¯Ö¸ü ˆ¢Ö¸ü דÖÅ®ÖÖÓ×ÛúŸÖ Ûú¸üŸÖê Æïü, ŸÖÖê ˆÃÖÛúÖ ´Öæ»μÖÖÓÛú®Ö
Sheet given inside the Booklet only. If you mark at any ®ÖÆüà ÆüÖêÝÖÖ …
place other than in the circle in the OMR Sheet, it will not be 6. †®¤ü¸ü פüμÖê ÝÖμÖê ×®Ö¤ìü¿ÖÖë ÛúÖê ¬μÖÖ®Ö¯Öæ¾ÖÔÛú ¯ÖœÌëü …
evaluated. 7. Ûú““ÖÖ ÛúÖ´Ö (Rough Work) ‡ÃÖ ¯Öã×ßÖÛúÖ Ûêú †×®ŸÖ´Ö ¯Öéšü ¯Ö¸ü Ûú¸ëü …
6. Read instructions given inside carefully. 8. μÖפü †Ö¯Ö OMR ¯Ö¡ÖÛú ¯Ö¸ü ×®ÖμÖŸÖ Ã£ÖÖ®Ö Ûêú †»ÖÖ¾ÖÖ †¯Ö®ÖÖ ®ÖÖ´Ö, ¸üÖê»Ö
7. Rough Work is to be done in the end of this booklet. ®Ö´²Ö¸ü, ±úÖê®Ö ®Ö´²Ö¸ü μÖÖ ÛúÖê‡Ô ³Öß ‹êÃÖÖ ×“ÖÅ®Ö ×•ÖÃÖÃÖê †Ö¯ÖÛúß ¯ÖÆü“ÖÖ®Ö ÆüÖê
8. If you write your Name, Roll Number, Phone Number or put ÃÖÛêú, †Ó×ÛúŸÖ Ûú¸üŸÖê Æïü †£Ö¾ÖÖ †³Ö¦ü ³ÖÖÂÖÖ ÛúÖ ¯ÖÏμÖÖêÝÖ Ûú¸üŸÖê Æïü, μÖÖ ÛúÖê‡Ô
any mark on any part of the OMR Sheet, except for the space †®μÖ †®Öã×“ÖŸÖ ÃÖÖ¬Ö®Ö ÛúÖ ¯ÖÏμÖÖêÝÖ Ûú¸üŸÖê Æïü, •ÖîÃÖê ×Ûú †Ó×ÛúŸÖ ×ÛúμÖê ÝÖμÖê
allotted for the relevant entries, which may disclose your ˆ¢Ö¸ü ÛúÖê ×´Ö™üÖ®ÖÖ μÖÖ ÃÖ±êú¤ü ÃμÖÖÆüß ÃÖê ²Ö¤ü»Ö®ÖÖ ŸÖÖê ¯Ö¸üßõÖÖ Ûêú ×»ÖμÖê
identity, or use abusive language or employ any other unfair †μÖÖêÝμÖ ‘ÖÖê×ÂÖŸÖ ×ÛúμÖê •ÖÖ ÃÖÛúŸÖê Æïü …
means such as change of response by scratching or using 9. †Ö¯ÖÛúÖê ¯Ö¸üßõÖÖ ÃÖ´ÖÖ¯ŸÖ ÆüÖê®Öê ¯Ö¸ü ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ‹¾ÖÓ ´Öæ»Ö OMR ¯Ö¡ÖÛú
white fluid, you will render yourself liable to disqualification. ×®Ö¸üßõÖÛú ´ÖÆüÖê¤üμÖ ÛúÖê »ÖÖî™üÖ®ÖÖ †Ö¾Ö¿μÖÛú Æîü †Öî¸ü ¯Ö¸üßõÖÖ ÃÖ´ÖÖׯŸÖ Ûêú ²ÖÖ¤ü
9. You have to return the test question booklet and Original ˆÃÖê †¯Ö®Öê ÃÖÖ£Ö ¯Ö¸üßõÖÖ ³Ö¾Ö®Ö ÃÖê ²ÖÖÆü¸ü ®Ö »ÖêÛú¸ü •ÖÖμÖë … ÆüÖ»ÖÖÓ×Ûú †Ö¯Ö
OMR Sheet to the invigilators at the end of the examination
compulsorily and must not carry it with you outside the
¯Ö¸üßõÖÖ ÃÖ´ÖÖׯŸÖ ¯Ö¸ü OMR ¯Ö¡ÖÛú Ûúß ›ãü¯»ÖßÛêú™ü ¯ÖÏ×ŸÖ †¯Ö®Öê ÃÖÖ£Ö »Öê •ÖÖ
Examination Hall. You are, however, allowed to carry duplicate ÃÖÛúŸÖê Æïü …
copy of OMR Sheet on conclusion of examination. 10. Ûêú¾Ö»Ö ®Öß»Öê/ÛúÖ»Öê ²ÖÖ»Ö ¯¾ÖÖ‡Õ™ü ¯Öê®Ö ÛúÖ Æüß ‡ÃŸÖê´ÖÖ»Ö Ûú¸ëü …
10. Use only Blue/Black Ball point pen. 11. ×ÛúÃÖß ³Öß ¯ÖÏÛúÖ¸ü ÛúÖ ÃÖÓÝÖÞÖÛú (Ûîú»ÖÛãú»Öê™ü¸ü) μÖÖ »ÖÖÝÖ ™êü²Ö»Ö †Öפü ÛúÖ
11. Use of any calculator or log table etc., is prohibited. ¯ÖÏμÖÖêÝÖ ¾ÖÙ•ÖŸÖ Æîü …
12. There is no negative marks for incorrect answers. 12. ÝÖ»ÖŸÖ ˆ¢Ö¸üÖë Ûêú ×»Ö‹ ÛúÖê‡Ô ®ÖÛúÖ¸üÖŸ´ÖÛú †ÓÛú ®ÖÆüà Æïü …
13. In case of any discrepancy in the English and Hindi versions, 13. μÖפü †ÓÝÖÏê•Öß μÖÖ ØÆü¤üß ×¾Ö¾Ö¸üÞÖ ´Öë ÛúÖê‡Ô ×¾ÖÃÖÓÝÖ×ŸÖ ÆüÖê, ŸÖÖê †ÓÝÖÏê•Öß ×¾Ö¾Ö¸üÞÖ
English version will be taken as final. †Ó×ŸÖ´Ö ´ÖÖ®ÖÖ •ÖÖ‹ÝÖÖ …
D-79-13 1 P.T.O.
 VISUAL ARTS
Paper – III
Note : This paper contains seventy five (75) objective type questions of two (2) marks each.
All questions are compulsory.
1. Which part of the Stupa is called Hermika ? 9. Who is the Sculptor of Gates of Hell ?
(A) Upper part of the pillar (A) Arstide Maillol
(B) Upper part of the gate (B) August Rodin
(C) Upper part of the parasol (C) Lipchitz
(D) Upper part of the anda (D) James Ensor
(hemisphere)
2. Who is not Greek Sculpture of 4th 10. From the following whose paintings
century B.C. ? bear affinity with Manjit Bawa ?
(A) Scopus (B) Lysippus (A) Nilima Sheikh
(C) Praxiteles (D) Phidias (B) Nalini Malani
(C) Arpita Singh
3. Famous Kusana Sculpture of (D) Arpana Caur
Boddhiswattva from Mathura
dedicated by Frian Balal is housed in 11. Whose painting depicts photo realism ?
which museum ? (A) Vivan Sundaram
(A) National Museum, New Delhi (B) Bikas Bhattacharyaji
(B) State Museum, Mathura (C) Ranbir Kaleka
(C) Archaeological Museum, Sarnath
(D) British Museum, London (D) Manu Parikh

4. Where is the temple called Teli Ka 12. Who has authored several books on
Mandir ? Pahari Painting ?
(A) Gwalior (B) Orchha (A) Mulk Raj Anand
(C) Jaipur (D) Bhopal (B) Karl J. Khandalawala
5. Which of the text from following (C) M.S. Randhawa
exclusively deals with Indian architecture ? (D) Rai Krishna Das
(A) Ashtadhyayi 13. Which colour model is named as
(B) Shilpataru subtractive colour model ?
(C) Vishvakarmiya Shilp
(D) Sadhanmala (A) RGB colour model
(B) Index colour model
6. What was the original word used in (C) CMYK colour model
Republic of Plato for Imitation ? (D) HSL colour model
(A) Replicos (B) Caricature
(C) Repetition (D) Mimesis 14. Device that breaks the original
7. Who is accredited to introduce continuous tone image into patterns
diagonal perspective in Renaissance of dots.
painting ? (A) Quarter tone
(A) Andrea del Mantegna (B) Acetate screen with criss cross lines
(B) Paolo Uccello (C) Mezzotint
(C) Fra Philippe Lippi (D) Half tone
(D) Leonardo da Vinci
15. First live action film which was
8. Caricature Honore Daumier was completely storyboarded.
associated to which art movement ?
(A) Realism (A) Fantasgomarie
(B) Romanticism (B) Gone with the wind
(C) Neoclassicism (C) Three little pigs
(D) Expressionism (D) Steamboat Willie
Paper-III 2 D-79-13
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×®ÖÛú™üŸÖÖ ¤ü¿ÖÖÔŸÖê Æïü ?
2. “ÖÖî£Öß ¿ÖŸÖÖ²¤üß ‡Ô.¯Öæ. ÛúÖ ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ÛúÖî®Ö ÃÖÖ (A) ®Öß×»Ö´ÖÖ ¿ÖêÜÖ (B) ®Ö×»Ö®Öß ´Ö»ÖÖ®Öß
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(A) ÃÛúÖê¯ÖÃÖ (B) ×»Ö×ÃÖ¯¯ÖÃÖ
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3. ×±ÏúµÖÖ®Ö ²Ö»ÖÖ»Ö «üÖ¸üÖ ÃÖ´ÖÙ¯ÖŸÖ ‘´Ö£Öã¸üÖ ÛúÖ ²ÖÖê׬ÖÃÖŸ¾Ö’ µÖ£ÖÖ£ÖÔ¾ÖÖ¤ü ÛúÖ ¯ÖϤü¿ÖÔ®Ö Æîü ?
(A) ×¾Ö¾ÖÖ®Ö ÃÖãÓ¤ü¸ü´ÖË
¯ÖÏ×ÃÖ¨ü ÛãúÂÖÖÞÖ ´ÖæÙŸÖ ×ÛúÃÖ ÃÖÓÝÖÏÆüÖ»ÖµÖ ´Öë Æîü ? (B) ×¾ÖÛúÖÃÖ ³Ö™Ëü™üÖ“ÖÖµÖÔ•Öß
(A) ¸üÖ™ÒüßµÖ ÃÖÓÝÖÏÆüÖ»ÖµÖ, ®Ö‡Ô פü»»Öß
(C) ¸üÞÖ¾Ö߸ü ÛúÖ»ÖêÛúÖ
(B) ¸üÖ•µÖ ÃÖÓÝÖÏÆüÖ»ÖµÖ, ´Ö£Öã¸üÖ
(D) ´Ö®Öã ¯ÖÖ׸üÜÖ
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(D) ײÖÎ×™ü¿Ö ÃÖÓÝÖÏÆüÖ»ÖµÖ, »ÖÓ¤ü®Ö 12. ¯ÖÆüÖ›Ìüß ×“Ö¡ÖÛú»ÖÖ ¯Ö¸ü Ûú‡Ô ¯ÖãßÖÛëú ×ÛúÃÖ®Öê ×»ÖÜÖß
4. ŸÖê»Öß ÛúÖ ´ÖÓפü¸ü ®ÖÖ´ÖÛú ´ÖÓפü¸ü ÛúÆüÖÑ ×Ã£ÖŸÖ Æîü ? Æïü ?
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(C) ‹´Ö.‹ÃÖ. ¸Óü¬ÖÖ¾ÖÖ
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(C) ×¾Ö¿¾ÖÛúÙ´ÖµÖÖ ×¿Ö»¯Ö (A) †Ö¸ü.•Öß.²Öß. ¸ÓüÝÖ ´ÖÖò›ü»Ö
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Ûú»ÖÖ †ÖÓ¤üÖê»Ö®Ö ÃÖê ÃÖÓ²Ö¨ü £Öê ? (B) ÝÖÖî®Ö ×¾Ö¤ü ¤ü ؾ֛ü
(A) µÖ£ÖÖ£ÖÔ¾ÖÖ¤ü (B) ¸üÖê´ÖÖÓÃÖ¾ÖÖ¤ü (C) £ÖÐß ×»Ö×™ü»Ö ׯÖÝÃÖ
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D-79-13 3 Paper-III
16. “Storyboard” was developed in World 26. In print making for viscosity process
Disney studio in 1930s, are graphic what type of surface of block is needed ?
organizers in the form of (A) Wooden (B) Metal
(A) Illustrative images displayed in (C) Rubber (D) Stone
sequence
(B) A motion picture 27. In printmaking aluminium plate is
(C) Animation etched by which acid ?
(D) Interactive media sequence (A) Nitric acid
(B) Hydrochloric acid
17. “Vectorization” refers to process of (C) Sulphuric acid
converting (D) Caustic soda
(A) RGB into CMYK 28. Water is common factor in printing in
(B) Raster graphics into Vector (A) Lithography and Offset
graphics (B) Dry point and Mezzotint
(C) Continuous tone to halftone (C) Silk screen and colography
(D) Hand drawn drawings to digital
edition (D) Linocut and wood block
printing
18. “Inbetweening” helps to create the 29. In silk printing what makes the
illusion of motion in animation, are the surface photosensitive ?
drawings between (A) Potassium Permanganate
(A) 12 frames (B) 24 frames (B) Potassium Dichromate
(C) 4 frames (D) key frames (C) Sodium Hydrochloride
19. Amongst following who is not sculptor ? (D) Nitric Acid
(A) Girish Bhatt 30. Amongst following who is not a print
(B) Mrinalini Mukherjee maker ?
(C) Balan Nambiar (A) Rembrandt
(D) P.R. Daroz (B) William Blake
20. Which material provides strength to clay ? (C) Pablo Picasso
(A) Sand (B) Grog (D) Theodore Gericault
(C) Leaves (D) Husk 31. Choose the correct sequence of parts
21. Malar artist are known for their of architecture in elevation of
(A) Wood carving (B) Terracotta Orissan temple.
(C) Metal casting (D) Iron work (A) Audha, Kalash, Khapuri, Amlaka
(B) Amlaka, Khapuri, Kalash, Audha
22. Of the following with from whom the (C) Amlaka, Kalash, Khapuri,
work of Meera Mukherjee is inspired ? Ayudha
(A) Ghadva Artist (D) Kalash, Amlaka, Khapuri,
(B) Bhareva Artist Ayudha
(C) Jhara Artist
(D) Bell metal Artist 32. Choose the correct chronological
sequence :
23. Of the following, what is used for (A) Dharmarajika Stupa, Bhaja
purification of metal for casting ? Chaitya, Durga Temple of
(A) Tin (B) Borax Aihole, Konark Sun Temple
(C) Mercury (D) Sulpher (B) Bhaja Chaitya, Dharmarajika
Stupa, Durga Temple of Aihole,
24. The dancing torso found from Konark Sun Temple
Mohenjodaro is made of (C) Bhaja Chaitya, Durga Temple of
(A) Bronze (B) Copper Aihole, Dharmarajika Stupa,
(C) Brass (D) Terracotta Konark Sun Temple
25. Krishna Reddy belongs to (D) Bhaja Chaitya, Konark Sun
(A) Delhi (B) Hyderabad Temple, Durga Temple of
(C) Mumbai (D) Chennai Aihole, Dharmarajika Stupa
Paper-III 4 D-79-13
16. ‘ÙüÖê¸üß²ÖÖê›Ôü’ 1930 Ûêú ¤ü¿ÖÛú ´Öë ¾Ö»›Ôü ×›üÃÖ®Öß 26. ”ûÖ¯ÖÖ ×“Ö¡ÖÞÖ ´Öë ×¾ÖÃÛúÖê×ÃÖ™üß ¯ÖÏ×ÛÎúµÖÖ Ûêú ×»Ö‹
Ùãü×›üµÖÖê ´Öë ×¾ÖÛú×ÃÖŸÖ Æãü‡Ô, •ÖÖê ×®Ö´®Ö×»Ö×ÜÖŸÖ Ûêú ²»ÖÖòÛú Ûúß ×ÛúÃÖ ¯ÖÏÛúÖ¸ü Ûúß ÃÖŸÖÆü Ûúß
ºþ¯Ö ´Öë ÝÖÏÖ×±úÛú †ÖÝÖì®ÖÖ‡•Ö¸ü £Öß †Ö¾Ö¿µÖÛúŸÖÖ ÆüÖêŸÖß Æîü ?
(A) ‡»ÖêÙÒêü×™ü¾Ö ‡´Öê•Öê•Ö ×›üï»Öê ‡®Ö ×ÃÖŒ¾ÖëÃÖ (A) ÛúÖšü (B) ¬ÖÖŸÖã
(B) ´ÖÖê¿Ö®Ö ׯ֌“Ö¸ü (C) ¸ü²Ö›Ìü (D) ¯ÖŸ£Ö¸ü
(C) ‹×®Ö´Öê¿Ö®Ö
(D) ‡Ó™ü¸ü‹×Œ™ü¾Ö ´Öß×›üµÖÖ ×ÃÖŒ¾ÖëÃÖ 27. دÖÏ™ü ´ÖêØÛúÝÖ ´Öë ‹»µÖã´Öß×®ÖµÖ´Ö ¯»Öê™ü ÛúÖê ×ÛúÃÖ
17. “×¾ÖŒ™üÖê¸üÖ‡•Öê¿Ö®Ö” ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖ ‹×ÃÖ›ü ÃÖê ‹Ø“ÖÝÖ ×ÛúµÖÖ •ÖÖŸÖÖ Æîü ?
¯Ö׸ü¾ÖŸÖÔ®Ö Ûúß ¯ÖÏ×ÛÎúµÖÖ ÃÖê ÃÖÓ²ÖÓ×¬ÖŸÖ Æîü ? (A) ®ÖևיÒüÛú ‹×ÃÖ›ü
(A) †Ö¸ü.•Öß.²Öß. ÃÖê ÃÖß.‹´Ö.¾ÖÖ‡Ô.Ûêú. (B) ÆüÖ‡›ÒüÖꌻÖÖê׸üÛú ‹×ÃÖ›ü
(B) ¸üÖÙü¸ü ÝÖÏÖò×±úÛú ÃÖê ¾Öꌙü¸ü ÝÖÏÖò×±úÛú (C) ÃÖ»°µÖæ׸üÛú ‹×ÃÖ›ü
(C) Ûú×™ü®µÖã†ÃÖ ™üÖê®Ö ÃÖê ÆüÖ±ú ™üÖê®Ö (D) ÛúÖò×ÙüÛú ÃÖÖê›üÖ
(D) Æïü›ü ›ÒüÖ®Ö ›ÒüÖؾÖÝÖ ÃÖê ×›üו֙ü»Ö ‹›üß¿Ö®Ö 28. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë دÖÏØ™üÝÖ ´Öë •Ö»Ö ‹Ûú ÃÖÖ´ÖÖ®µÖ
18. “‡®Öײ֙ü¾ÖßØ®ÖÝÖ” ‹×®Ö´Öê¿Ö®Ö ´Öë ´ÖÖê¿Ö®Ö Ûêú ³ÖÏ´Ö ÛúÖê ÛúÖ¸üÛú Æîü
ˆŸ¯Ö®®Ö Ûú¸ü®Öê ´Öë ÃÖÆüÖµÖÛú ÆüÖêŸÖÖ Æîü, µÖê ×ÛúÃÖÛêú ´Ö¬µÖ (A) ×»Ö£ÖÖêÝÖÏÖ±úß †Öî¸ü †Öò±úÃÖê™ü
Ûêú †ÓÛú®Ö Æïü ? (B) ›ÒüÖ‡¯¾ÖÖÓ‡™ü †Öî¸ü ´Öê•ÖÖê×™ü®™ü
(A) 12 ±Ïêú´Ö (B) 24 ±Ïêú´Ö (C) ×ÃÖ»Ûú ÃÛÎúß®Ö †Öî¸ü ÛúÖê»ÖÖêÝÖÏÖ±úß
(C) 4 ±Ïêú´Ö (D) Ûúß ±Ïêú´Ö (D) »Öß®ÖÖêÛú™ü †Öî¸ü ¾Öã›ü ²»ÖÖòÛú دÖÏØ™üÝÖ

19. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ÛúÖî®Ö ´ÖæÙŸÖÛúÖ¸ü ®ÖÆüà Æîü ? 29. ×ÃÖ»Ûú دÖÏØ™üÝÖ ´Öë ÛúÖî®Ö ÃÖÖ ŸÖŸ¾Ö ÃÖŸÖÆü ÛúÖê
(A) ×ÝÖ¸üß¿Ö ³Ö¼ü (B) ´ÖéÞÖÖ×»Ö®Öß ´ÖãÜÖ•Öá ±úÖê™üÖêÃÖë×ÃÖ×™ü¾Ö ²Ö®ÖÖŸÖÖ Æîü ?
(C) ²ÖÖ»Ö®Ö ®ÖÖ×´²ÖµÖÖ¸ü (D) ¯Öß.†Ö¸ü. ›ü¸üÖê•ÖÌ (A) ¯ÖÖê™îü×¿ÖµÖ´Ö ¯Ö¸ü´ÖïÝÖ®Öê™ü
(B) ¯ÖÖê™îü×¿ÖµÖ´Ö ›üÖ‡ÛÎúÖê´Öê™ü
20. ×´Ö™Ëü™üß ÛúÖê ÛúÖî®Ö ÃÖß ÃÖÖ´ÖÝÖÏß ¿Ö׌ŸÖ ¯ÖϤüÖ®Ö Ûú¸üŸÖß Æîü ? (C) ÃÖÖê×›üµÖ´Ö ÆüÖ‡›ÒüÖꌻÖÖê¸üÖ‡›ü
(A) ²ÖÖ»Öæ (B) ÝÖÏÖêÝÖ (D) ®ÖևיÒüÛú ‹×ÃÖ›ü
(C) ¯Ö×¢ÖµÖÖÑ (D) ÆüÃÛú
30. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ÛúÖî®Ö دÖÏ™ü ´ÖêÛú¸ü ®ÖÆüà Æîü ?
21. ´Ö»ÖÖ¸ü Ûú»ÖÖÛúÖ¸ü ×ÛúÃÖ×»Ö‹ •ÖÖ®Öê •ÖÖŸÖê Æïü ? (A) ¸êü´²ÖÎÖÓ
(A) ¾Öã›ü ÛúÖÚ¾ÖÝÖ (B) ™êü¸üÖÛúÖê™üÖ (B) ×¾Ö×»ÖµÖ´Ö ²»ÖêÛú
(C) ´Öê™ü»Ö ÛúÖØÙüÝÖ (D) †ÖµÖ¸ü®Ö ¾ÖÛÔú (C) ¯ÖÖ²»ÖÖê ׯÖÛúÖÃÖÖê
22. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖÛêú ÛúÖµÖÔ ÃÖê ´Ö߸üÖ ´ÖãÜÖ•Öá ®Öê (D) ×£ÖµÖÖê›üÖê¸ü •Öê׸üÛúÖò»Ö
¯ÖÏê¸üÞÖÖ ¯ÖÏÖ¯ŸÖ Ûúß ? 31. ˆ›ÌüßÃÖÖ Ûêú ´ÖÓפü¸ü Ûêú ˆŸ£ÖÖ®Ö ´Öë ¾ÖÖßÖã Ûêú †ÓÝÖÖë ÛúÖ
(A) ‘ÖœÌü¾ÖÖ Ûú»ÖÖÛúÖ¸ü ÃÖÆüß ÛÎú´Ö “Öã×®Ö‹ :
(B) ³Öî¸ü¾ÖÖ Ûú»ÖÖÛúÖ¸ü (A) †ÖµÖã¬Ö, Ûú»Ö¿Ö, ÜÖ¯Öã¸üß, †Ö´Ö»ÖÛú
(C) —ÖÖ¸üÖ Ûú»ÖÖÛúÖ¸ü
(B) †Ö´Ö»ÖÛú, ÜÖ¯Öã¸üß, Ûú»Ö¿Ö, †ÖµÖã¬Ö
(D) ²Öê»Ö ´Öê™ü»Ö Ûú»ÖÖÛúÖ¸ü
(C) †Ö´Ö»ÖÛú, Ûú»Ö¿Ö, ÜÖ¯Öã¸üß, †ÖµÖã¬Ö
23. œü»ÖÖ‡Ô Ûêú ×»Ö‹ ¬ÖÖŸÖã Ûêú ¯Ö׸üÂÛú¸üÞÖ Ûêú ×»Ö‹ (D) Ûú»Ö¿Ö, †Ö´Ö»ÖÛú, ÜÖ¯Öã¸üß, †ÖµÖã¬Ö
×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖÛúÖ ¯ÖϵÖÖêÝÖ ×ÛúµÖÖ •ÖÖŸÖÖ Æîü ?
(A) ×™ü®Ö (B) ²ÖÖê¸êüŒÃÖ 32. ÃÖÆüß ÛúÖ»ÖÛÎú´Ö ÛúÖ “ÖµÖ®Ö Ûúßו֋ :
(C) ´Ö¸üÛú¸üß (D) ÃÖ»±ú¸ü (A) ¬Ö´ÖÔ¸üÖ•Ö ÛúÖ ÃŸÖæ¯Ö, ³Ö•Ö “ÖÖ, †Ö‡ÆüÖê»Ö
ÛúÖ ¤ãüÝÖÖÔ ´ÖÓפü¸ü, ÛúÖêÞÖÖÛÔú ÃÖæµÖÔ ´ÖÓפü¸ü
24. ´ÖÖêÆü®Ö •ÖÖê¤ü›ÌüÖê ÃÖê ¯ÖÏÖ¯ŸÖ ®ÖéŸÖÛú ¬Ö›Ìü ×ÛúÃÖÃÖê ×®ÖÙ´ÖŸÖ Æîü ? (B) ³Ö•Ö “ÖÖ, ¬Ö´ÖÔ¸üÖ•Ö ÛúÖ ÃŸÖæ¯Ö, †Ö‡ÆüÖê»Ö
(A) ÛúÖÓÃµÖ (B) ŸÖÖѲÖÖ ÛúÖ ¤ãüÝÖÖÔ ´ÖÓפü¸ü, ÛúÖêÞÖÖÛÔú ÃÖæµÖÔ ´ÖÓפü¸ü
(C) ¯ÖßŸÖ»Ö (D) ™êü¸üÖÛúÖê™üÖ (C) ³Ö•Ö “ÖÖ, †Ö‡ÆüÖê»Ö ÛúÖ ¤ãüÝÖÖÔ ´ÖÓפü¸ü,
25. ÛéúÂÞÖÖ ¸êü›Ë›üß ÛúÆüÖÑ ÃÖê ÃÖÓ²ÖÓ×¬ÖŸÖ Æïü ? ¬Ö´ÖÔ¸üÖ•Ö ÛúÖ ÃŸÖæ¯Ö, ÛúÖêÞÖÖÛÔú ÃÖæµÖÔ ´ÖÓפü¸ü
(A) פü»»Öß (B) Æîü¤ü¸üÖ²ÖÖ¤ü (D) ³Ö•Ö “ÖÖ, ÛúÖêÞÖÖÛÔú ÃÖæµÖÔ ´ÖÓפü¸ü, †Ö‡ÆüÖê»Ö
(C) ´ÖãÓ²Ö‡Ô (D) “Öê®®Ö‡Ô ÛúÖ ¤ãüÝÖÖÔ ´ÖÓפü¸ü, ¬Ö´ÖÔ¸üÖ•Ö ÛúÖ ÃŸÖæ¯Ö
D-79-13 5 Paper-III
33. Choose the correct chronological 38. Select correct sequence in
sequence of the texts. lithography.
(A) Vishnudharmottar purana, (A) Grinding, Surface Cleaning,
Ashtadhyayi, Harshcharita, Application of Gum, Drawing
Kalpasutra (B) Grinding, Application of Gum,
(B) Vishnudharmottar purana, Surface cleaning, Drawing
Ashtadhyayi, Kalpasutra, (C) Grinding, Surface cleaning,
Harshcharita Drawing, Application of Gum
(C) Vishnudharmottar purana, (D) Surface cleaning, Drawing,
Harshcharita, Ashtadhyayi, Application of Gum, Grinding
Kalpasutra
(D) Ashtadhyayi, Vishnudharmottar 39. Select the correct chronology of the
purana, Harshcharita, Kalpasutra famous print makers.
34. Choose the correct sequence of the (A) Michael Wolgemut, William
works of Pablo Picasso. Hogarth, Rembrandt, Ottavio
(A) La Vie, The Old Guitarist, Les Leoni
Demoiselles d’Avignon, Guernica (B) Rembrandt, Ottavio Leoni,
(B) The Old Guitarist, La Vie, Les Michael Wolgemut, William
Demoiselles d’Avignon, Guernica Hogarth
(C) La Vie, les Demoiselles d’Avignon,
The Old Guitarist, Guirnica (C) Ottavio Leoni, Michael Wolgemut,
(D) Les Demoiselles d’Avignon, The Rembrandt, William Hogarth
Old Guitarist, La Vie, Guernica (D) Michael Wolgemut, Ottavio Leoni,
35. Choose the correct chronological Rembrandt, William Hogarth
sequence of the scholars : 40. Select correct chronological
(A) Percy Brown, Anand sequence of sculptures.
Coomarswamy, Stella Kramerisch, (A) Shringar, Toilet, The Bull,
Susanne Huntington Mukhabhyas
(B) Anand Coomarswamy, Percy (B) Mukhabhyas, Shringar, Toilet,
Brown, Stella Kramerisch,
Susanne Huntington The Bull
(C) Stella Kramerisch, Susanne (C) The Bull, Mukhabhyas, Shringar,
Huntington, Anand Toilet
Coomarswamy, Percy Brown (D) The Bull, Toilet, Mukhabhyas,
(D) Percy Brown, Stella Kramerisch, Shringar
Anand Coomarswamy, Susanne
Huntington 41. Select correct chronological
sequence of the sculptors.
36. Choose the reverse chronological (A) Ajit Chakravarty, M.
sequence of the artists : Dharmani, Raghav Kaneria,
(A) Gustav Courbet, Theodore Gericault,
Jackson Pollock, George Braque J.J. Narzhari
(B) Gustav Courbet, Jackson Pollock, (B) Raghav Kaneria, J.J. Narzhari,
George Braque, Theodore Gericault Ajit Chakravarty, M. Dharmani
(C) Jackson Pollock, George Braque, (C) J.J. Narzhari, Ajit Chakravarty,
Gustav Courbet, Theodore Gericault Raghav Kaneria, M. Dharmani
(D) Jackson Pollock, George Braque, (D) M. Dharmani, Raghav Kaneria,
Theodore Gericault, Gustav Courbet J.J. Narzhari, Ajit Chakravarty
37. Select correct sequence of ground plan 42. Select correct sequence of metal
in temple architecture. casting of hollow cast wax image.
(A) Sopan, Mandap, Garbhagriha, (A) Making of mould, Fix Runner,
Antaral Firing of Mould, Fill Core
(B) Sopan, Mandap, Antaral, (B) Fix Runner, Firing of Mould,
Garbhagriha Making of Mould, Fill Core
(C) Sopan, Antaral, Mandap, (C) Making of Mould, Firing of
Garbhagriha Mould, Fix Runner, Fill Core
(D) Sopan, Garbhagriha, Mandap, (D) Fix Runner, Making of Mould,
Antaral Fill Core, Firing of Mould
Paper-III 6 D-79-13
33. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÝÖÏÓ£ÖÖë ÛúÖ ÃÖÆüß ÛúÖ»ÖÛÎú´Ö “Öã×®Ö‹ : 38. ×»Ö£ÖÖêÝÖÏÖ±úß ´Öë ÃÖÆüß ÛÎú´Ö “Öã×®Ö‹ :
(A) ×¾ÖÂÞÖã¬Ö´ÖÖì¢Ö¸ü ¯Öã¸üÖÞÖ, †Â™üÖ¬µÖÖµÖß, (A) ÝÖÏÖ‡ÓØ›üÝÖ, ÃÖ±ìúÃÖ Œ»ÖßØ®ÖÝÖ, ‹¯»ÖßÛêú¿Ö®Ö
ÆüÂÖÔ“Ö׸üŸÖ, Ûú»¯ÖÃÖæ¡Ö †Öò±ú ÝÖ´Ö, ›ÒüÖò‡ÓÝÖ
(B) ×¾ÖÂÞÖã¬Ö´ÖÖì¢Ö¸ü ¯Öã¸üÖÞÖ, †Â™üÖ¬µÖÖµÖß, (B) ÝÖÏÖ‡ÓØ›üÝÖ, ‹¯»ÖßÛêú¿Ö®Ö †Öò±ú ÝÖ´Ö, ÃÖ±ìúÃÖ
Ûú»¯ÖÃÖæ¡Ö, ÆüÂÖÔ“Ö׸üŸÖ Œ»ÖßØ®ÖÝÖ, ›ÒüÖò‡ÓÝÖ
(C) ×¾ÖÂÞÖã¬Ö´ÖÖì¢Ö¸ü ¯Öã¸üÖÞÖ, ÆüÂÖÔ“Ö׸üŸÖ, (C) ÝÖÏÖ‡ÓØ›üÝÖ, ÃÖ±ìúÃÖ Œ»ÖßØ®ÖÝÖ, ›ÒüÖò‡ÓÝÖ,
†Â™üÖ¬µÖÖµÖß, Ûú»¯ÖÃÖæ¡Ö ‹¯»ÖßÛêú¿Ö®Ö †Öò±ú ÝÖ´Ö
(D) ÃÖ±ìúÃÖ Œ»ÖßØ®ÖÝÖ, ›ÒüÖò‡ÓÝÖ, ‹¯»ÖßÛêú¿Ö®Ö †Öò±ú
(D) †Â™üÖ¬µÖÖµÖß, ×¾ÖÂÞÖã¬Ö´ÖÖì¢Ö¸ü ¯Öã¸üÖÞÖ, ÝÖ´Ö, ÝÖÏÖ‡ÓØ›üÝÖ
ÆüÂÖÔ“Ö׸üŸÖ, Ûú»¯ÖÃÖæ¡Ö
34. ¯ÖÖ²»ÖÖê ׯÖÛúÖÃÖÖê Ûêú ÛúÖµÖÖí ÛúÖ ÃÖÆüß ÛÎú´Ö “Öã×®Ö‹ : 39. ¯ÖÏ×ÃÖ¨ü دÖÏ™ü ´ÖêÛúÃÖÔ ÛúÖ ÃÖÆüß ÛúÖ»Ö ÛÎú´Ö “Öã×®Ö‹ :
(A) »ÖÖ ×¾Ö, ¤ü †Öê»›ü ×ÝÖ™üÖ׸üÙü, »ÖÖò (A) ×´ÖÜÖÖ‡»Ö ¾ÖÖê»ÝÖê´Öã™ü, ×¾Ö×»ÖµÖ´Ö ÆüÖêÝÖÖ£ÖÔ,
›êü´ÖÖêÃÖê»ÃÖ ¤ü †×¾Öݮ֮Ö, ÝÖã‹Ù®ÖÛúÖ ¸êü´²ÖÎÖÓ, †Öê™êü×¾ÖµÖÖê ×»ÖµÖÖê®Öß
(B) ¤ü †Öê»›ü ×ÝÖ™üÖ׸üÙü, »ÖÖ ×¾Ö, »ÖÖò (B) ¸êü´²ÖÎÖÓ, †Öê™êü×¾ÖµÖÖê ×»ÖµÖÖê®Öß, ×´ÖÜÖÖ‡»Ö
›êü´ÖÖêÃÖê»ÃÖ ¤ü †×¾Öݮ֮Ö, ÝÖã‹Ù®ÖÛúÖ ¾ÖÖê»ÝÖê´Öã™ü, ×¾Ö×»ÖµÖ´Ö ÆüÖêÝÖÖ£ÖÔ
(C) †Öê™êü×¾ÖµÖÖê ×»ÖµÖÖê®Öß, ×´ÖÜÖÖ‡»Ö ¾ÖÖê»ÝÖê´Öã™ü,
(C) »ÖÖ ×¾Ö, »ÖÖò ›êü´ÖÖêÃÖê»ÃÖ ¤ü †×¾Öݮ֮Ö, ¤ü ¸êü´²ÖÎÖÓ, ×¾Ö×»ÖµÖ´Ö ÆüÖêÝÖÖ£ÖÔ
†Öê»›ü ×ÝÖ™üÖ׸üÙü, ÝÖã‹Ù®ÖÛúÖ (D) ×´ÖÜÖÖ‡»Ö ¾ÖÖê»ÝÖê´Öã™ü, †Öê™êü×¾ÖµÖÖê ×»ÖµÖÖê®Öß,
(D) »ÖÖò ›êü´ÖÖêÃÖê»ÃÖ ¤ü †×¾Öݮ֮Ö, ¤ü †Öê»›ü ¸êü´²ÖÎÖÓ, ×¾Ö×»ÖµÖ´Ö ÆüÖêÝÖÖ£ÖÔ
×ÝÖ™üÖ׸üÙü, »ÖÖ ×¾Ö, ÝÖã‹Ù®ÖÛúÖ
35. ×®Ö´®Ö×»Ö×ÜÖŸÖ ×¾Ö«üÖ®ÖÖë ÛúÖ ÃÖÆüß ÛúÖ»ÖÛÎú´Ö ÛúÖ 40. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´ÖæÙŸÖ ×¿Ö»¯ÖÖë ÛúÖ ÃÖÆüß ÛúÖ»ÖÛÎú´Ö
“ÖµÖ®Ö Ûúßו֋ : “Öã×®Ö‹ :
(A) ¯ÖÃÖá ²ÖÎÖˆ®Ö, †Ö®Ö®¤ü Ûãú´ÖÖ¸üþÖÖ´Öß, Ùîü»ÖÖ (A) ÀÖéÓÝÖÖ¸ü, ™üÖµÖ»Öê™ü, ¤ü ²Öã»Ö, ´ÖãÜÖÖ³µÖÖÃÖ,
ÛÎîú´Ö׸ü¿Ö, ÃÖã•ÖÖ®Ö ÆüØ™üÝÖ™ü®Ö (B) ´ÖãÜÖÖ³µÖÖÃÖ, ÀÖéÓÝÖÖ¸ü, ™üÖµÖ»Öê™ü, ¤ü ²Öã»Ö,
(B) †Ö®Ö®¤ü Ûãú´ÖÖ¸üþÖÖ´Öß, ¯ÖÃÖá ²ÖÎÖˆ®Ö, Ùîü»ÖÖ (C) ¤ü ²Öã»Ö, ´ÖãÜÖÖ³µÖÖÃÖ, ÀÖéÓÝÖÖ¸ü, ™üÖµÖ»Öê™ü,
ÛÎîú´Ö׸ü¿Ö, ÃÖã•ÖÖ®Ö ÆüØ™üÝÖ™ü®Ö (D) ¤ü ²Öã»Ö, ™üÖµÖ»Öê™ü, ´ÖãÜÖÖ³µÖÖÃÖ, ÀÖéÓÝÖÖ¸ü,
(C) Ùîü»ÖÖ ÛÎîú´Ö׸ü¿Ö, ÃÖã•ÖÖ®Ö ÆüØ™üÝÖ™ü®Ö, †Ö®Ö®¤ü
Ûãú´ÖÖ¸üþÖÖ´Öß, ¯ÖÃÖá ²ÖÎÖˆ®Ö 41. ´ÖæÙŸÖÛúÖ¸üÖë ÛúÖ ÃÖÆüß ÛúÖ»ÖÛÎú´Ö “ÖµÖ®Ö Ûúßו֋ :
(D) ¯ÖÃÖá ²ÖÎÖˆ®Ö, Ùîü»ÖÖ ÛÎîú´Ö׸ü¿Ö, †Ö®Ö®¤ü (A) †×•ÖŸÖ “ÖÛÎú¾ÖŸÖá, ‹´Ö. ¬Ö´ÖÖÔ®Öß, ¸üÖ‘Ö¾Ö
Ûãú´ÖÖ¸üþÖÖ´Öß, ÃÖã•ÖÖ®Ö ÆüØ™üÝÖ™ü®Ö Ûú®Öê׸üµÖÖ, •Öê.•Öê. ®Ö¸ü—Ö¸üß
(B) ¸üÖ‘Ö¾Ö Ûú®Öê׸üµÖÖ, •Öê.•Öê. ®Ö¸ü—Ö¸üß, †×•ÖŸÖ
36. Ûú»ÖÖÛúÖ¸üÖë ÛúÖ ×¾Ö¯Ö¸üßŸÖ ÛúÖ»ÖÛÎú´Ö “Öã×®Ö‹ : “ÖÛÎú¾ÖŸÖá, ‹´Ö. ¬Ö´ÖÖÔ®Öß
(A) ÝÖãßÖÖ¾Ö Ûãú²Öì, ×£ÖµÖÖê›üÖê¸ü •Öê¸üßÛúÖò»Ö, •ÖîŒÃÖ®Ö (C) •Öê.•Öê. ®Ö¸ü—Ö¸üß, †×•ÖŸÖ “ÖÛÎú¾ÖŸÖá, ¸üÖ‘Ö¾Ö
¯ÖÖê»ÖÛú, •ÖÖ•ÖÔ ²ÖÎÖòÛú Ûú®Öê׸üµÖÖ, ‹´Ö. ¬Ö´ÖÖÔ®Öß
(B) ÝÖãßÖÖ¾Ö Ûãú²Öì, •ÖîŒÃÖ®Ö ¯ÖÖê»ÖÛú, •ÖÖ•ÖÔ ²ÖÎÖòÛú, (D) ‹´Ö. ¬Ö´ÖÖÔ®Öß, ¸üÖ‘Ö¾Ö Ûú®Öê׸üµÖÖ, •Öê.•Öê.
×£ÖµÖÖê›üÖê¸ü •Öê¸üßÛúÖò»Ö ®Ö¸ü—Ö¸üß, †×•ÖŸÖ “ÖÛÎú¾ÖŸÖá
(C) •ÖîŒÃÖ®Ö ¯ÖÖê»ÖÛú, •ÖÖ•ÖÔ ²ÖÎÖòÛú, ÝÖãßÖÖ¾Ö Ûãú²Öì,
42. ÆüÖê»ÖÖê ÛúÖÙü ¾ÖêŒÃÖ ‡´Öê•Ö Ûúß ´Öî™ü»Ö ÛúÖØÙüÝÖ ÛúÖ
×£ÖµÖÖê›üÖê¸ü •Öê¸üßÛúÖò»Ö ÃÖÆüß ÛÎú´Ö ×»Ö×ÜÖ‹ :
(D) •ÖîŒÃÖ®Ö ¯ÖÖê»ÖÛú, •ÖÖ•ÖÔ ²ÖÎÖòÛú, ×£ÖµÖÖê›üÖê¸ü (A) ´ÖêØÛúÝÖ †Öò±ú ´ÖÖê»›ü, ×±úŒÃÖ ¸ü®Ö¸ü,
•Öê¸üßÛúÖò»Ö, ÝÖãßÖÖ¾Ö Ûãú²Öì ±úÖµÖظüÝÖ †Öò±ú ´ÖÖê»›ü, ×±ú»Ö ÛúÖê¸ü
37. ´ÖÓפü¸ü ãÖÖ¯ÖŸµÖ ´Öë ³Öæ-µÖÖê•Ö®ÖÖ ÛúÖ ÃÖÆüß ÛÎú´Ö “Öã×®Ö‹ : (B) ×±úŒÃÖ ¸ü®Ö¸ü, ±úÖµÖظüÝÖ †Öò±ú ´ÖÖê»›ü,
(A) ÃÖÖê¯ÖÖ®Ö, ´ÖÓ›ü¯Ö, ÝÖ³ÖÔÝÖéÆü, †ÓŸÖ¸üÖ»Ö ´ÖêØÛúÝÖ †Öò±ú ´ÖÖê»›ü, ×±ú»Ö ÛúÖê¸ü
(C) ´ÖêØÛúÝÖ †Öò±ú ´ÖÖê»›ü, ±úÖµÖظüÝÖ †Öò±ú
(B) ÃÖÖê¯ÖÖ®Ö, ´ÖÓ›ü¯Ö, †ÓŸÖ¸üÖ»Ö, ÝÖ³ÖÔÝÖéÆü
´ÖÖê»›ü, ×±úŒÃÖ ¸ü®Ö¸ü, ×±ú»Ö ÛúÖê¸ü
(C) ÃÖÖê¯ÖÖ®Ö, †ÓŸÖ¸üÖ»Ö, ´ÖÓ›ü¯Ö, ÝÖ³ÖÔÝÖéÆü
(D) ×±úŒÃÖ ¸ü®Ö¸ü, ´ÖêØÛúÝÖ †Öò±ú ´ÖÖê»›ü, ×±ú»Ö
(D) ÃÖÖê¯ÖÖ®Ö, ÝÖ³ÖÔÝÖéÆü, ´ÖÓ›ü¯Ö, †ÓŸÖ¸üÖ»Ö ÛúÖê¸ü, ±úÖµÖظüÝÖ †Öò±ú ´ÖÖê»›ü
D-79-13 7 Paper-III
43. Select the correct sequence of 48. Assertion (A) : Imagination is an
typographers : essential element of creation of art.
(A) John Baskerville, Giambatista Reason (R) : Imagination is
Bodoni, William Caslon, Edward faculty of mind which
Benguiat
(B) William Caslon, John transforms ideas and feelings
Baskerville, Giambatista Bodoni, into visual images.
Edward Benguiat Codes :
(C) William Caslon, Giambatista (A) (A) is correct and (R) is partly
Bodoni, Edward Benguiat, John correct.
Baskerville (B) (A) is correct and (R) is incorrect.
(D) Giambatista Bodoni, William (C) (A) is incorrect but (R) is correct.
Caslon, John Baskerville, Edward
Benguiat (D) (A) and (R) both are correct.
44. The correct sequence in order of 49. Assertion (A) : Manjeet Bawa’s
publication : figuration seems to be both an
(A) Time, Life, Playboy, Esquire assertion of tradition as well as
(B) Life, Playboy, Time, Esquire its negation.
(C) Life, Playboy, Esquire, Time Reason (R) : Because he had a
(D) Playboy, Esquire, Time, Life village background and ethnic
45. Select correct sequence of advertising preoccupation.
strategy. Codes :
(A) Feedback, Market research, Media (A) (A) is incorrect and (R) is correct.
selection, Creative planning (B) (A) is correct and (R) is incorrect.
(B) Media selection, Market research, (C) (A) and (R) both are correct.
Creative planning, Feedback (D) (A) and (R) both are incorrect.
(C) Creative planning, Market
research, Media selection, 50. Assertion (A) : Guernica is an
Feedback agonistic expression of Pablo
(D) Market research, Media selection, Picasso resulting from Spanish
Creative planning, Feedback Civil War.
46. Assertion (A) : In Indus Valley art Reason (R) : Because he lost his
appliqué method was used vaguely many dear friends in this war.
to prepare terracotta images. Codes :
Reason (R) : Because by the time (A) (A) and (R) both are correct.
moulds were not invented. (B) (A) and (R) both are incorrect.
Codes : (C) (A) is correct and (R) is incorrect.
(A) (A) and (R) both are correct. (D) (A) is incorrect and (R) is correct.
(B) (A) is correct but (R) is incorrect.
(C) (A) and (R) both are incorrect. 51. Assertion (A) : Pop art chiefly
(D) (A) is incorrect but (R) is correct. includes cinema, sex and comic
47. Assertion (A) : During the Pal period strip.
terracotta art in Eastern India Reason (R) : Because its basic
reached to culmination. intention is to appeal the
Reason (R) : Because malleable instinct and attention of
quality of clay provided greater common mass.
freedom of plastic rendering and Codes :
paucity of stone furthered use of
clay. (A) (A) is incorrect and (R) is
Codes : correct.
(A) (A) and (R) both are correct. (B) (A) and (R) both are correct.
(B) (A) is correct but (R) is partly (C) (A) is correct and (R) is partly
correct. correct.
(C) (A) and (R) both are incorrect. (D) (A) is partly correct and (R) is
(D) (A) is incorrect but (R) is correct. correct.
Paper-III 8 D-79-13
43. ™üÖ‡¯ÖÖêÝÖÏÖ±ú¸ü ÛúÖ ÃÖÆüß ÛÎú´Ö “Öã×®Ö‹ : 48. †×³ÖÛú£Ö®Ö (A) : Ûú»¯Ö®ÖÖ¿Ö߻֟ÖÖ Ûú»ÖÖ Ûêú
(A) •ÖÖò®Ö ²ÖÖÃÛú¸ü×¾Ö»Öê, ݵÖÖ´Ö²ÖןÖßÖÖ ²ÖÖê¤üÖê®Öß, ÃÖé•Ö®Ö ÛúÖ †×®Ö¾ÖÖµÖÔ ŸÖ¢¾Ö Æîü …
×¾Ö×»ÖµÖ´Ö ÛîúûÖÖê®Ö, ‹›ü¾Ö›Ôü ²ÖëÝÖã†Ö ŸÖÛÔú (R) : Ûú»¯Ö®ÖÖ¿Ö߻֟ÖÖ ´Ö×ßÖÂÛú Ûúß ‹êÃÖß
(B) ×¾Ö×»ÖµÖ´Ö ÛîúûÖÖê®Ö, •ÖÖò®Ö ²ÖÖÃÛú¸ü×¾Ö»Öê, ×¾Ö׿Ö™üŸÖÖ Æîü, •ÖÖê ×¾Ö“ÖÖ¸üÖë †Öî¸ü ³ÖÖ¾Ö®ÖÖ†Öë
ݵÖÖ´Ö²ÖןÖßÖÖ ²ÖÖê¤üÖê®Öß, ‹›ü¾Ö›Ôü ²ÖëÝÖã†Ö ÛúÖê ¥ü¿µÖ زֲÖÖë ´Öë ºþ¯ÖÖÓŸÖ׸üŸÖ Ûú¸üŸÖß Æîü …
(C) ×¾Ö×»ÖµÖ´Ö ÛîúûÖÖê®Ö, ݵÖÖ´Ö²ÖןÖßÖÖ ²ÖÖê¤üÖê®Öß, (A) (A) ÃÖÆüß Æîü †Öî¸ü (R) †ÖÓ׿ÖÛú ºþ¯Ö ÃÖê
‹›ü¾Ö›Ôü ²ÖëÝÖã†Ö, •ÖÖò®Ö ²ÖÖÃÛú¸ü×¾Ö»Öê ÃÖÆüß Æîü …
(D) ݵÖÖ´Ö²ÖןÖßÖÖ ²ÖÖê¤üÖê®Öß, ×¾Ö×»ÖµÖ´Ö ÛîúûÖÖê®Ö,
•ÖÖò®Ö ²ÖÖÃÛú¸ü×¾Ö»Öê, ‹›ü¾Ö›Ôü ²ÖëÝÖã†Ö (B) (A) ÃÖÆüß Æîü †Öî¸ü (R) ÝÖ»ÖŸÖ Æîü …
(C) (A) ÝÖ»ÖŸÖ Æîü, »Öê×Ûú®Ö (R) ÃÖÆüß Æîü …
44. ¯ÖÏÛúÖ¿Ö®Ö ÛúÖ ÃÖÆüß ÛÎú´Ö ×»Ö×ÜÖ‹ : (D) (A) †Öî¸ü (R) ¤üÖê®ÖÖë ÃÖÆüß Æïü …
(A) ™üÖ‡´Ö, »ÖÖ‡±ú, ¯»Öê²ÖÖòµÖ, ÃŒ¾ÖÖµÖ¸ü
(B) »ÖÖ‡±ú, ¯»Öê²ÖÖòµÖ, ™üÖ‡´Ö, ÃŒ¾ÖÖµÖ¸ü 49. †×³ÖÛú£Ö®Ö (A) : ´Ö®Ö•ÖßŸÖ ²ÖÖ¾ÖÖ ÛúÖ †ÖÛéúןÖ
(C) »ÖÖ‡±ú, ¯»Öê²ÖÖòµÖ, ÃŒ¾ÖÖµÖ¸ü, ™üÖ‡´Ö ד֡ÖÞÖ ¯Ö¸Óü¯Ö¸üÖ Ûúß †×³Ö¾µÖ׌ŸÖ †Öî¸ü
(D) ¯»Öê²ÖÖòµÖ, ÃŒ¾ÖÖµÖ¸ü, ™üÖ‡´Ö, »ÖÖ‡±ú ‡ÃÖÛúÖ ÜÖÓ›ü®Ö ¤üÖê®ÖÖë Æïü …
ŸÖÛÔú (R) : ŒµÖÖë×Ûú ˆ®ÖÛúß ÝÖÏÖ´ÖßÞÖ ¯Öéšü³Öæ×´Ö £Öß
45. ×¾Ö–ÖÖ¯Ö®Ö ÛúÖµÖÔ-®Öß×ŸÖ ÛúÖ ÃÖÆüß ÛÎú´Ö “Öã×®Ö‹ : †Öî¸ü •ÖÖŸÖßµÖ ¯Öæ¾ÖÔ¬ÖÖ¸üÞÖÖ £Öß …
(A) ±úß›ü²ÖîÛú, ´ÖÖÛìú™üü ׸üÃÖ“ÖÔ, ´Öß×›üµÖÖ (A) (A) ÝÖ»ÖŸÖ Æîü †Öî¸ü (R) ÃÖÆüß Æîü …
×ÃÖ»Öꌿ֮Ö, ×ÛÎú‹×™ü¾Ö ¯»ÖÖØ®ÖÝÖ (B) (A) ÃÖÆüß Æîü †Öî¸ü (R) ÝÖ»ÖŸÖ Æîü …
(B) ´Öß×›üµÖÖ ×ÃÖ»Öꌿ֮Ö, ´ÖÖÛìú™ü ׸üÃÖ“ÖÔ,
(C) (A) †Öî¸ü (R) ¤üÖê®ÖÖë ÃÖÆüß Æïü …
×ÛÎú‹×™ü¾Ö ¯»ÖÖØ®ÖÝÖ, ±úß›ü²ÖîÛú
(D) (A) †Öî¸ü (R) ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …
(C) ×ÛÎú‹×™ü¾Ö ¯»ÖÖØ®ÖÝÖ, ´ÖÖÛìú™ü ׸üÃÖ“ÖÔ, ´Öß×›üµÖÖ
×ÃÖ»Öꌿ֮Ö, ±úß›ü²ÖîÛú
(D) ´ÖÖÛìú™ü ׸üÃÖ“ÖÔ, ´Öß×›üµÖÖ ×ÃÖ»Öꌿ֮Ö, 50. †×³ÖÛú£Ö®Ö (A) : ÝÖã‹Ù®ÖÛúÖ ¯ÖÖ²»ÖÖê ׯÖÛúÖÃÖÖê Ûúß
×ÛÎú‹×™ü¾Ö ¯»ÖÖØ®ÖÝÖ, ±úß›ü²ÖîÛú µÖÓ¡ÖÞÖÖµÖãŒŸÖ †×³Ö¾µÖ׌ŸÖ Æîü, •ÖÖê ïÖê®Ö Ûêú
×ÃÖ×¾Ö»Ö µÖã¨ü ÛúÖ ¯Ö׸üÞÖÖ´Ö £Öß …
46. †×³ÖÛú£Ö®Ö (A) : ØÃÖ¬Öã ‘ÖÖ™üß Ûúß Ûú»ÖÖ ´Öë ŸÖÛÔú (R) : ŒµÖÖë×Ûú ˆ®ÆüÖë®Öê †¯Ö®Öê Ûú‡Ô ׯÖÏµÖ ×´Ö¡Ö
‹¯»ÖßÛú ŸÖÛú®ÖßÛú ÛúÖ ¯ÖϵÖÖêÝÖ ¯ÖÏÖµÖ: ™êü¸üÖÛúÖê™üÖ ‡ÃÖ µÖã¨ü ´Öë ÜÖÖê פü‹ £Öê …
´ÖæÙŸÖµÖÖÑ ²Ö®ÖÖ®Öê ´Öë ×ÛúµÖÖ •ÖÖŸÖÖ £ÖÖ … (A) (A) †Öî¸ü (R) ¤üÖê®ÖÖë ÃÖÆüß Æïü …
ŸÖÛÔú (R) : ŒµÖÖë×Ûú ˆÃÖ ÃÖ´ÖµÖ ´ÖÖê»›ü ²Ö®ÖÖ®Öê ÛúÖ (B) (A) †Öî¸ü (R) ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …
†Ö×¾ÖÂÛúÖ¸ü ®ÖÆüà Æãü†Ö £ÖÖ … (C) (A) ÃÖÆüß Æîü †Öî¸ü (R) ÝÖ»ÖŸÖ Æîü …
(A) (A) †Öî¸ü (R) ¤üÖê®ÖÖë ÃÖÆüß Æïü … (D) (A) ÝÖ»ÖŸÖ Æîü †Öî¸ü (R) ÃÖÆüß Æîü …
(B) (A) ÃÖÆüß Æîü, »Öê×Ûú®Ö (R) ÝÖ»ÖŸÖ Æîü …
(C) (A) †Öî¸ü (R) ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü … 51. †×³ÖÛú£Ö®Ö (A) : ¯ÖÖò¯Ö Ûú»ÖÖ ´ÖãÜµÖ ºþ¯Ö ÃÖê
(D) (A) ÝÖ»ÖŸÖ Æîü, »Öê×Ûú®Ö (R) ÃÖÆüß Æîü …
×ÃÖ®Öê´ÖÖ, ÃÖîŒÃÖ †Öî¸ü ÛúÖò×´ÖÛú ×ÙÒü¯Ö ÛúÖê
47. †×³ÖÛú£Ö®Ö (A) : ¯Öæ¾Öá ³ÖÖ¸üŸÖ ´Öë ¯ÖÖ»Ö ÃÖ´ÖµÖ ´Öë ÃÖ×´´Ö×»ÖŸÖ Ûú¸üŸÖß Æîü …
™êü¸üÖÛúÖê™üÖ Ûúß Ûú»ÖÖ ˆ““Ö ÃŸÖ¸ü ¯Ö¸ü £Öß … ŸÖÛÔú (R) : ŒµÖÖë×Ûú ‡ÃÖÛúÖ ´Öæ»Ö ˆ§êü¿µÖ †Ö´Ö
ŸÖÛÔú (R) : ŒµÖÖë×Ûú ×´Ö™Ëü™üß Ûêú »Ö“Öß»Öê¯Ö®Ö Ûêú ÝÖãÞÖ •Ö®ÖŸÖÖ Ûúß ´Öæ»Ö ¯ÖϾÖé×¢Ö †Öî¸ü ¬µÖÖ®Ö ÛúÖê
®Öê ¯»ÖÖ×ÙüÛú ¸ëü›üظüÝÖ ´Öë †×¬ÖÛú þ֟ÖÓ¡ÖŸÖÖ ¯ÖϳÖÖ×¾ÖŸÖ Ûú¸üŸÖÖ Æîü …
¤üß †Öî¸ü ¯ÖŸ£Ö¸ü Ûúß Ûú´Öß ®Öê ×´Ö¼üß Ûêú (A) (A) ÝÖ»ÖŸÖ Æîü †Öî¸ü (R) ÃÖÆüß Æîü …
¯ÖϵÖÖêÝÖ ÛúÖê †×¬ÖÛú ²ÖœÌüÖµÖÖ Æîü … (B) (A) †Öî¸ü (R) ¤üÖê®ÖÖë ÃÖÆüß Æïü …
(A) (A) †Öî¸ü (R) ¤üÖê®ÖÖë ÃÖÆüß Æïü …
(B) (A) ÃÖÆüß Æîü, »Öê×Ûú®Ö (R) †ÖÓ׿ÖÛú ºþ¯Ö (C) (A) ÃÖÆüß Æîü, (R) †ÖÓ׿ÖÛú ºþ¯Ö ÃÖê ÃÖÆüß
ÃÖê ÃÖÆüß Æîü … Æîü …
(C) (A) †Öî¸ü (R) ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü … (D) (A) †ÖÓ׿ÖÛú ºþ¯Ö ÃÖê ÃÖÆüß Æîü †Öî¸ü (R)
(D) (A) ÝÖ»ÖŸÖ Æîü, »Öê×Ûú®Ö (R) ÃÖÆüß Æîü … ÃÖÆüß Æîü …
D-79-13 9 Paper-III
52. Assertion (A) : In Serigraphy, silk 56. Assertion (A) : Raku is made of
cloth is used for taking prints. coarse grained clay containing
Reason (R) : Because very fine lots of grog and sand particles.
pores of silk fabric allow the Reason (R) : Because it gives
ink/paint to be transferred on the desirable texture, finish and
strength.
surface of medium. Codes :
Codes : (A) (A) is correct and (R) is incorrect.
(A) (A) and (R) both are incorrect. (B) (A) is incorrect and (R) is correct.
(B) (A) and (R) both are correct. (C) (A) is correct and (R) is also
(C) (A) is correct and (R) is incorrect. correct.
(D) (A) is incorrect and (R) is correct. (D) (A) and (R) both are incorrect.
57. Assertion (A) : Celadon is term for
53. Assertion (A) : Over the platen of a ceramics denoting particular
printing press a sheet of felt is type of colour and glaze.
used. Reason (R) : It was originated in
China and spread to Korea.
Reason (R) : Because felt serves Codes :
the purpose of cushion for paper (A) (A) is correct and (R) is incorrect.
for better impression. (B) (A) and (R) both are correct.
Codes : (C) (A) and (R) both are incorrect.
(A) (A) is correct and (R) is incorrect. (D) (A) is incorrect and (R) is
(B) (A) is incorrect and (R) is correct. partly correct.
(C) (A) and (R) both are incorrect. 58. Assertion (A) : Referring to type,
(D) (A) and (R) both are correct. ‘serifs’ are appendage found on
the top and bottom of Roman
54. Assertion (A) : Hieroglyphics is letters.
Reason (R) : Serif types were
found all over in Egyptian presumably derived from chisel
temples, pillars, palaces etc. marks left after letters were cut
Reason (R) : Because it was used into stone.
for decoration. Codes :
Codes : (A) (A) is correct and (R) is incorrect.
(A) (A) and (R) both are correct. (B) (A) is incorrect and (R) is correct.
(B) (A) and (R) both are incorrect. (C) (A) is correct and (R) is also
correct.
(C) (A) and (R) both are partly correct. (D) (A) and (R) both are incorrect.
(D) (A) is incorrect and (R) is correct.
59. Assertion (A) : Computer is a tool
55. Assertion (A) : Stoneware is fired on like camera, works best in hands
higher temperature than the of designers with knowledge of
baking terracotta. entire graphic process.
Reason (R) : Hence, thinking
Reason (R) : Because higher
before designing and coming
temperature turns silica into
up with idea is no more
vitrified condition which makes
important part of the process.
it harder and strong.
Codes :
Codes : (A) (A) is correct and (R) is
(A) (A) is incorrect and (R) is correct. incorrect.
(B) (A) is correct and (R) is also (B) (A) and (R) both are correct.
correct. (C) (A) and (R) both are incorrect.
(C) (A) is correct and (R) is incorrect. (D) (A) is incorrect and (R) is
(D) (A) and (R) both are incorrect. partly correct.
Paper-III 10 D-79-13
52. †×³ÖÛú£Ö®Ö (A) : ÃÖê׸üÝÖÏÖ±úß ´Öë ×ÃÖ»Ûú Ûêú Ûú¯Ö›Ìêü 56. †×³ÖÛú£Ö®Ö (A) : ¸üÖÛæú ÛúÖêÃÖÔ ÝÖÏë›ü Œ»Öê ÃÖê ²Ö®ÖÖµÖÖ
ÛúÖ ¯ÖϵÖÖêÝÖ Ø¯ÖÏ™ËüÃÖ »Öê®Öê ´Öë ×ÛúµÖÖ •ÖÖŸÖÖ Æîü … •ÖÖŸÖÖ Æîü, וÖÃÖ´Öë †×¬ÖÛú ÝÖÏÖêÝÖ †Öî¸ü ²ÖÖ»Öæ
ŸÖÛÔú (R) : ŒµÖÖë×Ûú ×ÃÖ»Ûú Ûêú Ûú¯Ö›Ìêü Ûêú ²ÖÆãüŸÖ Ûêú ÛúÞÖ ÆüÖêŸÖê Æïü …
”ûÖê™êü ×”û¦üÖë ÃÖê ‡ÓÛú †£Ö¾ÖÖ ¸ÓüÝÖ ÛúÖê ´ÖÖ¬µÖ´Ö ŸÖÛÔú (R) : ŒµÖÖë×Ûú µÖÆü ¾ÖÖÓ×”ûŸÖ ÃÖŸÖÆü ¯ÖæÞÖÔŸÖÖ †Öî¸ü
Ûúß ÃÖŸÖÆü ¯Ö¸ü »ÖÖ®Öê ´Öë ÃÖÆüÖµÖŸÖÖ ×´Ö»ÖŸÖß ¿Ö׌ŸÖ ¤êüŸÖÖ Æîü …
Æîü … (A) (A) ÃÖÆüß Æîü †Öî¸ü (R) ÝÖ»ÖŸÖ Æîü …
(A) (A) †Öî¸ü (R) ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü … (B) (A) ÝÖ»ÖŸÖ Æîü †Öî¸ü (R) ÃÖÆüß Æîü …
(B) (A) †Öî¸ü (R) ¤üÖê®ÖÖë ÃÖÆüß Æïü … (C) (A) ÃÖÆüß Æîü †Öî¸ü (R) ³Öß ÃÖÆüß Æîü …
(C) (A) ÃÖÆüß Æîü †Öî¸ü (R) ÝÖ»ÖŸÖ Æîü … (D) (A) †Öî¸ü (R) ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …
(D) (A) ÝÖ»ÖŸÖ Æî †Öî¸ü (R) ÃÖÆüß Æîü …
57. †×³ÖÛú£Ö®Ö (A) : ÃÖê»Öê¤üÖë ×ÃÖ¸êü×´ÖÛú Ûêú ×»Ö‹ ‹Ûú
53. †×³ÖÛú£Ö®Ö (A) : دÖÏØ™üÝÖ ¯ÖÏêÃÖ Ûêú ¯»Öê×™ü®Ö Ûêú ¿Ö²¤ü Æîü •ÖÖê ‹Ûú ×¾Ö׿Ö™ü ¯ÖÏÛúÖ¸ü Ûêú ¸ÓüÝÖ
‰ú¯Ö¸ü ±îú»™ü Ûúß ¿Öß™ü ÛúÖ ¯ÖϵÖÖêÝÖ ×ÛúµÖÖ †Öî¸ü Ý»Öê•Ö ÛúÖê ¤ü¿ÖÖÔŸÖÖ Æîü …
•ÖÖŸÖÖ Æîü … ŸÖÛÔú (R) : µÖÆü “Öß®Ö ´Öë ˆ¤Ëü³ÖæŸÖ Æãü†Ö †Öî¸ü
ŸÖÛÔú (R) : ŒµÖÖë×Ûú ±îú»™ü †“”êû ¯ÖϳÖÖ¾Ö ÆêüŸÖã ÛúÖÝÖ•ÖÌ ÛúÖê׸üµÖÖ ´Öë ¯ÖÏÃÖÖ׸üŸÖ Æãü†Ö …
Ûêú ×»Ö‹ Ûãú¿Ö®Ö ÛúÖ ÛúÖµÖÔ Ûú¸üŸÖß Æîü … (A) (A) ÃÖÆüß Æîü †Öî¸ü (R) ÝÖ»ÖŸÖ Æîü …
(A) (A) ÃÖÆüß Æîü †Öî¸ü (R) ÝÖ»ÖŸÖ Æîü … (B) (A) †Öî¸ü (R) ¤üÖê®ÖÖë ÃÖÆüß Æïü …
(B) (A) ÝÖ»ÖŸÖ Æîü †Öî¸ü (R) ÃÖÆüß Æîü … (C) (A) †Öî¸ü (R) ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …
(C) (A) †Öî¸ü (R) ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü … (D) (A) ÝÖ»ÖŸÖ Æîü †Öî¸ü (R) †ÖÓ׿ÖÛú ºþ¯Ö ÃÖê
(D) (A) †Öî¸ü (R) ¤üÖê®ÖÖë ÃÖÆüß Æïü … ÃÖÆüß Æîü …
58. †×³ÖÛú£Ö®Ö (A) : ™üÖ‡¯Ö Ûêú ÃÖÓ¤ü³ÖÔ ´Öë ‘ÃÖê׸ü±ú’
54. †×³ÖÛú£Ö®Ö (A) : ÆüÖ‡¸üÖê×Ý»Ö×±úŒÃÖ ×´ÖÄÖ Ûêú ¸üÖê´Ö®Ö ¾ÖÞÖÖí Ûêú ¿ÖßÂÖÔ †Öî¸ü ŸÖ»Ö ´Öë •Öã›Ìêü
´ÖÓפü¸üÖë, ßÖÓ³ÖÖë †Öî¸ü ¯ÖÏÖÃÖÖ¤üÖë ´Öë ÃÖ¾ÖÔ¡Ö ¯ÖÖ‹ ÆüÖêŸÖê Æïü …
•ÖÖŸÖê Æïü … ŸÖÛÔú (R) : ÃÖê׸ü±ú ™üÖ‡¯Ö ÛúÖê ¯ÖŸ£Ö¸ü ¯Ö¸ü ¿Ö²¤üÖë ÛúÖê
ŸÖÛÔú (R) : ŒµÖÖë×Ûú ‡ÃÖê ÃÖ•ÖÖ¾Ö™ü ÆêüŸÖã ¯ÖϵÖÖêÝÖ ´Öë ÛúÖ™ü®Öê ÃÖê ”æû™êü Æãü‹ “Öê•Ö»Ö ´ÖÖÛÔú ÃÖê ¯ÖÏÖ¯ŸÖ
»ÖÖŸÖê £Öê … ×ÛúµÖÖ ÝÖµÖÖ £ÖÖ …
(A) (A) †Öî¸ü (R) ¤üÖê®ÖÖë ÃÖÆüß Æïü … (A) (A) ÃÖÆüß Æîü †Öî¸ü (R) ÝÖ»ÖŸÖ Æîü …
(B) (A) †Öî¸ü (R) ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü … (B) (A) ÝÖ»ÖŸÖ Æîü †Öî¸ü (R) ÃÖÆüß Æîü …
(C) (A) †Öî¸ü (R) ¤üÖê®ÖÖë †ÖÓ׿ÖÛú ºþ¯Ö ÃÖê (C) (A) ÃÖÆüß Æîü †Öî¸ü (R) ³Öß ÃÖÆüß Æîü…
ÃÖÆüß Æïü … (D) (A) †Öî¸ü (R) ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …
(D) (A) ÝÖ»ÖŸÖ Æîü †Öî¸ü (R) ÃÖÆüß Æîü …
59. †×³ÖÛú£Ö®Ö (A) : Ûú´¯µÖæ™ü¸ü Ûîú´Ö¸êü Ûúß ³ÖÖÑ×ŸÖ ‹Ûú
55. †×³ÖÛú£Ö®Ö (A) : ÙüÖê®Ö¾ÖêµÖ¸ü ÛúÖê ™êü¸üÖÛúÖê™üÖ ˆ¯ÖÛú¸üÞÖ Æîü, •ÖÖê ÃÖÓ¯ÖæÞÖÔ ÝÖÏÖ×±úÛú ¯ÖÏ×ÛÎúµÖÖ
¯ÖÛúÖ®Öê Ûúß †¯ÖêõÖÖ †×¬ÖÛú ŸÖÖ¯Ö´ÖÖ®Ö ´Öë ÛúÖ –ÖÖ®Ö ¸üÜÖ®Öê ¾ÖÖ»Öê ×›ü•ÖÌÖ‡®Ö¸ü Ûêú ÆüÖ£ÖÖë
¯ÖÛúÖµÖÖ •ÖÖŸÖÖ Æîü … ´Öë †“”ûÖ ÛúÖµÖÔ Ûú¸üŸÖÖ Æîü …
ŸÖÛÔú (R) : ŒµÖÖë×Ûú †×¬ÖÛú ŸÖÖ¯Ö´ÖÖ®Ö ×ÃÖ×»ÖÛúÖ ÛúÖê ŸÖÛÔú (R) : †ŸÖ: ×›ü•ÖÖ‡®Ö †Öî¸ü ×¾Ö“ÖÖ¸ü †Ö®Öê ÃÖê
×¾Ö×™Òü±úÖ‡›ü ×ãÖ×ŸÖ ´Öë ¯Ö׸ü¾ÖÙŸÖŸÖ Ûú¸üŸÖÖ Æîü, ¯ÖÆü»Öê Ø“ÖŸÖ®Ö ‡ÃÖ ¯ÖÏ×ÛÎúµÖÖ ´Öë †×¬ÖÛú
•ÖÖê ‡ÃÖê †×¬ÖÛú ÃÖÜŸÖ †Öî¸ü ´Ö•Ö²ÖæŸÖ ´ÖÆü¢¾Ö ®ÖÆüà ¸üÜÖŸÖÖ Æîü …
²Ö®ÖÖŸÖÖ Æîü … (A) (A) ÃÖÆüß Æîü †Öî¸ü (R) ÝÖ»ÖŸÖ Æîü …
(A) (A) ÝÖ»ÖŸÖ Æîü †Öî¸ü (R) ÃÖÆüß Æîü … (B) (A) †Öî¸ü (R) ¤üÖê®ÖÖë ÃÖÆüß Æïü …
(B) (A) ÃÖÆüß Æî †Öî¸ü (R) ³Öß ÃÖÆüß Æîü … (C) (A) †Öî¸ü (R) ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …
(C) (A) ÃÖÆüß Æîü †Öî¸ü (R) ÝÖ»ÖŸÖ Æîü … (D) (A) ÝÖ»ÖŸÖ Æîü †Öî¸ü (R) †ÖÓ׿ÖÛú ºþ¯Ö ÃÖê
(D) (A) †Öî¸ü (R) ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü … ÃÖÆüß Æîü …
D-79-13 11 Paper-III
60. Assertion (A) : Our world is a more 64. Match the following :
visual place than ever before and a. Salon des i. England
today reader responds more to Refuses
pictures that to words. b. Bauhaus ii. France
Reason (R) : Printed materials that c. Fluxus iii. United States
lack an illustration, must fail to d. Bloomsbury iv. Germany
make an impression on today’s Group
audience. Codes :
Codes : a b c d
(A) (A) is correct and (R) is (A) iv i ii iii
incorrect. (B) i ii iii iv
(B) (A) and (R) both are correct. (C) ii iv iii i
(C) (A) and (R) both are incorrect. (D) iv iii ii i
(D) (A) is incorrect and (R) is
partly correct. 65. Match the following :
61. Match the following : a. Mural i. Prasoon Joshi
a. Terracotta i. Naum Gabo b. Print Making ii. Raghav
b. Aquatic forms ii. Rodin Kaneria
in marble c. Advertising iii. Joan Miro
c. Spontaneity in iii. Jean Hans d. Sculpture iv. Palaniappan
sculpture Arp Codes :
d. Kinetic iv. Henry a b c d
scultpures Moore (A) iii iv i ii
Codes : (B) i ii iii iv
a b c d (C) iii iv ii i
(A) iv i ii iii (D) iv iii ii i
(B) i ii iii iv 66. Match the following :
(C) iii iv ii i a. Raghurai i. Painting
(D) iv iii ii i b. J. Swaminathan ii. Ceramics
62. Match the following : c. Subodh Gupta iii. Photography
a. Apsidal Plan i. Vaital Deul d. Gurucharan iv. Installation
b. Khakhra type ii. Durga temple, Singh
Aihole Codes :
c. Dogoba iii. Humayun’s Tomb a b c d
d. Double Dome iv. Sri Lanka (A) iv i ii iii
Codes : (B) i ii iii iv
a b c d (C) iii iv ii i
(A) ii i iv iii (D) iii i iv ii
(B) ii iv iii i 67. Match the following sculptors with
(C) i ii iii iv their work :
(D) iii i ii iv a. Henry Moore i. Woman of
63. Match the following : Venice
a. Alexander i. Formalism b. Rodin ii. The Kiss
Cunningham c. Giacometti iii. Reclining
b. Ernst Gombrich ii. Archaeology figures
c. Susanne Langer iii. Aesthetics d. Brancusi iv. Sleeping
d. Roger Fry iv. Art History muse
Codes : Codes :
a b c d a b c d
(A) iv i ii iii (A) iii ii i iv
(B) ii iv iii i (B) i ii iii iv
(C) iii iv ii i (C) iii iv ii i
(D) iv iii ii i (D) iv iii ii i
Paper-III 12 D-79-13
60. †×³ÖÛú£Ö®Ö (A) : Æü´ÖÖ¸üÖ ÃÖÓÃÖÖ¸ü ¯ÖÆü»Öê Ûúß 64. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ÃÖã´Öê×»ÖŸÖ Ûúßו֋ :
†¯ÖêõÖÖ †×¬ÖÛú ¥ü¿µÖ¯Ö¸üÛú Æîü †Öî¸ü †Ö•Ö a. ÃÖî»ÖÖë ¤ü ׸ü°ÌµÖæ•Öê i. ‡ÓÝ»Öï›ü
¯ÖÖšüÛú ¿Ö²¤üÖë Ûúß †¯ÖêõÖÖ ×“Ö¡ÖÖë ÛúÖê ¤êüÜÖ®ÖÖ b. ²Ö‰úÆüÖˆÃÖ ii. ±ÏúÖÓÃÖ
†×¬ÖÛú ¯ÖÃÖÓ¤ü Ûú¸üŸÖÖ Æîü … c. °»ÖŒÃÖÃÖ iii. µÖæ®ÖÖ‡™êü›ü Ùêü™ËüÃÖ
ŸÖÛÔú (R) : ”û¯Öß Æãü‡Ô ÃÖÖ´ÖÝÖÏß ´Öë ¥ü™üÖÓŸÖÖë Ûúß Ûú´Öß d. ²»Öæ´ÃÖ²Ö¸üß ÝÖÏã¯Ö iv. •Ö´ÖÔ®Öß
ÆüÖêŸÖß Æîü, •ÖÖê †Ö•Ö Ûêú ¤ü¿ÖÔÛúÖë ÛúÖê ¯ÖϳÖÖ×¾ÖŸÖ Ûæú™ü :
®ÖÆüà Ûú¸ü ¯ÖÖŸÖß Æîü … a b c d
(A) (A) ÃÖÆüß Æîü †Öî¸ü (R) ÝÖ»ÖŸÖ Æîü … (A) iv i ii iii
(B) (A) †Öî¸ü (R) ¤üÖê®ÖÖë ÃÖÆüß Æïü … (B) i ii iii iv
(C) (A) †Öî¸ü (R) ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü … (C) ii iv iii i
(D) (A) ÝÖ»ÖŸÖ Æîü †Öî¸ü (R) †ÖÓ׿ÖÛú ºþ¯Ö ÃÖê (D) iv iii ii i
ÃÖÆüß Æîü …
61. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ÃÖã´Öê×»ÖŸÖ Ûúßו֋ : 65. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ÃÖã´Öê×»ÖŸÖ Ûúßו֋ :
a. ´µÖæ¸ü»Ö i. ¯ÖÏÃÖæ®Ö •ÖÖê¿Öß
a. ™îü¸üÖÛúÖê™üÖ i. ®ÖÖ´Ö ÝÖÖ²ÖÖê
b. دÖÏ™ü ´ÖêØÛúÝÖ ii. ¸üÖ‘Ö¾Ö Ûú®Öê׸üµÖÖ
b. ÃÖÓÝÖ´Ö¸ü´Ö¸ü ´Öë •Ö»ÖßµÖ ii. ¸üÖê¤üÖÓ
c. ×¾Ö–ÖÖ¯Ö®Ö iii. •ÖÖò®Ö ´Ö߸üÖê
†ÖÛúÖ¸ü
d. ´ÖæÙŸÖ׿ֻ¯Ö iv. ¯Ö»ÖÖ®Ö߆¯¯Ö®Ö
c. ´ÖæÙŸÖ׿ֻ¯Ö ´Öë ÃÖÖŸÖŸµÖŸÖÖü iii. •µÖÖÓ Æêü®ÃÖ †Ö¯ÖÔ
d. ÛúÖ‡®Öê×™üÛú ´ÖæÙŸÖ׿ֻ¯Ö iv. Æêü®Ö¸üß ´Öæ¸ü
Ûæú™ü :
a b c d
Ûæú™ü : (A) iii iv i ii
a b c d (B) i ii iii iv
(A) iv i ii iii (C) iii iv ii i
(B) i ii iii iv (D) iv iii ii i
(C) iii iv ii i
(D) iv iii ii i 66. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ÃÖã´Öê×»ÖŸÖ Ûúßו֋ :
62. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ÃÖã´Öê×»ÖŸÖ Ûúßו֋ : a. ¸ü‘Öã¸üÖµÖ i. ד֡ÖÛú»ÖÖ
a. ‹×¯ÃÖ›ü»Ö ¯»ÖÖ®Ö i. ¾ÖîŸÖÖ»Ö ¤êüˆ»Ö b. •Öê. þÖÖ´Öß®ÖÖ£Ö®Ö ii. ×ÃÖ¸êü×´ÖŒÃÖ
b. ÜÖÌÖÜÖ̸üÖ ™üÖ‡¯Ö ii. ¤ãüÝÖÔ ´ÖÓפü¸ü †‡ÆüÖê»Ö c. ÃÖã²ÖÖê¬Ö ÝÖ㯟ÖÖ iii. ±úÖê™üÖêÝÖÏÖ±úß
c. ¤üÝÖÖê²ÖÖ iii. Æãü´ÖÖµÖæÑ ÛúÖ ´ÖÛú²Ö¸üÖ d. ÝÖã¹ý“Ö¸üÞÖØÃÖÆü iv. ÃÖÓãÖÖ¯Ö®Ö Ûú»ÖÖ
d. ›ü²Ö»Ö ›üÖê´Ö iv. ÁÖß »ÖÓÛúÖ Ûæú™ü :
Ûæú™ü : a b c d
a b c d (A) iv i ii iii
(A) ii i iv iii (B) i ii iii iv
(B) ii iv iii i (C) iii iv ii i
(C) i ii iii iv (D) iii i iv ii
(D) iii i ii iv
67. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´ÖæÙŸÖÛúÖ¸üÖë ÛúÖê ˆ®ÖÛêú ÛúÖµÖÖí Ûêú ÃÖÖ£Ö
63. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ÃÖã´Öê×»ÖŸÖ Ûúßו֋ : ÃÖã´Öê×»ÖŸÖ Ûúßו֋ :
a. ‹»ÖêÝ•ÖÌë›ü¸ü ÛúØ®Ö‘Ö´Ö i. ºþ¯Ö¾ÖÖ¤ü a. Æêü®Ö¸üß ´Öæ¸ü i. ¾Öã´Öê®Ö †Öò±ú ¾Öê×®ÖÃÖ
b. †®ÃÖÔ™ü ÝÖÖê´²Ö׸ü“Ö ii. ¯Öã¸üÖŸÖŸ¾Ö b. ¸üÖê¤üÖÓ ii. ¤ü ×ÛúÃÖ
c. ÃÖã•ÖÌÖ®Ö »ÖïÝÖ¸ü iii. ÃÖÖï¤üµÖÔ¿ÖÖÃ¡Ö c. •µÖÖÛúÖê´Öê¢Öß iii. ׸üŒ»ÖևخÖÝÖ ×±úÝÖÃÖÔ
d. ¸üÖê•Ö̸ü ±ÏúÖ‡Ô iv. Ûú»ÖÖ ‡×ŸÖÆüÖÃÖ d. ²ÖÎÖÓÛãúÃÖß iv. ûÖßدÖÝÖ ´µÖæ•Ö
Ûæú™ü : Ûæú™ü :
a b c d a b c d
(A) iv i ii iii (A) iii ii i iv
(B) ii iv iii i (B) i ii iii iv
(C) iii iv ii i (C) iii iv ii i
(D) iv iii ii i (D) iv iii ii i
D-79-13 13 Paper-III
68. Match the following : 72. Match the following :
a. Ray Maker i. Graphic a. Sand i. Stone
b. Seema Kohli ii. Sculpture b. Metal ii. Bronze
c. Patina iii. Pottery
c. Pankaj Panwar iii. Painting d. Clay iv. Resin
d. P.D. Dhumal iv. Ceramics Codes :
Codes : a b c d
a b c d (A) iii iv ii i
(A) iii ii i iv (B) i iv ii iii
(B) iv iii ii i (C) iii i iv ii
(C) ii i iv iii (D) ii i iii iv
(D) ii i iii iv 73. Match the following :
69. Match the following : a. Paper i. Aspect Ratio
b. Ink ii. Grain
a. Linseed oil i. Metal Sculpture c. Film & T.V. iii. Ogilvy
b. Resin ii. Print making d. Brand Image iv. Tackiness
c. Grog iii. Painting Codes :
d. Patina iv. Ceramic a b c d
Codes : (A) ii iv i iii
a b c d (B) i ii iii iv
(C) iv iii ii i
(A) iii iv ii i (D) iii ii i iv
(B) i ii iii iv
(C) iii ii iv i 74. Match the following :
(D) iv iii ii i a. Rubber i. Newspaper
Blanket
70. Match the following : b. Scrapper ii. Offset printing
a. Copper plate i. Serigraphy Board
b. Stone ii. Mezzotint c. 35 mm format iii. TV Commercial
d. Magnetically iv. Film sound
c. Cloth iii. Aquatint sensitive track
d. Resin iv. Lithography chemical
Codes : coating
a b c d Codes :
(A) ii iv i iii a b c d
(B) i ii iii iv (A) iii ii i iv
(C) iii i iv ii (B) iv ii iii i
(D) ii i iii iv (C) i ii iv iii
(D) ii i iii iv
71. Match the following artists and 75. Match the following :
mediums : a. Light Table & i. Typography
a. Raja Ravi i. Viscosity Pencil on paper
Verma b. Camera ii. Traditional
b. Sanatkar ii. Aquatint hand drawn
c. Anupam iii. Oleographs animation
c. X-height iii. Television
Sood storyboard
d. Krishna iv. Wood d. Animatic iv. Depth of
Reddy Engraving field
Codes : Codes :
a b c d a b c d
(A) iii iv ii i (A) iii iv ii i
(B) i ii iii iv (B) ii iv i iii
(C) iii i iv ii (C) i ii iii iv
(D) ii i iii iv (D) ii iii i iv

Paper-III 14 D-79-13
68. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ÃÖã´Öê×»ÖŸÖ Ûúßו֋ : 72. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ÃÖã´Öê×»ÖŸÖ Ûúßו֋ :
a. ¸êü ´ÖêÛú¸ü i. ÝÖÏÖ×±úÛú a. ²ÖÖ»Öæ i. ÙüÖê®Ö
b. ÃÖß´ÖÖ ÛúÖêÆü»Öß ii. ´ÖæÙŸÖ׿ֻ¯Ö b. ¬ÖÖŸÖã ii. ÛúÖÓõÖ
c. ¯ÖÓÛú•Ö ¯ÖÓ¾ÖÖ¸ü iii. ד֡ÖÛú»ÖÖ c. ¯ÖŸÖß®ÖÖ iii. ¯ÖÖò™ü¸üß
d. ¯Öß.›üß. ¬Öæ´Ö»Ö iv. ×ÃÖ¸êü×´ÖŒÃÖ d. ×´Ö¼üß iv. ¸êüוÖÌ®Ö
Ûæú™ü : Ûæú™ü :
a b c d a b c d
(A) iii ii i iv (A) iii iv ii i
(B) iv iii ii i (B) i iv ii iii
(C) ii i iv iii (C) iii i iv ii
(D) ii i iii iv
(D) ii i iii iv
73. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ÃÖã´Öê×»ÖŸÖ Ûúßו֋ :
69. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ÃÖã´Öê×»ÖŸÖ Ûúßו֋ : a. ÛúÖÝÖ•ÖÌ i. †ÖïÖꌙü ¸êü׿ֵÖÖê
a. Ø»ÖÃÖß›ü †ÖòµÖ»Ö i. ¬ÖÖŸÖã ´ÖæÙŸÖ׿ֻ¯Ö b. õÖÖÆüß ii. ÝÖÏê®Ö
b. ¸êüוÖÌ®Ö ii. دÖÏ™ü ´ÖêØÛúÝÖ c. ×±ú»´Ö †Öî¸ü ™üß¾Öß iii. †Öò×ÝÖ»¾Öß
c. ÝÖÏÖòÝÖ iii. ד֡ÖÛú»ÖÖ d. ²ÖÎÖÞ›ü ‡´Öê•Ö iv. ™êüÛúß®ÖêÃÖ
d. ¯ÖŸÖß®ÖÖ iv. ×ÃÖ¸êü×´ÖÛú Ûæú™ü :
Ûæú™ü : a b c d
a b c d (A) ii iv i iii
(A) iii iv ii i (B) i ii iii iv
(B) i ii iii iv (C) iv iii ii i
(C) iii ii iv i (D) iii ii i iv
(D) iv iii ii i 74. ÃÖ¾ÖÖì¢Ö´Ö Ûêú ÃÖÖ£Ö ÃÖã´Öê×»ÖŸÖ Ûúßו֋ :
70. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ÃÖã´Öê×»ÖŸÖ Ûúßו֋ : a. ¸ü²Ö¸ü ²»ÖïÛêú™ü i. ÃÖ´ÖÖ“ÖÖ¸ü ¯Ö¡Ö
a. ÛúÖò¯Ö¸ü ¯»Öê™ü i. ÃÖê¸üßÝÖÏÖ±úß b. ÃÛÎîú¯Ö¸ü ²ÖÖê›Ôü ii. †Öò±úÃÖê™ü دÖÏØ™üÝÖ
b. ÙüÖê®Ö ii. ´Öê•ÖÌÖêØ™ü™ü c. 35 ‹´Ö.‹´Ö. ±úÖ´Öì™ü iii. ™üß.¾Öß. ÛúÖ´ÖÙ¿ÖµÖ»Ö
c. Œ»ÖÖò£Ö iii. ‹Œ¾ÖÖØ™ü™ü d. ´ÖîÝ®Öê×™üÛú»Öß ÃÖëÃÖê×™ü¾Ö iv. ×±ú»´Ö ÃÖÖˆÓ›ü ™ÒîüÛú
d. ¸êüוÖÌ®Ö iv. ×»Ö£ÖÖêÝÖÏÖ±úß Ûêú×´ÖÛú»Ö ÛúÖêØ™üÝÖ
Ûæú™ü : Ûæú™ü :
a b c d
a b c d (A) iii ii i iv
(A) ii iv i iii (B) iv ii iii i
(B) i ii iii iv (C) i ii iv iii
(C) iii i iv ii (D) ii i iii iv
(D) ii i iii iv 75. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ÃÖã´Öê×»ÖŸÖ Ûúßו֋ :
71. ×®Ö´®Ö×»Ö×ÜÖŸÖ Ûú»ÖÖÛúÖ¸üÖë ÛúÖê ˆ®ÖÛêú ´ÖÖ¬µÖ´ÖÖë Ûêú a. »ÖÖ‡™ü ™êü×²Ö»Ö i. ™üÖ‡¯ÖÖêÝÖÏÖ±úß
ÃÖÖ£Ö ÃÖã´Öê×»ÖŸÖ Ûúßו֋ : †Öî¸ü ÛúÖÝÖ•Ö
a. ¸üÖ•ÖÖ ¸ü×¾Ö ¾Ö´ÖÖÔ i. ×¾ÖÃÛúÖê×ÃÖ™üß ¯Ö¸ü ¯Öë×ÃÖ»Ö
b. ÃÖ®ÖŸÖÛú¸ü ii. ‹Œ¾ÖÖØ™ü™ü b. Ûîú´Ö¸üÖ ii. ™Òêü×›ü¿Ö®Ö»Ö ÆîüÞ›ü›ÒüÖò®Ö
c. †®Öã¯Ö´Ö ÃÖæ¤ü iii. †Öò×»ÖµÖÖêÝÖÏÖ°ÌÃÖ ‹®Öß´Öê¿Ö®Ö
d. ÛéúÂÞÖÖ ¸êüøüß iv. ÛúÖšü ˆŸÛúßÞÖÔ®Ö c. ‹ŒÃÖ-ÆüÖ‡™ü iii. ™êü»Öß×¾Ö•ÖÌ®Ö Ã™üÖê¸üß²ÖÖê›Ôü
Ûæú™ü : d. ‹®Öß´Öê×™üÛú iv. ›êü¯£Ö †Öò±ú ±úß»›ü
a b c d Ûæú™ü :
(A) iii iv ii i a b c d
(B) i ii iii iv (A) iii iv ii i
(B) ii iv i iii
(C) iii i iv ii (C) i ii iii iv
(D) ii i iii iv (D) ii iii i iv
D-79-13 15 Paper-III
 Space For Rough Work

Paper-III 16 D-79-13