Com3705 Portfolio 2024
Com3705 Portfolio 2024
64889084
those ideas, or work, that are not my own, have been cited through the prescribed referencing
system which I have familiarised myself with in TL CMNALL/E/301
I have not submitted the ideas or work contained in this MODULE for any other tertiary
education credit
I have read and understood the PLAGIARISM POWERPOINT FOR UNDER-GRADUATE STUDIES
(available under ADDITIONAL SOURCES on myUnisa
I have familiarised myself with the library guides ON PLAGIARISM AND ETHICS offered by
Unisa’s library: https://libguides.unisa.ac.za/research-support/plagiarism
I have read and understood Unisa’s Policy for Copyright Infringement and Plagiarism, and I am
aware that plagiarism is punishable in terms of the Copyright Act (Act 98 of 1978) and I have read the
regulations of the University of South Africa in this respect, available online:
https://www.unisa.ac.za/static/corporate_web/Content/Apply%20for%20admission/Documents/Poli
cy_copyright_infringement_plagiarism_16November2005.pdf
STUDENT NUMBER
SIGNATURE DATE
WITNESS DATE
QUESTION 1
1.1 Introduction 1
1.2 Globalization 1
1.7 Conclusion 2
QUESTION 2
2.1 Introduction 3
Mukhongo, L., Mano, W., & Chuma, W. (2023). Young African diaspora: Global African
narratives, media consumption and identity formation. Journal of African Media Studies,
15(2), 231-246.
Olajide, I.F., & Ejere, U.S. (2022). Assessment of social media on globalization of
culture: The assessment of Twitter on the globalization of culture. Global Journal of
Education, Humanities and Management Sciences, 4(2), 69-83.
Verboord, M., & Janssen, S. (2015). Internet and Culture. In International Encyclopedia
of the Social and Behavioral Sciences, 2nd edition, Vol 5, edited by J.D. Wright. Oxford:
Elsevier, 587-592.
Petrušić, D. (2021). The cultural impact of music on society with a special emphasis on
consumerism. In New Challenges to Education: Lessons from Around the World. BCES
Conference Books, 19, 138-142.
Warschauer, M., & Matuchniak, T. (2010). New technology and digital worlds: Analyzing
evidence of equity in access, use, and outcomes. Review of Research in Education,
34(1), 179-225.
Viljoen, M. (2023). Mzansi Magic: “Jerusalema” as redemptive culture. Media/Culture
Journal, 26(5). https://doi.org/10.5204/mcj.2989
Louw, P.E. (2010). Revisiting cultural imperialism, in Popular Media, Democracy and
Development in Africa, edited by H. Wasserman. Cape Town: Routledge.
Wang, D. (2008). Globalization of the Media: Does it Undermine National Cultures?
Intercultural Communication Studies, 17(2), 203-211.
Sparks, C. (2012). Media and Cultural Imperialism reconsidered. Chinese Journal of
Communication, 5(3), 281-299.
Abdurrahman, M.S. (2015). Film: Globalization and Cultural Imperialism. Proceedings of
the International Conference on Transformation in Communication. Retrieved from
https://openlibrarypublications.telkomuniversity.ac.id/index.php/icotic/article/view/5634
Crane, D. (2014). Cultural globalization and dominance of the American film industry:
Cultural policies, national film industries, and transnational film. International Journal of
Cultural Policy, 20(4), 365-382.
Ali Ibbi, A. (2013). Hollywood, the American Image and the Global Film Industry.
Cinema Journal, 3(1), 94-106.