T H E D. A . P.

C A T A L O G SPRING 2025
Bestseller from our backlist, now available at a lower price!

Heads Together:
Weed and the Underground Press Syndicate,
1965–1973
Edited with text by David Jacob Kramer. Text by David Jacob Kramer, Rembert Browne,
Melania Gazzotti. Oral histories by John Sinclair, Ishmael Reed, Marjorie Heins,
Mariann Wizard-Vasquez, Abe Peck.

A glorious design herbarium of marijuana spot illustrations,

drawings, writing, ads and ephemera from the great underground
papers of the 1960s and ’70s
EDITION PATRICK FREY
ISBN 9783907236543
u.s. $45.00 cad $67.50
Pbk, 7.5 x 9.75 in. / 566 pgs / 300 color / 150 b&w.
Available/Design
Territory: NA ONLY

“Artfully designed...it’s a spicy version of a late 1960s rag.”

—J. HOBERMAN, NEW YORK REVIEW OF BOOKS

“Heads Together serves as a captivating look into the

pathway that was etched out for the eventual legalization
of weed...shines a much-needed new light on the counter-
culture movement of the 1960s and ’70s.”
Selected as one of —CASSIDY ANTHONY, DIFFERENT LEAF
Hervé Guibert, Gorka, 1981. From Hervé Guibert: The Only Face, published by Magic Hour Press. See page 54.

the Most Beautiful “Heads Together is a fascinating, comprehensive chronicle

Featured Releases 2
of the magazines and newspapers of pot. Selecting this
Swiss Books of 2023 material must have been a real head-nip for the editor; for
Midwinter Highlights 74

the reader, leafing through its prismatic ephemera can get

by the Swiss Federal you a little high.”
CATALOG EDITOR
Nora Della Fera
Spring Highlights
Art
76
78

Office of Culture Photography 115

—TODD McEWEN, APOLLO DESIGNER
Martha Ormiston
Architecture & Design 125
TITLE DATA
Charlotte Cook
COPYWRITING
Specialty Books 138
Charlotte Cook, Nora Della Fera Art 140
IMAGE PRODUCTION Photography 156
Joey Gonnella Art History & Writings 160
PRINTING
Sonic Media Solutions, Inc. Backlist Highlights 162
Index 163
FRONT COVER IMAGE
Jeffrey Gibson, WE HOLD THESE TRUTHS TO BE SELF-EVIDENT, 2024. Glass beads, plastic beads, nylon thread, acrylic felt,
found punching bag; 123 × 15 × 15" (312.4 × 38.1 × 38.1 cm). Photo credit: Timothy Schenck. From Jeffrey Gibson: the space in
which to place me, published by DelMonico Books. See page 12.

BACK COVER IMAGE

Tappy Toes lapel pin, c. 1967. Produced by N.G. Slater Corporation, New York, for the film Tappy Toes, 2 × 2". Private collection.
From 3-D Doings: The Imagist Object in Chicago Art, published by DelMonico Books. See page 43.
 Timeless Mucha:

Bob Masse, Grateful Dead tour poster, July 29, 1966, P. N. E. Garden Auditorium, Vancouver, Canada. Color offset lithograph. Courtesy of Bob Masse Studios. Collection of Mucha Trust.
Opposite: Alphonse Mucha, Rêverie, 1897–98 (detail). Color lithograph, 28⅝" × 21¾" (72.7 × 55.2 cm). Collection of Mucha Trust.
The Magic of Line
Edited with text by Tomoko Sato. Text by Kelli Bodle, Camille
Brown, Aimee Marcereau DeGalan, Joe Quesada, Christian
Waguespack.

A fabulous tribute to the artist whose stylized

poster designs defined Art Nouveau’s visual
language, and whose influence can be seen
everywhere from manga to the Grateful Dead
This volume reappraises the graphic work of Alphonse Mucha
(1860–1939) and explores its influence on graphic art since the
1960s. Published in conjunction with a touring exhibition to five
leading museums in the US and Mexico, this volume provides an
opportunity to survey the development of Mucha’s style, which
evolved to be synonymous with Art Nouveau. It explores how it
was rediscovered by later generations of artists, becoming a new
artistic idiom for the Psychedelic Art of the 1960s and 1970s as
well as a wide range of visual culture from the late 20th century
to today, exemplified by American comics, Japanese manga and
street murals.
Coinciding with the opening of the new Mucha Museum in the
baroque Savarin Palace in Prague, Timeless Mucha is organized
into three thematic sections: Inspirations for the Mucha Style,
Le Style Mucha, and Art Nouveau and The Rebirth of the Mucha
Style and Its Legacy. The first two sections focus on Mucha’s
artistic development, examining the theoretical basis of Mucha’s
style—famously known as “le style Mucha” in fin-de-siècle
NEED HIGH RES Paris—and its context. Tracing the artist’s footsteps from his
youth in Moravia through the 1890s, when he attained fame as a
poster artist, the first section highlights a selection of works of
art, crafts and books from his own collection. The third section
explores visual links between Mucha’s artistic idiom and the
styles developed by later generations of artists. While Mucha’s
style continues to influence today’s visual culture, including
fashion, animation movies and computer games, this catalog
also focuses on a philosophical aspect of Mucha’s legacy: the art
of message-making.

EXHIBITION MUCHA FOUNDATION/D.A.P.

Washington, DC: The Phillips Collection, 02/22/25–05/18/25 ISBN 9781636813998
Santa Fe, NM: The New Mexico Museum of Art, 06/20/25–09/20/25 u.s. $60.00 cad $90.00 gbp £51.00
Boca Raton, FL: Boca Raton Museum of Art, 11/19/25–03/01/26 Hbk, 9.5 x 12 in. / 240 pgs / 212 color / 21 b&w.
Kansas City, MO: Nelson-Atkins Museum of Art, 04/11/26–08/30/26 February/Art/Design
Mexico City, Mexico: Museo Kaluz, 10/08/26–02/08/27 Territory: WORLD

2 ­­artbook.com artbook.com 3
 FACSIMILE EDITION

Hilma af Klint:
Flora
Introduction by Jodi Hauptman.

A lavishly produced facsimile of

af Klint’s rarely seen portfolio of
botanical drawings
Hilma af Klint’s Nature Studies portfolio
(1919–20), rooted in the artist’s close
observation of flowering plants and her
extensive botanical knowledge, aims to
connect the material and spiritual realms. The
46 sheets of this pivotal work present more
than 100 flowering plants rendered in exquisite
detail, evocatively reflecting what the artist
saw in the field and what she knew of their
morphology, from the shape of a blossom to
the arc of a leaf. Juxtaposed with each is a
multicolored diagram, drawn from her own
abstract language, which visualizes aspects
of the human character. Af Klint imagined her
portfolio as an atlas—or in botanical terms, a
flora—that details the plants of Sweden, where
she lived and worked. Hers, however, is a flora
of the spirit, a mapping of the natural world in
spiritual terms.
This deluxe facsimile of af Klint’s rarely seen
portfolio is published in a limited edition of
500. Each of the 46 drawings is presented on
its own sheet at full scale, and the collection
is enclosed in a luxe clamshell case. A booklet
Hilma af Klint: What Stands Behind the Flowers with a contextualizing essay by curator Jodi
Hauptman examines af Klint’s engagement with
Edited by Jodi Hauptman. Text by Ewa Lajer-Burcharth, Laura Neufeld, Lena Struwe. the natural world.

Af Klint’s exquisitely rendered botanical portfolio reveals a deep spiritual

engagement with the flora of her native Sweden THE MUSEUM OF MODERN ART,
NEW YORK
Across the spring and summer seasons of 1919 and 1920, Swedish artist Hilma af Klint engaged in a period of intense
ISBN 9781633451698
observation of nature, venturing into forests and fields and drawing the flowers she found there. The resulting 46 u.s. $500.00 cad $750.00 SDNR30
sheets comprise her Nature Studies portfolio, recently acquired by the Museum of Modern Art, New York. In pencil Special edition, 12 x 22 in. / 46 pgs / 46 color.
and jewel-toned watercolor, af Klint juxtaposed exquisitely rendered blossoms with enigmatic diagrams: a blooming May/Art/Limited Edition
sunflower is echoed by nested circles; lily of the valley is joined by a colorful checkerboard; catsfoot is set against a Territory: NA ONLY
pair of mirrored spirals. Together, these two modes—representational and abstract—demonstrate the artist’s belief
that close observation of nature reveals “what stands behind the flowers”: ineffable aspects of the human character.
Published in conjunction with the first public exhibition of this rare portfolio, Hilma af Klint: What Stands
Behind the Flowers presents the drawings alongside contextualizing artworks and translations of the artist’s
previously unpublished writings. An overview essay by curator Jodi Hauptman explores af Klint’s portfolio and the
circumstances of its creation; texts by Ewa Lajer-Burcharth, Laura Neufeld and Lena Struwe unpack the imagery,
materiality and botanical knowledge behind these works.
Hilma af Klint (1862–1944) trained at Stockholm’s Royal Academy of Fine Arts and established herself as a
professional artist. In the first decade of the 20th century, she developed a unique abstract vocabulary, some years
earlier than her peers. Whether on canvas or on paper, her singular work is informed by her spiritual investigations
and, as this project demonstrates, an interest in and attunement to the natural world.
EXHIBITION
New York, NY: The Museum of Modern Art, 05/11/25–09/27/25

THE MUSEUM OF MODERN ART, NEW YORK

ISBN 9781633451681
u.s. $55.00 cad $82.00
Hbk, 9 x 10.5 in. / 272 pgs / 160 color.
May/Art
Territory: NA ONLY

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 Mothering Myths
An ABC of Art, Birth and Care
Edited with introduction by Laurie Cluitmans, Heske ten Cate. Foreword by Alexis Pauline Gumbs. Text by Rosemarie Buikema,
Routed West: Twentieth-Century African American Quilts in California Trudy Dehue, Lisa Smit, Ocean Vuong, Julie Phillips, Sylvia Plath, Sheila Heti, bell hooks, Tabita Rezaire, Camille Henrot, Lily van
der Stokker, Wende Snijders, Sara Sejin Chang, Taka Taka, Sarah Sluimer, Babs Gons, Audre Lorde, et al.
Foreword by Julie Rodrigues Widholm. Edited with text by Elaine Y. Yau. Text by Daphne A. Brooks, Bridget R. Cooks, Basil Kincaid, Eli
Leon, Adia Millett, Matthew Villar Miranda, Wendy M. Thompson. Conversation with Sharbreon Plummer, Carolyn Mazloomi, A’donna
Richardson.
A comprehensive, intersectional and transhistorical meditation on depictions of motherhood
in art, from the Middle Ages to today
A celebration of the joyful power of African American quilts, featuring images of over 100 quilts, Rooted in the visual arts, this book gathers a multitude of voices on the theme of motherhood. Though central to the core of all
new research and essays life, the topic of motherhood has long been relegated to the private domain. Within the art world, depictions of motherhood
The first publication dedicated to historical African American quilts in California, Routed West traces the flow and flourishing of have also been fraught. From the Middle Ages to the 20th century, Mary was depicted as the “primal mother.” Mothers were
quilts in the context of the Second Great Migration from 1940 to 1970. As millions of African Americans sought greater economic idealized in Western art, often as women who sacrifice themselves for the good of their children. Moreover, these idealized
opportunities and freedom outside of the American South, hundreds of thousands initially arrived in the Golden State. Many migrants depictions were usually made by men. In modern and contemporary art, motherhood has been considered trivial and
carried quilts as functional objects and physical reminders of the homes they left behind. They also brought their quiltmaking skills, insignificant, not a subject for great art. Artist Lise Halle Baggesen, in her extensive art project Mothernism, describes a
extending the art form’s Southern roots to the western United States in the later part of the 20th century. “mother-shaped hole”: a black hole in the history of art when it comes to the depiction of maternal care.
Featuring vibrant images of over 100 quilts by nearly 90 individuals—the majority of whom are women and have ties to the San To this day, that cliché is still largely transmitted to female artists in art school. Young women artists often receive the message
Francisco Bay Area—and new research, Routed West honors the resilience, self-determination, collective care and creative ingenuity that they should not make “womb art” and that motherhood is not an interesting theme for good art. As an artist with a womb, VALIZ/CENTRAAL MUSEUM, UTRECHT/
you are often told to choose between artistry and motherhood because both require a full commitment which would make NEST, THE HAGUE
of this distinctive migrant generation. Essays by scholars, curators, quilt historians and artists celebrate the joyful power of African
DELMONICO BOOKS/BERKELEY ART American quilts as objects of beauty, memory and cultural reclamation within Black life, and explore the role of museums in their them incompatible. ISBN 9789493246423
MUSEUM AND PACIFIC FILM ARCHIVE Following the format of the previously published On the Necessity of Gardening, Mothering Myths starts from the same base: an u.s. $39.95 cad $59.95
stewardship and preservation. This book accompanies a group exhibition of artworks drawn from the African American quilt collection
(BAMPFA) abecedary intersected by longer essays. The abecedarium gathers fragments of shorter texts that together offer a layered and Pbk, 9.5 x 12.5 in. / 304 pgs / 50 color / 150 b&w.
at the Berkeley Art Museum and Pacific Film Archive. July/Art/Popular Culture
ISBN 9781636811598 wide-ranging perspective on the meaning of motherhood.
u.s. $65.00 cad $95.00 gbp £55.00 EXHIBITION
Territory: NA LA ME
Hbk, 9 x 11 in. / 272 pgs / 280 color. Berkeley, CA; Berkeley Art Museum and Pacific Film Archive, 06/07/25–11/30/25 EXHIBITION
June/Art/Decorative Arts/Design Utrecht, Netherlands: Centraal Museum, 03/25
Territory: WORLD The Hague, Netherlands: Nest, 09/25

6 ­­artbook.com artbook.com 7
 Illustration by Maira Kalman.

“STUFF is a meteoric rush of wonder,

sass and cool—told in a torrent of
sonic booms. I couldn’t put it down.”
—MICHAEL STIPE

STUFF: A New York Life of Cultural Chaos

By Kim Hastreiter
Foreword by Whitney Mallett, Jeffrey Deitch, Carlo McCormick. Photographs by Jeremy Liebman. Cover art by Jim Joe.

A joyful romp through the singular and eclectic material world of a true New York character
Kim Hastreiter, cofounder of the beloved Paper magazine, has spent the last 50 years amassing a vast and iconoclastic
collection of stuff. This volume, aptly titled STUFF, chronicles an extraordinary slice of history and the people who defined
it, using Hastreiter’s singular edit of art, fashion, design, photography, books and ephemera as a lens. In these pages you’ll
meet Hastreiter’s amazing friends: at an all-night party in the basement of an East Village church with Keith Haring; a private
art sale with Jeffrey Deitch in Phyllis Diller’s kitchen; or impromptu cocktails at Trader Vic’s with Salvador Dalí and Joey Arias.
STUFF is more than a memoir; it’s a loopy, joyous, chaotic ride through the last half century of cultural chaos in the greatest
city on earth. Whether you are an OG or a kid, a culture vulture, artist, design buff, fashion nerd, skater, collector, chef,
cinephile, New Yorker, uptowner, downtowner, out-of-towner or something else entirely, STUFF will make you feel like you’re
sitting with Kim in her garden high above Washington Square Park, her booming voice imploring you to pursue your life with
compulsive enthusiasm. The book features an exclusive cover design by the elusive yet legendary artist Jim Joe, best known
for designing the iconic album cover for Drake’s If You’re Reading This It’s Too Late. DAMIANI/AMAZING UNLIMITED
Kim Hastreiter is a New Jersey native and consummate New Yorker. She is a cultural anthropologist and the original ISBN 9788862088312
multi-hyphenate. An editor, publisher, curator and big idea person, she is best known for cofounding the legendary Paper u.s. $75.00 cad $110.00
magazine together with David Hershkovits, which they sold in 2017. Hbk, 8 x 10 in. / 448 pgs / 1436 color / 3 b&w.
March/Popular Culture/Biography & Memoir/
Cultural Theory/Design
Territory: NA LA

8 ­­artbook.com artbook.com 9
 NEW REVISED EDITION
Chromotherapia
Adrienne Salinger: Teenagers in Their Bedrooms The Feel-Good Color Photography
Preface by Adrienne Salinger. Introduction by Tobias Wolff. Afterword by Sarah Lippmann.
Edited by Maurizio Cattelan, Sam Stourdzé.
The new edition of Salinger’s ever-relevant series of 1980s and ’90s teenagers in A cavalcade of color photos by everyone from Alex Prager to William Wegman
their bedrooms
This book, Chromotherapia: The Feel-Good Color Photography, offers genuine relief from the black-and-white world. Often
Bedrooms contain the past, the present and the future; they are sites of continual transformation. Popular culture and fashion disparaged, not always taken seriously, color photography has nevertheless allowed artists to get out their palettes and “paint.”
continually change and recycle. While specific objects of decor change over time, teenagers’ bedrooms are still private Many have freed themselves from the medium’s documentary status to explore the common roots of the image and the imaginary,
sanctuaries: spaces for safely experimenting during a time in life when one is forming and expressing ever-evolving identities. flirting with the worlds of Surrealism and Pop. Famed Italian visual artist and curator Maurizio Cattelan and curator Sam Stourdzé
Upon its release in 1995, Adrienne Salinger’s book In My Room was an immediate success, selling nearly 24,000 copies in its offer a rereading of the history of color photography through the 20th century into the 21st, and through the works of over 20 artists
first few years. The continued popularity of this work made in the ’80s and ’90s is curious. However, over the nearly 30 years who take us on a journey into vibrant, acidulous worlds. Treat yourself to sunny yellow, azure blue, bright red, bubbly orange and
since, and especially in the most recent decade of social media, the work’s appeal has grown tremendously. In some cases, more, straight from the lenses of the biggest names in color photography.
the work evokes nostalgia, but not primarily so. Adrienne Salinger hears from current teenagers often; many send her pictures Photographers include: Yevonde Middleton, Harold Edgerton, Erwin Blumenfeld, Walter Chandoha, William Wegman, Hiro, Guy
D.A.P. of their bedrooms today. Social media encourages users to endlessly “rebrand” their identities, creating idealized fantasies, Bourdin, Alex Prager, Juno Calypso, Adrienne Raquel, Miles Aldridge, Ouka Leele, Hassan Hajjaj, Ruth Ossai, Pierre et Gilles, Sandy
ISBN 9781942884804 striving for perfection. These photographs are not about perfection. They give voice to the contradictions of our identities. Skoglund, Martin Parr, Arnold Odermatt, Maurizio Cattelan, Pierpaolo Ferrari.
u.s. $45.00 cad $68.00 gbp £38.00 Hundreds of print and online articles, interviews and features on In My Room have been published and the work has been DAMIANI
Hbk, 11.5 x 10 in. / 144 pgs / 68 color. exhibited at museums all around the world. Long out of print and now considered a classic, with only a rare few available EXHIBITION
August/Photography ISBN 9788862088367
on the secondary market, the book returns in a new expanded edition as Teenagers in Their Bedrooms. With 26 additional Rome, Italy: The French Academy in Rome — Villa Medici, 02/28/25–06/09/25 u.s. $60.00 cad $90.00
Territory: WORLD
photographs, this treasure is made available once more to new audiences. Hbk, 9.5 x 11 in. / 192 pgs / 170 color.
Adrienne Salinger has published three photobooks: In My Room (1995), Living Solo (1999) and Middle Aged Men (2007). She May/Photography
is Regents Professor Emerita at the University of New Mexico. Territory: NA LA

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Jeffrey Gibson: Jack Whitten: The Messenger
the space in which to place me Edited with text by Michelle Kuo. Text by Julie Mehretu, Glenn Ligon, Anna
Deavere Smith, George Lewis, Sampada Aranke, Mark Godfrey, Richard Shiff,
Edited with text by Abigail Winograd, Christian Ayne Crouch. Foreword by Brian Ferriso, Annie Wilker, Michael Duffy, Dana Liljegren, David Sledge, Helena Klevorn, Kiko
Louis Grachos. Text by Kathleen Ash-Milby, Miranda Belarde-Lewis, Philip J. Deloria, Aebi, Eana Kim, JaBrea Patterson-West.
Evan Garza, Jeffrey Gibson, Richard Shiff. Contributions by G. Peter Jemison, Elizabeth
Alexander, Layli Long Soldier. The first full retrospective of Whitten’s dazzling
and trenchant abstraction from the 1960s–2010s,
Vibrant and immersive installations from the first Indigenous which transformed the relationship between art,
artist to represent the US with a solo exhibition at the race and society
Venice Biennale
Jack Whitten changed the way we see. Over nearly six decades, he dared to
This lush, comprehensive volume celebrates Jeffrey Gibson’s US Pavilion exhibition at the
invent new forms of abstraction, constantly transforming both perception
60th Venice Biennale. The text and visuals braid together important strands that shaped
and our understanding of art in society. This gorgeously illustrated volume,
the installation, public programming and performances, highlighting the themes of
with pathbreaking new perspectives and revelatory technical analyses of his
inclusivity, community, dignity and tradition.
innovative materials and processes, explores Whitten’s wide-ranging and
Framed by the pavilion and its activations, this volume unites innovative scholarship
game-changing practice.
and criticism in original essays and in themes which emerged from the Institute of
Raised in the segregated Jim Crow South in the 1940s, Whitten undertook
American Indian Arts’ Venice Indigenous Arts School and the Bard Center for Indigenous
an extraordinary journey in becoming an artist, convinced that by changing
Studies convening, all interrogating diverse topics and using Gibson’s art and practice
form, he could help change the world. Despite pressure from peers to
as their point of departure. Leading curators and critics engage with global exchanges
create figurative art, he was a key proponent of creating abstract art that
and relationships emerging from Indigenous arts, intellectual and aesthetic traditions
responded to social turmoil; to his own identity as a Black artist; and to sea
across Indigenous traditions, formal color study, as well as the complex, varied and
changes in technology. He created new ways of painting through a series of
rich references in Gibson’s work. Featuring spectacular photography, including behind-
artistic inventions and strategies. He defied traditional boundaries between
the-scenes studio shots, and poetic and performance interventions, this inventive
abstraction and representation, pictures and things, culture and technology,
and informative publication is a necessary companion to any collection on Gibson,
individual identity and global history.
contemporary art and Indigenous aesthetics.
Published to accompany the first comprehensive retrospective of Whitten’s
Jeffrey Gibson (born 1972) is an interdisciplinary artist and a member of the Mississippi
art, this sumptuous catalog presents the full range of his career across
Band of Choctaw Indians and of Cherokee descent. He attended the School of the
painting, sculpture and works on paper, produced in New York and Greece,
Art Institute of Chicago in 1995 and received a master of arts in painting at the Royal
with texts by leading art historians, artists and conservators. Previously
College of Art, London, in 1998. Gibson conceived and coedited the landmark volume An
unpublished writings by the artist and an expansive chronology of Whitten’s
Indigenous Present (2023), which showcases diverse approaches to Indigenous concepts,
life, featuring newly discovered photographs and archival materials, bring
forms and mediums. His work is included in the permanent collections of the Museum of
into focus an artist who was as committed to human perception as to human
Modern Art, New York; National Gallery of Canada; Smithsonian National Museum of the
rights, becoming one of the most important artists of our time.
American Indian; and Whitney Museum of American Art, among others. Gibson is based
Jack Whitten (1939–2018) was born in Bessemer, Alabama, and began his
in Hudson, NY and is currently an artist-in-residence at Bard College.
studies in medicine at the Tuskegee Institute. After moving to New York in
1960 to attend the Cooper Union for the Advancement of Science and Art,
he became a leading artist in the wake of Abstract Expressionism, and of a
generation of Black artists committed to abstraction. Whitten lived in New
York until his death.
EXHIBITION
New York, NY: The Museum of Modern Art, 03/23/25–08/02/25

DELMONICO BOOKS/PORTLAND ART MUSEUM/

SITE SANTA FE/BIG NDN PRESS/BARD CENTER
FOR INDIGENOUS STUDIES THE MUSEUM OF MODERN ART, NEW YORK
ISBN 9781636811628 ISBN 9781633451704
u.s. $75.00 cad $110.00 gbp £64.00 u.s. $75.00 cad $110.00
Clth, 8 x 10 in. / 404 pgs / 240 color / 40 b&w. Hbk, 9.5 x 12 in. / 304 pgs / 300 color.
July/Art April/Art
Territory: WORLD Territory: NA ONLY

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SECOND EDITION

Jack Whitten:
Notes from the Woodshed
Text by Jack Whitten. Edited by Katy Siegel. Afterword by Glenn Ligon,
Matilde Guidelli-Guidi, Zoé Whitley.

A classic collection of Whitten’s writings and

process notes, updated to include additional
transcriptions and a new afterword
A Black man who grew up in the Jim Crow South, Jack Whitten
arrived in New York in 1959 and began a wide-ranging exploration
into the nature of painting and artmaking that would sustain more
than five decades of work. Early in his career, in 1970, Whitten
experienced his breakthrough moment: when he lifted a thick slab
of paint off its support, he realized he could experiment within
the physical, dimensional space of the paint itself. Approaching
abstraction as scientist and mystic, Whitten probed the expressive
and material possibilities of painting. He constantly changed styles,
developed new methods and took up new subject matter, but it
is precisely this spirit of curious inquiry that unites his relentlessly
experimental career.
Notes from the Woodshed collects the artist’s notes from his work
in the studio alongside selected interviews and texts. Edited by
Katy Siegel, one of Whitten’s long-standing champions, this volume
offers an intimate look at the artist in his element: the studio. Now
in its second edition, this publication is the definitive resource
on Whitten’s writings, presenting a fully transcribed collection of
the artist’s handwritten logs. Selections from these writings are
illustrated with facsimiles of the originals, giving us a feel for the
studio and for Whitten’s hand, animating his remarkable line of
thought. This edition also features a new afterword in the form
of a conversation on Whitten between curators Matilde Guidelli-
Guidi and Zoé Whitley and artist Glenn Ligon that sketches out the
different forms a deep engagement with his writings might take.
Jack Whitten (1939–2018) was born in Bessemer, Alabama, and
studied at the Cooper Union in New York. The Whitney mounted a
solo exhibition of his paintings in 1974; in 1983 the Studio Museum
in Harlem held a 10-year retrospective. In 2014, a retrospective
exhibition was organized by the Museum of Contemporary Art in San
Diego, traveling to the Wexner Center for the Arts in 2015 and the
Walker Art Center in Minneapolis in 2015 and 2016. Whitten lived in
Queens, New York, until his death.
The Places of Marguerite Duras
Edited by Jordan Weitzman. Introduction by Durga Chew-Bose. Translated by Alison L. Strayer. Conversation with Marguerite Duras,
Michelle Porte.

The first English translation of an important and evocative interview-turned-book project in

Marguerite Duras’ illustrious oeuvre
“I could talk for hours about this house, this garden. I know it all, I know where every old door is, everything, the walls of the pond,
all the plants, the location of every plant, even the wild plants I know the place of, everything.” So begins Marguerite Duras’ rhapsody
on the spaces she has inhabited throughout her life. The Places of Marguerite Duras was filmed and aired as a two-part television
documentary in 1976. Her reminiscences are structured around her memories of specific locations: her house in Neauphle-le-
Château; her childhood home in French Indochina, which inspired her acclaimed novel The Sea Wall; the Hôtel des Roches Noires in

“Notes from the Woodshed gives as true a sense of how Trouville, where she wrote The Ravishing of Lol Stein; and the vast seascapes of Indochina, Bengal and Normandy, whose powerful
tides compelled her art and life.
MAGIC HOUR PRESS
the life of an artist is lived, and how it’s lived for the The transcript of the documentary was published in French two years after the documentary aired, and is now published in English
for the first time, just shy of 50 years since the film’s creation. True to the original French edition, Duras’ reflections are accompanied
ISBN 9781738901340

HAUSER & WIRTH PUBLISHERS

sake of his work, as any I’ve read.” by photographs and film stills. The complete English translation by Alison Strayer includes a new essay by writer and director Durga
u.s. $25.00 cad $38.00 gbp £21.00
Pbk, 5.25 x 7.25 in. / 120 pgs / 42 b&w.
Chew-Bose. April/Film/Literary Nonfiction
ISBN 9783907493113 —BARRY SCHWABSKY, THE NATION Marguerite Duras (1914–96) was a filmmaker and author, and a leading figure in French postwar cinema. Her novel L’Amant won Territory: WORLD
u.s. $35.00 cad $53.00
the Prix Goncourt in 1984. She was nominated for an Academy Award for Best Original Screenplay for the film Hiroshima mon
Pbk, 6.5 x 9.5 in. / 592 pgs / 73 color / 1 b&w.
February/Artists' Writings amour (1959).
Territory: NA LA

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“On another night, gold and silvery
fire flamed brightly atop a bookshelf
in my room....I observed another
fire blazing inside my being.”
—ALICE COLTRANE

Alice Coltrane, Monument Eternal Gertrude Abercrombie: The Whole World Is a Mystery
Edited with text by Eric Crosby, Sarah Humphreville. Foreword by Eric Crosby, Jacqueline Terrassa. Text by Katie Anania, Donna Cassidy,
Edited with text by Erin Christovale. Foreword by Ann Philbin. Text by Franya J. Berkman. Interviews by Ashley Kahn, Erin Christovale.
John Corbett. Chronology by Cynthia Stucki.
Rashid Johnson, Cauleen Smith and others pay tribute to a truly extraordinary figure in 20th-century
A sumptuously produced retrospective on the beloved and under-published Chicago-based
American jazz
Surrealist Gertrude Abercrombie, the “queen of the bohemian artists”
This volume unpacks the cultural legacy of musician, spiritual leader, wife and mother Alice Coltrane. Accompanying the eponymous
This book is the definitive scholarly volume on Chicago artist Gertrude Abercrombie, who was a critical figure in the midcentury
exhibition at Los Angeles’ Hammer Museum, the book takes its title from Coltrane’s 1977 autobiography and devotional text, Monument
Chicago art and jazz scenes. Abercrombie was a creative force of singular vision who, from the 1930s until her death in 1977, produced
Eternal, in which she reflected on her newfound spiritual beliefs and the path to healing and self-discovery. Coltrane was “ahead of her
enigmatic paintings full of personal significance. With a deft hand, a concise symbolic vocabulary and a restrained palette, she
time,” as her son, saxophonist Ravi Coltrane, says: she was “one of the first people to move outside the mainstream, and certainly one of
produced potent images that speak to her mercurial nature and her evolving psychology as an artist. Cats, owls, doors, moons, barren
the first female, Black, American jazz musicians to record her own music in her own studio, and to release music on her own terms.”
trees, seashells and searching female figures all converge in her mysterious works, which suggest a life of purposeful introspection and
Alice Coltrane, Monument Eternal explores themes including spiritual transcendence, sonic innovation and architectural intimacy.
emotional struggle. Drawing consistently on her dreams as source material, Abercrombie said, “The whole world is a mystery.”
The project juxtaposes works from 19 contemporary American artists with pieces of ephemera from Coltrane’s archive—including
Gertrude Abercrombie: The Whole World Is a Mystery accompanies the artist’s first retrospective since 1991: an eponymous exhibition
handwritten sheet music, unreleased audio recordings and rarely seen footage—to honor her cultural output and practice.
which begins at the Carnegie Museum of Art in Pittsburgh before traveling to the Colby College Museum of Art in Maine and the
Alice Coltrane was born in Detroit in 1937 and took up music at an early age, beginning piano lessons at seven years old. In 1967
Milwaukee Art Museum.
her husband, saxophonist John Coltrane, gifted her a harp, on which she went on to record seminal albums including Journey in
Gertrude Abercrombie was born in 1909 in Austin, Texas, and spent most of her life in Chicago, focusing on her art full time
Satchidananda and A Monastic Trio, making her one of the very few harpists in the history of jazz. Coltrane moved to Southern California DELMONICO BOOKS/
DELMONICO BOOKS/ beginning in the early 1930s. Her work was in part inspired by jazz, and she was the host of legendary parties and jam sessions
in 1972 and founded the Sai Anantam ashram. She lived and worked in Los Angeles, where she died in 2007 at age 69. CARNEGIE MUSEUM OF ART/
HAMMER MUSEUM frequented by icons such as Dizzy Gillespie, who was a close friend. She died in Chicago in 1977, at age 68.
COLBY COLLEGE MUSEUM OF ART
ISBN 9781636811567 EXHIBITION
EXHIBITION ISBN 9781636811550
u.s. $60.00 cad $90.00 gbp £51.00 Los Angeles, CA: Hammer Museum, 02/09/25–05/04/25
Pittsburgh, PA: Carnegie Museum of Art: 01/18/25–06/01/25 u.s. $60.00 cad $90.00 gbp £51.00
Hbk, 9.75 x 12.75 in. / 192 pgs / 110 color
Waterville, ME: Colby College Museum of Art, 07/12/25–01/11/26 Hbk, 9.5 x 12 in. / 224 pgs / 206 color.
/ 21 b&w.
Milwaukee, WI: Milwaukee Art Museum, 03/27/26–07/19/26 February/Art
February/Biography & Memoir/Art/Music
Territory: WORLD
Territory: WORLD

16 ­­artbook.com artbook.com 17
 Kent Monkman: History is Painted by the Victors John Wilson: Witnessing Humanity
Edited with text by John P. Lukavic, Léuli Eshrāghi. Text by Ned Blackhawk, Brenda J. Child, Adrienne Huard, Bryan C. Keene, Patricia Norby. Edited with text by Jennifer Farrell, Leslie King Hammond, Patrick Murphy, Edward Saywell. Text by Michele Cohen, Leslie and Lisa
Farrington, Destinee Filmore, Edmund Barry Gaither, Elisabeth Hodermarksy, Ekua Holmes, Shelley R. Langdale, Lizzetta LeFalle-
The renowned Cree artist unmasks a whitewashed, Eurocentric history through provocative Collins, Theresa Leininger-Miller, James Manigault-Bryant, Martha Richardson, Lowery Stokes Sims, James Stroud.
paintings full of sexuality and drama
Through paintings, sculptures, drawings and more, John Wilson’s work foregrounds the human
One of Canada’s most renowned artists, interdisciplinary Cree artist Kent Monkman challenges the art historical narrative of settler
experience and refuses invisibility
cultures that colonized First Peoples from North America. He incorporates influences from the canon of European and Euro-American
painting, reframing historical, contemporary and speculative future Indigenous experiences. Taking inspiration from Western artists such American artist John Wilson was not only a master draftsman, printmaker, painter and sculptor active for over seven decades, but
as George Catlin, as well as from the Old Masters, Monkman’s monumental history paintings feature white colonizers in violent conflict he was also a keen observer and social activist. In his representations of Black Americans in particular, he sought to pay homage
with Indigenous people. The depictions range from early colonial encounters to modern and contemporary clashes between Indigenous to the beauty and truths of ordinary Black people in such a way that all viewers, across race and culture, might see themselves
communities and uniformed police or clergy. In borrowing the visual language of his oppressors, Monkman reclaims the narrative written reflected. His multidisciplinary works include unflinching representations of racial violence and war, tender family portraits,
by Western art history about the brutalization and cultural genocide carried out against Indigenous North American communities. monumental bronze heads and landmark commissions such as the bust of Martin Luther King, Jr., which stands in the United
History is Painted by the Victors accompanies the artist’s first major exhibition in the United States. The catalog gathers rich analysis of States Capitol.
Monkman’s art from prominent scholars, expanding our understanding of his oeuvre and offering new insight via queer theory, historical The first major retrospective of the artist’s work, Witnessing Humanity sheds light on Wilson’s life and artistic evolution.
and contemporary contexts, visual analysis and lived experience. Reproductions of artworks and photographs accompany critical essays and personal reflections, including analyses by art historians,
Kent Monkman was born in 1965 in Ontario, Canada and is a member of Fisher River Cree First Nation in Treaty 5 Territory. Monkman’s interviews with Wilson’s peers, remembrances from fellow Black creatives and a full chronology by the late artist’s gallerist. The
DELMONICO BOOKS/DENVER ART MFA PUBLICATIONS, MUSEUM OF
MUSEUM/MONTREAL MUSEUM works have been exhibited at the Metropolitan Museum of Art, Montreal Museum of Fine Arts, Hayward Gallery, Philbrook Museum of varied voices which resonate through this catalog illustrate that it is long past time to recognize Wilson’s art—to celebrate his
FINE ARTS, BOSTON
OF FINE ARTS Art, Palais de Tokyo and many more. He is the author of two bestselling novels, The Memoirs of Miss Chief Eagle Testickle, Volumes 1 and lifelong dedication to depicting what he described as the “reality of being Black in this impossible world.”
ISBN 9780878469024
ISBN 9781636811543 2, which are based on his gender-fluid alter ego who often appears in Monkman’s work as a time-traveling, shape-shifting, supernatural John Woodrow Wilson (1922–2015) was born in Roxbury, Massachusetts, and studied at the School of the Museum of Fine Arts, u.s. $55.00 cad $82.00 gbp £47.00
u.s. $49.95 cad $74.95 gbp £42.00 being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. He lives and works in New York City Boston, and Tufts University. He lived in Mexico for five years and became a friend and colleague of artist Elizabeth Catlett. Wilson Hbk, 10 x 11.5 in. / 224 pgs / 150 color.
Clth, 9.5 x 12 in. / 176 pgs / 86 color. and Toronto. taught fine art at Boston University from 1964 until 1986. February/Art
April/Art Territory: WORLD
EXHIBITION EXHIBITION
Territory: WORLD
Denver, CO: Denver Art Museum, 04/20/25–08/17/25 Boston, MA: Museum of Fine Arts, Boston, 02/08/25–06/22/25
Montreal, Canada: Montreal Museum of Fine Arts, 09/27/25–03/08/26 New York, NY: The Metropolitan Museum of Art, 09/18/25–02/08/26

18 ­­artbook.com artbook.com 19
 Surrealism through Its Journals
1924–2024
Les portes du rêve
Edited with text by Franca Franchi. Text by Jacques Dürrenmatt, Franca
Bruera, Elena Galtsova, Andrea Zucchinali, Gianluca Poldi, Arnaud Maillet,
Anna Maria Testaverde, Elena Mazzoleni, Gabriele Gimmelli, Elio Grazioli,
Alessandra Violi.

Dissecting the role of magazines and journals as

laboratories for Surrealism, from Littérature to La
Révolution Surréaliste and beyond
Art historian Rosalind Krauss once defined Surrealist journals as “the
true Surrealist object.” These periodicals are works of art in themselves,
ones that challenge conventions and disciplinary boundaries by mixing
languages and forms of expression. Unlike the curious creations of
Meret Oppenheim or the assemblages of Joseph Cornell, however,
these collective publications revealed the movement’s interdisciplinary
complexity and theoretical strength, while exposing the internal
conflicts among its practitioners.
Published to follow the centenary of the publication of the first
Manifeste du Surréalisme in October 1924, Surrealism through Its
Journals reassembles the movement’s rise and fall through its formative
publications. Each chapter studies a different journal: beginning with the
Dadaist Proverbe and Littérature; moving to the landmark La Révolution
Surréaliste and Minotaure; to View magazine and its influence on
Surrealism in the United States; and beyond. It illustrates how their
production and circulation influenced artists who went on to become
part of Surrealism’s widening circle, including Max Ernst and Pablo
Picasso. The book also explores periodicals that were not affiliated with
the movement but displayed Surrealist elements, such as Italian humor
papers in the years leading up to World War II.
Generously illustrated with eye-catching articles and artworks, with a
nod to the iconic pink fish from La Révolution Surréaliste on the cover,
Surrealism through Its Journals is a thorough yet readable compendium
of the movement’s definitive publications, and will delight any art history
aficionado or lover of ephemera.

Astonishing Things: The Drawings of Victor Hugo

Text by Gérard Audinet, Thomas Cazentre, Sarah Lea, Rose Thompson.

Moody, haunting and almost abstract, Hugo’s drawings are a testament to his imagination and a
touchstone for Romantics, Symbolists and Surrealists alike
Novelist, poet and politician Victor Hugo was a towering figure of 19th-century French society, both in the realm of politics and
popular culture. His speeches, poems, prose and other writings became rallying points for the French Republic’s ideals of equality
and freedom. While living in exile from 1851 to 1870, he wrote some of his most famous works and simultaneously pursued his
passion for drawing. Hugo created over 4,000 drawings during his lifetime, 3,000 of which survive today. His ink-and-wash
visions of imaginary castles, monsters, tortured figures and seascapes may be less well known than his writings, but they inspired
Romantic and Symbolist poets and several generations of artists up to the Surrealists of the 1920s; Vincent van Gogh once
compared them to “astonishing things.”
This richly illustrated book—published by the Royal Academy of Arts in collaboration with Maison de Victor Hugo and the
Bibliothèque nationale de France—includes reproductions of many of Hugo’s finest works on paper, from early caricatures and
travel drawings to dramatic landscapes and experiments in abstraction.
Born in Besançon, France, Victor Hugo (1802–85) wrote novels, plays, poetry, essays and more in a literary career spanning 60
ROYAL ACADEMY OF ARTS
years. In 1848 he was elected to the National Assembly of the Second Republic, launching a tumultuous political career in which
ISBN 9781915815118
he advocated for an end to slavery, capital punishment and absolute monarchy. He is best known for his novels The Hunchback of
u.s. $45.00 cad $68.00 SKIRA
Hbk, 9 x 10.75 in. / 176 pgs / 115 color. Notre-Dame and Les Misérables.
ISBN 9788857252940
June/Art EXHIBITION u.s. $40.00 cad $60.00
Territory: NA ONLY London, UK: Royal Academy of Arts, 03/21/25–06/29/25 Pbk, 6 x 8.25 in. / 224 pgs / 35 color.
February/Art/Art Criticism & Theory
Territory: NA LA

20 ­­artbook.com artbook.com 21
 Edvard Munch Portraits
Edited with text by Alison Smith. Text by Knut Ljøgodt.

NATIONAL PORTRAIT GALLERY

ISBN 9781855145597
u.s. $45.00 cad $68.00
Hbk, 9 x 11.75 in. / 144 pgs / 80 color.
April/Art
Territory: NA ONLY

Portraits by and of Munch offer insight into the vibrant bohemian world of
one of the great artists of the 19th and 20th centuries
Norwegian painter Edvard Munch (1863–1944), whose 1893 work The Scream has become one of
Western art’s most acclaimed images and who is widely regarded as one of the great artists of the
19th and 20th centuries, is less known for his portraiture—but his portraits are central to his art and
vision. Edvard Munch Portraits, edited by Alison Smith, former chief curator at London’s National
Portrait Gallery, brings together more than 60 of Munch’s most significant portraits, showcasing the
wide array of styles, techniques and mediums that he employed.
During the course of Munch’s long life, and working in a range of mediums that encompassed
painting, drawing and print, he made hundreds of portraits of friends, patrons, models and, above
all and unsparingly, himself. This book places his work in the cultural and historical background of
his period, providing readers with a greater understanding of the time in which these portraits were
produced. This publication offers deep insight into the artist’s family and bohemian social circles,
along with his German and Norwegian patrons and the friends who helped establish his reputation.
EXHIBITION
London, UK: National Portrait Gallery, 03/13/25

Post-Impressionism:
Beyond Appearances
Text by Jean-Rémi Touzet, Jérôme Farigoule, Estelle
Begué, Stéphane Guégan.

SKIRA PARIS
ISBN 9782370742568
u.s. $45.00 cad $68.00 Van Gogh: The Roulin Family Portraits
Hbk, 7.5 x 10.25 in. / 240 pgs / 170 color. Edited with text by Nienke Bakker, Katie Hanson. Text by Christopher D.M. Atkins, Rachel Childers, Muriel Geldof, Bregje
February/Art Gerritse, Erin Mysak, Richard Newman, Kathrin Pilz, Lydia Vagts.
Territory: NA LA
With vibrant colors and imaginative backgrounds, Van Gogh’s affectionate renderings of an
entire family underscore his love of portraiture
A staggering showcase of Post-Impressionist paintings moving beyond Vincent van Gogh once wrote, “What I’m most passionate about…is the portrait, the modern portrait.” This passion
naturalism toward the spiritual flourished between 1888 and ’89 when, during his stay in Arles, in the South of France, the artist created a number of
portraits of a neighboring family that had agreed to sit for him. The family included the local postman Joseph Roulin; his wife,
Based on an exhibition organized by the Musée d’Orsay at the Louvre Abu Dhabi, this richly illustrated Augustine; and their three children, Armand, Camille and Marcelle. Over the course of his year in Arles, the artist created an
book focuses on the two bubbling decades between the mid-1880s and the mid-1900s, from the astonishing 26 painted portraits of the family members, both in groups and individually, as well as multiple drawings.
last collective exhibition of the Impressionists in 1886 to the Autumn Salon of 1905 marked by the Van Gogh’s tender relationship with the postman and his family and his groundbreaking portrayals of them are at the heart
“Fauves” scandal: Derain, Matisse, Vlaminck and their explosive colors. of this book, the first dedicated to the Roulin portraits. Drawing on letters from the artist, archival material, contemporary
The term “Post-Impressionism” was coined in 1910 by the English art critic Roger Fry, who was trying criticism and technical studies, The Roulin Family Portraits features insightful essays on Van Gogh’s practice, his beliefs
to find an expression that could describe Van Gogh, Cézanne, and Gauguin’s painting as well as about portraiture, his personal relationship with the Roulins and his admiration for his contemporaries as well as 17th-
that of Seurat, Sérusier, Denis and Redon. This catalog shows the full span of pictorial reactions to century Dutch portraitists.
Impressionism with masterpieces from the Musée d’Orsay and insists on the richness and complexity MFA PUBLICATIONS, MUSEUM OF
Vincent van Gogh (1853–90) began his painting career in his late twenties, influenced first by his work as a missionary in a FINE ARTS, BOSTON
of the Post-Impressionist constellation, seeking to highlight the intrinsic qualities of each painter’s mining region of Belgium, and later by his exposure to Impressionism while living in Paris. His bright signature style emerged
work. Post-Impressionism: Beyond Appearances delves into the art of this fascinating and pivotal ISBN 9780878469031
after relocating to the South of France, where he produced more than 2,000 artworks in just over a decade. u.s. $35.00 cad $53.00 gbp £30.00
double decade, during which plastic expression gradually moved away from the representation of
Pbk, 8.5 x 10 in. / 232 pgs / 100 color.
reality toward the expression of the psychic, emotional and spiritual worlds of the artists. EXHIBITION
April/Art
Boston, MA: Museum of Fine Arts, Boston, 03/30/25–09/07/25 Territory: WORLD
EXHIBITION Amsterdam, Netherlands: Van Gogh Museum, 10/03/25–01/11/26
Abu Dhabi, United Arab Emirates: Louvre Abu Dhabi, 10/16/24–02/09/25

22 ­­artbook.com artbook.com 23
Caravaggio
1571–1610
Edited with text by Rossella Vodret.

A magisterial work on the Baroque master

who revolutionized painting through realistic
observation and dramatic use of lighting
Tortured artist, career criminal, murderer: the troubled life of
Caravaggio has the power to enthrall an art historian almost
as much as his dramatic chiaroscuro paintings. Lasting merely
14 years—from his arrival in Rome in 1596 to his mysterious
death in Porto Ercole in 1610—his career as an artist reached
dizzying heights with lucrative commissions before spiraling
downward as he was pursued for debts, disorderly conduct
and eventually homicide. New details of Caravaggio’s life are
coming to light at the same time as more of his paintings
are being discovered and technically analyzed. Thus, this
monograph presents the most up-to-date narrative of the
life of the artist and his works, in which his turbulent essence
shines through. His most famous and dramatic works such
as The Entombment of Christ, The Calling of Saint Matthew,
Young Sick Bacchus and more are accompanied by fresh
analyses scrutinizing the iconography, formal properties and
semiotics of each scene. Each work is also flanked by specific
technical-diagnostic notes that integrate themselves into the
reading of his extraordinary paintings.
Michelangelo Merisi, known as Caravaggio (1571–1610), was
born in Milan. His early commissions included works for
Cardinal Francesca Maria del Monte and the Contarelli Chapel
in San Luigi dei Francesi. From 1600 to 1606 he was considered
the most famous painter in Rome. After killing a wealthy young
man he fled the city, still painting but on the run as a criminal.
He died under mysterious circumstances in 1610.

Inside Florence
A Tale of Palazzi and Botteghe
By Livia Frescobaldi
Photographs by Alessandro Moggi, Eugenia Maffei.

Touring the traditional craft workshops and historic palazzi that help to preserve Florence’s
exceptional art and architecture
Picturesque medieval streets, breathtaking cathedrals and legendary art: there is much to love about the city of Florence, as its
droves of tourists will tell you. Yet the city is not completely overrun by visitors, and Florence’s locals are eyewitnesses to today’s
world while also heirs to a centuries-old history of tradition, creativity and independence.
Livia Frescobaldi invites readers to discover the city that lies beyond the tourist realms, in the form of the age-old craft workshops
and their ability to preserve all that makes Florence one of the world’s most admired cities. Together with photographers
Alessandro Moggi and Eugenia Maffei, Frescobaldi charts an itinerary through which to discover the arts and crafts. We visit the
botteghe, or storefronts, housing these time-honored practices: framers, stonemasons working in marble or brilliant pietra dura,
printmakers and ironworkers. Meanwhile, Frescobaldi also stops to show us some of the most historic palazzi still inhabited and
cared for, such as the 13th-century villa home to fashion’s Pucci family, or a former monastery-turned-mansion once belonging to MARSILIO ARTE
Henry Brewster, an American expatriate in Florence. With essays rich in anecdote and admiration, Frescobaldi offers an intimate ISBN 9791254632642
SILVANA EDITORIALE
u.s. $69.95 cad $104.95 gbp £60.00
and original view of what it means to live in Florence today.
Hbk, 9.75 x 12 in. / 280 pgs / 215 color.
ISBN 9788836659227 Livia Frescobaldi grew up in Florence’s Oltrarno district. As an appraiser, she has produced valuations for private estates and March/Design/Travel
u.s. $65.00 cad $95.00 cultural sites across Italy. She also established the Associazione Amici di Doccia—which she heads—for research into and Territory: WORLD
Hbk, 9.75 x 11.25 in. / 360 pgs / 240 color. preservation and promotion of the Ginori porcelain manufactory.
March/Art
Territory: NA LA ASIA AU/NZ AFR ME

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Forms of Awakening: Gardens of Sri Lanka
Tibetan Art Edited by Senake Bandaranayake, Klaus
Holzhausen.
From the Jack Shear Collection
Edited by Benjamin Bogin, Ariana Maki, Rachel Seligman. A splendid journey through the
Foreword by Ian Berry, Pamela Franks, T. Barton Thurber. complexity of Sri Lankan gardens,
Introduction by Benjamin Bogin, Ariana Maki. Text by Choni past and present
Tsepak Namgyal, Wen-shing Chou, Tsering Wangmo Dhompa,
Janice Glowski, Nawang Tsering Gurung, Noa Jones, Ariana Maki, The rich history of Sri Lankan gardens extends
Andrew Quintman, Riga Shakya, Dominique Townsend. from the early boulder-and-terrace gardens of
Buddhist monasteries to the designed landscapes
Presenting the richness of Tibetan Buddhist of the 17th to 19th centuries as well as many
imagery, this magnificent collection significant contemporary examples. Gardens of Sri
explores key concepts and figures in Tibetan Lanka leads the reader from one surprise to the
Buddhist artwork next. First, there is the world of Sri Lanka’s great
royal estates: spatial generosity reflecting a local
For centuries, Tibetan Buddhists have engaged with artworks
aristocratic civilization. Another essential tradition
as objects of veneration, guides for meditation, and tools for
presented is that of Sri Lanka’s monastic gardens.
teaching. The awakened mind of the Buddha is embodied in the
The sheer number of Buddhist monasteries
forms of Tibetan Buddhist visual culture.
scattered all over the island is remarkable. Most of
Jack Shear is a photographer and president of the Ellsworth
these sites contain gardens rather than buildings.
Kelly Foundation. He has bestowed more than 60 works of
Then there are colonial gardens; visually magical
Tibetan art from his collection across three museums: the Tang
but representing a dark history, these gardens are
Museum at Skidmore College, the Frances Lehman Loeb Center
often forced amalgams between a self-celebrating
at Vassar College and the Williams College Museum of Art. These
culture from outside Sri Lanka and the local
include traditional thangka, as well as other Buddhist devotional
topography and vegetation within it. Last but
objects. The collection and the corresponding exhibitions
not least are contemporary gardens that have,
thus draw a connection between past and present: between
physically and immediately for those lucky enough
concepts of awakening within the body, the built environment
to walk through them, an extraordinary force and
and the landscape.
something to teach the world.
With a rich green clothbound cover and stunning endpapers
The meticulous execution of Gardens of Sri Lanka
drawn from the artworks inside, Forms of Awakening is three
and the quality of the photographic and textual
books in one: a full catalog of the Jack Shear gift of Tibetan art;
documentation allows readers unfamiliar with Sri
a scholarly volume of essays exploring the rich possibilities of
Lanka’s topography to discover, page after page,
engagement with Tibetan visual culture, both within and beyond
the existence of a unique and complex world of
the classroom; and documentation of the three exhibitions
gardens that they never knew existed.
celebrating this exceptional gift.

SILVANA EDITORIALE
DELMONICO BOOKS/TANG MUSEUM, SKIDMORE/ ISBN 9788836659555
THE FRANCES LEHMAN LOEB ART CENTER, VASSAR/ u.s. $60.00 cad $90.00
WILLIAMS COLLEGE MUSEUM OF ART Hbk, 9.75 x 10.75 in. / 288 pgs / 340 color.
ISBN 9781636811642 March/Gardening
u.s. $65.00 cad $95.00 gbp £55.00 Territory: NA LA ASIA AU/NZ AFR ME
Clth, 8.5 x 12 in. / 320 pgs / 165 color.
May/Art
Territory: WORLD

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 Towards a Nude Architecture NEW REVISED EDITION

A Visual Compendium of Japanese Hot Springs Fire Island Modernist: Horace Gifford and the Architecture of Seduction
By Yuval Zohar Expanded Edition
By Christopher Bascom Rawlins
A deep dive into the hidden world of Japanese hot springs, from fabled origins to modern Foreword by Alastair Gordon. Afterword by Charles Renfro.
manifestations
As one of the most volcanically active terrains in the world, Japan’s islands gush with more than 30,000 naturally occurring hot Featuring new houses, many additional photographs and a new afterword, Fire Island Modernist
springs of various temperatures, colors and mineral compositions. As such, they have functioned as sites of communal gathering, offers a fascinating look at the history and culture of this “gay paradise” through the life and work of
ritual and relaxation across the country’s history and have become a lasting fixture of its national identity. The springs, together Horace Gifford
with the bathhouses and inns constructed around them, are known as onsen. Bathing in a hot spring is a bucket-list activity for As the 1960s became the “Sixties,” architect Horace Gifford executed a remarkable series of beach houses that transformed the terrain
international visitors to Japan, but guests should be aware of one critical rule: no clothes allowed. and culture of New York’s Fire Island. Growing up on the beaches of Florida, Gifford forged a deep connection with coastal landscapes.
Towards a Nude Architecture approaches the story of onsen through an architectural lens. Across three chapters examining past, Pairing this sensitivity with jazzy improvisations on modernist themes, he perfected a sustainable modernism in cedar and glass that
present and future, author Yuval Zohar discusses the spiritual roots of bathing, the diverse contemporary structures housing was as attuned to natural landscapes as to our animal natures. Gifford’s serene 1960s pavilions provided refuge from a hostile world,
hot springs and the lasting influence of this poetic mingling between architecture, nature and the naked body. With wanderlust- while his exuberant post-Stonewall, pre-AIDS masterpieces orchestrated bacchanals of liberation. Marilyn Monroe, Elizabeth Taylor and
worthy photographs of Japan across the seasons and informational diagrams on everything from mineral distribution to regional Montgomery Clift once spurned Hollywood limos for the rustic charm of Fire Island’s boardwalks. Truman Capote wrote Breakfast at
NAI010 PUBLISHERS topography, Towards a Nude Architecture is not to be missed. METROPOLIS BOOKS/
Tiffany’s here. Diane von Fürstenberg showed off her latest wrap dresses to an audience that included Halston, Giorgio Sant’ Angelo,
ISBN 9789462088801 Yuval Zohar is an architect and designer based in Japan. GORDON DE VRIES STUDIO
u.s. $39.95 cad $59.95 Calvin Klein and Geoffrey Beene. Today, such a roster evokes the aloof, gated compounds of the Hamptons or Malibu. But these
ISBN 9781881616993
Hbk, 6.25 x 9.5 in. / 208 pgs / 215 color. celebrities lived in modestly scaled homes alongside middle-class vacationers, all with equal access to Fire Island’s natural beauty. u.s. $65.00 cad $95.00 gbp £55.00
March/Architecture & Urban Studies/ Blending cultural and architectural history, Fire Island Modernist ponders a fascinating era through an overlooked architect whose life, Hbk, 9 x 12 in. / 224 pgs / 181 color /
Nature/Travel work and colorful milieu trace the operatic arc of a lost generation, and still resonate with artistic and historical import. First published 107 b&w.
Territory: NA LA ME in 2013 and long out of print, this iconic book returns in an expanded edition, including four new featured houses and a new afterword by April/Architecture & Urban Studies
Charles Renfro. Territory: WORLD

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 Ukrainian Modernism Jean Prouvé: From Furniture to Architecture
Modernist Architecture of Ukraine The Laurence and Patrick Seguin Collection
By Dmytro Soloviov Preface by Laurence Seguin, Patrick Seguin. Introduction by Catherine Coley. Text by Mark Wigley. Biography and timeline by
Catherine Prouvé.
Photographs by Dmytro Soloviov. Edited by Damon Murray, Stephen Sorrell. Introduction by Owen Hatherley.

The most comprehensive publication to date on the stunning modernist architecture that The definitive catalog of the largest private collection of Jean Prouvé’s works, encompassing all
defined the landscape of Soviet-era Ukraine aspects of his practical, utilitarian design ethos
The esteemed collectors Laurence and Patrick Seguin first discovered the work of Jean Prouvé in the late 1980s, and were quick to
What does Ukrainian modernist architecture look like, and why isn’t it better known in the West? Photographer and
embrace his entire aesthetic vision, from architectural design to furniture. “Every object to be created demands a basic, absolutely
architectural tour guide Dmytro Soloviov is fighting to preserve the disappearing modernist heritage of his native Ukraine.
achievable ‘constructional idea’,” Prouvé once famously said, and the Seguins have modeled their collection around his stance,
These innovative buildings represent an extraordinary blend of function, avant-garde aesthetics and ingenious design, but
becoming major advocates and disseminators of his work around the world through a litany of large-scale exhibitions. Following
FUEL PUBLISHING despite these qualities, they remain largely unrecognized. This is a result of several factors, including the stigma of belonging
a series of acclaimed showcases in France, Japan and Italy, this refined catalog presents the Seguins’ complete collection of
ISBN 9781739887872 to the Soviet era, corruption, neglect, as well as the ongoing threat of destruction from both unscrupulous developers and war.
Prouvé’s furniture designs, architectural elements and his signature demountable houses.
u.s. $34.95 cad $52.95 From masterpieces such as the Kyiv Crematorium and Salut Hotel, to previously undocumented examples like the Uzhhorod
From Furniture to Architecture builds upon the hit 2013 volume A Passion for Jean Prouvé. With a silkscreen cover printed on
Hbk, 8 x 6.5 in. / 240 pgs / 246 color. Airport Terminal and the Novoarkhanhelsk Police Station, Soloviov has traversed Ukraine photographing the exteriors and
canvas, the book is divided into several chapters. The first shows Prouvé’s works in the residential context of the Seguins’ homes.
May/Architecture & Urban Studies interiors of these important buildings and their monumental art (mosaics, stained glass and sculptures). While the nation’s
Territory: NA ONLY The second chapter generously illustrates the exhibitions in Japan, France and Italy. Following this is an abundantly illustrated GALERIE PATRICK SEGUIN/
attention is consumed by more existential matters, he has documented the unique identity of one of the least cataloged
index of each piece in the collection, documented with archival and contemporary plans, drawings and images. The final chapter LITHO ART NEW
periods of Soviet architecture, his images forming a singular record of an unexpected and rapidly disappearing legacy. An
offers an illustrated biography and bibliography. ISBN 9782909187280
introduction by renowned architecture critic Owen Hatherley, complete with historical images, cements these buildings in a
Jean Prouvé was born in Paris in 1901. He opened his design workshop in Nancy in 1923 and began producing furniture the u.s. $225.00 cad $335.00 gbp £194.00
cultural and political context. With over 120 examples across 240 pages, this publication is the most comprehensive available
following year, to immediate success. Prouvé is best known for his innovative applications of new materials, with which he created Hbk, 9.75 x 11.5 in. / 416 pgs / 369 color /
on the subject.
extremely influential buildings and furniture—including several gas stations for Shell and Mobile. He died in Nancy in 1984. 8 duotone / 128 b&w.
March/Design
Territory: WRLD Excl France Belgium Switz

30 ­­artbook.com artbook.com 31
The Shakers: BACK IN PRINT

A World in the Making Jasper Morrison: A Book of Things

Contributions by Glenn Adamson, Aaron Betsky, Sophisticated, simple and useful projects from one of
Jeffrey de Blois, Chris L. Halstrøm, David Hartt, the most influential product designers working today
Christien Meindertsma, Sarah Margolis-Pineo, Mabel
Wilson, et al. Known for his “Super Normal” approach to design, Jasper Morrison looks
to find the exceptional in the world of the ordinary. Underpinned by his
A close look at the creative principle that “objects should not shout,” Morrison’s designs are defined
production of the United States by beguiling simplicity, ready familiarity and a distinctive playfulness.
Shaker communities and their While he made his name with the Thinking Man’s Chair in 1985, he has
influence on designers and artists won devotion for a broad spectrum of projects, from cell phones to
past and present lights, tea sets and door handles as well as for his interiors, exhibitions,
books and photography.
Established in the 18th century, the Shakers were
A Book of Things is a guide to Morrison’s intense examination of the
a free church that embraced principles of social
world of things that accompany our lives and shape our environment.
equality, communal property and pacifism, viewing
It presents the highlights in his long and varied career, showing projects
labor and design as expressions of their faith.
from draft sketches to finished product, accompanied by his personal
The Shakers’ radically simple, functional objects
anecdotes on the genesis of each design. This revised and extended
have had a profound influence on modern design,
edition of the original 2015 publication adds his most recent designs,
inspiring generations of artists, architects and
including a bakery in Majorca, a magazine cover and a bicycle. At the
designers up to the present day. The Shakers: A
same time as it emphasizes the diversity of his practice, this edition
World in the Making accompanies the eponymous
brings to the fore Morrison’s feel for interiors. For Morrison, an object’s
exhibition—designed by Milan-based studio
success rests not in isolation but in its ability to create an atmosphere in
Formafantasma—which will showcase a wide
a setting. This new edition manifests his sensitivity to settings as well as
range of Shaker furniture, architecture, tools and
his approach to objects, his process of design and his eye.
commercial goods. Works by contemporary artists
Jasper Morrison (born 1959) studied at Kingston Polytechnic and
and designers, including Chris Halstrøm, Christien
the Royal College of Art. In 1986 he opened his studio in London. He
Meindertsma and Kameelah Janan Rasheed,
has created practical and enduring designs for companies such as
enter into dialogue with the historic exhibits,
Cappellini, Alessi, MUJI, Samsung, Emeco, Flos and Vitra. He has
reflecting on the Shakers’ enduring relevance. The
published a number of books including A World Without Words, Super
publication includes a rich array of thematic essays
Normal and Everything but the Walls. He has curated and participated
contextualizing the Shakers within the wider design,
in many exhibitions in the US, Asia and Europe. His work is represented
architecture and art canon, detailed studies of
in the Museum of Modern Art, the Victoria and Albert Museum and
selected exhibits as well as personal contributions
other prominent collections around the world. Morrison lives and works
by the contributing artist. Contemporary object and
in London.
architectural photography offers a fresh perspective
on one of the most compelling communal
experiments of recent centuries.
The exhibition is organized by the Vitra Design
Museum, the Milwaukee Art Museum and the
Institute of Contemporary Art Philadelphia.
EXHIBITION
Weil am Rhein, Germany: Vitra Design Museum,
06/07/25–09/28/25

VITRA DESIGN MUSEUM

ISBN 9783945852668
u.s. $85.00 cad $125.00
Hbk, 6.5 x 11 in. / 252 pgs / 250 color.
June/Design
Territory: NA ONLY

LARS MÜLLER PUBLISHERS

ISBN 9783037787700
u.s. $45.00 cad $68.00
Pbk, 6.75 x 9 in. / 360 pgs / 360 color / 40 b&w.
June/Design
Territory: NA LA

32 ­­artbook.com artbook.com 33
 BACK IN PRINT

Speed, Style, and Beauty

Cars from the Ralph Lauren Collection
Text by Beverly Rae Kimes, Winston S. Goodfellow.
Photographs by Michael Furman. Conversation with
Ralph Lauren.

MFA PUBLICATIONS, MUSEUM OF FINE

ARTS, BOSTON
ISBN 9780878469048
u.s. $65.00 cad $95.00 gbp £55.00
Hbk, 9.5 x 12 in. / 232 pgs / 196 color / 37 b&w.
May/Design/Photography
Territory: WORLD

A perennial favorite returns to print in this sumptuous volume

celebrating six decades of automotive design genius, from Bugatti
to Bentley, Alfa Romeo to Aston Martin, Mercedes to McLaren
Bugatti and Bentley, Alfa and Aston, Mercedes and McLaren—these are not merely
cars, they are some of the most exquisite automobiles ever assembled, all collected
by trendsetting designer Ralph Lauren. This breathtaking volume features 29 of these
wonders—from such unparalleled masterpieces as the 1938 Alfa Romeo Mille Miglia and the
1938 Bugatti Atlantic Coupe to marvels by Jaguar, Ferrari, Porsche and even a Ford “Woody.”
Each of these vehicles is lovingly photographed and presented with authoritative elegance.
Complementing the images are sketches of these and other cars—rarely seen drawings that
give insight into the conceptual and development stages of the automobiles.
Long out of stock, this fan favorite finally returns to print, staying true to its original format
and content. With over 160 color images by photographer Michael Furman, plus an
interview with Ralph Lauren—who discusses the links between the cars and his overall
design philosophy—this book will delight both the rampant car enthusiast and aficionados
of great design in any form.

PREVIOUSLY ANNOUNCED

Carré: A Vintage
Scarf Collection
By Benoit Pierre Emery Coco Chanel: Roaring Twenties
Edited with text by Célia Bernasconi. Text by Bronwyn Cosgrave, Waleria Dorogova,
STEIDL
Amy de la Haye.
ISBN 9783958298859
u.s. $295.00 cad $335.00
Slip, clth, 2 vols, 11 x 11 in. / 624 pgs /
Tracing the origins and influences of the iconic French
6500 color. fashion house in the 1920s, from the Riviera to Paris
Available/Fashion The beginnings of Chanel’s fashion brand lie in the French seaside resorts. In
Territory: NA ONLY 1913, Coco—then still Gabrielle—Chanel opened her first boutique in Deauville,
an upscale seaside resort just a few hours west of Paris. Soon after, she opened
shops in Biarritz, Monte Carlo and Cannes. It was in these ritzy beach destinations
A luscious celebration of vintage scarves, from Dior to
that her simple, sporty designs first flourished. Here they were met with a
Delaunay, from a designer’s magnificent collection
cosmopolitan clientele who carried her fashion back to the capital city of Paris.
For nearly 20 years, French art director and scarf designer Benoit Pierre Emery has In the 1920s, the Chanel brand thus experienced its first heyday, driven by the
been collecting silk scarves—perhaps the ultimate fashion accessory—exploring artistic and social upheaval of those years, now known as the Roaring Twenties.
boutiques and flea markets to amass an astounding assortment of 10,000 pieces This lavishly illustrated catalog chronicles this early era of the iconic French
(and growing). Carré: A Vintage Scarf Collection presents around 6,500 of these fashion house, documenting in drawings and photographs the extraordinary
HATJE CANTZ
scarves, which Emery acquires according to their individual aesthetic merit, not the productivity of the designer herself, who maintained friendships with artists
ISBN 9783775759052
prestige of the brand that may be printed on them—many pieces remain tantalizingly such as Jean Cocteau, Pablo Picasso and others. It also traces Chanel’s early u.s. $55.00 cad $82.00
anonymous, even as others boast the names of renowned fashion houses (Dior, influences such as Serge Diaghilev’s Ballets Russes, who were performing on the Clth, 7.5 x 10.25 in. / 224 pgs / 300 color.
Hermès, Saint Laurent, Lanvin, Balenciaga) and great artists (Picasso, Sonia Delaunay, Riviera in the 1920s just as Chanel began to gain a foothold in the region. The July/Fashion
Victor Vasarely, Enzo Mari). book reveals the Slavic influence on Chanel’s creations, highlighting a network of Territory: NA LA
From geometric rhythms to psychedelic designs, from Minimalism to the explosive correspondences with female artists close to Diaghilev’s. Finally, it also features
colors of Pop art and the optical games of Kinetic art, Carré sweeps through many images of La Pausa, Gabrielle Chanel’s dream villa built near Monaco in 1929.
artistic trends from the postwar period to the 1980s. Showing the scarves both in full-
EXHIBITION
page reproductions and in grids, the book gives us an up-close look at the textures
and compositions of individual pieces, as well as allowing us to trace patterns, colors Monaco: New National Museum of Monaco – Villa Paloma, 06/19/25–09/18/25
and trends across the collection.

34 ­­artbook.com artbook.com 35
The Face Magazine THING
Culture Shift Edited by Robert Ford, Trent Adkins, Lawrence Warren.
Edited with text by Sabina Jaskot-Gill. Text by Ekow Eshun, Jamie
Morgan, Pete Paphides, Matthew Whitehouse. Conversations A full facsimile reproduction of the era-
with Nick Logan, Lee Swillingham, Neville Brody, Elaine defining queer magazine that documented
Constantine, Jill Furmanovsky, Glen Luchford, Nancy Rohde, Chicago’s Black nightlife scene of
Sheila Rock, Norbert Schoerner, Stéphane Sednaoui. the early ’90s
Celebrating the incredible legacy of an Started in 1989 by designer and writer Robert Ford, THING
influential British style magazine through a magazine was the voice of Chicago’s queer Black music
and arts scene in the early 1990s. Ford and his editors
quarter century of its most iconic portraits
were part of the burgeoning house music scene, which
Groundbreaking British youth culture and style magazine The originated in Chicago’s queer underground, and some of
Face established the careers of generations of photographers, the top DJs and musicians from that time were featured
journalists, designers and models. Founded in 1980 in London in the magazine, including Frankie Knuckles and RuPaul.
by English journalist Nick Logan, it is known for its distinctive, THING published 10 issues from 1989 to 1993, before it was
radical and of-the-minute design and its unflinching attitude. cut short by Ford’s death from HIV/AIDS-related causes.
The magazine originally focused on music but branched into While THING primarily focused on music, it also opened
fashion and culture more widely, as well as encompassing its pages to a wide range of subjects: poetry and gossip,
political and social commentary. Initially running from 1980 to fiction and art, interviews and polemics. The AIDS crisis
2004, its strong inclusive stance, bold design and experimental loomed large in its contents, particularly in the personal
approaches to photography still feel fresh and relevant today. In reflections and practical resources that it published. In a
2019, the magazine was relaunched for a new generation, while moment when the gay community was besieged by the
staying true to Logan’s original vision. AIDS crisis and a wantonly cruel government, the influence
This volume celebrates the ongoing legacy of The Face in and significance of this cheaply produced newsprint
British art, design and culture through some of the most iconic magazine vastly exceeded its humble means, presenting a
portraits from the magazine’s first 25 years. It showcases beautiful portrait of the ball and club cultures that existed
striking portraits taken by the likes of Miles Aldridge, Elaine in Chicago with deep intellectual reflections. THING was a
Constantine, Corinne Day, David LaChapelle and Juergen Teller. publication by and for its community, and understood the
The photographs feature such iconic figures as Kate Moss, Annie fleetingness of its moment.
Lennox, Kurt Cobain, Iggy Pop, Snoop Dogg, David Bowie, Ewan To reencounter this work today is to reinstate the Black
McGregor, Madness, The Clash and Kylie Minogue. The book voices who were so central to the history of AIDS activism
also includes selected covers and spreads from the original print and queer and club culture, but which were often sidelined
magazine, complemented by words from key contributors to by white queer discourse. This volume collects all 10
the original magazine. Published to accompany the eponymous editions of this iconic magazine.
exhibition at the National Portrait Gallery in London, this volume
is a critical tool in understanding the astounding influence
of The Face on style photography as well as the magazine’s
enduring impact on visual culture in Britain and beyond.
EXHIBITION
London, UK: National Portrait Gallery, 02/20/25

NATIONAL PORTRAIT GALLERY PRIMARY INFORMATION

ISBN 9781855145894 ISBN 9798988573647
u.s. $40.00 cad $60.00 u.s. $35.00 cad $53.00
Pbk, 10 x 12.5 in. / 288 pgs / 250 color. Pbk, 8 x 10 in. / 460 pgs / 12 color / 448 b&w.
April/Popular Culture/Design/ April/Popular Culture/Design/Music
Fashion/Music Territory: NA ONLY
Territory: NA ONLY

36 ­­artbook.com artbook.com 37
 A Queer Year of Love Letters: Typography Against Erasure Obey: The Art of Shepard Fairey
Edited with introduction by Nat Pyper. Text by Paul Soulellis, Silas Munro, Lukaza Branfman Verissimo, Claire Finch, GB Jones, Rosen Edited by Shepard Fairey, Giuseppe Pizzuto.
Eveleigh.
A thematic overview of work from the protagonist of street-inspired, politically
Showcasing a collection of innovative typeface designs alongside the stories of the countercultural savvy graphic art
queer figures who inspired them
Shepard Fairey is the artist behind the moniker Obey, best known for designing the iconic HOPE poster from Barack Obama’s
This volume, A Queer Year of Love Letters, expands upon the eponymous series of openly downloadable typeface fonts by New 2008 presidential campaign. Obey’s work is distinguished by an essential and bold style with a minimalist palette guided by
York–based designer and alphabet artist Nat Pyper. The letterforms in this collection are each derived from the life stories, printed the hip-hop and punk cultures that taught the artist to question social conventions. The book is divided into sections, each
ephemera and vernacular scripts of a selection of countercultural queer figures, collectives and publications from recent decades. centered around the most representative themes of Fairey’s art: propaganda; peace and justice; environment; music; and
These include Robert Ford of THING magazine, the Chinese American painter Martin Wong, the Third World Gay Revolution collective new works.
and the Women’s Car Repair Collective, among others. The book showcases the biographies of these figures alongside previously The book begins with a section dedicated to propaganda, featuring some of the artist’s most significant images on this theme,
unseen archival materials, as well as digital craft methodology for Pyper’s designs inspired by them. Connecting font design to queer beginning with HOPE. It then continues through works in the peace and justice section in which, through the power of images,
culture, this project comes at a critical time of increasing erasure and suppression of trans and queer histories. Obey draws attention to issues such as human rights, abuse of power, war and peace. In the environment section, the artist
RISD design professor Paul Soulellis writes in his essay “What Is Queer Typography?,” “there is no queer typography, only queer acts of presents works that remind us of the importance of community in safeguarding our planet. The artist’s universal message also
reading and writing.” This book proposes a kind of compendium for that concept. finds expression in the section devoted to music and its universality and accessibility. The monograph concludes with a section
In addition to a new essay from Soulellis, the book features contributions from Silas Munro, Lukaza Branfman-Verissimo, Claire Finch featuring new works by the artist, executed between 2021 and 2024.
INVENTORY PRESS/LIBRARY STACK SKIRA
and others. Their essays offer emerging perspectives on queer archival practices, DIY lineages, design and politics, and love as the Los Angeles–based artist Shepard Fairey (born 1970) is considered a leading figure in both contemporary street art and street
ISBN 9781941753798 ISBN 9788857252827
u.s. $24.95 cad $37.95 gbp £21.00 basis for research. This project challenges the field of graphic design—a field of signs, representations and meaning-making—to style alike. Many of his designs, such as his 1989 sticker campaign featuring an image of André the Giant and the text “Obey” or
u.s. $50.00 cad $75.00
Pbk, 6 x 9 in. / 120 pgs / 70 color extend toward undervalued perspectives and overlooked pockets of visual and semiotic history. his 2008 portrait of Barack Obama with the caption “Hope,” are instantly recognizable the world over. Hbk, 8.5 x 11 in. / 244 pgs / 295 color.
/ 20 b&w. February/Art/Popular Culture
March/Design Territory: NA LA
Territory: WORLD

38 ­­artbook.com artbook.com 39
 “These classes were substantially reconsid-
ered for the context of a global pandemic
and in light of the urgent realignments
around whose stories get told and who does
the telling. The new classes have many more
voices in the classroom, and, as a result,
also on the page.”
—DAVID REINFURT

A *Co-* Program for Graphic Design Fracture: Japanese Graphic Design 1875–1975
By David Reinfurt By Ian Lynam
Text by Danielle Aubert, Tauba Auerbach, Barbara Glauber, Shannon Harvey, Adam Michaels, Philip Ording, Adam Pendleton. Edited by Chris Palmieri, Louise Rouse.

Three new graphic design courses, detailed in this volume, comprise a critical companion to Reinfurt’s The need-to-know names of Japanese graphic design from the late 19th century to the pre-digital
bestselling DIY textbook, A *New* Program for Graphic Design decade, presented alongside more than 500 color images of vintage ephemera
This volume expands David Reinfurt’s uniquely pragmatic and experimental approach to pedagogy into a collaborative project that weaves With Fracture, author Ian Lynam presents a survey of Japanese design across a century as told through the biographies of its most
together a multiplicity of voices to present a polyphonic approach to design history and teaching. Three of Reinfurt’s new Princeton University influential creators. The chronology begins less than two decades after Japan’s opening to the West, ending a 200-year isolationist
graphic design courses—C-i-r-c-u-l-a-t-i-o-n, M-u-l-t-p-l-i-c-i-t-y and R-e-s-e-a-r-c-h—developed explicitly in the context of remote policy. Lynam features the stories of more than 90 pacesetters shaping the country’s modern aesthetic. We meet Hani Motoko,
teaching and in light of urgent realignments around whose stories get told and who does the telling, are presented in this follow-up to A considered Japan’s first female journalist, who commissioned Frank Lloyd Wright to build the “Hall for Tomorrow” schoolhouse
*New* Program for Graphic Design (Inventory Press/D.A.P., 2018). C-i-r-c-u-l-a-t-i-o-n examines the distribution networks for graphic design in Toshima City, Tokyo. Amid the national propaganda of the interwar period, a vision of the modern Japanese woman emerges
including electronic and conventional means. M-u-l-t-p-l-i-c-i-t-y, taught with mathematics professor Philip Ording, explores graphic design in the advertisements of Hisui Sugiura and Tada Hokuu. The 1964 Olympics marked a watershed moment for Japanese design on
from the perspective of topology and topology through the practice of graphic design. R-e-s-e-a-r-c-h is an advanced graphic design class the international stage, with Yusaku Kamehura’s “red circle” logo and the design of pictograms used in the competition for the first
which cultivates an exploratory and expansive design process and investigates what the term “design research” has meant at different points in time. Finally, the survey concludes with the rise of women’s liberation or ribu, and the state of graphic design at the threshold of the
design history. digital age.
INVENTORY PRESS From these separate angles comes a collaborative and cooperative way of telling and teaching design history, taking on subjects from the Illustrated with children’s book pages, travel posters, maps, product advertisements, erotic magazine covers and more, Fracture SET MARGINS’ PUBLICATIONS
ISBN 9781941753729 Detroit Printing Co-op, Corita Kent and Charles and Ray Eames, to Giuseppe Peano, Marshall McLuhan, Sylvia Harris and Virgil Abloh. Through a functions as a visual treasure trove of Japanese ephemera while also introducing readers to the creative minds behind these
u.s. $29.95 cad $44.95 gbp £24.99 ISBN 9789083449845
series of in-depth historical case studies and assignments that progressively build in complexity, the book serves as a practical guide to visually formative designs. u.s. $38.00 cad $57.00
Pbk, 6 x 9 in. / 256 pgs / 290 color understanding the history—and shaping the future—of our designed world. Ian Lynam (born 1972) holds an MFA in graphic design from California Institute of the Arts. He is a faculty member at Temple Hbk, 7.5 x 10.25 in. / 450 pgs / 570 color.
/ 40 b&w. David Reinfurt is an independent graphic designer and writer based in New York City. He worked as an interaction designer at IDEO from 1995
May/Design Theory University Japan Campus as well as at Vermont College of Fine Arts. His previous books on design include War with Myself, The Failed February/Design
to 1997, where he was the lead designer for the MTA Metrocard vending machine interface. In 2000, Reinfurt formed the graphic design practice Painter and The Impossibility of Silence. Territory: NA LA ASIA AFR ME
Territory: WORLD
O-R-G inc., followed by Dexter Sinister in 2006 and the Serving Library in 2012. He has taught at Princeton University since 2010.

40 ­­artbook.com artbook.com 41
“Comics are an Drawn to MoMA: Comics Inspired by Modern Art 3-D Doings: The Imagist Object in Chicago Art
invitation to play, Edited by Alex Halberstadt, Arlette Hernandez. Preface by Walter Scott. Cover illustration by Kristen Radtke. 1964–1980
Edited by Ian Berry, John Corbett, Jim Dempsey. Contributions by Sarah Canright, Lila Dittersdorf, Jessica Eisenthal, Art Green, Mimi
A vibrant anthology of comics inspired by visits to the museum, featuring illustrated stories by
even when things are Roz Chast, Liana Finck, Walter Scott and more
Gross, Lorri Gunn, Philip Hanson, Gladys Nilsson, Flip Phillips, Suellen Rocca, Evelyn Wang.

tough. . . . They show This anthology presents a selection of comics and illustrated stories by 25 acclaimed graphic artists about museum-going and the ways Eccentric and entertaining, the bold and cartoonish three-dimensional objects of the Chicago
Imagists receive an enthusiastic survey in this playful volume
art infiltrates and shapes our lives. The stories were first published on MoMA Magazine as part of a groundbreaking online series featuring
us different ways to some of the most influential illustrators and comics creators of our time, including Roz Chast, Walter Scott and Mari Kanstad Johnsen. Contemporaneous with the Pop art movement, Chicago Imagism can be characterized as warm and wacky—a stark contrast to the
Gathered here, the selections offer a dazzling array of artistic styles and storytelling approaches, ranging from intimate sketches and cooler, more aloof styles in New York and London. The Imagist movement (a term coined by art historian Franz Schulze in 1972) was
see and appreciate fluid paintings to bold woodcuts and psychedelic cartoons. As the first comic anthology to be published by a major museum, the book propelled by a core group of artists—all graduates of the School of the Art Institute of Chicago—that exhibited their work together
encourages readers to reconsider comics and graphic storytelling as a form of fine art. While many of the stories document visits to
the world. And in the museums, others explore contemporary issues including war, environmentalism and gender and racial equality, as well as topics related
as The Hairy Who between 1966 and 1968 at the Hyde Park Art Center on Chicago’s South Side. Though each artist had their own
fiercely unique style, they shared a similar interest in popular culture, comics and material objects. Suellen Rocca and Roger Brown
to everyday life such as motherhood, love, humor and the ongoing search for meaning and inspiration.
end, isn’t that what Contributors include: Jon Allen, Gabrielle Bell, Barbara Brandon-Croft, Jessica Campbell, Roz Chast, Ted Closson, Liana Finck, Ali
manipulated and augmented mass-produced household items. Art Green and Eleanor Dube painted on shaped canvases. Other
artists, such as Karl Wirsum, Christina Ramberg and Philip Hanson, used materials associated with craft.
art is about?” Fitzgerald, November Garcia, Anna Haifisch, Mari Kanstad Johnsen, Patrick Keck, Lee Lai, Ellen Lindner, John Vasquez Mejias, Danica
Novgorodoff, Tommi Parrish, Ben Passmore, Weng Pixin, Anna Sarvira, Walter Scott, Bishakh Som, Karl Stevens, Erin Williams.
3-D Doings explores the sculptural work and dimensional paintings of the Chicago Imagists. With a replica of Karl Wirsum’s Armpits
on the cover—fake hair and all—the volume is a zany celebration of Imagist objects and their artists, featuring conversations with DELMONICO BOOKS/TANG MUSEUM
—ALEX HALBERSTADT AND Suellen Rocca, Art Green, Gladys Nilsson and Philip Hanson, biographies of each artist and a dedicated ephemera section. ISBN 9781636811659
THE MUSEUM OF MODERN ART, NEW YORK Artists include: Don Baum, Roger Brown, Ed Flood, Art Green, Red Grooms, Ted Halkin, Philip Hanson, Gladys Nilsson, Jim Nutt,
ARLETTE HERNANDEZ ISBN 9781633451674 u.s. $65.00 cad $95.00 gbp £55.00
Christina Ramberg, Suellen Rocca, Barbara Rossi, Evelyn Statsinger, H.C. Westermann, Karl Wirsum, Ray Yoshida. Hbk, 9.5 x 11.25 in. / 320 pgs / 280 color.
u.s. $45.00 cad $68.00
Hbk, 12 x 6 in. / 200 pgs / 214 color / 83 b&w. April/Art
April/Graphic Novel/Art/Popular Culture Territory: WORLD
Territory: NA ONLY

42 ­­artbook.com artbook.com 43
 Kandis Williams: A Surface
Introduction and text by Taylor Jasper. Text by Cheryl I. Harris, Denise
Ryner, Mireille Miller Young, Mlondolozi Zondi.

The first museum survey for artist, writer and

publisher Kandis Williams, whose cross-disciplinary
practice delineates issues surrounding race,
nationalism and authority
American artist Kandis Williams works across collage, sculpture, film,
performance, writing, pedagogy and publishing. Her multidisciplinary
practice leverages the experience of the body alongside personal
and communal histories to explore and challenge notions of race,
nationalism, authority and eroticism, among other subjects. Her
meticulously compiled collages are densely layered, both in structure—
through repetition of forms and figures—and in content, with an
emphasis on politically loaded and libidinal images. Often inspired
by history painting, these works are composed of images culled from
magazines and archival texts, placed into an unsettling interplay.
Williams considers these collages as a disintegration of photographic
value into layered schematics. Similarly, Williams’ performance practice
explores coded social choreographies, emphasizing structural and
systemic violence. In her performances, disembodied segments of
text become collages, making up scripts for her performers. Through
this process she proposes what she calls experimental pedagogy, a
“consumption of academic texts that have a non-discursive output, an
affective output that mythifies—weaving what kinds of knowledge are
immediately relatable to an individual with the creation of a paradigm
of thought.”
A Surface is Williams’ first museum survey, offering visitors an in-depth
experience of her vision and practice. The exhibition features both
important and lesser-known works from the past decade of her career.
Kandis Williams was born in 1985 in Baltimore, Maryland. She studied
at the Cooper Union School of Art. In 2016 she cofounded Cassandra
Press, a publishing and educational platform that produces and
distributes Black scholarship. She is currently a visiting faculty member
at California Institute of the Arts.
EXHIBITION
Minneapolis, MN: Walker Art Center, 04/24/25–08/24/25

Rashid Johnson: A Poem for Deep Thinkers

Edited with text by Naomi Beckwith, Andrea Karnes. Foreword by Mariët Westermann, Andrea Karnes. Introduction by Naomi Beckwith.
Text by Nana Adusei-Poku, Hendrik Folkerts, Tiona Nekkia McClodden, Kevin Quashie. Interview by Odili Donald Odita.

From his early self-portraits to his site-specific installations, this volume underscores Rashid
Johnson’s fearless engagement with the central themes, questions and aesthetics of the
contemporary era
Co-organized by the Solomon R. Guggenheim Museum and the Modern Art Museum of Fort Worth, A Poem for Deep Thinkers is a
three-decade survey of Rashid Johnson’s artistic career. It situates the artist within three interconnected spheres: as a scholar of art
history; as a mediator of Black popular culture and its widespread commodification; and as an artist engaged with the globalization of
contemporary art.
The exhibition and accompanying catalog features nearly 90 artworks, including early photographs, Cosmic Slops, spray-painted
text works, collage paintings, Broken Men mosaics, film projects, and key sculptures and installations that incorporate materials such
as shea butter, black soap, plants, ceramic vessels and wax. These explorations demonstrate Johnson’s uncommon fluency with
multiple materials and forms as well as a nuanced ability to synthesize the condition of the human psyche.
This lavish catalog is Bodonia-bound with gold block edges and printed on coated and uncoated papers. Amid more than 200
illustrations, the publication also includes creative meditations on excerpts by literary icons Toni Morrison, Gwendolyn Brooks, Jean
GUGGENHEIM MUSEUM Genet, Paul Beatty and Amiri Baraka, interspersed among essays and an interview that illuminate Johnson’s work.
ISBN 9780892075669 Born and raised in Chicago, Rashid Johnson (born 1977) received fine arts degrees from Columbia College Chicago and the School
u.s. $65.00 cad $95.00 gbp £55.00 of the Art Institute of Chicago. At the age of 24, his work was included in Thelma Golden’s 2001 exhibition Freestyle at the Studio WALKER ART CENTER
Hbk, 8.75 x 12 in. / 256 pgs / 225 color. Museum in Harlem. Johnson made his directorial debut with his 2019 adaptation of Richard Wright’s Native Son. ISBN 9781935963332
April/Art u.s. $50.00 cad $75.00 gbp £42.00
Territory: WORLD EXHIBITION Pbk, 8 x 11 in. / 288 pgs / 165 color / 21 b&w.
New York, NY: Solomon R. Guggenheim Museum, 04/18/25–01/18/26 May/Art
Fort Worth, TX: Modern Art Museum of Fort Worth, 03/08/26–10/04/26 Territory: WORLD
Chicago, IL: Museum of Contemporary Art, 11/07/26–04/25/27

44 ­­artbook.com artbook.com 45
We welcome MUBI EDITIONS to the D.A.P. list. MUBI Editions is a new publishing venture
dedicated to cinema and the arts. Defined by a thought-provoking list and featuring unique design
collaborations, it broadens the horizons of what cinema-related publishing can be today. Temporal Territories:
An Anthology on Indigenous
Experimental Cinema
Edited by COUSIN Collective.
Read Frame Type Film LIGHT INDUSTRY/COUSIN COLLECTIVE
Edited with text by Enrico Camporesi, Catherine ISBN 9780997910223
de Smet, Philippe Millot. u.s. $25.00 cad $38.00 gbp £21.00
Pbk, 4.5 x 6.5 in. / 334 pgs / 6 color / 55 b&w.
This ambitious survey chronicles February/Art
text and typography in 20th- Territory: WORLD
century artists’ films and
experimental cinema
From credits to subtitles to title cards and
Collected writings, artworks and manifestos outlining the developments
beyond, texts play a critical part in the structure in Indigenous cinema and its most adventurous practitioners
of a film. Yet, away from the world of mainstream Founded in 2018, COUSIN Collective is dedicated to promoting Indigenous artists working with the
cinema, where the work of renowned title moving image. Temporal Territories is the collective’s critical anthology on Indigenous experimental
designers such as Saul Bass and Pablo Ferro has cinema, bringing together new works, reprints of key writings, theoretical interventions, artist
gained critical consideration, these textual—and portfolios, intergenerational dialogues and manifestos. With topics ranging from science fiction to
visual—elements have often been overlooked. found-footage filmmaking to the strange case of the DeMille Indians, the volume surveys a varied and
In Read Frame Type Film, film curator Enrico vital body of work, and suggests new forms still to come.
Camporesi, graphic design historian Catherine As COUSIN writes in their introduction, “We hope this collection can be something like a celebration,
de Smet and designer Philippe Millot aim a point along your path that fosters conversations and connections. …There are no rules to this
to address this gap by focusing on an often thing, and you are not alone.”
neglected field: experimental and artists’ Contributors include: Raven Chacon, Colectivo Los Ingrávidos, Lou Cornum, Grace Dillon,
films. They bring their extensive research and Guillermo Gómez-Peña, Miguel Hilari, Sky Hopinka, Kite, Adam Khalil, Zack Khalil, Pedro Neves
expertise to a discussion of 24 works from the Marques, Fox Maxy, Michael Metzger, Jas M. Morgan, Caroline Monnet, Shelley Niro, Adam Piron,
film collection at the Centre Pompidou in Paris Tiare Ribeaux, Diana Flores Ruíz, Walter Scott, Girish Shambu, Paul Chaat Smith, Adam Spry,
that offer unique perspectives on the affinity Elizabeth Weatherford.
between cinema and typography. Composed of
a series of rich explorative texts, accompanying
specially commissioned photography of analog
filmstrips from the collection, the book is, itself,
an experimental object, in which text and images Alien Roots: Éliane Radigue
mirror one another.
Read Frame Type Film stems from the ambitious
Blank Forms 10
“TypoFilm” research project, initiated at the Edited by Lawrence Kumpf, Charles Curtis. Text by
Éliane Radigue, Dagmar Schwerk, Daniel Sillman,
Centre Pompidou in 2020 and dedicated to
Anthony Vine.
constructing a genealogy of this understated yet
pivotal element of design on screen. BLANK FORMS EDITIONS
Films include: Anémic Cinéma (Marcel ISBN 9781953691224
Duchamp), L’Étoile de mer (Man Ray), The Flicker u.s. $25.00 cad $38.00
(Tony Conrad), Sailboat (Joyce Wieland), Film Pbk, 6 x 8 in. / 407 pgs / 73 color / 35 b&w.
About A Woman Who… (Yvonne Rainer), Light February/Music
Reading (Lis Rhodes). Territory: NA LA ASIA AU/NZ AFR ME

A detailed look at the elusive work of a French pioneer of musique

concrète and electroacoustic composition
This volume is an exploration of the early electronic work of French composer Éliane
Radigue (born 1932), whose radical approach to feedback, analog synthesis and
composition on tape has long evaded straightforward interpretation. Combining key texts,
newly translated primary documents, in-depth interviews and commissioned essays, this
compendium probes her idiosyncratic compositional practice, which both embraces and
confounds the iterative nature of magnetic tape, the subtleties of amplification and the
very experience of listenership.
Chief among these entries is an in-depth overview by cellist Charles Curtis examining
the composer’s earliest experiments in feedback techniques and analog synthesis, her
MUBI EDITIONS eventual turn to works for unamplified instruments and live performers, and her unique
ISBN 9798991658010 aesthetic of time and presence. Detailed conversations provide crucial windows into
u.s. $45.00 cad $68.00 her working methods at different points in her career. Sketches for unrealized work,
Hbk, 13.5 x 9.5 in. / 180 pgs / 100 color / 100 b&w. contemporary reviews, programs and ephemera are collected together for the first time.
May/Film/Art/Design The anthology concludes with a roundtable discussion working out the knotty paradoxes
Territory: NA ONLY
of Radigue’s continued “ethos of resistance.”

46 ­­artbook.com artbook.com 47
Chris Marker: Immemory NEW REVISED EDITION

Gutenberg Version Derek Jarman:

Edited with introduction by Isabel Ochoa Gold. The Authorised Biography
The legendary French filmmaker’s By Tony Peake
labyrinthine memoir, first published Foreword by Olivia Laing. Afterword by Jon Savage.
by Exact Change in 2002 as a CD-ROM,
now reconfigured into book form after a “Peake has given Derek Jarman the biography
laborious process initiated by the artist he deserves.” —Gay Times
before his death in 2012 This volume is the official authorized biography of artist, filmmaker
and gay rights activist Derek Jarman (1942–94). First published
Filmmaker, photographer and writer Chris Marker never
in 2011, this classic biography returns in a new edition featuring
adhered to the conventions of a particular art form.
contributions by bestselling authors Olivia Laing and Jon Savage
Each of his films, from La Jetée to Sans Soleil, pushes
looking at Jarman’s impact and legacy over the past five decades.
the boundaries of its medium, merging at times with the
The book was authored by Jarman’s longtime literary agent, Tony
essay, political manifesto, personal letter, art installation
Peake, who was given unprecedented access to Jarman’s archives.
and even, finally, a computer game.
Jarman’s story stretches from the bleakness of postwar Britain
For Immemory, first published in 1998 (French) and 2002
and his RAF childhood to studenthood at the Slade and work as a
(English), Marker used a CD-ROM to create a multi-
designer for such figures as John Gielgud and Ken Russell. It is the
layered, mixed-media memoir. The reader investigates
story of a filmmaker, a gay activist, a painter and a gardener, and a
“zones” of travel, war, cinema and poetry, navigating
vivid bohemian existence in a London long gone. Jarman created
through image and text as if physically exploring
a singular garden in the shingle surrounding his simple fisherman’s
Marker’s memory itself. The result is a veritable 21st-
cottage at Dungeness in Kent, which has become a site of
century Remembrance of Things Past, an exploration
memorial, celebration and pilgrimage. He became known as an
of the state of memory in our era. With it, Marker both
impassioned and provocative spokesperson not only for gay men,
invented a literary form and perfected it, just before the
but for anyone oppressed by bigotry. Derek Jarman died of AIDS-
digital format he chose for the experiment was quickly
related causes in February 1994; Peake describes the inimitable
rendered obsolete.
courage and grace he possessed in the face of painful death, and
Immemory: Gutenberg Version reinvents this unique
the legacies he left behind.
work for the printed page, a project the author dreamed
Tony Peake was born in Johannesburg, South Africa, in 1951 and
up, titled, and began working on with Exact Change
is based in London and Essex. He is a novelist, short story writer,
before his death. Now finally realized, it brings this
biographer and celebrated literary agent. He has written three
seminal work into the present and future through a time-
novels: A Summer Tide (1993), Son to the Father (1995) and North
tested, durable format of the past: the book.
Facing (2017).
Chris Marker (1921–2012) served in the French
Resistance, and then the US Air Force, during World War
II and worked as a journalist while honing his film career.
He received international acclaim with La Jetée in 1962,
and became a critical voice in film theory and production
as well as a widely admired “cult” artist, a filmmaker’s
filmmaker.

“Chris Marker has a brilliant mind and heart and appetite

for life, and it’s a privilege to travel with him to whatever
EXACT CHANGE he chooses to remember and to evoke. He is one of
ISBN 9781878972446 ALLISON & BUSBY LTD
u.s. $35.00 cad $53.00 gbp £30.00 cinema’s all-time greats—the most important reflective ISBN 9780749032906
Pbk, 6 x 8 in. / 480 pgs / 1010 color. u.s. $39.95 cad $59.95
April/Film/Artists' Writings or non-narrative filmmaker after Dziga Vertov.” Hbk, 6 x 9.25 in. / 640 pgs / 8 color / 16 b&w.
Territory: WORLD April/Biography & Memoir
—SUSAN SONTAG Territory: NA LA

48 ­­artbook.com artbook.com 49
 We welcome CHRISTINE BURGIN | FURTHER READING LIBRARY to the D.A.P. list. This new publishing
imprint commemorates forgotten ideas, overlooked accomplishments and eccentric worldviews.
Robert Frank:
Mary’s Book
Text by Stuart Alexander, Kristen Gresh.

MFA PUBLICATIONS, MUSEUM OF FINE ARTS, BOSTON

Richard Sharpe Shaver:
ISBN 9780878469000 Some Stones Are
u.s. $55.00 cad $82.00 gbp £47.00
Hbk, 9 x 12.5 in. / 136 pgs + 24 page facsimile / 75 color. Ancient Books
May/Photography/Artists' Books Edited by Christine Burgin, Andrew Lampert. Introduction by
Territory: WORLD Brian Tucker. Text by Richard Sharpe Shaver.

Cult sci-fi author and controversial

theorist Richard Sharpe Shaver devoted
Frank’s artist’s book and love letter for his first wife exemplifies the poetic, his life to decoding messages from ancient
virtuosic approach to photobooks that would come to define his storied career civilizations left behind in rocks
Science fiction writer Richard Sharpe Shaver believed that
Called “a poet with a camera” by Edward Steichen, Robert Frank (1924–2019) was one of many artists
rocks were books imprinted with valuable information
who searched for creative freedom in postwar Paris. It was while he was living in the city in 1949 that
about such mythical ancient races as the Lemurians and
Frank produced a seminal volume in his oeuvre: a rare, personal photobook made for his then-girlfriend,
Atlanteans. His controversial stories about an advanced
artist Mary Frank (née Lockspeiser). In Mary’s Book, the photographer chronicled his time in the city
prehistoric civilization and a race of evil beings living at the
with his poetic, insightful and inquisitive eye, and experimented for the first time with combining text
center of the earth appeared in Amazing Stories and other
and image. This singular object proved an important bookmaking exercise for Frank, and remains as
landmark sci-fi publications of the ’40s and ’50s.
evidence of his maturing artistic vision, which led to one of the most influential photobooks of the 20th
A decade later, he was living in relative isolation and
century, The Americans (1958).
devoting himself to rock book research, a course of study
Mary’s Book reproduces this love letter in full for the first time, accompanied by insightful essays from
that he shared with a devoted group of correspondents.
leading scholars. This facsimile clothbound volume, inscribed “this is for you” in Frank’s handwriting, re-
Shaver believed that ancient leaders had left behind images
creates the series of unbound pages nestled within one another, filled with handwritten notes and hand-
embedded into rocks, which he then tried to interpret.
cut prints. Readers can experience the Paris of the late 1940s through the visual harmonies of Robert Frank.
Some Stones Are Ancient Books contains a generous
EXHIBITION selection of Rokfogos accompanied by hand-typed texts in
Boston, MA: Museum of Fine Arts, Boston, 12/21/24–06/22/25 which Shaver explains—not always patiently—all that can
be seen in these stones. Also included are facsimiles of his
handmade books and publications, all of which he felt to be
of incalculable importance to civilization.
BACK IN PRINT/FACSIMILE EDITION Richard Sharpe Shaver (1907–75) was an artist and author

Robert Frank: whose work frequently appeared in 1940s science fiction

magazines such as Amazing Stories. He was the center
Portfolio of the Shaver Mystery, a controversy regarding his alleged
discovery of a prehistoric civilization, which sparked mass
STEIDL interest and a devoted following that continues to this day.
ISBN 9783958290228
u.s. $45.00 cad $68.00
Slip, pbk, 8 x 10.75 in. / 40 pgs / 39 tritone.
January/Photography
Territory: NA ONLY

Reproduced in facsimile, Frank’s first-ever portfolio is back in print after

over a decade
When Robert Frank (1924–2019) emigrated from Zurich to the United States in 1947, the aspiring
young photographer brought along his portfolio of 40 photos to help him secure employment. “This is a Mer-Stone. It was made synthetically by an
This eponymous volume is the facsimile of that very object. It contains Frank’s earliest original
photographs, taken between 1941 and 1946, as well as the images of other photographers that ancient race of people who were as much at home under
he had retouched. We see images of rural landscapes in Switzerland juxtaposed alongside street
scenes, antique shops, fine fabrics and the glowing lights of a cinema. Portfolio thus contains
water as above. It contains pictures. Just what sort of
the seeds of a career of such scope and influence which even the ambitious, 23-year-old Robert pictures I will show you.”
Frank could not have anticipated. Designed by the artist in collaboration with Gerhard Steidl,
the facsimile’s softcover presentation in a cardboard envelope mimics the way Frank would have —RICHARD SHARPE SHAVER
originally stored this crucial selection of his work. It is also, in a sense, his first photobook, providing CHRISTINE BURGIN | FURTHER READING LIBRARY
a glimpse into his sequencing process that would produce such acclaimed publications as The ISBN 9780997645651
Americans and The Lines of My Hand. u.s. $24.95 cad $37.95 gbp £21.00
Hbk, 4.75 x 7 in. / 80 pgs / 56 color.
April/Literary Nonfiction/Art
Territory: WORLD

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 Thomas Wilfred: Clavilux and Margaret Watts Hughes:
Lumia Home Models Sound May Be Seen
Edited by Christine Burgin, Andrew Lampert. Introduction by Doug Edited by Christine Burgin, Andrew Lampert. Introduction by
Skinner. Text by Thomas Wilfred. Rob Mullender-Ross. Text by Margaret Watts Hughes.

CHRISTINE BURGIN | FURTHER READING LIBRARY CHRISTINE BURGIN | FURTHER READING LIBRARY
ISBN 9780997645637 ISBN 9780997645668
u.s. $24.95 cad $37.95 gbp £21.00 u.s. $24.95 cad $37.95 gbp £21.00
Hbk, 4.75 x 7 in. / 80 pgs / 45 color / 4 b&w. Hbk, 4.75 x 7 in. / 88 pgs / 45 color / 6 b&w.
April/Literary Nonfiction/Art/Music April/Literary Nonfiction/Art/Music
Territory: WORLD Territory: WORLD

Wilfred’s pioneering and strangely prescient musical instrument Ethereal and enigmatic glass slides preserve the resonance of Hughes’
predates television, video art and psychedelia voice in rippling, organic compositions
Inventor, designer, artist and musician Thomas Wilfred (1889–1968) devoted his life to the creation The acclaimed Welsh singer and philanthropist Margaret Watts Hughes (1842–1907) was one of many
of a new art form—“Lumia,” or the art of light. He invented his own version of a color organ (a inventors of her day fascinated by the visual documentation of sound. Her “eidophone” comprised
term he disliked) and dubbed it the Clavilux, from the Latin meaning “light played by key.” After a a tube attached to a chamber covered in rubber, or “diaphragm.” Hughes covered a glass slide with
successful international tour in the 1920s, Wilfred reinvented these large-scale performances as grains of sand or coarse pigment, then saturated it with water or milk. By singing into the device, the
self-enclosed light shows for domestic entertainment. While they enjoyed a short commercial life, vibrations of her voice would etch out patterns onto the disc: an artistic rendering of the scientific
Wilfred’s aesthetically elegant and interactive Clavilux and Lumia home models soon found their principle of standing-wave resonance. Her “Voice Figures,” as she called them, ranged from primitive
way into storied collections. His work was included in the Museum of Modern Art’s 1952 exhibition patterns to designs resembling flowers, seashells and other natural phenomena. While Hughes valued
15 Americans, where it was seen by many artists who would work with light as their medium in the her discovery for both its scientific and spiritual implications, leaders of the Theosophical movement
1960s and ’70s. saw her work as a means of making visible the invisible world.
Clavilux and Lumia Home Models presents a stimulating collection of archival material culled from Sound May Be Seen presents selections from Hughes’ original 1891 publication of the “Voice Figures”
the Wilfred archive at Yale University and other sources, including Wilfred’s never-before-published and a rare surviving set of her glass slides, alongside contemporary reactions to her captivating and
sketches. ultimately enigmatic work.

Richard Foreman: No Title Loïe Fuller: Lecture on Radium

Edited by Christine Burgin, Andrew Lampert. Edited by Christine Burgin, Andrew Lampert. Introduction by Tom
Introduction by Jennifer Krasinski. Text by Gunning. Text by Loïe Fuller.
Richard Foreman.
CHRISTINE BURGIN | FURTHER READING LIBRARY
CHRISTINE BURGIN | FURTHER READING LIBRARY ISBN 9780997645620
ISBN 9780997645644 u.s. $24.95 cad $37.95 gbp £24.99
u.s. $24.95 cad $37.95 gbp £21.00 Hbk, 4.75 x 7 in. / 88 pgs / 24 color / 9 b&w.
Hbk, 4.75 x 7 in. / 88 pgs / 103 color / 1 b&w. April/Literary Nonfiction/Performing Arts/Science
April/Literary Nonfiction/Art/Performing Arts Territory: WORLD
Territory: WORLD

Cryptic, lyrical and philosophical words from a paragon of experimental A luminary in more ways than one, celebrated dancer Loïe Fuller studied
New York theater, juxtaposed with the haunting maquettes he created radium and its potential uses in performance
for his plays The luminous and radical dance performances of Loïe Fuller (1862–1928) at the turn of the 20th
An avant-garde comrade of Jonas Mekas, George Maciunas, Jack Smith and others, Richard century were unlike anything that had ever been staged before. In her Serpentine Dance, she wore a
Foreman (born 1937) was at the forefront of downtown New York’s experimental theater scene of large, diaphanous gown she manipulated with her arms to form undulating waves, while colored lights
the 1960s. He wrote and directed more than 80 verbally and visually singular productions with projected onto the fabric gave the illusion of birds, animals or flowers. While her profound influence on
his Ontological-Hysteric Theater company in a career that spanned 45 years. Foreman’s visually writers and artists such as Mallarmé and Rodin is well documented, less well known is Fuller’s passion for
arresting plays made heavy use of static tableaux, frantic choreography, projected text and Foreman technology and her involvement with the leading scientists of the time.
himself sitting in front of the stage operating the lights and sound. While Foreman has published Lecture on Radium spotlights Fuller’s scientific forays in her own words alongside an array of archival
many of his scripts, No Title is a text unlike anything preceding it. Handwritten on a series of note documents and photographs of the dancer in action. The centerpiece of the book is her 1907 lecture on
cards, these aphoristic declarations and philosophical asides hover between being a stream-of- the invention of radium, her notes on meeting Marie and Pierre Curie and Thomas Alva Edison, and her
consciousness dialogue and a message sent from another world. Foreman’s wonderfully elliptical literally explosive efforts to create a glow-in-the-dark dance performance. Featuring an introduction by
words are counterposed with photographs of the mystifying diorama-like maquettes that he created renowned cinema scholar Tom Gunning, this book presents Fuller’s eccentric passions and pioneering
while staging a number of his plays. pursuits in a fresh light.

52 ­­artbook.com artbook.com 53
 MATTE EDITIONS is a photobook publishing imprint founded in 2017 by New York photographer,
educator and magazine editor Matthew Leifheit. MATTE publishes a range of emerging and estab-
lished artists, with a focus on queer perspectives.

Hervé Guibert: The Only Face David Armstrong: Fashion

Designed by Jordan Weitzman. Translated by Christine Pichini. Cover art by Marc Hundley. Edited by Vince Aletti, Matthew Leifheit. Text by Nicolas Ghesquière. Conversations with Lisa Love, Jae Choi, Marie-Amélie Sauvé, Ethan
James Green.
A new edition of one of only two photobooks that Guibert published in his life, reissued here for
the first time Unearthed from the Armstrong archive, this sensuous selection of never-before-seen fashion
photography from the artist marks the first publication since his death in 2014
This photobook by Hervé Guibert, The Only Face, is not a novel in the traditional sense but is nonetheless filled with characters, settings
and mystery. It starts with bodies—their faces either eclipsed or out of frame—before unleashing a bravura sequence of portraits: For photographer David Armstrong, the production of a fashion set—the stylists, hair and makeup, the outfits—offered the
friends, lovers, family and Guibert himself. As the book approaches its finale, his subjects are obscured and then disappear completely, framework he needed to make his fantasy of decadent queer beauty a reality. While other components of his oeuvre feel akin to Peter
leaving behind the objects they touched, until even those vanish, leaving only light. Hujar, Bill Jacobson or Nan Goldin, these editorial photographs could have only been shot by Armstrong. Ahead of their time, they
Most of the photographs in The Only Face were taken on Guibert’s European and American travels, but their settings are, with few offer a new, queer and androgynous perspective—on the fawning lens of historical precedents such as Baron de Meyer—and shine
exceptions, small private interiors. The effect is an inwardness that communicates Guibert’s deep affinity with his subjects. with Armstrong’s undying love of beauty.
The Only Face, originally published in Paris in 1984, is the second and final photobook Guibert published in his lifetime (preceded by the The 107 pictures in this book are drawn from 18 boxes marked “Fashion” now located in Armstrong’s Brooklyn archive. At the
photo-novel Suzanne and Louise, also reissued in English by Magic Hour Press). This new edition presents Guibert’s photographs in their time of his death these photographs and negatives had been stored in a barn on Armstrong’s property in the Berkshires. This
original sequence, with his titles and introductory text translated by Christine Pichini and a new cover by the artist Marc Hundley. curated selection comprises darkroom and inkjet prints, many of them outtakes which have never been published, for campaigns
French writer and photographer Hervé Guibert (1955–91) was the author of 25 books, beginning with Propaganda Death (1977), a commissioned by fashion magazines and brands between 2002 and 2010. While by no means an exhaustive catalog of Armstrong’s MATTE EDITIONS
MAGIC HOUR PRESS fictional memoir in the tradition of Georges Bataille, Jean Genet and the Marquis de Sade. His best-selling novel To the Friend Who Did tremendous output, they nonetheless demonstrate his dedication to capturing beauty, as elaborated through accompanying ISBN 9798986546551
ISBN 9781738901357 Not Save My Life (1990) was inspired by his long friendship with Michel Foucault and the two men’s experiences living with AIDS, which commentary by Nicolas Ghesquière, Lisa Love, Jae Choi, Marie-Amélie Sauvé and Ethan James Green. u.s. $50.00 cad $75.00 gbp £42.00
u.s. $30.00 cad $45.00 gbp £25.00 tragically ended Guibert’s life at the age of 36. David Armstrong (1954–2014) was born in Massachusetts and studied photography at the School of the Museum of Fine Arts in Hbk, 9.75 x 13 in. / 198 pgs / 25 color / 82 b&w.
Pbk, 6.75 x 8.75 in. / 72 pgs / 55 duotone. Boston alongside Nan Goldin, who was his roommate. He photographed campaigns for Zegna, Burberry and Puma, and his editorial February/Photography/Fashion
April/Photography/Fiction work was included in magazines such as Vogue Paris, Wonderland, GQ and Purple. Territory: WORLD
Territory: WORLD

54 ­­artbook.com artbook.com 55
Mitch Epstein: American Nature It's About Time
Edited by Brian Wallis. The Architecture of Climate Change
Edited by Derk Loorbach, Véronique Patteeuw, Saskia
Seminal photo series, together with new van Stein, Lea-Catherine Szacka, Peter Veenstra.
works, demonstrate Epstein’s unflinching
documentation of America’s landscapes NAI010 PUBLISHERS
ravaged by climate change ISBN 9789462088795
u.s. $50.00 cad $75.00
The culmination of a 20-year odyssey by one of America’s Pbk, 6.75 x 9.5 in. / 256 pgs / 200 color.
leading photographers, American Nature represents both a February/Architecture & Urban Studies/Sustainability
political portrait of the nation during this pivotal time and an Territory: NA LA ME
existential warning about a potentially cataclysmic future.
Even though the threat of climate change is very real and
affects us daily, the causes and consequences are often
hard to articulate, much less represent. Mitch Epstein’s From the first Earth Day to the Paris Climate Agreement, a chronology of
monumental achievement in his overarching work of the 45 key events in the fight for sustainable design
past two decades has been to communicate the intangible
The history of climate change and the history of architecture are connected in many ways. Through
networks of production and power that threaten our
a multilayered chronology, It’s About Time showcases historical and contemporary building projects
environment and to listen to and record the visions of people
such as solar houses, autonomous structures and earth buildings, alongside more than 45 key
in protest, as well as the gentle thrum of the enduring forest.
moments in environmental justice history: among them the first Earth Day, the United Nations
American Nature features key selections from Epstein’s three
conference in Stockholm, the Chernobyl disaster, the Paris Climate Agreements and the European
most recent projects: American Power (2003–9), Property
Green Deal. It explores architectural experimentation in the past, depicts the present moment of
Rights (2017–20) and Old Growth (2020–24). In American
transition and offers hopeful glimpses of the future. Serving as both a reference and a source of
Power, he shows the consequences of the corporate
inspiration, this publication is intended for architects, educators, students, scientists or anyone
extraction and refinement of natural resources. In Property
looking to play their part in shaping a more sustainable world. It emphasizes that while the time for
Rights, he bears witness to local responses and resistances to
change has now arrived, the field of architecture can play a key role in the transitions ahead.
such spoliations. And in Old Growth, he reveals the too rarely
seen vistas of ancient trees and pristine nature, untrammeled
by human exploitation. In addition to these three major
photographic projects, there are two new multimedia works:
the monumental installation Forest Waves, devoted to the
virgin forest of Massachusetts, and Clear Cut, a compilation of
still images by early 20th-century photographer Darius Kinsey
on the deforestation in the American Northwest.
Mitch Epstein (born 1952) was born in Holyoke,
Massachusetts, and studied under Garry Winogrand at Cooper Planetary Gardener
Union. His photobook Family Business won the 2004 Kraszna- Life First
Krausz Photography Book Award. Epstein was previously a QUESTIONS FOR STARTING A GARDEN Edited by Gilles Clément, Nicolas Bonnefant,
visiting artist at Bard College’s Photography Program. Miguel Georgieff, Pablo Georgieff.
EXHIBITION
Turin, Italy: Gallerie d’Italia, 10/17/24–03/02/25 What’s the potential for a LARS MÜLLER PUBLISHERS
ISBN 9783037787755
u.s. $35.00 cad $53.00
garden here? Pbk, 6.5 x 9.5 in. / 560 pgs / 450 color / 14
duotone / 31 b&w / 17 tritone.
What kind of soil am I planting in? March/Gardening
Territory: NA LA

What is the path of the sun?

Highlighting the diversity of our relationships with the beings
Who is already living here? that inhabit this planet together
This book, edited by French gardener, botanist and writer Gilles Clément (born
Who are the gardeners? 1943) and Coloco, a collective of landscape architects, artists, urban planners and
botanists, showcases how we can live in harmony with nature and appreciate all
its diversity, acting as gardeners and guardians. Adopting the point of view of the
What’s our gardening strategy? “planetary gardener” requires personal sensitivity, scientific rigor and practical
experience. Beyond what nature can do for us, let’s ask: What can we do for
nature? Let’s widen our focus, but above all, let’s adopt a code of conduct and
What’s the timeline for our garden? take immediate action on all fronts. The book features the work of gardeners who
work on vast landscapes as well as very small gardens, and who are also involved
SKIRA
ISBN 9788857253121 What are we hoping to achieve? in movements of resistance and activism. The final section of the book helps and
inspires the reader to get started on their own part of the planetary garden.
u.s. $50.00 cad $75.00
Hbk, 9.5 x 11 in. / 176 pgs / 80 color.
February/Photography
Territory: NA LA

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 Ocean
Edited by Lærke Rydal Jørgensen, Tine Colstrup,
Kaspar Thormod. Foreword by Poul Erik Tøjner.
Text by Tine Colstrup, Kaspar Thormod,
Rachel Carson, Katherine Richardson, Dorthe
Jørgensen.

A visual voyage through the

enigmatic ocean, where science
meets art and where myth
meets reality
We know more about the surface of Mars
than we do about our planet’s oceans. And
yet the ocean remains an alluring prospect
to humanity: as an artistic icon, an object of
scientific inquiry or even a financial resource.
Encompassing art, film, literature, archeology
and natural history, Ocean is a journey of
discovery above and below the surface.
Offering a cross section of art and cultural
history, the exhibition and catalog are arranged
into three themes: the ocean between art
and science; the mythological ocean; and the
Anthropocene ocean. From the woodblock
prints of Utagawa Kuniyoshi to Jean Painlevé’s
photographs of aquatic life and Susan Hiller’s
“It all began at a flea market in Frankfurt, when mapping of sea coasts, Ocean offers a mosaic

photo collector Jochen Raiß came across a picture view of this infinite yet imperiled source of life.
Artists include: John Akomfrah, Anna Atkins,
of a woman wearing a summer dress and high heels. Jeanette Ehlers, Caspar David Friedrich,
Susan Hiller, Pierre Huyghe, Utagawa
While she looked ready for a Sunday stroll, her del- Kuniyoshi, Jean Painlevé, Howardena Pindell,
August Strindberg, Wolfgang Tillmans,
icate footwear was odd for what her photographer Francesca Woodman.

caught her in the midst of doing: climbing a tree…”

—THOMAS VOON, HYPERALLERGIC

NEW REVISED EDITION

Women in Trees
Text by Jochen Raiß, Johanna Adorjan.

A “best of” edition of the wildly popular project featuring found photography of women in trees
“I don’t understand how you can walk past a tree without being happy,” says Fyodor Dostoyevsky in his novel The Idiot. Perhaps
this thought may explain the motif of women in trees, which was popular between the 1920s and 1950s. The enthusiastic collector
of anonymous photography Jochen Raiß (1969–2022) discovered these motifs on flea market excursions, and has assembled them
together in this publication for readers to peruse. Following Raiß’s wildly popular Women in Trees (2016) and More Women in Trees
(2017), this volume gathers some of his favorite images from his 25 years of collecting this charming photographic genre.
Whether the women are cheerfully dangling their legs, casually nestling in the branch forks or athletically climbing to the treetop,
each picture has its own story to tell. From boxes containing numerous snapshots of other people’s lives, wildly jumbled together,
Raiß pulled out black-and-white photographs of women gazing into the camera’s eye from dizzying heights and in surprising poses.

LOUISIANA MUSEUM OF
MODERN ART
HATJE CANTZ ISBN 9788793659827
ISBN 9783775758345 u.s. $35.00 cad $53.00 gbp £30.00
u.s. $24.00 cad $36.00 Hbk, 8.5 x 10.25 in. / 128 pgs / 160 color /
Hbk, 5 x 7 in. / 112 pgs / 52 b&w. 2 duotone / 10 b&w.
February/Photography EXHIBITION April/Art/Nature/Science
Territory: NA LA Humlebæk, Denmark: Louisiana Museum of Modern Art, 10/11/24–04/27/25 Territory: WORLD

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 Six Feet Short of the Moon: Tantrums in Air
Poems by Matthew Wong By Emily Skillings
Text by John Wall Barger, John Yau. THE SONG CAVE Crablike
ISBN 9798991298803
THE MATTHEW WONG FOUNDATION u.s. $18.95 cad $27.95 gbp £16.00 it uncloaks
ISBN 9798218529765 Pbk, 5.5 x 7.5 in. / 96 pgs.
u.s. $40.00 cad $60.00 gbp £34.00
Hbk, 8 x 10 in. / 172 pgs / 24 color.
June/Poetry
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from itself—
March/Poetry/Art/Photography
Territory: WORLD removes
its own ghost-
Poems and photographs from a painter whose gestural articulations and
ly paper. A leg
“These poems are stitched with lush, unforeseen textures and
lush, textured landscapes draw comparisons to Klimt, Van Gogh and Soutine unexhausted time. …They make the ghost of John Keats smile in of mostly air
This book comprises never before published or exhibited poetry and photography by the Canadian ecstasy. Raymond Roussel would have kept this collection under
artist Matthew Wong (1984–2019), whose too-brief life yielded astonishing paintings in addition to work his pillow.” —Lucy Ives remains in air.
featured here. An introduction by Wong’s friend and fellow poet John Wall Barger sheds light on the Emily Skillings’ highly anticipated second collection of poems, Tantrums in Air, is a wild
genesis of the poems and the ambition in Wong to faithfully describe the wonder and desolation of an romp through verbal reality, marking her as one of contemporary poetry’s shining stars The hollowed
artist’s inner life. John Cheim, founder of New York gallery Cheim & Read and an accomplished book of humor, insight and edge. It follows her first collection, Fort Not, published by the
designer, selected the photographs and designed this volume. Song Cave in 2017, which Publishers Weekly called a “fabulously eccentric, hypnotic and onionskin bulbs
The institutional recognition of Matthew Wong’s achievements can be gauged by his four solo exhibitions hypervigilant debut.” Skillings writes through various poetic forms. Featuring a ballet
at prominent galleries in New York, two museum shows in North America and Matthew Wong | Vincent in four acts—“part ghost, part sponge / a lump of pure refusal”—addresses to past where eyes once lay
Van Gogh: Painting as a Last Resort, the artist’s first European survey at the Van Gogh Museum, loves—“I circle the circle / Of a compact mirror, open”—and an unconventional treatise
Amsterdam.
The critical and popular appeal of Wong’s paintings and drawings is considerable. Six Feet Short of the
on education, Tantrums in Air is smart and honest, reinventing both what’s possible and look out on the field.
what we should expect from poetry.
Moon is the definitive introduction to Wong’s poetic and photographic artistic practice, two critical Emily Skillings received her MFA from Columbia University School of the Arts. Her recent
components of his creative life. work has been featured in Harper’s, Poetry, Granta and the New York Review of Books.

Ultraviolet of the Genuine Silkworm’s Pansori

By Hannah Brooks-Motl By David Seung
THE SONG CAVE Can idealism ever be accurate? WALKING SHADOW THE SONG CAVE
ISBN 9798987828892 ISBN 9798991298810
u.s. $18.95 cad $27.95 gbp £16.00
Pbk, 5.5 x 7.5 in. / 96 pgs.
When nature was dying and u.s. $18.95 cad $27.95 gbp £16.00
Pbk, 5.5 x 7.5 in. / 96 pgs.
March/Poetry when art died too and the dewy The yellow lily laughs March/Poetry
Territory: WORLD Territory: WORLD
petal of the corn plant and at its own joke. Someone
virtues— has to break.
The heavy pollens, the bony fishes,
The fourth collection from a rising star of contemporary Spring means beauty and Inspired by the traditional Korean sijo, David Seung’s first poetry
American poetry the source of all edits collection reflects on the country’s struggle for independence
Hannah Brooks-Motl’s fourth collection of poems is an expansive record of time and
chaos and and his own family’s sacrifices in achieving it
When no one knew the source of
thought, weaving together philosophy, science, theology, dreams, grief, literary theory, beauty means chaos and chaos The debut book of poems by David Seung, Silkworm’s Pansori is a collection of English-
criticism, history and ideas of utopia—making for a book that continuously surprises and
is nearly impossible to categorize. Engaging with centuries of poetic tradition, Ultraviolet
the edits language sijo poems: a traditional Korean poetic form that is straightforward in its syntax
but emotionally nuanced. Following this historical form closely, these are poems of
of the Genuine leaves room for the development of everything, abstract and alive, even elegance and subtlety, like painted still lifes imbued with heartbreaking subtlety and
giving ants the spotlight in one long poem. These poems propose a new metaphysics, I blended right in with my poem is a whale’s breach: fun and metaphor. Yet the poet can only get so far with this exercise before his own personal
weighing everyday moments wherein the elusive and ultraviolet radiate. Again, Brooks- Korean history, a family legacy of war and torture, starts creeping in to shatter the
Motl challenges the ways we read poetry, not by opting for either the head or the heart, With imitatio and dramarama pumice; itch otherwise poetic calm. Inserted toward the end of the book is the Korean Declaration of
but by choosing both. Independence; among the signers is the poet’s great-great-grandfather. Asking the reader
Hannah Brooks-Motl is the author of the poetry collections The New Years (2014), M
(2015) and Earth (2019). In a review of Earth in Adroit Journal, Jonathan Suhr writes that in
The cold loamy lyrics exhorting slapped with body and world to contextualize this document with the history of sijo and his own family saga, Seung
gracefully addresses generations of anger and pain, and reflects on the intricacies of
this collection, “The self becomes a referential object defined by its relations to definitions this moment human existence.
that are also always changing: society, home, family, poetry, memory.” Brooks-Motl’s David Seung is a Korean American stand-up comedian and writer. He holds an MFA in
poems and essays have appeared in Best American Experimental Writing, Cambridge creative writing from Portland State University, where he now teaches.
Literary Review, Chicago Review, Modernism/modernity and Tupelo Quarterly.

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We welcome MANDYLION PRESS to the D.A.P. list. Mandylion Press unearths forgotten novels written
by women and weirdos in the long 19th century, with added introductions and visual references. BACK IN PRINT

Blu’s Hanging
By Lois-Ann Yamanaka “Love’s king-size bread works the
One or Two Interview by R. Zamora Linmark. Afterword by Erin Khuê Ninh.
By H.D. Everett best, white, for Maisie, Blu, and
KAYA PRESS
Edited by Mabel Capability Taylor, Madeline Porsella. Introduction by
Madeline Porsella. ISBN 9781935717010 me.…We eat mayonnaise bread
u.s. $18.95 cad $27.95 gbp £16.00
MANDYLION PRESS Pbk, 5.25 x 7.5 in. / 256 pgs. for a long time after Mama’s
May/Fiction
ISBN 9798988606130
u.s. $25.00 cad $38.00 gbp £21.00 Territory: WORLD funeral. It’s been two months
Pbk, 5 x 7.5 in. / 256 pgs / 72 b&w.
April/Fiction
The much anticipated reprint of Yamanaka’s “giddy, bawdy, and
now and it’s still our primary
Territory: WORLD
genuinely moving” (Kirkus Reviews) novel about a young girl’s fierce food. Poppy plays “Moon River”
love for her family on the Hawaiian island of Moloka‘i
For fans of body horror, Everett pens the freakiest metaphysical thriller In the wake of their mother’s death, the three Ogata children grow up fast. As their Poppy
over and over on the piano he got
you’ve never heard of withdraws into a grief-stricken stupor, eldest daughter Ivah is left taking care of her siblings:
from the dead deacon garage sale
Maisie, her timid sister who hasn’t said a word since their loss; and Blu, her reckless brother
Frances Bethune is desperate to lose weight before her husband’s return from India—in just two
weeks. On the advice of a bad-breathed spirit, Frances undertakes a slenderizing séance. While she
whose childhood romance risks exposing him to new dangers. All that’s holding the Ogatas
together is 12-year-old Ivah’s single-minded determination, but she must ultimately decide
last Easter. He never cries for our
succeeds in her quest for thinness, she is horrified to discover that her discarded weight has taken on
a new life of its own. Of this chilling, revolting tale, H.P. Lovecraft raved that Everett “reaches singular
whether the future she wants for herself is on Moloka‘i or beyond its shores. Through the
rich, multivocal pidgin of Hawai‘i, Lois-Ann Yamanaka offers an unvarnished look at a life
dead Mama in front of the three
heights of spiritual terror.”
This new edition from Mandylion Press restores Everett’s 1907 masterpiece. It features an original
where music, poverty and love share the same home. Originally published in 1997 and now of us.”
back in print, Blu’s Hanging shines with humor and expressiveness even as it shows the
introduction written by Mandylion cofounder Madeline Porsella, as well as a glossary that provides
brutal toll of an adolescence haunted by loss. This new edition includes an interview with
visual, material and affective image footnotes.
Yamanaka about her career and the controversies surrounding this novel, along with a —Lois-Ann Yamanaka, excerpt
Henrietta Dorothy Everett (1851–1923) was born in Kent, England. Between 1896 and 1920, she
contextualizing afterword by Asian American scholar Erin Khuê Ninh.
published 22 books under the pen name Theo Douglas. She was an influential figure in the early
Born in Hawai‘i and raised in Moloka‘i, Honolulu-based author Lois-Ann Yamanaka (born
days of science fiction and fantasy writing, and was cited in H.P. Lovecraft’s extended 1927 essay
1961) has won a Lannan Literary Award, an Asian American Literary Award and an American
“Supernatural Horror in Literature.”
Book Award.

The Morgesons Anam

By Elizabeth Stoddard By André Dao
Edited by Mabel Capability Taylor, Madeline Porsella.
Introduction by Mabel Capability Taylor. “If I think of my KAYA PRESS/INK & BLOOD
ISBN 9781935717096
MANDYLION PRESS grandparents now, after u.s. $19.95 cad $29.95 gbp £17.00
Pbk, 5.25 x 7.5 in. / 352 pgs.
ISBN 9798988606123
u.s. $25.00 cad $38.00 gbp £21.00
Pbk, 5 x 7.5 in. / 416 pgs / 96 b&w.
all this writing and reading May/Fiction
Territory: WORLD
April/Fiction
Territory: WORLD
and imagining and
remembering, two couples
Stoddard leaves little to the imagination in this startling New
England bildungsroman about a strange girl and her even
are thrown into relief, their Dao’s debut novel blends memoir, fiction, family history and
philosophy in a saga of the Vietnamese diaspora
stranger sister outlines like clay figures Described by the Guardian as “a work of unusual power and beauty,” André Dao’s award-
Cassandra and Veronica Morgeson are wild girls. Adored by men, hated by women and
feared by their parents—they break the mold. Veronica refuses to leave the family hearth in the mud where so winning novel Anam transforms fragments of childhood memories, audio recordings,
government documents and family lore into a moving inquiry into what can and cannot
or look at the ocean. Cassandra travels from one house to another around Massachusetts, be imagined about another person’s life. The unnamed narrator, a former lawyer who
breaking hearts and sending men to their deaths wherever she goes. She narrates it all in a many others are failing to embarks on an academic career at Cambridge University, finds himself increasingly
bold voice that will surprise and shock even those most familiar with 19th-century literature. haunted by his grandfather’s stories of having been detained for 10 years as a “prisoner
Henry James called The Morgesons “a remarkable book by those who had the good fortune
to come across it.” As with all of Mandylion’s bespoke publications, this new edition of
resist the ebb and flow of of conscience” in one of Vietnam’s most notorious jails. How to reconcile the small, quiet
grandfather he knew with this newly discovered family history? How possible is it to
Stoddard’s first novel includes a visual glossary that illuminates the social conventions and
restrictions of the 19th century.
forgetting.” know, much less seek to tell, someone else’s story—especially one marked by multiple
displacements and a never-ending war? Dao’s ambitious efforts to find a meaningful and
Elizabeth Drew Barstow Stoddard (1823–1902) was the author of three novels, The ethical way of acknowledging the unknowability of personal histories in Anam yields a
Morgesons (1862), Two Men (1865) and Temple House (1867). These received mixed reviews —André Dao, excerpt dazzling work of autofiction.
and sold poorly in her lifetime, though her work received renewed interest at the end of her André Dao is a Melbourne-based writer, editor and artist. His debut novel, Anam, won
life. Her career underwent another critical reevaluation among feminist scholars in the 1970 the 2021 Victorian Premier’s Literary Award for an Unpublished Manuscript and the 2024
and 1980s. Australian Prime Minister’s Literary Award for Fiction.

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 Not Yet Gods Domesticity
By Djuna By Joris-Karl Huysmans
“The school summoned Translated by Jihyun Park, Gord Sellar. Afterword by Translated by George MacLennan. “The two young men were walking down
Djuna, Gord Sellar.
some suspicious kids to the WAKEFIELD PRESS an empty street, and their steps rang
KAYA PRESS ISBN 9781962728034 sharply on the pavement. Their shadows
school clinic immediately ISBN 9781935717119 u.s. $19.95 cad $29.95 gbp £17.00
u.s. $17.95 cad $26.95 gbp £15.00 Pbk, 5.25 x 8 in. / 320 pgs. sometimes broke against closed shops,
and conducted blood Pbk, 5 x 7.5 in. / 208 pgs.
July/Fiction
May/Fiction
Territory: WORLD sometimes preceded or followed them,
Territory: WORLD
examinations. However, only spread flat on the flagstones, paler at
one of them tested positive for certain moments, darker at others.
More mind-bending speculative fiction by one of South Korea’s Steeped in sardonic pessimism, this ode to sterility was one of Often they tangled, merged, joined
anything. The rest of the kids most provocative science fiction writers the author’s own favorite novels of his career
were innocent, or so it seemed. Following the landmark English-language publication of Everything Good Dies Here, Kaya Joris-Karl Huysmans’ semi-autobiographical third novel, first published in French in 1881,
shoulders, formed nothing but a trunk
Press delivers more provocative thought experiments by pseudonymous author Djuna, signaled the beginning of his break from the naturalism of Émile Zola and his turn toward with arms and legs branching out,
…And then, on the Monday of whose writings on internet culture have attracted a cult following in South Korea. Not a “new naturalism” that laid out the negative consequences of determinism. Domesticity
surmounted by two heads: sometimes
Yet Gods explores the universe-shattering effects of teenage anger cross-pollinated with tells the tale of the novelist André Jayant and the artist Cyprien Tibaille, two men
the third week of November, radiation-induced psychic powers, unscrupulous governments and corporate avarice. struggling between the urges of the body and the urges of the soul, and with the failure
they separated, gathered underfoot or
In the aftermath of a nuclear explosion set off in North Korea, an ordinary South Korean of matrimony or artistic endeavor to fulfill the needs of either. More than a psychological
Ivan’s case erupted.” high school classroom becomes ground zero for the discovery of a radical new source character study, though, Domesticity stands as one of the most memorable portraits of stretched out disproportionately, were
of energy: children capable of conducting and amplifying the telepathic and telekinetic late 19th-century Paris and its sad, futile affairs of the heart.
powers of those around them. Told as a series of interlinked stories, Djuna’s fractally Earning a wage through a career in the French civil service, Joris-Karl Huysmans decapitated in doorway recesses.”
—Djuna, excerpt unfolding thought experiments interrogate the nature of power, disability and illusion in (1848–1907) quietly explored the extremes of human nature and artifice through a series
the potential end of history. of books that influenced a number of literary movements: from the grimy naturalism of
Film critic and speculative fiction writer Djuna first appeared as an online presence in the Marthe to the cornerstone of the decadent movement, Against Nature and the Satanist
—Joris-Karl Huysmans, excerpt
early 1990s. They have published nine short story collections, three novels and numerous classic Down There, to the dream-ridden Surrealist favorite Becalmed.
essays and uncollected stories.

The Employee The Hashish Films of Customs

By Jacques Sternberg
Translated with introduction by Matt Seidel. “But it was becoming clear with “1. Officer Henri Rousseau and
Tatyana Joukof Shuffles the Cards
WAKEFIELD PRESS each new purchase that I would Around 9 o’clock. An asylum (A Novel against Psicho-Analise)
ISBN 9781962728058
u.s. $16.95 cad $24.95 gbp £14.99 soon become a true collector. in which, through no fault
By Emil Szittya
Pbk, 5.25 x 8 in. / 192 pgs. Translated with introduction by W. C. Bamberger.
June/Fiction I scooped up some pairs of hands of my own, I lost Verlaine. A
Territory: WORLD WAKEFIELD PRESS
for my old age; I stashed some red-letter day. And Cendrars,
ISBN 9781962728041
u.s. $13.95 cad $21.95 gbp £12.00
used replacement eyes in my in a drunken state, recounts
Pbk, 4.5 x 7 in. / 80 pgs.
March/Fiction/Poetry
Sternberg’s rule-breaking, genre-defying novel upends the cupboard. I even managed to tales of Russian monks, of
Territory: WORLD
humdrum workday world
A nameless employee stands outside the door to an office, hesitating to enter because he find a reversible face and a beach women under bridges, of
For devotees of Dada and Surrealism, this outlandish, unconventional
is five minutes late. This banal opening then launches into a frenetic narrative that switches collection of prose poems amplifies a formerly invisible voice of
genres, modes and universes with abandon. From an account of his feral childhood with a
torso that came with a tool kit. I farmer Gaborwiegh. I just European modernism
nymphomaniacal mother, to his early development of a third arm and a second head, the
employee unspools his subsequent life as department-store wrapper, ladder-descending
had the satisfaction of knowing lie far below and look at the
Emil Szittya’s earliest known work of significance, The Hashish Films of Customs Officer Henri
Rousseau and Tatyana Joukof Shuffles the Cards, was published in German in Budapest in 1916,
bureaucrat, traveling salesman, murder suspect and other occupations. Years return and
reverse through a series of inflicted hellscapes as a tension builds between an untrammeled
that I was a self-made man. Then noses of Baudelaire and
yet it portrays the hallucinatory Paris in which the author had chosen a temporary dwelling at that
time. Prose poems for lack of a better word, Szittya’s “hashish films” were almost lost to time but
imagination willing to commit any crime and the inescapable rigidity of the mind.
First published in French by Les Éditions de Minuit in 1958, The Employee was awarded the
came the typhoid monsoon that Villon.”
can now be recognized as similar to the work of Blaise Cendrars and Guillaume Apollinaire. They
nevertheless reflect the author’s lifelong refusal to ally himself to any literary or artistic movement.
Grand Prix de l’Humour Noir in 1961. This first English-language translation presents an ruined everything.” It is a strange literary work as international and untethered as the author himself had been, a
entropic exercise of the imagination that will leave readers bewildered and breathless. symbolic map of Montparnasse that incorporated the visual world of the painters around him.
Jacques Sternberg (1923–2006) was a literary maverick, who wrote over 50 books that
—Emil Szittya, excerpt
Emil Szittya was the most established pseudonym of the Hungarian–born Adolf Schenk (1886–
roamed freely through genre and influence without ever adhering to anything that might —Jacques Sternberg, excerpt 1964). A vagabond in both his writing and his practice, his life intersected with notable names
threaten constraint. He was briefly a member of the Panic Movement, founded by Fernando throughout Europe in the years of high modernism. Schenk eventually settled in Paris, fighting in
Arrabal, Alejandro Jodorowsky and Roland Topor. the Resistance and working at the café Les Deux Magots before dying of tuberculosis.

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 In its inaugural year, CARA: Practice invites writers to engage with histories of material and visual
culture to animate their potential for addressing the urgencies and cultural shifts of the present.
Diabelli
By Hermann Burger
“I am, in all probability, as Translated with introduction by Adrian Nathan West.
Andidan: Intimate Cinemas of The dreams of the oppressed
a prestidigitator and master WAKEFIELD PRESS
Arlette Pacquit are the nightmares of the
ISBN 9781962728065
illusionist, utterly ruined; u.s. $15.95 cad $23.95 gbp £14.00
Pbk, 4.5 x 7 in. / 160 pgs / 4 b&w.
Text by Arlette Pacquit, Nathanaël. Translated by
Nathanaël.
colonial world
Text by Nadine Fattaleh, Kaleem Hawa.
nothing suggests that I will June/Fiction
Territory: WORLD CARA
ISBN 9781954939073 CARA
surmount this, my final hocus- u.s. $18.00 cad $27.00 gbp £15.00 ISBN 9781954939103
u.s. $18.00 cad $27.00 gbp £15.00
Pbk, 4.25 x 6.75 in. / 256 pgs / 64 color.
pocus crisis, in the way I have June/Film
Territory: WORLD
Pbk, 4.25 x 6.75 in. / 112 pgs / 30 color / 10 b&w.
June/Art Criticism & Theory
Together with other disillusioned illusionists, the titular magician
so many times before, leaping exposes the dark underside of art, intent on unveiling life’s
Territory: WORLD

elegant deception
up like a jack-in-the-box from The first English-language introduction to the documentary Visualizing the collective imagination of Palestinian and Arab
In following the tales of these magicians of madness, Diabelli offers unique confessional
cinema of Arlette Pacquit, a revered storyteller of Martinican filmmakers across 75 years of exile, dispossession and displacement
my virtuosity-depressions, accounts of linguistic self-destruction. Chief among them is prestidigitator Grazio
culture and Afro-Caribbean history
Diabelli, who refuses an invitation to perform and instead discourses on the history of In The dreams of the oppressed are the nightmares of the colonial world, Palestinian
condensing perpetual despair escapology as he contemplates his own final and permanent disappearing act. Also The first publication dedicated to the work of Martinican journalist and filmmaker Arlette scholars Nadine Fattaleh and Kaleem Hawa engage in a wide-ranging conversation
waiting in the wings is August Stramm, “pianistic abortion” applying for the post of Pacquit, Andidan takes the form of a continuous dialogue spanning from 2020 to 2023, about Arab history, geography, art and cinema, weaving together theoretical and cultural
and transforming it to stunning orchestra minion despite being hard of hearing; and Anatol Zentgraf, private scholar and between the artist and the poet and translator Nathanaël. Through her documentary- texts to discuss the afterlives of violence, armed resistance and image-making in the
maniacal reader who is the alleged epicenter of an earthquake. Added to this first English style films, Pacquit has given voice to Martinican history in the wake of French colonialism Palestinian struggle. Their exchange centers on the 1987 film The Dream by Syrian
effect.” edition is Burger’s tale “The Laughter Artist,” an account of a nameless professional artist and to the Afro-Caribbean experience at large. Edited to mimic a film, the book is filmmaker Mohammad Malas, which chronicles the dreams of Palestinians interviewed in
of cachinnation whose mother’s backstage visit induces a fatal culmination of his art. composed of five recorded interviews (transcribed), two written interviews, several refugee camps in Lebanon. Their discussion expands to consider a constellation of works
Hermann Burger (1942–89) was a Swiss author, critic and professor. He first achieved texts by Pacquit and an essay by Nathanaël, amplified by a filmography, film stills and from the past 60 years by filmmakers including Amiralay, Kassem Hawal, Hani Jawharieh
—Hermann Burger, excerpt fame with his novel Schilten, the story of a mad village schoolteacher who teaches production shots, many previously unseen. Translated into English from French and and Jocelyne Saab.
his students to prepare for death. At the end of his life, he was working on the Kréyol, the book preserves the intimacy of conversation to discuss subjects ranging from Nadine Fattaleh is a Palestinian researcher, writer and translator from Amman.
autobiographical tetralogy Brenner, one of the high points of 20th-century German prose. Pacquit’s films to her engagement with a transnational politics of solidarity, the French Kaleem Hawa is a Palestinian writer and organizer living in New York City.
colonial imprint on Martinique and Kréyol as a language of the interior.

Fantastic Orgy Subject to Justice Judith Namala

By Alexander M. Frey By Max Jorge Hinderer Cruz A Novella
Translated with introduction by W. C. Bamberger. “Dragging her out in this CARA By Serubiri Moses
WAKEFIELD PRESS
ISBN 9781939663948
manner, he raised her ISBN 9781954939080
u.s. $18.00 cad $27.00 gbp £15.00
CARA
ISBN 9781954939097
Pbk, 4.25 x 6.75 in. / 112 pgs / 15 color.
u.s. $12.95 cad $19.95 gbp £11.00
Pbk, 4.5 x 7 in. / 88 pgs. toward the curious crowd. June/Curatorial & Museum Studies
u.s. $18.00 cad $27.00 gbp £15.00
Pbk, 4.25 x 6.75 in. / 112 pgs / 30 color.
April/Fiction Territory: WORLD
June/Fiction
Territory: WORLD Phantomata rested tensely, Territory: WORLD

leaning a bit forward,

trembling a little due to her
Maimed beggars, female automatons, cultural prosthetics: four Utilizing case studies from Caribbean and Latin American history, Translating a popular song from Luganda into English, Moses
tales of opulence, poverty and grotesque empathy from the mechanism, like an object Cruz redefines artistic and cultural practices within the legal spins a fictional story of housework and domestic labor across 40
Weimar Republic labyrinth of restitution years of Ugandan history
First published in 1924, Fantastic Orgy is most notable for its title story, an account of a teetering on an edge. Konrad In discussions over repatriation and restitution of cultural objects, artistic practices often Serubiri Moses’ Judith Namala: A Novella, the author’s fiction debut, is an experiment in
drinking rout organized for maimed beggars in honor of a sideshow attraction, a mechanical clash with the legal and political frameworks of sovereignty. To untangle these theoretical adaptation, translation and genre. Set in Uganda between the late 1970s and early 2000s,
woman doomed to early death through disintegration from entertaining the masses—a quietly doubted that this was issues, Max Jorge Hinderer Cruz draws on examples from Latin American and Caribbean the book stages the domestic dramas of Judith Namala, a Black maid, and Esther Nambi,
depiction of a robotic woman preceding by several years Fritz Lang’s less sympathetic history dating back to the 16th century, grounding these reflections in anticolonial her Black madam. Unfolding across short vignettes of fiction, poetry, Ugandan history,
presentation in Metropolis. All four stories, however, explore the emotional and material needs any sort of human being.” struggles and claims for justice. In revisiting such case studies as the so-called Aztec art criticism and journalistic reportage, Moses’ narrative is also an exercise in translation
of a crippled society, the economic trap of poverty and the hypocritical righteousness of Feather Headdress of Moctezuma and the international dispute over the Spanish galleon as fictocriticism: unraveling the lyrics to a popular Ugandan song into an expansive new
charity. Like an etching by Georg Grosz or Otto Dix translated into literary form, Alexander Frey San José shipwrecked off the coast of Colombia; or Indigenous political leader and approach to storytelling.
presents the troubling, at times fantastical notion of a prosthetic humanity for damaged times.
—Alexander M. Frey, excerpt philosopher Ailton Krenak’s intervention at the 1987 Brazilian Constitutional Assembly, Serubiri Moses is a Ugandan author and curator based in New York City. He is an adjunct
Alexander M. Frey (1881–1957) was a German author whose antiwar novel Die Pflasterkästen Cruz confronts not only history’s effects on conceptions of art and cultural heritage, but faculty member in Art History at Hunter College, CUNY, and a visiting faculty member at
(The Cross Bearers) is considered by some critics to be superior to All Quiet on the Western also its juridical and political effects on what he calls cultural sovereignty. the Center for Curatorial Studies, Bard College.
Front. Frey refused to join the National Socialist Party, despite having served as a medic Max Jorge Hinderer Cruz is a philosopher based in the Plurinational State of Bolivia.
in the trenches of World War I alongside dispatcher Adolf Hitler, and fled Germany during
World War II.

66 ­­artbook.com artbook.com 67
 Ai Weiwei Handbook Wicked Arts Education
Edited by Larry Warsh. Text by Foong Ping. Designing Creative Programmes

The Five Design Principles for a

Text by Melissa Bremmer, Emiel Heijnen, Folkert Haanstra.
NO MORE RULERS
ISBN 9798988928645 A hands-on, practical guide to designing fun
Wicked Arts Curriculum
u.s. $18.95 cad $27.95 gbp £16.00
Flexi, 4.5 x 7 in. / 148 pgs / 69 color / 21 b&w. and accessible art curricula for all ages
May/Art Following the blockbuster success of Wicked Arts
Territory: WORLD Assignments, Wicked Arts Education helps teachers
CONTENT and creatives design exciting arts educational programs
from scratch. These arts programs foster a meaningful
connection between the culture of the student, the arts
1. Create connections between the domain and society. The included arts educational design strategies
have been tested in a variety of settings around the world
A compact and amply illustrated guide to the prodigious artist, of the student, the arts and society through and were found to be helpful in challenging arts educators
activist and dissident
themes and sources of inspiration to explore curriculum ideas collectively, creatively and
productively. In a time of individualization and polarization,
Emerging from a tumultuous background of political and cultural critique, Ai Weiwei
this volume underlines the power of collective learning
(born 1957) uses a diverse range of mediums—including sculpture, photography, film 2. Provide a variety of meaningful materials about, in and through the arts.
and even social media—to confront issues from human rights abuses to democracy,
censorship and the role of the artist in society. Many of his interventions directly confront and techniques Though Wicked Arts Education can be used to create
Chinese history and its current political climate, such as his infamous photo series personalized learning trajectories, it also advocates building
Dropping a Han Dynasty Urn (1995) or his poignant response to the 2008 Sichuan learning communities in which students and teachers share
PEDAGOGY interests, expertise and opinions. Wicked Arts Education
Earthquake, Straight. Other, more recent artworks address global crises including
the plight of refugees and forced migrants commemorated in Law of the Journey and can be used in a variety of educational contexts: from
the documentary Human Flow. Uniting craftsmanship with conceptual creativity, 3. Design Wicked Arts Assignments based on primary to higher education, and for arts curricula inside
Ai’s provocative and socially engaging art challenges political dogma and makes a and beyond schools. The book is not only for educational
plea for human rights. He serves as an example for free expression both in China and enabling constraints settings, however, but intended for a wide-reaching
internationally. Ai Weiwei Handbook, the latest volume in the new series from No More audience that includes anyone wanting to work collectively
Rulers, is an accessible, affordable guide to Ai’s storied career of art and activism. 4. Address classes as learning communities, with others on a creative project. The term “arts” underlines
that this workbook is suitable for the visual arts, music,
promoting various working strategies and dance, theater, film or design, but also for designing
interdisciplinary arts projects and courses. So, whether
expertises you are an arts teacher, an artist or a curriculum designer,
or if you want to set up a single lesson or a complete arts
How to Not Fuck Up Your CONTEXTS FOR LEARNING
curriculum, this book is not to be missed.

Art-World Happiness Vol. 2

60 More Tips and Tricks on How to Stay TIPS INSIDE 5. Offer opportunities for learning and
Relaxed and Mentally Sane in the Art Industry
assessment in lifelike contexts
By Christoph Noe Call the deadline bluff
Design by Raphael Drechsel.
Go beyond the small talk
VERLAG FÜR MODERNE KUNST
ISBN 9783991531340
u.s. $19.95 cad $29.95
Embrace the elderly
Pbk, 4.75 x 7 in. / 112 pgs.
January/Art Criticism & Theory
Don’t ruin the euphoria of others
Territory: NA LA ASIA AU/NZ AFR ME
Sell artworks on dating apps
With 60 new tips and tricks, Noe’s latest set of art-world Develop micro audiences
aphorisms encourages kindness, optimism and common sense
Author, entrepreneur and art advisor Christoph Noe is back with his next round of
Don’t be seduced by the VIP label
advice on maintaining positivity in the art world, How To Not Fuck Up Your Art-World
Happiness Vol. 2. This latest collection of new guidelines is a follow-up to Noe’s
Detox digitally
bestseller, continuing the conversation of how to stay sane, engaged and even enthralled
while working in the art world. His pearls of wisdom range from the practical (“Avoid
Don’t do everything for free, but...
VALIZ
VIP Lounges for Meetings”) to the profane (“Fuck All Art Advice Books”), and from the
provocative (“Sell Artworks on Dating Apps”) to the profound (“Do Nothing”). Once again,
Come to peace with copycats ISBN 9789493246386
u.s. $25.00 cad $38.00
he addresses all the actors of the art market—and even those not yet in it—with his witty
tips, tricks and hacks that he’s learned the hard way, so you don’t have to.
Fuck all art advice books Pbk, 6 x 8.75 in. / 192 pgs / 100 color / 10 b&w.
February/Art Criticism & Theory/Curatorial &
Originally a management consultant, Christoph Noe is a cofounder of Larry’s List,
a premier resource for art collectors. He is currently a faculty member at Sotheby’s
Know what you are talking about Museum Studies
Territory: NA LA ME
Institute of Art.

68 ­­artbook.com artbook.com 69
 Merce Cunningham’s Events: Extraordinary Art Dealers
Key Concepts Stories of Obsession, Innovation and
Edited with text by Claire Bishop. Creativity
By Catherine Ingram
WALTHER KÖNIG, KÖLN
ISBN 9783753307169 HENI PUBLISHING
u.s. $18.00 cad $27.00 ISBN 9781912122981
Pbk, 5.25 x 8.5 in. / 120 pgs / 65 b&w. u.s. $35.00 cad $53.00
February/Dance/Art Hbk, 6 x 8.25 in. / 256 pgs / 52 color / 13 b&w.
Territory: NA LA ASIA AU/NZ AFR February/Art Criticism & Theory
Territory: NA ONLY

Performance art theorist Claire Bishop delineates the Exploring the often-overlooked role of art dealers in art history
history and significance of Merce Cunningham’s public, through the stories of 30 key figures
participatory Events This volume gathers 30 essays on 30 art dealers, from accounts of crafty opportunists and
From 1964 until his death, choreographer Merce Cunningham (1919–2009) produced commercially driven moguls to tales of soulful idealism, exceptional talent and relentless
over 800 Events. Each Event comprised a different sequence of excerpts from his creativity. Featuring figures from the 18th to mid-20th centuries, the book explores their varied
repertory, parts of works in progress and new material; all lasted about 90 minutes. roles as cultural architects, eccentric idealists, commercially driven salespeople and more.
They were performed in museums, galleries, gymnasiums, theaters, public squares Highlighting the unexpected creativity of art dealers, their exceptional sensitivity to new art
and on television. and the impact they’ve had on shaping the art world, the book challenges the notion that
A dance history written from the perspective of art history, this book provides a new dealers are solely profit-driven. Illustrated throughout, Extraordinary Art Dealers is perfect for
approach to understanding Cunningham’s innovative format. Claire Bishop, professor cultural junkies, fine art and art history students, artists and aspiring or existing art dealers.
at the CUNY Graduate Center, argues that the Events anticipate a contemporary The book includes chapters on William Hogarth, Joseph Duveen, Betty Parsons, Robert Fraser,
culture of curating and remixing, while providing an ideal lens for tracing the Merce Leo Castelli, Alfred Stieglitz, Virginia Dwan, Kekoo and Khorshed Gandhy, Malick Sidibé, Peggy
Cunningham Dance Company’s history. In closing, she returns to the question of dance Guggenheim and more.
in museums, and what the Events open up in terms of spectatorship and contemporary Catherine Ingram is a writer and art historian who has lectured at Tate, Christie’s and Imperial
developments in choreography. College London. She created and edited the illustrated art history series, This is..., published by
Laurence King Publishing.

Pablo Picasso: Kisho Kurokawa: Photobook Conversations

Boy Leading a Horse Nakagin Capsule Tower “There is no such thing
Edited by Ana Casas Broda, Anshika Varma, Duncan
Wooldridge.
MoMA One on One Series MoMA One on One Series
Text by Annemarie Iker. Text by Evangelos Kotsioris. as ‘original’ photography. 1000 WORDS
ISBN 9781036901479
u.s. $18.95 cad $27.95
THE MUSEUM OF MODERN ART, NEW YORK
ISBN 9781633451728
THE MUSEUM OF MODERN ART, NEW YORK
ISBN 9781633451735 Photography is always a Pbk, 5 x 8 in. / 160 pgs.
u.s. $14.95 cad $22.95 u.s. $14.95 cad $22.95 June/Photography
Pbk, 7.25 x 9 in. / 48 pgs / 35 color. Pbk, 7.25 x 9 in. / 48 pgs / 35 color. reproduction. Whether it Territory: NA ONLY
July/Art July/Architecture & Urban Studies
Territory: NA ONLY Territory: NA ONLY is a C-print on the wall or
A look inside the Nakagin Capsule Tower, a landmark of the
printed in a book, both are
Striking and enigmatic, Boy Leading a Horse marks a turning Candid yet profound meditations on photobook publishing from
point in Picasso’s use of color, composition and subject matter Japanese Metabolist movement that stood for over 50 years as original. This perspective artists, editors, designers and critics working within the discipline
Pablo Picasso (1881–1973) developed the monumental, mysterious painting Boy Leading Comprised of two steel and concrete towers outfitted with 140 prefabricated living capsules, Published by acclaimed magazine 1000 Words, twice winner of Photography Magazine of
a Horse (1905–6) from an unrealized mural during a pivotal period of evolution in his art. the Nakagin Capsule Tower in Tokyo is one of the most iconic and influential architectural means a book is a work of the Year at the Lucie Awards, Photobook Conversations foregrounds discussions on a range
He was emerging from his “Blue Period” and his “Rose Period,” but not yet at work on marvels of the postwar period. A touchstone of the Metabolist movement, the tower was of positions, practices and politics that shape contemporary photography and publishing.
the groundbreaking Demoiselles d’Avignon (1907). Through vigorous brushstrokes and designed by the office of Japanese architect Kisho Kurokawa (1934–2007) and completed art, not a random container Editors Ana Casas Broda, Anshika Varma and Duncan Wooldridge provide the same
a stark palette of gray and ochre, Picasso invokes an impressive set of past and present between 1970 and 1972. Each capsule was intended for single occupancy and came set of questions to each interviewee, creating a kaleidoscope of responses. Among the
artworks in his rendering of the two figures in Boy Leading a Horse. The scene is detached outfitted with its own ensuite bathroom, a foldout desk, a telephone, a reel-to-reel tape of work. The only way for the organizations whose activities and ambitions are represented within this volume are MACK,
from time and place, and the striding boy and his horse project a steely firmness of mind, player, a Sony color television and a “porthole” window overlooking the city. In this volume Hydra + Fotografía, Offset Projects, Self Publish Be Happy, Goliga and the Nepal Picture
body and purpose—yet the purpose is unknown. In this volume of the One on One series, of the MoMA One on One series, curator Evangelos Kotsioris delves into the groundbreaking
design, construction, evolution and ultimate need for the demolition of this remarkable
photobook to survive is if it Library. Speaking with hope and humility, the concerns expressed by those who work with
the photobook form vary from approaches to editing and sequencing images to questions
Annemarie Iker offers a close examination of this composition, produced during a phase
of private introspection and art historical investigation at the start of the 20th century.
This is the second volume of the series to be dedicated to a work by Picasso in MoMA’s
structure in 2022. It is published in advance of MoMA’s exhibition of one of the original
capsules, the first to be publicly shown in the United States.
stops to exist as a genre.” around the audience and market for photobooks and models for better ecosystems.
Contributors include: Valentina Abenavoli, Miguel del Castillo, Bruno Ceschel, Hans
collection, and illustrates a transitional moment in his oeuvre as fascinating as his more Gremmen, Sohrab Hura, Andrea Josch, Luis Juárez, Aneta Kowalcyzk, Michael Mack,
defined eras.
EXHIBITION
—Hans Gremmen, Fw:Books Raymond Meeks, Luciana Molinasi, Paul Nilson, Musuk Nolte, Dayanita Singh, Laura El-
New York, NY: The Museum of Modern Art, 07/12/25–2026
Tantawy, Ivan Vartanian.

70 ­­artbook.com artbook.com 71
New boxed notecards from Letterform Archive
Japan Moderne: Design
Gems from the 1920s
Calligraphic and ’30s
Menagerie LETTERFORM ARCHIVE BOOKS
ISBN 9798991621205
LETTERFORM ARCHIVE BOOKS u.s. $22.95 cad $34.95 gbp £18.99 SDNR50
ISBN 9798989142385 Boxed, 7 x 5 in. / 40 color notecards and envelopes.
u.s. $22.95 cad $34.95 April/Stationery
gbp £18.99 SDNR50 Territory: WORLD
Boxed, 5.5 x 4 in. / 20 color
notecards and envelopes.
May/Stationery
Territory: WORLD
Fans of The Complete Commercial Artist will fawn over this postcard set
featuring some of the journal’s most appealing designs
Twenty charismatic creatures made with playful
flourishes by the quills of 17th- and 18th-century This set of 40 postcards features 20 favorite designs from a spectacular sourcebook of Deco-era
Japanese design. Launched in the late 1920s, The Complete Commercial Artist (Gendai shōgyō
calligraphers
bijutsu zenshū) showcased work by Japan’s early design visionaries in 24 volumes discussing
Sourced from Letterform Archive’s collection of historic writing posters, window displays, lighted signs and more. The colorful selections featured in this stationery
manuals—books in which Europe’s leading scribes showed off their set include a dashing dalmatian and handsome hat rack, as well as designs for radios and pens,
talents—this set of 20 unique notecards with accompanying envelopes adorable cat-shaped arches, geometric character designs and modernist illustrations with jazz
delightfully displays hand-drawn animals made with ink and pen. Dogs, performers and bob-haired women prepping for a night on the town. With artwork by Sugiura Hisui,
cats, bears, elephants, lions, dragonflies, peacocks, swans and more Murayama Tomoyoshi, Hamada Masuji and other leading graphic artists of the era, these retro
are reproduced in bright hues on an array of colorful backgrounds. postcards deliver a pop of mailable moderne in a keepsake box.
These technically masterful and playfully expressive artworks by famed
calligraphers such as Jan van de Velde, John Seddon and Joseph
Friedrich Leopold make ideal companions for handwritten messages of
all kinds. Presented in an elegant foil-stamped box, this set is the perfect
gift for all animal-loving pen pals.

Sprigs, Leaves & Flowers: ToiletMiles PaperAldridge

Stenciled Ornaments from Edited by Maurizio Cattelan, Pierpaolo Ferrari, Miles Aldridge.

W.A. Dwiggins DAMIANI

ISBN 9788862088374
LETTERFORM ARCHIVE BOOKS u.s. $23.00 cad $35.00
ISBN 9798991621229 Flexi, 9 x 11.5 in. / 40 pgs / 22 color.
u.s. $22.95 cad $34.95 gbp £18.99 SDNR50 May/Photography
Boxed, 5 x 3 in. / 20 color notecards and envelopes. Territory: NA LA
June/Stationery
Territory: WORLD

An exquisite box set of notecards featuring a charming selection

of handmade modular stencil designs from the beloved
American typographer “In his acid-colored images of lascivious lips, impossibly glossed
models and hallucinogenic still lives…Miles Aldridge is plainly heir to
In the late 1920s, graphic designer William Addison Dwiggins (1880–1956) developed a
some of the 20th century’s enduring pop culture visionaries.” —Skye
rhythmic and delicate visual language composed of tiny geometric elements. He cut these
modular shapes into cellophane stencils and used them to create wonderfully complex
Sherwin, Art Review
illustrations in his book designs, including abstract typographic ornaments, elegant Following the success of ToiletMartin PaperParr and ToiletAlex PaperPrager, ToiletMiles
architectural motifs, intricate page borders and delightful all-over patterns. Dwiggins PaperAldridge is the third magazine collaboration from Toiletpaper duo Maurizio Cattelan and
referred to his organic yet graphic vignettes, which he first experimented with in woodblock Pierpaolo Ferrari. British photographer Miles Aldridge (born 1964) has developed an editorial
printing and stamping, as “sprigs, leaves and flowers.” Shared in vibrant colorways from style that is both couture and chromatic but also surreal. He is influenced by the films of Federico
a 1928 booklet of paper samples created for S.D. Warren Paper Mill, Dwiggins’ lively Fellini and David Lynch and the photography of Richard Avedon, as well as the album covers and
graphic embellishments have found a new home in this suite of 20 unique notecards with book designs created by his father, Alan Aldridge. Miles began his career in fashion photography
accompanying envelopes. Historical photographs inside the keepsake box lid give a glimpse shooting covers for W magazine, and his work has subsequently been featured in Time, The Face,
of Dwiggins’ handmade tools and his elaborate process. the New Yorker and Vogue Italia. He has also shot campaigns for designers such as Yves Saint
Laurent, Karl Lagerfeld and Giorgio Armani. One of Aldridge’s own inspirations, David Lynch, once
said of his work: “Miles sees a color-coordinated, graphically pure, hard-edged reality.” This latest
issue of Toiletpaper sequences a selection of Aldridge’s glamorous and elaborate mise-en-scène
images in a palette of vibrant acidic hues.

72 ­­artbook.com artbook.com 73
HIGHLIGHTS FROM THE 2024 MIDWINTER CATALOG HIGHLIGHTS FROM THE 2024 MIDWINTER CATALOG

A BESTIARY OF THE A VISIBLE DISTANCE​ ADOLPH GOTTLIEB: AMAZING GRACE: A LIFE HANDS ON RESEARCH HEREAFTER​ JUST LOOKING​ LOUIS FRATINO:
ANTHROPOCENE​ ISBN 9789083404141 A POWERFUL WILL TO ART​ OF BEAUFORD DELANEY​ FOR ARTISTS, DESIGNERS ISBN 9798987828854 ISBN 9781739597641 SATURA​
ISBN 9789083404189 Pbk, u.s. $26.00 cad $39.00 ISBN 9781949172669 & EDUCATORS​ Pbk, u.s. $18.95 cad $27.95 gbp £18.00 Pbk, u.s. $25.00 cad $37.50 ISBN 9788867496563
ISBN 9781941366745
Pbk, u.s. $29.95 cad $44.95 Set Margins’ publications Hbk, u.s. $35.00 cad $52.50 gbp £29.95 The Song Cave Redstone Press Pbk, u.s. $50.00 cad $75.00
Clth, u.s. $75.00 cad $113.00 gbp £64.00 ISBN 9789083404165
Set Margins’ publications Territory: NA LA ASIA AFR ME Karma Books, New York Territory: WORLD Territory: NA LA EUR ASIA AU/NZ AFR ME Mousse Publishing
Gregory R. Miller & Co. Pbk, u.s. $23.00 cad $34.50
Territory: NA LA ASIA AFR ME Territory: WORLD Territory: WORLD Set Margins’ publications Territory: NA LA AU/NZ AFR ME
Territory: NA LA ASIA AFR ME

AMOAKO BOAFO: ARTISTS & THE UNKNOWN: CALLA HENKEL & MAX DENZIL FORRESTER: DUPPY MANY POEMS​ REGGIE BURROWS HODGES: ROBERT FRANK: SATURDAY​
PROPER LOVE​ ART21 INTERVIEWS PITEGOFF: GERMAN CONQUEROR / WE CULTURE​ ISBN 9798987828885 THE RECKONING​ HOPE MAKES VISIONS​ ISBN 9798987828878
ISBN 9783753307220 WITH ARTISTS​ THEATER 2010–2022​ ISBN 9798985840612 Pbk, u.s. $18.95 cad $27.95 gbp £18.00 ISBN 9781961883178 ISBN 9781948701785 Pbk, u.s. $18.95 cad $27.95 gbp £15.95
Hbk, u.s. $49.95 cad $74.95 FLAT40 Hbk, u.s. $60.00 cad $90.00 gbp £60.00 The Song Cave Pbk, u.s. $40.00 cad $60.00 gbp £40.00 Pbk, u.s. $45.00 cad $67.50 gbp £38.00 The Song Cave
ISBN 9781941366714 ISBN 9781941753781
Walther König, Köln Kemper Museum of Contemporary Art Territory: WORLD Karma Books, New York Pace Publishing Territory: WORLD
Flexi, u.s. $39.95 cad $59.95 gbp £34.00 Pbk, u.s. $45.00 cad $67.50 gbp £38.00
Territory: NA ONLY Art21 Inventory Press Territory: WORLD Territory: WORLD Territory: WORLD
Territory: WORLD Territory: WORLD

DREAMS​ ELIZABETH CATLETT​ ERWIN OLAF: STAGES​ FRAGMENTS OF A FAITH STRIKE FAST, THE SELKIE​ VALERIA LUISELLI, RICARDO WALLACE BERMAN:
ISBN 9789493382015 ISBN 9783753307022 ISBN 9781636811529 FORGOTTEN: THE ART OF DANCE LIGHTLY: ISBN 9798987828847 GIRALDO & LEO HEIBLUM: OFF THE GRID​
Pbk, u.s. $19.00 cad $28.50 Pbk, u.s. $55.00 cad $82.50 FLAT40 Clth, u.s. $35.00 cad $52.50 gbp £34.00 HARRY SMITH​ ARTISTS ON BOXING​ Pbk, u.s. $18.95 cad $27.95 gbp £18.00 ECHOES FROM THE ISBN 9781734304565
Onomatopee Projects Walther König, Köln Edwynn Houk Gallery The Song Cave Clth, u.s. $65.00 cad $97.50 gbp £55.00
Territory: NA LA ASIA AFR Territory: NA LA ASIA AU/NZ AFR Territory: WORLD
ISBN 9781735230542 ISBN 9781941366554
Territory: WORLD BORDERLANDS​
Pbk, u.s. $50.00 cad $75.00 gbp £50.00 Hbk, u.s. $50.00 cad $75.00 gbp £42.50 Totah
ISBN 9780944521625
Carpenter Center for the Visual Arts at Gregory R. Miller & Co. Territory: WORLD
Pbk, u.s. $15.95 cad $21.95 gbp £13.00
Harvard University Territory: WORLD Dia Art Foundation
Territory: WORLD Territory: WORLD
74 ­­artbook.com artbook.com 75
Spring
Highlights

Paloma Contreras Lomas, Amar a

Dios en tierra de Indios es oficio
maternal [Loving God in Indian
Country Is a Maternal Job], 2023.
Courtesy of the artist. From Paloma
Contreras Lomas: Ancestral Fears
May Return, published by Temblores
Publications. See page 96.

76 ­­artbook.com
 Otobong Nkanga: Stitched Dreams
Edited by Omar Kholeif. Text by Teju Cole, Otobong Nkanga.

Nkanga’s poetry and drawings, further facets to her

multidisciplinary practice, continue her exploration of
humanity’s relationship to the land
Following her monumental atrium commission for the Museum of Modern
Art, New York, Stitched Dreams looks at 30 years of drawing, painting and
poetry by Nigerian Belgian artist Otobong Nkanga. Created concurrently with
her larger installations, tapestries and performances, the drawings underpin
the manifold forms of her creative output and continue her use of bright,
natural colors, while her poems have been set down on everything from fired
clay tablets to textiles.
Delving into the artist’s ritualistic practice of mind-mapping, readers are
invited to explore the cultural and historical references that inflect Nkanga’s
interest in legacies of empire, the earth’s natural resources, the weight of
memory and the human imagination’s possibility to conjure social change.
The title, Stitched Dreams, comes from the name of her first drawing,
made in 1994.
Otobong Nkanga (born 1974) grew up in Lagos and Paris and is currently
based in Antwerp. She studied fine and performing arts at Obafemi Awolowo
University in Ife-Ife, the École nationale supérieure des Beaux-Arts in Paris and
DasArts in Amsterdam. Nkanga received the Special Mention Award at the
58th Venice Biennale.

“The dust in our lungs, the stones in our

pockets, the minerals in our blood, our
fissures and fractures, all come to rest
finally in earth.”
—TEJU COLE

Nina Chanel Abney: Big Butch Energy/Synergy

Edited with foreword by Alex Gartenfeld. Foreword by Megan Lykins Reich, Lauren Leving. Text by Cheryl Clarke, Briona Simone
Jones, J Wortham. Conversation with Nina Chanel Abney, Cheryl Clarke, Briona Simone Jones, theo tyson.

Combining representation and abstraction, Abney’s vibrant works reference gender, sexuality
and pop culture
Committed to sharing social realities through fantastic, expansive forms, Nina Chanel Abney is an artist possessed of an iconic
style and wit. Through stylized, cubistic and highly charged painterly symbols, she references radical traditions of graphic design
and street art to communicate urgent political and cultural realities with immediacy to the largest possible audience. Abney’s
paintings and collages use dynamic color and form to draw viewers into complex narratives.
Big Butch Energy/Synergy features Abney’s recent exhibitions at ICA Miami and moCa Cleveland. In these works, Abney mines
cinematic and media representations of student Greek life to explore how gender perception and performance is inspired by
the legacies of social ritual and visual culture. The complex compositions reference scenes from popular slapstick comedy films
such as National Lampoon’s Animal House (1978) and Porky’s (1981), while citing traditions of Baroque portraiture and fraternity
composites. Inspired by her experience as a masculine-of-center woman, with this body of work Abney asks how viewers gender a
figure in a work of art.
DELMONICO BOOKS/INSTITUTE
Nina Chanel Abney was born in 1982 in Harvey, Illinois, and is based in New York, where she attended Parsons School of Design.
OF CONTEMPORARY ART, MIAMI / Abney’s work is held in the collections of the Whitney Museum of American Art, New York; the Museum of Modern Art, New York;
MUSEUM OF CONTEMPORARY the Brooklyn Museum, New York; the Bronx Museum, New York; the Nasher Museum of Art, North Carolina; and the Pennsylvania
ART CLEVELAND Academy of the Fine Arts, among others. LISSON GALLERY
ISBN 9781636811635 ISBN 9780947830915
u.s. $60.00 cad $90.00 gbp £51.00 u.s. $30.00 cad $45.00 gbp £25.00
Clth, 7.5 x 11.5 in. / 120 pgs / 52 color / 2 b&w. Hbk, 9.5 x 7.75 in. / 168 pgs / 114 color.
April/Art February/Art
Territory: WORLD Territory: WORLD

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 Mixed-media works concerned with self-exploration and reflection HIGHLIGHTS ■ ART

Tracey Emin
Edited by Arturo Galansino.

MARSILIO ARTE
ISBN 9791254632604
u.s. $45.00 cad $68.00 gbp £38.00
Hbk, 9.5 x 11.5 in. / 224 pgs / 150 color.
June/Art
Territory: WORLD

Provocative yet deeply personal, Emin’s carnal, soul-bearing

mixed-media works combine corporeal and emotional pain
The art of YBA mainstay Tracey Emin (born 1963) is an art of denunciation: one that
utilizes the events of her life as a source of inspiration for her works in painting, neon
sculpture, drawing, video, installation, photography, embroidery and sculpture.
Vulnerability, crudity and physicality are all present in her works such as My Bed
or her recent Lovers Grave paintings, creating an oeuvre in which desire and
suffering go hand in hand. Emin candidly reveals her hopes and humiliations with
an immediacy and a sexually provocative attitude that takes cues from artists such
as Egon Schiele and Edvard Munch. Through a selection of historic and more recent
works from public and private collections around the world, this eponymous catalog
presents 30 years of Emin’s work, whose controversial and lacerating aesthetics has
strongly influenced the image of the female body in contemporary art.
EXHIBITION
Florence, Italy: Palazzo Strozzi, 03/08/25–06/20/25

Paula Wilson:
Toward the Sky’s Back Door
Edited with interview by Rebecca McNamara. Foreword
by Ian Berry. Text by Taylor Renee Aldridge, Ebony Y.
Rhodes, Stephanie Sparling Williams.

DELMONICO BOOKS/TANG MUSEUM

ISBN 9781636811666
David Hammons u.s. $40.00 cad $60.00 gbp £34.00
Clth, 8.75 x 11.5 in. / 184 pgs / 186 color / 2 b&w.
Hammons’ body prints, flags and found-object sculptures come together in this February/Art
artist’s book documenting his thought-provoking conceptual exhibition Territory: WORLD

This post-exhibition catalog revisits David Hammons’ 2019 show at Hauser & Wirth Los Angeles. A singular book
created entirely under the artist’s direction, this publication illustrates the most expansive exhibition of this Wilson invokes her own Black biracial identity in her mixed-
legendary artist’s work to date. media pieces, inspired by art historical traditions as much as the
Said critic Jonathan Griffin of the original exhibition, “Alongside finished artworks, including framed examples plants outside her door
of Hammons’s sublime drawings made with bounced basketballs and powdered Kool-Aid, there are plenty of
This first major monograph features nearly two decades of work by American artist Paula
apparently ad hoc, readymade interventions, installations in which it is unclear where one ends and the next
Wilson (born 1975), who frequently intermixes her identity as a Black biracial artist, living
begins. … Hammons, it seems, wants his viewers to relax, historiography be damned.”
in a rural desert town in New Mexico, with narratives and motifs across time and place.
Born in 1943 in Springfield, Illinois, David Hammons moved to Los Angeles in 1963 at the age of 20 and began
Toward the Sky’s Back Door documents her wide-ranging career with essays by leading
making his body prints several years later. He studied at Otis Art Institute with Charles White and became part of a
scholars Taylor Renee Aldridge, Ebony Y. Rhodes and Stephanie Sparling Williams,
younger generation of Black avant-garde artists loosely associated with the Black Arts Movement. In Los Angeles,
and a new interview with the artist. Wilson embraces a both/and approach to art and
Hammons was a cofounder of Studio Z, a group which included Senga Nengudi, Maren Hassinger, Joe Ray and
living, using the same techniques, materials and motifs to make rugs and clothing as
HAUSER & WIRTH PUBLISHERS others. Hammons has lived in New York since 1978.
she does for art on the gallery wall. Throughout her work, little to nothing is discarded,
ISBN 9783907493137
with scraps from one artwork recycled into another, reflecting both a practice of eco-
u.s. $95.00 cad $140.00
Hbk, 11.75 x 11.75 in. / 404 pgs / 355 color. sustainability and a model for creating something new from fragments left behind. This
May/Art volume presents paintings, sculpture, prints, collages and videos, with different mediums
Territory: NA LA frequently intermixed in a single work, ranging in scale from small paper-mosaic work to
beyond-life-size female figures.

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 BACK IN STOCK
Amy Sillman:
Louise Bourgeois: Oh, Clock!
The Insomnia Drawings Edited by Eva Birkenstock, Kathleen
Text by Marie-Laure Bernadac, Elisabeth Bronfen. Bühler, Nina Zimmer. Text by Eva
Birkenstock, Kathleen Bühler, Jenny
HAUSER & WIRTH PUBLISHERS/SCALO Nachtigall, Rose Higham-Stainton,
ISBN 9783908247395 Sabeth Buchmann, Julia Bryan-Wilson,
u.s. $95.00 cad $115.00 Amy Sillman, Michelle Kuo.
Slip, hbk, 13 x 10.25 in. / 580 pgs / 220 color.
May/Art A beautiful gathering of the
Territory: NA LA famed artist’s work of the
last 15 years
In her painting, American artist Amy
Bourgeois’ thought-provoking collection of more than Sillman (born 1955) expands the
200 works, produced during sleepless nights, provides standards of abstraction using material
inimitable insight into her psyche and conceptual interventions in the
painting process. She destabilizes
Insomnia was a lifetime companion for Louise Bourgeois (1911–2010). Between purported dichotomies and
November 1994 and June 1995, she committed to paper whatever thoughts, hierarchizations between figuration and
memories and images surfaced during her long, sleepless nights. The abstraction, intimacy and clumsiness,
resulting 220 drawings are the quintessence of all the impulses, sources and ability and self-negation, process and
motifs that inspired her work. The Insomnia Drawings shows Bourgeois’ total completion. Now the serial drawings
mind at work: drawings and sketches alternate with poems and aphorisms and paintings are multicolored, now
in both French and English, interspersed with notes referring to the hustle monochrome, now they show complex
and bustle of everyday life. The resulting series is a unique mirror of an forms, now figures or body parts. And
extraordinary woman’s life and work: beautiful, disquieting, passionate, they are always filled with delight in
inquiring and imbued with a quirky sense of humor. the process. The publication Amy
As soon as the artist agreed to entrust The Insomnia Drawings to the Daros Sillman: Oh, Clock! highlights her critical
Collection, it was clear that this extraordinary work should be presented as exploration of the history of painting and
a book. The result is a handsome paper-bound and slipcased two-volume conveys her complex and sophisticated
publication. The first volume contains facsimiles of both the recto and verso painterly practice on canvas and beyond.
of the 220 drawings. The second volume provides the reader with valuable This inspiringly designed book provides
background information on this complex and exhilaratingly beautiful work of broad insights into Sillman’s approach
art. Marie-Louise Bernadac, a leading Bourgeois scholar, places The Insomnia to painting as a time-based medium,
Drawings in the context of Bourgeois’ oeuvre, providing biographical presenting in detail around 30 paintings
references for many notes, and pointing out the leitmotifs of Bourgeois’ and 300 works on paper, several
imaginary universe. In a lucid and beautifully written essay, Elisabeth Bronfen digital animations and site-specific
traces the nocturnal mysteries of insomnia and places this work of art in a installations, all of which were created in
larger cultural context. Meanwhile, the second volume offers a chronology the last 15 years.
and annotated transcriptions of all texts and notes. This gorgeous collection
of work is a must for anyone wanting to take part in the imaginative journey
through Louise Bourgeois’ psyche.

BACK IN STOCK/LIMITED EDITION

Louise Bourgeois: This exquisite special edition
The Insomnia Drawings
Text by Marie-Laure Bernadac, Elisabeth Bronfen.
of The Insomnia Drawings is
HAUSER & WIRTH PUBLISHERS/SCALO printed in a limited run of 1,500
ISBN 9783908247388 u.s. $195.00 cad $240.00 SDNR30
Slip, clth, 13 x 10.25 in. / 580 pgs / 220 color.
May/Art
copies, with both volumes
Territory: NA LA
bound in a sumptuous textured WALTHER KÖNIG, KÖLN
cloth and housed in a robust
EXHIBITION
Bern, Switzerland: Kunstmuseum Bern, 09/20/24–02/02/25 ISBN 9783753306988
Aachen, Germany: Ludwig Forum, 03/22/25–08/31/25 u.s. $45.00 cad $68.00 FLAT40

slipcase. Pbk, 8.75 x 11 in. / 224 pgs / 667 color.

February/Art
Territory: NA LA ASIA AU/NZ AFR

82 ­­artbook.com artbook.com 83
Collage and photomontage from contemporary artists Material-led works from two beloved female conceptualists HIGHLIGHTS ■ ART

The Rose: Sophie Calle:

A Circular Genealogy of Collage Neither Give nor Throw Away
Curated by Justine Kurland Text by Sophie Calle.
Edited by Justine Kurland, Sarah Miller Meigs, Libby Werbel. ACTES SUD
Text by Justine Kurland, Carla Williams, et al.
ISBN 9782330193614
LUMBER ROOM u.s. $29.95 cad $44.95 gbp £24.99
Pbk, 5 x 7.25 in. / 80 pgs / 15 color / 16 duotone / 12 b&w.
ISBN 9798218534264
March/Artists' Books
u.s. $50.00 cad $75.00 gbp £42.00
Territory: WORLD excl UK FR BE CH
Hbk, 8 x 10.25 in. / 232 pgs / 175 color / 17 b&w.
June/Art
Territory: WORLD

This lush volume by Justine Kurland reconfigures the history of collage Flecked with simulated water and mold stains, Calle’s newest artist’s
through the work of 44 artists, from Ruth Asawa to Deborah Roberts book resurrects her storm-damaged artworks that hover between
With a sprawling, loose interpretation of collage’s past and present definitions, curator Justine preservation and decay
Kurland presents The Rose: a compendium of 44 contemporary artists working in or around the While Sophie Calle (born 1953) was preparing for her exhibition at the Musée Picasso in Paris, a storm hit
medium. Choosing collage, Kurland argues, is an inherently political and contradictory method, as her home and caused severe mold and water damage to many artworks, including photographs from her
it allows artists to reframe and recontextualize all that we know. She asks us to consider collage as series Les Aveugles (The Blind). Calle was inspired by an idea by artist Roland Topor, in which he buried
an active process: breaking things apart, centering the margins and forging new structures. Sourcing an old sweater that he could neither give away nor throw away. Thus, her subsequent exhibition and its
archival materials, family photographs, vernacular imagery, paint, scraps of paper, ceramics, corresponding artist’s book contend with art that fades with the passage of time.
fabrics, film and more, these artists, according to Kurland, harness these materials “as tools for To accompany the damaged images from Les Aveugles, reproduced alongside spatters of rot and stain, Calle
survival, technologies for world-building and a means of radical deprogramming.” With full-color chose to feature other rain-damaged artworks that, curiously, all spoke of death or loss: bouquets of dried
plates of work by each artist along with Kurland’s writing contextualizing its place in the canon, this flowers; photographs of graves; paintings of her mother’s last word. Atop this moribund arrangement she
book serves as a historic retelling of art history within the context of collage and the artists on the adds things from her life, such as articles of clothing, that she cannot bring herself to part with. Inserted
edge of the medium. within the pages are 15 color images of the exhibition display, which the reader can add to any page of the
Artists include: Ruth Asawa, Vija Celmins, Philo Cohen, Jay DeFeo, Leslie Hewitt, Kiki Kogelnik, book, whether indicated by the picture-frame-printed corners or otherwise.
Wangechi Mutu, Frida Orupabo, Wendy Red Star, Deborah Roberts, Keisha Scarville, Gwen Smith,
Pamela Sneed, Lorna Simpson, Hannah Wilke, Francesca Woodman.

Linder: Danger Came Smiling Marina Abramović:

Foreword by Ralph Rugoff. Introduction by Rachel Thomas. Essays by Chris
Kraus, Marina Warner. Interview by Gilly Fox. Chronology by Katie Guggenheim.
Transforming Energy
Edited by Shai Baitel.
HAYWARD PUBLISHING
ISBN 9781853323812 SKIRA
u.s. $50.00 cad $75.00 ISBN 9788857252711
Hbk, 7.75 x 10.5 in. / 208 pgs / 150 color / 25 b&w. u.s. $75.00 cad $110.00
July/Photography/Art Hbk, 10.25 x 12.75 in. / 400 pgs / 350 color.
Territory: NA LA ME April/Art
Territory: NA LA

Five decades of work from the subversive feminist artist known for her Experience the evolution of Abramović’s artistic journey through her
photomontages exploring the body and representations of femininity engagement with crystals and stones
British artist Linder Sterling (born 1954) first emerged in the late 1970s as a prominent figure within the dynamic Celebrated Serbian conceptual and performance artist Marina Abramović (born 1946) believes in
landscapes of punk and post-punk music, and later went on to become an internationally recognized artist the power of crystals to store the whole history of the earth and carry and transmit their energy.
renowned for her multifaceted practice. Throughout her career, Linder has used photomontage as a potent Inspired by one of Abramović’s most iconic performances, her walk across the Great Wall of
instrument for dissecting and reshaping the portrayal and commercialization of gender norms and sexual identity. China with German artist Ulay in 1988, Transforming Energy includes unseen images of her walk
Drawing from source materials extracted from magazines of the late 20th century, she exposes the weighty on the Great Wall along with a series of captivating new artworks especially created for the
stereotypes imposed on both ends of the gender spectrum: automobiles, DIY culture and pornography for men; survey. The book tells the story of how Abramović discovered and explored the power of stones
fashion and domesticity for women. In addition to using found images from magazines, Linder has also used and crystals and contains her personal theory on crystals and energy, with her drawings, pictures
photographs of herself taking on various feminine personae, which navigate concepts of personal invention and of her works and other sources describing her vision of crystals and the “crystal meditation” her
the performative dimensions of identity. Her art is informed by a rich tapestry of influences spanning religious art, works aim to inspire.
surrealism, mysticism and the ever-evolving landscape of social media. The book features a diverse range of works spanning decades, including new pieces, crystal-
With an introduction by Rachel Thomas, new essays by Chris Kraus and Marina Warner, a new interview with Gilly based objects sourced internationally and Abramović’s renowned sculptural works known as
Fox and a chronology by Katie Guggenheim, this book is the comprehensive guide to Linder’s world and work. Transitory Objects, which she has meticulously crafted over the years.
EXHIBITION EXHIBITION
London, UK: Hayward Gallery, 02/11/25–05/05/25 Shanghai, China: Museum of Modern Art, 10/10/24–02/28/25

84 ­­artbook.com artbook.com 85
Sculpture and installation made from everyday objects and found materials HIGHLIGHTS ■ ART

Carl Cheng: Nature Never Loses In the Studio: In the Studio:

Edited by Alex Klein, Jennifer Krasinski. Text by Carl Cheng,
Rachel Eboh, Joel Ferree, Celien Govaerts, Alex Klein,
Jack Whitten Phyllida Barlow
Andres Pardey, Amanda Sroka, Gloria Sutton. Text by Yinka Elujoba. Text by Frances Morris.

JRP|EDITIONS/THE CONTEMPORARY AUSTIN HAUSER & WIRTH PUBLISHERS HAUSER & WIRTH PUBLISHERS
ISBN 9783037646205 ISBN 9783907493045 ISBN 9783907493038
u.s. $60.00 cad $90.00 gbp £51.00 u.s. $19.95 cad $29.95 u.s. $19.95 cad $29.95
Pbk, 8.75 x 12.5 in. / 448 pgs / 500 color / 400 b&w. Flexi, 5 x 7 in. / 152 pgs / 120 color. Flexi, 5 x 7 in. / 144 pgs / 139 color / 12 b&w.
April/Art March/Art March/Art
Territory: WORLD Excl DE AT CH FR BE Territory: NA LA Territory: NA LA

Cheng’s genre-defying practice challenges our perceptions of

environmental change and the role of technology in society
Carl Cheng (born 1942) first developed his art practice in Southern California in the 1960s amid a Offering an inside look at Jack Whitten’s studio process in an A window into Phyllida Barlow’s studio practice offering insights
booming postwar aerospace industry, political unrest and an interdisciplinary art scene. In 1966 he accessible, readable format into her biography, key works and exhibitions
incorporated his studio as John Doe Co., and from then on created sculptural “products” that reflect Born in Bessemer, Alabama, Jack Whitten (1939–2018) developed a revolutionary Over six decades, British artist Phyllida Barlow (1944–2023) developed a transformative
his conception of technology as an artistic tool. Originally recognized for his photographic sculptures, approach to painting as a medium that arguably reconfigured the discipline as a whole. approach to sculpture, creating restless, invented forms that placed audiences in new
his inventive lexicon includes “art tools” employed in the production of ephemeral artworks, “nature His practice was defined by an intense, ceaseless experimentation with process and relationships with the object, the gallery environment and the world beyond. Though she
machines” that anticipate an artificial world shaped by humans, kinetic installations and public art technique, drawing in unconventional tools and materials to create a profoundly original made art steadily throughout her life, it was only after Barlow retired from teaching that
intended to reach broad audiences and question the relevance of art institutions. body of work. Though Whitten initially aligned with the New York circle of Abstract her work came into greater public prominence. Barlow employed a distinctive vocabulary
Nature Never Loses surveys six decades of Cheng’s prescient, genre-defying work and accompanies Expressionists active in the 1960s, he gradually distanced his work from the movement’s of inexpensive materials such as plywood, cardboard, plaster, cement, fabric and paint.
the eponymous traveling exhibition organized by the Contemporary Austin. It is the definitive guide to aesthetic philosophy and formal concerns, focusing more intensely on the experimental Drawing on memories of familiar objects from her surroundings, she worked in an anti-
Cheng’s career, including a detailed overview of his most impressive works and an abundance of never- aspects of process and technique that came to define his practice, arriving at a nuanced monumental tradition characterized by her physical experience of handling materials,
before-seen archival material. language of painting that hovers between mechanical automation and deeply personal which she transformed through processes of layering, accumulation and juxtaposition.
EXHIBITION expression. Throughout his career, Whitten concerned himself with the materials of Her large-scale sculptural objects are frequently arranged in complex installations in
Philadelphia, PA: Institute of Contemporary Art, University of Pennsylvania, 01/17/25–04/06/25 painting and the relationship of artworks to their inspirations. This richly illustrated guide which mass and volume seem to be at odds with the space around them.
Maastricht, Netherlands: Bonnefanten Museum, 05/09/25–09/28/25 to the artist’s studio practice reveals the development of Whitten’s pioneering work and In this guide to Barlow’s studio practice, curator Frances Morris explores the development
Basel, Switzerland: Tinguely Museum, 12/03/25–05/10/26 the behind-the-scenes of his process. of Barlow’s work and the making, unmaking and remaking, chance, mishaps and changes
Los Angeles, CA: Institute of Contemporary Art, 2026 of mind through which the artist produced her pioneering works of art.

Phyllida Barlow:
Sculpture
1963–2023
Introduction by Fiona Bradley. Text by
Frances Morris.

HAUSER & WIRTH PUBLISHERS/

FRUITMARKET GALLERY
ISBN 9783906915937
u.s. $60.00 cad $90.00 A new series from Hauser & Wirth Publishers,
Hbk, 8.75 x 9.75 in. / 304 pgs / 180 color.
February/Art In the Studio takes readers behind the scenes
Territory: NA LA
of an artist at work. Each book focuses on a
The definitive survey of the British sculptor who generated cheeky
constructions from low-grade materials major figure of 20th- or 21st-century art, offer-
For over 50 years, British artist Phyllida Barlow (1944–2023) created imposing installations and
sculptures marked by their distinct tonal balance—both menacing and playful, formidable and
ing an accessible, generously illustrated intro-
absurd. Her large-scale, yet “anti-monumental” (her own words) sculptures are constructed duction to their practice.
with inexpensive, low-grade materials such as cardboard, fabric, plywood, polystyrene, scrim,
plaster and cement. Treated with a loose application of vibrantly hued paints, her sculptures
often reveal the seams of their materiality. Upon witnessing the ruin and reconstruction of
postwar London, Barlow developed an eye wryly trained toward industrial society, in all its
gloom and whimsy. In her practice, Barlow transmuted her observations, producing tactile,
seemingly precarious sculptures that stretch the limits of mass, volume and height as they
block, straddle and balance. This definitive retrospective publication covers the full span of
Barlow’s career and demonstrates her range in style and approach.
EXHIBITION
Somerset, UK: Hauser & Wirth, 05/24–01/25

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Ephemera and objects in art, from Warhol to contemporary practices Artists working with photography HIGHLIGHTS ■ ART

Andy Warhol: Vanitas Gerhard Richter:

Edited by Patricia van den Ende. Text by Fabian de Kloe, Cynthia Jordens,
Patrick Moore, Matthew Gray, Amber Morgan.
The Overpainted Photographs
A Comprehensive Catalog
NAI010 PUBLISHERS Edited with foreword by Joe Hage and Hans Ulrich
ISBN 9789462088771 Obrist. Text by by Achim Borchardt-Hume, Dorothée Brill,
u.s. $49.95 cad $74.95 Stefan Gronert, Aline Guillermet, Siri Hustvedt, Christine
Hbk, 6 x 8.75 in. / 160 pgs / 85 color. Mehring, Paul Moorhouse, Uwe M. Schneede, Robert
February/Art Storr, Botho Strauss.
Territory: NA LA ME
HENI PUBLISHING
ISBN 9781911736165
u.s. $850.00 cad $1,250.00 SDNR40
Slip, hbk, 6 vols, 8.75 x 10.25 in. / 2464 pgs / 1908 color.
February/Art
Dozens of artworks—including rarely seen ephemera from his Time Capsules— Territory: NA ONLY
explore Warhol’s fascination with religion and death
American artist Andy Warhol (1928–87) was a devoted Byzantine Catholic who regularly attended church, A monumental catalog of Richter’s overpainted photographs, a curious
especially following a near-fatal assassination attempt at the hands of writer Valerie Solanas in 1968 and confrontation between two mediums that transforms their potency
after his mother’s death in 1972. Vanitas explores the artist’s preoccupation with temporality, spirituality and
astrology, and highlights a lesser-known part of his oeuvre, consisting of paintings and drawings of skulls and Lesser known than his photorealist paintings but equally significant, Gerhard Richter’s (born 1932)
self-portraits, reminiscent of the 17th-century vanitas genre. Spiritual subjects such as impermanence and overpainted photographs have been an integral part of his practice since the late 1980s. Using
time are explored through multimedia art and archival material from Warhol’s largest collecting project, Time prints of his photographs taken during his travels, Richter applies layers of paint over the initial
Capsules, in which he saved source materials for his work and ephemera from his life. image, sometimes completely concealed, other times offering tantalizing glimpses of the scene.
Vanitas places these works in dialogue with 17th-century Dutch genre engravings from the Rijksmuseum. The Overpainted Photographs is a landmark publication offering the most comprehensive account
These allegorical prints serve to remind viewers not only of their mortality, but of their obligation to live a of these works. An essay by Hans Ulrich Obrist introduces the works, detailing the processes the
humble existence. With a shining gold cover—featuring Warhol with a skull laughing on his shoulder—this artist adopts in their production. This is followed by an essay by renowned art critic and curator
publication plays upon the paradoxes inherent in Warhol’s hedonistic life, his fascination with death and his Robert Storr, who explores the mediums of painting and photography, and their intersection,
unwavering Catholic faith. further. At over 2,000 pages with nearly 2,000 color images, these six quarter-bound volumes with
foiling on both front and back covers are housed in a clothbound slipcase.
EXHIBITION
Heerlen, Netherlands: SCHUNCK, 09/15/24–03/16/25

The Gatherers Richard Prince: 1, 2, 3, 4

Edited by Ruba Katrib. Foreword by Connie Butler. Text by Kristy Bell,
FULTON RYDER
Amber Esseiva, Anette Freudenberger, Sheldon Gooch, Summer
Guthery, Estelle Hoy, Ruba Katrib, Quinn Latimer, Laura McLean- ISBN 9798985236842
Ferris, Camila Palomino, Filipa Ramos, Nadim Samman, Fabian u.s. $40.00 cad $60.00 gbp £34.00
Schöneich, Jeppe Ugelvig. Hbk, 9 x 11.5 in. / 96 pgs / 80 color.
February/Artists' Books
MOMA PS1 Territory: WORLD
ISBN 9780989985994
u.s. $30.00 cad $45.00 gbp £25.00
Hbk, 6.5 x 9.25 in. / 144 pgs / 60 color.
June/Art
Territory: WORLD

An international all-star lineup of artists investigate everyday objects in art Prince’s artist book revisits his 1-2-3-4 series cheekily compounding
This MoMA PS1 exhibition catalog brings together original texts on issues relating to ruination and the
found photographs of various group sizes
built environment, charting how the incorporation of everyday objects into artworks has taken on new This compilation of works on paper by American appropriation artist Richard Prince (born
significance in a time in which material surplus and oversaturation goes hand in hand with destruction 1949) belongs to a series titled 1-2-3-4. Beginning around 2008, Prince began sequencing
and decay. The basis for these writings can be found in the sculptures, paintings, videos and other found photographic portraits into a simple headcount—one person, two people, three
mediums by 13 featured artists. Hailing from a variety of backgrounds and countries including Nigeria, people, four people: 1-2-3-4. This process, applied to musicians, actors, celebrities and
Japan, Georgia, South Korea, Sweden, Democratic Republic of the Congo, Bosnia and Herzegovina and anonymous individuals, transforms photographs into performing acts: solo artist, duo,
the United States, they each create work with found materials or commercial objects with seemingly little trio, quartet. The numbers 1-2-3-4 act like the count-in to a punk/garage rock song (by The
aesthetic value. With an introduction by curator Ruba Katrib and newly commissioned essays on each Rascals, The Modern Lovers or The Ramones), an archetypical pop-song time signature.
artist by over a dozen authors, the publication delves into the practices of the participating artists and Numbering the images gives the sequence an immediate stamp of action, while the
offers incisive critical writing on issues in contemporary art and the everyday. appropriation of jersey numbers makes a sport of it. Prince has repeatedly returned to the 1-2-
Artists include: Karimah Ashadu, Tolia Astakhishvili, Miho Dohi, Andro Eradze, Samuel Hindolo, 3-4 device, including his long-deleted Instagram handle, @richardprince1234. In a chapter of
Geumhyung Jeong, Klara Lidén, Jean Katambayi Mukendi, Nick Relph, Selma Selman, Ser Serpas, Emilija his autobiographical memoirs It’s a Free Concert, Prince recalls attending the 1969 Woodstock
Škarnulytė, He Xiangyu. Festival: “We could hear Country Joe and the Fish coming in from over the fields...‘And it’s one
two three what are we fighting for? / Don’t ask me I don’t give a damn / Next stop is Vietnam /
EXHIBITION
Whoopee we’re all gonna die.’”
Queens, NY: MoMA PS1, 04/24/25–10/06/25

88 ­­artbook.com artbook.com 89
Artists’ books and works on paper Illustration and animation HIGHLIGHTS ■ ART

Robert Gober: Where the Wild Lines Are

Slides of a Changing Edited with text by Angelika Nollert. Text by
Evelyn Arizpe, Caroline Fuchs, Martin Salisbury,
Painting Morag Styles.

PRIMARY INFORMATION WALTHER KÖNIG, KÖLN

ISBN 9798988573623 ISBN 9783753307367
u.s. $30.00 cad $45.00 u.s. $45.00 cad $68.00 FLAT40
Pbk, 10.5 x 7 in. / 368 pgs / 368 color. Hbk, 8.25 x 10.75 in. / 280 pgs / 550 color.
March/Artists' Books February/Art/Childrens
Territory: NA ONLY Territory: NA ONLY

A key early work from Gober addressing the themes of metamorphosis and
sexual difference
For everyone who is, has or once was a child, this
This artist’s book by American artist Robert Gober (born 1954) takes as its point of departure his rarely delightful study on the history of children’s books is sure to
seen 1982–83 work of the same name—a slide presentation documenting the yearlong evolution of a spark nostalgia
single painting. Made against the backdrop of cultural conservatism and an unchecked health epidemic,
Slides of a Changing Painting contains a bewildering mixture of dread and hope, with Gober’s queer Children’s books tell more than just stories. They stimulate the imagination, convey
identity and artistic sensibilities coming into remarkable focus—demonstrating a sense of vision that feelings and help young readers to explore the world. Many appeal to both children
few artists have so early in their careers. This book has been designed to replicate the experience of the and adults alike through their idiosyncratic narratives, but also through their innovative
original installation, with 89 images dissolving into each other over the course of 368 pages, creating what structures and illustrations. With a playful font and type treatment, Where the Wild
Gober has referred to as the “memoir of a painting.” This is the first time that Slides of a Changing Painting Lines Are first explores the development of children’s books in chronological order from
has been showcased in its entirety in book form. 1900 to the present. Then, it takes a more formalist approach to the different elements
that characterize a children’s book: color, signs, space and perspective. Sourced from
the collections of the Design Museum in Munich, the examples include such universal
classics as Peter Rabbit, Babar the Elephant and Where the Wild Things Are, together
with treasured storybooks from diverse countries around the world.

Lenka Clayton: Alison Wilding: Louis M. Glackens: FACSIMILE EDITION

How We Thought It Would On Paper Pure Imagination Jason Rhoades:

Be and How It Was Text by Anna Lovatt, Penelope Curtis. Interview Edited with text by Ariella Wolens. Preface by Illastrations
by Rosie Cooper. Avis Berman. Text by Bonnie Clearwater, Richard Text by Jason Rhoades.
J&L BOOKS Samuel West.
RIDINGHOUSE HAUSER & WIRTH PUBLISHERS
ISBN 9780999365571
ISBN 9781909932814 SKIRA ISBN 9783907493014
u.s. $30.00 cad $45.00 gbp £25.00
Pbk, 9.5 x 11.5 in. / 48 pgs / 23 color. u.s. $65.00 cad $95.00 ISBN 9788857253282 u.s. $62.00 cad $92.00
May/Artists' Books Clth, 9.5 x 10.5 in. / 304 pgs / 300 color. u.s. $45.00 cad $68.00 Slip, hbk, 8.25 x 11 in. / 240 pgs / 140 b&w.
Territory: WORLD February/Art Flexi, 6.5 x 9.5 in. / 148 pgs / 110 color. January/Art
Territory: NA ONLY April/Art Territory: NA LA
Territory: NA LA

Clayton’s poetic, intricate drawings made on a typewriter Wilding’s multifaceted approach to materials is reflected in her Rediscovering an overlooked illustrator and pioneer of Inside the art and mind of Jason Rhoades, through a facsimile
capture glimpses of life at the beginning of the Covid pandemic drawings and collages focused on representing form film animation edition of the visionary artist’s sketchbook
Since 2012, Lenka Clayton (born 1977) has (mis)used the typewriter as a drawing A colleague of Phyllida Barlow and a mentor to Rachel Whiteread, British sculptor Alison The work of American artist Louis M. Glackens (1866–1933) is often relegated to an aside The American installation artist Jason Rhoades (1965–2006) was a leading figure of
tool. To this date, she has made over 500 typewriter illustrations by using only the Wilding (born 1948) ceaselessly experiments with material, working with what is available within the narrative of his younger brother, artist William J. Glackens (1870–1938). Unlike the 1990s international art world: a world builder, an outsider, a California cowboy who
letter and punctuation keys on a standard mechanical typewriter. How We Thought It to her: steel, silk, beeswax, rope, alabaster and more. Moving beyond her sculpture, On his brother, Louis Glackens chose to give his interpretation of reality through fairy tales, never relinquished his sense of rural practicality or punk sense of humor. His art—
Would Be and How It Was presents 23 of these drawings, executed on a 1957 portable Paper examines Wilding’s extensive drawings and collages. While loosely related to her in which the absurdity of life was captured through economy of line and an abundance which took America as its imaginative subject—is a dynamic construction, designed to
Smith-Corona Skyriter on antique, letter-size typewriter paper. Each drawing carries three-dimensional pieces, these works expand upon her investigation of surface by using of wit. For over 20 years, Louis Glackens worked as an illustrator for the satirical weekly systematically explore and communicate life’s big questions. Illastrations is a facsimile
physical traces of the making process, including folds that enable the paper to move in a distinctive formal language: a strong interplay between representation and metaphor. Puck, the first widely circulated humor magazine in the United States. Following his tenure of an undated sketchbook of Rhoades’ drawings, serving as a guide to Rhoades’ visionary
all directions through the carriage. The subjects are all drawn from direct observation Much as in her sculptural practice, Wilding uses a range of materials, from ink to silicone there, Glackens became one of the first cartoon animators in the burgeoning film industry work: a collection of didactic cartoons, organized by keyword, that illustrate key
of daily life Clayton experienced during the early weeks of the pandemic in 2020, fluid, to visualize and test ideas of mass and depth. This clothbound, full-color survey of the 1910s, creating characters for production houses such as Bray, Pathé and Sullivan concepts, materials, works of art and personal references (abstraction, curator, donut,
including her grandma’s thumb on the camera during a Zoom conversation, empty with over 300 illustrations lays out the subtle correspondences in forms and concepts Studios. Until now, his vast contribution to the history of cartoons has remained largely Marcel Duchamp, etc.). Originally given as a gift by Rhoades and his wife, the artist Rachel
supermarket shelves and the remnants of tea towels that were hastily cut up to make between Wilding’s historic and more recent series of works. unexplored. This monograph reevaluates Louis Glackens’ cultural contributions through a Khedoori, to their friend and patron Iwan Wirth, Illastrations encapsulates the spirit of
homemade masks. wealth of illustrations. generosity with which Rhoades shared his greatest gift, his art.
EXHIBITION
Fort Lauderdale, FL: NSU Art Museum, 04/14/24–03/30/25

90 ­­artbook.com artbook.com 91
Recent paintings and works on paper from Wes Lang Modern and contemporary collage, collography and assemblage HIGHLIGHTS ■ ART

Wes Lang: Sheree Hovsepian

The Black Paintings Edited by Elisa Nadel. Text by Charlotte Cotton, Paige
Sweet. Interview by Charlotte Cotton.
Text by Wallace Ludel. Interview by
James Fox. JRP|EDITIONS
ISBN 9783037646274
HENI PUBLISHING u.s. $35.00 cad $53.00 gbp £30.00
ISBN 9781911736004 Hbk, 8 x 11.25 in. / 64 pgs / 50 color.
u.s. $99.95 cad $149.95 May/Art
Hbk, 9.5 x 11 in. / 284 pgs / 224 color. Territory: WORLD Excl DE AT CH FR BE
February/Art
Territory: NA ONLY

Work inspired by sources as diverse as childhood finger puppets Exploring the process and materiality of photography through
and the monsters of James Ensor’s paintings subjective and textural interpretations of the figure
Published to accompany American artist Wes Lang’s first UK exhibition, The Black Iranian American artist Sheree Hovsepian’s (born 1974) practice highlights the physicality
Paintings features stunning reproductions of 96 paintings and 96 drawings made of photography and its relationship to the human body. She employs ceramic, string,
between 2022 and 2024, along with striking visuals of Lang at work in his studio. The nylon and velvet alongside printed images in her assemblages to compose a sense of
catalog vividly demonstrates the breadth of Lang’s inspiration, drawing from fine art the framed physical body. Coaxed into sculptural forms, layered with tactile materials
heroes such as Francis Bacon, Francisco Goya and Alfred Munnings, as well as the kitsch and assembled into larger compositions, her work oscillates between object and image,
imagery of his childhood. Lang (born 1972) masterfully blends these influences to create creating an embodied experience of the photographic document. As the artist states in
his distinctive and deeply personal style. Unique otherworldly characters—skeletons her conversation with Charlotte Cotton, “I am interested in creating a narrative between
and disembodied skulls—are set against dark and obscured backgrounds or lush the materials and the objects I choose to photograph. Many of the components of the
landscapes. The works on paper feature these same characters, but set against the collage allow me to work with my hands, which is a very satisfying practice and permits
blank white space of the page, embedded in intricately inscribed scenes with playful me to put in the hours to physically understand its material language.” This monograph
expressions and phrases that echo Taoist philosophy, reflecting the spiritual beliefs that presents Hovsepian’s photographs, ink drawings, photograms, assemblages and
drive Lang’s practice. sculptures, collected for the first time in a publication.
EXHIBITION
London, UK: Newport Street Gallery, 09/27/24–03/09/25

Wes Lang: Frida Orupabo: On Lies, EXPANDED EDITION

The Black Drawings Secrets and Silence Belkis Ayón:

Works on Paper Edited by Yuvinka Medina, Owen Martin. Text by Portia Nkame Mafimba
Malatjie, Mai Takawira, Nina Cramer, C. LeClaire. Text by Alejandro de la Fuente, David Mateo, Susana
Introduction by Damien Hirst. Text by George Vasey.
Guerrero, Lázara Menéndez.
SKIRA
HENI PUBLISHING
ISBN 9788857253107 TURNER
ISBN 9781911736127
u.s. $35.00 cad $53.00 ISBN 9788419539243
u.s. $69.95 cad $104.95
Pbk, 8.25 x 11 in. / 160 pgs / 205 color. u.s. $75.00 cad $110.00
Hbk, 9.5 x 11 in. / 200 pgs / 103 color.
February/Art Hbk, 9.5 x 12.25 in. / 408 pgs / 474 color / 30 b&w.
February/Art
Territory: NA LA May/Art
Territory: NA ONLY
Territory: NA AFR ME

Delightful paper-based works featuring characters both familiar and new, Works that challenge colonial notions and explore themes of Revised and expanded edition of the definitive reference on
animal-like and otherworldly race, gender, identity, family, sexuality, violence and the body Belkis Ayón’s intense and spiritual collagraphs
For several decades, American artist Wes Lang (born 1972) has been honing his craft and mining Leading Norwegian artist and sociologist Frida Orupabo (born 1986) gained prominence The Cuban artist Belkis Ayón (1967–99) mined the myths of the Afro-Cuban fraternal
the iconography of a post-pop Americana. This book is dedicated entirely to Lang’s prolific output in the art world for her evocative digital and physical collages. Orupabo manipulates society Abakuá to create a powerful visual iconography engaged with oral tradition. She
in drawing, featuring 96 works crafted using acrylic, crayon and pencil. The dark, otherworldly images, cutting them out, adding and excluding elements, and then reassembling them, places a particular emphasis on the imaginaries of the secret society and the female
characters from his paintings—skeletons and disembodied skulls—remain, but now inhabit suggesting a poignant and phantasmagorical reworking of representational codes. Black figure of Sikán or Sikánekue, whose foundational sacrifice appears in numerous prints.
blank white spaces, intricately inscribed with playful expressions and phrases that echo Taoist bodies, which have been subjected to exploitation throughout history, are often present. Ayón’s work is framed within collagraphy, in which the substitution of metal supports and
philosophy, reflecting the spiritual foundations of Lang’s practice. More than just companions to his On Lies, Secrets and Silence takes its starting point in our most private and intimate the use of accessible materials such as sand, fabrics and newspapers prevail. Numerous
immense paintings, the drawings stand as a significant body of work, continuing to demonstrate the space—the home. Newly produced works in the form of collage, video and sculpture Abakuán rituals are represented in her collagraphs, many of which draw on Christian as
breadth of Lang’s influences—ranging from fine art icons such as Francis Bacon, James Ensor and focus on the complex relationships contained within the domestic sphere, central to our well as Afro-Cuban traditions. This second expanded edition of the definitive publication
Francisco Goya to the kitsch imagery of his childhood. Lang effortlessly metabolizes these disparate everyday lives and in the creation of our identity. Familiar environments and relationships on Ayón (and the only one to be approved by her estate) includes the matrices of
inspirations, creating a distinctive style that expresses a deeply personal artistic voice. suddenly, through subtle changes, transform from safe to strange and uncomfortable. her prints and new discoveries such as sketches and ceramics, in addition to critical
The book is published on the occasion of the exhibition at Bonniers Konsthall in responses published in recent years, providing art lovers and researchers with essential
Stockholm in 2024 and at the Astrup Fearnley Museet in Oslo. sources for understanding the career, life and legacy of this vital artist.
EXHIBITION
Oslo, Norway: Astrup Fearnley Museet, 02/07/25–04/27/25
Hanover, Germany: Sprengel Museum, 04/05/25–07/20/25

92 ­­artbook.com artbook.com 93
Contemporary portraiture Contemporary figurative and cityscape paintings HIGHLIGHTS ■ ART

Egon Schiele & Adrian Ghenie: Lubaina Himid: Yu Hong:

Shadow Paintings Make Do and Mend Islands of the Mind
Edited with text by Klaus Albrecht Schröder, Adrian Ciprian Barsan. Edited by Karen Kelly, Alex Klein, Julie Le, Barbara Text by Greg Hilty, Daniel S. Palmer.
Text by Elisabeth Dutz, Klaus-Peter Speidel. Schroeder. Foreword by Suzanne Deal Booth, Glenn
Fuhrman, sharon maidenberg. Text by Lubaina Himid, LISSON GALLERY
HATJE CANTZ Alex Klein, Julie Le, Dorothy Price, Jonathan Rider, ISBN 9780947830939
ISBN 9783775758628 Zoé Whitley, Caroline Cassidy. u.s. $59.95 cad $89.95 gbp £51.00
u.s. $75.00 cad $110.00 Hbk, 11.25 x 9.5 in. / 90 pgs / 50 color.
Hbk, 9.5 x 13.5 in. / 250 pgs / 80 color / 50 b&w. DANCING FOXES PRESS/THE CONTEMPORARY February/Art
March/Art AUSTIN/THE FLAG ART FOUNDATION, NEW YORK Territory: WORLD
Territory: NA LA ISBN 9781954947160
u.s. $45.00 cad $68.00 gbp £38.00
Pbk, 7.5 x 9.5 in. / 176 pgs / 177 color.
April/Art
The lost works of an Expressionist master recovered and reimagined by Territory: WORLD Inspired by the iconic Symbolist series by Arnold Böcklin, Yu
one of the most celebrated painters of his generation Hong creates contemporary mournful islands of her own
In Shadow Paintings, the acclaimed Romanian painter Adrian Ghenie (born 1977) brings lost works
Himid invites readers into her process through an intimate view of
two new bodies of work that engage themes of power and memory Chinese painter Yu Hong (born 1966) constructs modern-day fables and complex,
of the great Egon Schiele (1890–1918) back to life. About a quarter of Schiele’s paintings remain allegorical compositions that channel historical, narrative-driven art as seen through a
missing or were destroyed, existing only as shadowy black-and-white photographs. Ghenie’s project Best known for her paintings that excavate the legacy of colonialism and expand the fiercely contemporary lens. Her newest series is inspired by the elegiac funeral depicted
takes viewers on a journey through decay and rebirth, transforming these shadow images into vivid possibilities of Black representation, Lubaina Himid (born 1954) played a pivotal role in in Island of the Dead (1880–1901), the most famous work of Swiss Symbolist painter
manifestations of the color spectrum, blurring the lines between reality and abstraction. “Schiele the British Black Arts Movement in the 1980s and became the first Black woman to win Arnold Böcklin (1827–1901). Each painting by Yu features figures on a solitary island
was, of course, part of my mental archive,” says Ghenie, whose painterly style has been compared to the Turner Prize in 2017. Published on the occasion of Himid’s most recent solo exhibition beset by crashing waves. Each entry represents a different emotion, underpinned by
that of Francis Bacon. “I have two things in common with Schiele. Not in terms of style, but in terms for The Contemporary Austin’s 2024 Suzanne Deal Booth / FLAG Art Foundation Prize, dread, until the viewer is able to, in Böcklin’s words, “dream into the world of dark
of attitude. As soon as you leave behind the traditional constraints of anatomy, the way you deform Make Do and Mend provides readers with a rare behind-the-scenes look into Himid’s shadows.” This body of work expands on the large, dramatic scenes Yu exhibited as
the human form can become a portrait of your character or inner psyche on a deeper level.” process for two new bodies of work: a suite of 10 Strategy Paintings depicting Black part of Another One Bites the Dust, her first major solo exhibition that occurred during
men and women seated around tables invested in problem-solving the dynamics of the Venice Biennale, characterized by their grandiose, often grotesque depictions of
EXHIBITION
power, and 64 sculptural plank paintings, entitled Aunties, that formally evoke East contemporary social anxieties.
Vienna, Austria: Albertina, 10/11/24–02/09/25
African funerary objects and Postminimalism, as they pay tribute to the relationships
between women.
EXHIBITION
New York, NY: FLAG Art Foundation, 09/13/24–02/08/25

Don Bachardy: Stéphane Mandelbaum Judithe Hernández: Beyond Sayre Gomez

A Life in Portraits Edited with text by Susanne Pfeffer. Text by Diedrich
Diederichsen, Ralf Marsault, Eileen Myles, Tal
Myself, Somewhere, Edited by Yehbonne Bien. Text by Tim Griffin,
Valerie Mindlin. Interview by Hamza Walker.
Edited by Dennis Carr, Karla Nielsen. Foreword
by Sandra Brooke Gordon, Christina Nielsen.
Sterngast. I Wait for My Arrival JRP|EDITIONS
Text by Katherine Bucknell, James Cahill, WALTHER KÖNIG, KÖLN
Text by María Esther Fernández, Valerie Taylor,
ISBN 9783037646236
Simon Callow, et al. Charlene Villaseñor Black, Ariel Xochitl Hernandez,
ISBN 9783753307244 u.s. $55.00 cad $82.00 gbp £47.00
Adela Tapia.
u.s. $40.00 cad $60.00 FLAT40 Hbk, 8.5 x 10.25 in. / 304 pgs / 250 color.
MARQUAND BOOKS/THE HUNTINGTON Pbk, 8.5 x 11.5 in. / 252 pgs / 126 color. April/Art
LIBRARY, ART MUSEUM, AND MARQUAND BOOKS/RIVERSIDE ART
February/Art Territory: WORLD Excl DE AT CH FR BE
BOTANICAL GARDENS MUSEUM/THE CHEECH MARIN CENTER FOR
Territory: NA LA ASIA AU/NZ AFR CHICANO ART & CULTURE
ISBN 9781646570447
u.s. $39.95 cad $59.95 gbp £34.00 ISBN 9781646570416
Hbk, 10 x 12 in. / 168 pgs / 147 color. u.s. $60.00 cad $90.00 gbp £51.00
June/Art Hbk, 9.5 x 10.75 in. / 160 pgs / 137 color.
January/Art Hyperrealistic, mesmerizing Los Angeles landscapes that
Territory: WORLD Rediscovering the transgressive, grotesque drawings of a self- Territory: WORLD
A career survey of the Los Angeles portrait artist known for his proclaimed “good-for-nothing” artist whose criminal ties cost highlight the city’s beauty and allure alongside its urban decay
spontaneous, blunt portrayals him his life Chicana painter Judithe Hernández’s subversive female and materialism
Over the past seven decades, Santa Monica–based artist Don Bachardy (born 1934) has Driven by fascination as well as contempt, Belgian artist Stéphane Mandelbaum archetypes offer her perspective on the historical and Sayre Gomez (born 1982) is known for his semi-fictionalized and photorealistic paintings
created thousands of visceral, compelling portraits from life. Many of these poignant (1961–86) produced hundreds of drawings within a short creative period of just 10 years. contemporary roles of women depicting his hometown of Los Angeles. At once beautiful and dystopian, the paintings
renderings are of Bachardy’s longtime partner, the writer Christopher Isherwood. Other As a descendant of Holocaust survivors, Jewish history and persecution was often at utilize different techniques such as airbrushing and stenciling, similar to those used to
As the fifth and only female member of the art collective Los Four, Judithe Hernández
subjects include such famous figures as Bette Davis, W.H. Auden, James Baldwin and the center of his work. His portraits, reminiscent of the strained, tortured figures of paint Hollywood movie sets. Various signifiers are quintessentially Southern Californian,
(born 1948) was a figurehead of Chicano/a art in California. She began her artistic
David Hockney. This lavishly illustrated volume accompanies the Huntington’s landmark George Grosz, include renderings of Arthur Rimbaud, Francis Bacon, Pierre Goldman, such as the strip malls filled with commercial business signage as well as large advertising
career as a muralist in the 1970s, executing commissions for Cesar Chavez and the
exhibition, which explores the range and depth of Bachardy’s practice. Essays by art critics, his grandfather Szulim and his father Arié, but also of National Socialist criminals such billboards and cartoon figures. The flawless execution and luminescence of Gomez’s
United Farm Workers Union, and at the Ramona Gardens Housing Project in East Los
biographers and some of Bachardy’s subjects offer fresh perspectives on the work of this as Joseph Goebbels and Ernst Röhm. He interspersed these sketches with newspaper canvases, along with shifts between hard and sharp focus, are painterly reflections on the
Angeles. Her paintings and pastel drawings place women against vague, dreamlike
inventive artist, setting him in context within a vibrant community of Los Angeles artists, clippings or coarse, short, disparaging phrases in Yiddish, Italian, French or German. digital flattening and blurring of life and culture through screen-based technology. These
backgrounds, clothed in traditional garb or surrounded by animals, gesturing beyond the
actors, writers and intellectuals. The career survey is filled with evocative portraits and This monograph captures Mandelbaum’s haunting, deliberately provocative oeuvre, works tackle issues such as nostalgia, authenticity and simulation. The first major survey
picture plane while gazing solidly at the viewer. Art historian Margarita Nieto writes that
photos from Bachardy’s personal collection, loans from private collections and objects from permeated by his Jewish descent, Belgium’s colonial history and the seedy criminal dedicated to his practice, which also includes sculpture, video work and installation, this
Hernández “speaks of woman hidden in her masks of roles…enhanced by a subconscious
the Huntington’s extensive collection of Bachardy’s work and Isherwood’s papers. underworld of Brussels—which ultimately claimed his life. reference monograph on Gomez spans works created between 2016 and the present.
precognition of a mythic past.” Beyond Myself, Somewhere, I Wait for My Arrival
EXHIBITION
represents the first comprehensive evaluation of Hernández’s 50-year career, and how it
San Marino, CA: The Huntington, 04/12/25–08/04/25 has informed Chicano/a artistic practices today.

94 ­­artbook.com artbook.com 95
We welcome TEMBLORES PUBLICACIONES to the D.A.P. list. This Mexico-based imprint inspires Soft abstractions, vivid grid paintings and symbol-laden compositions HIGHLIGHTS ■ ART
radical imaginations around expansive art histories across the Americas.
Ding Yi: Cross Galaxy Henok Melkamzer:
Edited with text by Yongwoo Lee. Text by Monica
Dematté, Hou Hanru, Carol Yinghua Lu, Alexandra
Telsem Symbols and
Pedro Lasch: Wendy Cabrera Rubio: Munroe, Hans Ulrich Obrist, Karen Smith, Jonathan Imagery
Watkins, Ding Yi.
Between the Lines The Adventures of Relative Edited by Elizabeth W. Giorgis.
Edited by Lucía Sanromán Aranda. Foreword by
Alejandra Frausto Guerrero. Text by Helena Chávez
Existence and Other Tales MARSILIO ARTE
ISBN 9791254632635
SKIRA
Text by Natalia de la Rosa, Daniel Aguilar Ruvalcaba, ISBN 9788857252865
Mac Gregor, Renato González Mello, Anna Indych- u.s. $70.00 cad $105.00 gbp £60.00
Neil Mauricio Andrade, Yuriko Córtes Salcedo, u.s. $40.00 cad $60.00
López, Bill Kelley, Jr., Lucía Sanromán Aranda, Hbk, 9 x 12 in. / 240 pgs / 290 color.
Christian Gómez Vega, Edgar Alejandro Hernández, Hbk, 6.5 x 9.25 in. / 144 pgs / 160 color.
Marycar Bastida, Pao Gallardo Aguilar, Paloma June/Art
Juan Pablo Ramos, Sandra Sánchez, Aldo Sánchez, March/Art
Gómez Puente. Territory: WORLD
Mónica Ramírez Bernal, et al. Territory: NA LA
TEMBLORES PUBLICACIONES
ISBN 9786079939755 TEMBLORES PUBLICACIONES
u.s. $40.00 cad $60.00 ISBN 9786079939762 Through intricate grids of small crosses, Ding builds up A rare look into the ancient Ethiopian art of telsem from a
Hbk, 8.5 x 10.5 in. / 176 pgs / 131 color. u.s. $30.00 cad $45.00 sophisticated, constellation-like canvases modern master of the practice
February/Art Pbk, 7 x 9.75 in. / 152 pgs / 131 color.
March/Art In reaction to widespread propaganda and the turn toward figuration in late 1980s Realized in collaboration with the Africa Institute, Sharjah, and Sharjah Art Foundation,
Territory: NA ONLY
Territory: NA ONLY China, Ding Yi (born 1962) developed a purely geometric painting language. Using this comprehensive survey features work by the prolific contemporary Ethiopian artist
An activist artist renowned for creating opportunities for social building blocks of stars and crosses, Ding tessellates these symbols together across Henok Melkamzer, who has attained international acclaim for his telsem works and as
encounter and collaboration Rubio’s tongue-in-cheek comics and artworks bridge high culture one or several canvases to create large, engrossing compositions that read as intricate an advocate for his cultural heritage. Traditionally used for personal healing, telsem is
with kitsch while exploring constructions of mixed-race identity patterns or constellations. an ancient, talismanic form of painting that originated in Ethiopia. Traditionally made
This midcareer survey documents the first retrospective for US-based Mexican artist Cross Galaxy introduces a new, avant-garde voice in contemporary Chinese on scrolls with vegetable dyes, it interweaves symbols, drawings and texts. Melkamzer’s
Pedro Lasch (born 1975), celebrated for his socially engaged artworks and experimental Through her work, Mexican artist Wendy Cabrera Rubio (born 1993) investigates the
painting. The book was developed from a long-term research project initiated by the contemporary telsem works are primarily made with acrylic on canvas, adapting an
pedagogy. The catalog encompasses 13 series of works created from the 1990s to temporal and narrative traces of Mexican identity, a history marked by the creation
artist’s solo exhibition at the Shenzhen Museum of Contemporary Art and presents ancient and highly intricate art to the realities of the modern world. Shaped throughout
the present and features four key thematic axes: art as a tool, games, fiction and of a nationalism whose fixation on an Indigenous past wanders into the present. She
a comprehensive study of Ding’s 40-year practice. Art historians, curators and the ages by the sociopolitical and cultural histories of Ethiopia, telsem is now often used
displacement. Lasch conceives of his work as a means to politicize form. He creates is part of a generation of artists revisiting the history of Mexican arts and crafts with a
collaborators contribute interviews, reviews, commentary and anecdotes on the artist’s to address critical contemporary problems such as climate disasters, war and poverty.
both objects and process-based artworks with the capacity to function as tools for multidisciplinary and pedagogical approach. Her practice explores the production and
life and work, alongside images of Ding’s studio, early exhibitions from the 1980s and Though telsem has often been characterized as “healing art” within Western frameworks
consciousness-raising, to address the systems that underpin social, political and distribution of images; using strategies such as appropriation and performance, Rubio
details of his scintillating paintings. (indeed, Melkamzer trained in the art under traditional telsem healers), these works put
economic relations. His work occupies a space between engagement and autonomy, condenses arts and crafts, history and storytelling. This book focuses on the construction
the adapted genre in dialogue with the wider world of contemporary art.
traditional genre and experimental process, as well as national identity and anarchist of mestizaje (meaning “mixed race”) and the differences between a “popular” art and a
self-regulation. “cultured” art.

Paloma Contreras Lomas: Cynthia Gutiérrez: Tony Bechara: Salvo: Arriving on Time
Ancestral Fears May Return Inhabiting Collapse Annotations on Edited with text by Sarah Cosulich, Lucrezia Calabrò
Visconti. Text by Valérie Da Costa, Giorgio Di Domenico,
Edited by Jesús A. Villalobos Fuentes. Text by Paloma
Contreras Lomas.
Edited by Ana Gabriela García, Jesús A. Villalobos
Fuentes. Text by Eduardo Abaroa, Paulina Ascencio
Color Schemes Mario Garcia Torres, Alison Gingeras, Norma Mangione,
Cristina Tuarivoli.
Fuentes, Sandra Rozental, Víctor Palacios Armendáriz, LISSON GALLERY/TONY BECHARA
TEMBLORES PUBLICACIONES Lorena Peña Brito. JRP|EDITIONS
ISBN 9798990804005
ISBN 9786079939779 u.s. $70.00 cad $105.00 gbp £60.00 ISBN 9783037646298
u.s. $28.00 cad $42.00 TEMBLORES PUBLICACIONES u.s. $45.00 cad $68.00 gbp £38.00
Hbk, 11 x 9.75 in. / 130 pgs / 117 color / 13 b&w.
Pbk, 8.25 x 11 in. / 208 pgs / 48 color / 160 b&w. ISBN 9786079939700 April/Art Pbk, 6.75 x 9.25 in. / 400 pgs / 160 color / 40 b&w.
March/Art u.s. $38.00 cad $57.00 Territory: WORLD April/Art
Territory: NA ONLY Pbk, 8.5 x 11 in. / 136 pgs / 45 color / 23 duotone. Territory: WORLD Excl DE AT CH FR BE
February/Art
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Inside Bechara’s thought process for his meticulously planned
Contreras Lomas uses bright, baroque and sometimes A leading Mexican artist counters fixed cultural histories with and painted colorful geometric grids A visual itinerary through Salvo’s obsessive themes: the passing
stereotypical imagery to summon the ghosts of the Mexican handmade and artisanal objects Puerto Rico–born, New York–based artist Tony Bechara (born 1942) served as board of time, art history, urban life, color and light
Catholic middle class through her films and recent paintings Mexican artist Cynthia Gutiérrez (born 1978) is one of the leading figures of contemporary
president of El Museo del Barrio for 15 years, while also honing his own geometric
Salvatore Mangione, known as Salvo (1947–2015), is one of the most singular voices
abstraction process. Dividing his canvas into hundreds of quarter-inch squares,
In Ancestral Fears May Return, Mexican artist Paloma Contreras Lomas (born 1991) art in Mexico. Through her research-based projects, Gutiérrez navigates the relationship of Italian contemporary art, with his paintings still achieving critical and commercial
Bechara meticulously fills each space in with complementary colors. The resulting
delves into the intricate relationship between art and writing, showcasing her artistic between past and present, memory and oblivion. Inhabiting Collapse is based on the success even a decade after his death. He began as a conceptual artist active in the
grid paintings thus evoke a variety of cultural influences: from Seurat’s pioneering
practice through a novel, a collection of short stories and an album of images of her art. exhibition of the same name at the Museo Cabañas in Guadalajara, in which, through the Arte Povera circle. In 1973, he returned to painting for good—an unconventional, old-
pointillism to hard-edge abstraction, traditional weaving and 8-bit “pixel art” of the
In this compelling work, she examines the complicity of the landscape in the violence recognition and appropriation of sculptural language, she makes an incisive critique of fashioned choice for the time. The brightly colored geometric forms that comprise his
last half century. In keeping with Bechara’s richly chromatic oeuvre, this artist’s book
that permeates Mexico, addressing the various facets of patriarchy in everyday life and the discourses that reproduce national identity and the political processes that maintain landscapes and still lifes evoke both the post-Impressionist experimentation of Cézanne
is inspired by Bechara’s notes and color formulas that form the basis for his acrylic
its underlying power structures. The fears she portrays are experiences that transcend nation-states. Her work proposes a dialogue between reality and fiction and between the and the metaphysical scenes of Giorgio de Chirico. His ceaseless research into light, color
paintings. It features over 130 illustrations, with foldouts and multiple materials, as
individual lives, inherited from generation to generation, carrying with them the ghosts of handmade and the reproduction dynamics of capital. Gutiérrez works across mediums and depicting the passage of time gives birth to a mesmerizing vision merging realism
well as a glossary of key motifs that introduces Bechara’s personal artistic language to
the violence that Mexico has endured since its formation. In this multimedia intervention, including drawing, painting, video, readymades, sculpture and tapestries. Her works with mysticism. Conceived to open up a critical reading of Salvo’s work to an international
the public for the first time.
Contreras Lomas addresses subjects such as gender, violence, class segregation and explore the ways in which identity or nationalism are embedded in objects—monuments audience, this comprehensive publication, published with Pinacoteca Agnelli, includes
postcolonialism. In her practice, geopolitical histories are interwoven with film noir in particular—analyzing the ongoing adherence to moral, ethical, political and aesthetic new contributions by an international array of artists, curators and writers.
fantasies and family narratives, creating speculative spaces where fear and imagination parameters that originated in classical antiquity.
EXHIBITION
are equally present.
Turin, Italy: Pinacoteca Agnelli, 11/01/24–05/25/25

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Modern and contemporary abstract painting Twentieth-century Minimalism, Conceptualism and performance art HIGHLIGHTS ■ ART

Joan Snyder: Vivian Suter: Disco Rosemarie Castoro

Body & Soul Edited by Clément Dirié, Sérgio Mah, François Piron.
Text by Sérgio Mah, François Piron, Vivian Suter.
Edited by Lionel Bovier, Julien Fronsacq. Text by Julien
Fronsacq, Sarah Lehrer-Graiwer, Laurence Schmidlin,
Edited by Oona Doyle. Text by Emily Rachel Stella.
LaBarge, Susan Alberth. JRP|EDITIONS
ISBN 9783037646281 JRP|EDITIONS
THADDAEUS ROPAC u.s. $45.00 cad $68.00 gbp £38.00 ISBN 9783037646212
ISBN 9781739651671 Pbk, 9.5 x 12 in. / 324 pgs / 230 color. u.s. $40.00 cad $60.00 gbp £34.00
u.s. $60.00 cad $90.00 April/Art Hbk, 6.25 x 9 in. / 168 pgs / 100 color / 25 b&w.
Hbk, 9.5 x 11.75 in. / 183 pgs / 75 color. Territory: WORLD Excl DE AT CH FR BE May/Art
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Rigorous interrogation of abstraction underpinned by a

feminist outlook
Suter’s large, gestural canvases propose a colorful and style-free A central figure of the New York art scene of the 1960s and ’70s,
For six decades, American artist Joan Snyder (born 1940) has reimagined the narrative ode to the possibilities of painting Castoro experimented in painting, sculpture and performance:
potential of abstraction through her paintings, drawings and prints, consciously working
Sumptuously illustrated, this publication on the Argentine Swiss artist Vivian Suter
subversive even for her time
against the male-dominated conventions of Minimalism, Abstract Expressionism and
(born 1949) offers an immersive approach to her painting practice. Based in Panajachel, As a self-titled “paintersculptor,” Rosemarie Castoro (1939–2015) had a singular take
Color Field painting prevalent at her career’s start. This publication celebrates the
Guatemala, since 1982, Suter works on her paintings both indoors and outdoors, allowing on Minimal and Conceptual art. She initially explored the potential of abstract and
work of this pioneering artist, featuring stunning reproductions of 46 of her paintings,
the natural elements of the subtropical ecosystem to permeate her work. Traces of rain, monochrome painting, going on to expand their sphere and modes of operation to
spanning from the early 1960s to the present day. In addition to full images of the works,
sunlight, flora and fauna often inhabit her unstretched canvases painted with swaths incorporate the body, and even the exhibition space, thanks to decisive sculptural
high-quality detail shots allow readers to immerse themselves in the rich materiality of
of color, expressing her close interaction with external factors and her break with the experimentation, organic metal and Masonite shapes, street works and architectural
her work. The catalog includes archival imagery and sketches from Snyder’s personal
traditional notion of authorship. Her gestural works are the result of a daily physical interventions. In so doing, she distorted elementary forms through her haptic, integrated
notebooks, offering an intimate glimpse into her artistic process. Texts by writer Emily
and emotional relationship with the materials and the contingencies of nature in her and sexualized treatment. Together with Christine Kozlov and Adrian Piper, she was one of
LaBarge and art historian Susan L. Aberth provide insight, deepening our understanding
immediate surroundings. Published to accompany her international touring exhibition, the women artists featured in Ursula Meyer’s anthology of Conceptual art in 1972. Lucy R.
of the motifs and techniques of Snyder’s practice.
this monograph also documents Suter’s unique studio environment which is central to Lippard included her in her famous Numbers exhibitions in 1969—championing Castoro
her practice, and is interspersed with the artist’s poetry, prose, songs and aphorisms. as having “subverted or overridden Minimalism on its own turf.” Archival documentation
as well as new exhibition views and images of works complete this volume, published with
EXHIBITION
MAMCO Geneva, to make it the most comprehensive monograph available on the artist.
Lisbon, Portugal: MAAT, 10/30/24–03/17/25
Paris, France: Palais de Tokyo, 06/25–09/25

Jean-Michel Basquiat: Clive van den Berg Barbara T. Smith: NEW REVISED EDITION

Engadin Foreword by Anthony Dawson. Text by Rosalind C. I Am Abandoned Adrian Piper:

Foreword by Bruno Bischofberger, Iwan Wirth. Essay by
Morris, Graeme Reid.
Afterword by Mashinka Firunts Hakopian. Race Traitor
Dieter Buchhart. Chronology by Sophie Wratzfeld, Bruno SKIRA Edited by Diego Sileo.
Bischofberger, Silvia Sokalski. ISBN 9788857252872 PRIMARY INFORMATION
u.s. $65.00 cad $95.00 ISBN 9798991036702 SILVANA EDITORIALE
HAUSER & WIRTH PUBLISHERS Hbk, 8.25 x 10.25 in. / 256 pgs / 230 color. u.s. $20.00 cad $30.00 ISBN 9788836658688
ISBN 9783907493021 February/Art Pbk, 6.5 x 9.25 in. / 144 pgs / 16 color / 4 b&w. u.s. $40.00 cad $60.00
u.s. $25.00 cad $38.00 Territory: NA LA April/Art Hbk, 9 x 11 in. / 328 pgs / 190 color.
Hbk, 13.5 x 9.5 in. / 76 pgs / 60 color. Territory: NA ONLY March/Art
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Inside Basquiat’s Swiss-inspired works and his many productive, Evoking landscapes and the human body as sites of memory, van A foundational work of performance art utilizing two early Piper examines the social construction of race and Blackness
collaborative trips to the Engadin region den Berg inserts queer perspectives into the larger rewriting of chatbots to critique the male domination of emerging through conceptual projects questioning her own identity
Inextricably associated with New York City, Jean-Michel Basquiat (1960–88) nonetheless South African history technologies This book grows out of the first European retrospective in more than 20 years dedicated
had several creative connections to cities across the world. Jean-Michel Basquiat: Zambia-born, South Africa–based artist Clive van den Berg (born 1956) produces a range A 1976 performance by American artist Barbara T. Smith (born 1931), I Am Abandoned to celebrated Berlin-based American conceptual artist and Kantian philosopher
Engadin traces the renowned artist’s relationship with Switzerland, which began in 1982 of multimedia works unified by five themes: memory, light, landscape, desire and the featured a conversation in real time between two psychoanalytic computer programs Adrian Piper (born 1948). Race Traitor brings together more than 100 works including
after his first exhibition with Bruno Bischofberger Gallery in Zurich. Bischofberger would body. Embodied in his lush paintings, mixed-media sculptures, delicate prints, films and (two of the earliest chatbots) alongside a staging of Goya’s The Naked Maja, in which the installations, videos, photographs, paintings and drawings spanning 60 years of her
go on to introduce Basquiat to Francesco Clemente, who would form part of a creative public projects, these themes are bound up with the history of his native South Africa artist projected an image of the famous painting on top of a clothed female model. This career, highlighting her analysis of the “visual pathology” of racism and the image of
triumvirate with Basquiat and Andy Warhol before the latter two became an inseparable and its ongoing ramifications. For van den Berg, both the body and the landscape are publication includes a full transcript of the “conversation” between the two programs, African American people determined by society and many widespread stereotypes.
duo. The artist went on to visit the country numerous times, frequently returning to St. sites that carry memories and scars, evoking desires which he aims to reveal in his work, documentation and ephemera from the performance, and Smith’s reflections on the Established as a Conceptual and Minimalist artist on the New York art scene of the late
Moritz and the Engadin region. Basquiat’s travels resulted in a body of work that captures often through the illuminating power of light. He has marked sites affected by Apartheid night. To revisit I Am Abandoned today is to see the critical and liberating potential that 1960s, Piper raises often uncomfortable questions about politics and racial and gender
his impressions of the Swiss Alpine landscape and culture through the lens of his highly with human figures formed out of fire, and often depicts the body itself as a landscape, art can have when it intervenes in new technologies. Against today’s backdrop of AI, identity, asking people to confront truths about themselves and the society in which they
distinctive and personal artistic language, complete with stick figure skiers, traditional bearing the marks of AIDS. This catalog, accompanying an intercontinental touring Smith’s early work with emerging technologies, and in this case chatbots, is prophetic live. The permanent struggle against racism, xenophobia, social injustice and hatred is
Swiss dishes and scrawled German phrases. exhibition from Johannesburg to London to Washington, DC, introduces van den Berg’s and hints at the contemporary conversation around the gendered and racialized machinic the core of her philosophical, artistic and activist practice. Her research has inspired
political yet poignant work to the world. biases of our current computational landscape. entire generations of contemporary artists.
EXHIBITION
St. Moritz, Switzerland: Hauser & Wirth, 12/14/24–03/29/25 EXHIBITION
London, UK: Goodman Gallery, 04/25
Washington, DC: Smithsonian National Museum of African Art, 05/25
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Artists reconciling history, violence and politics in America and beyond Contemporary artists engage with pop culture and the built environment HIGHLIGHTS ■ ART

Thomas Schütte: Wafaa Bilal: Indulge Me American Artist: Alex Da Corte: The Whale
Genealogies Edited with text by Bana Kattan. Foreword by Madeleine
Grynsztejn. Text by Wafaa Bilal. Interview by Lynn
Shaper of God Edited with text by Alison Hearst, Alex Da Corte.
Foreword by Andrea Karnes. Text by Hanif Abdurraqib,
Edited with text by Jean-Marie Gallais, Camille Hershman Leeson. Edited by Zainab Aliyu. Text by American Artist, Taylor Kemi Adeyemi, Suzanne Hudson.
Morineau. Text by Antonia Boström, Emma Lavigne. Renee Aldridge, Lou Cornum, Tananarive Due, Alexis
DELMONICO BOOKS/MUSEUM OF Pauline Gumbs, Ayana Jamieson, Fred Moten. DELMONICO BOOKS/MODERN ART MUSEUM OF
MARSILIO ARTE CONTEMPORARY ART CHICAGO FORT WORTH
ISBN 9791254632673 ISBN 9781636811574 PIONEER WORKS PRESS ISBN 9781636811604
u.s. $50.00 cad $75.00 gbp £42.00 u.s. $34.95 cad $52.95 gbp £29.99 ISBN 9781945711220 u.s. $55.00 cad $82.00 gbp £47.00
Hbk, 8.5 x 11.5 in. / 304 pgs / 150 color. Pbk, 7.5 x 10.75 in. / 136 pgs / 80 color. u.s. $35.00 cad $53.00 Hbk, 6.75 x 9.5 in. / 176 pgs / 103 color / 2 b&w.
July/Art February/Art Pbk, 5.5 x 8 in. / 294 pgs / 83 color / 47 b&w. April/Art
Territory: WORLD Territory: WORLD February/Art Territory: WORLD
Territory: NA LA ASIA AU/NZ AFR ME

Reconciling violence and ingenuity, intimacy and theatricality, Bilal puts his body on the line to condemn the Iraq War, expose Visionary works exploring legendary science-fiction writer Drawing on pop-culture archetypes and commercial materials,
Schütte’s ongoing examination of the human figure spans US-Iraq tensions and highlight immigrants’ struggles in America Octavia Butler’s enduring influence on literature and culture Da Corte’s foam, shampoo and glass paintings receive their first
drawing, painting and sculpture Wafaa Bilal’s (born 1966) complex artistic practice spans a range of mediums and The richly illustrated Shaper of God is a compelling exploration of the legacy of science- dedicated museum survey and publication
Unclassifiable and protean, German artist Thomas Schütte’s (born 1954) work takes interests, including performance, time-based media, sculpture and interactive fiction writer Octavia E. Butler (1947–2006), reimagined through the visionary lens of Merging modernist color theory and Postminimalist spatial experiments with the
an uneasy, ironic look at the human condition. Genealogies explores the circulation and digital technologies. He frequently incorporates—and risks—his own body American Artist (born 1989). American Artist’s multidisciplinary approach delves into crowded, beautiful trash-scape of contemporary culture, Alex Da Corte (born 1980)
of motifs—mainly the human face—in Schütte’s works, transposed from one in his pieces: allowing an audience to shoot him with paintballs or having a video three pivotal themes of Butler’s oeuvre: the profound impact of her family’s migration; addresses sexuality, invisible labor, taste, power and desire. While most previous
medium to another. Caricatured, sometimes abused and always in motion, Schütte’s camera drilled into his head. Accompanying his first major survey, at the Museum of the role of Pasadena and Los Angeles, with their distinct academic, scientific and natural showcases have focused on Da Corte’s installations, The Whale is the first exhibition
anthropomorphic figures and busts come to life in clay, wax, ceramics, glass, steel or Contemporary Art Chicago, this critical volume covers the breadth of Bilal’s versatile landscapes; and her critical engagement with space exploration, interrogating its to survey his rich and eccentric relationship with painting over the past decade. As
bronze, all anchored in his preparatory drawings and portrait sketches. This catalog career, centering on his performance practice. It highlights significant early works such implications for Black and Indigenous communities. This book features American Artist’s is to be expected with his irreverent approach, Da Corte paints with both traditional
analyzes the artist’s relationship between paper and sculpture, the historical iconography as Domestic Tension (2007) and 3rdi (2010) alongside newer projects that investigate video, installation, sculpture and drawing, alongside essays, exhibition documentation and unconventional materials. His Shampoo Paintings are created with drugstore
of his signature faces and his creative process. Many of the drawings and watercolors the relationship between Saddam Hussein, Iraqi history, the Iraq War and US–Middle and a compilation of diverse mediums, including sketches, digital communications hair products, while his Puffy Paintings consist of upholstered neoprene. Other works
presented here have never been published before, giving the reader access to a more East relations. Much like Bilal’s broader practice, this publication shows us what it and archival materials, inviting readers to reconsider history, technology and identity. include his reverse paintings on glass, most commonly used in celluloid animation and
intimate facet of Schütte’s work. means to consciously engage across cultures while highlighting the negative global This volume is an essential resource for understanding both Butler’s groundbreaking commercial sign-making. Many of these paintings are published in book form for the first
implications of imperialism and exploitation. narratives and the contemporary issues they continue to shape. time, accompanied by Da Corte’s “Voice Memos” that elucidate his creative process.
EXHIBITION
Venice, Italy: Punta della Dogana, 04/06/25–11/23/25 EXHIBITION EXHIBITION EXHIBITION
Chicago, IL: Museum of Contemporary Art Chicago, 02/01/25–08/17/25 Brooklyn, NY: Pioneer Works, 01/24/25–04/13/25 Fort Worth, TX: Modern Art Museum of Fort Worth, 03/02/25–09/07/25

Mark Thomas Gibson Rodney McMillian: Damien Hirst: Damien Hirst:

Edited by Clément Dirié, Elisa Nadel. Text by Dan
Nadel, Didier William. Interview by Lauren McCardel.
The Land: Not Without The Light That Shines The Civilisation Paintings
JRP|EDITIONS
a Politic Introduction by Ellen Mara De Wachter. Foreword by Norman Rosenthal. Interview by
James Fox.
Text by jill moniz, Kathleen Rahn, Tanja-Bianca HENI PUBLISHING
ISBN 9783037646267
Schmidt. Conversation with Rodney McMillian, ISBN 9781912122950 HENI PUBLISHING
u.s. $45.00 cad $68.00 gbp £38.00
Anna Roberta Goetz. u.s. $75.00 cad $110.00 ISBN 9781911736059
Pbk, 9.5 x 11.25 in. / 168 pgs / 130 color.
May/Art Hbk, 10.75 x 12.25 in. / 248 pgs / 154 color. u.s. $49.95 cad $74.95
SPECTOR BOOKS February/Art Hbk, 10.25 x 12.25 in. / 108 pgs / 54 color.
Territory: WORLD Excl DE AT CH FR BE
ISBN 9783959058353 Territory: NA ONLY February/Art
u.s. $40.00 cad $60.00 Territory: NA ONLY
Hbk, 9.5 x 11.5 in. / 180 pgs / 170 color.
March/Art
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With comic-book style compositions and caricatures, Gibson A splendid array of classic and previously unseen works by the New paintings from British bad boy Hirst featuring urban
offers history painting to dystopic American myths Daring work exploring the complex connections between history British master, set among architectural gems environments and lush vegetation
Miami-born, Philadelphia-based artist Mark Thomas Gibson (born 1980) explores
and contemporary culture This striking catalog documents one of British artist Damien Hirst’s (born 1965) most Turner Prize–winning British artist Damien Hirst (born 1965) has long been known for
contemporary culture through painting, drawing, printmaking and sculpture, revisiting The work of American artist Rodney McMillian (born 1969) includes painting, sculpture ambitious exhibitions, spanning the entire 500-acre estate of Château La Coste in audacious formal experiments, but in the striking catalog The Civilisation Paintings,
pivotal moments in American history while implicating viewers as potential participants and installations as well as video, performance and sound works. His focus is on the Provence and its five exhibition pavilions—each designed by some of the world’s most Hirst offers Impressionist-inspired oil paintings that vividly capture the complexities
in the unfolding narrative. Storytelling is thus a pivotal aspect of his graphic, eye-catching role of Black people in art history and within the context of contemporary American life. renowned architects, including Renzo Piano, Richard Rogers and Oscar Niemeyer. The of modern urban landscapes. Vibrant trees and flowers weave through the scenes,
works, inspired as much by the satirical prints of Honoré Daumier as by the history In its thematic and formal rigor, following the trajectory set out by American Abstract Light That Shines harnesses the nature/culture question that has consistently permeated serving as poignant reminders of nature’s resilience amid human development. Realistic
paintings of Jacob Lawrence and the pulp novels and comic books of McCarthyist Expressionism and socially critical Postminimalism, McMillian’s work goes far beyond Hirst’s practice, setting his artworks in the beautiful landscapes of one of France’s oldest elements are contrasted with pointillist techniques and thrown paint. Hirst also overlays
America. As Gibson explains, “I am constantly reminded in every news cycle that we are this simple classification. In dealing with economic status, race, gender and tradition, it winemaking regions. Works range from the iconic formaldehyde sculptures to never- the compositions with colored spots arranged in grids, recalling his spot paintings.
entwined in a history of unfinished stories and plot points.” Employing caricature, pop becomes a material treatise on the social fabric of the US. Aspects of his work negotiate before-seen works, including the sculptures of Meteorites and Satellites, as well as Hirst infuses the series with deep emotion, compellingly contrasted by his use of AI
culture, horror and a dash of illusion, Gibson blends up two centuries of American history, between the body politic and a politicized body.The Land: Not Without a Politic Cosmos Paintings—all inspired by Hirst’s encounter with space in 2003 with the Beagle tools, showcasing his ongoing fascination with science and technology. This beautifully
from Manifest Destiny to the Biden era, serving it back to us with a raucous, caustic flair. reproduces the first European survey exhibition that ran at MARTA Herford and embeds 2 mission to Mars. Encased within an illustrated French-fold jacket, the artworks are designed catalog features 54 full-color reproductions of the complete series, both in its
it in the broader context of McMillian’s oeuvre and diverse social and art historical meticulously reproduced, their images extending into the gatefolds, and prefaced by an entirety and in its detail, and includes a foreword by art historian Norman Rosenthal and
EXHIBITION
discourses. introductory essay by Ellen Mara De Wachter. an in-depth interview with Hirst by journalist and author James Fox.
Collegeville, PA: Berman Museum of Art, 01/23/25–04/06/25

100 ­­artbook.com artbook.com 101

Sculpture and installation from three contemporary American women artists Public and large-scale immersive installation HIGHLIGHTS ■ ART

Millie Wilson: The Museum Niki de Saint Phalle: DRIFT: Shy Society
of Lesbian Dreams The Grotto Edited with text by Arturo Galansino.

Edited by David Evans Frantz, Amy L. Powell. Text by Jill Text by Ulrich Krempel, Ursula Bode, MARSILIO ARTE
H. Casid, David Evans Frantz. Conversation with Beatriz Ronald Clark, Pierre Marie Lejeune, Hans- ISBN 9791254632420
Cortez, Richard Hawkins, Kang Seung Lee, Jess Rath. Georg Preißel, Birgit Heidrich-Peiers. u.s. $30.00 cad $45.00 gbp £25.00
Hbk, 11 x 11 in. / 48 pgs / 20 color.
INVENTORY PRESS/KRANNERT ART MUSEUM HATJE CANTZ March/Art
ISBN 9781941753750 ISBN 9783775758659 Territory: WORLD
u.s. $45.00 cad $68.00 gbp £38.00 u.s. $28.00 cad $42.00
Pbk, 8.25 x 11.75 in. / 192 pgs / 144 color / 20 b&w. Hbk, 7.5 x 9 in. / 104 pgs / 80 color.
March/Art April/Art
Territory: WORLD Territory: NA LA

The first retrospective monograph for a legendary feminist artist The final, astonishing work of Niki de Saint Phalle: a revitalized A dazzling, interactive light display in a Renaissance courtyard
and pedagogue who taught generations of artists at CalArts German grotto bedecked with mirrors, glass ceramics and connects the history of art with the age of technology
colored stones
Accompanying the first retrospective exhibition showcasing three decades of work The Dutch duo Lonneke Gordijn (born 1980) and Ralph Nauta (born 1978), working
from Millie Wilson (born 1948), this publication delves into the influential, yet under- The three rooms of the Grotto, built in the Herrenhäuser Gärten in Hanover in 1676, together as DRIFT, have gained an international reputation at the head of a
recognized, artist and educator whose work has deftly examined feminism, queerness were originally decorated with mussels, crystals, glass and minerals, serving as a place multidisciplinary team of 64 artists and designers who create works able to transform
and their historical erasure from art institutions. Her work joins 1980s postmodernism of enchantment and as a cool retreat on hot days. After its restoration for Expo 2000, and choreograph space. After interventions at Burning Man in the Nevada desert, NASA
with the personally and politically charged conceptualism of the 1990s, reflecting a the inside of the Grotto was newly designed according to plans by French American and the Victoria & Albert Museum, the duo proposes a performance in the courtyard of
particularly unruly conception of queerness that emerged in California during these artist Niki de Saint Phalle (1930–2002). This represents the final work in her remarkable Palazzo Strozzi that is a breathtaking blend of art and technology. Fusing installation,
decades. The catalog highlights Wilson’s appropriation of museum display practices and oeuvre, beautifully captured in this volume. The octagonal middle room and those to sculpture and music, Shy Society turns the Renaissance courtyard into an enveloping
institutional authority, her art historical references to Dada and Surrealism, her sharp its left and right were splendidly decorated with mosaics made from colored glass and stage, setting up a dialogue between nature and technology, knowledge and intuition,
attention to gendered portrayals of sexual deviance in early 20th-century psychoanalysis mirrors, with pebbles and numerous painted sculptures made of fiberglass. The spiral- and science and poetry. The work is an invitation to look again at the historical context of
and sexology, and her long-standing interest in bodies as contested sites. It also features shaped arrangement of the ornaments around the column in the entrance hall symbolizes the building as a new and evocative venue and setting, where each visitor becomes the
newly commissioned scholarly essays by curator David Evans Frantz and scholar Jill spirituality, with the western mirrored room signifying day and life and the eastern blue protagonist of a multisensory experience that prompts a reconsideration of the space
H. Casid, a conversation among artists who studied with Wilson, and extensive new room night and the cosmos. that surrounds us.
EXHIBITION
Champaign, IL: Krannert Art Museum, 08/29/24–03/01/25 photographic documentation of Wilson’s work.
Los Angeles, CA: The Luckman Fine Arts Complex at Cal State, 10/25/25–05/31/26

Arlene Shechet: Girl Group Kaari Upson: Dollhouse Anila Quayyum Agha: Chiharu Shiota
Foreword by John P. Stern. Text by Eric Booker, Nora
Lawrence, Kate Nesin, Anne Reeve, Arlene Shechet,
A Retrospective Interwoven Edited by Denise Wendel-Poray. Text by Andrea Jahn,
Christelle Pélissier-Roy.
Foreword by Poul Erik Tøjner. Introduction by Text by Salima Hashmi, Jeremiah William
Sheena Wagstaff.
Anders Kold. Text by Elena Filipovic, Michael Ned McCarthy, Nadia Radwan, Javairia Shahid, SKIRA PARIS
GREGORY R. MILLER & CO. /
Holte, Paulina Pobocha, Johan Holten. Rafia Zakaria. ISBN 9782370742636
STORM KING ART CENTER u.s. $55.00 cad $82.00
LOUISIANA MUSEUM OF MODERN ART DANCING FOXES PRESS/THE
ISBN 9781941366776 Hbk, 9.5 x 12.25 in. / 240 pgs / 150 color.
ISBN 9788793659872 WESTMORELAND MUSEUM OF
u.s. $55.00 cad $82.00 gbp £47.00 March/Art
u.s. $45.00 cad $68.00 gbp £38.00 AMERICAN ART
Hbk, 9.75 x 12.5 in. / 173 pgs. Territory: NA LA
Hbk, 9.5 x 11.5 in. / 240 pgs / 115 color / 40 b&w. ISBN 9781954947153
March/Art
February/Art u.s. $45.00 cad $68.00 gbp £38.00
Territory: WORLD
Territory: WORLD Pbk, 7.75 x 8.75 in. / 180 pgs / 120 color.
May/Art
Territory: WORLD
In a palette of blues, greens, pinks and purples, Shechet’s metal Upson’s first museum exhibition following her untimely death Shiota provides insights into the greatest moments in her oeuvre
sculptures physically and conceptually expand her playful work shows the range of an artist already well on her way to becoming of vast installations made from found objects
with ceramics a modern classic
Untangling the conceptual threads that unite a distinguished This extensive monograph documents the work of the Japanese artist Chiharu Shiota
Published in conjunction with her exhibition of the same title, Girl Group brings together At her untimely death from cancer in 2021 at the age of 51, Kaari Upson (1970–2021) artist’s two- and three-dimensional artworks (born 1972), who has created a distinctive and enthralling body of work—including
New York–born and –based artist Arlene Shechet’s (born 1951) recent work in wood, was widely regarded as one of the most significant and versatile American artists of drawings, sculptures and installations—rarely equalled for its depth and universality.
her generation with a practice spanning sculpture, drawing, performance, film and Spanning two decades of the multifaceted work of Pakistani American visual artist Anila
steel, ceramic, paper and bronze with six new monumental sculptures created for the The book is published on the occasion of the inaugural exhibition at the Grand Palais in
painting. Though her career was cut short, she left behind a rich, intense and strongly Quayyum Agha (born 1965), Interwoven documents immersive installations, embroidery,
expansive grounds of Storm King Art Center in New Windsor, New York. The exhibition Paris and in conjunction with the new partnership between Skira and Chargeurs Museum
personal body of work that revolves around identity, body, sex, relationships, memory, drawings, paintings and wall sculptures. Such visual gateways, the “patterns used to
centers on the translation of Shechet’s lyrical ceramics into the six robust, large-scale Studio, its mother house, with the Grand Palais Immersif. More than a retrospective, this
illness and loss. Published on the occasion of the Louisiana’s retrospective exhibition, break patterns,” as the New York Times put it in a recent profile on the artist, poetically
painted metal sculptures, an ambitious new body of work that expands upon the artist’s book is a comprehensive excursion into the daily life and work of this exceptional artist
the catalogue comprises the Los Angeles–based artist’s most important works: from her convey the contradictions and layered dimensions of the American journey. Whether
intuitive and handmade approach. Through her signature emphasis on process and and provides a rare backstage glimpse of the mesmerizing, immersive installations and
dollhouses to The Larry Project, where she conducted something close to a criminological immersive rooms of light or delicate, intimate drawings, Agha’s works prompt feelings
improvisation, Shechet harnesses the expressive power of geometry, line, color and form environments for which she is celebrated. Complete with abundant illustrations, an
“investigation” of a person who once lived across from her childhood home in San of wonder, disarming audiences with their beauty and allowing them to ponder deep
in works displayed across Storm King’s hills, fields and galleries. Stunningly designed, intimate interview and an insightful essay, this book explores the bold experimentation
Bernardino, California; her Mother’s Legs tree trunk installation and her never-before- questions regarding themes such as the history of women, the role of spirituality and the
this book features raw edges on boards with a flush trim, and captures Shechet’s practice and rigorous critical thinking that lie behind Shiota’s masterful works.
shown large series of “foot face” drawings that she made just before she died. immigrant experience. The book includes essays that explore Agha’s work through the
through vibrant fabrication and installation photography,
lenses of biography, feminism and art and architectural history. EXHIBITION
EXHIBITION Paris, France: Grand Palais, 12/11/24–03/19/25
Humlebæk, Denmark: Louisiana Museum of Modern Art, 05/27/25–10/26/25

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Artists in conversation with plants and nature Meditations on nature, from the Atlantic Ocean to the Northern Lights HIGHLIGHTS ■ ART

Leonie Brandner: Three A Tree

Becomes Two Becomes One A Reader on Arboreal Kinship
Becomes None Edited with text by Marjolein van der Loo. Text by Joss Allen, Céline
Baumann, Bárbara Sánchez Barroso, Jorge Menna Barreto, Renée
Cosmopoiesis of Mandragoras Bus, Lucy Davis, Amirio Freeman, Manjot Kaur, Karen Lofgren, Anne
Richter, Jerrold Saija, Oscar Salguero, Jonmar van Vlijmen, Müge
Edited by Marjolein van der Loo. Yilmaz. Artwork by Gerbrand Burger, Chihiro Geuzenbroek, Femke
Habets, Roderick Hietbrink, Ingela Ihrman, Mari Keski-Korsu, Alice
ONOMATOPEE
Ladenburg, Hira Nabi, Frank Resseler, Sanne Vaassen.
ISBN 9789493382060
u.s. $29.00 cad $40.00 ONOMATOPEE
Pbk, 6 x 7.75 in. / 196 pgs / 65 color / 10 b&w. ISBN 9789493382077
February/Cultural Theory/Art/Artists' Writings/Nature/Science u.s. $19.00 cad $28.00
Territory: NA LA ASIA AFR Pbk, 4.25 x 6.75 in. / 128 pgs / 113 b&w.
February/Cultural Theory/Gardening
Territory: NA LA ASIA AFR
An artist’s rigorous examination of the historical and future significance
of a hallucinogenic member of the nightshade family
The mandragora plant, commonly known as the mandrake, is one of the best-recorded
Artistic practices that share intimate, speculative and queer
gynecological herbal substances. It is also the only plant in the European context historically observations of tree kinship
depicted as half human and half plant. In the richly illustrated Three Becomes Two Becomes One Plants make the world; they literally create soil, shape landscapes and regulate the climate to some
Becomes None, the Swiss artist Leonie Brandner (born 1992) explores the medicinal and magical extent. They provide oxygen, fuel, food, building materials and shelter. Is anthropomorphism a way
properties of the plant, moving from the beginning of recorded storytelling to ancient Egyptian to strengthen the connection between humans and trees or a danger that makes it impossible to
and Greek mythology and the many other stories that have grown around mandragora throughout acquire objective knowledge? A Tree: A Reader on Arboreal Kinship showcases research and works
history. Joining rigorous historical research with her own perception and encounters, she traces in which artists explore the relationship between people and trees and ways we can relate more
mandragora through medicinal tomes and folklore, eventually arriving at the impact the plant closely to their time span. (Some species, such as pines and Japanese cypress trees, can live up to
had during the witch hunts of the Middle Ages. Could the mandragora’s many stories hold the 5,000 years.) A Tree is about vegetal agency, plant knowledge and the interaction between plants
potential for new orders and world-making? Brandner creates a dazzling kaleidoscopic image of and people. The aim of this reader is to nurture and encourage dialogues and to share inspiration
human–plant imaginations across time. on exercising arboreal kinship by taking the time to think about trees differently.

Andrea Blum: Biota Science/Fiction: Radio Brown Atlantis Northern Lights

A Discourse between Art and A Non-History of Plants Edited by Ayesha Hameed, Rachel Valinsky, Keyna
Eleison, Manuela Moscoso, Shuddhabrata Sengupta.
Edited by Ulf Küster, Helga Christoffersen.
Architecture from the 1970s to the Edited with text by Clothilde Morette, Victoria Aresheva. Text Text by Christopher Cozier, Ntone Edjabe, Keyna HATJE CANTZ
Present by Giovanni Aloi, Emmanuel Bacquet, Simon Baker, Felix Eleison, Natasha Ginwala, Ayesha Hameed, Ranjit ISBN 9783775759151
Foreword by Harper Montgomery. Text by Jenny Jaskey, Hoffmann, Michael Marder, Natsumi Tanaka. Kandalgaonkar, Manuela Moscoso, Bonaventure Soh u.s. $75.00 cad $110.00
Michael Lobel, Sarah Oppenheimer, Pam Lins, Catherine Bejeng Ndikung, Yvonne Adhiambo Owuor, Pablo Hbk, 9 x 10.75 in. / 240 pgs / 140 color.
Grout. Interview by Allan Schwartzman. SPECTOR BOOKS José Ramirez, Shivanee Ramlochan, Shuddhabrata May/Art/Nature
ISBN 9783959058582 Sengupta, Sancintya Mohini Simpson, Dilip Menon, Territory: NA LA
GREGORY R. MILLER & CO./HUNTER COLLEGE ART u.s. $50.00 cad $75.00 Khal Torabully, Françoise Vergès.
GALLERIES Hbk, 6 x 9.25 in. / 216 pgs / 80 color.
ISBN 9781941366783 March/Photography/Nature CARA
u.s. $55.00 cad $82.00 gbp £47.00 Territory: NA LA AFR ME ISBN 9781954939066
Flexi, 7.5 x 10.75 in. / 296 pgs / 248 color / 79 b&w. u.s. $35.00 cad $53.00 gbp £30.00
August/Art Pbk, 6 x 9 in. / 240 pgs / 25 color / 15 b&w.
Territory: WORLD Photographers from Anna Atkins to Jochen Lempert illustrate May/Art Celebrating the awe and wonder of the Arctic Circle region
our fascination with plants in the age of technology Territory: WORLD through visual art from the 19th and 20th centuries.
A 40-year overview of Blum’s career working at the interface
of art, architecture and design, leading up to her focus on our From scientific discoveries to animist beliefs, plants are an inexhaustible source of
Artists from across the African and South Asian diasporas Vast, impenetrable coniferous forests, “white” summer nights, the perpetual darkness
engagement with the natural world stories that reveal our most intimate desires and fears. Photography is the primary
grapple with colonial legacies through a reimagining of the lost of snowy winters and the famous aurora borealis—the Arctic Circle is a fascinating, if
witness to his phenomenon. Science/Fiction questions human projections and unforgiving, region. The Fondation Beyeler and the Buffalo AKG Art Museum present an
Andrea Blum (born 1950) is a New York–based artist who has worked at the intersection representations of the vegetal world, bringing to light the subjectivity, intelligence and city of Atlantis transplanted to the bottom of the Indian Ocean exhibition dedicated to this phenomenon with a stunning selection of 19th- and 20th-
of art, architecture and design since the 1970s. She has exhibited at a wide range of expressive abilities of plants. The publication traces a visual history of plants, linking What if the book was a technology invented at sea? How would its language reflect the century paintings by artists from Scandinavia, Finland and Canada. With a gorgeous,
venues and has built projects in Europe and the United States that include public art, technology and science from the mid-19th century to the present day through two intonations of the sea? And how might we think of a Brown Atlantis at the bottom of the atmospheric cover, the catalog presents work by internationally renowned artists such as
installations, furniture, exhibition design, libraries and other designs for living. Blum’s conceptual frameworks: scientific and fictional. Bringing together more than 30 artists Indian Ocean without the blinkers of human navigation or instruments of measurement? Munch and af Klint, while also highlighting artists who are highly respected in their own
work considers the relationship of the sociopolitical world to the private psychological across different periods of time and parts of the world, it employs the logic of the Radio Brown Atlantis explores the entanglements between brown and Black people from countries but little known outside of them.
one, zooming in and out of the conditions that organize us as a culture, with a focus on science fiction novel, taking us from a stable, identifiable world and gradually plunging the African diaspora and South Asia, displaced through enslavement and indenture, and Artists include: Hilma af Klint, Helmi Biese, Anna Boberg, Emily Carr, Gustaf Fjæstad,
the “down time”—when one eats, reads and is in repose—as the time when the border us into uncertain landscapes. connected through experiences of oceanic colonial routes. Using storytelling, music Akseli Gallen-Kallela, Lawren S. Harris, J.E.H. MacDonald, Edvard Munch, Prince Eugen of
between private behavior and public etiquette is most evidenced. Artists include: Anna Atkins, Karl Blossfeldt, Elspeth Diederix, Sam Falls, Joan and poetry, this new anthology reimagines their stories and histories underwater, in an Sweden, Ivan Shishkin, Harald Sohlberg, Tom Thomson.
Accompanying an expansive exhibition of the same name at Hunter College Art Galleries, Fontcuberta, Stephen Gill, Jochen Lempert, Angelica Mesiti, Agnieszka Polska, Atlantis at the bottom of the Indian Ocean, and the subaquatic ecologies and life forms
Biota is lavishly illustrated with extensive photography of Blum’s early sculpture, public Anais Tondeur. EXHIBITION
surrounding them below. Originally a radio show broadcast on the Onassis Foundation’s
works, exhibitions, installations and propositions of the past 40 years. The book includes Riehen, Switzerland: Fondation Beyeler, 01/26/25–05/25/25
Movement Radio station, Radio Brown Atlantis assembles contributions from 15
new essays and a conversation between the artist and Allan Schwartzman, all of which Buffalo, NY: Buffalo AKG Art Museum, 08/01/25–01/12/26
practitioners in music, visual art and literature to continue to imagine the cartographically
explore Blum’s practice and artmaking philosophy. unmappable.
104 ­­artbook.com artbook.com 105
Diverse works from three great protagonists of modernism Art history, from the Renaissance to the 20th century HIGHLIGHTS ■ ART

Picasso a Palazzo Te Tintoretto’s Portraits The Venetian Masterpiece

Poetry and Salvation of Giovanni Grimani by Giorgio Vasari
Edited by Annie Cohen-Solal. Edited by Toto Bergamo Rossi, Daniele Ferrara, A Reassembled Renaissance Ceiling
Valeria Finocchi.
MARSILIO ARTE Edited with text by Giulio Manieri Elia. Text by Rossella
ISBN 9791254632284 MARSILIO ARTE
Cavigli, Luisa Caporossi, Roberto Saccuman, Serena
u.s. $35.00 cad $53.00 gbp £30.00 Bidorini, Ornella Salvadori, Silvia Salvini.
ISBN 9791254632376
Pbk, 8.25 x 10.25 in. / 140 pgs / 80 color. u.s. $29.95 cad $44.95 gbp £24.99
February/Art MARSILIO ARTE
Pbk, 6.5 x 8.75 in. / 120 pgs / 55 color.
Territory: WORLD ISBN 9791254632574
February/Art
u.s. $29.95 cad $44.95 gbp £24.99
Territory: WORLD
Pbk, 6.5 x 8.75 in. / 128 pgs / 90 color.
February/Art
Territory: WORLD
Picasso’s little-known Ovid illustrations amid the splendor of a An up-to-date reading of the ways in which the public image of a A heroic long-term project to reunite panels of allegorical figures
Mannerist palazzo Venetian prelate came to be defined through his portraiture made for the ceiling of a Renaissance palace’s grand room
A painter, draftsman and sculptor, but also a photographer, engraver, set designer and This exquisite, richly illustrated catalog documents a dossier exhibition held at Venice’s Published to coincide with their extraordinary reassembly, this volume recounts the
ceramist, Spanish artist Pablo Picasso (1881–1973) excelled in every genre. He was one of the Museo di Palazzo Grimani, presenting three portraits of the Venetian prelate Giovanni intricate story of the reconstruction and remounting of ceiling panels painted by the
most prolific and polymorphic artists, and a poet who was passionate about Greek and Latin Grimani, a collector of antiquities and patron of important 16th-century artists. The first, celebrated Italian Renaissance painter, architect, art historian and biographer Giorgio
literature. Throughout his career, he illustrated countless books by poets such as Apollinaire, already in the collection at Palazzo Grimani, is the work of Domenico Tintoretto (1560– Vasari (1511–74) for Venice’s Palazzo Corner Spinelli. Realized in a 1542 commission, Vasari
Jacob and Reverdy. In 1930 he illustrated the Metamorphoses by Ovid, a series of engravings 1635) and depicts the patriarch in old age in an iconography that can be found in earlier completed a series of panels of allegorical figures for the ceiling of the palace’s grand
that, with the great frescoes by painter and architect Giulio Romano (1499–1546), is the perfect portraits, including the Portrait of the Patriarch Giovanni Grimani in the Schorr Collection room. Various elements of the decorative structure were removed from their original
echo of Romano’s Palazzo Te, a palace in the suburbs of Mantua, Italy, itself a magnificent (London), and a small oil on panel representing the same subject, now in a private location over the course of the 18th century, and by the 19th century the works were
example of the Mannerist style of architecture. The superb catalog Picasso a Palazzo Te: Poetry collection, both painted by his father, Jacopo Tintoretto (1518–94). This unprecedented completely dispersed. This lavishly illustrated publication retraces the critical fortunes
and Salvation displays the close relationship that links the artistic practice of Picasso and comparison, in addition to bearing witness to the iconographic evolution of effigies of the and history of the panels up until their reunion and mounting in their current location,
poetry, revealing a little-known aspect of his work. Venetian prelate over the course of several decades, helps to outline a history of Venetian explores the restoration of the work, discusses the iconological interpretation of the
portraits during that period. ceiling and takes a close look at the preparatory drawings of the panels.
EXHIBITION
Mantua, Italy: Palazzo Te, 09/05/24–01/06/25

Jean Tinguely Francis Picabia: Seeing Is Believing NOW IN PAPERBACK

Edited with text by Camille Morineau, Lucia

Eternal Beginning The Art and Influence Italian Futurism, 1909–1944
Pesapane, Vicente Todolí, Fiammetta Griccioli. Text
by Renzo Piano, Béatrice Joyeux-Prunel, Annalisa Preface by Beverley Calté. Text by Arnauld Pierre, of Jean-Léon Gérôme Reconstructing the Universe
Rimmaudo, Jean Tinguely, Melissa Warak. Candace Clements. Edited by Emily Weeks, Giles Hudson, Sara Raza. Edited with introduction and text by Vivien Greene.
Text by Walter Adamson, Silvia Barisione, Gabriella
MARSILIO ARTE HAUSER & WIRTH PUBLISHERS SILVANA EDITORIALE/QATAR MUSEUMS Belli, Fabio Benzi, Günter Berghaus, Emily Braun,
ISBN 9791254632000 ISBN 9783906915999 ISBN 9788836659326 Marta Braun, Esther da Costa Meyer, Enrico Crispolti,
u.s. $65.00 cad $95.00 gbp £55.00 u.s. $60.00 cad $90.00 u.s. $45.00 cad $68.00 Massimo Duranti, et al.
Pbk, 9.75 x 12 in. / 264 pgs / 180 color. Hbk, 9.5 x 11.5 in. / 224 pgs / 128 color / 19 b&w. Pbk, 8.75 x 11 in. / 176 pgs / 150 color.
March/Art March/Art March/Art GUGGENHEIM MUSEUM
Territory: WORLD Territory: NA LA Territory: NA LA ASIA AU/NZ AFR ME ISBN 9780892075126
u.s. $55.00 cad $82.00 gbp £47.00
Pbk, 8.5 x 11.5 in. / 352 pgs / 338 color.
January/Art
Celebrating a great kinetic artist who liberated the machine from Documenting the great, late, neglected work of a Critical, contemporary approaches to Gérôme’s Orientalist, Territory: WORLD
the “tyranny of utility” and encouraged the unexpected with his modernist master fetishizing paintings, once revered in the 19th century
contraptions The French avant-garde painter Francis Picabia (1879–1953) was one of the great In the 19th century, the art of French painter Jean-Léon Gérôme (1824-1904) offered
Paperback edition of the authoritative Guggenheim catalog on
This volume documents the first major Italian retrospective since his death of the work innovators of 20th-century modernism, with a career defined by his restless, visionary European audiences an apparently realistic and intimate view of local life in the Middle
the Italian avant-garde movement
of Swiss artist Jean Tinguely (1925–91), one of the 20th century’s greatest exponents approach. In 1945 he settled permanently in Paris and in his final years returned to East, North Africa and the Ottoman Empire. As the 20th-century art world embraced Italian Futurism was officially launched in 1909 when F.T. Marinetti published his “The
of kinetic art. At the center of his work lies research into the functioning and intrinsic abstract painting. This book delves into Picabia’s practice between the years 1945 and other styles, these same qualities marked Gérôme’s art as antimodern and entirely Founding and Manifesto of Futurism.” This catalog considerably advances the scholarship
poetry of machines. Tinguely was among the first artists to use found objects that he 1953—an incredibly rich yet largely unknown period during which Picabia created forgettable. The tide turned in 1978, when Gérôme’s scintillating painting of a young, and understanding of an influential 20th-century artistic movement. As part of the first
then welded together, creating noisy and cacophonous machines whose movements paintings unlike anything he had produced before. Essays by art historian Arnauld Pierre unclothed Arab snake charmer appeared on the cover of Edward Said’s Orientalism. comprehensive overview of Italian Futurism to be presented in the United States, this
were driven by motors. This monograph analyzes Tinguely’s practice, providing detailed and scholar Candace Clements shed new light on the hidden signs and symbols buried This reintroduced the artist’s name to the public but also served to negatively politicize publication examines the historical sweep of Futurism from its inception with Marinetti’s
descriptions of the works in the exhibition, accompanied by an ample selection of in his abstractions, the new painting techniques he employed, and the mysterious and Gérôme’s representations along the lines of Said’s argument. The paintings and drawings manifesto through the rise of Italian fascism and the movement’s demise at the end
contemporary and archival images. The volume also includes an essay that sets fantastical reappearance of the “dot” in his work. Eternal Beginning is an essential by Gérôme featured in this exquisite volume, in addition to examinations of his biography, of World War II. Presenting over 300 works created between 1909 and 1944 by artists,
Tinguely’s work against the background of the contemporaneous avant-garde, another on resource, marking the first in-depth exploration of a crucial period in Picabia’s practice. influences and historical context, present Gérôme as a product of his time, a stylistic writers, designers and composers such as Giacomo Balla, Umberto Boccioni, Anton
the role of sound and performance in his work in the context of the 1960s, an illustrated pioneer and something of a riddle waiting to be solved. Giulio Bragaglia, Fortunato Depero, Gerardo Dottori, Marinetti, Ivo Pannaggi, Rosa Rosà,
timeline of the artist’s career and two reprinted texts written by Tinguely himself. Luigi Russolo, Tato and many others, this publication encompasses not only painting and
EXHIBITION
sculpture but also architecture, design, ceramics, fashion, film, photography, advertising,
EXHIBITION Doha, Qatar: Arab Museum of Modern Art, 10/22/24–02/22/25
poetry, publications, music, theater and performance.
Milan, Italy: Pirelli HangarBicocca, 10/10/24–02/02/25

106 ­­artbook.com artbook.com 107

Group shows, collections and movements Art collections, fairs and exhibition spaces HIGHLIGHTS ■ ART

Line, Form, Qi: Calligraphic Casablanca Art School Donation Glicksman

Art from the Fondation INK A Postcolonial Avant-Garde 1962–1987 Californian Stories, 1960s–1970s
Collection Edited by Morad Montazami, Madeleine de Colnet,
Esther Schlicht. Text by Maud Houssais, Fatima-Zahra
Edited with text by Lionel Bovier. Text by Paul Bernard,
Sophie Costes, Julien Fronsacq, Anne Giffon-Selle,
Edited with text by Susanna Ferrell, Wan Kong. Lakrissa, Morad Montazami. Gala Mayí-Miranda, Jenna Paratte, Laura Weber.
Foreword by Michael Govan. Text by Rika Hiro, Stephen Conversation with Hal Glicksman, Paul Bernard,
Little, Virginia Moon, Li Wei Ng. SPECTOR BOOKS/SCHIRN KUNSTHALLE Julien Fronsacq.
FRANKFURT
DELMONICO BOOKS/LOS ANGELES COUNTY ISBN 9783959058483 MAMCO GENEVA
MUSEUM OF ART u.s. $40.00 cad $60.00 ISBN 9782940656127
ISBN 9781636811581 Pbk, 7.5 x 10.75 in. / 136 pgs / 160 color. u.s. $29.95 cad $44.95 gbp £24.99
u.s. $75.00 cad $110.00 gbp £64.00 March/Art Pbk, 6.25 x 9 in. / 136 pgs / 48 color / 12 b&w.
Clth, 8.5 x 11.75 in. / 184 pgs / 157 color. Territory: NA LA AFR ME February/Art/Curatorial & Museum Studies
April/Art Territory: WORLD
Territory: WORLD Abstract mural paintings, graphic experiments and everyday
Exquisite works of contemporary Asian calligraphy and the objects revealing a specifically Moroccan art scene with Exploring a pioneering curator’s collection of cutting-edge ’60s
written word transnational aspirations and ’70s California art
Just a few years after Morocco gained independence in 1956, a vibrant center of cultural The curator Hal Glicksman (born 1937) was a central figure in the development of
Featuring more than 30 artists, Line, Form, Qi highlights contemporary works that range
renewal developed in Casablanca. This publication, featuring 160 color and black-and- the Californian art scene in the 1960s and 1970s. The Glicksman collection, gifted to
from the traditional to the deeply experimental. The publication features predominantly
white illustrations, offers a comprehensive overview of the impact of the Casablanca MAMCO and Kunsthaus Biel Centre d’art Bienne (KBCB) in 2023 and documented in
Chinese artists, along with Vietnamese, Taiwanese, Japanese and Korean artists working
Art School. The main protagonists—Farid Belkahia, Mohammed Chabâa, Bert Flint, this volume, provides insight into the prevailing culture of Los Angeles and its famous
mainly with Chinese characters. The themes reflect significant trends and innovations in
Toni Maraini and Mohamed Melehi, together with students, teachers and associated and lesser-known figures. As a student, Glicksman witnessed firsthand the Beat
contemporary calligraphic art, including abstraction of the character, performance and
artists—feature in the book with a large number of works. Their aims combined an Generation (George Herms, Wallace Berman, Bruce Conner) and came into contact
phenomenological practice, and the exploration of alternative or nontraditional materials
openness toward local history with the new social reality, including a reassessment of the with artists such as Ben Talbert and Fred Mason. He curated bold exhibitions of site-
and calligraphy methods such as incense burn drawing and lithography. This publication
relationship between art, handicrafts, design and architecture within the local context specific art projects (Michael Asher, Judy Chicago, Tom Eatherton, Bruce Nauman,
also addresses different through lines from premodern calligraphy to contemporary
in dialogue with the ideas of the Bauhaus manifesto. These aspects are explored in more Larry Bell, Peter Alexander, Jane Reynolds, Daniel Buren), while organizing shows of
practice, reflecting the evolution of the Chinese language from pictograph to ideograph
detail in an essay by Fatima-Zahra Lakrissa on Morocco’s vernacular artistic heritage and assemblage and Chicano art. Glicksman and his wife were also close companions of
and beyond.
an examination of the role and significance of public space by Maud Houssais. Guy de Cointet, whose work sits at the crossroads of performance and Conceptual art.
EXHIBITION
Los Angeles, CA: Los Angeles County Museum of Art, 04/06/25–08/24/25

Seeing through Stone Ways of Knowing Errant Sound Reader Mission and Commission
Edited by Gina Dent, Lauren Schell Dickens, Rachel Edited with text by Rosario Güiraldes. Text by Claire Thoughts and Practices from the Documenta and the Art Market 1955–1968
Nelson. Text by Leanne Betasamosake Simpson, Bishop, Nicolas Guagnini, Cuauhtémoc Medina.
Nane Alejandrez, Robin D.G. Kelley.
Berlin Artist-Run Space By Mela Dávila Freire
WALKER ART CENTER Edited with text by Mario Asef, Golo Föllmer,
Georg Klein, Brandon LaBelle. Text by Roberta POLÍGRAFA
MARQUAND BOOKS/INSTITUTE OF THE ARTS ISBN 9781935963325
Busechian, Lílian Campesato, Nico Daleman, ISBN 9788434314818
AND SCIENCES AT UC SANTA CRUZ/SAN JOSÉ u.s. $50.00 cad $75.00 gbp £42.00
Daniela Fromberg, Stefan Roigk, Janine Eisenächer, u.s. $25.00 cad $38.00
MUSEUM OF ART Pbk, 9.5 x 12.25 in. / 250 pgs / 700 color.
Alessandra Eramo, Hanna Hartman, et al. Pbk, 5.5 x 8.25 in. / 160 pgs / 36 color.
ISBN 9781646570454 April/Art February/Art Criticism & Theory
u.s. $35.00 cad $53.00 gbp £30.00 Territory: WORLD Territory: NA Japan
Pbk, 8 x 10 in. / 244 pgs / 176 color. ERRANT BODIES PRESS
February/Art ISBN 9783982558561
Territory: WORLD u.s. $28.00 cad $42.00
Pbk, 8.5 x 10.5 in. / 224 pgs / 15 color / 25 b&w.
March/Artists' Writings
Centering the voices of the currently and formerly incarcerated, How artists build and shape a myriad of knowledge forms, Territory: NA LA ASIA AU/NZ AFR ME How the first decade of Documenta, one of the art world’s most-
works from 80 contributors visualize a prison-free future spanning the decolonial to the transnational and the multilingual watched exhibitions, shaped the economics of contemporary art
Prisons are so ingrained in history and the cultural imagination as to appear inevitable. What types of knowledge do artists produce? How do they give that knowledge form?
Bringing together work from one of Europe’s most dynamic Today, Documenta’s independence from the art market is a given, but this has not
Yet as long as prisons have existed, alternative rehabilitations have flourished. Seeing Featuring works by 11 artists from 9 different countries, whose birth years range from 1946
centers of sound art always been the case. In its nascent years, Documenta was at the center of a web
through Stone accompanies the largest-ever exhibition emerging from the movement to 1992, Ways of Knowing highlights different ways artists give form to complex ideas. The artist-run center Errant Bodies opened its project space in 2010 in Berlin, and of vested interests such as the need for funding, the democratization of art and the
for prison abolition in the United States. It draws its title from a work by poet Etheridge The catalog, documenting an exhibition at Minneapolis’ Walker Art Center, highlights the since 2016 has operated under the title Errant Sound, dedicated to experimental sound lucrative pretensions of an emergent art market. Mission and Commission explores the
Knight (1931–91), who wrote his first collection while incarcerated at Indiana State strategies by which some of today’s most compelling artists resist assumptions about work: performance, fieldwork, voice, radio and spatial practices. Through residencies, confluences and conflicts of such interests, approaching a well-known story from a novel
Prison. The art and texts in this catalog explore this shared capacity for the radical sight how information should be gathered and shared, bringing their own perspectives to workshops, events and exhibitions, Errant Sound emphasizes an engagement with angle. Among the main characters of this side of Documenta’s history are Arnold Bode,
permeating through prison walls and include contributions from artists, writers and cultural artifacts and histories. Some focus on the ethics of research or the connections process and dialogue, encouraging a dynamic and diverse approach to the sound arts. the “founding father” of Documenta; Hein Stünke, former co-organizer of the exhibition;
activists both currently and formerly incarcerated, alongside those without that lived between culture, place and language, while others examine the impacts of colonialism Errant Sound Reader brings together essays, interviews and documentation of projects gallery owner Rudolf Zwirner; and the founder of the Louisiana Museum of Modern Art,
experience. Over 80 artists and collectives from around the world contribute work, across continents or the historical formation of gender identity, among other themes. by artists and researchers associated with Errant Sound. Over the years this has included Knud Jensen.
while the original texts are authored by such activists as Robin D.G. Kelley and Leanne Artists include: Iosu Aramburu, Sammy Baloji, Anna Boghiguian, Cabello/Carceller, a range of exhibition projects, performance events, discursive formats and collaborative Mela Dávila Freire has worked as a consultant and independent researcher with the
Betasamosake Simpson. Chang Yuchen, Petrit Halilaj, Sky Hopinka, Christine Howard Sandoval, Eduardo Navarro, initiatives that investigate sound in diverse ways and through a variety of mediums. From Documenta Archive in Kassel. She was formerly Head of Publications and Head of the
Gala Porras-Kim, Rose Salane. spatial sound, interactive electronics and sonic sculpture to experimental voice, radio Study Center at the Museu d’Art Contemporani de Barcelona.
EXHIBITION
and performance practices, the publication offers critical insight into creative methods
Santa Cruz, CA: Santa Cruz Barrios Unidos, 04/19/24–01/05/25 EXHIBITION
and discourses central to the field of sound art.
San José, CA: San José Museum of Art, 04/26/24–01/05/25 Minneapolis, MN: Walker Art Center, 03/08/25–09/07/25
Santa Cruz, CA: Institute of the Arts and Sciences, 04/12/24–01/05/25

108 ­­artbook.com artbook.com 109

Artist interviews Artist biographies HIGHLIGHTS ■ ART

Invader: In Conversation with Arshile Gorky: New York City

Hans Ulrich Obrist Edited by Ben Eastham. Text by Adam Gopnik, Allison
Katz, Tamar Kharatishvili, Christa Noel Robbins,
Edited by Bruno Blum, Kim Scott. Emily Warner.
HENI PUBLISHING HAUSER & WIRTH PUBLISHERS
ISBN 9781911736080 ISBN 9783907493069
u.s. $24.95 cad $37.95 u.s. $45.00 cad $68.00
Pbk, 5 x 7.75 in. / 272 pgs / 234 color / 11 b&w. Pbk, 6 x 8.25 in. / 204 pgs / 100 color / 40 b&w.
February/Art Criticism & Theory/Art April/Art
Territory: NA ONLY Territory: NA LA

A deep dive into the practices of a legendary French street artist Celebrating 100 years since Arshile Gorky’s arrival in New
This is the latest installment in the interview series from Swiss curator and critic Hans
York, this illustrated reader unpacks the mutually influential
Ulrich Obrist (born 1968). Invader: In Conversation with Hans Ulrich Obrist presents a relationship of the young artist and the city
unique exploration of the enigmatic French street artist Invader (born 1969), renowned Born in Armenia, the artist Arshile Gorky (1904–48) immigrated to the United States
for his iconic ceramic tile mosaics inspired by the pixelated 8-bit video game art of the in 1920 as a teenage refugee. When he finally settled in New York in 1924, he became a
1970s and ’80s. central figure of the city’s cultural milieu as an artist whose oeuvre straddled the cultural
The first section of the book features an expansive, in-depth interview conducted by spheres of Europe and North America, Surrealism and Abstract Expressionism. This
Obrist, guiding readers through the artist’s recent exhibition in Paris, Invader Space illustrated biography examines Gorky’s life and work in New York in both art historical and
Station. In the second section we are guided through his studio, which offers an sociopolitical contexts, including Tamar Kharatishvili’s exploration of forced displacement
unparalleled glimpse into Invader’s technical and creative processes and the global and self-fashioning and Allison Katz’s recollections of her personal encounter with his
impact of his work. The book follows the route of the Paris exhibition, with subchapters work when she was an emerging painter. It introduces readers to a lesser-known side
that correspond to the “levels” of the show, reflecting on the conceptual and spatial of Gorky as a young, self-mythologizing artist on the verge of changing culture forever.
dimensions of Invader’s work and his position as a “hacker” of public spaces. With a clean, accessible design, this volume mixes scholarly research with more literary
Richly illustrated, Invader maps the artist’s early influences, from the graphic novels of reflections on New York and the immigrants who built it, both culturally and materially.
Enki Bilal to legendary street artists such as Leonard Hilton McGurr (aka Futura 2000) and
Tsang Tsou-choi (aka the “King of Kowloon”), and his relationship with contemporaries
including American artist and activist Shepard Fairey and New York graffiti artist Revs.

The Hockney Interviews The Life and Work of Inji Emergence of the Patriarch
By Hans Ulrich Obrist Efflatoun The Mao Xuhui Story
HENI PUBLISHING Edited by Sultan Sooud Al Qassemi, Suheyla Takesh. By Lü Peng
ISBN 9781911736134 SKIRA
u.s. $35.00 cad $53.00 SKIRA
ISBN 9788857253398 ISBN 9788857251844
Hbk, 7 x 9.25 in. / 216 pgs / 53 color / 9 b&w. u.s. $55.00 cad $82.00
May/Art Criticism & Theory/Art u.s. $60.00 cad $90.00
Hbk, 9.5 x 9.75 in. / 384 pgs / 135 color. Hbk, 7.25 x 9.75 in. / 464 pgs / 200 color.
Territory: NA ONLY March/Biography & Memoir/Art
August/Biography & Memoir/Art
Territory: NA LA Territory: NA LA

Conversations that explore the work, life and practices of a Recounting the life and work of a valiant Egyptian artist-activist Charting the life and work of an iconic figure in
legendary painter and feminist contemporary Chinese art and a leader of the Southwest Art
The influential Egyptian artist and activist Inji Efflatoun (1924–89) was a pioneer of
Research Association
British painter David Hockney (born 1937) is one of the most influential artists of the
20th and 21st centuries. In addition to being an important contributor to the Pop art modern Egyptian art. Commissioned by the Barjeel Art Foundation, Sharjah, The Life and Authored by the distinguished critic and art historian Lü Peng, Emergence of the Patriarch
movement of the 1960s, he is also renowned as a printmaker, stage designer and Work of Inji Efflatoun vividly captures her journey from a privileged upbringing to her is a fascinating biography and in-depth exploration of the life and artistic journey of
photographer. In 1964, Hockney moved to Los Angeles, where, famously, he was inspired courageous activism and imprisonment. During the late 1940s and 1950s, her work was Mao Xuhui (born 1956), a pivotal figure in Chinese contemporary art and one of the
to make a series of vibrantly colored paintings of swimming pools in the comparatively indebted to the social realism of Mexican muralism. After she was arrested and secretly key figures within the influential Southwest Art Research Association, a mid-1980s
new acrylic medium. imprisoned as a communist in 1959, she continued painting in prison, at first portraits organization of artists from Yunnan and Sichuan who reacted against the sentimental
This volume brings together conversations held between this art-world icon and and later landscapes. The lively brushstrokes and intense color of her paintings reminded beauty of Native Soil Painting. Stating that art should move souls rather than eyes, they
preeminent curator Hans Ulrich Obrist, which began with their first meeting in 2006 some observers of Van Gogh and Bonnard. Accompanying this translation are insightful ditched representation of generic figures in favor of depicting personal experience. This
at Hockney’s London studio. Exploring the artist’s dedicated and prolific practice, his scholarly essays and interviews that delve into Efflatoun’s artistic legacy and sociopolitical luxuriously illustrated volume traces Mao Xuhui’s ideological and artistic maturation
friendships with Andy Warhol and Francis Bacon, fervent preoccupation with painting impact. This volume offers an exploration of her enduring contributions to art and social and reconstructs this journey through the artist’s personal documents and materials,
nature, ruminations on new technologies and his love of smoking, Hockney’s musings are justice, making it an essential read for those interested in Middle Eastern art and history. including diaries, letters, paintings, reading notes and transcripts. The result is a
as bold and varied as his work. profound and authentic portrayal, narrating the history and the illustrious years of a
The Hockney Interviews is a hardback reading book and intimate portrait of one of the remarkable generation.
world’s most distinguished living artists, fully illustrated with artworks spanning the
breadth of his career.

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Artists’ writings Biographies, artists’ writings and more HIGHLIGHTS ■ ART

Joseph Grigely: Otherhow Focal Points: Jasper Johns Surrealism and

“How can we support and
Essays and Documents on Art and By Robert Storr Anti-fascism: Anthology
Disability, 1985–2024 Edited by Francesca Pietropaolo.
Edited by Matthias Mühling, Karin Althaus, Adrian
Edited by Ryan Haley. Djukić, Stephanie Weber, Ara H. Merjian.
encourage people who are HENI PUBLISHING
PRIMARY INFORMATION ISBN 9781911736110 HATJE CANTZ
exploring the limits of what ISBN 9798991036719 u.s. $24.95 cad $37.95
Hbk, 5.5 x 8.5 in. / 160 pgs / 71 color / 1 b&w.
ISBN 9783775758772
u.s. $30.00 cad $45.00 u.s. $70.00 cad $105.00
it means to live? We move Pbk, 7.75 x 10 in. / 400 pgs / 32 color / 56 b&w.
May/Artists' Writings
February/Artists' Writings
Territory: NA ONLY
Pbk, 8.75 x 11 in. / 608 pgs / 400 color / 50 b&w.
April/Cultural Theory/Art Criticism & Theory
differently through space— Territory: NA ONLY Territory: NA LA

we see, we touch, we hear

The acclaimed Deaf artist and writer collects decades’ worth of One of America’s most acclaimed curator-critics analyzing the A detailed and intellectually invigorating collection that places
differently because our bodies material addressing issues of art and advocacy work of one of its greatest painters Surrealism in the thick of the battle for political emancipation
are different—and the fact our American visual artist and scholar Joseph Grigely (born 1956) here brings together
writings, lectures, interviews and documentation of his work spanning 40 years. Deaf
The Focal Points series collects essays, articles and reviews by acclaimed curator and The Surrealist movement famously initiated a revolution in visual and written art, but its
critic Robert Storr (born 1949). Expertly edited by art historian and curator Francesca political engagement is sometimes overlooked. With more than 600 illustrations and
bodies are different is what since the age of 10, his art and writing have long questioned and made use of various
modes of communication—photographs, handwritten notes, lipreading, newspaper
Pietropaolo, and richly illustrated, the volumes offer Storr’s illuminating insights contributions from some of the greatest thinkers of the last 100 years, Surrealism and
into an artist’s practice and way of thinking across recent decades and provide fresh Anti-fascism provides a panoramic view of Surrealism’s opposition to fascism. Surrealists
makes us so special in relation headlines, paintings and TV captions—to examine and scrutinize the ableism embedded
in cultural and media production.
interpretations of the varied territory of modern and contemporary art. This volume denounced European colonial policies, organized resistance to fascist governments
gathers, for the first time, Storr’s writings on the work of American painter Jasper and movements, fought for the Spanish Republic, were persecuted, escaped into exile
to each other.” Otherhow interrogates modes of access and analyzes how issues of accessibility and
their resolution provide a benefit to everyone, not just the disabled. Chapters devoted to
Johns (born 1930). An artist internationally recognized for his encaustic paintings and died in the war against the Nazis. Today, as fascist-adjacent regimes again begin
of flags, targets and maps, Johns’ “Neo-Dada” works helped to formalize a shift in to proliferate internationally, this volume, bringing together central texts of political
art, access and advocacy underpin the interconnected nature of these issues. Letters of postwar American art, moving away from Abstract Expressionism and toward Pop art. Surrealism from the first manifestos to the present day, could not be more timely.
—from “Pizza, Disability, and Difference” complaint, faxes and emails, unpublished op-eds, exhibition proposals, statements on Storr’s essays and articles provide a unique look at Johns’ practice and its continuing Contributors include: Theodor W. Adorno, Georges Bataille, Walter Benjamin, André
equality and access: each provides a glimpse into how Grigely’s work has been shaped relevance, encapsulating Storr’s process of close examination of and prolonged Breton, Claude Cahun, Leonora Carrington, Aimé Césaire, Suzanne Césaire, Robert
by—or constructed from—the “tangled process” of opening access. thinking about Johns’ art. Desnos, China Miéville, Lee Miller, Karel Teige, Leo Trotzki, Paul Westheim.
The book is rounded out by a series of visual inventories: collections of images that
EXHIBITION
document failures of access or, in the case of the obituaries, highlight those who had a
disability or were activists working to establish greater access for those with disabilities. Munich, Germany: Lenbachhaus, 10/15/24–03/02/25

How We Practice Access Kafka Through the Eyes of

By Carmen Winant
“Rather than qualify artistic
Text by Hetty Berg, Carolin Duttlinger, Shelley Harten,
Vivian Liska, Reiner Stach.
Franz Kafka
DANCING FOXES PRESS Between Image and Language
ISBN 9781954947177
u.s. $24.95 cad $37.95 gbp £21.00
practice in relation to professional KERBER
ISBN 9783735610140
Edited with text by Nicholas Sawicki, Marie
Rakušanová. Preface by Zuzana Jürgens. Text by
Pbk, 5.5 x 8 in. / 104 pgs / 24 color.
May/Artists' Writings practice (i.e., validation seeking, u.s. $45.00 cad $68.00
Pbk, 8 x 11 in. / 176 pgs / 80 color.
Alexander Klee, Marek Nekula, Miroslav Haľák.
Territory: WORLD March/Art/Biography & Memoir/Fiction KANT
measurable success, and Territory: NA LA ME ISBN 9788074374265
u.s. $75.00 cad $110.00
quantifiable results), what if we Flexi, 8.25 x 11.25 in. / 224 pgs / 231 color / 16 tritone.
August/Art/Biography & Memoir/History
approached it as an ongoing and Territory: NA LA ASIA AU/NZ AFR
Beloved artist and collagist Carmen Winant takes on the issue of Duchamp, Broodthaers, Lassnig and more respond to Kafka’s
“practice” as it relates to art and athletics
productive engagement with the immortal works Journey through Kafka’s Prague and discover the art,
The acclaimed American visual artist and writer Carmen Winant (born 1983) is best unwitnessable, the unqualifiable, One hundred years after the death of the German-language Czech writer Franz Kafka architecture, media and performances that influenced the
known for her multimedia works that center found imagery to explore representations of (1883–1924), this volume places key aspects of his oeuvre in dialogue with works of author’s oeuvre
women. Her newest book, How We Practice, is part critical writing and part experimental and the unperfect? What if this is contemporary art. The term “access” serves as the guiding principle: in his literary works, What did Franz Kafka see and do, whom did he meet and what did he read while roaming
essay, while also a self-portrait of Winant’s life in long-distance competitive running. Kafka poses universal and timeless questions relating to access and belonging. How do the streets of Prague? Through the Eyes of Franz Kafka brings the world of turn-of-
The book asks a single, knotty question: What is “practice”? Winant attempts to answer what we are already feeling around Kafka’s ideas resonate in the present day? Across six chapters entitled “Access Denied,” the-century Czechoslovakia and its cultural milieu to life. The author’s home city was
this by posing others, such as: What is the difference between going to a practice and “Word,” “Body,” “Space,” “Law” and “Jewishness,” contemporary art is placed alongside a heterogeneous and multilingual metropolis whose visual environment shaped his
having one? Are practice and theory dialectical? Does practice ever end? for when we speak to one another, documents, letters and drawings by Kafka. This catalog features contributions by the everyday experiences, from local painting and sculpture to architecture, monuments
This project works to define the often contradictory term as it functions across exhibition curator Shelley Harten, as well as Kafka experts Carolin Duttlinger, Reiner Stach and popular visual media including advertisements, photography and cabaret. Kafka’s
contemporary art discourse, in the process offering new ways to read it. The book over and over, of ‘my practice’?” and Vivian Liska, which provide another perspective on Kafka’s life and work. attention to the modern visual culture of his era was reflected in his writings and in his
examines “practice” in relation to legitimacy in the newfound role of artist-as-professional Artists include: Cory Arcangel, Guy Ben-Ner, Marcel Duchamp, Maria Eichhorn, Ceal interest in drawing, a practice in which he received preliminary training and which he took
and the influence of MFA programs in promoting creative work as white-collar labor. It —Carmen Winant, excerpt Floyer, Lynn Hershman Leeson, Anne Imhof, Fatos Irwen, Lina Kim, Martin Kippenberger, up in his free time during his years as a university student. This illustrated publication
imports influences from outside the field of art production—most notably, by looking Maria Lassnig, Michal Na’aman, Trevor Paglen, Gregor Schneider, Hito Steyerl. immerses us in Kafka’s world; by following in his footsteps and looking through his eyes,
to the world of athletics—to approach the implications, strategies and potentialities of we gain a new understanding of his thoughts, philosophies and inspirations.
EXHIBITION
practice vis-à-vis labor and exhaustion, repetition and pleasure, gender and rehearsal.
Berlin, Germany: Jewish Museum Berlin, 12/13/24–05/04/25

112 ­­artbook.com artbook.com 113

Literary delights, from contemporary queer fiction to experimentations in translation
Writers Revealed
Treasures from the British Library and the
National Portrait Gallery, London
Edited with text by Alexandra Ault, Catharine MacLeod.

NATIONAL PORTRAIT GALLERY

ISBN 9781855145993
u.s. $35.00 cad $53.00
Hbk, 6.25 x 9.5 in. / 288 pgs / 160 color.
April/Biography & Memoir
Territory: NA ONLY

A magnificent collection of portraits combined with selections from the

archives of great writers
Telling the stories of the best-loved writers in English literature, Writers Revealed investigates their
enduring appeal from the 16th century to today through the collections of the National Portrait
Gallery and the British Library. The Portrait Gallery’s outstanding collection of author portraits are
paired with intimate handwritten manuscripts, letters and notebooks, as well as rare first editions
of books from the British Library. From William Shakespeare to Zadie Smith, Writers Revealed
features over 70 poets, novelists and academics. Each short profile—which provides insight into
the writers’ inspirations, struggles and working practices—is beautifully illustrated with a portrait
and manuscript or rare book. Readers will enjoy in-depth encounters with some of the world’s
most talented writers, including James Joyce, Virginia Woolf, Bram Stoker, Jane Austen, Benjamin
Zephaniah and Angela Carter, and discover just what it is that makes these individuals so endlessly
compelling.
EXHIBITION
Gold Coast, Australia: Home of the Arts, 04/25

Fuck Me Judith The Other Voice:

By Claire Star Finch Translations from the
AFTER 8 BOOKS
ISBN 9782492650161
Übertragungen of
u.s. $18.95 cad $27.95 Paul Celan NEW REVISED EDITION
Pbk, 4 x 7 in. / 200 pgs / 1 b&w.
June/Fiction
Text by Paul Celan. Translated by Holly Cundiff. Masao Yamamoto: Small Things in Silence
Territory: NA LA ASIA AU/NZ AFR ME MARQUAND BOOKS Third Edition
ISBN 9781646570430 Text by Jacobo Siruela.
u.s. $34.95 cad $52.95 gbp £29.99
Hbk, 8 x 11 in. / 92 pgs. The third edition of Yamamoto’s much-loved photographic homage to the precarious, the
February/Poetry delicate and the humble, complete with a sumptuously produced and redesigned cover
Territory: WORLD
Japanese photographer Masao Yamamoto trained as an oil painter before discovering that photography was the ideal medium
A groundbreaking, anachronistic experiment in literature
informed by the countertraditions of New Narrative and Retranslating Celan’s translations of Shakespeare, for the theme that most interested him—the ability of the image to evoke memories.
Dickinson, Rimbaud and more reveals new insights on the First released in 2015 with a second edition in 2021 and long since out of print, Small Things in Silence surveys the 20-year career
queer writing of one of Japan’s most important photographers. Yamamoto’s portraits, landscapes and still lifes are made into small, delicate
circularity of language
Judith, an academic celebrity, and Wendy, a slightly less famous academic celebrity, prints, which the photographer frequently overpaints, dyes or steeps in tea. Edited and sequenced by Yamamoto himself, this
Born in Romania into a German-speaking family and recognized as one of the most volume includes images from each of the photographer’s major projects—Box of Ku, Nakazora, Kawa and Shizuka—as well as
fall in love. They break up. In her ensuing grief, Wendy finds herself in a pornographic,
important postwar poets, Paul Celan (1920–70) is also celebrated for his meticulous installation shots of some of Yamamoto’s original photographic installations. In the words of Yamamoto himself: “I try to capture
epistolary haze that slumps toward the narrative. Fueled by the only things that cut
German translations of a wide range of works by such luminaries as Dickinson, moments that no one sees and make a photo from them. When I see them in print, a new story begins.” Now in its third edition,
through the pain—sex and democratic theory—Wendy takes us along on her wild ride
Mandelstam, Rimbaud, Shakespeare and Ungaretti. Inspired by the close relation the book features a newly designed linen hardback cover with embossing and a tipped-on image. RM
toward self-actualization. In Claire Star Finch’s first novel, love and the void question each
between Celan’s work as Überträger, or “transmitter,” and his own poetry, Holly Cundiff Masao Yamamoto (born 1957) lives and works in Japan. He has published numerous books, including two previous editions of ISBN 9788410290051
other in action.
has retranslated some of these works into English to illuminate the interstices in which Small Things in Silence (RM/Seigensha, 2015 and 2021) and Tori (Radius Books, 2016). His work is held in the collections of the u.s. $65.00 cad $95.00 gbp £55.00 FLAT40
Claire Star Finch (born 1988) is a Paris-based experimental writer and performer. In
we catch a glimpse of Celan’s own perspective. Each selection in The Other Voice is Philadelphia Museum of Art, the Museum of Fine Arts, Houston, the International Center of Photography, New York, and others. Hbk, 9.5 x 11.75 in. / 130 pgs / 4 color
2024 they completed a doctorate in Gender Studies at the University of Paris 8 that
presented in three versions: the poem in its original language, Celan’s translation into / 91 b&w.
explores the literary queerfeminisms of Kathy Acker, Hélène Cixous, Violette Leduc and March/Photography
German and Cundiff’s translation into English directly from Celan’s translation. This
Audre Lorde. Territory: NA UK
circular process highlights the generative and transformative force of language, which
Celan viewed as a means not only of sculpting the world but also of forming new worlds.

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 The vast American landscape, from Texas junkyards to the Ozark hills HIGHLIGHTS ■ PHOTOGRAPHY

Danny Lyon: Junk

America in Ruins
Introduction by Randy Kennedy.

DAMIANI
ISBN 9788862088329
u.s. $45.00 cad $68.00
Hbk, 8.5 x 8.5 in. / 120 pgs / 86 color.
May/Photography
Territory: NA LA

A portrait of once-beloved, now-decaying cars in junkyards

across America, from one of the New Journalism’s key figures
Brooklyn-born photographer Danny Lyon (born 1942) is one of the most influential
photographers of the last six decades. His immersive and groundbreaking works
include The Bikeriders (1968), The Destruction of Lower Manhattan (1969) and his 2024
memoir This Is My Life I’m Talking About.
When he was 21, Lyon’s father passed on to him a 1953 Oldsmobile. He discovered the
ecstasy of speeding along Georgia highways during the civil rights movement, with red
dirt fields of peanuts and cotton flying by. In the excitement of driving, he realized his
own mortality. Lyon’s Junk: America in Ruins features approximately 86 American cars,
mostly from the 1950s and 1960s, in junkyards across the western United States. The
pictures were taken in Nebraska, Texas, New Mexico, Arizona and Oklahoma.
This is a work of pure visual photography. The premise behind the work is that many
things—sculptures, monuments, buildings—take on a new and added beauty as they
deteriorate and become ruins: a certain pathos is added to their original beauty. This
is true of the automobiles in this series: once the beloved machines of people and
families who owned and drove them, they now evoke a terrible beauty and sadness.

Henry O. Head:
Twelve Acres
Edited by Henry O. Head, Bryan Schutmaat. Text by
Alyssah Morrison.

TWIN PALMS PUBLISHERS

Clark Winter: Here to There ISBN 9781936611249
u.s. $85.00 cad $125.00 gbp £73.00
Photographs from the Road Ahead Hbk, 10 x 12 in. / 96 pgs / 51 tritone.
Edited by Bill Shapiro. April/Photography
Territory: WORLD
Winter’s perceptive photographs of cars across the decades—and around the world—
revel in nostalgia while revealing the subtleties of our relationship with automobiles,
drivers and the things we see along the way A haunting photographic return to adolescent mysteries in the Ozarks
Since their invention, cars have been one of the driving forces behind America’s constantly changing culture. Not only In this debut monograph, American photographer Henry O. Head reimagines the peaks and
have they helped shape the country’s sprawling cities and suburban society, but they have inspired films (from American valleys of a defining teenage friendship in the Ozark hills where he spent his adolescence.
Graffiti to The Fast and the Furious) and songs (from the Beach Boys’ zippy Fun, Fun, Fun to Bruce Springsteen’s From spring 2023 through summer 2024, Head revisited the terrain of northwest Arkansas
anthemic Thunder Road) and an endless parade of road-trip books. and southwest Missouri—wild country with limestone bluffs shot through with quartz, where
Over the course of half a century, Clark Winter captured images of the car as a symbol of Americana. More intriguingly, cottonmouths coil on exposed roots by slow creeks and alligator gar glide like phantoms
he also found a global spirit in this form of transportation in countries such as Spain, Italy and China. Winter’s through the dark. Twelve Acres recalls a boyhood outside city limits, away from institutions
DAMIANI
photographs, made in both color and black and white, are not simply focused on the vehicles but rather on the way and the pressures of social order. In a progression through the seasons, a restlessness presses
ISBN 9788862088398
people physically relate to cars, turning each image into a stage upon which a drama quietly (and sometimes comically) in, a longing to stave off the rupture of entering an adult reality, with its mundanity and
u.s. $55.00 cad $82.00
Hbk, 11.25 x 8.25 in. / 128 pgs / 19 color / 59 b&w. unfolds between owner, passenger and passerby. And because these dramas are universal—eating ice cream in the responsibilities. In this meditation on personal history, worlds quiver in a chaos of past and
May/Photography back seat, waiting for a pump at the gas station, stuck in traffic, busted for speeding—Winter’s wide-eyed, often present forms and stark flashes of image begin to wobble in an opaque well. Tops spin. Animals
Territory: NA LA lighthearted pictures invite us to recall and relive our own days of adventure, romance and speed. with thirst cup liquid light. Memory remains an ineffable mystery.
Clark Winter is a trustee of several cultural institutions, including the June Leaf and Robert Frank Foundation in New Twelve Acres is a reverie, wherein the past reemerges as boys with tick-bitten feet, ears ringing
York. His previous photobooks include Birds and Free Air. from homemade explosives, clothes stained by the smoke of shoplifted cigarettes and arms
stretched toward higher branches.

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Documentary and editorial photography
Anderson Zaca:
Fire Island Invasion
Day of Independence
Introduction by Thom (Panzi) Hansen.

DAMIANI
ISBN 9788862088336
u.s. $50.00 cad $75.00
Hbk, 8.5 x 8.5 in. / 156 pgs / 189 duotone.
May/Photography
Territory: NA LA

Pride and celebration radiate throughout Zaca’s black-and-white

images of the annual Fire Island Invasion
The Fire Island Invasion of the Pines is an annual event that takes place on July 4 on
Fire Island, New York. The inaugural invasion took place in 1976 when a drag queen was
denied entry into a restaurant in the Pines and a group of her friends, also dressed in
drag, stormed the island in protest. Since then, the invasion has been repeated every
year, with hundreds of drag queens descending on the Pines to commemorate and
celebrate this original act of protest. This book marks the 50th anniversary of this historic
cultural phenomenon.
New York–based photographer Anderson Zaca (born 1976) began documenting the
Invasion in 2007. Shot using black-and-white film and a medium format camera, Zaca’s
work combines traditional and contemporary elements, showcasing the intricate details
of each scene and capturing the beautifully contradictory nature of the individuals
involved. With over 3,000 images spanning almost two decades, Zaca’s photographs
serve as both an archive and a tribute to the transformative power of the art of drag
during this iconic annual celebration.

Eric James Guillemain: Elliott Jerome Brown Jr.:

Backstage Dreams Conversations at The Fair
The Secret Door to Sets Edited by Matthew Leifheit, Marley Trigg-Stewart. Text
by Elliott Jerome Brown Jr. Interview by Kameelah
DAMIANI Janan Rasheed.
ISBN 9788862088343
MATTE EDITIONS
u.s. $55.00 cad $82.00
Hbk, 11 x 9.5 in. / 256 pgs / 14 color / 191 b&w. ISBN 9798986546544 Jasmine Benjamin: City of Angels
May/Fashion/Photography u.s. $40.00 cad $60.00 gbp £34.00 A Book about L.A. Style
Territory: NA LA Pbk, 9.75 x 13 in. / 72 pgs / 17 color / 13 b&w.
April/Photography Edited by Sophia Dearborn. Art direction by Kilo Kish. Foreword by Chioma Nnadi.
Territory: WORLD
A vibrant photographic portrait of Los Angeles’ dynamic population by one of the city’s
Black-and-white photographs of celebrities behind the scenes foremost stylists
on set, with cameos by Léa Seydoux, Anya Taylor-Joy, Robert New York artist Elliott Jerome Brown Jr. explores the relationship American photographer and costume designer Jasmine Benjamin is a California girl. She represents the ease of Northern California,
Pattinson and more between photographic portraiture and scenes from an where she was raised, and the cosmopolitan pace of Hollywood, where she lives, and has brought her ever-creative spirit, considerable
The first monograph by Eric James Guillemain, Backstage Dreams presents 200 works adult theater talent and infallible eye to music industry titans and anonymous citizens alike. City of Angels features more than 120 portraits of daring,
spanning 15 years of the photographer’s career. This book documents intimate and expressive Los Angeles creatives shot in locations across the length and breadth of this vast metropolis. The book features iconic
This is the debut monograph for American artist Elliott Jerome Brown Jr. (born 1993). It
privileged moments when the actor is at their most vulnerable—reserved and self- streetwear creators, free spirits from Topanga Canyon, surf and skate kids in Venice Beach, edgy Echo Park hipsters, Los Feliz vintage
includes 30 recent photographs that explore representation through privacy and fiction,
reflective before any performance—considering, contemplating and caught without aficionados, shop girls and guys working at boutiques on Melrose, Chicano punks, K-Town cuties, Hollywood royalty, LGBTQIA+ fashion
alongside interviews conducted by Brown with denizens of an adult movie house and
preparation. Guillemain’s work creates a fascinating juxtaposition of empty theatrical designers, Laurel Canyon bohemians, Black musicians and artists from South Central and Inglewood as well as from the affluent
video arcade in East Elmhurst, Queens, New York, called the Fair Theater. Featuring a
sets with a rare series of portraits revealing that final breath or step from the wings to suburbs of Baldwin Hills and historic Leimert Park. DAMIANI
conversation between Brown and Kameelah Janan Rasheed, the text is richly illustrated
the stage, from the dressing room to the set. From Wim Wenders to Helen Mirren, Nick With photographs exclusively by Benjamin, this book also features a unique illustrated map of Los Angeles by the artist Isaac Escoto, ISBN 9788862088350
with artworks by Chris Berntsen, Roy DeCarava, Naima Green and Wolfgang Tillmans.
Cave, Anya-Taylor Joy, Sigourney Weaver, Isabelle Huppert, Jennifer Lawrence, Charlize also known as Sickid, adding an additional artistic dimension. City of Angels is both a tribute to and an in-depth exploration of the u.s. $45.00 cad $68.00
Born in Baldwin, New York, Elliott Jerome Brown Jr. is an artist who uses photography
Theron, Robert Pattinson, Scarlett Johansson, Naomi Watts, Ewan McGregor, Julianne essence of LA street culture. It celebrates the rich and diverse style scene of Los Angeles, highlighting a blend of celebrities, local Hbk, 6.5 x 9.5 in. / 160 pgs / 125 color.
to explore representation through privacy and fiction. Occasionally the work turns away May/Fashion/Photography/Popular
Moore, Simon Baker, Léa Seydoux, Juliette Binoche, Marianne Faithfull, Yōsuke Kubozuka, figures, and everyday residents who embody the city’s authentic spirit and fashion. Notably, approximately 80% of the individuals
from standard archival prints to examine photography as a sculptural, redactive and site- Culture
Matthew McConaughey, Vanessa Paradis, Carla Bruni, Sophie Marceau, Norman Reedus, featured in the book are native Angelenos or hail from the greater California region, offering an intimate, homegrown perspective that
specific process. Territory: NA LA
Diane Kruger, Gwyneth Paltrow, Sharon Stone and more, this book offers a glimpse into enhances the project’s authenticity. This body of work perfectly juxtaposes beauty with edginess, glamour with urban rawness.
moments that are usually unseen and that evolve into an unexpectedly meditative art Jasmine Benjamin has worked as a stylist and sometime creative director for Miguel, Anderson .Paak, Charlie Puth and Chaka Khan,
experience. They carry the expectation and anticipation of things to come, of creations as well as a costume designer for commercials by Nike, the WNBA, Apple Music and Google. Benjamin has been featured in Vogue and
yet to unfold. Billboard and was named “Top Stylist of 2016” by i-D magazine.

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Photography surveys Photojournalism, documentary and urban photography HIGHLIGHTS ■ PHOTOGRAPHY

American Photography Eugene Richards:

Edited with text by Mattie Boom, Hans Rooseboom.
Do I Know You?
NAI010 PUBLISHERS Text by Eugene Richards.
ISBN 9789462089044
u.s. $60.00 cad $90.00 MANY VOICES PRESS
Hbk, 9 x 11.5 in. / 320 pgs / 150 color / 150 b&w. ISBN 9780991218936
April/Photography u.s. $50.00 cad $75.00 gbp £42.00
Territory: NA LA ME Hbk, 7.25 x 9.75 in. / 160 pgs / 53 color.
April/Photography
Territory: WORLD

The visual narrative of the modern United States: from canonical A veteran documentarian using images, personal texts and interviews to
photography by Robert Frank and Diane Arbus to vernacular delve into the lives of Americans
picture postcards and magazine spreads After meeting people during his travels, the American documentary photographer Eugene Richards
Since its invention in 1839, photography has become deeply embedded in American society. (born 1944) learns what he can about their lives, then photographs them as they are, without
American Photography captures this phenomenon through over 280 images, portraying direction or artifice. As to why people allow him into their lives, some may sense that by speaking
American life through the lenses of renowned photographers such as Nan Goldin, Dawoud with him, they might better understand the things that they’ve experienced: their losses, hopes,
Bey and Paul Strand. The catalog begins with selected images from perhaps the most fears, disappointments, joys. Being photographed can be a means of being lifted out of the shadows,
famous photo essay on American life, Robert Frank’s The Americans (1958). It then moves acknowledged as existing, as alive. Do I Know You? is a compendium of 24 photographic and textual
beyond the classical canon to offer a striking selection of vernacular photography: vintage stories that speak of the diversity of America, of survival, the shadows cast by slavery, crime,
magazine advertisements for Coca-Cola and Cadillac; family albums; postcards; and album imprisonment, blind hatred, incomprehensible loss, the longing for love and what it means to be
covers. These examples are integrated seamlessly among the more well-known images until beautiful. Richards has published 20 books of photography, including the recent Remembrance
any supposed distinction between “high art” and “low culture” is erased. Garden, a deeply personal look at Brooklyn’s Green-Wood Cemetery.
This story of American photography is told through the outstanding collection of the
Rijksmuseum, enriched by loans from US institutions including the Museum of Fine Arts,
EXHIBITION Boston; Philadelphia Museum of Art; San Francisco Museum of Modern Art; Art Institute of
Amsterdam, Netherlands: Rijksmuseum, 02/07/25–06/09/25 Chicago; and the National Gallery of Art, Washington.

Pioneers: Photography World Press Photo Framed: American

by Women Yearbook 2025 Urban Photography
Edited with text by Elwin Hendrikse, Saskia Asser. Introduction and text by Joumana El Zein Khoury. 1907–2012
NAI010 PUBLISHERS HATJE CANTZ
Text by Svein Olav Hoff, Åsmund Thorkildsen, Øivind
Storm Bjerke.
ISBN 9789462088481 ISBN 9783775759397
u.s. $60.00 cad $90.00 u.s. $40.00 cad $60.00 FORLAGET PRESS
Hbk, 9 x 11 in. / 320 pgs / 250 color. Hbk, 7.5 x 9.75 in. / 208 pgs / 200 color / 50 b&w.
ISBN 9788232806546
February/Photography July/Photography
u.s. $55.00 cad $82.00 gbp £47.00
Territory: NA LA ME Territory: NA LA
Hbk, 9.5 x 11.75 in. / 253 pgs / 60 color / 150 b&w.
February/Photography
Territory: WORLD

Never-before-published images by 42 female photographers from The past year in photojournalism: 2024 as told through its most Thirty-four American photographers capture urban life across
Lotte Jacobi to Susan Meiselas arresting, inspirational and profound images America from the turn of the century to the new millennium
Women have been professional photographers since the inception of the medium, yet their Since 1955, the annual World Press Photo Contest has set the standard in visual Many of the greatest American photographers of the 20th century have the city at the
work has received far less attention than that of their male colleagues. From the more than journalism. The 2025 Yearbook showcases the most striking press photographs and heart of their oeuvre. With their revolutionary photographic perspectives, they captured
15 million photographs stored in the Dutch National Archives in The Hague, the editors compelling reports from 2024, carefully selected from thousands of entries by six regional the pulsating rhythm of urban life that reflected the country’s larger sociopolitical
of Pioneers: Photography by Women selected a compilation of more than 200 images and one global jury of acclaimed independent professionals. changes. Framed surveys transforming American cities including New York, Chicago,
by 42 female photographers created between 1859 and 1999. It highlights well-known Providing a diversity of perspectives from all over the world, the awarded works bear Los Angeles, San Francisco and more, through the lenses of 34 photographers. Thematic
photographers in the Netherlands and abroad, such as Margaret Bourke-White and Eve witness to the events that shaped this past year and document in long-term projects chapters explore various aspects of the metropolis: from a case study on images
Arnold, while also spotlighting under-recognized artists creating profound work. Whether the ongoing issues we face. Recognizing the importance of photojournalism and of Harlem to rough sleeping, highways and city planning. The grand finale is Bruce
through composition, technique or subject matter, their innovations paved the way for documentary photography at a time when truth is so contested, the awarded images Davidson’s complete Subway Portfolio (1980), 46 scenes from the New York subway
future generations of photographers. share courageous stories and present invaluable insight—from war zones, the struggle system. An index section includes brief biographies of all featured photographers.
Photographers include: Laure Albin-Guillot, Emmy Andriesse, Eve Arnold, Ilse Bing, for civil rights and political empowerment to the visible effects of the climate crisis, which Artists include: Berenice Abbott, Diane Arbus, Bruce Davidson, William Eggleston,
Diana Blok, Margaret Bourke-White, Marianne Breslauer, Hester Carsten, Dickey Chapelle, were felt in 2024 more acutely than ever. Walker Evans, Lee Friedlander, Saul Leiter, Ruth Orkin, Alfred Stieglitz, Garry Winogrand.
Violette Cornelius, Augusta Curiel, Françoise Demulder, Maria Fialho, Gisèle Freund,
EXHIBITION
Elisabeth Hase, Florence Henri, Abigail Heyman, Lotte Jacobi, Ata Kandó, Marion Kaplan,
Lillehammer, Norway: Lillehammer Art Museum, 10/19/24–04/20/25
Germaine Krull, Catherine Leroy, Mary Ellen Mark, Susan Meiselas.

120 ­­artbook.com artbook.com 121

Urban photography, from New York to Berlin Landscape and documentary photography HIGHLIGHTS ■ PHOTOGRAPHY

Dream On: Berlin, the 90s Barcelona Heritage in Focus Çiğdem Yüksel:
Edited by Boaz Levin, Annette Hauschild, Kathrin
Kohle. Text by Jens Balzer, Janos Frecot, Anne Rabe,
Portrait of a City Edited by Elizabeth Krist. Text by Bénédicte de
Montlaur, Susan Meiselas, Kristen Mckibben.
If Only You Knew
Text by Isabel Coixet.
Boaz Levin, Veronika Epple. The First Generation of Women from
SKIRA PARIS Turkey in the Netherlands
LA FÁBRICA
SPECTOR BOOKS ISBN 9782370742629
ISBN 9788410024090 Edited by Frederiek Biemans, Çiğdem Yüksel, Eefje
ISBN 9783959058520 u.s. $40.00 cad $60.00
u.s. $60.00 cad $90.00 gbp £51.00 Blankevoort. Text by Hızır Cengiz, Sinan Cankaya,
u.s. $45.00 cad $68.00 Hbk, 7.5 x 10 in. / 144 pgs / 100 color.
Hbk, 9.5 x 11.75 in. / 288 pgs / 100 color / 120 Suzanna Jansen, Meral Polat, Mila Lemmens.
Hbk, 7.75 x 9.5 in. / 348 pgs / 250 color. February/Photography
tritone.
March/Photography Territory: NA LA NAI010 PUBLISHERS
May/Photography
Territory: NA LA AFR ME
Territory: WORLD Excl LA Spain ISBN 9789462088948
u.s. $55.00 cad $82.00
Hbk, 8.25 x 10.75 in. / 232 pgs / 250 color.
February/Photography/Biography & Memoir
Hundreds of stunning images documenting historic change in a A deep exploration of the Catalonian capital past and present, Talented local photographers capturing historic sites and Territory: NA LA ME
once-divided city captured by masterful photographers their stewards A tender homage to the first generation of Turkish women
The Ostkreuz agency was founded amid the upheavals that took place in East Berlin Featuring nearly 300 photographs from the 19th century to the present, this revised From traditional Ashanti buildings in Ghana to Sumba in Indonesia, Yanacancha-Huaquis migrating to the Netherlands
in 1990. For Dream On, nine Ostkreuz photographers worked together with curators edition of the 2015 publication is a stunning celebration of Barcelona and its people, in Peru, Tiretta Bazaar in India and the Garcia Pastures in the US, this book takes you “If only you knew…” This is how many women began their stories when photographer
Annette Hauschild (Ostkreuz) and Boaz Levin (C/O Berlin Foundation) to cast a modern- offering a portrait of the city through the lens of multiple generations. The images by local on a journey around the world and its places of beauty and history. The result of a Çiğdem Yüksel (born 1989) visited them. They belong to the same demographic and
day eye over their extensive archives. As documentarians operating at the apogee of photographers such as Catala-Roca, Colita, Pomés and Masats and international greats collaboration between the Magnum Foundation and the World Monuments Fund, it generation as her grandmother: leaving Türkiye to forge a new life in the Netherlands.
photojournalism, they tracked the changes that the city underwent. They observed the such as Erwitt, Koudelka and Parr are accompanied by text that contextualizes them illustrates the complex and reciprocal relationship between humanity—especially local In 1979, photographer Bertien van Manen took portraits of several of these women as
shifts in society and the challenges facing a city previously divided by a wall as it grew historically. Dramatic images by Cartier-Bresson, Gerda Taro and Chim during the Civil communities—and the monuments and landscapes they shape. Eleven photographers part of the series Women as Guests. Now, in the 2020s, Yüksel has revisited some of
together, capturing all this in powerful, personal images. The essays reflect this on a War contrast with more recent work by Colita and Miserachs, and with the sophistication offer overlapping narratives—those of the monuments that bear witness to history, these subjects and documented their stories not just through portraits, but also through
variety of levels: Janos Frecot’s examination of the changes in the urban space; Jens and glamor of Richard Avedon and Helmut Newton. Famed figures make appearances as those of the local communities that are their stewards, and that of the photographer— their oral histories, letters and family albums. This more holistic approach gives way to a
Balzer’s description of Berlin’s potential as a center of creativity and culture; and Anne well: Picasso, Miró, Dalí, Ava Gardner, García Márquez, Cortázar and others are captured so that each shot becomes a sedimentation of times and points of view. This series of broader narrative of immigrant women navigating unfamiliar terrain while learning a new
Rabe’s very personal view, as a young East German writer, of today’s Berlin. in this beautiful tribute to Barcelona’s cultural history. This is an unrivaled exploration of a photographs not only illustrates the diversity of the world’s cultural heritage but also language and caring for their families. Now in their seventies and eighties, these women
Photographers include: Sibylle Bergemann, Annette Hauschild, Harald Hauswald, Ute city that has inspired and will continue to inspire anyone who visits. warns us of the threats to its environment. who formed the first generation of Turkish women migrants to the Netherlands have the
Mahler, Werner Mahler, Thomas Meyer, Jordis Antonia Schlösser, Anne Schönharting, chance to embed their stories within Dutch history.
Maurice Weiss.
EXHIBITION
Rotterdam, Netherlands: Fotomuseum, 09/28/24–05/10/25

Giovanna Silva: Daniel Case: Matteo Di Giovanni: Fazal Sheikh:

Days Without Number Outside Sex True Places Never Are Thirst, Great Salt Lake
New York City Text by Drew Daniel, Brontez Purnell,
THE ICE PLANT
Introduction by Fazal Sheikh. Text by Terry
Peter Berlin. Tempest Williams.
Text by Sasha Frere-Jones. ISBN 9798985733013
DARK ENTRIES EDITIONS u.s. $55.00 cad $82.00 gbp £47.00 FAZAL SHEIKH ARCHIVE
MOUSSE PUBLISHING Pbk, 9.5 x 11.5 in. / 96 pgs / 50 color.
ISBN 9798985170429 ISBN 9798218337209
ISBN 9788867496495 February/Photography
u.s. $49.99 cad $74.95 gbp £42.00 u.s. $50.00 cad $75.00
u.s. $35.00 cad $53.00 Territory: NA LA UK EUR AFR ME
Hbk, 10 x 8 in. / 108 pgs / 57 color. Flexi, 11 x 15 in. / 134 pgs / 69 color.
Pbk, 8.5 x 11.5 in. / 60 pgs / 60 color.
February/Photography Available/Photography
February/Photography
Territory: WORLD Territory: NA ONLY
Territory: NA LA AFR ME

Documenting the landscape and sexscape of popular spots for

Silva’s unexpected, random shots capture new angles of New York gay cruising in America Unmoored from any sense of definite place, Di Giovanni’s An arresting visual document that charts the degradation of one
architecture as she wanders the city The American artist Daniel Case (born 1979) works in the mediums of digital and landscapes reveal a universal tension between landscape and of America’s most astonishing natural monuments
For the past three years, photographer Giovanna Silva (born 1980) has meandered film photography and bookmaking. He practices documentary landscape and civilization In November 2022, the water level of the Great Salt Lake fell to its lowest on record.
through New York City, camera in hand, collecting photographs in her own time. She often unconventional portrait photography that often involves surveillance, documentation From 2013 to 2023, photographer Matteo Di Giovanni (born 1980) embarked on several Diverted water supply from its feeding rivers, pollution from nearby extraction plants and
walked more than 10 miles a day, taking in as much as she could or sometimes passing and the archiving of queer people and spaces through intimate examinations of rambling journeys off the beaten path through Italy, Scandinavia and Northern Europe, ravaging droughts have brought this landmark to a crisis point. As the lake reached its
by the same site again and again. As a collection of more than 700 images, Days Without interiors and site-specific landscapes. in which map and territory gave way to intuition and curiosity, documenting the outer lowest ebb, photographer Fazal Sheikh (born 1965), together with writer Terry Tempest
Number is ostensibly organized as a calendar, but follows no sense of time or chronology. Daniel Case: Outside Sex provides exactly what the title promises: candid photographs world through attentive observation and image-making. Di Giovanni’s landscapes Williams (born 1955), walked the shoreline, awed by its epic beauty while recording the
Ultimately, it is a puzzle of images: populated by the city’s recognizable landmarks but of gay men having sex outdoors in cruising grounds scattered throughout California. seem intimate and mythic, while the still lifes are vast and open—interior and exterior destruction of its natural habitats. As Utah native Williams writes in her essay, “Retreat,”
not a travelogue; imbued with the city’s pedestrian spirit but not a portrait of its denizens. Says Case, “The energy and history of each carved-out space felt like spiritual ruins. I are interchangeable. True Places Never Are resequences this series of medium format she is witnessing the death of a lake that has been a constant presence in her life.
Alongside this surprising series is an essay by New York–based writer Sasha Frere-Jones, wanted to evoke the beauty and magic of these spaces, the history of what’s formed photographs (originally released as three separate photobooks) and adds several Meanwhile, Sheikh documents the shrinking salt basin from above, revealing how the
a member of the New Yorker staff for 10 years and now a cultural contributor for several them and the reality that like ruins they are fading, but they stand as monuments to previously unpublished images. The result is a fresh, cohesive body of work in which lake has been exploited: plundered for its natural salts, dissected by concrete highways,
newspapers and magazines. their purpose and the intimate experiences shared.” the location and chronology are secondary to the intangible meanings and associations discolored by toxic waste, depleted by evaporation. His images hold a mirror to the lake’s
suggested by the lens. Taken from a line in Moby-Dick, the title expands upon this search surface, charting its destruction while demanding the viewer’s visceral response.
for metaphysical enlightenment: “It is not down on any map; true places never are.”
EXHIBITION
Pittsburgh, PA: Carnegie Museum of Art, 05/11/24–01/12/25

122 ­­artbook.com artbook.com 123

Photography group shows and collections Fashion and textiles HIGHLIGHTS ■ ARCHITECTURE & DESIGN

Lartigue / Kertész Brown Fleming Alaïa/Kuramata:

Masters of Modern Photography and the Haarlem Lightness in Creation
Edited by Marion Perceval.
Collection DAMIANI
SILVANA EDITORIALE The European Production of ISBN 9788862088381
ISBN 9788836659135 u.s. $55.00 cad $82.00
u.s. $40.00 cad $60.00
Wax Prints for West Africa Hbk, 9.5 x 12 in. / 88 pgs / 40 color.
Hbk, 9 x 11 in. / 144 pgs / 80 duotone. Edited by Helen Elands. May/Fashion/Design
March/Photography Territory: NA LA
Territory: NA LA ASIA AU/NZ AFR ME SILVANA EDITORIALE
ISBN 9788836658749
u.s. $50.00 cad $75.00
Hbk, 9 x 11.5 in. / 256 pgs / 150 color.
March/Fashion
Territory: NA LA ASIA AU/NZ AFR ME
“The greatest amateur photographer” meets “the inventor of Alaïa’s ethereal couture creations meet Kuramata’s graceful
photojournalism” in this survey of two documentarians, each with a furniture designs in a poetic encounter underscored by a shared
sympathetic personal eye Tracing the history of how imitation Indonesian batik print fabric love of lightness
found an unexpected audience in Western Africa
Born in the same year and dying within a year of one another, Jacques Henri Lartigue (1894–1986) Fashion designer Azzedine Alaïa (1935–2017) was a fervent admirer of Shiro Kuramata
and André Kertész (1894–1985) led contrasting lives that produced different yet equally remarkable In the late 19th century, the Scottish merchant Ebenezer Brown Fleming introduced the (1934–91), even organizing an exhibition of his work at the Fondation Alaïa in 2005.
photographic portfolios. Their work was shown at the Museum of Modern Art, New York, in 1963 and first wax-printed batik imitations, made by Prévinaire and produced in the Netherlands, Kuramata’s furniture designs are replete with both the fascinating history of Japanese
1964, respectively, but while Lartigue was dubbed an “amateur,” Kertész was hailed as “the inventor adapting them to the tastes of African customers. This book, the first to focus on the decorative arts and the modern eagerness for Japanese structural simplicity akin to the
of photojournalism.” Both oeuvres are characterized by a unique, highly personal aesthetic— history of wax for West Africa from its beginnings to the present day, features more than dogma of “form follows function.” Now, the Fondation Alaïa presents 23 of Kuramata’s
Lartigue candid, Kertész reflective—that set them apart from other modalities of image-making, 150 color illustrations and details how copies of Indonesian batik, manufactured in Europe works alongside 20 of Alaïa’s haute couture creations, creating a synthesis of forms and
and served as inspiration for later generations when they both reached acclaim in the 1970s. and initially intended for the Southeast Asian market, enjoyed unexpected success on the materials. The lurex knit of a simple gown responds to the knitted metal mesh of a chair,
Lartigue / Kertész pays tribute to these two paragons by comparing their parallel careers through west coast of Africa at the end of the 19th century. New research based on Dutch, English while the transparent acrylic of a shelf unit echoes the feather-light muslin of a runway-
a selection of 185 photographs, in color and black and white, highlighting the similarities and and Swiss archives has not only enabled the reconstruction of the earliest collections but reader creation. Each imbued with a great sense of lightness, the pieces showcased here
singularities of their approaches to the art of photography. also provides an overview of the development of Dutch wax in Europe from its beginnings represent both artists’ shared interest in abstraction.
to the last surviving company, Vlisco, which still prints these classics today.
EXHIBITION
Paris, France: Fondation Azzedine Alaïa, 06/24/24–02/16/25

Re/Trace Suite 718 Memorabile: Ipermoda Camper Together

Formations of Likeness The Walther Collection Project Space, Edited with text by Maria Luisa Frisa. Text by The Architecture of a Brand
Alexander Fury, Judith Clark, Emanuele Coccia, Luis
Foreword by Artur Walther. Preface by Andrea New York Venegas, Nick Rees-Roberts, Saul Marcadent, Silvia
Foreword by Fernando Amat Ferré, Oriol Armengol.
Lissoni. Text by Daniela Yvonne Baumann, Natasha Text by Felix Ho Yuen Chan, Joshua Chuang, Steven Text by Neville Brody, Martí Guixé, Shiro Miura, Song
Schirinzi, Dylan Colussi, Silvano Mendes, Alessandro
Bissonauth, Joshua Chuang, Corinne Diserens, et al. C. Dubin, Brendan Embser, Loren Hansi Gordon, Yi, Konstantin Grcic.
Giammei, Gabriele Monti, Marco Ricchetti.
Conversation with Tamar Garb, Renée Mussai. Oluremi C. Onabanjo, Christopher Phillips, Brian Wallis,
Zoé Whitley. Conversation with Brendan Embser, LA FÁBRICA
MARSILIO ARTE
STEIDL/THE WALTHER COLLECTION, NEU-ULM Artur Walther. ISBN 9788410024199
AND NEW YORK ISBN 9791254632321
u.s. $40.00 cad $60.00 gbp £34.00
u.s. $55.00 cad $82.00 gbp £47.00
ISBN 9783969994290 STEIDL/THE WALTHER COLLECTION, NEU-ULM Hbk, 9.5 x 12.5 in. / 352 pgs / 400 color.
Pbk, 11.5 x 11 in. / 296 pgs / 445 color.
u.s. $85.00 cad $125.00 AND NEW YORK May/Architecture & Urban Studies/Fashion
March/Fashion
Pbk, 9.5 x 12.5 in. / 480 pgs / 341 color / 42 b&w. ISBN 9783969994283 Territory: WORLD Excl LA Spain
Territory: WORLD
May/Photography u.s. $75.00 cad $110.00
Territory: NA ONLY Pbk, 6.75 x 9.75 in. / 480 pgs / 312 color / 185 b&w.
May/Photography The most iconic trends and hottest topics in contemporary fashion, Showcasing the diverse and memorable architecture and interiors
Territory: NA ONLY illustrated with designs from Gucci, Dior, Valentino and more of Camper shoe stores worldwide, designed by such luminaries as
A panoply of conceptual, documentary and vernacular images
exploring influences on individual self-fashioning, identity and Gaetano Pesce and Shigeru Ban
Inside the Walther Collection’s project space in downtown What makes an article of clothing iconic? While trends come and go, certain designs,
lived experience Chelsea and its role as a workshop, research center and forum for red-carpet looks or everyday staples remain memorable for their technique, cultural Founded in 1975 in Mallorca, the Spanish footwear brand Camper is a fourth generation
contemporary photography significance or iconoclasm. Memorabile: Ipermoda zooms in on style from 2015 to family business. Known for its sustainable, comfortable and often playful designs,
Whereas previous publications by the Walther Collection have explored singular aspects
2025, examining the most prevalent trends and topics, including personal stylists Camper is continually inspired by tradition as well as modernity. The first Camper store
of its holdings, Re/Trace is their first volume to juxtapose images from different cultures, Between April 2011 and January 2021, the Walther Collection operated a project space and the question of authorship; sustainable design and the rise of “fast fashion”; and opened in Barcelona in 1981. Today, there are more than 400 stores around the world,
time periods and materialities. With examples from Africa, the Americas, Europe and in Chelsea, New York. Located in Suite 718 of the landmark West Chelsea Arts Building, inclusive sizing. The catalog accompanying the exhibition is an atlas in which these each with its own personality. In 2006, the brand named its store design initiative
eastern Asia, and with image types ranging from portraiture to photojournalism to it became an incubator for ideas, promoting sustained inquiry into the collection’s three theoretical questions are more deeply examined. It defines new words and concepts “Camper Together” as a nod to the collaborative approach taken with the architects and
conceptual to vernacular and archival photography, it presents a thorough, global main areas of focus: African, Asian and vernacular photography, expanding the history that have shaped sociopolitical outlooks on one of the world’s largest industries. Dozens designers that it commissions to design its physical spaces.
dialogue on the diverse paths of development in historical and contemporary image of the medium worldwide. The Project Space presented exhibitions, organized rigorous
productions. The overarching theme uniting all of these selected examples is the body:
of designers are represented, including Prada, Balenciaga, Giorgio Armani, Dolce & Architects and designers include: Jasper Morrison, Gaetano Pesce, Nendo, Kengo
symposia, hosted public lectures and acted as a research hub for the collection’s Gabbana, Gucci, Dior, Valentino, Viktor & Rolf, Bottega Veneta and Thom Browne, Kuma, Jo Nagasaka, Fernando Amat, Müller van Severen, Jonathan Olivares, Shigeru Ban,
the social, cultural and political constructions that shape not only our self-representation publications. It was a library, gallery, workspace and “forum for collective thought.” together with up-and-coming designers such as Marco Rambaldi and Sunnei. Jaime Hayon, Alfredo Häberli, Campana Brothers, Achilles Ion Gabriel, Michele De Lucchi,
but also our identity and experience. Recording the space’s extensive activities, Suite 718 reflects on the significance of the
Artists include: Ai Weiwei, Richard Avedon, Bernd and Hilla Becher, Karl Blossfeldt, Tokuyin Yoshioka, Erwan and Ronan Bouroullec, Tomás Alonso, TAF Studio, Isabel López,
Walther Collection and its relationship to New York’s cultural milieu. It presents each EXHIBITION
David Saik.
Mitch Epstein, Rotimi Fani-Kayode, Seydou Keïta, Mike Mandel, Santu Mofokeng, exhibition with select artworks, installation images and texts, as well as an illustrated Rome, Italy: MAXXI, 11/27/24–03/23/25
Zanele Muholi, Eadweard Muybridge, Jo Ractliffe, August Sander, Malick Sidibé, Yang chronology and overview of the collection’s 53 exhibitions and 18 publications.
Fudong, Xu Yong.

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Furniture, product and jewelry design Art, architecture and design from Asia and the Middle East HIGHLIGHTS ■ ARCHITECTURE & DESIGN

Ballo & Ballo NewLamp Manzar: Art and Splendours of the Atlas
Photography and Design in Milan Catalogue Raisonné 1969–1973 Architecture from A Voyage through Morocco’s Heritage
1956–2005
Edited by Silvia Paoli.
Edited by Paolo Borromeo d’Adda. Text by
Matteo Pirola. Pakistan 1940s to Today Photographs by Bruno Barbey, Mous Lamrabat.

Edited by Caroline Hancock, Aurélien Lemonier, SILVANA EDITORIALE/QATAR MUSEUMS

SILVANA EDITORIALE SILVANA EDITORIALE Zarmeene Shah. Text by Catherine Grenier, ISBN 9788836658930
ISBN 9788836658053 ISBN 9788836656127 Caroline Hancock, Zarmeene Shah, et al. u.s. $45.00 cad $68.00
u.s. $40.00 cad $60.00 u.s. $80.00 cad $120.00 Pbk, 8.75 x 11 in. / 208 pgs / 425 color.
Pbk, 9.5 x 11 in. / 240 pgs / 232 color. Hbk, 9.5 x 11 in. / 232 pgs / 352 color. SILVANA EDITORIALE/QATAR MUSEUMS March/Decorative Arts
March/Design/Photography March/Design ISBN 9788836659623 Territory: NA LA ASIA AU/NZ AFR ME
Territory: NA LA ASIA AU/NZ AFR ME Territory: NA LA ASIA AU/NZ AFR ME u.s. $45.00 cad $68.00
Pbk, 9.5 x 11 in. / 350 pgs / 304 color.
March/Art/Architecture & Urban Studies
Territory: NA LA ASIA AU/NZ AFR ME
Inside the photographic studio responsible for some of the The first catalogue raisonné for the celebrated yet short-lived Celebrating the rich heritage and artistic traditions of a country
most iconic images of ’60s and ’70s Italian design Italian lamp design firm A kaleidoscopic view of Pakistani art and architecture, from the that has been pivotal in the economic and cultural exchanges of
1940s to the present the Mediterranean region since Antiquity
In the 1950s, Aldo Ballo and Marirosa Toscani established what was to become Italy’s In its brief existence from 1969 to 1973, the Italian design company NewLamp created no
premier commercial photography studio, specializing in furniture and product design. fewer than 55 lamp models, characterized by their innovative and highly modish form Originating in Arabic, the word manzar in Urdu can be translated as a scene, a view, a Morocco brings a mosaic of images to mind: stunning landscapes including the majestic
Together with a team of architects, designers, artists and magazine editors, they and construction. Founded by entrepreneur Mario Vento, its staff included such notable landscape or a perspective, highlighting the extraordinary vitality of the diverse art scenes Atlas Mountains; the interwoven Amazighi and Arab heritage; a vibrant history of
created the most iconic images of postwar Italy’s most iconic designs. This publication figures as Gianfranco Fini, Fabrizio Cocchia, Gianni Colombo and Giuseppe Ravasio. After in Pakistan and its diasporas. This volume presents the enormously diverse output of the architecture; rich culinary and musical traditions; and arts and crafts that have been
of Ballo & Ballo’s work highlights both their prominence in the design world as well only two years, in 1971, NewLamp was awarded the Europremio for furniture design. painters, photographers, architects and others who have defined Pakistan’s culture over cherished and preserved for centuries. All these elements have coalesced to create a
as their prolific output. Products from Arflex and Poltronova sit alongside designs Over the course of more than 15 years, Paolo Borromeo d’Adda has worked to uncover the past 80 years. Featuring approximately 200 paintings, drawings, photographs, videos, diverse and dynamic cultural landscape. Combining historical treasures with a selection
by Archizoom, Ugo Marano and Cini Boeri. Their images brilliantly capture a pivotal NewLamp’s complex and clandestine history, revealing the secrets and speculations sculptures, installations, tapestries and miniatures, the catalog also offers essays by of contemporary photographs and artworks, Splendours of the Atlas captures the
yet ultimately ephemeral moment in Italian design, one that defined the country that have surrounded the firm for 50 years. The product of his research is this definitive important art and architecture historians, educators, artists and architects from Pakistan. essence and celebrates the unique identity of Morocco by showcasing its wisdom and
as a paragon of style. The Ballo & Ballo Archive was donated to the Civico Archivio catalogue raisonné, showcasing all of NewLamp’s product designs accompanied by This groundbreaking gathering traces how artists and architects have forged diverse crafts alongside its unique colors and sounds. This volume, a journey or rihla through
Fotografico of Milan in 2022, and thorough research has allowed several previously preliminary sketches, advertisements and a thorough suite of specifications including all personal and political languages, in dialogue with regional styles and international art this fascinating country, aims to inspire readers to appreciate the beauty and complexity
unpublished images to be featured in this catalog for the first time. dimensions, the electrical configuration of each lamp, its original price and its present- and world histories. The interconnections of scenes, individuals and communities in the of Morocco’s cultural and artistic legacy—not just a static collection of artifacts and
day valuation. subcontinent and on a global scale are testament to the strength of art in withstanding traditions but a living, breathing testament to the resilience and adaptability of its people.
imposed divisions.
EXHIBITION
EXHIBITION Doha, Qatar: Museum of Islamic Art, 11/02/24–03/08/25
Doha, Qatar: Art Mill Museum, 11/01/24–01/31/25

Walking Sticks NEW REVISED EDITION

Asian Bronze Arab Design Now
Edited with text by Keiji Takeuchi, Marco Sammicheli. Chains: Jewelry in History, 4,000 Years of Beauty 2024
LARS MÜLLER PUBLISHERS Function and Ornament Text by Sara Creange, Anna A. Ślączka, William
Southworth, Ching-Ling Wang.
Edited by Rana Beiruti. Foreword by Sheikha Al
Mayassa Bint Hamad bin Khalifa Al Thani. Introduction
ISBN 9783037787786 Edited by Alba Cappellieri.
by Glenn Adamson. Text by Noura Al Sayeh-Holtrop.
u.s. $25.00 cad $38.00 NAI010 PUBLISHERS/RIJKSMUSEUM
Pbk, 4.75 x 9.75 in. / 64 pgs / 48 color / 5 b&w. SILVANA EDITORIALE
AMSTERDAM SILVANA EDITORIALE/QATAR MUSEUMS
January/Design ISBN 9788836658299
ISBN 9789462088863 ISBN 9788836659432
Territory: NA LA u.s. $35.00 cad $53.00
u.s. $49.95 cad $74.95 u.s. $50.00 cad $75.00
Hbk, 6 x 8.25 in. / 208 pgs / 90 color.
Pbk, 8.5 x 10.5 in. / 208 pgs / 140 color. Pbk, 6.25 x 8.5 in. / 360 pgs / 272 color.
March/Design
February/Art March/Design
Territory: NA LA ASIA AU/NZ AFR ME
Territory: NA LA ME Territory: NA LA ASIA AU/NZ AFR ME

Flowerpots, gardening baskets, newspaper racks or table Tracing the history and celebrating the beauty of one of From swords to bells to statues and beyond, a grandiose and Designers from across the Arab world reinterpreting and
stands: 18 artists design new and creative uses for the ubiquitous humanity’s oldest personal ornaments historic survey of the use of bronze in Asian art preserving a rich cultural heritage through contemporary design
walking stick This fascinating and skillfully illustrated monograph shows how extraordinary jewelry— Since the dawn of the first civilizations across the Asian continent, bronze has been used Featuring over 250 color illustrations, Arab Design Now presents a survey of local and
From a practical tool to status symbol, the walking stick is a universal object that has capable of linking the past to the future in the name of creativity, beauty and innovation— in a myriad of ways to create spectacular items now revered as works of art. Admired regional design talent across disciplines, from architectural and material innovations to
been imbued with symbolism, craftsmanship and innovation throughout its history. can be generated from such a simple functional element as the chain. Adored by kings for its texture, sheen, durability, color and even its sound, the material was used to contemporary crafts, furniture, fashion, and graphic and object design. “There are lots
Across different cultures and eras it has taken on different uses and meanings: whether and queens, the chain is at once a symbol of the manufacture of ancient civilizations make every type of object, from weapons to bells to incense burners and statues of the of stories and messages in the works,” says Rana Beiruti, curator of the show on which
agricultural, religious, ceremonial, orthopedic or sartorial. Recently, 18 designers ranging and the countercultures of the young. The chain is one of the most loved jewelry pieces Buddha or other religious figures. Surveying over 4,000 years of history, Asian Bronze this book is based. “It was important to demonstrate that the Arab world is ... a very
from Jasper Morrison to Julie Richoz were invited to reimagine the walking stick for an of material culture and the most worn in the history of costume, providing perpetual highlights innovative works in bronze from China, Japan, India, Indonesia, Thailand, diverse landscape of cultures, influences and craft.” Working across themes of material
exhibition at the Triennale di Milano Museum curated by the Milan-based Japanese inspiration for artists, stylists and designers. From the Sumerians, Egyptians and Greeks Vietnam, Pakistan, Nepal and Korea. Spectacular examples from the collections of the and visual culture and expression, environmental and innovative use of materials, and
designer Keiji Takeuchi. This elegant book showcases their designs and demonstrates to medieval rigor, Renaissance splendor and beyond, this book—with an authoritative Rijksmuseum intermingle with historic loans from institutions across Asia, some of which considerations of technique, detail, pattern and aesthetics, this volume highlights design
how a humble object can be a source of pleasure and pride. Presented in a vertical, critical essay and a large selection of photographs—retraces the symbolic and aesthetic have never left their country of origin. The result is an array of masterworks that highlights excellence from across the region of the Levant, the Gulf and North Africa. Looking
rectangular format to suit its subject matter, Walking Sticks is introduced by Keiji evolution of the chain from early history to the modern day and its intersections with art, the craftsmanship of traditional artisans while fostering a new appreciation for bronze as beyond a globalized or imported design language, this book is an indispensable guide to
Takeuchi and includes an essay by the design curator and critic Marco Sammicheli, which fashion, design, manufacturing and new technologies. This updated version of the original a medium. design in the Arab world today.
traces the cultural significance of this understated object. 2018 publication includes expanded illustrative material.

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Cultural and design theory Writings on design and architecture HIGHLIGHTS ■ ARCHITECTURE & DESIGN

Design History Reader Death Design Data What’s Next for Mom NEW EDITION

An Emerging Vision for a New Narrative Edited with text by Cecilia Casabona, Ginevra Petrozzi.
and Dad’s House? Designerly Ways of Knowing
Text by Camille Wiesel, Lorenzo Montinaro, Perrine De
Edited by Kristen Coogan.
Donato, Goga Mason, Susanne Duijvestein, Thomas Essays on the Single-Family Housing A Working Inventory of Things a
Walskaar, et al. Type and Its Future, vol. 1 Designer Should Know
ONOMATOPEE
ISBN 9789493382084 Edited by Martino Tattara, Federico Zanfi. Text by
By Danah Abdulla
ONOMATOPEE
u.s. $35.00 cad $53.00 Michela Bassanelli, Rebecca Carrai, Gabriel Cuellar. SET MARGINS' PUBLICATIONS
ISBN 9789493382121
Pbk, 6.75 x 9.5 in. / 324 pgs / 300 duotone. ISBN 9789083449883
u.s. $25.00 cad $38.00 SPECTOR BOOKS
February/Design Theory u.s. $18.00 cad $27.00
Pbk, 6 x 8.25 in. / 144 pgs / 8 color / 36 b&w.
Territory: NA LA ASIA AFR ISBN 9783959058162 Pbk, 4.5 x 7 in. / 64 pgs.
February/Cultural Theory/Art/Design
u.s. $35.00 cad $53.00 February/Design Theory
Territory: NA LA ASIA AFR
Pbk, 6.25 x 9 in. / 288 pgs / 85 color / 13 b&w. Territory: NA LA ASIA AFR ME
March/Architecture & Urban Studies
Territory: NA LA AFR ME
Created by students, for students, Design History Reader espouses Ten artists offer new considerations for grieving in the digital age A poetical list of essential knowledge for designers that both
a pluralistic, communal approach to tackling design issues In the digital era, the experience of death and grief is the opposite of that of centuries Proposing solutions for how the traditional suburban single- politicizes and inspires
The goal of this collaborative, enthusiastic textbook on design history is to create past: saturated with information, yet devoid of rituality. With this influx of media and family house can be reinvented for the contemporary In 2018, the architect and activist Michael Sorkin published the now beloved essay-list
a resource offering a diverse, inclusive view of graphic design history, specifically “content,” is it possible that some form of visual culture could cut through the noise in market and climate “Two Hundred and Fifty Things an Architect Should Know.” Struck by the compelling
articulated through the student voice. Design History Reader was led by Kristen Coogan, order to reconcile human beings with death? Death Design Data unites 10 contemporary Despite the increasing interest in reuse and circularity, little attention has been paid form of this text, Danah Abdulla compiled a version for designers—“a list based on a
Associate Professor of Art and Graphic Design at Boston University, who applies the artists and designers to explore how different creative practices can produce new, to the task of transforming the extensive residential sprawls of single-family houses search for knowledge and a designer’s commitment to making the world a better place,”
department’s pluralistic approach to the topic. The case studies featured in this book innovative rituals surrounding death and loss, and how they affect us. The experiences, built across the Western world in the second half of the 20th century. Yet changing as she writes. Abdulla’s list includes the experience of scents; how critical theory does
are real-life examples from her students that demonstrate the practical, ubiquitous memories and invocations shared on these pages invite us to reconsider our mortality demographics, socioeconomic transformations, shifts in housing preferences and the not account for the colonial experience; the dangers of seeking out simplicity; visual
applications of design theory. They began as a curricular revision and evolved into a new and the vessels that we use to navigate life and death. attractiveness of the city as a productive space have exposed the financial, material and pollution; and how certain emblems and symbols make people feel. It is meant to be
form of design history pedagogy. Already a part of Boston University’s graphic design Contributors include: MAalex, Thomas Walskaar, Camille Wiesel, Studio GISTO & Goga cultural crises facing these settlements. In light of such trends and given the sheer size of approached as a series of prompts to consider, discard or spark a conversation.
curriculum, this student-focused reader is an excellent choice for course adoption, or for Mason, Perrine De Donato, Susanne Duijvestein, Lorenzo Montinaro, Mourning School. the phenomenon, retrofitting the single-family housing stock to make it more consistent Danah Abdulla (born 1986) is a Palestinian Canadian designer, educator and researcher.
the bookshelf of an independent aspiring designer. with socioeconomic changes can be regarded as one of the most urgent, unresolved She is Program Director of Graphic Design at Camberwell, Chelsea and Wimbledon
Contributors include: Annabella Pugliese, Belle Bennet, Charles Li, Dar Saravia, Ellen issues in architecture and urban design today. This book investigates the potential Colleges of Arts, and a founding member of the Decolonising Design platform.
Johnson, Flora Kerner, Grace Chong, Haya AlMajali, Julia Cheung, Kristina Shumilina, inherent in transforming the single-family house in different geographical contexts by a
Lauren Had, Leila Garner, Maidha Salman, Natalie Seitz, Rayne Schulman, Rhea Jauhar, group of emerging and established scholars from the US, Europe and Australia.
Rashina Wang, Sheryl Peng, Sophie Zimbler, Tzu-Hsuan Huang, Winnie Mei, Xiuqi
Ran, Yue Luo.

Nocturnalities Trust: Building on the Conspiratorial Design NEW REVISED EDITION

Bargaining Beyond Rest Cultural Commons Information Design for the Bigger Picture Volumes: Design Reviewed
Edited by Agata Bar, Andrea Knezović. Artworks by
Anouk Hoogendoorn, Aurélien Lepetit, Baratto &
By Pascal Gielen By Carlo Bramanti Remixed Revealed
Mouravas, Finnegan Shannon, Mario Santamaria. Illustrations by Karina Beumer. Introduction by Silvio Lorusso. By Kenneth FitzGerald
SET MARGINS’ PUBLICATIONS
Text by Rudy VanderLans.
ONOMATOPEE VALIZ
ISBN 9789493246409 ISBN 9789083449876 SET MARGINS’ PUBLICATIONS
ISBN 9789493382091 u.s. $22.00 cad $34.00
u.s. $32.00 cad $48.00 u.s. $24.00 cad $36.00 ISBN 9789083449814
Pbk, 4.5 x 7.5 in. / 288 pgs / 25 b&w. Pbk, 4.25 x 7 in. / 144 pgs / 28 b&w.
Pbk, 5.5 x 7.75 in. / 300 pgs / 65 b&w. u.s. $25.00 cad $38.00
February/Cultural Theory April/Design Theory
February/Cultural Theory Pbk, 5 x 8.25 in. / 268 pgs.
Territory: NA LA ME Territory: NA LA ASIA AFR ME
Territory: NA LA ASIA AFR February/Design
Territory: NA LA ASIA AFR ME

Exploring the intersection between cultural production, cognitive How a culture of commons can help humanity regain its A surreptitious approach to the intrinsic principles of design, A wide-ranging and incisive look at the various issues of
capitalism, the politics of sleep and its psychocultural implications willingness to trust upending the teachings we take for granted volume in design
Developed by Amsterdam-based Slovenian artist and researcher Andrea Knezović (born How do we break a culture of mistrust while suspicion of fellow humans, governments What if data was not a statement of fact, but an argument, and data visualizations mere A revised and expanded edition of the original 2010 book by Kenneth FitzGerald, Volumes:
1990) in collaboration with editor-curator Agata Bar, curator Tia Čiček and graphic and capitalist enterprise seems to keep growing? Feelings of powerlessness are often representations of these arguments? After all, the goal of information designers is to Design Reviewed Remixed Revealed, explores the dynamics of volume in graphic design,
designer Miquel Hervás Gómez, Nocturnalities: Bargaining Beyond Rest looks at how cited as the main cause. We look for remedies in rules, contracts, assurances and audits, synthesize a particular vision of the world. Taking this position to its ultimate (il)logical from vernacular expressions to professional practice, featured in critical essays, reviews,
technology can assist, instead of coopting, care urgencies and needs. What is rest if not as well as in “good governance.” But do they really provide trust? In Trust: Building on end, author Carlo Bramanti investigates the shady relationship between information speculations, polemics, incitements and fictions. The diverse topics of the writings
the space of safety? How can we use or appropriate care methodologies in capitalism and the Cultural Commons, featuring drawings by Karina Beumer (born 1988), sociologist design and conspiracy theories. Through esoteric diagrams and flowcharts, Bramanti include the roles of class in design, progressive political speech as “mother” of graphic
create little oases of comfort, exchange and “communal comradeship”? The value of this of art and cultural politics Pascal Gielen (born 1970) highlights the crucial role played argues that the conspiratorial haunts design even in its most basic paradigms. With a vital design, design as entertainment, typography as spur, the branding of the Beatles’ Apple
work is embedded in the way it offers different—local and international—perspectives by the cultural commons, shared “common” life and its customs, practices, knowledge urgency to see and share the bigger picture, Conspiratorial Design probes the discipline’s Records, pornography, album cover art, imaginary creative identities and more. Volumes
and understandings of how we relate to the politics of rest, negotiate institutional and and values. Trust is, after all, a matter of culture, of feeling and even of aesthetics. Broad clandestine facets and investigates how communities try to give meaningful narratives to also includes an introductory essay by the cofounder of Emigre Inc., Rudy VanderLans.
intimate care, and imagine varieties of care systems and healing strategies within a local societal trust begins with sharing vulnerabilities, and the commons, according to Gielen, information to overcome the vertigo of complexity. Kenneth FitzGerald (born 1960) is an educator, designer, curator and artist. He is
setting. The intent is not necessarily to offer one solution to the larger inquiry but to allow provides space for that—breathing space and experimental space. How could a society Carlo Bramanti is a designer and writer based in the Netherlands. His research touches currently Professor of Design at Old Dominion University.
a plurality of voices and contributions to be heard, expressed and remembered. and a policy further build on this? upon design culture, visual studies and their relationship with politics and communities.
Contributors include: Andrea Knezović, Angeliki Tzortzakaki, Angels Miralda, Katia
Krupnikova, Katja Praznik, Laura Mrkša & Sepp Eckenhaussen, Meghana Karnik, Rita
Ouedraogo, Silvio Lorusso, Tia Čiček, Titus Nouwens, Eloise Vo.

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Printmaking, typography and poster design Architectural theory and other writings HIGHLIGHTS ■ ARCHITECTURE & DESIGN

Architectural Image- Clara Istlerová: BACK IN PRINT

Making in 1980s New York A Life Among Letters The Anatomy of the
The John Nichols Printmakers & Edited with text by Anežka Minaříková. Translated by Architectural Book
Nathan Fields. By André Tavares
Publishers Collection
Edited by Courtney Coffman, Owen Nichols, Clara INVENTORY PRESS LARS MÜLLER PUBLISHERS/CANADIAN CENTRE
Syme. Text by Sarah Hearne, Sylvia Lavin, Whitney ISBN 9781941753804 FOR ARCHITECTURE
Moon, Michael Young. u.s. $35.00 cad $53.00 gbp £30.00 ISBN 9783037787694
Pbk, 6 x 8.75 in. / 224 pgs / 160 color / 6 duotone u.s. $65.00 cad $95.00
SPECTOR BOOKS/A83 / 44 b&w. Hbk, 6.5 x 9.5 in. / 400 pgs / 320 color / 26 b&w.
ISBN 9783959058599 June/Design January/Architecture & Urban Studies/Design
u.s. $60.00 cad $90.00 Territory: WORLD Territory: NA LA
Pbk, 9 x 11.75 in. / 420 pgs / 366 color / 20 b&w.
March/Architecture & Urban Studies/Design
Territory: NA LA AFR ME The first publication in English on the career of Czech graphic How printed, mass-produced books on architecture shaped
designer and typographer Clara Istlerová knowledge of the discipline itself
Stunning selections from an influential New York printmaking
studio exemplify a febrile period in which postmodern architects Clara Istlerová (born 1944) was one of few female designers in the male-dominated Examining the crossovers between book culture and building culture makes the axes
borrowed from the art of printmaking field of Czech typography. Born into an artistic family, she studied under František visible along which architectural knowledge circulates through books into buildings
Muzika at the Academy of Arts, Architecture and Design in Prague. Working entirely in and back. Dissecting a breadth of architectural books through five conceptual tools—
Capturing the catalytic moment when architecture co-opted art practices through analog processes, she created the design for one of the most influential books on Czech texture, surface, rhythm, structure and scale—author and architect André Tavares
printmaking, Architectural Image-Making in 1980s New York documents the recent history of architecture, Švácha, Rostislav: From Modernity to Functionalism (1985). Offering a vivid analyzes the material quality of books in order to assess their dialogue with architectural
spatial representation, works on paper, fine-art printmaking and artistic production produced portrayal of an era where design was a tangible, labor-intensive endeavor carried out in knowledge at large. The detailed history of Sigfried Giedion’s Befreites Wohnen and the
by and exhibited at John Nichols Printmakers & Publishers at 83 Grand Street in SoHo between close collaboration with typesetters and printers, A Life Among Letters unveils the artistic two incarnations of the Crystal Palace in Hyde Park and Sydenham provide a background
1978 and 1994. Included are detailed plates of selected works and an engaging ensemble of landscape of former Czechoslovakia through the lens of a trailblazing designer. It features that confront us not only with the rise of the industrialized book but also with the
essays and new photography, alongside indexical chronologies and a glossary of printmaking an intimate interview with Istlerová conducted by Anežka Minaríková, accompanied by configuration of the book as a unique visual device. Richly illustrated with samples from
terminology. The publication is informed by the three-part exhibition series of the same name work from Istlerová’s personal archive and a description of her creative process in her the library of the Canadian Centre for Architecture, the volume discusses a wide range
presented at the original site of John Nichols’ office, now known as A83, throughout 2023. It own words. of publications by several authors, including Vitruvius, William Morris, Gottfried Semper
features works from artists such as Aldo Rossi, Robert Morris, Robert Rauschenberg and more. and Le Corbusier.
American critic Aaron Betsky says of A83, “By showing not only the beauty of such fragments
and figments of architects’ imagination ... A83 has provided an invaluable counterpoint to the
mindless making of buildings that dominates far too much of the discipline.”

Ciné-Passion Dafi Kühne: Poster Cult Windows of Light Architecture Connecting

Poster Collection 36 Text by Angelina Lippert, Dafi Kühne, Christian By Lina Ghotmeh Living Structures
Brändle. Photographs by Peter Hauser.
Edited by Bettina Richter. Text by Christina Thomson, LARS MÜLLER PUBLISHERS
Edited by Mette Marie Kallehauge, Lærke Rydal
Anna Berkenbusch, Jianping He, Vasilis Marmatakis, LARS MÜLLER PUBLISHERS
Jørgensen. Conversations with Jan Boelen,
ISBN 9783037787762
Giselle Monzón Calero. Hashim Sarkis, Jenny Sabin, Mette Ramsgaard,
ISBN 9783037787779 u.s. $60.00 cad $90.00
ecoLogicStudio, Mario Carpo.
LARS MÜLLER PUBLISHERS u.s. $60.00 cad $90.00 Hbk, 8.75 x 11.75 in. / 228 pgs / 354 color / 85 b&w.
Hbk, 9.5 x 11.75 in. / 160 pgs / 55 color / 31 b&w. February/Architecture & Urbanism Theory LARS MÜLLER PUBLISHERS
ISBN 9783037787663
January/Design Territory: NA LA
u.s. $28.00 cad $42.00 ISBN 9783037787809
Territory: NA LA
Pbk, 6.5 x 9.5 in. / 96 pgs / 131 color / 19 b&w. u.s. $40.00 cad $60.00
February/Design/Film Hbk, 8.25 x 9 in. / 196 pgs / 133 color.
Territory: NA LA February/Architecture & Urban Studies
Territory: NA LA

Defying the emblematic Hollywood style, these experimental film More than 60 new posters from iconic poster artist Dafi An architectural history of light—both natural and artificial—and Three approaches to sustainable architecture—biodigital,
posters shaped both graphic design and film marketing Kühne, showcasing his innovative modern designs using its physical, sociopolitical and spiritual properties bioregional and bioresponsive—from studios centered around
In the history of design, the film poster has repeatedly exemplified graphic innovation. analog techniques Beirut-born, Paris-based architect Lina Ghotmeh (born 1980) specializes in ultra- biology and chemistry
Consequently, this 36th volume of Poster Collection spotlights movie posters that defied Since the 2017 release of his debut publication, True Print, Swiss poster artist Dafi Kühne contemporary, sustainable public and industrial buildings made from locally sourced Marking the first in a new series of exhibitions, this project from the Louisiana Museum of
the Hollywood conventions of canonical motifs and pompous spectacle. The unorthodox (born 1982) has amassed an ever-expanding cult following. In his varied works, Kühne natural materials. Her 2023 design for the Hermès leather workshop in Normandy, using Modern Art highlights three design studios with biochemistry and biology at the core of
visual language of these “other” film posters largely dispenses with star portraits and plays with the contrast between analog production tools and modern layouts. Since 2018, the region’s traditional bricks, was the first manufacturing building in France to achieve their practice. London-based ecoLogicStudio focuses on climate and carbon neutrality,
film stills, favoring a more subtle and poetic visual language that consolidates content he has been working with larger print formats, which is made possible by the use of one net-zero carbon emissions. Light, another natural and physical phenomenon, has also and how photosynthesis can be incorporated into architecture. Atelier LUMA is the
into symbols. This avant-garde approach to movie advertisements has existed for of the largest one-person letterpress printing machines with inking unit ever produced. been another source of inspiration for Ghotmeh. Her research on this topic, collected research design branch of LUMA Arles, mapping and identifying the local resources of the
as long as there have been moving pictures to promote. Ciné-Passion includes such Poster Cult aims to build on this development and document Kühne’s work over the in Windows of Light, draws upon examples from centuries of visual culture. Ghotmeh unique bioregion of Camargue to build its own studio. Finally, the Ithaca, New York–based
striking examples as the Stenberg brothers’ Constructivist posters; the radical, succinct last decade. The more than 60 posters illustrate simultaneous balance and tension explores the symbols, myths and innovations of light, and outlines how it fundamentally Jenny Sabin Studio uses theory and knowledge from biology and mathematics to help
work of Jan Tschichold; the Polish school of poster art, with exponents such as Henryk between poster culture and poster cult, between the romanticization of the craft and the shapes our biological, astronomical and architectural environments. Anchoring the develop new digital tools and structures that work in interaction with people and nature.
Tomaszewski and Roman Cieślewicz; and Cuban designs by Antonio Reboiro and Ñiko. integration of digital tools. A glossary enumerates printing procedures and processes, many representations of light is a photographic narrative that reminds us that access to This catalog highlights each firm’s most important projects alongside three conversations
thus enabling experts and poster enthusiasts alike to access the work. artificial light in many regions of the world remains a privilege rather than a right. between the studio founders and an expert architectural critic.
EXHIBITION
Humlebæk, Denmark: Louisiana Museum of Modern Art, 11/08/24–03/23/25

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Twentieth-century architecture, from Argentina to the Soviet Republic Contemporary architecture monographs HIGHLIGHTS ■ ARCHITECTURE & DESIGN

Amancio Williams: AP205 The New Interior: Viennese Why WHY? Where
Readings of the Archive by Studio Domestic Design and the Architecture Loves People
Muoto, Claudia Shmidt, and Pezo von
Ellrichshausen Beginnings of the Wiener Conversations with Celeste Adams, Max Hollein, Phil
Tinari, Ravi Rajan.
Edited by Francesco Garutti. Text by Gilles Delalex, Wohnkultur HATJE CANTZ
Yves Moreau, Claudia Shmidt, Mauricio Pezo, Sofia
von Ellrichshausen. 1907–1914 ISBN 9783775759205
By Christopher Long u.s. $65.00 cad $95.00
SPECTOR BOOKS Hbk, 9 x 11.75 in. / 480 pgs / 200 color / 50 b&w.
ISBN 9783959057974 KANT May/Architecture & Urban Studies
u.s. $45.00 cad $68.00 ISBN 9788074374296 Territory: NA LA
Pbk, 9.5 x 12.25 in. / 272 pgs / 200 color. u.s. $25.00 cad $38.00
March/Architecture & Urban Studies Flexi, 5.75 x 9 in. / 128 pgs / 63 b&w.
Territory: NA LA AFR ME August/Architecture & Urban Studies/Decorative Arts
Territory: NA LA ASIA AU/NZ AFR The work and philosophy of WHY, a New York–based architecture
firm specializing in museums and cultural centers
Innovative works by a giant of Argentinian
architectural modernism How the architects of the Vienna Secession turned their WHY is a wildly interdisciplinary architecture, design and landscape studio with global
principles inward, creating a new trend in interior design projects of every scale. Founded in 2003 by Thai-born, Los Angeles–based Kulapat
Argentinian architect Amancio Williams (1913–89) is one of the key figures of modern
In The New Interior, architectural historian Christopher Long examines how, over the Yantrasast (born 1968), the firm is committed to creating lasting connections between
architecture in Latin America, and Amancio Williams: AP205 is dedicated to his work.
course of the seven years preceding World War I, three leading Viennese modernists— people, culture and place. Among other projects, the practice worked with civic leaders
His most famous project, Casa sobre el Arroyo (now known as Casa del Puente, or
Josef Hoffmann, Adolf Loos and Oskar Strnad—redefined the idea of the modern interior. and urban planners to revitalize the historic Portland Warehouse District near Louisville,
Bridge House) in the province of Buenos Aires, is one of his few built works. The vast
While their building designs shaped Vienna’s urban landscape and exemplified the Kentucky. In 2017 and 2018, the firm won two international competitions to design large-
range of projects and proposals produced by his office between the 1940s and the 1980s
famous Secession movement, these three architects also applied their eclectic principles scale urban parks: West Princes Street Gardens and the Ross Pavilion in Edinburgh,
is attested to by an extensive archive of drawings, photographs, correspondence and
to domestic interiors, or Wohnkultur (meaning “living” or “dwelling culture”). This book Scotland, and Rees Ridge Waterfront Park in Toronto.
models, donated to the Canadian Centre for Architecture by the Williams family in 2020.
follows the progress of their debates and works, and how each designer sought to frame A reflection of WHY’s pluralistic approach, this first comprehensive monograph consists
This publication features research by scholars with different backgrounds in architectural
his own distinctive vision of living. The result was a split between the imperatives of style, of multiple interviews with its founder, clients, colleagues, thinkers and supporters,
practice and history. Together, their readings present new and expanded understandings
function and livability that is still in play today. conducted by longtime WHY friend and collaborator Katya Tylevich. The book is
of Williams’ work and situate social, material and political dimensions of his practice
Christopher Long is the Martin S. Kermacy Centennial Professor in the School of conceived as a collage of the designs and dialogues fostered by the studio, reflecting
within contemporary architectural discourse.
Architecture at the University of Texas at Austin. the exchanges and close bonds between people dedicated to making better places, and
making places better.

The Steiger House Raising the Curtain Benedetta Tagliabue:

Doldertal, Zurich 1959 Operatic Modernism and the Soviet EMBT
Rudolf Steiger and Flora Steiger- Nations Weaving Architecture
Text by Oxana Gourinovitch. Photographs by Simonn
Crawford Schnepp, Sergey Pilipovich.
Text by Benedetta Tagliabue, Enric Miralles,
Edited by Marianne Burkhalter, Christian Sumi. Text Josep Maria Montaner, Rafael Moneo, Igor
by Arthur Rüegg, Dieter Kienast, Joseph Schwartz, SPECTOR BOOKS Pedraza, Manuela Lucà Dazio, Kazuyo Sejima.
Lukas Ingold. Photographs by Leonardo Finotti. Interview by Beatriz Colomina, Mark Wiegley,
ISBN 9783959058025
Miquel Adrià.
u.s. $50.00 cad $75.00
LARS MÜLLER PUBLISHERS Pbk, 9.25 x 11.75 in. / 366 pgs / 250 color / 150 b&w.
ISBN 9783037787670 ARQUINE
March/Architecture & Urban Studies
u.s. $50.00 cad $75.00 ISBN 9786078880416 u.s. $80.00 cad $120.00
Territory: NA LA AFR ME
Pbk, 6.5 x 9.5 in. / 192 pgs / 63 color / 94 b&w. gbp £68.00
February/Architecture & Urban Studies Hbk, 8.75 x 10.75 in. / 608 pgs / 1428 color /
Territory: NA LA 14 duotone / 575 b&w.
How the architecture in non-Russian republics became a March/Architecture & Urban Studies
subversive tool of resistance Territory: WORLD Excl LA Portugal Spain
A close look at an astonishing architectural achievement situated This book revolves around two modernist opera theaters—each designed by a leading
among other Swiss masterworks female architect—on the Soviet periphery, in Lithuania and Belarus. They are the With a poetic yet sustainable design approach, Tagliabue and
Opera and Ballet Theatre in Vilnius (1962–74) by Nijole Bučiūtė and the Comic Opera in her studio reshape the role of public buildings in urban settings
With more than 150 illustrations, this monograph offers the first in-depth look at the Minsk (1973–81) by Oxana Tkachuk. Raising the Curtain reveals how each theater was
genesis of the Steiger House, a masterpiece of modern Swiss architecture, situated in This monograph brings together a selection of works by Benedetta Tagliabue – EMBT,
commissioned, planned and built, examining the contemporary political and cultural
the Doldertal in Zurich near other modernist houses, such as the Doldertal Houses by an internationally acknowledged architecture studio founded in Barcelona in 1994 by
events that had been unfolding on the stages of the republics before and at the time of
Roth and Breuer (1936) and the Fellowship Home (1960). Its central hall relates to Villa la Enric Miralles (1955–2000) and Benedetta Tagliabue (born 1963) that has shaped the
the theaters’ creations. The book also looks at how modernist architecture co-created
Rotonda by Andrea Palladio. Detailed analyses illustrate the central layout and outline the face of European architecture. With projects such as the Santa Caterina market and
the self-imaginaries of the “new nations” of Belarus and Lithuania. Addressing the long-
chronology, typology and construction of the building. Further contributions illuminate its neighborhood in Barcelona, the Parliament in Scotland, the transformation of the old
neglected processes of nation building within the Soviet Union and the way in which built
relation to local topography, the cultural context of the building, and important historical port of Hamburg in Hafencity and the new church and parish complex San Giacomo in
environments contributed to this helps us comprehend the forces that propelled the
and contemporary architectural references, including the Steiger House’s famous Ferrara, this book presents the EMBT studio’s methodology and architectural approach.
Soviet Union toward its collapse, while placing architecture’s entanglement with them at
neighbors, the Doldertal Houses. The Swiss architect couple Flora Steiger-Crawford Through a collection of visual materials, texts and narratives, this book weaves notable
center stage.
(1899–1991, also a sculptor) and Rudolf Steiger (1900–82) are important representatives projects to showcase the design philosophy and thought process of Benedetta and
of the Swiss avant-garde, and Flora Crawford was the first female architect to graduate Enric’s studio through an approach to understanding space, connecting people,
from ETH Zurich. narratives and locations through an integrated architectural and contemporary lens.

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Decorative arts and design, from fashion to furniture Design and marketing, from architecture to packaging HIGHLIGHTS ■ ARCHITECTURE & DESIGN

Murano Glass and the Ilkka Suppanen: Lightness Play! Hester van Eeghen:
Venice Biennale Edited by Gustaf Kjellin, Ilkka Suppanen. Text by
Max Borka, Stefana Broadbent, Dai Fujiwara, Sara
A Cultural Perspective on Design of A World of Bags
1932–1942 Heinämaa, Leon Hidalgo, et al.
Playgrounds Text by Henriette Korthals Altes, Kiki Post,
Text by Sanne van den Breemer, Janna Bystrykh. Roland Kupers.
Edited with text by Marino Barovier.
LARS MÜLLER PUBLISHERS
ISBN 9783037787793 NAI010 PUBLISHERS NAI010 PUBLISHERS
MARSILIO ARTE
u.s. $60.00 cad $90.00 ISBN 9789462088924 ISBN 9789462088917
ISBN 9791254632734
Hbk, 7.5 x 9.5 in. / 230 pgs / 50 color / 10 b&w. u.s. $40.00 cad $60.00 FLAT40 u.s. $60.00 cad $90.00 FLAT40
u.s. $80.00 cad $120.00 gbp £68.00
April/Design/Architecture & Urban Studies Pbk, 4.5 x 6.75 in. / 272 pgs / 200 color. Hbk, 10 x 12.5 in. / 312 pgs / 500 color.
Hbk, 9.5 x 12 in. / 448 pgs / 500 color.
Territory: NA LA March/Architecture & Urban Studies February/Fashion
August/Design
Territory: NA LA ME Territory: NA LA ME
Territory: WORLD

How Murano glass finally achieved staying power as part of the A visual essay of Ilkka Suppanen’s designs that showcases the Mapping the intricate spatial and social networks of urban Chic and colorful, Hester van Eeghen’s mod-inspired, geometric
world’s largest art exhibition poetry of light manifested in different contexts, including essays playgrounds across Rotterdam, and their potential for handbags are a staple of Dutch fashion
This second volume on the history of Murano glass at the Venice Biennale begins in 1932. from eight contributing writers imaginative design Dutch designer Hester van Eeghen (1958–2021) developed her signature bag and shoe
Prior to that date, glass and other decorative arts were a fixture of the central pavilion Ilkka Suppanen (born 1968) is a Finnish architect and designer whose studio philosophy Urban playgrounds form a vast, intricate spatial and social network. Increasingly designs with bright colors, geometric patterns, a sense of humor and an eye toward
from 1912 to 1930. Once it received its own dedicated space in the Giardini, with the is to “improve environments through material and immaterial lightness.” In 1995, he designed from standards and regulations, and under pressure in the limited urban versatility. In a career spanning more than 40 years, she created more than 1,000 designs
construction of the Venezia Pavilion, Murano glass exploded in popularity, as the material founded Studio Suppanen in Helsinki. His first major success was as a part of the space, they tend to disappear into the background. Yet they are also spaces where for her own fashion line, collaborated with other prestigious brands and produced
became both an accepted part of the exhibition and a point of pride for local Venetian Scandinavian group of designers exhibiting at Snowcrash in Milan in 1997, who were material innovation happens, that become a stage of new professional collaborations countless unique pieces for charity. A World of Bags is a joyful tribute to both van Eeghen
craftsmen. Author Marino Barovier, himself a member of a storied family of Murano hailed as reinventors of “Scandinavian modern.” Suppanen’s vision has manifested itself and that carry hidden social, spatial and nature-positive design potential. With photo herself and her illustrious designs, inspired by everything from classical music to origami.
glassmakers, takes readers through this pivotal prewar decade, from 1932 to 1942, and everywhere from Murano glass products to his Snowcrash chair to the Flying Carpet Divan documentation of over 200 playgrounds across Rotterdam, Play! records and reflects on It offers a unique insight into her design process through an abecedarium of her quotes
illustrates with breathtaking examples how painters, sculptors and other artists came made for Cappellini and the Finnish Euro coin. This selection of Suppanen’s designs is the accumulated urban environment of play, annotated with insights from interviews with and theories, illustrated with glamorous snapshots of van Eeghen at work, with fabric
to both appreciate and collaborate with glassmaking. With over 500 images of vintage a study on the element of lightness as evinced in various contexts such as material and playground makers, designers and urban thinkers. Through local stories, the book draws swatches and color palettes galore.
Murano glass pieces, this book is a must-have for any collector or admirer of this storied architectural choices, philosophical considerations and aesthetic behaviors. attention to emerging progressive practices, concepts and ideas, as the beginning of a
decorative art. conversation about possible futures of urban play landscapes.
EXHIBITION
Venice, Italy: Le Stanze del Vetro, 04/25–11/25

Kuijer, Rietveld / Rietveld, MILES Also an Ad Agency Tara: Then and Now,
Kuijer Maglificio italiano lana e seta By Rémi Babinet Here and There
Edited with text by Cristina Beltrami.
Text by William Tucker, Ruud Kuijer. JBE BOOKS Archives and Practices of the
NAI010 PUBLISHERS MARSILIO ARTE
ISBN 9782365680981 Experimental Design Bureau in
u.s. $40.00 cad $60.00
ISBN 9789462088627 ISBN 9791254632390 Hbk, 4.5 x 7 in. / 1296 pgs / 950 color.
Vilnius 1960s–1980s
u.s. $35.00 cad $53.00 FLAT40 u.s. $50.00 cad $75.00 gbp £42.00 August/Design Edited by Karolina Jakaitė, Deimantė
Pbk, 6.75 x 8.75 in. / 48 pgs / 44 color. Hbk, 9.5 x 11.5 in. / 216 pgs / 185 color. Territory: NA LA ASIA AU/NZ Jasiulevičiūtė. Text by Karolina Jakaitė,
February/Design February/Fashion Paul Gangloff.
Territory: NA LA ME Territory: WORLD
SPECTOR BOOKS
ISBN 9783959058605
u.s. $45.00 cad $68.00
Pbk, 8.25 x 8.25 in. / 306 pgs / 350 color.
Ruud Kuijer’s pairing of his own work alongside Gerrit Rietveld’s Infused with retro nostalgia, this showcase of artisanal From Michelin tires to Big Macs, this hefty volume illuminates March/Design
highlights the sculptural quality of the Dutch designer’s knitwear celebrates 60 years of designs from an Italian, woman- key marketing strategies from BETC, one of the world’s best Territory: NA LA AFR ME
iconic chairs founded company advertising agencies
Lithuania’s leading Soviet-era design bureau lives on through its
For this conceptual project, Dutch sculptor Ruud Kuijer (born 1959) curated 11 Founded in 1962 by Silvia Bocchese, knitwear company MILES (Maglificio italiano lana e With 950 illustrations across more than 1,000 pages, this robust paperback documents
playful, down-to-earth packaging
combinations of his own work alongside chairs by Gerrit Rietveld (1888–1964). The focus seta) made a name for itself through its high-quality raw materials, experimentation with the life and times of creative firm BETC, named 2024’s “World’s Best Agency” by the
is not on Rietveld as a designer, architect or De Stijl icon, but rather on the production three-dimensional knitting and commitment to elegance. Beginning in the years when World Advertising Research Center. Founder Rémi Babinet rhapsodizes on commissions “Tara,” Lithuanian for container or packaging, was a nickname given by artists working in
process of chairs as compared to sculptures. Particularly, Rietveld’s early and lesser- people still worked with hand-drawn sketches sent through fax machines and discussed for its most notable clients, including Evian, Lacoste, Air France and McDonald’s. The the graphic design field for their place of employment, the Experimental Package Design
known works reveal a process rooted in the inherent properties of the materials used. over the telephone, the firm has evolved with the times and with technology. This chic short, offbeat yet thoughtful essays trace the challenges behind forming a universal Bureau, which was established in the early 1960s in Soviet-occupied Lithuania. During
In this approach Rietveld and Kuijer meet. Kuijer extensively studied the world’s largest publication illustrates 60 years of the company’s story through sketches, archival designs narrative, in a world where the use of images and words is continually reshaped. Far from its most productive period between 1964 and 1984, the bureau employed more than 50
collection of Rietveld furniture at the Centraal Museum Utrecht, choosing from over 300 and more. At the center of the volume is curator Cristina Beltrami’s interview with Silvia being just for advertisers, Also an Ad Agency resonates with every creative connoisseur, designers, who forged the aesthetics for Lithuania’s everyday products. While the names
Rietveld items and from more than 480 sculptures from his own oeuvre. Each pairing Bocchese, from which the salient aspects and anecdotes of her career emerge. These offering a behind-the-scenes look at the slogans and images that have shaped the of many of the designers have been lost, intensive research has allowed for their work to
highlights a specific, formal sculptural quality of a Rietveld chair. Together, Kuijer and are further buoyed by accounts from her contemporaries, including Renzo Zengiaro, the collective imagination. be showcased in this comprehensive book. Its almost 350 illustrations guide us playfully
curator William Tucker meticulously reviewed the selection of chairs and sculptures for founder of Bottega Veneta; and Orsola De Castro, founder of Fashion Revolution. Rémi Babinet founded BETC in 1994 and was ranked among the top 10 best creative through a glossary that serves to conceptualize Tara’s narratives, stories and identities.
this unique publication on the sculptural Rietveld. directors since the birth of advertising by Forbes magazine. The agency has a presence in
Paris, New York, São Paulo, London and Shanghai.
EXHIBITION
Utrecht, Netherlands: Centraal Museum, 05/18/25–08/18/25

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Architecture monographs and surveys Architecture annuals, journals and readers HIGHLIGHTS ■ ARCHITECTURE & DESIGN

Dirk Jan Postel: Extended Spaces Discursive Architecture Transcalar Prospects in How schools merge knowledge with action and prepare the next
generation of architects for tackling the climate crisis
Text by Dirk Jan Postel, Bob Witman.
Tactics for Critical Intervention in the Climate Crisis As humanity grapples with the climate crisis, architectural pedagogy finds itself at a
NAI010 PUBLISHERS Work of BAVO Architectural Research in Re/action critical juncture. Architecture schools not only must contribute to envisioning better
ISBN 9789462088832 u.s. $65.00 cad $95.00 FLAT40 By Gideon Boie Edited by Jeffrey Huang, Dieter Dietz, Laura Trazic, futures but also equipping the next generation of architects with the audacity to question,
Hbk, 8.25 x 10.25 in. / 256 pgs / 225 color.
NAI010 PUBLISHERS Korinna Zinovia Weber. Text by Charlotte Malterre- project, explore and imagine alternative solutions. Transcalar Prospects in Climate Crisis
February/Architecture & Urban Studies
ISBN 9789462088993 u.s. $50.00 cad $75.00 FLAT40 Barthes, Paola Viganò, Tommaso Pietropolli, Laila offers a vital compilation of research projects and essays reflecting the investigative
Territory: NA LA ME
Pbk, 5.75 x 9 in. / 320 pgs / 13 b&w. Seewang, Alfredo Thiermann, et al. efforts at EPFL Architecture. Addressing critical issues like material uses, land and soil
February/Architecture & Urbanism Theory degradation, environmental justice and circular urban flows, the book brings together
LARS MÜLLER PUBLISHERS
Territory: NA LA ME diverse, entangled perspectives and transcalar vantage points. It is a must-read for
ISBN 9783037787656 u.s. $50.00 cad $75.00
Pbk, 6.5 x 9.5 in. / 384 pgs / 261 color / 61 b&w. architects, urban planners, designers, scholars and anyone seeking knowledge and
February/Architecture & Urbanism Theory inspiration for climate action, urging a conscious and critical response to one of the most
Working across an array of building types, Postel designs spaces Boie’s theoretical, philosophical approach to architectural Territory: NA LA pressing issues of our time.
with a pervasive sense of silence and minimalism criticism offers new solutions for sociopolitical interventions
From cultural projects such as Museum Voorlinden to private homes, urban spaces
Rebuking inefficient forms of architectural criticism, Gideon Boie proposes to rethink the
and furniture and jewelry, Dutch architect and designer Dirk Jan Postel (born 1957)
discipline through a counterstrategy in which artists “overidentify” with current trends.
approaches each project with an open attitude, defying the “straightjacket of style” while
He illustrates this argument with examples from BAVO, his research collective, and its Mexico City's Sixth Architecture Dutch Designers Yearbook
remaining functional and contemporary.
interventions tackling regional development, public space and humane healthcare. Biennial: CAM SAM 2024–25
Introduction by Rodolfo Sánchez Zaragoza. Conversation with Edited by Barbara van Santen, Sophie Tijssen.
Miquel Adrià, Derek Dellekamp.
NAI010 PUBLISHERS
Apaloosa Estudio de Arquitectura: Fragments and ARQUINE/COLEGIO DE ARQUITECTOS DE LA CIUDAD
DE MÉXICO
ISBN 9789462088818 u.s. $40.00 cad $60.00 FLAT40
Hbk, 8.25 x 10.25 in. / 192 pgs / 192 color.
A View from Chiapas Coherence ISBN 9786078880409 u.s. $30.00 cad $45.00 gbp £25.00 April/Design
Foreword by Miquel Adrià. Text by Luis Armando Gómez Essays and Works of Architecture Pbk, 7.5 x 10.25 in. / 128 pgs / 218 color / 2 duotone / 54 b&w. Territory: NA LA ME
Solórzano, Hans Kabsch Vela, Abraham Cota Paredes, March/Architecture & Urban Studies
By Peter Lynch Territory: WORLD Excl LA Portugal Spain For the 2024–25 edition, the central theme of the Dutch Designers Yearbook is “(Off)
Alejandro D’Acosta.
SKIRA Balance.” Is it business as usual for designers, or are new forms of functionality
ARQUINE The sixth edition of Mexico City’s architecture biennial celebrates the best built works, and meaning being sought amid polarization, global conflicts, climate change and
ISBN 9788857252414 u.s. $45.00
ISBN 9786078880393 u.s. $30.00 cad $45.00 gbp £25.00 research projects and publications completed between June 2021 and May 2023 technological innovation?
cad $68.00
Pbk, 7 x 9.5 in. / 160 pgs / 108 color / 13 duotone / 58 b&w Pbk, 11 x 9.5 in. / 160 pgs / 80 color / throughout the country and produced in the greater metropolitan area.
/ 3 tritone. 120 b&w.
March/Architecture & Urban Studies March/Architecture & Urbanism Theory
Territory: WORLD Excl LA Portugal Spain Territory: NA LA
On Architecture and the Greenfield ARCH+: The Business of Architecture
Drawing from multiple disciplines, Lynch elaborates upon his The Political Economy of Space Vol. 02 Edited by Anh-Linh Ngo, Arno Brandlhuber, Ludwig Engel, Olaf
Mixing and matching discrete elements, Mexican firm Apaloosa Grawert. Text by Nick Beech, Marisa Cortright, Peggy Deamer,
takes an alchemical approach to residential architecture distinct architectural approach he terms “holding together” Edited by Charlotte Malterre-Barthes. Text by Swarnabh Ghosh,
Paulo Tavares. Paola De Martin, Maria Shéhérazade Giudici, Gabu Heindl,
This book documents the first 10 years of the architecture studio Apaloosa based in Former head of the graduate department of architecture at the Cranbrook Academy Douglas Spencer.
Chiapas, Mexico. Like an alchemist, Apaloosa experiments with materials and their of Art, Peter Lynch has taught at Harvard, Columbia, Rhode Island School of Design HATJE CANTZ
and Parsons School of Design. This collection of his critical essays draws upon his own ISBN 9783775758208 u.s. $24.00 cad $36.00 SPECTOR BOOKS/ARCH+
semiotics, mixing and inserting walls, lattices, columns and structures to create a house ISBN 9783959058612 u.s. $35.00 cad $53.00
that balances local customs with a global spirit and contemporary finish. experience with both teaching and practice. Pbk, 4.25 x 7 in. / 120 pgs / 20 b&w.
February/Architecture & Urban Studies Pbk, 11.75 x 9.25 in. / 176 pgs / 150 color.
Territory: NA LA March/Architecture & Urban Studies
Territory: NA LA AFR ME
Housing settlements across the world devour thousands of hectares of arable fields. On
Almere Architecture City CZ2 the other hand, housing is still enshrined as a human right. After On Architecture and This publication examines the jobs, office structures and profitability in the field of
The 100 Best Buildings Roadmap to the Mosaic Society Greenwashing (2024), this is the second volume in the series The Political Economy of contemporary architecture. It includes case studies of forward-looking business models
Space, presenting a cross section of positions on architecture and its political economies. from firms such as Assemble, Chybik+Kristof, Ana Filipović and Space & Matter.
Edited by Ans van Berkum, Odette Breijinck. Edited by Winy Maas, Szymon Rozwalka, Elan
Neuman Fessler.
NAI010 PUBLISHERS
ISBN 9789462088870 u.s. $29.95 cad $44.95 FLAT40 NAI010 PUBLISHERS
Pbk, 5 x 9 in. / 128 pgs / 200 color. ISBN 9789462088788 u.s. $45.00 cad $68.00 FLAT40 OASE 118: OASE 119: Rationalism Revisited
April/Architecture & Urban Studies Pbk, 5.75 x 8.25 in. / 400 pgs / 200 color. Book Reviews: From Words to Buildings Text by Justin Agyin, Paul Bouet, Emmanuel Breton, Filippo
Territory: NA LA ME April/Architecture & Urban Studies Cattapan, Bart Decroos, Hülya Ertas, Kim Förster, Christoph
Edited with text by Christophe Van Gerrewey, Hans Teerds. Text
Territory: NA LA ME Grafe, Priyanka Hutschenreiter, Irenée Scalbert, Sadia Rahman.
by Richard Wittman, Dominik Müller, Gregorio Astengo, Linda
Stagni, Richard Anderson, Alex Eisenschmidt, et al. NAI010 PUBLISHERS
NAI010 PUBLISHERS ISBN 9789462088979 u.s. $40.00 cad $60.00 FLAT40
Built on top of a lost sea, Almere is city full of cutting-edge, Concrete research, data visualization and blueprints for ISBN 9789462088955 u.s. $40.00 cad $60.00 FLAT40
Pbk, 6.75 x 9.5 in. / 128 pgs / 50 b&w.
innovative architecture transforming Czechia into a beacon of sustainable innovation Pbk, 6.75 x 9.5 in. / 128 pgs / 50 b&w.
April/Architecture & Urban Studies
Territory: NA LA ME
Almere, the youngest city in the Netherlands, has always embraced ambitious Containing interviews with local experts and research by 150 local and international February/Architecture & Urban Studies
construction projects. Almere Architecture City showcases this new town through its students, this richly illustrated “data novel” offers a methodological framework for Territory: NA LA ME In the aftermath of World War I, the modern movement of the 1920s spearheaded the
top 100 buildings. Works by internationally renowned Dutch icons such as Herman investigating the social, built, ecological, governance, cultural and economic aspects Intended as a benchmark in the study of architectural books, this issue of OASE outlines rationalization and industrialization of building processes. As it is today, architecture
Hertzberger, Marlies Rohmer, Rem Koolhaas and Rene van Zuuk are showcased. of Czechia. the history of the architectural book review through 25 case studies from the 18th century was based not only on purely financial considerations but also on the limited availability
until today. of material and energy resources. Thus, OASE 119 revisits the concept of rationality in
architecture.

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Specialty
Books

Zhang Zhaoying, Blue-Blooded

Nobility, 2023–24. Oil on canvas,
39.5 × 55" (100 × 150 cm). From
Zhang Zhaoying, published by Skira.
See page 142.

138 ­­artbook.com
The 20th-century avant-garde in Europe Op art, Pop art and Arte Povera SPECIALTY ■ ART

Carol Rama: A Rebel of Modernity Anselm Kiefer: Mein Rhein Marina Apollonio: Enshrining the legacy of one of Op art’s few female protagonists,
whose scintillating spirals are some of the most recognizable
Edited with text by Martina Weinhart. Text by Florian Werner,
Elena Volpato.
Edited by Arne Ehmann, Patricia Neusser. Text by
Florian Illies. Beyond the Circle images of the movement
Edited with text by Marianna Gelussi. Text by Arnauld Marina Apollonio (born 1940) was one of the main exponents of the international Op art
WALTHER KÖNIG, KÖLN THADDAEUS ROPAC Pierre, Cecilia Alemani, Max Hollein. Interview by
and kinetic art movements. Her dizzying, scintillating works, almost always rendered
ISBN 9783753307282 u.s. $50.00 cad $75.00 FLAT40 ISBN 9783901935763 u.s. $60.00 cad $90.00 Cecilia Alemani.
Pbk, 8.5 x 10.75 in. / 224 pgs / 130 color / 11 b&w. Hbk, 11.5 x 11.5 in. / 72 pgs / 39 color. in black and white, were made in several scales: from hanging canvases to expansive
February/Art February/Art MARSILIO ARTE installations painted directly onto floors. Peggy Guggenheim met the artist in 1968 and
Territory: NA LA ASIA AU/NZ AFR Territory: NA LA ASIA AU/NZ AFR ME ISBN 9791254632345 u.s. $45.00 cad $68.00 gbp £38.00 bought one of her works, making Apollonio the last artist to enter this historic collection.
Flexi, 8 x 10.5 in. / 184 pgs / 160 color. Restoring Apollonio’s name to the pantheon of Op art pioneers, Beyond the Circle traces
Sexuality, passion, illness, death: these are the great human themes to which Carol The works in Anselm Kiefer’s (born 1945) exhibition at Thaddaeus Ropac Salzburg are February/Art her career up to the present day. It highlights the rigor of her visual research, pursued
Territory: WORLD with an elegance of execution and a wide range of variation: moving between painting,
Rama (1918–2015) dedicated her art. This catalog depicts all phases in the oeuvre of an inspired by and pay homage to the Rhine River and its surrounding woodlands, where
outstanding artist who achieved fame late in life from her watercolors to paintings and the artist grew up. Touchingly, it includes Kiefer’s childhood drawings of this landscape, sculpture and drawing, between static, moving and environmental works, between black
bricolages. demonstrating its profound influence on his psyche. and white, chromatic research and experimentation with techniques and materials.

Georg Baselitz: adler barfuß Anna-Eva Bergman & Mario Schifano Giovanni Anselmo: Beyond the Horizon
Edited by Arne Ehmann, Patricia Neusser. Text by Andreas Hans Hartung Catalogue Raisonné of the Pictorial Work Edited by Gloria Moure. Text by Gabriele Guercio,
Giovanni Anselmo.
Zimmermann.
Edited with text by Theo Carnegy-Tan, Pierre Wat. 1960–1969
Text by Pauline Mari, Catherine Millet, Camille Edited by Monica De Bei Schifano, Marco Meneguzzo.
THADDAEUS ROPAC POLÍGRAFA/GUGGENHEIM MUSEUM BILBAO
Morineaux, Thomas Schlesser.
ISBN 9783901935756 u.s. $60.00 cad $90.00 SKIRA ISBN 9788434314108 u.s. $60.00 cad $90.00
Hbk, 10.75 x 14 in. / 127 pgs / 92 color. HATJE CANTZ ISBN 9788857250700 u.s. $300.00 cad $450.00 SDNR50 Pbk, 8 x 10.5 in. / 256 pgs / 88 color / 112 duotone.
February/Art Slip, hbk, 2 vols, 11 x 11 in. / 912 pgs / 997 color. February/Art
ISBN 9783775759076 u.s. $62.00 cad $92.00
Territory: NA LA ASIA AU/NZ AFR ME March/Art Territory: NA Japan
Hbk, 7.5 x 10.5 in. / 220 pgs / 120 color.
August/Art Territory: NA LA
Created in the artist’s studio north of Salzburg, this new series of paintings and ink Territory: NA LA One of the original members of Arte Povera, Giovanni Anselmo (1934–2023) devoted
drawings by Georg Baselitz (born 1938) features eagles, a motif that recurs in his oeuvre. This whopping publication represents the first in a four-volume catalogue raisonné on his career to representing earth’s forces, such as gravity or magnetism, demonstrated
Artist couple Anna-Eva Bergman (1909–87) and Hans Hartung (1904–89) were both Italian Pop artist Mario Schifano (1934–98). This first volume presents the works the artist
They are accompanied by a text from Andreas Zimmermann, curator of the celebrated through minimalist arrangements of natural and manmade materials. Beyond the Horizon
pioneers in their respective genres: abstraction and Art Informel. For the first time, their created from 1960 to 1969, with over 500 illustrations and around 300 unpublished
exhibition Georg Baselitz: Naked Masters. is the last exhibition the artist worked on before his death.
twin careers and shared thematic interests are presented together, illustrated through archival photographs.
their paintings, writings and personal photographs.

Georg Baselitz: Belle Haleine Tàpies: Complete Works Volume IX Giuseppe Penone: Imprints of Light Ileana Sonnabend and Arte Povera
SILVANA EDITORIALE
2005–2011 Edited by Francesco Guzzetti, Ruggero Penone, Jonas Storsve. Edited by Ilaria Bernardi.
ISBN 9788836657896 u.s. $35.00 cad $53.00 Foreword by Toni Tàpies.
SKIRA SILVANA EDITORIALE
Flexi, 10.25 x 12.25 in. / 120 pgs / 70 color. ISBN 9788857253022 u.s. $40.00 cad $60.00 ISBN 9788836659616 u.s. $20.00 cad $30.00
POLÍGRAFA/FUNDACIÓ ANTONI TÀPIES
March/Art Hbk, 9.5 x 12 in. / 168 pgs / 130 color. Pbk, 7 x 9.5 in. / 104 pgs / 75 color.
Territory: NA LA ASIA AU/NZ AFR ME ISBN 9788412277197 u.s. $395.00 cad $575.00
Slip, clth, 11.75 x 12.5 in. / 468 pgs / 940 color. February/Art March/Art
February/Art Territory: NA LA Territory: NA LA ASIA AU/NZ AFR ME
Territory: NA Japan

The latest exhibition of the work of Georg Baselitz (born 1938) includes 10 provocative The closing of a monumental catalogue raisonné project, this ninth volume documents Italian artist Giuseppe Penone (born 1947) creates thought-provoking sculptures of Curator and gallerist Ileana Sonnabend (1914–2007), owner of two storefronts in New
engravings titled Belle Haleine in homage to Marcel Duchamp, an artist whom Baselitz the final years of work by Spanish painter Antoni Tàpies (1923–2012). The brushstroke trees, reconfiguring their composite parts to form new interpretations of this ubiquitous York and Paris, was an avid promoter of the young, avant-garde Arte Povera movement.
often references in his work, and his perfume bottle released under the pseudonym achieves a greater expressivity, while maintaining the artist’s instinct to represent reality symbol. This monograph delves into the theme of imprint in Penone’s work, and how This tribute to her life and legacy places her story in dialogue with the artists she
Rrose Sélavy. in all its rawness. each element of the global ecosystem plays an integral part in its life cycle. supported.

Baselitz / Schönebeck Raoul De Keyser: Early Works Franz Gertsch: Blow-Up Heiner Meyer:
1962–66 Catalogue Raisonné of Paintings 1964–1980 Edited by Lærke Rydal Jørgensen, Kirsten Degel. Foreword Pop Art Now
Foreword by Max Hollein. Text by Richard Shiff. Edited by Steven Jacobs, Hilde D’haeyere. Text by Wouter De by Poul Erik Tøjner, Kirsten Degel, Dirk Luckow. Text by Tobia
Text by Renèe Gadsden.
Vleeschouwer, Benedict Vandaele, Klaartje Vanthuyne. Bezzola, Dora Imhof, et al. Interview by Hans Ulrich Obrist.
SKIRA KERBER
WALTHER KÖNIG, KÖLN LOUISIANA MUSEUM OF MODERN ART/
ISBN 9788857253336 u.s. $45.00 cad $68.00 ISBN 9783735609724 u.s. $55.00 cad $82.00
DEICHTORHALLEN HAMBURG
Hbk, 9.5 x 11 in. / 128 pgs / 100 color. ISBN 9783753305608 u.s. $110.00 cad $165.00 FLAT40 Hbk, 12 x 9 in. / 120 pgs / 198 color.
May/Art Hbk, 9.75 x 11.75 in. / 256 pgs / 775 color. ISBN 9788793659803 u.s. $45.00 cad $68.00 gbp £38.00
March/Art
Territory: NA LA February/Art Hbk, 8.5 x 12 in. / 168 pgs / 66 color / 25 b&w.
Territory: NA LA ME
Territory: NA LA ASIA AU/NZ AFR February/Art
A collaboration with Hall Art Foundation, this book focuses on the subjects and stylistic Territory: WORLD In his Pop art paintings, Heiner Meyer (born 1953) combines comic figures, compositions
shifts of German artists Georg Baselitz (born 1938) and Eugen Schönebeck (born 1936) This catalogue raisonné of paintings by Raoul De Keyser (1930–2012) focuses exclusively from Picasso or Hockney and luxury advertisements, synthesizing them into attention-
on his early works. Spanning 1964 to 1980, the book traces the evolution of his career and For his photorealistic approach, Swiss artist Franz Gertsch (1930–2022) projected slides
during the immediate four-year period after their friendship ended in 1962. grabbing, commercializing works that update the genre’s critical potential in light of
the development of a subdued, abstract style inspired by his contemporaries. onto a large canvas, painting over the image to create a slightly mysterious replica. Later
contemporary consumerism.
in his career, he took this process a step further by turning his photographic references
into woodcuts, a painstaking task that produced breathtakingly lifelike results.

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Experiments in figuration Storytelling through portraiture and narrative painting SPECIALTY ■ ART

Hernan Bas: Bas’ intricate, subtly satirical paintings poke fun at the wild
pursuits of conceptual artists
Lia D Castro: Castro’s intimate, small-scale works confront the
disenfranchisement of racial and gender minorities
The Conceptualists Miami-born artist Hernan Bas (born 1970) is renowned for his intricate figurative paintings
Everywhere and Nowhere Through paintings, engravings, objects, photographs and drawings, Brazilian artist Lia
Edited with text by James Voorhies. Text by Kevin Brazil, that integrate cues from literature, cinema and gay history. The Conceptualists, his latest Edited with text by Glaucea Helena de Britto, Isabella Rjeille. D Castro (born 1978) uses sex work to investigate how race, class and gender dynamics
Isabelle Graw, Liz Munsell, Blake Oetting. series, portrays imagined conceptual artists engaged in eccentric creative pursuits—from Text by Ana Raylander Mártis dos Anjos, Denise Ferreira da
play roles in situations of vulnerability and intimacy, and how affection and care can
Silva, Tie Jojima.
HATJE CANTZ mixing paint with water from Niagara Falls to gilding the leaves of dying houseplants. This be tools for social transformation. The title of the book highlights a historical condition
ISBN 9783775758949 u.s. $50.00 cad $75.00 monograph follows with the series’ presentation at The Bass in Miami Beach. Featuring MUSEU DE ARTE DE SÃO PAULO/KMEC BOOKS imposed on the so-called “racial and gender minorities”: often seen as a majority at
Hbk, 9.25 x 12.5 in. / 108 pgs / 119 color. contributions from Kevin Brazil, Isabelle Graw, Liz Munsell, Blake Oetting and exhibition ISBN 9786557770580 u.s. $45.00 cad $68.00 gbp £38.00 the very bases of our societies, while widely absent from decision-making positions. D
February/Art curator James Voorhies, it delves into Bas’ queer aesthetics, Latinx influences and Hbk, 7 x 10.25 in. / 192 pgs / 107 color. Castro invites us to think critically on how racialized and gendered bodies could occupy
Territory: NA LA conceptual art practices. May/Art positions of power in a system that profits from their exclusion. The book includes
Territory: WORLD Except Brazil reproductions of works spanning the artist’s career, as well as commissioned essays by
Ana Raylander Martís dos Anjos, Denise Ferreira da Silva and Tie Jojima.

Muntean / Rosenblum: Tomokazu Matsuyama: Mythologiques Cheyney Thompson: Several Bellonas; Stanisław Wyspiański Portraits
Mirror of Thoughts Edited with text by Christoph Doswald. Text by Ali Güreli,
Berrak Göçer.
Intervals and Displacements Edited with text by Alison Smith, Julia Griffin. Text by Andrzej
Szczerski, Magdalena Laskowska, Agnieszka Skalska, Maria
Edited with text by Svenja Grosser. Text by Philipp Demandt. Text by Jennifer Nelson, Benjamin D. Piekut,
Skrzypczak-Latzke.
VERLAG FÜR MODERNE KUNST Cheyney Thompson.
VERLAG FÜR MODERNE KUNST
ISBN 9783991530961 u.s. $55.00 cad $82.00 NATIONAL PORTRAIT GALLERY
ISBN 9783991530985 u.s. $45.00 cad $68.00 LISSON GALLERY
Hbk, 9.5 x 13.5 in. / 120 pgs / 146 color. ISBN 9781855145795 u.s. $29.95 cad $44.95
Hbk, 9 x 11 in. / 114 pgs / 32 color / 19 b&w. ISBN 9780947830885 u.s. $50.00 cad $75.00 gbp £42.00
February/Art Hbk, 5.75 x 7.75 in. / 144 pgs / 70 color.
February/Art Hbk, 9.25 x 11.75 in. / 192 pgs / 190 color.
Territory: NA LA ASIA AU/NZ AFR ME June/Art
Territory: NA LA ASIA AU/NZ AFR ME February/Art
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The fleeting glimpses of human activity captured in the paintings of Markus Muntean Dreamy, detailed and ultra-modern, the paintings of Tomokazu Matsuyama (born 1976) Stanisław Wyspiański (1869–1907) is widely regarded as Poland’s greatest artist, whose
(born 1962) and Adi Rosenblum (born 1962) depict figures turned away from one another, unite disparate cultural symbols into a new, universal reality, echoing the dynamism Conceptual painter Cheyney Thompson’s (born 1975) practice centers on the mechanical work is slowly gaining acclaim beyond Central Europe. He made a number of progressive
staring blankly into space or directly at the viewer. The philosophical captions ruminate of contemporary life. He incorporates elements of popular culture and traditional art reproduction of art, whether repainting a Rubens fresco or creating a digital data set of portraits in pastel of his family and his contemporaries, which collectively provide a
on the ambivalence of human existence and the sense of transience in our everyday lives. historical techniques to challenge individual identity in an age of ubiquitous images. drawings inspired by Cézanne’s sketches of the same Rubens work. fascinating insight into the cultural life of a nation striving for independence.

Zhang Zhaoying Amir Nave: Katya Muromtseva: Alexandre Lenoir

Edited by Lü Peng. Introduction by Andrea Del Guercio. Moharamia in the Jordan River Over the Slopes of Speech Text by Joachim Pissarro, Anaël Pigeat.

SKIRA
Edited with text by Amir Nave. Text by Lorand Hegyi, Text by Christianna Bonin. SKIRA PARIS/ALMINE RECH GALLERY
Annabelle Gugnon.
ISBN 9788857253466 u.s. $25.00 cad $38.00 SKIRA ISBN 9782370742322 u.s. $60.00 cad $90.00
Hbk, 7.5 x 10.25 in. / 128 pgs / 90 color. HATJE CANTZ Hbk, 9.5 x 12 in. / 208 pgs / 150 color.
ISBN 9788857253473 u.s. $45.00 cad $68.00
April/Art February/Art
ISBN 9783775759090 u.s. $55.00 cad $82.00 Flexi, 8.75 x 11.25 in. / 224 pgs / 150 color.
Territory: NA LA Territory: NA LA
Hbk, 8.25 x 11 in. / 208 pgs / 170 color. July/Art
July/Art Territory: NA LA
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This monograph, authored by Lü Peng, focuses on Chinese contemporary painter Zhang Exiled Russian artist Katya Muromtseva (born 1990) seeks out the stories of immigrant French artist Alexandre Lenoir (born 1992) paints lush, mysterious landscapes on a grand
Zhaoying (born 1988). For Peng, Zhang stands at the forefront of the emerging artistic In Amir Nave’s (born 1974) paintings, drawings and sculptures, he depicts the human women in both the United States and the United Arab Emirates. These personal narratives scale, straddling the line between figuration and abstraction. Lenoir masks parts of the
movement known as “Global Painting,” which encapsulates a dynamic fusion of cultural body in an obsessive, even mystical manner. His “creatures,” rendered as a head or an form the basis for her watercolor paintings, which delve into themes of borders, refugees canvas with tape then paints above it, resulting in orchestrated “accidents” that allow an
influences and contemporary practices. entity, draw upon deeply buried pasts and possible futures, refuting traditional figuration. and human destinies. image to appear.

Alejandro Campins: Return Journeys Chun Kyung-Ja Nat Mayer Shapiro: Gérald Genta
Edited by Niurma Pérez Zerpas, Laura Salas Redondo. Text by
Laura Salas Redondo, Cristina Vives, Hans-Michael Herzog,
Text by Eleanor Heartney, Kim Hong-Hee, Barbara MacAdam. Joy and Rigor Introduction by James Cahill.

Jérôme Sans, Kōan Jeff Baysa. SKIRA Edited by Marc Shapiro. HENI PUBLISHING
ISBN 9788857253305 u.s. $65.00 cad $95.00 ISBN 9781912122820 u.s. $90.00 cad $135.00
SILVANA EDITORIALE
HATJE CANTZ Hbk, 10 x 12 in. / 276 pgs / 200 color. Hbk, 10 x 12 in. / 396 pgs / 359 color.
ISBN 9783775758932 u.s. $55.00 cad $82.00 August/Art ISBN 9788836655625 u.s. $35.00 cad $53.00 February/Art
Hbk, 9.25 x 11.5 in. / 232 pgs / 128 color / 16 b&w. Territory: NA LA Hbk, 9 x 11 in. / 144 pgs / 150 color. Territory: NA ONLY
February/Art March/Art
Territory: NA LA Territory: NA LA ASIA AU/NZ AFR ME

Cuban artist Alejandro Campins’ (born 1981) landscape paintings are a sedimentation of Trained in traditional South Korean painting, Chun Kyung-Ja (1924–2015) developed an From the 1950s until his death in 2005, Nat Mayer Shapiro created over 900 paintings, Aptly named the “Picasso of Timepieces,” Gérald Genta (1931–2011) was also a passionate
his journeys, imagined or real, to places such as Arizona’s Painted Desert or the Tibetan innovative style for her portraits of female figures bedecked with flowers. In celebration of drawings, assemblages and sculptures. Though he drew from modernist movements painter, a facet of his life often overshadowed by his watchmaking fame. His figurative
mountains. Return Journeys surveys his uncanny works, including his recent series of her centenary, this definitive monograph presents her artwork alongside her writings to such as Expressionism, Op art and pure abstraction, his work features Biblical vignettes, works rendered in imaginative color palettes reflect the influences of Paul Cézanne, Marc
politicized spaces such as war bunkers and destroyed temples. provide personal insight into the life and times of this idiosyncratic artist. dancing kites, anthropomorphic sculptures and views into the fathomless cosmos. Chagall, Wassily Kandinsky, Marie Laurencin and Joan Miró.

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Abstract painting Concrete, hard-edge and geometric abstraction SPECIALTY ■ ART

Catherine Goodman Pam Evelyn Robert Duran Paul Mogensen: Copperopolis

Text by Jennifer Higgie, Catherine Goodman. Text by Yuval Etgar. Interview by Matthew Higgs. Text by Martin Herbert, Cassie Packard, Carter A Painting from 1966
Ratcliff, Sarah B. Vogelman. Oral history by Mel Edited with text by Dieter Schwarz.
HAUSER & WIRTH PUBLISHERS PACE PUBLISHING Edwards, Paul Mogensen, David Novros, Carter
ISBN 9783907493090 u.s. $50.00 cad $75.00 ISBN 9781948701372 u.s. $40.00 cad $60.00 gbp £34.00 Ratcliff, Robert Swain, Richard Van Buren, WALTHER KÖNIG, KÖLN
Hbk, 9.75 x 11.25 in. / 160 pgs / 103 color. Hbk, 11.75 x 12 in. / 112 pgs / 47 color. Batya Zamir. ISBN 9783753307305 u.s. $29.95 cad $44.95 FLAT40
April/Art February/Art Spiral bound, 6.75 x 9.25 in. / 32 pgs / 8 color.
Territory: NA LA Territory: WORLD KARMA BOOKS, NEW YORK/NEW JERSEY February/Art
STATE MUSEUM Territory: NA LA ASIA AU/NZ AFR
Known for her expressionist landscape paintings, portraits and sketches united by their The expansive, abstract canvases of London-based painter Pam Evelyn (born 1996) ISBN 9781961883215 u.s. $50.00 cad $75.00
animated surfaces and a sense of vitality, Catherine Goodman (born 1961) here charts a are richly textured meditations on nature, the body and materiality. Her intuitive use of gbp £42.00
course toward abstraction through a new series of monumental paintings. Hbk, 10.25 x 11 in. / 208 pgs / 109 color / 16 b&w.
oil paints—carefully layered, scraped and rearticulated over several months—recalls
July/Art
the seething vitality of Abstract Expressionist painters while retaining a distinctly
contemporary quality.
Territory: WORLD Documenting Mogensen’s first major work made in New York and
an early example of his mathematical progression process
A reintroduction of the long-elusive painter Robert Duran In 1966, Paul Mogensen (born 1941) arrived in New York from Los Angeles and created
spotlighting his patterned, puzzle-like approach to abstraction one of his major works: the 16-part painting Copperopolis. This focused study traces the
Martha Jungwirth: Heart of Darkness Paulo Monteiro Painter Robert Duran (1938–2005) was a mainstay of the 1960s and ’70s New York art history of the painting—both its creation and exhibition at the legendary Bykert Gallery—
Edited by Hella Pohl, Patricia Neusser. Text by Luca Edited by Germano Dushá. scene before relocating to New Jersey with his family. This first monograph on his career and Mogensen’s complicated relationship with Minimalism.
Massimo Barbero. reintroduces Duran to the public with a survey of his abstract works and an oral history of
SKIRA his life as told by fellow painters.
THADDAEUS ROPAC/FONDAZIONE GIORGIO CINI ISBN 9788857252957 u.s. $70.00 cad $105.00
ISBN 9783901935749 u.s. $50.00 cad $75.00 Hbk, 8.5 x 11 in. / 224 pgs / 150 color.
Hbk, 9.5 x 11.25 in. / 38 pgs / 15 color. April/Art Max Wiederkehr: Stanisław Fijałkowski
February/Art
Territory: NA LA ASIA AU/NZ AFR ME
Territory: NA LA
Konkret on Acid Text by Christina Lodder, Marta Smolinska,
Post Brothers.
Edited by Sandro Fischli, Peter Preissle.

In her most recent set of paintings, Austrian artist Martha Jungwirth (born 1940) takes as Paulo Monteiro (born 1961) is one of the leading Brazilian contemporary artists. His works SKIRA
EDITION PATRICK FREY
her inspiration Joseph Conrad’s 1899 novella Heart of Darkness, a harrowing examination have been displayed worldwide and are part of major collections, including the MoMA. ISBN 9788857253114 u.s. $55.00 cad $82.00
ISBN 9783907236727 u.s. $70.00 cad $105.00
His paintings blend cool and warm tones, often creating striking contrasts, while his Hbk, 9.5 x 12 in. / 180 pgs / 160 color.
of European colonialism. Her forceful yet restrained compositions evoke both the Pbk, 10.75 x 7.75 in. / 196 pgs / 200 color.
March/Art
brutality of bygone empires and the struggle of contemporary migrants. sculptures reshape matter into dynamic, swelling forms. March/Art
Territory: NA LA
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Sean Scully: Dark Yet Sean Scully: Géographies

Text by Sean Rainbird. Edited by Beate Reifenscheid. Borrowing geometry from the Concretists and experimentation Sparse and symbolic compositions from the Polish proponent of
from counterculture movements, Wiederkehr’s colorful oeuvre spiritualism in art
HOLZWARTH PUBLICATIONS/GALERIE MAX HETZLER SILVANA EDITORIALE synthesizes high and low culture Stanisław Fijałkowski (1922–2020) had a direct connection to the origins of the European
ISBN 9783947127498 u.s. $40.00 cad $60.00 FLAT40 ISBN 9788836658077 u.s. $45.00 cad $68.00
Pbk, 9.5 x 11.75 in. / 48 pgs / 31 color / 1 b&w. Pbk, 9.5 x 11.75 in. / 192 pgs / 112 color. Swiss artist Max Wiederkehr (1935–2008) rejected the art world of his time, instead avant-garde; he was an assistant of Władysław Strzeminski, who in turn had studied
February/Art March/Art embracing a nascent subculture. His geometric paintings, comics and other works merge under Kazimir Malevich. A lifelong student of the spiritual in art, his compositions convey
Territory: NA LA ASIA AU/NZ ME Territory: NA LA ASIA AU/NZ AFR ME elements of Concrete, Pop and Op art, bridging the gap between the concrete and the an aura of meditative mystery, even when rendered in black and white.
Wahnwelten, or “hallucinatory worlds.”

This book, Dark Yet, presents recent abstractions by Sean Scully (born 1945) that build Throughout his six-decade career, Sean Scully (born 1945) has lived in London, New York,
on two decades-long series with a new painterly freedom: Walls of colored blocks Berlin and Aix-en-Provence, and has also been inspired by visits to Morocco, Mexico and
vibrantly stacked on the picture plane, and Landlines forming strata of gloriously earthy the Bahamas. Many of his abstract compositions reflect his perception of the dynamic
Ekrem Yalcindag: Radu Comșa
colors. Graphic works based on a loose netlike pattern add a more pervious kind of visual rhythm of the big city or the liberating calm of nature. Seeing the World Anew Edited with interview by Nicola Trezzi. Text by Bogdan
delicacy. Iacob, Tea Vindt.
Edited by Zdenek Felix. Text by Robert Fleck.
MOUSSE PUBLISHING
HATJE CANTZ
ISBN 9788867496518 u.s. $35.00 cad $53.00
Janaina Tschäpe Claire Chesnier ISBN 9783775759182 u.s. $50.00 cad $75.00
Hbk, 10.25 x 12.5 in. / 168 pgs / 60 color.
Pbk, 10 x 12 in. / 112 pgs / 324 color.
Text by Joachim Pissarro. Foreword by Maylis de Kerangal. Text by Molly Warnock, February/Art
February/Art
Pierre Wat. Territory: NA LA AFR ME
Territory: NA LA
HATJE CANTZ
ISBN 9783775758604 u.s. $75.00 cad $110.00 JBE BOOKS/THE PILL
Hbk, 9.5 x 11 in. / 332 pgs / 177 color. ISBN 9782365681049 u.s. $40.00 cad $60.00
February/Art Hbk, 8 x 10.5 in. / 240 pgs / 126 color.
Territory: NA LA April/Art Intricate and scintillating compositions, created from By transcribing art from one material or form to another, Comșa
Territory: NA LA ASIA AU/NZ hundreds of small shapes, combine ornamental tradition with produces an intellectual replica of his mixed creative thoughts
geometric abstraction and influences
The paintings of German Brazilian artist Janaina Tschäpe (born 1973) skillfully blur the line French artist Claire Chesnier’s (born 1986) first monograph presents the artist’s tonal
Using an impasto technique applied with diminutive brushstrokes, Turkish artist Ekrem Romanian artist Radu Comșa (born 1975) builds his practice around transcribing artworks
between landscape and imagination through their highly gestural and beautifully colored paintings and works on paper, characterized by a soft, fading gradient and a color palette
Yalcindag (born 1964) creates brightly colored, relief-like paintings patterned with leaves from one medium to another, one shape to another or one conceptual frame to another.
compositions. This volume highlights the last seven years of her work, with a new essay reminiscent of sunrise and sunset.
and flowers. This publication presents three new series of works: the monochrome Tondi, These may take the form of cast concrete plates inspired by concrete poetry, or sewn
by art historian Joachim Pissarro.
the Infinity Paintings and the large-format series Natures. panels derived from modernist architecture.

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Metal and ceramic sculpture and installation Found-object sculpture SPECIALTY ■ ART

Gisela Colón: Matéria prima Germaine Richier Per Kirkeby: The Complete Bricks Angela Glajcar:
Edited with introduction by Maylin Pérez. Foreword by Edited by Sophie Guiter. Vol. 2: The Unrealized Projects Catalogue Raisonné
Sara Seilert. Text by Joachim Pissarro, Christian Viveros- Edited by Caroline Marie Ballegaard. Text by Richard
Fauné, Kristin Korolowicz. Interview by Susanna V. Temkin. SILVANA EDITORIALE Armstrong, Lucas Haberkorn, Kasper König, Hans Ulrich
1997–2024
Biography by Lauren DeLand. Poem by Clarinha Mar. ISBN 9788836652808 u.s. $200.00 cad $300.00 Obrist, Rudolf Sagmeister, Nicholas Serota, Robert Storr. Edited with text by Sasa Hanten. Text by Elisabeth von
Slip, hbk, 2 vols, 9.5 x 11.5 in. / 664 pgs / 743 color. Samsonow, Margareta Sandhofer.
SKIRA March/Art WALTHER KÖNIG, KÖLN
ISBN 9788857252919 u.s. $70.00 cad $105.00 Territory: NA LA ASIA AU/NZ AFR ME SPECTOR BOOKS
ISBN 9783753305134 u.s. $80.00 cad $120.00 FLAT40
Hbk, 10.5 x 12 in. / 264 pgs / 250 color. Hbk, 9.25 x 12.25 in. / 380 pgs / 230 color. ISBN 9783959057868 u.s. $55.00 cad $82.00
March/Art April/Art Hbk, 10.25 x 12.25 in. / 496 pgs / 1700 color.
Territory: NA LA Territory: NA ONLY March/Art
Territory: NA LA AFR ME

Monumental land sculptures from the Puerto Rican Richier’s fantastical, anthropomorphic sculptures receive their Part two of a series documenting the abstract artist’s Glajcar’s ephemeral, tiered-paper “terforations” are
ecofeminist artist first comprehensive publication lifelong love affair with brick as a medium, showcasing his immortalized in her first catalogue raisonné
Gisela Colón (born 1966) is a Puerto Rican American artist whose light-activated This two-volume catalogue raisonné is the first of its kind for French sculptor Germaine unfinished works German sculptor Angela Glajcar (born 1970) works with fragile materials—torn strips of
sculptures and environmental installations transmute death and displacement into life Richier (1902–59), student of Antoine Bourdelle and friend to Alberto Giacometti. Her As part of a three-volume project documenting Per Kirkeby’s (1938–2018) relationship paper, delicate fabrics and plastics—which she layers and curves to create forms that
and healing. Employing high-tech and natural materials, Colón pioneers a language of hybrid human-animal bronze sculptures show her preoccupation with the concept of the with bricks, this second volume focuses on Kirkeby’s 64 unrealized projects, spanning seem to glow from within. The first catalogue raisonné of her work includes more than
“organic minimalism” that recalls the energy of the earth and universal forces of nature. figure in a perpetual state of transformation. from 1983 to 2017, assembled together for the first time. 1,600 objects, reliefs and spatial installations.

Barry Le Va: Tony Cragg Haegue Yang: Leap Year Haegue Yang: Flat Works
In a State of Flux Edited by Sergio Risaliti, Stéphane Verger. Interview Foreword by Ralph Rugoff. Introduction by Yung Ma. Text Edited by Janine Mileaf. Text by Orianna Cacchione.
by Jon Wood. by Pablo Larios. Interview by Lynne Cooke. Graphic essay
Edited with text by Christiane Meyer-Stoll. Text by SKIRA
by Chihoi.
Fiona Bradley, Susanne Figner. SKIRA ISBN 9788857253268 u.s. $35.00 cad $53.00
ISBN 9788857253497 u.s. $30.00 cad $45.00 HAYWARD PUBLISHING Hbk, 6.5 x 9.5 in. / 96 pgs / 110 color.
VERLAG FÜR MODERNE KUNST
Hbk, 9 x 11 in. / 144 pgs / 90 color. ISBN 9781853323805 u.s. $45.00 cad $68.00 February/Art
ISBN 9783991531258 u.s. $95.00 cad $140.00
April/Art Pbk, 8.25 x 10.75 in. / 176 pgs / 100 color. Territory: NA LA
Pbk, 3 vols, 8.25 x 10.25 in. / 520 pgs / 451 color /
Territory: NA LA February/Art
185 b&w.
Territory: NA LA ME
February/Art
Territory: NA LA ASIA AU/NZ AFR ME

The Process art pioneer receives a comprehensive review of Cragg’s undulating, potent sculptures exude a plasticity that With a die-cut cover and lay-flat binding, this specially designed Yang’s unconventional use of found objects continues in her
his life’s work, with a special focus on his floor pieces and the affirms his open-minded approach to his materials retrospective of Yang’s work includes a graphic essay on her little-studied two-dimensional works made from envelopes,
drawings that informed them multimedia, cross-cultural work vegetables, hair and more
German sculptor Tony Cragg (born 1949) never alters his creative process: from drawing
A trailblazer of both Process art and Postminimalism, Barry Le Va (1941–2021) expanded to choosing materials, experimenting with technique, selecting colors, working with Incorporating quotidian objects such as Venetian blinds, tin cans, straw and graph Haegue Yang’s (born 1971) two-dimensional investigations have often been shown
the concept of sculpture. This three-volume publication covers every facet of his the material and learning from its reactions. Arranged according to stylistic and formal paper, South Korean artist Haegue Yang (born 1971) creates installations, wall hangings, alongside her Venetian blind installations or sonic sculptures, but have not yet received a
career, from his Distribution Pieces scattered on the ground to the drawing practice that criteria, the works in this monograph reveal a coherence and organicity intrinsic to anthropomorphic sculptures and light installations combining folk traditions and comprehensive exploration of their own. This book includes 58 works from seven series,
informed his sculpture. Cragg’s entire oeuvre. modernism. Leap Year surveys three decades of her practice. which continue her innovative reuse of found materials.

Amin Gulgee: EXPANDED EDITION

Joana Vasconcelos: Transcending the Bruno Pélassy
No Man’s Land Jaume Plensa Domestic Edited by Ilaria Bombelli, Florence Bonnefous, Alice
Text by Clare Lilley, Brooke Kamin Rapaport, Jeremy Strick, Dusapin, Anna Gritz. Text by Marie Canet, Laura
Edited by John McCarry. Edited by Matthew Vella. Text by Jonathan Jones. Exhibition
Sarah Coulson, Joseph Antenucci Becherer, Marcello Dantas, Cottingham, Baptiste Pinteaux.
and interview by Edith Devaney.
SKIRA Víctor Garcia de Gomar.
MOUSSE PUBLISHING
ISBN 9788857252926 u.s. $70.00 cad $105.00 SKIRA
SKIRA ISBN 9788867496556 u.s. $45.00 cad $68.00
Hbk, 9.5 x 12 in. / 416 pgs / 330 color. ISBN 9788857253459 u.s. $50.00 cad $75.00
ISBN 9788857253213 u.s. $75.00 cad $110.00 Pbk, 8.25 x 10.25 in. / 208 pgs / 54 color / 125 b&w.
February/Art Hbk, 9.5 x 12 in. / 224 pgs / 100 color.
Hbk, 10.5 x 12 in. / 348 pgs / 270 color. February/Art
Territory: NA LA March/Art
May/Art Territory: NA LA AFR ME
Territory: NA LA
Territory: NA LA

A rich tapestry of techniques and themes informs Gulgee’s Through monumental installations across continents, Plensa’s From everyday objects to ethereal Edens, Vasconcelos shows off The first-ever monograph on Bruno Pélassy featuring a vast range
imposing yet intricate metal sculptures nomadic practice celebrates the similarities of seemingly the range of her provocative found-object installations of materials from his unpublished personal archive
Pakistani artist and curator Amin Gulgee (born 1965) creates copper and bronze totemic divergent cultures Portuguese sculptor Joana Vasconcelos (born 1971) reassembles quotidian objects— French artist Bruno Pélassy (1966–2002) trained in textile and jewelry design and worked
sculptures inspired by Buddhist and Islamic religious figures, inviting viewers to immerse This expanded edition of the definitive monograph on Jaume Plensa (born 1955) includes often ones associated with femininity—into larger-than-life installations. As its title for Swarovski early in his career. In his oeuvre, at once fragile and flamboyant, crafted
themselves in both the grandeur of subject matter and the richness of the material. his most recent public installations—taking the form of distorted heads or seated figures suggests, this monograph includes installations by Vasconcelos that move beyond jewelry appears alongside cheap mechanical bugs to produce an aesthetic of the
formed out of metal letters—alongside his best-known works, including Chicago’s Crown material culture to address more spiritual concerns. marvelous and the precarious.
Fountain.

146 ­­artbook.com artbook.com 147

Soft sculpture and textile works Installations inspired by the natural world SPECIALTY ■ ART

Cosima von Bonin: Synnøve Anker Aurdal: Tatiana Trouvé By carving stone monuments in the shape of unassuming objects,
Trouvé’s “memory art” enshrines the ordinary past
Songs for Gay Dogs Through the Threads Edited with interview by Caroline Bourgeois, James
Edited with text by Clémentine Proby, Cosima von Bonin. Edited by Lars Bang Larsen, Solveig Øvstebø. Text by Lars Lingwood. Text by Barbara Casavecchia, Bruno Racine, Moving between a prehuman past, a turbulent present and a speculative future, Tatiana
Text by Clara Drechsler, Estelle Hoy, Dirk von Lowtzow, Mary Bang Larsen, Marit Paasche, Jenni Sorkin, Leire Vergara. Neville Wakefield. Trouvé (born 1968) draws the viewer into disorienting spatial, mental and temporal
Messhausen, proddy produzentin, Bettina Steinbrügge. Conversation with Siri Aurdal, Solveig Øvstebø. worlds. Her “memory art” repurposes stone, marble and other materials and transforms
MARSILIO ARTE
them into quotidian sculptures; tombstones turn into books and veined slabs of marble
JRP|EDITIONS MOUSSE PUBLISHING ISBN 9791254632680 u.s. $50.00 cad $75.00 gbp £42.00 become briefcases. Meanwhile, her pencil drawings on bleach-spattered canvases
ISBN 9783037646304 u.s. $35.00 cad $53.00 gbp £30.00 ISBN 9788867496471 u.s. $60.00 cad $90.00 Hbk, 8.75 x 11.25 in. / 292 pgs / 200 color.
turn the photorealistic image into part of an abstract dreamscape. Objects and images
Pbk, 8.75 x 11 in. / 240 pgs / 85 color / 120 b&w. Hbk, 9.25 x 12.5 in. / 258 pgs / 168 color / 18 b&w. July/Art
Territory: WORLD migrate from two dimensions to three and back again, appearing and reappearing in a
February/Art July/Art
range of different spaces and scenarios. This latest monograph on her practice spotlights
Territory: WORLD Excl DE AT CH FR BE Territory: NA LA AFR ME
several new sculptures and installations, alongside a group of recent large-scale
drawings.
A comprehensive companion to Cosima von Bonin’s soft Blending Norwegian weaving traditions with modernist impulses, EXHIBITION
sculptures and cartoon pastiches, which question leisure society Anker Aurdal tested the materials, imagery and critical reception Venice, Italy: Palazzo Grassi, 04/06/25–01/04/26
and social constructs of textile art
Designed as a personal journey into the public and private worlds of Cosima von Bonin By combining traditional craft techniques and the language of painterly abstraction,
(born 1962), Songs for Gay Dogs places her signature soft sculptures of animals and Synnøve Anker Aurdal (1908–2000) created a new space for modern textile art. Her Rohini Devasher: Borrowed Light Ala Ebtekar
cartoon characters amid a play by Estelle Hoy, critical essays, documentation of her 2024 works take on an effervescent character by featuring materials such as copper thread, Text by Britta Färber, Stephanie Rosenthal. Text by Yasiin Bey, Venetia Porter, Sussan Babaie, Deena Chalabi,
exhibition at MUDAM Luxembourg and a “Privato” chapter of documents from the artist’s polyester, fiberglass, nylon, chains and synthetic dyes, challenging both aesthetic Hushang Ebtehaj, Shiva Balaghi.
personal archive. hierarchies and modernist assumptions about weaving. KERBER
ISBN 9783735610102 u.s. $45.00 cad $68.00 SKIRA
Pbk, 9.5 x 11.25 in. / 156 pgs / 70 color. ISBN 9788857252896 u.s. $60.00 cad $90.00
Hoda Tawakol: Margret Eicher: August/Art Hbk, 9.5 x 12 in. / 252 pgs / 100 color.
Some Ties Linger On It's a Digital World! Territory: NA LA ME March/Art
Territory: NA LA
Text by Omar Kholeif, Rebekka Seubert. Edited by Wolfgang Ullrich.

KERBER HATJE CANTZ In her research-intensive practice, Indian artist Rohini Devasher (born 1978) explores Bay Area–based artist Ala Ebtekar (born 1978) draws out the sculptural and photographic
ISBN 9783735610072 u.s. $50.00 cad $75.00 ISBN 9783775758963 u.s. $62.00 cad $92.00 the intersections between science, art and philosophy. Astrology and cosmology, in possibilities of the universe. Considering light as both a concept and medium,
Pbk, 9.75 x 12.5 in. / 144 pgs / 80 color. Pbk, 11 x 13.5 in. / 200 pgs / 220 color. particular, inform her most recent multichannel installations, large-scale prints and Ebtekar uses UV light, moonlight and starlight in his practice. His photographic works,
March/Art May/Art drawings, which map out eclipses and planetary orbits. exposed over days and nights, continue his durational projects in collaboration with
Territory: NA LA ME Territory: NA LA celestial bodies.

Ugo Rondinone: Cry Me a River Mariechen Danz: Edge Out

Inspired by the three most important women in her life, Tawakol Eicher’s large-scale tapestries swap royals for celebrities to riff Edited with text by Fanni Fetzer. Text by Jarrett Earnest, Marc Text by Mariechen Danz, Guido Faßbender, Georg Friedrichs,
weaves a personal narrative of life and loss with her textiles on art history and contemporary visual culture Mayer, Eric Troncy, Linda Yablonsky. Thomas Köhler.
The body as an experiential focus is key for Egyptian French artist Hoda Tawakol (born While tapestries have historically been used by nobility to celebrate their exploits, HATJE CANTZ KERBER
1968). Her hand-dyed, hand-sewn textile sculptures characterize it both as a protective Margret Eicher (born 1955) revives the genre with a surprising topicality, depicting today’s ISBN 9783775758055 u.s. $62.00 cad $92.00 ISBN 9783735610096 u.s. $45.00 cad $68.00
shield and as a surface for projection, striking a balance between the extremes of most recognizable celebrities and characters. Eicher thus provides a critical dimension to Hbk, 9.75 x 12.5 in. / 244 pgs / 264 color. Pbk, 8.25 x 10.5 in. / 128 pgs / 125 color.
exposure and concealment. tapestry making, presenting the consequences of the digital revolution. January/Art March/Art
Territory: NA LA Territory: NA LA ME

With Cry Me a River, installation artist Ugo Rondinone (born 1964) returns to his roots in Artist Mariechen Danz (born 1980) consistently focuses on the human body, often using
creating works inspired by natural forces, such as weather phenomena and the sublimity casts of internal organs across her expansive installations. Her monumental museum
Tamara Kostianovsky: Faig Ahmed of the mountains. Evoking thunder, lightning or snow flurries, his minimalist installations exhibition Edge Out creates an anatomical cartography combining scientific systems with
Carnal World Text by Emma Saperstein, Erica Warren, Fahmida are instantly recognizable. magical thinking.
Suleman, Leslee Michelsen, Nina Levent.
Foreword and interview by Rémy Provendier-Commenne.
KERBER
JBE BOOKS/MUSÉE DE LA CHASSE ET DE
ISBN 9783735609786 u.s. $60.00 cad $90.00
LA NATURE
ISBN 9782365680967 u.s. $25.00 cad $38.00
Hbk, 9.5 x 12.75 in. / 256 pgs / 200 color. Simnikiwe Buhlungu: besides Puleng; Alexandra Pirici: Attune
Hbk, 6.75 x 9 in. / 80 pgs / 45 color.
March/Art
Territory: NA LA ME
dontsa-ring and roving preoccupations Edited by Sam Bardaouil, Till Fellrath. Text by Catherine Nichols,
February/Art Cecilia Alemani. Interview by Raluca Voinea.
Edited by Olivia Aherne, Simnikiwe Buhlungu, Amy Jones,
Territory: NA LA ASIA AU/NZ Rachel Be-Yun Wang, Zoé Whitley. Text by Alunamda SILVANA EDITORIALE
Buhlungu, Simnikiwe Buhlungu, Khwezi Gule, Taylor Le
ISBN 9788836656578 u.s. $14.95 cad $22.95
Melle, et al.
Pbk, 6.75 x 9.5 in. / 116 pgs / 32 color.
From flowery carcasses on butcher’s hooks to rigid, weathered Ahmed’s melted, distorted and mystifying handwoven carpets MOUSSE PUBLISHING March/Art
tree trunks, Kostianovsky innovates the connotations of offer a trippy take on traditional design ISBN 9788867496617 u.s. $29.00 cad $40.00
Territory: NA LA ASIA AU/NZ AFR ME
soft sculpture The conceptual works of Azerbaijani artist Faig Ahmed (born 1982) combine traditional Pbk, 6.75 x 8.75 in. / 200 pgs / 84 color / 4 b&w.
July/Art Transforming the hall of Hamburger Bahnhof into a vibrant landscape, Alexandra Pirici
Sculptor Tamara Kostianovsky (born 1974) uses found materials including used clothing carpet weaving with contemporary sculptural techniques. This confrontation between the
Territory: NA LA AFR ME (born 1982) interweaves active sculptural elements with live performance and music.
and discarded textiles to create intricate yet intense sculptural installations, ranging from millennia-old tradition of craftsmanship and modern-day image production strategies
In this immersive environment, chemical reactions, mineral formations and physical
wallpaper patterned with birds to spiraling tree trunks and animal carcasses. reveals unimagined potential for reflection on the interplay between culture and religion, Delving into microbiology through the disciplines of art, science, geography and history,
phenomena perform alongside living bodies.
craftsmanship and art. Simnikiwe Buhlungu (born 1995) uses the ubiquitous water puddle as the basis for her
mixed-media installation hygrosummons, exploring encounters with scientific knowledge.

148 ­­artbook.com artbook.com 149

Conceptual exhibitions and installations Works on paper, artists’ books and activity books SPECIALTY ■ ART

Mark Bradford: Leonilson: Now and Opportunities Adrian Ghenie: Battlefield Studio Paul McCarthy: A&E, Dead End
Keep Walking Edited with text by Adriano Pedrosa. Text by Carlos Eduardo The Works on Paper Hole, Picnic
Riccioppo, Irene V. Small, Julia Bryan-Wilson, Miguel Lopez, Text by Björn Egging, Holger Liebs, Jan-Markus Göttsch. Text by Paul McCarthy, Lilith Stangenberg.
SILVANA EDITORIALE Pablo Lafuente, Teo Teotonio.
ISBN 9788836656585 u.s. $14.95 cad $22.95 HATJE CANTZ HAUSER & WIRTH PUBLISHERS
Pbk, 6.75 x 9.5 in. / 152 pgs / 67 color. MUSEU DE ARTE DE SÃO PAULO/KMEC BOOKS ISBN 9783775759175 u.s. $50.00 cad $75.00 ISBN 9783906915944 u.s. $250.00 cad $365.00 SDNR30
March/Art ISBN 9786557770603 u.s. $55.00 cad $82.00 gbp £47.00 Hbk, 11.5 x 9 in. / 144 pgs / 70 color. Slip, pbk, 10.2 x 13.4 in. / 260 pgs / 394 color.
Territory: NA LA ASIA AU/NZ AFR ME Hbk, 8 x 10.75 in. / 426 pgs / 378 color. February/Art April/Artists' Books
April/Art Territory: NA LA Territory: NA LA
Territory: WORLD Except Brazil
American artist Mark Bradford’s (born 1961) expansive practice is based on the dynamics Though technically a member of the ’80s generation of Brazilian artists, Leonilson’s The gloomy backgrounds and deformed characters in the works of Adrian Ghenie (born Published as a signed limited edition of 600 copies, this artist’s book documents a 2021
of movement within the prism of racial identity. Through textured paintings, satirical (1957–93) most stringent work was made late in the decade and into the early 1990s. This 1977) are inspired by the catastrophes of the 20th century, which the artist describes as performance of the same name by Paul McCarthy (born 1945) and German actress Lilith
videos and installations imbued with layers of history and social critique, he urges exhibition catalog focuses on the “late Leonilson” works, his richest and most complex, an era of “humiliation.” In his recent series of collages and charcoal drawings, Ghenie Stangenberg (born 1988), continuing McCarthy’s exploration of bodily abjection, human
contemplation on the mobility of identity and societal frameworks. before his untimely death from AIDS-related causes. shifts his focus to the crises of the 21st century. entanglement, power, Hollywood and the underbelly of the cultural and political climate.

Arash Fayez: Apolis Trần Lương: Soaked in the Long Rain Theseus Chan: Steidl–Werk No. 32 Tom Torluemke: Live!
Edited by Arash Fayez. Text by Shumon Basar, Manuel Segade. Edited with text by Biljana Ciric. Text by Iola Lenzi, Phoebe Scott, Manifest On Paper, 1987–2024
Lê Thuận Uyên, Vu Duc Toan, Linh Lê. Text by Dan Cameron, Jeff Huebner, Robin
SPECTOR BOOKS STEIDL
Dluzen, Alan Pocaro, David Detmer.
ISBN 9783959058506 u.s. $40.00 cad $60.00 MOUSSE PUBLISHING ISBN 9783969994214 u.s. $60.00 cad $90.00
Pbk, 8.25 x 11.5 in. / 312 pgs / 160 color / 312 b&w. ISBN 9788867496631 u.s. $35.00 cad $53.00 Hbk, 8.75 x 12 in. / 224 pgs / 117 color / 99 b&w. SKIRA
March/Art Pbk, 6.75 x 9.5 in. / 336 pgs / 205 color / 11 b&w. May/Art ISBN 9788857253442 u.s. $45.00 cad $68.00
Territory: NA LA AFR ME July/Art Territory: NA ONLY Hbk, 9.5 x 11 in. / 160 pgs / 90 color.
Territory: NA LA AFR ME April/Art
Territory: NA LA
From San Francisco to Tehran and Barcelona, Apolis is a visual autobiography of Arash Trần Lương (born 1960) began his career as a painter and member of the Vietnamese Founded by Theseus Chan (born 1961) in 2000, Werk magazine burst forth as a radical
Fayez’s (born 1984) life in limbo between 2014 and 2018. The 312 pages comprise his artists’ collective Gang of Five. Since the early 1990s, his practice has evolved toward vision in the world of publication design. Featuring new drawings and texts by Chan Tom Torluemke’s (born 1959) name is familiar to Chicago art lovers thanks to his detailed
complete US immigration dossier, overlaid with smartphone photos of his life captured performance and conceptual art, institution-building, curatorial initiatives, mentorship interpreting and recasting the sights and sounds of Steidl Publishers, Manifest embraces acrylic paintings observing society’s ills with the doting attention of a diehard humanist.
during the same period. and community engagement, focusing on marginalized groups. spontaneity, imperfection, humor, play and the unpredictable. Live! highlights his understudied works on paper, capturing 40 years of Torluemke’s
freewheeling imagination and technical skill.

Zdeněk Beran: Elevation Christl Mudrak: Eros Color with Brian Clarke: Color with Brian Clarke:
Edited with text by Barbora Kundračíková. Text by Barbora Edited with text by Sven Christian Schuch, Christl Mudrak. Text Collages 2 Collages 3
Bělunková, Zdeněk Beran, Pavla Beranová, Bedřich Dlouhý, by Victoria Tarak, Clemens Krümmel, Anne Schreiber.
Introduction by Brian Clarke. Introduction by Brian Clarke.
Stanislav Drvota, Kenneth G. Hay, Jindřich Chalupecký, Jan Kříž,
Anna Píšťková, Toby Pospíšilů, Dunja Stevanovič, Petr Wittlich. HATJE CANTZ
HENI PUBLISHING HENI PUBLISHING
ISBN 9783775758994 u.s. $55.00 cad $82.00
KANT ISBN 9781912122844 u.s. $7.95 cad $12.95 SDNR50 ISBN 9781912122851 u.s. $7.95 cad $12.95 SDNR50
Hbk, 8.5 x 10.75 in. / 256 pgs / 250 color.
Pbk, 8.25 x 11.75 in. / 32 pgs / 15 color / 15 b&w. Pbk, 8.25 x 11.75 in. / 32 pgs / 15 color / 15 b&w.
ISBN 9788074374159 u.s. $65.00 cad $95.00 March/Art
February/Stationery February/Stationery
Hbk, 7.75 x 10.25 in. / 288 pgs / 115 color / 40 tritone. Territory: NA LA
Territory: NA ONLY Territory: NA ONLY
August/Art
Territory: NA LA ASIA AU/NZ AFR German artist Christl Mudrak (born 1972) creates “participatory-performative painting” Designed in close collaboration with Brian Clarke (born 1953), this coloring book is the This is the fifth in a series of activity books published by HENI and the third coloring book
This publication emerged from the reconstruction of Zdeněk Beran’s (1937–2014) through painstakingly drawing several series of lines on the floors, walls and ceilings of a second volume to feature his stained glass–inspired collages, which can be filled in with to be inspired by the artwork of Brian Clarke (born 1953). Reproductions of 15 original
installation entitled Rehabilitation Department of Dr. Dr. (1970–71). The book is room, creating an immersive optical illusion for the viewer to step into. crayon, pencil, pastel, felt marker or paint. artworks allow for hours of fun and all methods of coloring.
structured around an imaginary “optical grid,” uniting each phase of the years-long
project and offering both semantic and emotional interpretations.

Jagna Ciuchta: Dilated I, Liquid Shimabuku: Octopus, Citrus, Human Magic Paint with Brian Clarke Anton Bruhin: True to New
Images and Carnivorous Plants Text by Philippe Parreno, Filipa Ramos. Interview by Bárbara Stained Glass New Year’s Zines 2007–2025
Rodríguez Muñoz. Introduction by Brian Clarke.
Edited with text by Maud Jacquin, Émilie Renard. Text by
EDITION PATRICK FREY
Mathilde Bélouali, Marta Dziewańska, Dominique Figarella, LA FÁBRICA HENI PUBLISHING ISBN 9783907236734 u.s. $45.00 cad $68.00
Stéphanie Garzanti, Émilie Notéris.
ISBN 9788410024434 u.s. $40.00 cad $60.00 gbp £34.00 ISBN 9781912122875 u.s. $9.95 cad $14.95 SDNR50 Hbk, 5.75 x 4.25 in. / 584 pgs / 500 color.
MOUSSE PUBLISHING Pbk, 9.5 x 11.75 in. / 192 pgs / 100 color. Pbk, 8.25 x 11.75 in. / 32 pgs / 15 b&w. March/Artists' Books
May/Art February/Stationery/Art Territory: NA ONLY
ISBN 9788867496303 u.s. $40.00 cad $60.00
Territory: WORLD Excl LA Spain Territory: NA ONLY
Pbk, 8.25 x 10.75 in. / 256 pgs / 155 color / 33 b&w.
Zurich-based musician, poet and artist Anton Bruhin (born 1949) has been making
February/Art
Territory: NA LA AFR ME Since the 1990s, Japanese artist Shimabuku (born 1969) has traveled to various places Based on the most famous works of stained glass artist Brian Clarke (born 1953), these 15 A6–size “zines” since childhood. This volume gathers nearly two decades’ worth of his
around the world, creating drawings, photographs and performances that consider the outlines burst into color simply by adding water to your paintbrush. This activity book is a New Year’s zines, sent to his close friends each December, containing his recent work
This first monograph on the work of Jagna Ciuchta (born 1977) surveys the past 12 years alongside well-wishes.
daily lives of people he encounters, as well as new forms of communication between wonderful, mess-free introduction to the joys of painting, perfect for ages three and over.
of a polymorphic practice that feeds off each of her previous projects. Through organizing
humans and nonhumans.
group exhibitions in which she becomes the “curator,” Ciuchta’s works set up a confusion
of temporalities, spaces, registers, self and others.

150 ­­artbook.com artbook.com 151

Sound and performance art Film, television, video art and digital media SPECIALTY ■ ART

Marina Abramović: Free She Moves Me At Large: Behind the Camera Behind the scenes with the man responsible for filming some of
with Brian Large the greatest classical music performances in television history
Interdisciplinary Performance Lab Performance, Moving Image, and Lynne Marsh’s Lens
Edited with introduction and interview by Sylvie Fortin. Text British film and television director Brian Large (born 1939) has immortalized some of the
Pina Bausch Professorship 2022–23 by Nora H. Khan, Sabeth Buchmann, Gean Moreno, Stephanie
Foreword by Renée Fleming. Introduction by Mary Lou
Falcone. Text by Brian Large, Jane Scovell. greatest orchestra and opera performances of the past 50 years, bringing the magic of
Edited with text by Marina Abramović, Billy Zhao. Text by Wakefield, Marina Vishmidt, Rachael Rakes. live music into the homes of millions. In this engaging memoir, Large recounts his career
Salomon Bausch, Peter Gorschlüter, Andreas Jacob, et al. VERLAG FÜR MODERNE KUNST with wit, warmth and unmistakable yet charming British humor. From his early days at
INVENTORY PRESS/PRESS ENTER ISBN 9783991531272 u.s. $49.95 cad $74.95
HATJE CANTZ BBC TV to his pioneering role in BBC 2’s founding in 1965, Large has continually pushed
ISBN 9781941753743 u.s. $28.00 cad $42.00 gbp £24.00 Hbk, 7 x 9.5 in. / 524 pgs / 28 color / 125 b&w.
ISBN 9783775757317 u.s. $70.00 cad $105.00 the boundaries of what television could achieve, capturing the immediacy and emotion of
Pbk, 6.5 x 9.5 in. / 208 pgs / 200 color. May/Performing Arts
Hbk, 8.5 x 11 in. / 352 pgs / 250 color / 20 b&w. March/Art the stage for viewers everywhere. His groundbreaking work includes iconic productions
Territory: NA LA ASIA AU/NZ AFR ME
February/Art Territory: WORLD such as the Jahrhundertring at Bayreuth in 1980 and the live broadcast of Tosca from
Territory: NA LA Verona’s ancient amphitheater. With a foreword by American soprano Renée Fleming
Part reader, part monograph, part visual essay, She Moves Me synthesizes the installation and an introduction by classical music publicist Mary Lou Falcone, this is a must-read for
This anthology presents the durational performances of 24 young artists studying at and performance pieces of Canadian artist Lynne Marsh (born 1969). Marsh’s filmed and classical music lovers.
the Folkwang University of the Arts, developed under the inaugural Pina Bausch guest choreographed interventions look behind the scenes, underscoring the camera’s power
professorship led by Marina Abramović. to delineate social spaces.

Estelle Hanania & Gisèle Vienne: Cally Spooner: Saodat Ismailova: Claudia Joskowicz:
This Causes Consciousness to A Hypothesis of Resistance A Seed Under Our Tongue Stillness in Motion
Fracture MOUSSE PUBLISHING
Edited with text by Roberta Tenconi. Text by Erika Balsom, Dilda
Ramazan, Marcella Lista, Rolando Vázquez.
Text by Pedro Albornoz Camacho, Eva Díaz, Saul Ostrow,
José Miguel Palacios, Ana Rebeca Prada, Gabriela Rangel,
Edited by Anna Gritz, Estelle Hanania, Gisèle Vienne. Text ISBN 9788867496426 u.s. $20.00 cad $30.00 Sara Reisman.
by Elsa Dorlin, Anna Gritz. Pbk, 4.75 x 8.5 in. / 120 pgs. MARSILIO ARTE
February/Artists' Writings ISBN 9791254632352 u.s. $39.95 cad $59.95 gbp £34.00 TURNER
SPECTOR BOOKS Territory: NA LA AFR ME Pbk, 6.75 x 9.5 in. / 240 pgs / 245 color. ISBN 9788419539250 u.s. $45.00 cad $68.00
ISBN 9783959058551 u.s. $85.00 cad $125.00
March/Art/Film Hbk, 9.5 x 11.5 in. / 176 pgs / 112 color.
Hbk, 12.25 x 12.25 in. / 169 pgs / 152 color.
Territory: WORLD May/Art
March/Dance/Photography This volume collects the five essays on “performance” by British artist and writer Cally Territory: NA AFR ME
Territory: NA LA AFR ME Spooner (born 1983), originally published in Mousse magazine. In each chapter, Spooner Uzbek artist Saodat Ismailova (born 1981) is part of the first generation of Central Asian
filmmakers following the collapse of the Soviet Union. Her films emphasize long shots that Through long takes, double shots and dialectical oppositions, Bolivian video artist Claudia
In her sensitive photographs, Estelle Hanania captures the charged, violent moments resists a doctrine of “performance” that creates a society stratified by how we act:
evoke the aesthetics of slow cinema, often combined with archival footage and installed Joskowicz (born 1968) challenges the traditional focus of the camera, and creates an
present in performances by Gisèle Vienne. Props, actors and sets are condensed into whether economically, socially or digitally.
within textile sculptural elements drawn from vernacular traditions. active reconfiguration of the gaze. Highlighting the role of the spectator in the creation of
tense, concentrated snapshots of Vienne’s groundbreaking stage plays.
historical narratives, she invites reflection on collective memory.

Tarek Atoui Courtplay Rachel Maclean: Marianna Simnett: Winner

Edited by Lucia Aspesi. Text by Ute Meta Bauer. Edited with introduction by Mohamed Almusibli, Ivan Cheng. Mama Mimi Duck Edited by Sam Bardaouil, Till Fellrath. Text by Charlotte Knaup,
Text by Sophia Al-Maria, Josefin Arnell, Ed Atkins, Felix Graham Greene. Interview by Sam Bardaouil.
Text by Amely Deiss, Nadia Ismail, Hettie Judah,
MARSILIO ARTE Bernstein, Victoria Colmegna, Claire Fontaine, et al. Illustrations
Dominic Paterson, Heinz Peter Schwerfel. SILVANA EDITORIALE
by Aloys Oosterwijk. Postface by Beatrix Ruf.
ISBN 9791254632697 u.s. $39.95 cad $59.95 gbp £34.00
HATJE CANTZ ISBN 9788836656608 u.s. $14.95 cad $22.95
Pbk, 12.25 x 12.25 in. / 104 pgs / 100 color.
JRP|EDITIONS Pbk, 6.75 x 9.5 in. / 116 pgs / 60 color.
July/Art/Music ISBN 9783775758987 u.s. $62.00 cad $92.00
ISBN 9783037646243 u.s. $22.00 cad $34.00 gbp £18.00 March/Art/Film
Territory: WORLD Hbk, 11 x 11 in. / 240 pgs / 100 color.
Pbk, 6.25 x 9 in. / 272 pgs / 25 color. Territory: NA LA ASIA AU/NZ AFR ME
April/Art
February/Art
Territory: NA LA
Territory: WORLD Excl DE AT CH FR BE Marianna Simnett’s (born 1986) multichannel film installation Winner was commissioned
Lebanese artist and composer Tarek Atoui (born 1980) explores the medium of
Invoking the former Amsterdam courthouse in which the performance took place, one The multimedia work of artist Rachel Maclean (born 1987) includes everything from on the occasion of the 2024 European Football Championship, which was hosted by
sound and how it shapes perception through dynamic installations and collaborative
of the first events of the new Hartwig Art Foundation,Courtplay combines language, babies with faceless mothers to deepfake films. The centerpiece of this collection of her Germany. Through the element of dance, the work radically transforms football’s most
performances. He tests the unique ways in which elements such as bronze, water, glass
gestures, stories and topics from the legal world and the participants’ idiosyncratic recent works is Duck (2023), a spy thriller written and performed by Maclean but using impassioned moments: triumph, brutality, ferocity and defeat.
and stone reflect sound.
universes to create a drama like no other. the faces and voices of Sean Connery and Marilyn Monroe.

Naama Tsabar: Estuaries Pedro Reyes: Social Sculpture Mapping the Moving Image In Medias Res #3: Postproductions
Edited by Sam Bardaouil, Till Fellrath. Text by Ingrid Buschmann, Edited with text by Julieta González, Laurent Berlant, Inês Media, Agents, and Sites in the Czech Context Edited by Dennis Brzek, Junia Thiede. Text by Loretta Fahrenholz,
Fiona McGovern. Grosso, Henrique Prata Ribeiro, Dan Cameron, Daniel Garza Edited with text by Martin Mazanec, Sylva Poláková. Text by Martin Richard Hawkins, Thomas Helbig, Margaret Honda, Evelyn
Usabiaga, Pedro Alonzo. Blažíček, Matěj Forejt, Eva Krátká, Markéta Mansfieldová, Marie Kreutzer, Elisa R. Linn, D’Ette Nogle, Maya Schweizer, Richard
SILVANA EDITORIALE Meixnerová, Tomáš Pospiszyl, Matěj Strnad, Lenka Střeláková, Sides, Mike Terry, Peter Wächtler, Florian Wüst.
ISBN 9788836655175 u.s. $14.95 cad $22.95 RM/MUSEO DE ARTE CONTEMPORÁNEO DE MONTERREY/ Kateřina Svatoňová.
Pbk, 6.75 x 9.5 in. / 100 pgs / 50 color. EFIARTES/FUNDACIÓN FEMSA MOUSSE PUBLISHING
March/Art ISBN 9788410290082 u.s. $55.00 cad $82.00 SPECTOR BOOKS/NATIONAL FILM ARCHIVE, PRAGUE ISBN 9788867495313 u.s. $10.00 cad $15.00
Territory: NA LA ASIA AU/NZ AFR ME gbp £47.00 FLAT40 ISBN 9783959058438 u.s. $40.00 cad $60.00 Pbk, 8.25 x 11.75 in. / 70 pgs / 39 color / 14 b&w.
Flexi, 9.75 x 11.5 in. / 371 pgs / 384 color / 1 b&w. Pbk, 7.25 x 10.5 in. / 332 pgs / 350 color. February/Film/Journal
New York–based artist Naama Tsabar’s (born 1982) multimedia work overcomes April/Art March/Film Territory: NA LA AFR ME
Territory: NA UK Territory: NA LA AFR ME
the boundaries of sculpture, music, performance and architecture. This monograph In the final issue of In Medias Res, Fluentum’s project on the history of time-based art
focuses on four bodies of work with wall and floor pieces that also function as musical Through his large-scale, participatory installations, Mexican artist Pedro Reyes (born
Based on material from the National Film Archive in Prague, Mapping the Moving Image reviews the productivity inherent in moving images. New essays discuss the films shot in
instruments and can be activated by the audience. 1972) navigates the fields of art, architecture, psychotherapy, theater and literature. His
critically assesses the history of the moving image in Czechia from the 1970s to the Fluentum’s building beginning in the mid-1990s, as part of reunified Germany’s nascent
“social sculpture” invites collective engagement outside the museum space, whether
present day, in order to consolidate the currently fragmentary history of this topic. creative industry.
organizing against nuclear warfare or turning donated guns into shovels to plant trees.

152 ­­artbook.com artbook.com 153

Thematic group exhibitions Private and institutional collections, awards and fairs SPECIALTY ■ ART

Nebula An otherworldly constellation of new video art that explores the

vast, labyrinthine landscape of consciousness
Day for Night: African Art: The ARAK Collection
Edited with text by Bianca Stoppani, Alessandro Rabottini, New American Realism Edited by Julie van der Vlugt. Text by Salwa Ahmad Almesned,
Leonardo Bigazzi. Text by Karen Archey, Natalie Bell, Stemming from the 2022 volume Penumbra, Nebula brings together eight new site- Ashraf Jamal, David Mann, Barnabas Ticha Muvhuti, Nneoma
Selections from the Tony and Elham Salamé Angela Okorie.
Nasrin Himada, Emily LaBarge, Paolo Pecere, Philippa specific video installations staged by the Fondazione In Between Art Film in Venice. Each Collection – Aïshti Foundation
Snow, Xiaoyu Weng, Isobel Whitelegg. work touches on themes of a different nature: the vastness of landscape; the architecture Edited by Massimiliano Gioni, Flaminia SKIRA
of memory and the labyrinth of consciousness; music and the voice as means of Gennari Santori. ISBN 9788857253480 u.s. $70.00 cad $105.00
MARSILIO ARTE
reaffirmation. The idea for the exhibition was inspired by the phenomenon of mist as a Hbk, 9.5 x 12.75 in. / 372 pgs / 160 color.
ISBN 9791254632437 u.s. $45.00 cad $68.00 gbp £38.00
material and metaphorical condition in which the possibility of orienting oneself through SKIRA May/Art
Hbk, 8.25 x 11 in. / 328 pgs / 395 color.
February/Art/Film sight is reduced, making it necessary to activate different sensory means in order to ISBN 9788857253312 u.s. $70.00 cad $105.00 Territory: NA LA
Territory: WORLD understand one’s surroundings. Hbk, 9.75 x 11.25 in. / 480 pgs / 270 color.
Artists include: Basel Abbas and Ruanne Abou-Rahme, Giorgio Andreotta Calò, Saodat February/Art
Ismailova, Basir Mahmood, Cinthia Marcelle and Tiago Mata Machado, Diego Marcon, Ari Territory: NA LA
Benjamin Meyers, Christian Nyampeta. A 300-plus-page primer on the vanguards of contemporary
Works by the biggest names in contemporary American art that African art
probe the limits of truth and reality
The Qatar-based ARAK Collection holds over 4,000 works of contemporary African
Taking its title from a work in the Salamé Collection by Lorna Simpson, this book features art. The more than 100 works presented here provide a comprehensive overview
Dream Machines Illusions a selection of works by US-based artists—including Wade Guyton, Julie Mehretu, Henry
Taylor and Christopher Wool—whose work addresses the representation of truth.
of continental trends. Each artist receives a biographical essay written by Ghanian
Edited by Karen Marta. Text by Daniel Birnbaum, Jake Brodsky, Contemporary Art Between Fiction and Reality researcher and curator Nneoma Angela Okorie, and South African art historian Barnabas
Massimiliano Gioni, Michelle Kuo, Ben Livne Weitzman. Ticha Muvhuti.
Text by Jacob Birken, Belinda Grace Gardner, Harry Lehmann,
Ursula Panhans-Bühler, Katharina Proksch, Ludwig Seyfarth,
DESTE FOUNDATION FOR CONTEMPORARY ART Julia Stellmann, Christine Tebbe, Tanja Vogel.
ISBN 9786185039417 u.s. $35.00 cad $53.00 gbp £30.00
Pbk, 7.75 x 11.25 in. / 224 pgs / 213 color / 12 b&w. HATJE CANTZ Vicky and Marcos Micha Levy: Louisiana Visits Franz Gertsch
February/Art
Territory: WORLD Except Greece
ISBN 9783775759021 u.s. $45.00 cad $68.00 Portrait of a Collection Postwar and Contemporary Art in Dialogue
Hbk, 6.25 x 7.75 in. / 180 pgs / 120 color. Edited by Denise Wendel-Poray. Edited with text by Anna Wesle. Text by Poul Erik Tøjner,
March/Art Rainer Michael Mason, Beat Wismer, Ulrich Wilmes.
A fresh perspective on the future of art and innovation, Dream Machines walks the line Territory: NA LA SKIRA
between utopia and paranoia, fearlessly exploring the interplay of man and machine. ISBN 9788857252902 u.s. $55.00 cad $82.00 HATJE CANTZ
Bringing together contemporary artworks from multiple exhibitions, Illusions investigates
Amid the growing prominence of AI in our daily lives, the exhibition catalog encourages us Hbk, 9.5 x 12 in. / 272 pgs / 160 color. ISBN 9783775759083 u.s. $50.00 cad $75.00
the many forms that an “illusion” can take: simple imitation, trompe-l’oeil, fictionalization, Hbk, 9.5 x 11.5 in. / 160 pgs / 80 color / 20 b&w.
to reflect: can we keep up with the evolution of our own creations? March/Art
artificiality or even digital simulation through the use of artificial intelligence. Territory: NA LA February/Art
Territory: NA LA

Res Publica The Greek Gift

Art as a Public Affair Edited by Karen Marta. Text by Massimiliano Gioni, A colossal collection of 20th century global masterpieces, Artworks from Andy Warhol, Cindy Sherman, Gerhard Richter
Edited with text by Claus Carstensen. Text by Per Aage Dakis Joannou. supplemented with expert insight by specialists in Latin and more in dialogue with Gertsch’s photorealistic paintings
Brandt, Boris Groys, Jens Tang Kristensen. American and European art The Louisiana Museum brings 50 works by more than 30 artists to show at the Museum
DESTE FOUNDATION FOR CONTEMPORARY ART
ISBN 9786185039400 u.s. $40.00 cad $60.00 gbp £34.00 This publication honors Mexican collectors Vicky and Marcos Micha Levy and their Franz Gertsch alongside his own art, creating a web of movements that can be linked to
HATJE CANTZ
Hbk, 9.75 x 9.75 in. / 104 pgs / 59 color. outstanding art collection built over 50 years. Driven by a keen sense of research, they the Swiss painter and graphic artist. These include Pop art, Color Field painting and hard-
ISBN 9783775758918 u.s. $62.00 cad $92.00
Pbk, 9 x 11 in. / 316 pgs / 230 color. February/Art amassed works tracing Mexican modernism such as those by Orozco, Rivera and Tamayo edge painting, among others.
February/Art Territory: WORLD Except Greece in juxtaposition with other pioneers including Chagall, Picasso and Duchamp.
Territory: NA LA
Friends and artists were invited by Massimiliano Gioni and Dakis Joannou to select
What does “art as a public affair” mean? And what is the relationship between art and works for The Greek Gift. The exhibition was assembled through a series of moves and
the public? These are the questions that the exhibition and its corresponding publication countermoves. Like a chessboard on which the players showcase not only their skills, but Preis der Nationalgalerie 2024 Greenhouse
explore, inspired by Boris Groys’ essay “Art in the Age of Democracy.” their love of the game, the exhibition became a whole greater than the sum of its parts. Pan Daijing, Dan Lie, Hanne Lippard, Art, Ecology and Resistance
James Richards Edited by Mónica de Miranda, Sónia Vaz Borges.
Edited by Sam Bardaouil, Till Fellrath.
SKIRA
ISBN 9788857253091 u.s. $40.00 cad $60.00
Argentina Folds SILVANA EDITORIALE
ISBN 9788836657889 u.s. $20.00 cad $30.00 Hbk, 8 x 11 in. / 168 pgs / 60 color.
What the Night Tells the Day Edited with text by Lilli Hollein, Mio Wakita-Elis. Pbk, 6.75 x 9.25 in. / 208 pgs / 86 color. March/Art/Nature/Science
Edited by Andrés Duprat, Diego Sileo. March/Art Territory: NA LA
WALTHER KÖNIG, KÖLN Territory: NA LA ASIA AU/NZ AFR ME
SILVANA EDITORIALE ISBN 9783753307329 u.s. $39.95 cad $59.95 FLAT40
ISBN 9788836656912 u.s. $40.00 cad $60.00 Pbk, 7.5 x 9.25 in. / 128 pgs / 137 color / 3 b&w.
Hbk, 8.75 x 11 in. / 272 pgs / 160 color. February/Art
March/Art Territory: NA LA ASIA AU/NZ AFR Four up-and-coming artists spanning film, installation, sound The Portuguese Pavilion of the 60th Venice Biennale creates a
Territory: NA LA ASIA AU/NZ AFR ME and performance are welcomed into the collections of the “Creole garden,” filled with multiple plant species, to narrate
Hamburger Bahnhof historical and contemporary liberations
From Lucio Fontana to Tomás Saraceno to Adrián Villar Rojas, Argentina unites more We are surrounded by folds: in our clothes, on our bodies, even in our basic motions.
In 2024, the Preis der Nationalgalerie was awarded to Pan Daijing, Dan Lie, Hanne Lippard This publication manifests the vision of Greenhouse, the official Portuguese
than 20 of the country’s artists, spanning different generations, who present different Presenting a chronologically, spatially and materially heterogeneous selection of historical
and James Richards, the first time the award has gone to four artists. The prizewinners representation at the 60th Venice Biennale. Looking at the land as a vector of decolonial
approaches to representing a culture often characterized by forms of violence. and contemporary objects, this book invites its readers to embark on an intellectual and
will produce new works which will be shown in a joint exhibition at Hamburger Bahnhof. thinking and practice, it imagines possible futures in the context of the Anthropocene and
cultural voyage of discovery.
continued struggles against structural racism and for historical reparations.

154 ­­artbook.com artbook.com 155

Photographing the natural world Capturing people and places SPECIALTY ■ PHOTOGRAPHY

Matthew López-Jensen: For the Erie Canal’s 200th anniversary, López-Jensen’s series
centers the unseen labor that keeps the waterway operational
José Giribás Marambio: Chile Leonora Vicuña:
The Work and the Water Memories of My Battered Country Carrusel de Melancolias
The debut photobook The Work and the Water: Labor and Landscapes along the Erie Text by José Giribás Marambio, Axel Sommer. Text by Felipe Tupper.
Labor and Landscapes along the Erie Canal Canal by Matthew López-Jensen (born 1980) is a work of environmental social practice
Introduction by Matthew López-Jensen. Text by Kim Beil. centering the unseen labor required to keep the Erie Canal, a 524-mile inland waterway in KERBER RM/TOLUCA/FUNDACION LARIVIERE
upstate New York, operational. Over 40 photographs are accompanied by commentary ISBN 9783735609809 u.s. $50.00 cad $75.00 ISBN 9788410290075 u.s. $50.00 cad $75.00 gbp £42.00 FLAT40
INVENTORY PRESS from the more than 400 employees who work on the canal year-round, often out of Hbk, 10 x 9 in. / 128 pgs / 100 color. Hbk, 8.25 x 11.5 in. / 128 pgs / 64 color / 17 b&w.
ISBN 9781941753774 u.s. $28.00 cad $42.00 gbp £24.00 March/Photography April/Photography
view and in hazardous conditions. As the first artist-in-residence with the canal in its
Pbk, 6.75 x 9 in. / 96 pgs / 60 color. Territory: NA LA ME Territory: NA UK
200-year history, López-Jensen visited every lock in the system from Buffalo to Albany,
August/Photography
from Whitehall to Seneca Falls. The archive of images he created helps communicate the Activist and photographer José Giribás Marambio (born 1948) survived the Chilean Roaming the streets of 1970s Santiago with a Russian camera in hand, poet-turned-
Territory: WORLD
potentials of the canal as a site for environmental restoration while also conveying the civil-military coup of 1973 but fled to Germany soon after. Since then, he has repeatedly photographer Leonora Vicuña (born 1952) captured its denizens in bars, cinemas and
scale of this colossal piece of infrastructure that transformed the region in ways that are returned to Chile to document a society shaped by political oppression, painful memories dance halls, hand-coloring and manipulating them to create a dreamlike, imaginary world
still felt today. and possibilities for democratic resistance. removed from an austere reality.

Florence Montmare: Venice and Its Lagoon: Gabriele Basilico: Andréas Lang: A Phantom Geography
Scenes from an Island Caring for the Environment From the Apennines to the Andes Cameroon and Congo
Text by Ingmar Bergman Jr., Nancy Hall-Duncan, Natasha Text by Giovanni Montanaro. Photographs by Fulvio Orsenigo. Edited by Giovanna Calvenzi, Filippo Maggia. Edited with text by Andréas Lang. Text by Elisabetta Corrà,
Chuk, Florence Montmare. Gérard Essomba, David Van Reybrouck, Benedikt Stuchtey,
MARSILIO ARTE SILVANA EDITORIALE Albert Pascal Temgoua.
KERBER ISBN 9791254631720 u.s. $55.00 cad $82.00 gbp £47.00 ISBN 9788836658817 u.s. $35.00 cad $53.00
ISBN 9783735609908 u.s. $55.00 cad $82.00 Hbk, 9.5 x 11.5 in. / 224 pgs / 145 color. Pbk, 9.5 x 11 in. / 128 pgs / 77 color. SPECTOR BOOKS
Hbk, 9.75 x 11.75 in. / 160 pgs / 99 color. March/Travel/Photography March/Photography ISBN 9783959058667 u.s. $60.00 cad $90.00
March/Photography Territory: WORLD Territory: NA LA ASIA AU/NZ AFR ME Hbk, 9 x 12 in. / 256 pgs / 200 b&w.
Territory: NA LA ME March/Photography
The second in a collaborative series between authors and photographers celebrating the Borrowing its title from a short story by Edmondo de Amicis, this monograph unites 77 Territory: NA LA AFR ME
Set against the dramatic landscape of the Swedish island of Fårö, the home of and UNESCO World Heritage Sites of the Veneto, this lyrical guide transports readers to the images by architectural photographer Gabriele Basilico (1944–2013), spanning the length
inspiration for director Ingmar Bergman, Florence Montmare’s photographs pit its exquisite yet delicate lagoons and canals of Venice. of his career, that define the spaces, volumes and forms of architecture from ancient to Based on the research of his great-grandfather, photographer and video artist Andréas
inhabitants against a vulnerable, crumbling climate. modern times. Lang (born 1971) sets out to discover a lost chapter of German colonial history in Central
Africa: a frontier expedition to take possession of the territory of the French Congo.

Jochen Lempert: Natural Sources Txema Yeste: Needles Pablo Ortiz Monasterio: Tenochtitlan Xu Yong: Hutong 101 Photos
Text by Claire Le Restif, Frédéric Paul, Kathrin Schönegg. Text by David Campany, Txema Yeste. Edited by Pablo Ortiz Monasterio. Text by Álvaro Enrigue. Edited by Xu Yong, He Hao. Text by Xu Yong.

WALTHER KÖNIG, KÖLN RM RM KERBER

ISBN 9783753307428 u.s. $70.00 cad $105.00 FLAT40 ISBN 9788410290044 u.s. $55.00 cad $82.00 gbp £47.00 FLAT40 ISBN 9788410290068 u.s. $45.00 cad $68.00 gbp £38.00 ISBN 9783735609816 u.s. $60.00 cad $90.00
Pbk, 8 x 11 in. / 272 pgs / 175 b&w. Slip, pbk, 9.25 x 12.75 in. / 96 pgs / 4 color / 35 b&w. Pbk, 6.25 x 9 in. / 121 pgs / 67 color / 13 b&w. Clth, 9.25 x 12 in. / 160 pgs / 101 duotone.
February/Photography April/Photography June/Photography March/Photography
Territory: NA ONLY Territory: NA UK Territory: NA UK Territory: NA LA ME

German biologist and photographer Jochen Lempert (born 1958) captures the subtle Exquisitely packaged in softcover binding sewn with vegetable thread and housed in a Pablo Ortiz Monasterio (born 1952) offers a photographic perspective of Mexico City In Hutong 101 Photos, Xu Yong (born 1954) traces the history of the traditional residential
wonders of animals, plants and microorganisms. His images are reminiscent of wildlife delicate ebony slipcase, Txema Yeste’s (born 1972) black-and-white photographs of pine that captures its pre-Hispanic and colonial past through its surviving archaeological and district of Beijing, with its centuries-old buildings and myriad narrow alleyways
photography but also achieve a poetic depth, suffused with curious delight in capturing a needles play with shadows and textures, revealing unnoticed details and substituting the architectural remnants. Tenochtitlan, once a metropolis of a different kind, now stands as known as “Hutongs.” Many of these neighborhoods have since fallen victim to radical
fleeting moment of nature for eternity. needles’ toughness for a serene charm. a modern city, layered over the remains of an ancient civilization. redevelopment and have been demolished.

Adrian Burns: Pareidolia Rob McDonald: Studio Notes Cedric Fernández: Steidlville
Edited by Denise Wendel-Poray, Éric Garandeau. Dawit L. Petros: Prospetto a Mare My Time with Cy Text by Monte Packham.
Edited with text by Karen Irvine, Dawit L. Petros. Foreword by
Edited with text by Rob McDonald. Text by Sam Stephenson,
SKIRA PARIS Natasha Egan. Text by Lindsay Caplan, Teresa Fiore, Ruth Iyob, STEIDL
Thierry Greub.
ISBN 9782370742605 u.s. $45.00 cad $68.00 Cristina Lombardi-Diop, Onur Öztürk. ISBN 9783969994009 u.s. $30.00 cad $45.00
Hbk, 9.5 x 12 in. / 192 pgs / 150 color. WALTHER KÖNIG, KÖLN Pbk, 8 x 9.75 in. / 104 pgs / 90 b&w.
March/Photography MOUSSE PUBLISHING May/Photography
ISBN 9783753307114 u.s. $30.00 cad $45.00 FLAT40
Territory: NA LA ISBN 9788867496525 u.s. $40.00 cad $60.00 Territory: NA ONLY
Pbk, 7.5 x 9.75 in. / 88 pgs / 67 b&w.
Hbk, 8 x 10.5 in. / 156 pgs / 54 color / 34 b&w.
February/Photography
February/Photography
Territory: NA LA ASIA AU/NZ AFR
Territory: NA LA AFR ME
More than simple snapshots of reality, these images of natural phenomena by Mexican Steidl is one of the world’s most renowned printers and publishers—but what does it look
photographer Adrian Burns (born 1972) are reworked by the artist, who adds geometric Through various strategies, Eritrean artist Dawit L. Petros (born 1972) probes the like behind closed doors? Over weeks, Cedric Fernández photographed every corner at
For the final 20 years of his life, Cy Twombly (1928–2011) often returned to his hometown
shapes using graphite or acrylic varnish. The results lean toward abstraction, delivering propaganda of Italian colonialism in Eritrea, Ethiopia, Libya and Somalia; the technologies Steidlville, as Steidl is affectionately called by those who know it best. Also included in
of Lexington, Virginia. Rob McDonald, one of his acquaintances there, made photographs
visions that are more akin to dreams than reality. used to dominate occupied countries; and the imperfect ways in which these histories are the book is a series of archival photos documenting Gerhard Steidl’s first screenprinting
inside Twombly’s final storefront studio, as well as at the site of Black Mountain College
inscribed in public and private memory. workshop.
where Twombly created some of his earliest work.

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Candid and conceptual portraiture Photobooks and documentary photography projects SPECIALTY ■ PHOTOGRAPHY

The Opéra: Volume XII Jörg Colberg: Fault Lines Hans Hansen: Analog Jan von Holleben & Monte
Ætherum Text by Judith Gellér, Milos Kallai, Domonkos Németh, Ákos Edited by Hans Hansen. Text by Reinhard Braun, Florian
Ebner, Gottfried Jäger, Maren Lübbke-Tidow, Esther Ruelfs,
Packham: Rooms for Dessert
Edited by Matthias Straub. Polgárdi, Andi Schmied, Liza Szabó.
Adrian Sauer. STEIDL
KERBER KERBER ISBN 9783969993996 u.s. $40.00 cad $60.00
ISBN 9783735610003 u.s. $40.00 cad $60.00 SPECTOR BOOKS Hbk, 10.25 x 7 in. / 56 pgs / 24 color.
ISBN 9783735609922 u.s. $55.00 cad $82.00
Pbk, 9.5 x 12.25 in. / 224 pgs / 204 color. Pbk, 7 x 9.5 in. / 96 pgs / 44 duotone. ISBN 9783959058056 u.s. $50.00 cad $75.00 May/Childrens/Photography
March/Photography March/Photography Hbk, 9.5 x 11.75 in. / 152 pgs / 137 color. Territory: NA ONLY
Territory: NA LA ME Territory: NA LA ME March/Photography
Territory: NA LA AFR ME
As if fueled by the divine energy of the ether, the newest edition of The Opéra magazine Following decades of relative unity, Europe is once again seeing an intensification of Hans Hansen’s (born 1940) Analog project, which the artist has been engaged with A child always has room for dessert. But have you ever seen actual rooms for dessert?
explores the secret thoughts and desires of human beings. Ætherum unites work by nationalism. In Fault Lines, Jörg Colberg (born 1968) examines the effects of such since the 1990s, comprises a more or less complete document of all the equipment, Embark on this delicious adventure, full of giant gummy bears, mountains of jelly and
established photographers and up-and-coming talents, with a special focus on female processes in Hungary, where the authoritarian transformation of state and society has utensils and materials that he has needed and accumulated over his many years as a cream, a popcorn ocean and more, brought to life in photo collages and rhymes by
photographers who defy the fetishization of nudity. been underway for more than a decade. photographer making analog prints. children’s book team Jan von Holleben and Monte Packham.

Sophie Huguenot: Television Federico Garolla: Photographs Peter Fischli: Tuesday till Sunday Jiří Thýn: From Now On Everything
Artistic Research into the Staging of News on 1948–1968 Text by Hao Jingfang, Yalun Li, Feiyue Chen, John Kelsey, Will Be Beautiful
Television 2011–2019 Edited by Isabella Garolla Andreas Selg.
Edited by Jiří Thýn, Adéla Svobodová, Jiří Ptáček. Text by
Text by Nicolas Eigenheer, Mirjam Fischer, Sophie Huguenot, Jiří Ptáček.
SILVANA EDITORIALE WALTHER KÖNIG, KÖLN
Bernard Rappaz, Jan Wenzel.
ISBN 9788836659425 u.s. $40.00 cad $60.00 ISBN 9783753307299 u.s. $45.00 cad $68.00 FLAT40 SPECTOR BOOKS/ARTMAP
SPECTOR BOOKS Hbk, 7.75 x 9.75 in. / 280 pgs / 315 b&w. Pbk, 5.5 x 8 in. / 280 pgs / 100 color / 100 b&w.
ISBN 9783959058476 u.s. $40.00 cad $60.00
ISBN 9783959058544 u.s. $60.00 cad $90.00 March/Photography April/Artists’ Books/Art
Hbk, 6.75 x 8.75 in. / 206 pgs / 130 color.
Pbk, 5.5 x 8.5 in. / 592 pgs / 485 color. Territory: NA LA ASIA AU/NZ AFR ME Territory: NA LA ASIA AU/NZ AFR
March/Photography
March/Photography Territory: NA LA AFR ME
Territory: NA LA AFR ME In the golden age of illustrated magazines, Federico Garolla (1925–2012) was Italy’s For his first major solo exhibition in China, Peter Fischli (born 1952) creates a spiraling
leading lifestyle photographer. His high-fashion photographs and scenes of everyday life floor pattern made of city photos from an unknown source. Fischli decided to turn what Czech post-conceptual photographer Jiří Thýn (born 1977) responds to the rise of
For over a decade, photographer Sophie Huguenot (born 1982) observed the daily news reflected the liveliness and complexity of postwar society, as well as its optimism and would be an ordinary exhibition catalog into an artist’s book, offering an uncanny yet augmented images by repurposing existing photographs into his own. This time, he
production of RTS Info, a Swiss broadcaster. She focused her attention on the in-between economic growth. curious view of city life. recycles his own work to create a montaged photobook of past and present images
spaces in the fabric of television production and on the banality of day-to-day work. combined.

Antanas Sutkus: Lina Scheynius: Suwon Lee: Mr. & Mrs. Mika Sperling:
The Sweet Life [of Nomenklatura] My Photo Books 15 Text by Horacio Fernández. I have done nothing wrong
Edited with text by Thomas Schirmböck. Text by Mingailė RM/GOMA EDITORA
JBE BOOKS ACTES SUD
Jurkutė, Vytautas Landsbergis, Gintautas Mažeikis.
ISBN 9782365681018 u.s. $25.00 cad $38.00 ISBN 9788410290037 u.s. $40.00 cad $60.00 ISBN 9782330194888 u.s. $35.00 cad $53.00 gbp £30.00
STEIDL Pbk, 6 x 8 in. / 64 pgs / 19 color / 29 b&w. gbp £34.00 FLAT40 Flexi, 8.25 x 11.75 in. / 156 pgs / 39 color.
February/Photography Pbk, 4.5 x 6.5 in. / 376 pgs / 49 color / 134 b&w. March/Photography
ISBN 9783969992982 u.s. $75.00 cad $110.00
Territory: NA LA ASIA AU/NZ April/Photography Territory: WORLD excl UK FR BE CH
Clth, 9.25 x 10.5 in. / 320 pgs / 87 color / 175 b&w.
Territory: NA UK
March/Photography
Territory: NA ONLY
For several days, Lina Scheynius (born 1981) was invited to work in director Ingmar In rescuing photographs inherited from her paternal grandparents, Suwon Lee (born 1977) In this intimate investigation, German-born, Russia-based photographer Mika Sperling
For 25 years, Antanas Sutkus (born 1939) photographed the Communist Party of Bergman’s house on the Swedish island of Fårö. This 15th gem in the My Photo Books traces two lives, from youth to adulthood, in 20th-century Korea. This two-sided book (born 1990) confronts her trauma through three visual stories: a walk between her
Lithuania. The Sweet Life combines revealing, contradictory images of the inner life of collection brings together her newest intimate photographic studies, all made in a single functions as both a family heirloom and a shrine to the art of vernacular photography. birthplace and that of her abusive grandfather; a family album where the portraits of the
communism with the glitz with which the party celebrated itself. location for the first time. attacker are meticulously cut out; and an imagined conversation between Sperling and
the deceased culprit.

Ingrid Pollard: Bertrand Cavalier: Permanent Concern André Viking: Ducati Corse 2024
Hasselblad Award 2024 Edited by Bertrand Cavalier. Hello "Soul Mate" Official Yearbook
Edited with text by Stefan Jensen, Dragana SPECTOR BOOKS Edited by Jason Fulford. SILVANA EDITORIALE
Vujanović Östlind. ISBN 9788836658657 u.s. $60.00 cad $90.00
ISBN 9783959058032 u.s. $40.00 cad $60.00
J&L BOOKS Hbk, 11.5 x 11.5 in. / 208 pgs / 300 color.
WALTHER KÖNIG, KÖLN Pbk, 7.75 x 10.5 in. / 120 pgs / 41 b&w.
March/Photography ISBN 9780999365564 u.s. $40.00 cad $60.00 March/Popular Culture
ISBN 9783753306957 u.s. $55.00 cad $82.00 FLAT40 gbp £34.00 Territory: NA LA ASIA AU/NZ AFR ME
Territory: NA LA AFR ME
Hbk, 10.25 x 10.25 in. / 116 pgs / 49 color / 38 b&w. Hbk, 9.6 x 6.5 in. / 96 pgs / 46 color.
February/Photography May/Photography
Territory: NA LA ASIA AU/NZ AFR Territory: WORLD
On the streets of Amsterdam, Bertrand Cavalier (born 1989) photographs ordinary Relive all of Ducati’s successes in the MotoGP and WorldSBK championships with the
The 2024 Hasselblad Award goes to British photographer Ingrid Pollard (born 1953), a occurrences—from a plastic table to a brick wall or a girl skipping rope—on a When Danish artist André Viking (born 1989) was a child, his father, an amateur Ducati Corse 2024 Official Yearbook. Spectacular images of the highest quality showcase
member of Autograph, the Association of Black Photographers. She is best known for her smartphone in full zoom, rendering them in monochrome laser prints as “foreign objects” bodybuilder, was imprisoned. In his absence, family photo albums took on a tender Ducati teams and riders, including Francesco Bagnaia, Enea Bastianini, Álvaro Bautista
images of Black figures in pastoral landscapes, exploring the intersection of history, race amid the mishaps of urban planning. and heartbreaking role. Hello “Soul Mate” presents a selection of these photographs, and Nicolò Bulega.
and geography. accompanied by love letters written from prison by his father.

158 ­­artbook.com artbook.com 159

Cultural criticism and theory Museum studies, curatorial studies and art history SPECIALTY ■ ART HISTORY & WRITING

The World through AI On the intersections of art and artificial intelligence, with contributions
from Nick Montfort, Antonio Somaini and Quentin Bajac
Nicolas Trembley: My Craft The Ultimate Museum Book
Exploring Latent Spaces Text by Nicolas Trembley. Conversation between Nicolas 33 Keys for Sustainability
Contemporary generative artificial intelligence arouses astonishment, fear, enthusiasm or Trembley, Véronique Bacchetta. Text by Alfons Martinell, Sarah Sutton.
Edited with text by Antonio Somaini. Foreword by
Quentin Bajac. Text by Ada Ackerman, Noam Elcott, Tim skepticism as the technology develops at an accelerated pace in all areas of culture and
AFTER 8 BOOKS LA FÁBRICA/ACCIONA CULTURA
Trombley, et al. science. Networks of artificial neurons understand the world as a code: using the latent
ISBN 9782492650178 u.s. $35.00 cad $53.00 ISBN 9788410024458 u.s. $40.00 cad $60.00 gbp £34.00
framework of mathematical matrices, they teach themselves to produce images, sounds and Pbk, 8 x 11 in. / 192 pgs / 200 color / 100 b&w.
JBE BOOKS/JEU DE PAUME text in order to think, write and speak. Hbk, 9.5 x 11.75 in. / 160 pgs / 90 color.
June/Curatorial & Museum Studies/Art Criticism & Theory May/Curatorial & Museum Studies
ISBN 9782365681087 u.s. $45.00 cad $68.00 The World through AI explores the ways in which contemporary artists have engaged with Territory: NA LA ASIA AU/NZ AFR ME Territory: WORLD Excl LA Spain
Hbk, 8.25 x 10.5 in. / 288 pgs / 180 color / 40 b&w. these artificial intelligences over the last decade, with both critical and experimental aims.
June/Art With contributions from artists working in digital media alongside essays by scientists and
Territory: NA LA ASIA AU/NZ Swiss curator Nicolas Trembley (born 1965), head of the Syz Collection in Geneva, Based on data collected from hundreds of museums, this book is the go-to manual
cultural theorists, this comprehensive guide looks at all aspects of this new frontier, from proposes a critical analysis of display methods in art history. From Japanese folk art to for museum professionals looking for practical sustainability measures. It includes
“analytical AI” to “generative AI.” contemporary ceramics, Trembley’s research is insightful and stimulating, unconventional worksheets, a list of environmental certifications to be acquired and the 10 steps to
Artists include: Christian Marclay, Trevor Paglen, Hito Steyerl, Julian Charrière, Alexia and generous. launch a basic sustainability strategy.
Achilleos, Theopisti Stylianou-Lambert, Nora Al-Badri, Patsy Baudoin, Nick Montfort.

Artificial vs. Intelligence Breaking Free: Queer Temporality Contingent Agencies Henry Martin: An Active Ear
Edited by Jack Thomas Taylor. and Collaborative Art Inquiring Into the Emergence of Atmospheres Selected Writings, Conversations, and
A Guide to the Radical Power of Self-Exclusion Edited with text by Alex Arteaga, Nicolaus Gansterer. Text by Correspondences
SILVANA EDITORIALE
Edited with introduction by Lieven De Boeck. Text by Bradley Karen Barad, Arno Böhler, Emma Cocker, et al. Edited by Emanuele Guidi, Egidio Marzona. Text by Lisa
ISBN 9788836655472 u.s. $35.00 cad $53.00 Andreani, Jordan Carter, Luca Cerizza, Allison Grimaldi
Pbk, 8.75 x 9.5 in. / 136 pgs / 70 color. Wester, Antony Hudek, Kurt Vanbelleghem.
HATJE CANTZ Donahue, Emanuele Guid, Henry Martin, Elisabetta Rattalino.
March/Cultural Theory ISBN 9783775759038 u.s. $50.00 cad $75.00
SET MARGINS’ PUBLICATIONS
Territory: NA LA ASIA AU/NZ AFR ME Pbk, 7 x 9.75 in. / 400 pgs / 130 color. SPECTOR BOOKS
ISBN 9789083449838 u.s. $28.00 cad $42.00
Hbk, 7.75 x 10.5 in. / 144 pgs / 100 color. February/Art Criticism & Theory ISBN 9783959058223 u.s. $45.00 cad $68.00
April/Art Territory: NA LA Hbk, 6.5 x 9.5 in. / 511 pgs / 70 color.
Curator and researcher Jack Thomas Taylor collects various case studies highlighting Territory: NA LA ASIA AFR ME March/Art Criticism & Theory
This publication is the culmination of the four-year artistic research project Contingent Territory: NA LA AFR ME
the contradictions within the concept of “artificial intelligence,” and discusses the little-
Agencies, which set out to define what makes an environment intangible. Both human
publicized topic of Artificial Generative Intelligence, a “strong” form of AI that aims to Based on an idea by Hélio Oiticica and brought to life by Lieven De Boeck, Breaking Free This is the first publication dedicated to the work of writer, critic, curator and translator
and nonhuman agencies have the power to affect all other components and thus create a
replicate humanity’s broad cognitive abilities. offers a dynamic fusion of artmaking tools, including stitching, painting and performing, Henry Martin (1942–2022), mapping his relationships and experiences across continents
specific yet ephemeral experience.
to explore queer identity. and with different radical artistic movements, including Fluxus and Arte Povera.

Seasonal Matters Rural Relations Sowing Unrest Akseli Gallen-Kallela: Picturing Finland Let It Grow Again
(Field)notes on Rhythms, Rituals and Cohabitation Biennale Matter of Art 2024 Edited with text by Stella Rollig, Arnika Groenewald-Schmidt. The Tree in Art
Edited by Anastasia Eggers, Ils Huygens. Text by Claire Chassot, Edited by Katalin Erdödi, Aleksei Borisionok. Text by Kateryna Text by Charlotte Ashby, Frances Fowle, Timo Huusko, Marja Edited with text by Miroslav Haľák. Preface by Aleš Seifert,
Jonathan De Maeyer, Anastasia Eggers, Ciel Grommen, Pia Aliinyk, Ramona Duminicioiu, eeefff, Fernando Garcia-Dory, Lahelma, Anne Pelin, Salla Tiainen, Anu Utriainen, Anna-Maria Stella Rollig. Text by Peter Megyeši, Josef Fulka, et al.
Jacques, Carolien Lubberhuizen, Ioana Lupascu, et al. Tamás Kaszás, Katerina Kolárová, Kateryna Lysovenko, et al. von Bonsdorff, Tuija Wahlroos.
KANT
ONOMATOPEE SPECTOR BOOKS WALTHER KÖNIG, KÖLN ISBN 9788074374289 u.s. $70.00 cad $105.00
ISBN 9789083362182 u.s. $32.00 cad $48.00 ISBN 9783959058650 u.s. $20.00 cad $30.00 ISBN 9783753307251 u.s. $49.95 cad $74.95 FLAT40 Hbk, 7.5 x 9.5 in. / 480 pgs / 196 color / 17 tritone.
Pbk, 5 x 7.5 in. / 304 pgs / 72 color / 17 b&w. Pbk, 5.5 x 8.25 in. / 163 pgs / 36 color. Hbk, 9.5 x 12.25 in. / 172 pgs / 95 color / 15 b&w. August/Art/Nature
February/Cultural Theory/Nature March/Artists' Writings February/Art Territory: NA LA ASIA AU/NZ AFR
Territory: NA LA ASIA AFR Territory: NA LA AFR ME Territory: NA ONLY
From the Dutch landscape painters to the French Impressionists, and from Piet Mondrian
Seasonal Neighbours is an artist-run group based in Europe, centered around communal How do people in rural areas organize to effect change in society? Sowing Unrest is Finnish painter Akseli Gallen-Kallela (1865–1931) was a national hero and international to Joseph Beuys, Let It Grow Again weaves together artworks from an extraordinary array
agricultural practices. This volume of collected case studies gathers different nuances of published on the occasion of the third Biennale Matter of Art in Prague, and unites two star during his lifetime. He made paintings and graphic works bridging Finnish culture, of movements to trace the life of the tree through centuries of art history.
the agricultural realities of working side by side with farmers, seasonal workers, plants curatorial threads into one discourse: the legacy of worker’s movements and a history of myth and landscape with influences from artistic centers such as Paris, Berlin, London
and crops. rural change. and Vienna.

Algoffshore Strangers Need Strange Titian & Save Venice Ragamala

The Art of Automating Tax Evasion Moments Together Conserving Six Masterpieces Pictures for All Senses
Text by Pekko Koksinen. Interviews by Melle Smets, Lora Verheecke. Designing Interaction for Public Spaces Edited by Davide Gasparotto, Gabriele Matino. Text by Sonika Soni, Annette Bhagwati, Johannes Beltz.

SET MARGINS’ PUBLICATIONS

Text by Mouna Andraos, Melissa Mongiat, Eva Schindling. MARSILIO ARTE HATJE CANTZ
ISBN 9789083449821 u.s. $25.00 cad $38.00 SET MARGINS' PUBLICATIONS ISBN 9791254632666 u.s. $60.00 cad $90.00 gbp £51.00 ISBN 9783775758413 u.s. $70.00 cad $105.00
Clth, 5.25 x 8.5 in. / 172 pgs / 53 b&w. Hbk, 9.5 x 11 in. / 216 pgs / 235 color. Hbk, 9.5 x 12.5 in. / 76 pgs / 24 color.
ISBN 9789083449852 u.s. $30.00 cad $45.00
February/Cultural Theory July/Art January/Art
Pbk, 6.75 x 10 in. / 240 pgs / 202 color.
Territory: NA LA ASIA AFR ME Territory: WORLD Territory: NA LA
April/Art/Architecture & Urban Studies
Territory: NA LA ASIA AFR ME
During his meteoric career, Titian (1488/90–1576) created some of the most revolutionary Ragamala paintings are 16th- and 17th-century devices that illustrate classical pieces
The Algoffshore series of flowcharts by artist collective Rybn.org presents five ready-
Mouna Andraos and Melissa Mongiat, cofounders of the Montreal collective Daily tous les paintings of his time. This book draws on the surprising discoveries revealed during of music and poetry. This book explains the origins and significance of these Indian
to-use strategies for corporations to evade taxes and other social or environmental
jours, invite fellow artists, urban theorists, policymakers and educators to take a joyful Save Venice’s conservation campaigns to offer a novel approach to the study of the miniature paintings, presenting selected examples and making their raga melodies
obligations. At the same time, these cynical diagrams document how contemporary
approach to building resilient urban communities and re-enchanting public space. Renaissance giant’s creative process and technique. audible through QR codes.
financial engineering allows multinationals and enterprises to optimize profits and
maximize anonymity.

160 ­­artbook.com artbook.com 161

BACKLIST HIGHLIGHTS INDEX

3-D Doings 43
Burns, Adrian
Butler, Octavia E.
156
101
Dwiggins, W.A. 72 Hashish Films of Customs Officer
Henri Rousseau and
Lynam, Ian
Lynch, Peter
41
136
Abdulla, Danah Ebtekar, Ala 149 Tatyana Joukof Shuffles Lyon, Danny 117
129
Calle, Sophie 85 Efflatoun, Inji 111 the Cards, The 65
Abercrombie, Gertrude
Abney, Nina Chanel
17
78
Calligraphic Menagerie 72 Eicher, Margret 148 Hastreiter, Kim 9 M aclean, Rachel 153
Camper Together 125 Emery, Benoit Pierre 34 Head, Henry O. 117 Mandelbaum, Stéphane 94
Abramović, Marina 85, 152
Campins, Alejandro 142 Emin, Tracey 81 Heritage in Focus 123 Manzar 127
af Klint, Hilma 4–5
Caravaggio 24 Employee, The 64 Hernández, Judithe 95 Mapping the Moving Image 153
African Art: The ARAK
Carré: A Vintage Scarf Epstein, Mitch 56 Himid, Lubaina 95 Marambio, José Giribás 157
Collection 155
Collection 34 Errant Sound Reader 109 Hinderer Cruz, Max 67 Marker, Chris 48
Agha, Anila Quayyum 103
Casablanca Art School 108 Evelyn, Pam 144 Hirst, Damien 101 Marsh, Lynne 152
Ahmed, Faig 148
Case, Daniel 122 Everett, H.D. 62 Hockney, David 110 Martin, Henry 161
Alaïa, Azzedine 125
Castoro, Rosemarie 99 Extraordinary Art Dealers 71 Hong, Yu 95 Matsuyama, Tomokazu 142
Aldridge, Miles 73
Castro, Lia D 143 Hovsepian, Sheree 93 McCarthy, Paul 151
Algoffshore
Almere Architecture City
160
136
Cattelan, Maurizio 11, 73 Face Magazine, The 36 How to Not Fuck Up Your Art- McDonald, Rob 157
Cavalier, Bertrand 158 Fairey, Shepard 39 World Happiness Vol. 2 68 McMillian, Rodney 100
Also an Ad Agency 135
AN INDIGENOUS PRESENT​ BLACK IVY: FRED HERZOG: Celan, Paul 114 Fantastic Orgy 66 How We Practice 112 Melkamzer, Henok 97
FASHIONED BY SARGENT​ American Photography 120
Chains 126 Fayez, Arash 150 Hughes, Margaret Watts 53 Memorabile: Ipermoda 125
ISBN 9781636811024 A REVOLT IN STYLE​ ISBN 9780878468942 MODERN COLOR​ Anam 63
Chan, Theseus 151 Fernández, Cedric 157 Hugo, Victor 20 Mexico City’s Sixth
Hbk, u.s. $75.00 cad $108.50 gbp £67.00 ISBN 9781909526822 Clth, u.s. $65.00 cad $94.00 gbp £65.00 ISBN 9783775741811 Anatomy of the Architectural
DelMonico Books/BIG NDN Press Chanel, Coco 35 Fijałkowski, Stanisław 145 Huguenot, Sophie 158 Architecture Biennial 137
Hbk, u.s. $49.95 cad $64.95 MFA Publications, Museum of Fine Hbk, u.s. $55.00 cad $79.00 Book, The 131
Territory: WORLD Cheng, Carl 86 Finch, Claire Star 114 Huysmans, Joris-Karl 65 Meyer, Heiner 141
Reel Art Press Arts, Boston Hatje Cantz Anker Aurdal, Synnøve 148
Chesnier, Claire 144 Fire Island Modernist 29 MILES 134
Territory: NA LA ASIA AFR ME Territory: NA LA EUR ASIA AU/NZ AFR ME Territory: NA LA Anselmo, Giovanni
Apaloosa Estudio de
141
Chromotherapia 11 Fischli, Peter 159 I llusions 154 Mission and Commission 109
Ciné-Passion 130 FitzGerald, Kenneth 129 In Medias Res #3 153 Mogensen, Paul 145
Arquitectura 136
Ciuchta, Jagna 150 Fleming, Brown 125 In the Studio 87 Monasterio, Pablo Ortiz 157
Apollonio, Marina 141
Clarke, Brian 151 Folds 154 Ingram, Catherine 71 Monkman, Kent 18
Arab Design Now 127
Clayton, Lenka 90 Foreman, Richard 52 Inside Florence 25 Monteiro, Paulo 144
ARCH+: The Business of
*Co-* Program for Forms of Awakening 26 Invader 110 Montmare, Florence 156
Architecture 137
Graphic Design, A 40 Fracture 41 Ismailova, Saodat 153 Morgesons, The 62
Architectural Image-Making
Colberg, Jötg 158 Fragments and Coherence 136 Istlerová, Clara 130 Morrison, Jasper 33
in 1980s New York 130
Colón, Gisela 146 Framed: American Urban It’s About Time 57 Moses, Serubiri 67
Architecture Connecting 131
Coltrane, Alice 16 Photography 121 Italian Futurism, 1909–1944 107 Mothering Myths 7
Argentina 154
Comșa, Radu 145 Frank, Robert 50 Mucha, Alphonse 3
Armstrong, David
Artificial vs. Intelligence 160
55
Conspiratorial Design 129 Freire, Mela Dávila 109 Japan Moderne 73 Mudrak, Christl 150
Contingent Agencies 161 Frescobaldi, Livia 25 Jarman, Derek 49 Munch, Edvard 22
Artist, American 101
Contreras Lomas, Paloma 96 Frey, Alexander M. 66 Johns, Jasper 113 Muntean, Markus 142
Asian Bronze 127
Courtplay 152 Fuck Me Judith 114 Johnson, Rashid 44 Murano Glass and the Venice
Astonishing Things 20
COUSIN Collective 47 Fuller, Loïe 53 Joskowicz, Claudia 153 Biennale 134
Atoui, Tarek 152
Cragg, Tony 146 Judith Namala 67 Muromtseva, Katya 143
Ayón, Belkis 93
Cunningham, Merce 70 Gallen-Kallela, Aksseli 161 Jungwirth, Martha 144
GARRY WINOGRAND: HAYAO MIYAZAKI​ HILMA AF KLINT: JAMES TURRELL: Babinet, Rémi CZ2 136 Gardens of Sri Lanka 27 Nave, Amir 142
135
Garolla, Federico 158 Kafka, Franz 113 Nebula 154
WINOGRAND COLOR​ ISBN 9781942884811
Hbk, u.s. $55.00 cad $74.00 gbp £44.00
PAINTINGS FOR THE FUTURE​ A RETROSPECTIVE​ Bachardy, Don
Ballo & Ballo
94
126
Da Corte, Alex 101 Gatherers, The 88 Kertész, André 124 New Interior, The 132
ISBN 9781936611188 ISBN 9780892075430 ISBN 9781636810799 Danz, Mariechen 149 Genta, Gérald 143 Kiefer, Anselm 140 NewLamp 126
Clth, u.s. $85.00 cad $125.00 gbp £72.00 DelMonico Books/Academy Museum of Hbk, u.s. $65.00 cad $87.00 gbp £55.00 Clth, u.s. $85.00 cad $123.00 gbp £76.00 Barcelona 122
Dao, André 63 Gérôme, Jean-Léon 107 Kirkeby, Per 147 Nkanga, Otobong 79
Twin Palms Publishers Motion Pictures Guggenheim Museum Publications Los Angeles County Museum of Art Barlow, Phyllida 86–87
Day for Night: Gertsch, Franz 141, 155 Kostianovsky, Tamara 148 Nocturnalities 128
Territory: WORLD Territory: WORLD Territory: WORLD Territory: WORLD Bas, Hernan 142
New American Realism 155 Ghenie, Adrian 94, 151 Kühne, Dafi 130 Noe, Christoph 68
Baselitz, Georg 140
De Keyser, Raoul 140 Ghotmeh, Lina 131 Kuiger, Ruud 134 Northern Lights 105
Basilico, Gabriele 157
de Saint Phalle, Niki 103 Gibson, Jeffrey 12 Kuramata, Shiro 125 Not Yet Gods 64
Basquiat, Jean-Michel 98
Death Design Data 128 Gibson, Mark Thomas 100 Kurland, Justine 84
Bausch, Pina
Bechara, Tony
152
97
Design History Reader 128 Gielen, Pascal 128 Kurokawa, Kisho 70 OASE 137
Designerly Ways of Knowing 129 Glackens, Louis M. 91 Kyung-Ja, Chun 142 Obrist, Hans Ulrich 110
Benjamin, Jasmine 119
Devasher, Rohini 149 Glajcar, Angela 147 Ocean 59
Beran, Zdeněk
Bergman, Anna-Eva
150
140
Di Giovanni, Matteo 123 Glicksman, Hal 109 Lang, Andréas 157 On Architecture and the
Diabelli 66 Gober, Robert 90 Lang, Wes 92 Greenfield 137
Bilal, Wafaa 100
Discursive Architecture 136 Gomez, Sayre 95 Large, Brian 153 One or Two 62
Bishop, Claire 70
Djuna 64 Goodman, Catherine 144 Lartigue, Jacques Henri 124 Opéra, The 158
Blu’s Hanging 63
Domesticity 65 Gorky, Arshile 111 Lasch, Pedro 96 Orupabo, Frida 93
Blum, Andrea 104
Drawn to MoMA 42 Greenhouse 155 Lauren, Ralph 34 Other Voice, The 114
Boie, Gideon 136
Dream Machines 154 Grigely, Joseph 112 Le Va, Barry 146
Bourgeois, Louise
Bradford, Mark 150
82
Dream On: Berlin, the 90s 122 Guibert, Hervé 54 Lee, Suwon 159 P ackham, Monte 159
dreams of the oppressed Guillemain, Eric James 118 Lempert, Jochen 156 Pacquit, Arlette 67
Bramanti, Carlo 129
are the nightmares of Gulgee, Amin 146 Lenoir, Alexandre 143 Peake, Tony 49
Brandner, Leonie 104
the colonial world, The 67 Gutiérrez, Cynthia 96 Leonilson 150 Pélassy, Bruno 147
Breaking Free 160
DRIFT 103 Let It Grow Again 161 Peng, Lü 111, 142
KEITH HARING: LET’S BECOME FUNGAL!​ PEDRO PÁRAMO​ VASILY KANDINSKY: Brooks-Motl, Hannah
Brown Jr., Elliott Jerome
60
118
Ducati Corse 2024 159 Hammons, David 80 Linder 84 Penone, Giuseppe 141
ART IS FOR EVERYBODY​ ISBN 9789493246287 ISBN 9788493442606 AROUND THE CIRCLE​ Duran, Robert 145 Hanania, Estelle 152 Line, Form, Qi 108 Petros, Dawit L. 156
Pbk, u.s. $29.95 cad $42.95 Pbk, u.s. $12.95 cad $17.95 Bruhin, Anton 151
ISBN 9781636810935 ISBN 9780892075591 Duras, Marguerite 15 Hansen, Hans 159 Long, Christopher 132 Photobook Conversations 71
Valiz RM Buhlungu, Simnikiwe 149
Hbk, u.s. $60.00 cad $84.00 gbp £52.00 Hbk, u.s. $50.00 cad $71.00 gbp £45.00 Dutch Designers Yearbook Hartung, Hans 140 López-Jensen, Matthew 156 Picabia, Francis 106
Territory: NA LA ME Territory: NA UK ASIA AFR ME incl PR Burger, Hermann 66
DelMonico Books/The Broad Guggenheim Museum 2024–25 137 Lương, Trần 150 Picasso, Pablo 70, 106
Burgin, Christine 51–53
Territory: WORLD Territory: WORLD

162 ­­artbook.com artbook.com 163

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