ARASAN GANESAN POLYTECHNIC COLLEGE

Sivakasi

IMAGE
MANIPULATION

III Semester Printing Technology

Prepared by
Department of Printing Technology
ARASAN GANESAN POLYTECHNIC COLLEGE
Virudhunagar Main Road
Sivakasi - 626130.
 IMAGE
MANIPULATION
 CONTENTS

PRACTICAL

Ex. No. Name of the Experiment Page No.

1. Creating A Duotone Image 1

2. Design A Multicolor Invitation Using Image Editing Software 3

Apply UCR, GCR And Color Separate the Scanned Image using
3. 7
Image Editing Software

4. Draw a Tray Style Cartoon using Vector Drawing Software 9

5. Draw a Tube Style Cartoon using Vector Drawing Software 11

Design a Pantone Color Certificate using Image Editing

6. 13
Software

7. Perform Imposition for Printing the Job using Imposing Software 15

8. Perform Preflight Operation and Proof Reading for the given file 17

9. Create a 4-Page Folder 20

10. Change the color of Clothing using Image Editing Software 22

Image Manipulation III Sem.

Ex. No. 1 : CREATING A DUOTONE IMAGE.

Aim:
To Create a Duotone Image using Photoshop Software.
Step 1: Open Your Image
 Open Adobe Photoshop and load the image you want to apply the duotone effect to.
Step 2: Convert to Grayscale
 If your image is in color and you want to work with a grayscale version, convert it by
going to Image > Mode > Grayscale. Click 'Discard' when prompted.
Step 3: Convert to Duotone
1. Image Mode Change:
o Go to Image > Mode > Duotone. This will bring up the Duotone Options dialog
box.
2. Choose Duotone Options:
o In the Duotone Options dialog box, you will see a preview of your image along
with settings to customize your duotone effect.
3. Select Type:
o Choose the type of duotone you want to create. You can start with 'Duotone'
which allows for more control, or 'Monotone', 'Tritone', or 'Quadtone' if you
want to use more than two colors.
4. Adjust Colors:
o Click on the color swatch next to the 'Ink 1' to choose the color for the
shadows (dark areas). You can pick a specific color or use the color picker to
select one.
o Click on the color swatch next to the 'Ink 2' to choose the color for the
highlights (light areas). Again, select a color that contrasts well with your first
choice.
5. Fine-Tune the Duotone:
o Adjust the curves below the color swatches to fine-tune how the colors are
applied throughout the image. This allows you to control the balance and
contrast between the two colors.
6. Save Your Duotone Settings:
o Optionally, you can save your duotone settings by clicking 'Save' in the
Duotone Options dialog box. This allows you to easily apply the same
duotone effect to other images later.

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Step 4: Final Adjustments (Optional)

 After applying the duotone effect, you can further adjust the image using Photoshop’s
other tools and adjustments (such as levels, curves, or filters) to achieve the desired
look.
Step 5: Save Your Duotone Image
 Once you are satisfied with the duotone effect, save your image in a suitable format
(e.g., JPEG, PNG) using File > Save As.
Conclusion:
Thus, we have learned to create a Duotone Image using Photoshop software.

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Image Manipulation III Sem.

Ex. No. 2 : DESIGN A MULTICOLOR INVITATION USING IMAGE EDITING SOFTWARE.

Aim:
To Design a Multicolor Invitation using image editing (Photoshop) Software.
Step 1: Set Up Your Document
1. Open Photoshop:
o Launch Adobe Photoshop and create a new document (File > New). Set the
dimensions according to your desired invitation size (e.g., 5x7 inches for a
standard invitation).
2. Resolution and Color Mode:
o Set the resolution to 300 pixels/inch (for print) or 72 pixels/inch (for web).
Choose RGB Color mode if designing for screen or CMYK Color mode if
designing for print.
3. Background Color:
o Choose a background color for your invitation. You can use a solid color, a
gradient, or even a textured background.
Step 2: Add Text and Information
1. Text Tool:
o Select the Text Tool (T) and click on your canvas to type out the invitation
details such as event title, date, time, location, and RSVP information.
2. Font and Style:
o Choose appropriate fonts that complement the style of your invitation. Adjust
the font size, color, and alignment to ensure readability and aesthetic appeal.
3. Text Effects:
o Apply effects like drop shadows, outlines, or gradients to make the text stand
out. Experiment with blending modes to integrate text with background
elements.
Step 3: Incorporate Multicolor Elements
1. Shapes and Borders:
o Use the Shape Tool (U) to create geometric shapes like rectangles, circles, or
polygons. Fill these shapes with different colors to create a colorful border or
background accents.
2. Gradient Tool:
o Create colorful gradients by selecting the Gradient Tool (G) and choosing a
gradient preset or creating a custom gradient. Apply gradients to
backgrounds, text, or shapes for a dynamic look.

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3. Color Overlay:
o Apply a color overlay to layers (right-click on the layer > Blending Options >
Color Overlay) to quickly change the color of text, shapes, or other elements.
4. Textures and Patterns:
o Incorporate textured backgrounds or pattern overlays to add depth and visual
interest. Use blending modes and opacity adjustments to integrate textures
seamlessly.
Step 4: Add Decorative Elements
1. Photos and Illustrations:
o Import photos or illustrations related to the event theme. Adjust their size,
position, and opacity to fit the design.
2. Icons and Symbols:
o Include decorative icons or symbols relevant to the occasion (e.g., hearts for
weddings, balloons for birthdays). Customize their colors to match your
invitation palette.
3. Brushes and Custom Shapes:
o Use Photoshop brushes or custom shapes to add artistic elements such as
swirls, flourishes, or abstract designs. Experiment with different brush settings
and colors.
Step 5: Final Adjustments and Export
1. Layer Styles:
o Apply layer styles (e.g., drop shadow, bevel and emboss) to elements to
enhance their appearance and create depth.
2. Merge and Organize Layers:
o Once satisfied with your design, merge layers (if necessary) and organize
them into groups for easier editing.
3. Save and Export:
o Save your invitation design (File > Save As) in Photoshop PSD format to
retain layers and editing capabilities. Export a high-quality JPEG or PDF file
(File > Export > Export As or Save As) for printing or sharing digitally.
Procedure:

 Open the image editing software i.e., Adobe Photoshop.

 Create new file (Width - 6", Height - 4", Resolution - 300, CMYK mode - 8 bit)

 Create a new layer (namely Layer 1).

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 Choose the Selection Tool, and select a rectangle in the centre of the area.

 Fill the area with a cyan colour.

 Create a new layer (namely Layer 2).

 Fill it with 50% grey.

 Click Filter > Noise > Add Noise. Set it to 10%, Gaussian, Monochromatic, and press
OK.
Change this layer's Mode from Normal to Overlay.

 Create a new layer (namely Layer 3).

 Set the colours back to black and white (by pressing "d") and Click Filter > Render >
Clouds.

 Change the layer's Mode from Normal to Color Burn, and set its Opacity to 50%.

 Distort the edges of the paper, to give it a jagged appearance.

 Select the Layer 1 in the Layer Palette, Click Filter > Distort > Wave, to bring up the
Wave window. There's a lot of guesswork involved here. You may need to try this a
few times, until you get a Wave effect you like and press OK.

 Click on the Layer 2 and Layer 3, and Click Filter > Wave to repeat the same wave
on each layer.

 Select the Layer 1 in the Layer Palette, change the colour by pressing Ctrl+U, to
adjust its Hue/Saturation properties.

 Type the text “Invitation” by selecting the text tool in toolbox and change with suitable
font. (it will become a separate layer).

 Type the text “Your are cordially invited for my Birthday on 04.08.2024” by selecting
the text tool in toolbox and change with suitable font. (it will become a separate
layer).

 Right-click "Layer 1" and choose Blending Options. Give the layer a normal Drop
Shadow, and press Ok.

 Create a new layer (namely Layer 4).

 To create the swirly dividers, choose the Selection Tool, and select a narrow strip.

 Fill the selected area with a dark brown.

 Press Ctrl+D to deselect.

 Click Filter > Distort > Twirl, and press OK.

 Change the layer to Color Burn.

 Right-click this layer, and Duplicate it.

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 To flip the duplicate layer, click Edit > Transform > Flip Horizontal and placed it in the
suitable area.
Conclusion:
Thus we have designed a Multicolor Invitation using image editing (Photoshop)
Software.

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Image Manipulation III Sem.

Ex. No. 3 : APPLY UCR, GCR AND COLOR SEPARATE THE SCANNED IMAGE USING
IMAGE EDITING SOFTWARE.

Aim:
To apply UCR, GCR and Color separate the scanned image using image editing
(Photoshop) software.
Both UCR (Under Color Removal) and GCR (Gray Component Replacement) are
methods of replacing the color inks (Cyan, Magenta, and Yellow) with black inks. The UCR
method will only replace CMY with black in the neutrals. The GCR method is more
aggressive and will replace CMY with black in some color areas as well as in the neutrals.
UCR vs GCR
Restricting black replacement to neutrals is what UCR is all about. GCR came along
later and extended this technique beyond the neutrals and into the colors. If done correctly,
GCR can be very effective and improve image quality.
A big part of output profile generation involves the setting for Black using a processes
called Under Color Removal (UCR) and Gray Component Replacement (GCR). Each
printing ink controls one third of the spectrum: cyan controls red, magenta controls green,
and yellow controls blue. It is possible to reproduce all colors using only cyan, magenta, and
yellow ink. The forth color in printing is black and though we don’t have to use it, in theory, it
is used for colorimetric and commercial advantages. We can create the same color using a
lot of cyan, magenta and yellow, and just a little black. Or, we can use a little cyan, magenta,
and yellow, with a lot of black. Since black is not needed, its use is redundant. The
GCR/UCR process is used to reduce the process colors of cyan, magenta, and yellow, and
replaces them with an equal amount of black ink.
There are several advantages to this:
1. Too much ink can cause problems with a printing press. Black ink
reduces the overall ink coverage, which in turn helps with drying
problems and in printing on paper such as newsprint.
2. Using less amounts of process colors makes printing presses more
stable because there is a lower level of colorants, which minimizes
their efforts if they may vary slightly.
3. Black ink is less expensive to use than colored inks.
4. The addition of black ink extends the density in the shadows,
providing deeper blacks.
5. Using black ink provides crisper, cleaner, and more neutral blacks
than mixing cyan, magenta, and yellow.
How to use GCR and UCR methods:
Step 1: Using Adobe Photoshop, Choose Edit > Color Settings, to bring up the Color
Settings Dialog Box.

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Step 2: Under the Working Spaces box choose CMYK and scroll to the top to
choose Custom CMYK. The Custom CMYK Dialog Box should appear.
Step 3: In the Ink Colors section we chose SWOP (Coated). Dot gain should be set
at standard with 20%. The Separations Options section contains GCR and UCR methods.
When GCR is chosen you have the option of choosing Black Generation of None, Light,
Medium, Heavy, and Maximum. When UCR is chosen the option of Black Generation is not
used.
Step 4: Make sure that Total Ink Limit stays at 300% and UCA Amount is 0%. Press
OK.
Step 5: Name the new custom profile according to the parameters that you have just
set by selecting SAVE in the Color Settings Dialogue Box.
Step 6: Choose Edit > Convert to Profile.
Step 7: Make sure that the Destination Space Profile is the one you made for GCR
or UCR method. Click on the Settings drop down list to choose the profile you just created.
Press OK.
Color Separate the Scanned Image
Open a copy of your artwork in Photoshop. If the image has layers, use the menu
command Layer> Flatten Image. From the Channels palette menu, choose Split Channels.
A separate file is created from each color channel in the image. The grayscale
images show the distribution of each color throughout the image. In the following image, the
channels have been labeled. The individual file names include the channel’s color after the
file extension.
Conclusion:
Thus we have learnt about UCR, GCR and Color separation of the scanned image
using image editing (Photoshop) software.

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Ex. No. 4 : DRAW A TRAY STYLE CARTOON USING VECTOR DRAWING SOFTWARE.

Aim:
To draw a tray style cartoon using vector drawing software.
Step 1: Set Up Your Document
1. Open InDesign:
o Launch Adobe InDesign and create a new document (File > New >
Document).
2. Document Settings:
o Set the document size and orientation suitable for your cartoon. Choose a
size that allows you to comfortably draw and arrange your cartoon elements.
Step 2: Draw the Cartoon Elements
1. Use Shape Tools:
o In InDesign, utilize the Shape Tools (Rectangle Tool, Ellipse Tool, Polygon
Tool, etc.) to draw the basic shapes that will form your tray-style cartoon
character or objects.
 To access these tools, click and hold on the Rectangle Tool in the
Tools panel to see other shape options.
2. Create Tray and Background:
o Draw a rectangle shape for the tray. Adjust its size and proportions to fit your
cartoon character or scene.
o Draw additional shapes or lines to create a background if needed. This could
be a simple rectangle or other shapes to indicate a setting.
3. Draw Cartoon Elements:
o Start drawing the cartoon elements such as characters, objects, or items that
will be placed on the tray. Use simple shapes like circles, ovals, rectangles,
etc., depending on your design.
4. Add Details and Features:
o Use additional shapes or lines to add details such as eyes, mouths, limbs,
clothing, accessories, etc., to your cartoon characters or objects.
Step 3: Arrange and Style
1. Arrange Elements:
o Position the cartoon elements within the tray and background. Use the
Selection Tool (V) to move, resize, and rotate elements as needed.

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2. Styling Elements:
o Adjust the fill color, stroke color, and other attributes of each shape using the
Control panel or the Swatches panel to achieve the desired cartoon style.
Step 4: Add Text and Effects
1. Text Tool for Labels:
o Use the Text Tool (T) to add labels, speech bubbles, or any text elements that
enhance your cartoon’s storytelling or character interaction.
2. Apply Effects and Styling:
o Experiment with applying effects such as gradients, drop shadows, and
transparency to give depth and dimension to your cartoon elements.
Step 5: Refine and Edit
1. Fine-Tune Appearance:
o Review your cartoon composition and make adjustments to the position, size,
and alignment of each element to achieve a balanced and visually appealing
design.
2. Group Elements:
o Once satisfied with the arrangement, select related shapes and elements and
group them (Object > Group or Cmd/Ctrl + G) to keep them together for
easier handling.
Step 6: Save and Export Your Cartoon
1. Save Your Document:
o Save your InDesign document (File > Save) to preserve all your layers and
elements for future editing.
2. Export Your Cartoon:
o To share or print your cartoon, export it as a PDF (File > Export > Adobe
PDF) or as an image format such as JPEG or PNG (File > Export > Export
As).
Conclusion:
Thus we have learnt to draw a tray style cartoon using vector drawing software.

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Image Manipulation III Sem.

Ex. No. 5 : DRAW A TUBE STYLE CARTOON USING VECTOR DRAWING SOFTWARE.

Aim:
To draw a tube style cartoon using vector drawing software.
Step 1: Set Up Your Document
1. Open InDesign:
o Launch Adobe InDesign and create a new document (File > New >
Document).
2. Document Settings:
o Set the document size and orientation suitable for your cartoon. Choose a
size that allows you to comfortably draw and arrange your cartoon elements.
Step 2: Draw the Cartoon Elements
1. Use Shape Tools:
o In InDesign, utilize the Shape Tools (Rectangle Tool, Ellipse Tool, Polygon
Tool, etc.) to draw the basic shapes that will form your tube-style cartoon
character.
 To access these tools, click and hold on the Rectangle Tool in the
Tools panel to see other shape options.
2. Create Tube Body:
o Draw a long, thin rectangle shape using the Rectangle Tool to represent the
body of the cartoon character. This will form the main cylindrical shape of the
tube.
3. Draw Features and Details:
o Use additional shapes (like circles, ovals, or custom shapes) to draw facial
features, limbs, clothing, and any other details that characterize your cartoon.
4. Apply Color and Styling:
o Adjust the fill color, stroke color, and other attributes of each shape using the
Control panel or the Swatches panel to achieve the desired cartoon style. You
can experiment with gradients, patterns, or solid colors to enhance the
appearance.
Step 3: Add Text and Effects
1. Text Tool for Labels:
o Use the Text Tool (T) to add labels, speech bubbles, or any text elements that
complement your cartoon character.

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2. Apply Effects and Enhancements:

o Experiment with applying effects such as drop shadows, transparency, or
even vector-based textures to add depth and visual interest to your cartoon.
Step 4: Arrange and Edit
1. Arrange Elements:
o Position and arrange the cartoon elements to create a cohesive and visually
appealing composition. Use the Selection Tool (V) to move, resize, and rotate
elements as needed.
2. Group and Organize:
o Once satisfied with the arrangement, select related shapes and elements and
group them (Object > Group or Cmd/Ctrl + G) to keep them together for
easier handling and editing.
Step 5: Save and Export Your Cartoon
1. Save Your Document:
o Save your InDesign document (File > Save) to preserve all your layers and
elements for future editing.
2. Export Your Cartoon:
o To share or print your cartoon, export it as a PDF (File > Export > Adobe
PDF) or as an image format such as JPEG or PNG (File > Export > Export
As).
Conclusion:
Thus we have learnt to draw a tube style cartoon using vector drawing software.

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Ex. No. 6 : DESIGN A PANTONE COLOR CERTIFICATE USING IMAGE EDITING

SOFTWARE.
Aim:
To design a pantone color certificate using image editing software.
Step 1: Set Up Your Document
1. Open Photoshop:
o Launch Adobe Photoshop and create a new document (File > New >
Document).
2. Document Settings:
o Set the dimensions and resolution of your document. A common size for
certificates is 8.5 x 11 inches (US letter size) with a resolution of 300
pixels/inch for print quality.
3. Color Mode:
o Choose CMYK Color Mode if you intend to print the certificate, as Pantone
colors are typically used in print design. Go to Image > Mode > CMYK Color.
Step 2: Design Layout and Structure
1. Background:
o Decide on a background for your certificate. You can use a solid color,
gradient, or even a subtle pattern that complements the certificate’s purpose.
2. Header and Title:
o Use the Text Tool (T) to create a header and title for the certificate. Choose a
professional font that suits the style of the certificate.
3. Certificate Information:
o Include details such as the name of the Pantone color(s), Pantone color
code(s), certification number (if applicable), and any relevant information
about the color(s) being certified.
Step 3: Incorporate Pantone Color Swatches
1. Download Pantone Color Swatches:
o If you haven’t already, download the official Pantone color swatches from the
Pantone website or use the Pantone Color Manager software.
2. Insert Pantone Swatches:
o Use the Rectangle Tool (U) to draw boxes or rectangles to represent the
Pantone color(s) being certified. Match these colors using the Pantone
swatches you downloaded.

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3. Label Pantone Colors:

o Use the Text Tool (T) to label each Pantone color box with its corresponding
Pantone color name and code.
Step 4: Add Visual Elements and Branding
1. Logo or Branding:
o Include your company logo or any relevant branding elements that add
credibility to the certificate.
2. Decorative Elements:
o Incorporate decorative elements such as lines, borders, or graphical accents
to enhance the overall design aesthetic.
Step 5: Final Adjustments and Proofing
1. Review and Proofread:
o Double-check all information, spelling, and design elements to ensure
accuracy and professionalism.
2. Adjust Colors:
o Make final adjustments to colors, contrast, and brightness to ensure the
Pantone colors appear accurate and vibrant.
Step 6: Save and Export
1. Save Your Document:
o Save your Photoshop document (File > Save As) in PSD format to retain
layers and editing capabilities.
2. Export for Print:
o When you’re ready to print, export your certificate as a high-resolution PDF
(File > Save As > Adobe PDF) with settings appropriate for print production.
Conclusion:
Thus we have learnt to design a pantone color certificate using image editing
software.

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Ex. No. 7 : PERFORM IMPOSITION FOR PRINTING THE JOB USING IMPOSING
SOFTWARE.

Aim:
To perform imposition for printing the job using imposing software.
Step 1: Choose Imposing Software
1. Select the Right Software:
o Choose an imposing software that suits your specific printing needs.
Examples include Adobe Acrobat Pro (for basic imposition tasks), Quite
Imposing Plus, or specialized prepress software like Ultimate Impostrip.
Step 2: Prepare Your Document
1. Document Setup:
o Ensure your document is correctly formatted and includes all pages in the
correct order. Each page should be correctly sized for the intended print
output.
2. Save as PDF:
o Export your document as a high-quality PDF. Imposition is typically done on
PDF files, so ensure your document is saved in a format compatible with your
chosen imposing software.

Step 3: Open Your Document in Imposing Software

1. Import PDF:
o Open your PDF document in the imposing software. Most imposing software
allows you to import PDF files directly.

Step 4: Choose Imposition Layout

1. Select Imposition Template:

o Choose the appropriate imposition layout or template based on your printing
requirements. Common layouts include:
 Booklet: Arranges pages for booklet printing, where pages are placed
in the correct order for folding and binding.

 N-up: Arranges multiple pages on a single sheet to minimize paper

waste.

 Step and Repeat: Arranges multiple copies of the same page on a

single sheet.

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2. Customize Imposition Settings:

o Adjust settings such as margins, gutters, bleed, and crop marks as needed.
These settings ensure pages are positioned correctly and allow for trimming
after printing.
Step 5: Preview and Adjust
1. Preview Imposition:
o Use the preview function in the software to check how pages will be
positioned on the printed sheet. This allows you to verify the layout before
committing to printing.
2. Make Adjustments:
o If necessary, adjust settings or layout options to ensure pages are aligned
correctly and meet your printing specifications.
Step 6: Generate Imposed PDF
1. Create Imposed PDF:
o Once satisfied with the imposition settings and preview, generate a new
imposed PDF file using the software’s export or save function.
Step 7: Print or Output
1. Print or Save Output:
o Print the imposed PDF file directly from the imposing software, ensuring to
select the appropriate printer settings for paper type, size, and print quality.
o Alternatively, save the imposed PDF file for digital or offset printing, ensuring
to communicate imposition and printing instructions to your print service
provider.
Conclusion:
Thus we have learnt to perform imposition for printing the job using imposing
software.

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Ex. No. 8 : PERFORM PREFLIGHT OPERATION AND PROOF READING FOR THE
GIVEN FILE.

Aim:
To perform preflight operation and proof reading for the given file.
PREFLIGHT OPERATIONS:
Step 1: Use Preflight Tools:
1. Choose Preflight Software:
o Use software like Adobe Acrobat Pro, Adobe InDesign, or specialized
preflight tools such as Enfocus PitStop to perform preflight checks.
2. Open the File:
o Open the file in the preflight software. Ensure the file is in a format compatible
with the software (e.g., PDF for Acrobat Pro).
Step 2: Check Document Properties:
1. Document Settings:
o Verify document dimensions, color mode (CMYK or RGB), resolution (for
images), and bleed settings. Ensure they meet the requirements for printing
or digital publishing.
Step 3: Check Fonts and Text:
1. Font Embedding:
o Check that all fonts are embedded in the document. Non-embedded fonts can
cause text to display incorrectly or not at all in the final output.
2. Font Integrity:
o Verify that fonts are not corrupted and display correctly. Preflight tools can
flag missing fonts or font substitution issues.
Step 4: Verify Images:
1. Image Resolution:
o Check image resolution to ensure it meets print or display requirements
(usually 300 dpi for print).
2. Color Mode:
o Confirm images are in the correct color mode (CMYK for print, RGB for digital
display) and that color profiles are embedded.
3. Check for Missing Images:
o Preflight tools can detect missing images or links. Replace or re-link missing
images as necessary.

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Step 5: Review Color Settings:

1. Color Consistency:
o Ensure consistent color management throughout the document. Check for
spot colors, CMYK values, or RGB values as required.
2. Check Color Profiles:
o Verify that color profiles are embedded and consistent across all elements in
the document.
Step 6: Check Document Elements:
1. Page Elements:
o Review elements such as page orientation, margins, bleeds, and trim marks
to ensure they are correctly set up for the intended output.
2. Interactive Elements (for digital files):
o Ensure interactive elements like hyperlinks, buttons, and form fields function
correctly if the document is intended for digital distribution.
Step 7: Generate Preflight Report:
1. Run Preflight Check:
o Use the preflight software to run a comprehensive check on all aspects of the
document.
2. Review Preflight Report:
o Review the preflight report for any errors, warnings, or issues flagged by the
software. Address each issue to ensure the document is error-free.
PROOFREADING:
Step 1: Read the Document:
1. Read Aloud:
o Read the document aloud to catch any grammatical errors, typos, or awkward
phrasing.
2. Check Content Accuracy:
o Verify that all content, including text, numbers, and graphics, is accurate and
up-to-date.
Step 2: Check Formatting and Layout:
1. Consistency:
o Ensure consistent formatting (font styles, sizes, spacing) throughout the
document.

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2. Layout Errors:
o Look for layout errors such as widows, orphans, and awkward line breaks.
Adjust text and spacing as needed.
Step 3: Verify Hyperlinks and Cross-references (for digital files):
1. Click Hyperlinks:
o Click on hyperlinks to verify they direct to the correct web pages or
documents.
2. Cross-references:
o Check cross-references (e.g., page numbers, section references) to ensure
they are accurate and functional.
Step 4: Collaborate for Review:
1. Collaborative Review:
o Involve colleagues or stakeholders in the proofreading process to catch errors
that may have been overlooked.
2. Use Proofreading Tools:
o Utilize spell-check and grammar-check tools within word processing software
to identify and correct basic errors.
Step 5: Final Review and Approval:
1. Final Proofreading Pass:
o Conduct a final review of the document after making corrections to ensure all
errors have been addressed.
2. Approval Process:
o Obtain approval from relevant parties (clients, supervisors) before proceeding
with printing or publishing.
Conclusion:
Thus we have learnt to perform preflight operation and perform proof reading for the
given file.

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Ex. No. 9 : CREATE A 4-PAGE FOLDER.

Aim:
To create a 4-page folder.
Step 1: Set Up Your Document
1. Open InDesign:
o Launch Adobe InDesign and create a new document (File > New >
Document).
2. Document Settings:
o Set the document dimensions based on the folded size of your folder. For
example, if your final folder size after folding is 8.5 inches by 11 inches
(standard US letter size), you would set the document size accordingly.
Ensure to account for bleed and margins if needed.
3. Number of Pages:
o Set the number of pages to 4. Since each page will represent a panel of the
folder, you will design the front cover, inside left, inside right, and back cover.
4. Orientation and Margins:
o Choose the orientation (portrait or landscape) based on your design
requirements. Set appropriate margins to ensure important content does not
get trimmed off during printing.
Step 2: Design Each Panel
1. Page 1: Front Cover:
o Design the front cover of your folder on Page 1. Include the main title, logo,
images, and any other elements that represent the front of the folder.
2. Page 2 and Page 3: Inside Panels:
o Page 2 and Page 3 will represent the inside left and inside right panels of the
folder. Design these pages with the necessary content such as text, images,
and graphics. Ensure that when the folder is folded, these pages will be
visible inside.
3. Page 4: Back Cover:
o Design the back cover of your folder on Page 4. Include any concluding
information, contact details, or additional branding elements.
Step 3: Arrange Pages for Printing
1. Page Order:
o In the Pages panel (Window > Pages), ensure that the page order is correct
for printing. It should typically be arranged as follows: Page 1 (Front Cover),
Page 2 (Inside Left), Page 3 (Inside Right), and Page 4 (Back Cover).

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2. Check Page Spreads:

o In InDesign, you can view the document as spreads (two facing pages) to
visualize how the folder will appear when folded. Use the View > Screen
Mode > Two-Up option to see spreads.
Step 4: Set Up Folding Guides
1. Create Folding Guides:
o Use guides (View > Grids & Guides > New Guide) or ruler measurements to
set up folding guides on your document. These guides help indicate where
the folds will occur when the folder is printed and folded.
2. Bleed and Trim Marks:
o Add bleed and trim marks if required (File > Document Setup > More
Options). Bleed ensures that background colors or images extend beyond the
trim edge to avoid white edges after trimming.
Step 5: Proof and Export
1. Proofread:
o Proofread your entire document to ensure all content is correct and aligned
properly across panels.
2. Export for Printing:
o When ready to print, export your InDesign document as a high-resolution PDF
(File > Export > Adobe PDF (Print)). Choose the appropriate settings for print
quality, including bleed settings and color profiles.
Conclusion:
Thus we have learnt to create a 4-page folder.

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Image Manipulation III Sem.

Ex. No. 10 : CHANGE THE COLOR OF CLOTHING USING IMAGE EDITING SOFTWARE.

Aim:
To change the color of clothing using image editing software.
Step 1: Open Your Image
1. Launch Photoshop:
o Open Adobe Photoshop and load the image of the person wearing the
clothing whose color you want to change (File > Open).
Step 2: Select the Clothing
1. Select the Clothing Area:
o Use any selection tool that best fits the shape of the clothing. The Quick
Selection Tool (W) or the Pen Tool (P) are commonly used.
o For simpler shapes, you can use the Quick Selection Tool by clicking and
dragging over the clothing. Adjust the brush size using the bracket keys [ and
] for more precise selection.
2. Refine Edge (Optional):
o If needed, refine the selection edge to ensure it accurately follows the
clothing’s contours. Right-click on the selection and choose Select and Mask
to use the refine edge tools.
Step 3: Adjust Color Hue/Saturation
1. Create a Hue/Saturation Adjustment Layer:
o With the clothing selected, click on the Create new fill or adjustment layer icon
at the bottom of the Layers panel and choose Hue/Saturation.
2. Adjust Hue/Saturation Settings:

o In the Hue/Saturation adjustment window, move the Hue slider to change the
color hue of the selected clothing.

o Use the Saturation slider to adjust the intensity of the color. You can also
adjust the Lightness slider to make the color darker or lighter if needed.

Step 4: Blend and Refine

1. Blend Adjustment Layer:

o Adjust the blending mode and opacity of the Hue/Saturation adjustment layer
if the color change looks too strong or unnatural. Common blending modes to
try are Color and Overlay.

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2. Refine Edges (if necessary):

o Fine-tune the edges of the clothing selection to ensure there are no harsh
transitions between the changed color and the original clothing color. Use
tools like the Refine Edge brush or layer masks to paint in or out areas as
needed.
Step 5: Final Adjustments and Details
1. Fine-tune Colors:
o If the color change affects other parts of the image unintentionally, use layer
masks or adjustment layer masks to restrict the effect to only the clothing.
2. Add Shadows and Highlights (Optional):
o To make the color change look more realistic, add shadows and highlights to
the clothing using Dodge and Burn tools (O) or by painting on a new layer
with low opacity using a soft brush.
Step 6: Save Your Edited Image
1. Save Your File:
o Once you are satisfied with the color change, save your edited image (File >
Save As) in a suitable format like JPEG or PNG.
Conclusion:
Thus we have learnt to change the color of clothing using image editing software.

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