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BRM 2104 Typography

The document discusses the evolution of typography from early writing systems to modern practices, highlighting key developments such as the Phoenician and Greek alphabets, and the invention of the printing press. It emphasizes the importance of typography in conveying meaning, attracting attention, and establishing information hierarchy, while also detailing design principles and classifications of typefaces. Additionally, it covers typographic measurements, spacing, and common issues like widows and orphans in text layout.

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0% found this document useful (0 votes)
23 views34 pages

BRM 2104 Typography

The document discusses the evolution of typography from early writing systems to modern practices, highlighting key developments such as the Phoenician and Greek alphabets, and the invention of the printing press. It emphasizes the importance of typography in conveying meaning, attracting attention, and establishing information hierarchy, while also detailing design principles and classifications of typefaces. Additionally, it covers typographic measurements, spacing, and common issues like widows and orphans in text layout.

Uploaded by

wondersron
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Fundamentals to Typography

The looks of a written word are just as


important as what is it says

Another Lecture
T he Genesis
• Early Writing System
• Early humans used symbols/images to share
ideas around 25,000 B.C
• Pictographs were used primarily i.e. cave Cave Drawings
drawings
• Pictographs are symbols representing concepts
in a consistent manner
• Simplified drawings that represent objects
• Advantageous: Mesopotamia Pictograph
• ability to Communicate universally
T he Genesis….
• Phoenicians Alphabet
• Had 22 symbols around 1000 B.C.
• Symbols related to sound in the language
• People stopped memorizing thousands of
symbols
• The term “Phonetics” comes from this
concept

• Greek Alphabet
• Greeks expanded the Phoenician
alphabet
• Added vowels & named each character
• First system of reading left to right &
top to bottom
T he Genesis….
• Rom an Alphabet
• Romans developed the Greek Alphabet
further-the modern alphabet we use now
• Added lowercase versions to letters,
condensed forms to text and cursive writing
that flowed more naturally by hand

• Invention of the Pr inting


Press
Johannes Gutenberg, invented the printing
press in mid 15th century
• The press was used to print books in larger
quantities than had previously been possible
• This invention changed the world, allowing
rapid production and distribution of printed
ideas
T he Genesis….
• Writing dur ing the Dar k Ages
• Books were hand-produced for hundreds of
years
• Primarily religious (illuminated manuscripts)
• Due to the painstaking effort (often years) to
create a single volume, books were considered
very valuable treasures

• C hallenges with E ar ly Writing System s


• Incredibly time consuming
• Expensive
• Prone to Error
• So, mass production was impossible until when;
• Gutenberg’s invention that revolutionized
printing
Typography & Meaning
• A typographic message, must convey a Meaning.
• Meaning (Semantics) is an important aspect of
design,
• Semantics is the study of meaning and applies
to both images & language
• Syntax (grammar) are rules that govern how
elements of a sentence/ paragraph, are organised
to convey meaning
• If the syntax is wrong, then language becomes
meaningless.
So what is Typography?
• Typography
• The study of all elements of type including shape, size &
spacing of characters Or
• The art of arranging text, so that language is visible
• Essentially, all forms of writing are typography
• Importance of Typography
• It attracts and holds attention if used well
• Establish information hierarchy-(headings/subheadings)
• It creates & builds recognition; e.g. companies & logos
• Clarifies messages the designer sends to the audience
Typography & the Audience
• Target Audience
• Publications convey a message to the
target/intended audience.
• The target audience determines the:
• Language used
• Typefaces used
• Colors used
• Graphics used
Design Principles For
Typogrpahy
• Legibility: Ensure audience can read &
understand your text
• Reverse type: a white type on a dark
background to ensure type stands out
• Similarity & alignment: type is used to
create relationships between similar kinds
of information
Design Principles For Typogrpahy
• Uniformity or consistency: repeating
familiar elements to focus your audience’s
attention
• Contrast: Creating interest & distinguishing
different types of information with different
typefaces
• Hierarchy: Audience understands that
information has different levels of
importance
The Anatomy of Type
• Understanding the structure of letterforms (anatomy of
type), is essential to:
• Understand how typefaces differ,
• What characteristics they share,
• So as to select and use the various typefaces available
• The most basic element of typogragpy is the letterform,
• Each typeface is unique from another
• Technology has accelerated the creation of new faces and
produced digital versions of classics
• So many choices exist,
• selecting an approriate typeface can be daunting.
Understanding & Selecting Typefaces
• Selecting Fonts
• The content of the material and purpose of the
design are key factors in selecting fonts. E.g.
• Display types offer much more variety than
Text types because their purpose is
expression than readability;
• Sans Serifs are more authoritative and bolder
than typefaces that are designed for reading
over long periods;
Typographic Basics
U nder standing & Selecting
Type
• Type is classified into 4 main classes:
• Serif (e.g. Times New Roman)
• Sans Serif (e.g. Helvetica, Gill Sans)
• a significant advantage of the sans serif is the
large number of potential variants within one
typeface
• Script
• Decorative/Ornamental
U nder standing and Selecting
Type
•Ser if Typeface
• Serifs have attributes or strokes at the tips of the letters
called Ser ifs
• Ideal for body text in printed publications
• Book text, Newspaper text, Magazine Article & Newsletter text
• Serifs improve readability by leading the eye along the line of
type
• Recommended font sizes for body text are 10-12 points
• Examples of Serif Typeface are Times New Roman, Courier,
Bodoni etc.
U nder standing and Selecting
Type
• Sans Ser if Typeface
• Sans Serif means without
Serifs/strokes at letter tips;
• Sans-serifs fonts come without
these embellishments
• Ideally used for digital display e.g.
• Headings,
• Captions,
• Headlines,
• Tables and
• Onscreen Display
U nder standing and Selecting
Type

U ses
•Formal
Invitations
•Place Cards
•Poetry
•Announcements
U nder standing and Selecting
Type

• Decor ative and Novelty


• Designed strictly to catch the eye & should used sparingly
• Can be hard to read; examples are Webdings, Engraves MT etc.
• Used for Decoration
• Headlines for Advertisement
• Webdings can be used as symbols in Logos
Understanding and Selecting
Type
Typographic rules/boxes and
ornaments

HANDWRITING

They are still invaluable to the


designer today because they
serve both functional and
aesthetic roles.
Typogr aphic Measurem ents
• Two basic units of measurement used to describe
type:
• Points: Very small units used to measure both type sizes
and the spaces in between the lines of type.
• Picas: Larger unit of measurement. 12 points= 1 Pica (6
picas in 1 inch) 72 point type = 1 inch
Typefaces are not interchangeable
Font Sizes
Spacing
• Understanding how to deal with space in typography is
essential
• Proper spacing affects legibility, & space is an integral
part of any composition, whether
symmetrical/asymmetrical
• Consider the role of space in both legibility and meaning
as you progress at every stage of design development.
• Alignment: The setting of text relative to a column or page
• Centered: Text that is aligned neither to the left nor to the
right: symmetrical, with an even gap at the end of each line.
• Hyphenation: The point at which a word is broken at the end
of a line in continuous text and a hyphen is inserted.
Spacing
• Justified: Text is aligned on both the left and right
margins of a column (lines are equal in length).

• Kerning: Adjustments to the spaces between two letters


(used extensively for capitals).

• Leading: The horizontal space between lines of type.


Related to the historical use of strips of lead in

letterpress.
Spacing
• Ligatures: Two or more letterforms joined to
create a single character.
• Ragging:When text is aligned left, some words at
the end of the lines might extend out farther than
the rest and cause uneven- looking paragraphs.
• Tracking: The space between words, which can be
adjusted.
Spacing
C har acter Spacing
Word Spacing
Line Spacing
Paragraph Spacing
Paragraph Spacing
Paragraph Spacing
Paragraph Spacing
• Widow: A widow occurs when the last line of a paragraph is not
able to fit at the bottom of a page or column. Instead, it sits at the
top of the next page, looking out of place.

• Orphan: An orphan is the exact opposite of a widow. It's when the


first line of a paragraph sits at the bottom of a page by itself.

• Runt: A runt can occur anywhere throughout a page or column, and


it's when the last line found in a paragraph ends with a single word;
this often happens with hyphenated words.

• Rivers: A noticeable crack or line that runs through a paragraph,


most commonly an issue after adjusting the tracking in a sentence.
Paragraph Spacing

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