Mla 7 Style Sheet
Mla 7 Style Sheet
Franke, Damon. Modernist Heresis: British Literary History, 1883-1924. Columbus: Ohio
State UP, 2008. Print.
Borroff, Marie. Language and the Poet: Verbal Artistry in Frost, Stevens and Moore.
Chicago: U of Chicago P, 1979. Print
---, trans. Pearl. New York: Norton, 1977. Print.
Broer, Lawrence R., and Gloria Holland. Hemingway and Women: Female Critics and the
Female Voice. Tuscaloosa: U of Alabama P, 2002. Print.
Author 1, et al. Title of Book. Place of Publication: Publisher, Year of Publication. Medium.
Plag, Ingo, et al. Introduction to English Linguistics. Berlin: Mouton, 2007. Print.
Book in a Series:
The series name is usually added after all the usual information.
Neruda, Pablo. Canto General. Trans. Jack Schmitt. Berkeley: U of California P, 1991. Print.
Latin Amer. Lit. and Culture 7.
“Ginsburg, Ruth Bader.” Who’s Who in America. 62nd ed. 2008. Print.
In case of a rare and specific reference book or one that appeared in only one edition, give a
full-length entry, excluding page numbers.
Allen, Anita L. “Privacy Health Care.” Encyclopedia of Bioethics. Ed. Stephen G. Post. 3rd
ed. Vol. 4. New York: Macmillan-Thompson, 2004. Print.
Borges, Jorge Luis. Forword. Selected Poems, 1923-1967. By Borges. Ed. Norman Thomas
Di Giovanni. New York: Delta-Dell, 1973. xv-xvi. Print.
A Work in an Anthology:
Author. “Title of Work.” Editor’s Name(s). Title of Collection. Edition. Place of Publication:
Publisher, Year of Publication, Pages. Medium.
Bordo, Susan. “The Moral Content of Nabokov’s Lolita.” Aesthetic Subjects. Ed. Pamela R.
Matthews and David McWhirter. Minneapolis: U of Minnesota P, 2003. 125-52. Print.
An Anthology:
Editor’s Name, Role. Title of Anthology. Place of Publication: Publisher, Year of Publication.
Medium.
Kepner, Susan Fulop, ed. and trans. The Lioness in Bloom: Modern Thai Fiction about
Women. Berkeley: U of California P, 1996. Print.
Magazine Article:
Author. “Title of Article.” Title of Publication Day Month Year: Pages. Medium.
McEvoy, Dermot. “Little Books, Big Success.” Publishers Weekly 30 Oct. 2006: 26-28. Print.
Newspaper Article:
If an edition is named on the masthead, add a comma after the date and specify the edition.
For sections labelled with letters and paginated separately, the section letter is sometimes part
of each page number
Leave out the publications’ articles if they are national ones. Keep them in international
publications.
If the article starts on one page and then skips to another, indicate only the page number in
which the article begins and add a “plus”, +.
Author. “Title of Article.” Title of Publication Day Month Year, Edition: Pages. Medium.
Jeromack, Paul. “This Once, a David of the Art World Does Goliath Favor.” New York Times
13 July 2002, late ed.: B7+. Print.
Piper, Andrew. “Rethinking the Print Object: Goethe and the Book of Everything.” PMLA
121.1 (2006): 124-38. Print.
Book or Article with no Author Named:
Encyclopedia of Virginia. New York: Somerset, 1998. Print.
Interview:
Name of Person Interviewed. “Title of Interview.” Publication. Interviewer (if available). The
remaining info as according to the medium.
Blanchett, Cate. “In Character with: Cate Blanchett.” Notes on a Scandal. Dir. Richard Eyre.
Fox Searchlight, 2006. DVD.
ELECTRONIC SOURCES:
For web sources: MLA 7 requires the URL only if a site cannot be located otherwise. It is
then added as the last information, in <...>.
If a web publication is also available in print, it is legitimate to include the print data, hinting
at the end towards the web source and the date accessed.
Child, L. Maria, ed. The Freedmen’s Book. Boston, 1866. Google Book Search. Web. 15 May
2008.
Like Water for Chocolate [Como agua para chocolate]. Screenplay by Laura Esquivel. Dir.
Alfonso Arau. Perf. Lumi Cavazos, Marco Lombardi, and Regina Torne. Miramax,
1993. Film.
Ouellette, Marc. “Theories, Memories, Bodies, and Artists.” Reconstruction 7.4 (2007): n.pag.
Web. 5 June 2008.
France, Anatole. “Pour la Paix, pour la Liberté.” New Age 5 Sept. 1907: 297-98. The
Modernist Journals Project. Web. 5 June 2008.
American Verse Project. 16 May 2001. U of Michigan Humanities Text Initiative. Web. 21
July 2005.
Common Abbreviations:
In the list of works cited, try to abbreviate as much as possible. Else, abbreviations are not
that common in your research text (possibly in parenthetical references). Particularly time
designations, geographic names and literary classics*, e.g. by Shakespeare, Chaucer, Voltaire,
Cervantes etc, are usually abbreviated. The most common field, however, are the publisher’s
names.
* An extensive list of abbreviations can be found in the latest edition of the MLA (7 th) in
chapter 7.
Publisher’s Names:
Omit articles (A, An, The), business abbreviations (Co., Corp., Inc., Ltd.), and descriptive
words (Books, House, Press, Publishers). When citing a university press, however, always
add the abbreviation P (Ohio State UP) because the university itself may publish
independently of its press (Ohio State U).
If the publisher’s name includes the name of one person, cite the surname alone. With more
than two names of people, use only the first one.
If the publisher’s name is a common abbreviation that is likely to be known by your readers,
use the abbreviation.
In MLA style, the author’s last name and the page number(s) from which the quotation or
paraphrase is taken must appear in the text. A complete reference should appear in your works
cited list. The author’s name may appear either in the sentence or in parentheses following the
quotation or paraphrase, but the page number(s) should always appear in the parentheses, not
in the text of your sentence.
“Medical thinking, trapped in the theory of astral influences, stressed air as the
communicator of disease. . . .”
Should the ellipses be followed by a parenthetical documentation, use three spaced periods
and finish the sentence with a period after the parenthesis.
“Medical thinking, trapped in the theory of astral influences, stressed air as the
communicator of disease . . .” (Tuchman 101-02).
Direct Quotation:
It may be true that “in the appreciation of medieval art the attitude of the observer is of
primary importance...” (Robertson 136).
It may be true, as Robertson maintains, that “in the appreciation of medieval art the attitude
is of primary importance...” (136).
Paraphrase:
In his Autobiography, Benjamin Franklin states that he prepared a list of thirteen values
(135-37).
The nine grades of mandarins were “distinguished by the colour of the button on the hats
of office” (“Mandarin”).
Shakespeare’s King Lear has been called a “comedy of the grotesque” (Frye, Anatomy
237).
For Northrop Frye one’s death is not a unique experience, for “every moment we have
lived through we have also died out of into another order” (Double Vision 85).
In the same manner, dependent publication (i.e. essays, articles etc.) are shortened in
quotation marks.
Samuel Johnson admitted that Edmund Burke was an “extraordinary man” (qtd. in Boswell
2:450).