Summary Unit 3
Summary Unit 3
Input y Output:
2. Integración de Habilidades:
- Pre-teaching Vocabulary:
- Extensive Reading/Listening:
- Authentic Language:
1. Lead-in:
Start by getting students engaged with the topic. Ask questions
or give activities that make them think.
2. Task:
Explain and demonstrate the task. Let students repeat the
instructions to make sure they understand. Provide any
necessary information.
3. Monitoring:
Walk around the class, listen to students, and provide help when
needed.
Improvising:
When you don’t know a word, try using a related word, even if
it’s not perfect. Sometimes it works!
Discarding:
If you can’t say something, sometimes it’s better to abandon
the idea and move on. But this isn’t always the best strategy.
Foreignising:
Trying to say a word like you would in your own language (e.g.,
using a Spanish pronunciation of an English word). This can
confuse the listener, especially if they don’t know your
language.
Paraphrasing:
If you don’t know the word, describe it instead. For example,
instead of saying “toothbrush,” you can say "something you use
to clean your teeth."
Tip for teachers: Encourage students to paraphrase and
improvise rather than abandoning ideas or foreignising. These
are better learning techniques.
Reading:
5. Text Mining:
After reading, students can “mine” the text for new language
(vocabulary, grammar, etc.) to analyze and discuss.
19. Listening:
Students should think of what work form them. Keep listening logs.
Reflect and think about what they do while listening. Give
Strategies:
- Top-down listening
Pre-teach vocab or show the words and sentences they are going to
listen to will help to predict the content and remove barriers for
really means, fill in a form, draw a picture of what they hear, follow
directions on a map…
Multiple listening: to improve listening skills they need to listen to the
same thing as often as feasible. Each time they will understand
Working together to discuss what they have just listened to. This
interactive frame helps to lower student anxiety, a problem shared is
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- Bottom-up listening
things.
dictogloss where from a short text or sentence they write only the
words they can. After many readings of the same text they fill in
more and more words and compare it with a partner trying to recreate
the text.
Narrow listening: short listenings on the same topic. The more they
hear the same words and phrases again and again, the better.
discourse.
- Extensive listening
To get better at listening they will have to listen to a lot of texts. Time
in class is not enough. Autonomous frame is the extensive
comments on the listening. Keep a listening log with all the listening
they do. Give students reasons to listen.
sounds. Listen to the audiobook at the same time they read. Combine
listen and read can be beneficial.
- Live listening
Reading aloud: from the teacher with conviction and style to hear a
clear spoken version of the written text. Read of act out dialogues
playing the two parts, so students can hear how a speaker would act
in different conversational settings.
can repeat it from different angles or points of view. Role play scenes
from the stories they heard.
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Advantages:
Disadvantages:
Poor acoustics can give a cause for concern, as all students may not
hear equally well.
All together dictates the same speed for all listeners, unsatisfactory
specially when they have to take information from the listening.
Silent viewing for music: music conveys mood, play it silent and guess
what music correspond to the actions and see if it matches.
Freeze frame: and ask what they think will happen next.
Fast forward: silently and at a great speed they guess what is going
on and guess what they were saying.
Pictureless listening (music) listen to the music and guess what scene
it might be happening.
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and only read L1 text predicting what the english version will be.
Videotelling: predict what they are going to see and use their
predictions to build a story. Then we watch the video to see if their
predictions were correct.
20. Writing:
Individually or cooperatively.
skills. Editing and redraf ting are more important when writing in a
foreign language.
review and edit, changing the focus, generating more ideas, redraf
ting, reediting, and so on. Not possible
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- Genre
Product approach values the construction of the end product. Writ ten
genre has a lot in common with a product approach to
writing.
Pre-writing phase: Students study texts in the genre in which they are
going to write. We let them see models of what they
will write, real examples and specific language use common to that
genre needs to be provided.
The process can be turned around and start writing and then compare
what it has in common with the example. It is helpful
to understand what the process requires and later re write the text.
.Students only see a model and became imitators rather than creative
language users. At lower levels imitation may be useful.
We can also show them different varied examples and students can
tease the similarities and differences between them.
Process approach.
knowing.
build the writing habit providing students with motivating short tasks
to persuade them.
Reviewing and evaluation are enhanced when more than one person
work on a text, generation of ideas is more lively. Two
Sit ting around a computer monitor all add info and can see and make
small changes in all parts of the process.
write a narrative we value their ability to write a story, not how they
use the structures.
Writing for writing tasks are to be used of ten if we want to build their
writing skills.
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maximum benefit.
Resource: supply info and language. Look at their work offering advice
and suggestions in a constructive and tactful way.
21. Speaking:
Students can be made aware of this and teach them how to use
buying time language, how to make “tails” and two step
questions.
yes, lovely, isn’t it)/ do you fancy a coffee?= Yes, please/ no, thank
you. We want to make sure students learn and recognize as
- Conversational strategies
such as: Would you mind repeating that, please, or sorry, I don’t
understand.
They need to use repair strategies: it’s a kind of… what’s the word
for…
Use typical discourse markers and phrases: the point I’m trying to
make is… to put it another way… that will help them in
- ‘Listenership’
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-Matching level and task, don’t ask them to do more than they can.
Set tasks at a level they are comfortable with.
-Use pairwork and groupwork. Question and answer with the whole
class is intimidating and favor the more confident. Pair
about what they are going to say and how. Give them quiet time to
think, using their inner voice. We can allow this in their L1.
moment’s notice. Some other times they will need preparation time.
Mandatory participation of “social loafers” that sit back and let the
others do the work. Ensure that all students are equally
engaged. (numbered head each one has a number the teacher do not
know and calls out a number to participate.) Fluency circles
prosody.
say the other’s part. Not to choose the shyest students first. Create a
supportive atmosphere, give them time to work on their
dialogues.
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students talk about a bigger, more formal later task. (a prepared talk).
Create a word map, or each one sticking notes around a
speeches in their groups first to feel what they are going to say
- Questionnaires
- Storytelling
. we tell the same stories again and again. Our favorite anecdotes are
practiced in the retelling, and each time we tell them better.
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for general understanding) and type 2 tasks (look for specific details
and analyze language), and lead-in (engage students),
responses).
pleasure.
the text.
-Predicting the topic of a listening activity is a top-down processing
strategy. Puts students at ease and in the mood for the task and
exams.
-When students are engaged in a speaking task the teacher role could
be to encourage students and feed in words and phrases they