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Name: Class: Date:

Chapter 10
1. A class is an example of a structured data type.
a. True
b. False
ANSWER: True
POINTS: 1
REFERENCES: 652
QUESTION TYPE: True / False
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

2. In C++, class is a reserved word and it defines only a data type.

a. True
b. False
ANSWER: True
POINTS: 1
REFERENCES: 653
QUESTION TYPE: True / False
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

3. If the heading of a member function of a class ends with the word const, then the function member cannot modify the
private member variables, but it can modify the public member variables.
a. True
b. False
ANSWER: False
POINTS: 1
REFERENCES: 655
QUESTION TYPE: True / False
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

4. In C++ terminology, a class object is the same as a class instance.

a. True
b. False
ANSWER: True
POINTS: 1
REFERENCES: 656
QUESTION TYPE: True / False
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
Copyright Cengage Learning. Powered by Cognero. Page 1
Name: Class: Date:

Chapter 10
DATE MODIFIED: 10/5/2016 1:41 PM

5. Given this declaration:

class myClass
{
public:
void print(); //Output the value of x;
MyClass();

private:
int x;
};

myClass myObject;

The following statement is legal.

myObject.x = 10;
a. True
b. False
ANSWER: False
POINTS: 1
REFERENCES: 657
QUESTION TYPE: True / False
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/30/2016 12:12 PM

6. If an object is declared in the definition of a member function of the class, then the object can access both the public
and private members of the class.
a. True
b. False
ANSWER: True
POINTS: 1
REFERENCES: 657
QUESTION TYPE: True / False
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

7. If an object is created in a user program, then the object can access both the public and private members of the
class.
a. True
b. False
ANSWER: False
POINTS: 1

Copyright Cengage Learning. Powered by Cognero. Page 2

Name: Class: Date:

Chapter 10
REFERENCES: 657
QUESTION TYPE: True / False
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

8. You can use arithmetic operators to perform arithmetic operations on class objects.
a. True
b. False
ANSWER: False
POINTS: 1
REFERENCES: 659
QUESTION TYPE: True / False
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

9. As parameters to a function, class objects can be passed by reference only.

a. True
b. False
ANSWER: False
POINTS: 1
REFERENCES: 660
QUESTION TYPE: True / False
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

10. The public members of a class must be declared before the private members.
a. True
b. False
ANSWER: False
POINTS: 1
REFERENCES: 670
QUESTION TYPE: True / False
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

11. The components of a class are called the ____ of the class.
a. elements b. members
c. objects d. properties
ANSWER: b
Copyright Cengage Learning. Powered by Cognero. Page 3
Name: Class: Date:

Chapter 10
POINTS: 1
REFERENCES: 652
QUESTION TYPE: Multiple Choice
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

12. Which of the following class definitions is correct in C++?

a. class studentType
{
public:
void setData(string, double, int);
private:
string name;
};

b. class studentType
{
public:
void setData(string, double, int);
void print() const;
private:
string name;
double gpa;
}

c. class studentType
{
public void setData(string, double, int);
private string name;
};

d. studentType class
{
public: void setData(string, double, int);
private: string name;
};

ANSWER: a
POINTS: 1
REFERENCES: 654
QUESTION TYPE: Multiple Choice
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

13. If a member of a class is ____, you cannot access it outside the class.
Copyright Cengage Learning. Powered by Cognero. Page 4
Name: Class: Date:

Chapter 10
a. public b. automatic
c. private d. static
ANSWER: c
POINTS: 1
REFERENCES: 654
QUESTION TYPE: Multiple Choice
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

14. A class and its members can be described graphically using a notation known as the ____ notation.
a. OON b. OOD
c. UML d. OOP
ANSWER: c
POINTS: 1
REFERENCES: 656
QUESTION TYPE: Multiple Choice
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

clockType
-hr: int
-min: int
-sec: int
+setTime(int, int, int): void
+getTime(int&, int&, int&) const: void
+printTime() const: void
+incrementSeconds(): int
+incrementMinutes(): int
+incrementHours(): int
+equalTime(const clockType&) const: bool

15. The word ____ at the end of several the member functions in the accompanying figure class clockType specifies
that these functions cannot modify the member variables of a clockType object.
a. static b. const
c. automatic d. private
ANSWER: b
POINTS: 1
REFERENCES: 655
QUESTION TYPE: Multiple Choice
HAS VARIABLES: False
PREFACE NAME: clockType definition
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM
Copyright Cengage Learning. Powered by Cognero. Page 5
Name: Class: Date:

Chapter 10

16. Consider the UML class diagram shown in the accompanying figure. Which of the following is the name of the class?
a. clock b. clockType
c. Type d. +clockType
ANSWER: b
POINTS: 1
REFERENCES: 656
QUESTION TYPE: Multiple Choice
HAS VARIABLES: False
PREFACE NAME: clockType definition
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

17. Consider the UML class diagram shown in the accompanying figure. According to the UML class diagram, how many
private members are in the class?
a. none b. zero
c. two d. three
ANSWER: d
POINTS: 1
REFERENCES: 656
QUESTION TYPE: Multiple Choice
HAS VARIABLES: False
PREFACE NAME: clockType definition
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

18. A ____ sign in front of a member name on a UML diagram indicates that this member is a public member.
a. + b. -
c. # d. $
ANSWER: a
POINTS: 1
REFERENCES: 656
QUESTION TYPE: Multiple Choice
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

19. A ____ sign in front of a member name on a UML diagram indicates that this member is a protected member.
a. + b. -
c. # d. $
ANSWER: c
POINTS: 1
REFERENCES: 656
Copyright Cengage Learning. Powered by Cognero. Page 6
Name: Class: Date:

Chapter 10
QUESTION TYPE: Multiple Choice
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

class rectangleType
{
public:
void setLengthWidth(double x, double y);
//Postcondition: length = x; width = y;
void print() const;
//Output length and width;
double area();
//Calculate and return the area of the rectangle;
double perimeter();
//Calculate and return the parameter;
rectangleType();
//Postcondition: length = 0; width = 0;
rectangleType(double x, double y);
//Postcondition: length = x; width = y;

private:
double length;
double width;
};

20. Consider the accompanying class definition. Which of the following variable declarations is correct?
a. rectangle rectangleType;
b. class rectangleType rectangle;
c. rectangleType rectangle;
d. rectangle rectangleType.area;
ANSWER: c
POINTS: 1
REFERENCES: 657
QUESTION TYPE: Multiple Choice
HAS VARIABLES: False
PREFACE NAME: rectangleType class
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

21. Consider the accompanying class definition, and the declaration:

rectangleType bigRect;

Which of the following statements is correct?

a. rectangleType.print(); b. rectangleType::print();
c. bigRect.print(); d. bigRect::print();
ANSWER: c
Copyright Cengage Learning. Powered by Cognero. Page 7
Name: Class: Date:

Chapter 10
POINTS: 1
REFERENCES: 657
QUESTION TYPE: Multiple Choice
HAS VARIABLES: False
PREFACE NAME: rectangleType class
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

22. Consider the accompanying class definition, and the object declaration:

rectangleType bigRect(14,10);

Which of the following statements is correct?

a. bigRect.setLengthWidth();
b. bigRect.setLengthWidth(3.0, 2.0);
c. bigRect.length = 2.0;
d. bigRect.length = bigRect.width;
ANSWER: b
POINTS: 1
REFERENCES: 658
QUESTION TYPE: Multiple Choice
HAS VARIABLES: False
PREFACE NAME: rectangleType class
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

23. In C++, the ____ is called the member access operator.

a. . b. ,
c. :: d. #
ANSWER: a
POINTS: 1
REFERENCES: 657
QUESTION TYPE: Multiple Choice
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

24. A class object can be ____. That is, it is created each time the control reaches its declaration, and destroyed when
the control exits the surrounding block.
a. static b. automatic
c. local d. public
ANSWER: b
POINTS: 1

Copyright Cengage Learning. Powered by Cognero. Page 8

Name: Class: Date:

Chapter 10
REFERENCES: 660
QUESTION TYPE: Multiple Choice
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

25. A class object can be ____. That is, it can be created once, when the control reaches its declaration, and destroyed
when the program terminates.
a. static b. automatic
c. local d. public
ANSWER: a
POINTS: 1
REFERENCES: 660
QUESTION TYPE: Multiple Choice
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

26. In C++, you can pass a variable by reference and still prevent the function from changing its value by using the
keyword ____ in the formal parameter declaration.
a. automatic b. private
c. static d. const
ANSWER: d
POINTS: 1
REFERENCES: 660
QUESTION TYPE: Multiple Choice
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

27. In C++, the scope resolution operator is ____.

a. : b. ::
c. $ d. .
ANSWER: b
POINTS: 1
REFERENCES: 662
QUESTION TYPE: Multiple Choice
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

28. A member function of a class that only accesses the value(s) of the data member(s) is called a(n) ____ function.
a. accessor b. mutator

Copyright Cengage Learning. Powered by Cognero. Page 9

Name: Class: Date:

Chapter 10
c. constructor d. destructor
ANSWER: a
POINTS: 1
REFERENCES: 666
QUESTION TYPE: Multiple Choice
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

29. To guarantee that the member variables of a class are initialized, you use ____.
a. accessors b. mutators
c. constructors d. destructor
ANSWER: c
POINTS: 1
REFERENCES: 671
QUESTION TYPE: Multiple Choice
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

class secretType
{
public:
static int count;
static int z;

secretType();
secretType(int a);
void print();
static void incrementY();

private:
int x;
static int y;
};

secretType::secretType()
{
x = 1;
}

secretType::secretType(int a)
{
x = a;
}

void secretType::print()
{
Copyright Cengage Learning. Powered by Cognero. Page 10
Visit https://testbankdead.com
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Name: Class: Date:

Chapter 10
cout << "x = " << x << ", y = " << y
<< "z = " << z
<< ", count = " << count << endl;
}

static void secretType::incrementY()

{
y++;
}

30. Consider the accompanying class and member functions definitions. How many constructors are present in the class
definition?
a. none b. one
c. two d. three
ANSWER: c
POINTS: 1
REFERENCES: 672
QUESTION TYPE: Multiple Choice
HAS VARIABLES: False
PREFACE NAME: secretType class
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

31. How many destructors can a class have?

a. no explicit destructors b. one
c. two d. any number
ANSWER: b
POINTS: 1
REFERENCES: 681
QUESTION TYPE: Multiple Choice
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/30/2016 12:15 PM

32. A destructor has the character ____, followed by the name of the class.
a. . b. ::
c. # d. ˜
ANSWER: d
POINTS: 1
REFERENCES: 681
QUESTION TYPE: Multiple Choice
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

Copyright Cengage Learning. Powered by Cognero. Page 11

Name: Class: Date:

Chapter 10
33. What does ADT stand for?
a. abstract definition type b. asynchronous data transfer
c. abstract data type d. alternative definition type
ANSWER: c
POINTS: 1
REFERENCES: 682
QUESTION TYPE: Multiple Choice
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

34. Which of the following is true about classes and structs?

a. By default, all members of a struct are public and all members of a class are private.
b. A struct variable is passed by value only, and a class variable is passed by reference only.
c. An assignment operator is allowed on class variables, but not on struct variables.
d. You cannot use the member access specifier private in a struct.
ANSWER: a
POINTS: 1
REFERENCES: 685
QUESTION TYPE: Multiple Choice
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

35. If a function of a class is static, it is declared in the class definition using the keyword static in its ____.
a. return type b. parameters
c. heading d. main function
ANSWER: c
POINTS: 1
REFERENCES: 701
QUESTION TYPE: Multiple Choice
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

36. With ____________________ functions, the definitions of the member functions are placed in the implementations
file.
ANSWER: inline
POINTS: 1
REFERENCES: 700
QUESTION TYPE: Completion
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
Copyright Cengage Learning. Powered by Cognero. Page 12
Name: Class: Date:

Chapter 10
DATE MODIFIED: 10/30/2016 12:22 PM

37. If a class object is passed by ____________________, the contents of the member variables of the actual parameter
are copied into the corresponding member variables of the formal parameter.
ANSWER: value
POINTS: 1
REFERENCES: 660
QUESTION TYPE: Completion
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

38. Non-static member variables of a class are called the ____________________ variables of the class.
ANSWER: instance
POINTS: 1
REFERENCES: 666
QUESTION TYPE: Completion
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

39. A program or software that uses and manipulates the objects of a class is called a(n) ____________________ of that
class.
ANSWER: client
POINTS: 1
REFERENCES: 666
QUESTION TYPE: Completion
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

40. A(n) ____________________ function of a class changes the values of the member variable(s) of the class.
ANSWER: mutator
POINTS: 1
REFERENCES: 666
QUESTION TYPE: Completion
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

41. A(n) ____________________ contains the definitions of the functions to implement the operations of an object.
ANSWER: implementation file
POINTS: 1
REFERENCES: 686
Copyright Cengage Learning. Powered by Cognero. Page 13
Name: Class: Date:

Chapter 10
QUESTION TYPE: Completion
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

42. The header file is also known as the ____________________.

ANSWER: interface file
interface
POINTS: 1
REFERENCES: 686
QUESTION TYPE: Completion
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

43. A(n) ____________________ is a statement specifying the condition(s) that must be true before the function is called.
ANSWER: precondition
POINTS: 1
REFERENCES: 687
QUESTION TYPE: Completion
HAS VARIABLES: False
DATE CREATED: 10/5/2016 1:41 PM
DATE MODIFIED: 10/5/2016 1:41 PM

Copyright Cengage Learning. Powered by Cognero. Page 14

Other documents randomly have
different content
"They say it is not disease,
This villanous pimply glow,
If not disease's tangible shape,
'Tis deuced like it though—
'Tis deuced like it though,
If healthy skins are pale.
Oh, God! that suns should be so strong
And flesh and blood so frail.

V.
"Scratch, scratch, scratch,
My labour never flags;
And what are its wages?—a carcass raw—
Lint, plaisters, and swathing rags,
This tortured head, and this body flayed,
Dyspepsia and gloom alway,
And a brain so blank, each ninny I thank
Who drones me through the day.

VI.
"Itch, itch, itch,
When good dinners glad the sight,
And scratch, scratch, scratch,
When I'm longing to bite, bite, bite,
When under silver roofs
Rich viands my servants bring,
As if to show me their dainty shapes,
And twit me for lingering.

VII.
"Oh! but to breathe the breath
Of the cowslip and primrose sweet
 Of the cowslip and primrose sweet,
Where the sky above one's head
Is not of this melting heat;
For only one short hour
To feel as I used to feel
Before I knew Calcutta's suns
Flay men as men the eel.

VIII.
"Oh! but for one short hour
A respite just to snatch!
No blessed leisure for love or lark—
But only time to scratch.
Though goulard water might ease my pain
The antidote I dread,
An idle day might affect my pay,
And physic claims a bed."

IX.
With fingers never at rest,
With cuticle measly red,
A heat-oppress'd victim capered about,
Itching from ankles to head.
Scratch, scratch, scratch,
At a rate few North-Britons could beat,
And still with a voice of dolorous pitch
(Would that its tone could cure the itch!)
Thus sang he of "The Prickly Heat."

The Calcutta Englishman, 1859.

There was another parody of Hood's Song of the Shirt, written by Mr.
Clement Scott, entitled The Song of the Clerk. The Editor of this
collection would be glad to know when, and in what work it
appeared.

ABOUT THE WEATHER.

(A Fragment).

I remember, I remember,
Ere my childhood flitted by,
It was cold then in December,
And was warmer in July.
In the winter there were freezings—
In the summer there were thaws;
But the weather isn't now at all
Like what it used to was!

The Man in the Moon, Vol. 5.

THE DREAM OF EUGENE ARAM.

'TWAS in the prime of summer time,
An evening calm and cool,
And four-and-twenty happy boys
Came bounding out of school:
There were some that ran and some that leapt,
Like troutlets in a pool.

* * * *

That very night, while gentle sleep

The urchin eyelids kiss'd,
Two stern-faced men set out from Lynn,
Through the cold and heavy mist;
And Eugene Aram walk'd between,
With gyves upon his wrist.

THOMAS HOOD.

THE FALL OF THE EMINENT I.

'Twas in the prime of autumn time,
An evening calm and cool,
And full two thousand cockneys went
To see him play the fool;—
And the critics filled the stalls as thick
As the balls in a billiard pool.

Away they sped when the play was done,

Scarce knowing what to say;
So they passed the butter boat around
In the simple, usual way.
Smoothly ran their glowing prose
In the daily press next day.

The Eminent I. they raved about

Till their gush to columns ran;
Condoning a fiasco great,
As friendly critics can;
And he still strutted on the stage,
An over-rated man.

He wore pink tights—his vest apart,

To clutch his manly chest;
And he went at the knees in his old, old way,
Whilst his brow he madly prest.
So he whisper'd and roared, and gasp'd and groan'd,
As with dyspepsia possest.

Act after act he ranted through,

And he strode for many a mile,
Till some were fain to leave the house,
Too weary even to smile;
For acting the murderer's part so oft
Had somewhat marred his style.

But he took six more hasty strides

Across the stage again—
Six hasty strides, then doubled up,
As smit with searching pain;
As though to say, "See me create
The conscience-stricken Thane!"

Then leaping on his feet upright,

Some moody turns took he
Now up the stage, now down the stage,
And now beside Miss B.;
And, looking off, he saw her ma,
As she read in the R. U. E.

"Now, Mrs. B., what is't you read?"

Ask'd he, with top-lip curving.
"Queen Mary? A play by Mr. Wills,
Or something more deserving?"
Said Mrs. B., with an upturned glance,
"It is 'The Fall of Irving!'"

"His fall!" gasped he, "in sooth you jest!

O, prithee say what mean ye?
Know ye not, they call him Kemble-ish,
And speak of his style as Kean-y?
On the modern stage he stands alone."
She murmur'd one word—"Salvini!"

"Avaunt!" he cried; "that name again!

Its mention ne'er will cease;
Does he still dare my throne to share,
And threaten my fame's short lease?"
But here the call-boy came to say,
That his absence stopped the piece.

* * * *

One night, months thence, whilst gentle sleep

 Had still'd the City's heart,
Two bill-stickers set out with paste
And play-bills in a cart,
And the Eminent I. had his name on them,
In a melodramatic part.

The Figaro, October 9, 1875.

When Mr. Henry Irving produced The Iron Chest, at the Lyceum
Theatre, the Editor of The World offered two prizes for the best two
parodies on the subject, the model chosen being Hood's Dream of
Eugene Aram. The successful parodies were printed in The World,
October 22, 1879:—

FIRST PRIZE.
'TWAS in the Strand, a great demand
For seats was quite the rule;
The pit and gallery were crammed,
The stalls and boxes full.
One man remained who could not find
A solitary stool.

From gods to stall, he paced them all,

Unable to find rest;
A burning thought was in his heart,
Beneath his spotless breast.
He'd eaten pork, and knew full well
Pork he could not digest.

With hollow sound the curtain rose,

And then he found a place,
Where, cramped and crushed, he just could see
The great tragedian's face—
He was so prest, for the Iron Chest
He hadn't any space.

He saw how Irving walked the stage

With ill-dissembled care,
To keep the limelight on his brows
And on his flowing hair,
While all the rest were in the dark—
You only heard them there.

His voice was hollow as the grave,

Or like an eagle's scream—
Murderers, you know, talk always so—
His eyes like theirs did gleam—
He'd done this sort of thing before.
But then 'twas in a dream.

He showed how murderers start and gasp

 When conscience pricks them sore;
He dragged his shirt-front out by yards,
And strewed it on the floor;
He rolled his eyes, and clutched his breast—
He'd done it all before.

If anybody mentioned death

Or foul assassination,
He started up and groaned or shrieked
With obvious perturbation.
'Twas very strange this sudden change
Provoked no observation.

And when at last four acts were past

Of stares and glares and guggles,
And in the chest they found the knife
Which he so neatly smuggles—
'Twas ecstacy to see him die
Of aggravated struggles.

Q.

SECOND PRIZE.
THE sky was clear; no ripple marked
The course of silver Tyne;
And all was still, save for the bells
On the necks of the grazing kine.
On his fair demesne Sir Edward looked,
Last of an ancient line.

His face was fair, but it did not wear

The sign of a soul at rest;
Anon a shudder shook his frame,
A sigh broke from his breast;
He seemed as seems a man by some
O'ermastering woe oppressed.

"And yet among thy peers is known

Than thine no prouder name,
And wealth is thine and friendship's joy,
A scutcheon void of blame;
All this is thine, Sir Edward; why
Thus bow thy head in shame?

"Men call thee good, they know thee kind—

Yet more, if aught beside
There lacks thy happiness to crown,
Thou hast a peerless bride;
Why, then, Sir Edward, bow thy head?"
A mocking demon cried.

"Hell-hound! and art thou here to taunt

My last—Yet 'tis thy meed:
'Twas thou that in this fevered breast
Wrath and revenge didst feed,
Till—woe unutterable!—I
Wrought the accursèd deed.

"'Twas at thy feet, a pupil apt,

 I learnt this lying art;—
O God, that I—that I could stoop
To play this loathly part!
O God, that with a face so calm
I cloak so black a heart!

Yet the end is gained and the secret sure:

They shall lay the tortured clod
Of this vile clay in the open day
With honour beneath the sod."
That night 'twas known that a felon's soul
Had gone to meet its God.

PORTIONISTA.

The following was also published:—

'Twas in the dim Lyceum pit
(And, O, that pit was hot)
That several hundred folks did sit,
And I amongst the lot;
And some drank ale and some drank stout,
From mug or pewter-pot.

We watched the jovial robber-crew,

The merry poaching clan,
Chasing the sportive deer about
As only robbers can;
While the keeper kept himself at home,
A conscience-stricken man.

His hair was long and his dress was dark,

And he strode with Irving's stride;
A crime unconfessed he hid in the chest
Kept ever by his side;
Much painting had made him very pale
And wan and hollow-eyed.

And he saw his secretarial clerk,

One Wilford (Norman Forbes),
Go prying about in the ancient room
Hung round with family daubs;
And he "went" forthwith for that timid clerk,
Whose name was Norman Forbes.

"By hell!" he shrieked, and held him fast;

"Untrusty youth, unstable—"
He raved in his face and clenched his fists,
And chased him round the table.
"Wouldst read the secret? wouldst hear thy doom?"
"I would, an I were able!"

"If thou wert Abel, then I were Cain!

 But, 'fore I tell thee, swear—"
And he swore and he swore and he swore again,
Till on end arose our hair;
And I couldn't help thinking what fines he'd have paid
If there'd been a magistrate there.

And that very night, when a somnolent snooze

Was exciting the murderer's nose,
Poor Wilford rose up, and he hied him away
In a scanty assortment of clothes;
And the baronet rummaged and routed his trunk,
As we do when our "general" goes.

And there he hid a fork and spoon

In a most ingenious way,
And a ring or so and a deed or two,
And Wilford was tried next day;
But the KNIFE had slipped in, and—ha, ha!—'twas found!

* * * * *

And that's the plot of the play!

C. S.

The peculiar rhythm, and quaint conceits of fancy, in Hood's Miss

Kilmansegg and her Precious Leg have been admirably imitated by
Mr. H. Cholmondeley Pennell in The Thread of Life. This poem (the
last in Puck on Pegasus) resembles its original also in the exquisite
blending of the pathetic and the humorous, of which, unfortunately,
disjointed extracts can give but a faint idea:—
LIFE! What depths of mystery wide
In the oceans of Hate and the rivers of Pride,
That mingle in Tribulations tide,
To quench the spark—VITALITY!
What chords of Love and "bands" of Hope
Were "made strong" (without the use of rope)
In the thread—INDIVIDUALITY.

LIFE! What marvellous throbs and throes

The Alchemy of EXISTENCE knows;
What "weals within wheels" (and woes without woahs!)
Give sophistry a handle;
Though Hare himself could be dipped in the well
Where Truth's proverbial waters dwell,
It would throw no more light on the vital spell
Than a dip in the Polytechnic bell,
Or the dip—a ha'penny candle.

* * * *

Into being we come, in ones and twos,

To be kissed, to be cuff'd, to obey, to abuse,
Each destined to stand in another's shoes
To whose heels we may come the nighest;
This turns at once into Luxury's bed,
Whilst that in a gutter lays his head,
And this—in a house with a wooden lid
And a roof that's none of the highest.

We fall like the drops of April show'rs,

Cradled in mud, or cradled in flow'rs,
Now idly to wile the rosy hours,
And now for bread to importune;
Petted, and fêted, and fed upon pap,
One prattler comes in for a fortune, slap—
And one, a "more kicks than ha'pence" chap,
 d o e, a o e c s t a a pe ce c ap,
For a slap—without the fortune!

* * * *

Yet, laugh if we will at those baby days,

There was more of bliss in its careless plays,
Than in after time from the careful ways
Or the hollow world, with its empty praise,
Its honeyed speeches, and hackney phrase,
And its pleasures, for ever fleeting.

Puck on Pegasus (Chatto and Windus), London.

A NICE YOUNG MAN FOR A SMALL PARTY.

YOUNG Ben he was a nice young man,
An author by his trade;
He fell in love with Polly-Tics,
And was an M. P. made.

He was a Radical one day,

But met a Tory crew;
His Polly-Tics he cast away,
And then turned Tory too.

Now Ben had tried for many a place

When Tories e'en were out;
But in two years the turning Whigs
Were turn'd to the right-about.

But when he called on ROBERT PEEL,

His talents to employ,
His answer was, "Young Englander,
For me you're not the boy."

Oh, ROBERT PEEL! Oh, ROBERT PEEL!

How could you serve me so?
I've met with Whig rebuffs before,
But not a Tory blow.

Then rising up in Parliament,

He made a fierce to do
With PEEL, who merely winked his eye;
BEN wink'd like winking too.

And then he tried the game again,

But couldn't, though he tried;
His party turn'd away from him,
Nor with him would divide.

Young England died when in its birth:

I f t fi it f ll
 In forty-five it fell;
The papers told the public, but
None for it toll'd the bell.

Punch, June 1845. (This parody was accompanied by a portrait of

Mr. Benjamin Disraeli).

A FEW WORDS ON POETS IN GENERAL,

AND ONE IN PARTICULAR.

BY THE GHOST OF T— H—D.

"What's in a name?"—Shakespeare.
 I.
By different names were Poets call'd
In different climes and times;
The Welsh and Irish call'd him Bard,
Who was confined to rhymes.

II
In France they called them Troubadours,
Or Menestrels, by turns;
The Scandinavians called them Scalds,
The Scotchmen call theirs Burns.

III.
A strange coincidence is this,
Both names implying heat;
But had the Scotchmen call'd theirs Scald.
'Twere title more complete.

IV.
For why call'd BURNS 'tis hard to say
(Except all sense to slaughter);
Scald was the name he should have had,
Being always in hot water.

V.
For he was poor,—his natal hut
Was built of mud, they say;
But though the hut was built of mud,
He was no common clay.
 y

VI.
But though of clay he was (a fate
Each child of earth must share),
As well as being a child of earth,
He was a child of Ayr.

VII.
And though he could not vaunt his house,
Nor boast his birth's gentility,
Nature upon the boy bestow'd
Her patent of nobility.

VIII.
It needed not for him his race
In heralds' books should shine;
What pride of ancestry compares
With his illustrious line.

IX.
So he, with heaven-ennobled soul,
All heralds held in scorn,
Save one, the oldest of them all,—
"The herald of the morn."

X.
Call'd by his clarion, up rose he,
True liege of Nature's throne,
Fields to invest, and mountain crest
With blazon of his own.
 XI.
His Vert, the morning's dewy green,
His Purpure, evening's close,
His Azure, the unclouded sky,
His Gules, "the red, red rose."

XII.
His Argent sparkled in the streams
That flash'd through birken bowers;
His Or was in the autumn leaves
That fell in golden showers.

XIII.
Silver and gold of other sort
The poet had but little;
But he had more of rarer store,—
His heart's undaunted mettle.

XIV.
And yet his heart was gentle, too,—
Sweet woman could enslave him;
And from the shafts of Cupid's bow
Even Armour[6] could not save him.

XV.
And if that Armour could not save
From shafts that chance might wield,
What wonder that the poet wise
Cared little for a shield.
 Cared little for a shield.

XVI.
And Sable, too, and Argent (which
For colours heralds write)
In BURNS' uncompromising hands
Were honest black and white.

XVII.
And in that honest black and white
He wrote his verses bold;
And though he sent them far abroad,
Home truths they always told.

XVIII.
And so for "honest poverty"
He sent a brilliant page down;
And, to do battle for the poor,
The gauger threw his gauge down.

XIX.
For him the garb of "hodden gray"
Than tabards had more charms;
He took the part of sleeveless coats
Against the Coats of Arms.

XX.
And although they of Oxford may
Sneer at his want of knowledge,
He had enough of wit at least,
To beat the Heralds' College.
 To beat the Heralds College.

XXI.
The growing brotherhood of his kind
He clearly, proudly saw that,
When launching from his lustrous mind,
"A man's a man for a' that!"

Rival Rhymes, in honour of Burns; by Ben Trovato (Routledge),

London, 1859.

THE HAUNTED LIMBO.

A May-Night Vision, after a Visit to the Grosvenor Gallery. (With
acknowledgment of a hint from HOOD.)
 I.
A WORLDof whim I wandered in of late,
A limbo all unknown to common mortals;
But in the drear night-watches 'twas my fate
To pass within its portals.

Dusk warders, dim and drowsy, drew aside

What seemed a shadowy unsubstantial curtain,
And pointed onwards as with pain or pride,
But which appeared uncertain.

I entered, and an opiate influence stole,

Like semi-palsy, over thought and feeling,
And with inebriate haziness my soul
Seemed rapt almost to reeling.

For over all there hung a glamour queer,

A sense of something odd the spirit daunted,
And said, like a witch-whisper in the ear,
"The place is haunted!"

II.
Those women, ah, those women! They were white,
Blue, green, and grey,—all hues, save those of nature,
Bony of frame, and dim and dull of sight,
And parlous tall of stature.

Ars longa est,—aye, very long indeed,

And long as Art were all these High-Art ladies,
And wan, and weird; one might suppose the breed
A cross 'twixt earth and Hades.

If poor Persephone to the Dark King

Had children borne after that rape from Enna
 Had children borne, after that rape from Enna,
Much so might they have looked, when suffering
From too much salts and senna.

Many their guises, but no various grace

Or changeful charm relieved their sombre sameness;
Of form contorted, and cadaverous face,
And limp lopsided lameness.

Venus was there; at least, they called her so:

A pallid person with a jaw protrusive,
Who palpably had found all passion slow,
And all delight delusive.

No marvel she looked passé, peevish, pale,

Unlovely, languid, and with doldrums laden.
To cheer her praise of knights might not avail,
Nor chaunt of moon-eyed maiden.

Laus Veneris! they sang; the music rose

More like a requiem than a gladsome pæan.
With sullen lip and earth-averted nose
Listened the Cytherean.

This Aphrodite? Then methought I heard

Loud laughter of the Queen of Love, full scornful
Of this dull simulacrum, strained, absurd,
Green-sick, and mutely mournful.

A solid Psyche and a Podgy Pan,

A pulpy Cupid crying on a column,
A skew-limbed Luna, a Peona wan,
A Man and Mischief solemn;

A moonlight-coloured maiden—she was hight

Ophelia, but poor Hamlet would have frightened—
A wondrous creature called the Shulamite,
With vesture quaintly tightened;
 With vesture quaintly tightened;

These and such other phantasms seemed to fill

Those silk-hung vistas, which, though fair and roomy,
Nathless seemed straitened, close, oppressive, still,
And gogglesome and gloomy.

For over all there hung a glamour queer,

A sense of something odd the spirit daunted;
And said, like a witch-whisper in the ear.
"The place is haunted!"

III.
I could no more; I veiled my wearied eyes.
I said, "Is this indeed the High Ideal?
If so, give me plain faces, common skies,
The homely and the real."

But no, this limbo is not that fair land,

Beloved of soaring fancies, hearts ecstatic;
'Tis the Fools' Paradise of a small band,
Queer, crude, absurd, erratic.

I turned, and murmured, as I passed away,

"Such limbos of mimetic immaturity
Have no abiding hold e'en on to-day,
Of fame no calm security."

For over all there hung a glamour queer,

A sense of something odd the spirit daunted,
And said, like a witch-whisper in the ear,
"This place is haunted!"

Punch, May 18, 1878.

———♦———
 Bret Harte.
The humorous writings of this author are as widely read, and as
keenly appreciated, in England as in the United States, and when the
prose portion of this collection is reached his Sensation Novels
Condensed will be fully considered. In these he has admirably hit off
the peculiarities of style of such varied writers as Miss Braddon,
Victor Hugo, Charles Lever, Lord Lytton, Alexander Dumas, F. Cooper,
Captain Marryat, Charles Dickens, Charlotte Brontë, and Wilkie
Collins; whilst in Lothaw he produced a clever little parody of Lord
Beaconsfield's Lothair.
Bret Harte has ably described both the comic and the pathetic sides
of the wild life of the Californian miners, with which he is thoroughly
familiar; and his best known poems deal with phases of life in that
part of the world, where the Chinese element enters largely into the
population. For convenience of comparison, the original "Heathen
Chinee" is given below, followed by the parodies:—

PLAIN LANGUAGE FROM TRUTHFUL JAMES.

Table Mountain, 1870.
WHICH I wish to remark—
And my language is plain—
That for ways that are dark,
And for tricks that are vain,
The heathen Chinee is peculiar,
Which the same I would rise to explain.

Ah Sin was his name;

And I will not deny
In regard to the same
What that name might imply;
But his smile it was pensive and childlike,
As I frequent remarked to Bill Nye.

It was August the third,

And quite soft was the skies;
Which it might be inferred
That Ah Sin was likewise;
Yet he played it that day upon William
And me in a way I despise.

Which we had a small game

And Ah Sin took a hand.
It was Euchre. The same
He did not understand;
But he smiled as he sat by the table,
With a smile that was childlike and bland.

Yet the cards they were stocked

In a way that I grieve,
And my feelings were shocked
At the state of Nye's sleeve:
Which was stuffed full of aces and bowers,
And the same with intent to deceive.

But the hands that were played

 By that heathen Chinee,
And the points that he made,
Were quite frightful to see—
Till at last he put down a right bower,
Which the same Nye had dealt unto me.

Then I looked up at Nye,

And he gazed upon me;
And he rose with a sigh,
And said, "Can this be?
We are ruined by Chinese cheap labour"—
And he went for that heathen Chinee.

In the scene that ensued

I did not take a hand;
But the floor it was strewed
Like the leaves on the strand
With the cards that Ah Sin had been hiding,
In the game "he did not understand."

In his sleeves, which were long,

He had twenty-four packs—
Which was coming it strong,
Yet I state but the facts;
And we found on his nails, which were taper,
What is frequent in tapers—that's wax.

Which is why I remark,

And my language is plain,
That for ways that are dark,
And for tricks that are vain,
The heathen Chinee is peculiar—
Which the same I am free to maintain.

BRET HARTE.
THE HEATHEN PASS-EE.
Being the Story of a Pass Examination.
BY BRED HARD.
WHICH I wish to remark,
And my language is plain,
That for plots that are dark
And not always in vain,
The Heathen Pass-ee is peculiar,
And the same I would rise to explain.

I would also premise

That the term of Pass-ee
Most fitly applies,
As you probably see,
To one whose vocation is passing
The "ordinary B.A. degree."

Tom Crib was his name,

And I shall not deny
In regard to the same
What that name might imply,
But his face it was trustful and childlike,
And he had the most innocent eye.

Upon April the First

The Little-Go fell,
And that was the worst
Of the gentleman's sell,
For he fooled the Examining Body
In a way I'm reluctant to tell.

The candidates came

And Tom Crib soon appeared;
It was Euclid, the same
Was "the subject he feared;"
But he smiled as he sat by the table
With a smile that was wary and weird.

Yet he did what he could,

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