Table of Contents

MODULE: BASIC VIDEO PRODUCTION ........................................................................................................ 2

Module Overview ................................................................................................................................... 2
Learning Outcomes. ................................................................................................................................ 2
Course Content ....................................................................................................................................... 3
Topic 1: Perform basic Video Pre-Production ............................................................................................. 4
Topic learning Outcomes ........................................................................................................................ 4
1.1.1 Demonstration 1: Step By step guidelines on how to develop a storyboard ................................. 4
1.2.1 Demonstration 1: Step-by-step guidelines on how to develop a script ......................................... 7
1.3.1 Demonstration 1: Step-by-step guidelines on how to scout for a location .................................. 14
TOPIC 2: PERFORM BASIC VIDEO PRODUCTION ....................................................................................... 17
2.0 Topic Learning Outcomes by the end of the topic, the participant will be able to; ........................ 17
2.1.1 Demonstration 1: Step By step guidelines on how to operate a camera ..................................... 17
2.1.2 Demonstration 2: Step By step guidelines on how to properly set up microphones ................... 19
TOPIC 3: PERFORM BASIC VIDEO POST-PRODUCTION .............................................................................. 23
3.0 Topic Learning Outcomes .......................................................................................................... 23
3.1.1 Demonstration 1: Step By step guidelines on how to navigate Adobe Premiere ......................... 23
3.2.1 Demonstration 1: Step By step guidelines on how to import footages ........................................ 27
3.3.1 Demonstration 1: Step by step guidelines on how to cut videos ................................................. 34
3.3.1 Demonstration 2: Step by step guidelines on how to trim videos ............................................... 37
3.3.1 Demonstration 3: Step by step guidelines on how to arrange videos .......................................... 41
3.4.1 Demonstration 1: Step By step guidelines on how to add transitions ......................................... 44
MODULE: BASIC VIDEO PRODUCTION
Module Overview
The "Basic Video Production Fundamentals" module is intended to give students a thorough
understanding of the components of video production. This module is divided into three sections:
video pre-production, video production, and video post-production, each of which is essential for
producing high-quality video content. This module will provide you with the knowledge and
skills needed to plan, shoot, and edit captivating videos, whether you are an aspiring filmmaker,
content creator, or a professional looking to improve your video production skills.

Learning Outcomes.

Upon completion of this Module, participants will be able to:

1. Understand Video Production Fundamentals

2. Create visual outlines (storyboards) and develop scripts to guide the content, dialogue,
and narrative structure of video projects.
3. Select and assess filming locations, considering lighting and sound conditions, to ensure
they are suitable for video production.
4. Proficiently operate cameras, including setting focus, exposure settings, and white
balance, to capture high-quality video footage.
5. Set up microphones and record high-quality audio on location, ensuring that the audio
complements the visual elements of the video.
6. Demonstrate proficiency in using industry-standard video editing software such as Adobe
Premiere Pro, Final Cut Pro, or DaVinci Resolve.
7. Import, manage, and categorize video clips and assets within the video editing software
for efficient post-production workflow.
8. Apply video editing techniques, including cutting, trimming, and arranging clips, to
create a coherent and engaging video story.
 9. Incorporate smooth transitions between clips and scenes to enhance the overall quality
and narrative flow of the video.

Course Content
1. Perform basic Video Pre-production
○ Storyboarding: Creating a visual outline of your video's scenes and shots.
○ Scriptwriting: Developing a script or outline to guide your video's content and
dialogue.
○ Location Scouting: Finding suitable filming locations and assessing their lighting
and sound conditions.
2. Perform basic Video Production
○ Filming Techniques: Properly operating a camera, including focusing, exposure
settings, and white balance.
○ Recording Audio: Setting up microphones and recording high-quality audio on
location.
3. Perform basic Video Post-production
○ Video Editing Software: Proficiency with video editing software like Adobe
Premiere Pro, Final Cut Pro, or DaVinci Resolve.
○ Importing and Organizing Footage: Managing and categorizing video clips and
assets.
○ Video Editing Techniques: Cutting, trimming, and arranging clips to create a
coherent story.
○ Adding Transitions: Incorporating smooth transitions between clips and scenes.
Topic 1: Perform basic Video Pre-Production
Topic learning Outcomes
By the end of the topic the participant will be able to:
1. Create a visual outline of their video's scenes and shots
2. Develop a script or outline to guide their video's content and dialogue.
3. Find suitable filming locations and assess their lighting and sound conditions.

1.1 Develop a storyboard

1.1.1 Demonstration 1: Step By step guidelines on how to develop a storyboard

Step 1: Understand Your Project

Before you begin storyboarding, it's essential to have a clear understanding of your project. This
involves knowing the script, concept, characters, and the visual style you want to convey. Let's
use the example of a short film to illustrate the process:

Step 2: Gather Your Materials

Gather the materials you need:

- Storyboard template: You can find printable storyboard templates online or use specialized
software.

- Drawing materials: Pencils, pens, markers, or a digital stylus.

- Script: This is your source material and provides the basis for your storyboard.

Step 3: Divide Your Page

If you're using physical paper, divide each page into frames or panels. Each frame represents a
shot or scene in your film. For this example, let's divide the page into six frames.

Step 4: Thumbnail Sketches

In each frame, create rough thumbnail sketches. These are simplified drawings that capture the
composition, camera angle, and basic elements of the shot. Here's an example for a scene where
the protagonist is sitting at a table in a café:
- Frame 1: Sketch a wide shot of the café interior, showing the protagonist at a table near the
window.

- Frame 2: Zoom in for a medium shot of the protagonist, focusing on their expression.

- Frame 3: Show the protagonist's hand reaching for a coffee cup.

- Frame 4: Close-up of the coffee cup being lifted.

- Frame 5: The protagonist takes a sip, focusing on their lips.

- Frame 6: Show a reaction shot with a contented expression on the protagonist's face.

Step 5: Add Notes

Beneath or beside each frame, add notes to describe what's happening in the shot. For example:

- Frame 1: "Wide shot of café interior, protagonist at table."

- Frame 2: "Medium shot of protagonist, thoughtful expression."

- Frame 3: "Hand reaches for coffee cup."

- Frame 4: "Close-up of coffee cup being lifted."

- Frame 5: "Protagonist takes a sip."

- Frame 6: "Reaction shot, contented expression."

These notes provide context for the visual representation in each frame and help you remember
the sequence and details.

Step 6: Sequence and Flow

Organize your frames in sequential order to represent the flow of the narrative. Use arrows or
directional notes to indicate camera movements, character actions, or transitions. Ensure that the
sequence flows logically.
Step 7: Consider Visual Style

Think about the visual style and mood you want to convey in each shot. You can add notations
about lighting, camera movement, color schemes, or any other important visual elements. For
example:

- "Warm lighting from the window."

- "Camera pans from left to right."

- "Use a de-saturated color palette to create a nostalgic mood."

Step 8: Review and Revise

Once you've completed your initial storyboard, review it for accuracy and effectiveness. Ensure
that it accurately represents your vision for the project and that the sequence flows smoothly.

Step 9: Share and Collaborate

If you're working with a team, share the storyboard for feedback and collaboration. This step can
lead to valuable insights and improvements in the visual storytelling.

Step 10: Finalize

After incorporating any feedback or revisions, you can create a final version of your storyboard.
This can be a neater, more detailed rendition of your frames
2.1 Develop a script

1.2.1 Demonstration 1: Step-by-step guidelines on how to develop a script

Part 1: Creating a story world

 Consider a theme or conflict that you want to explore in your story. Form your script's
idea using a "What if?" question. Begin by drawing inspiration from your surroundings
and imagining how a specific event or character would affect it. Consider an overarching
theme for your story, such as love, family, or friendship, so that your entire script is
cohesive. For example, the premise of Back to the Future is "What if you went back in
time and met your parents when they were your age?" while the premise of Shrek is
"What if a monster rescued a princess instead of a handsome prince?"
 Determine the genre of your story. Genre is an important storytelling device that informs
readers about the type of story they can expect. Examine your favourite films or TV
shows and try to write a script in a similar style. Mix genres to create something unique.
For example, you could have a western film set in space or a romance film with horror
elements.
 Select a location for your script to take place. Check that the setting fits the story or
theme of your script. Make a list of at least three or four different settings for your
characters to visit in your script to keep things interesting. For example, if isolation is one
of your themes, you could set your script in an abandoned house. The genre you choose
 will also influence your choice of setting. It's unlikely that you'd set a western story in
New York City, for example.
 Make a compelling protagonist. When creating a protagonist, give them a goal that they
will strive for throughout the script. Make your character more interesting by giving them
a flaw, such as being a constant liar or only thinking about themselves. Your character
should have gone through an arc and changed in some way by the end of your script.
Consider who your character is at the start of the story versus how events will change
them. Don't forget to give your character a memorable name!
 Create a villain to oppose your protagonist. The antagonist is the driving force opposed to
your protagonist. Give your protagonist and antagonist similar characteristics, but alter
the antagonist's approach to them. For example, your protagonist may be attempting to
save the world, whereas the antagonist may believe that the only way to do so is to
destroy it. In a horror story, your antagonist could be a monster or a masked killer. The
antagonist in a romantic comedy is the person your main character is attempting to woo.
 Write a 1-2 sentence logline to summarise your script's plot. A logline is a brief summary
of your film's main events. Use descriptive language to make your logline sound unique
so that others can understand the main ideas of your story. Check to see if the conflict is
present in your logline. For example, if you wanted to write a logline for the movie A
Quiet Place, you could say something like, "A family is attacked by monsters," but it
doesn't go into any further detail. If, on the other hand, you wrote, "A family must live in
silence to avoid being captured by monsters with ultra-sensitive hearing," the person
reading your logline will understand the main points of your script.
Part 2: Outlining your script

 On index cards, brainstorm plot ideas. Each event in your script should be written down
on its own note card. You can easily reorganise the events this way to see what works
best. Write down all of your ideas, even if you think they're bad, because you never know
what will work best in the end. If you don't want to use index cards, you can write your
script in a word document or with screenwriting software like WriterDuet or Final
Draught.
 Arrange the events in your script in the order you want them. After you've written down
all of your ideas on cards, arrange them on a table or the floor in the chronological order
of your story. Examine how events flow into one another to see if it makes sense. If not,
set the index cards aside to see if they'd fit better somewhere else in your outline. If you
want to make a mind-bending film with twists like Inception, have events in the future
take place early in your film.
 Consider the significance of each scene you want to include. Ask yourself questions as
you go through your outline, such as "What is the main point of this scene?" a better
question is "How does this scene move the story forward?" Examine each scene to see if
it adds to the story or if it's just there to fill space. If the scene serves no purpose or
advances the plot, it should be removed. For example, if the scene is simply your
character going grocery shopping, it adds nothing to the story. However, if your character
meets someone at the grocery store and they have a conversation about the main idea of
the film, you can keep the scene.
  As your act breaks, use high and low points. Act breaks aid in the division of your story
into three parts: setup, confrontation, and resolution. The setup, or Act I, of your story
begins at the beginning and ends when your character makes a decision that changes their
lives forever. Your protagonist will work towards their goal and interact with your
antagonist throughout the confrontation, or Act II, leading up to the story's climactic
point. The resolution, or Act III, occurs after the climax and depicts what happens next.

Part 3: Formatting the script

 Make a cover page for your script. In the center of the page, type the title of your script in
all caps. After the title of your script, insert a line break and type "written by." Before you
type your name, add another line break. Contact information, such as an email address
and phone number, should be left in the bottom left margins. Include a few lines with the
phrase "Based on the story by" followed by the names of the original authors if the script
is based on other stories or films.’
 Throughout your script, use size 12 Courier font. Any variation of Courier is acceptable
as a screenwriting standard because it is easy to read. Use a 12-point font because that is
 what other scripts use and is considered industry standard. Use formatting such as
bolding or underlining sparingly because it can distract your reader.
 Insert scene headings whenever you change locations. The scene heading should be
aligned to the left margin 12 inches (3.8 cm) from the page's edge. Make the scene
headings all caps to make them stand out. Include the words INT. or EXT. to indicate
whether the scene takes place inside or outside.
 Then, identify the specific location, followed by the time of day it occurs. A scene
heading might read, for example, INT. CLASSROOM - DAY. Keep scene headings to a
single line to avoid overwhelming the reader. You can also use scene headings like: INT.
JOHN'S HOUSE - KITCHEN - DAY to specify a room in a specific location.
 To describe settings and character actions, use action blocks. Action blocks should be
written in regular sentence structure and should be aligned with the left margin. Use
action lines to indicate what a character does and to provide brief descriptions of what is
going on. Keep action lines brief so that they do not overwhelm a reader who is scanning
the page. Write what the characters are thinking rather than what they are feeling.
 A good rule of thumb to follow is that if it cannot be seen on a screen, it should not be
included in your action block. Instead of saying, "John considers pulling the lever but is
unsure if he should," you could write, "John's hand twitches near the lever." He furrows
his brow and grits his teeth." When you introduce a character for the first time in an
action block, use all caps for their name. Every time after you mention the character
name, write it as normal
 When a character speaks, centre their names and dialogue. When a character is about to
speak, make sure the margin on the left side of the page is set to 3.7 in (9.4 cm). Put the
character's name in all caps so that a reader or actor can easily see when their lines are
spoken. Make sure the dialogue is 2.5 in (6.4 cm) from the left side of the page when you
write it. Include a parenthetical on the line right after the character name with an emotion
if you want to make it clear how your character is feeling. It could be (excited) or (tense),
for example. Check that the parenthetical is 3.1 in (7.9 cm) from the page's left edge.
Part 4: Writing your first draft

 Set a deadline so you have a target to work towards. Choose a date that is 8-12 weeks
away from when you begin, as these are the typical industry times for writers to work on
a script. Put the deadline on your calendar or set a reminder on your phone to keep you
accountable for working on your script. Inform others about your goal and request that
they hold you accountable for completing your work.
 Make a goal of writing at least 1-2 pages per day. During your first draught, simply write
down any ideas that come to mind while adhering to your outline. Don't worry about
spelling or grammar because you only need to get your story down on paper. If you aim
to complete 1-2 pages per day, you'll have your first draught completed in 60-90 days.
Set aside a specific time each day to write in order to avoid distractions. Turn off your
phone and internet connection so you can concentrate solely on writing.
 Test your dialogue by saying it aloud to see if it sounds natural. Talk out loud as you
write what your characters are saying. Check that it flows well and does not sound
confusing. Highlight or underline any problematic phrases and return to them the next
time you edit. Make sure each character has a distinct sound and voice. Otherwise, a
reader will have difficulty distinguishing who is speaking.
  Continue writing until you have 90-120 pages. Consider each page to be one minute of
screen time. To write a standard film script, aim for something 90-120 pages long, with a
running time of 1.5-2 hours. Aim for 30-40 pages for a half-hour sitcom and 60-70 pages
for an hour-long drama when writing a TV script. Short films should be no more than 10
pages long.

Part 5: Revising the script

 When you finish your script, take a 1-2 week break from it. Because you've been working
on your script for a long time, save it and move on to something else for a few weeks.
That way, when you return to edit it, you'll be able to see it with new eyes. If you want to
keep working on other ideas, start working on another script while you wait.
 Reread your script and make notes on anything that doesn't make sense. Open your script
and read it through from beginning to end. Look for places where the story is confusing
or where characters are acting in ways that do not advance the plot. Handwrite your notes
to help you remember them better. Try reading your script aloud and don't be afraid to act
out parts the way you believe they should be performed. This allows you to catch
dialogue or wording that isn't working as well.
 Give your script to someone you trust so they can review it. Request that a friend or
parent review your script to see what they think. Tell them what kind of feedback you're
 looking for so they know where to focus their efforts. When they're finished, ask them if
the parts make sense or not.
 Continue rewriting the script until you're satisfied with it. First, focus on story and
character revisions to address larger issues in your script. As you go through each
revision, start with larger issues like dialogue or confusing action sequences and work
your way down to minor issues like grammar and spelling. Begin each draught in a new
document so that you can copy and paste parts of your old script into the new one. If
you're too hard on yourself, you'll never finish the script you're working on.

3.1 Location Scouting

1.3.1 Demonstration 1: Step-by-step guidelines on how to scout for a location

Step 1: Project Brief and Script Analysis

- Example: A film script calls for a pivotal scene set in a rustic, isolated cabin in the woods.

- Process: Begin by thoroughly understanding the project's requirements. Analyze the script to
identify locations mentioned and any specific criteria, such as ambiance, architectural style, or
historical accuracy.

Step 2: Pre-Scouting Research

- Example: The script indicates that the cabin location should have a specific architectural
style, a nearby lake, and an isolated feel.

- Process: Conduct pre-scouting research using digital mapping tools and online databases.
Identify potential locations that match the script's description. Note their addresses and contact
information.

- Example: After finding potential cabin locations, you schedule visits to assess them in person.

- Process: Visit the identified locations to assess their suitability. Take detailed notes,
photographs, and videos. Evaluate how well each site matches the script's requirements and
whether it can accommodate the film crew's needs.

Step 3: Documentation and Reporting

 - Example: During the site visit to the first cabin location, you take photos, record GPS
coordinates, and note the condition of the cabin and its surroundings.

- Process: Document your findings thoroughly. Create a scouting report for each location visit.
Include photographs, notes, and any specific details about the site's advantages or challenges.

Step 4: Cost Estimations

- Example: While visiting cabin locations, you inquire about rental fees and any additional
costs, such as permits or location fees.

- Process: Determine the potential costs associated with using each location, including rental
fees, permits, and any additional expenses. This information is crucial for budgeting.

Step 5: Permits and Legal Considerations

- Example: For one of the cabin locations, you discover that it's situated on protected land,
which requires special permits for filming.

- Process: Research and address any legal considerations, such as permits, location agreements,
and insurance requirements. Ensure that the chosen locations comply with legal and
environmental regulations

Step 6: Communication with Production Team

- Example: You communicate with the film's producer and director to discuss the potential
cabin locations and their suitability.

- Process: Collaborate with the production team to align on the best location choices. Share
scouting reports, photographs, cost estimates, and any legal considerations. The team's input is
invaluable in the final decision-making process.

Step 7: Final Location Selection

- Example: After thorough evaluation and discussions with the production team, you select one
of the cabin locations as the ideal choice.
 - Process: Choose the final location that best aligns with the project's creative vision and
logistical needs. Secure the necessary permits and agreements and confirm availability for
filming dates.

Step 8: Location Prep and Finalization

- Example: The selected cabin location requires some set dressing and minor renovations to
match the script's description.

- Process: Collaborate with the production designer and art department to prepare the location
according to the script's requirements. This may involve set decoration, alterations, and any
necessary adjustments to the site.

Step 9: Post-Scouting Documentation

- Example: After finalizing the cabin location, you update the scouting report with details of
the preparations made.

- Process: Maintain detailed records of all location scouting efforts. Ensure the scouting report
reflects the final state of the location and any changes made to it.

Throughout the location scouting process, effective communication and collaboration with the
production team, as well as meticulous documentation, are key to identifying and securing the
perfect locations that align with the project's creative vision and logistical requirements.
TOPIC 2: PERFORM BASIC VIDEO PRODUCTION
2.0 Topic Learning Outcomes by the end of the topic, the participant will be able to;
1. Properly operate a camera, including focusing, exposure settings, and white balance.
2. Set up microphones and record high-quality audio on location.

2.1 Operate Camera

2.1.1 Demonstration 1: Step By step guidelines on how to operate a camera

I. Camera Body and Lens.

In this lesson, we'll explore the fundamental components of a camera, including the camera body
and the lens. Understanding the anatomy of your camera is the first step in becoming a proficient
photographer or videographer.

Camera Body Components.

 Camera Body: This is the main part of the camera that houses the image sensor,
electronics, and controls.
 Viewfinder or LCD Screen: The viewfinder is where you frame your shot, while the
LCD screen displays what the camera sees.
 Shutter Button: This button is used to take photos or start/stop video recording.
 Mode Dial: The mode dial allows you to select shooting modes like auto, manual,
aperture priority, shutter priority, and more.
 Battery Compartment: Houses the camera's battery, which powers the device.
  Memory Card Slot: Where you insert a memory card to store your photos or videos.

Lens Components

 Lens Barrel: The cylindrical part of the lens that attaches to the camera body.
 Focus Ring: Used to manually adjust the focus of the lens.
 Zoom Ring: If your lens has zoom capabilities, this ring controls the zoom.
 Aperture Ring: Some lenses have an aperture ring for manual aperture control.
 Lens Mount: This is where the lens attaches to the camera.
II. Understanding Buttons and Dials

Your camera is equipped with a variety of buttons and dials, each serving a specific purpose.
Mastering these controls is essential for taking creative control over your shots.

Common Buttons and Dials

 Shutter Speed Dial: Adjusts the duration the shutter remains open, affecting exposure
and motion capture.
 Aperture Ring (if available): Controls the size of the aperture, which impacts depth of
field and exposure.
 ISO Button: ISO stands for "International Organization for Standardization," but when
we refer to ISO settings in photography and videography, it has a different meaning. ISO
in this context is a setting that controls the sensitivity of the camera's image sensor (or
film in traditional film photography) to light.
 Exposure Compensation Button: Used to override the camera's exposure settings for
creative exposure adjustments.
 Menu Button: Accesses the camera's menu system for settings and configuration.
 Playback Button: Allows you to review captured images and videos.
 Function Buttons: Customizable buttons often used for quick access to specific
functions.
 D-Pad/Joystick: Used for navigating menus, selecting focus points, and more.
III. Handling Camera Safely
Properly handling your camera is crucial for its longevity and the quality of your work. Here are
some essential tips for keeping your camera in good condition:

Camera Handling Best Practices

Hold the Camera Securely: Use both hands to steady the camera. One hand on the grip and the
other supporting the lens.

Use a Neck Strap or Camera Bag: Prevent accidental drops by using a neck strap or a camera
bag when not in use.

Clean the Lens: Regularly clean the lens with a microfiber cloth to remove dust and smudges.

Protect Against Extreme Conditions: Avoid exposing your camera to extreme temperatures,
humidity, or dust.

Power Off When Not in Use: Turn off your camera when not shooting to conserve battery life.

Use Lens Caps: Protect the lens with lens caps when the camera is not in use.

2.1.2 Demonstration 2: Step By step guidelines on how to properly set up microphones

I. Shotgun Microphone Placement

Shotgun microphones are versatile tools for capturing clear and focused audio in a variety of
shooting scenarios, making them popular choices for film and video production. Proper
placement and technique are crucial to achieve optimal audio quality. Here are some key
considerations for shotgun microphone placement:
 II. Lavalier Microphone Placement

Lavalier microphones, or lapel mics, are small and discreet microphones commonly used for
interviews, public speaking, and on-screen talent. Proper placement is essential to minimize
clothing rustle and handling noise while maintaining consistent audio levels and clarity.

1. Concealing Lavalier Microphones Effectively

a) Positioning: Attach the lavalier microphone to the subject's clothing, usually near the
chest area. Conceal it behind a tie, lapel, or clothing to make it less visible.
b) Clothing Selection: Choose clothing that minimizes friction with the microphone, as
certain materials can cause rustling. Fabrics like silk or wool can help reduce friction and
noise.
c) Adhesive Mounts: Use adhesive mounts, clips, or special tape to secure the microphone
discreetly while allowing for easy removal without damage.
III. Boom Microphone Techniques

Boom microphones, often mounted on a boom pole, are widely used for capturing dialogue in
film and television production. Effective handling and positioning are critical for achieving high-
quality audio.

1. Handling Boom Microphones for Dialogue Recording

a) Boom Operator Training: If you have a dedicated boom operator, ensure they are well-
trained in holding the boom pole steadily and smoothly to capture clean and consistent
audio.
b) Two-Handed Grip: When holding the boom pole, use a two-handed grip to maintain
control and reduce handling noise. One hand should grip the pole near the microphone,
while the other should be positioned further down the pole.
c) Balancing the Boom: Adjust the length of the boom pole to balance the microphone
correctly. This reduces the strain on the operator and allows for more precise positioning.

2. Maintaining Consistent Microphone Positioning During Takes

a) Follow the Action: The boom operator needs to anticipate the movement of actors and
keep the microphone close to the sound source. Practice and coordination with the
camera operator are essential for capturing dialogues during dynamic scenes.
b) Use a Shock Mount: Similar to shotgun microphones, use a shock mount to minimize
handling noise and vibrations transferred to the microphone.

3. Mitigating Handling and Movement Noise

a) Boom Movement: Keep boom movements smooth and steady. Abrupt or jerky
movements can introduce handling noise into the recording.
b) Deadening Sound: Use soft materials, such as blankets or sound-absorbing materials,
near the microphone to minimize reflections and background noise.
c) Isolation Shields: Employ isolation shields or flags around the microphone to block
wind and noise from unwanted angles.
TOPIC 3: PERFORM BASIC VIDEO POST-PRODUCTION
3.0 Topic Learning Outcomes

by the end of the topic, the participant will be able to;

1. Proficiently navigate video editing software like Adobe Premiere Pro

2. Import and Organize video clips and assets.
3. Cut, trim, and arrange clips to create a coherent story.
4. Incorporate smooth transitions between clips and scenes.

3.1 Navigate Adobe Premiere pro

3.1.1 Demonstration 1: Step By step guidelines on how to navigate Adobe Premiere

It is one of the leading professional video editing software used by filmmakers, video editors,
and content creators. It is part of the Adobe Creative Cloud suite of applications and offers a
wide range of powerful tools for video editing, motion graphics, color correction, audio editing,
and more.

Components of Adobe premiere pro

There are various parts and components that contribute to its functionality. The main parts and
components of Adobe Premiere Pro:

1. Project Panel: The Project Panel is where you organize your media assets before adding
them to your timeline. You can import video clips, audio files, images, and other media
elements into your project from this panel.
2. Source Monitor: The Source Monitor allows you to preview and select specific parts of
your source media files before adding them to your timeline. You can set in and out
points and make other editing decisions in this panel.
3. Program Monitor: The Program Monitor displays the sequence currently being edited.
It shows the video output of your timeline, allowing you to preview your edits in real-
time. You can also use it to add markers and make frame-accurate edits.
4. Timeline Panel: The Timeline Panel is where you arrange and edit your video clips,
audio, and other elements. You can layer multiple tracks of video and audio, apply
effects, transitions, and make precise edits in this panel.

Other components are:

1. Tools Panel: The Tools Panel contains various tools used for editing, including:
2. Selection Tool (V): The Selection Tool is used to select and move clips and other
elements in the timeline. You can also use it to trim and edit clips.
3. Track Select Forward Tool (A): This tool selects all clips on all tracks after the position
of the cursor. It's useful for moving multiple clips together on the timeline.
4. Ripple Edit Tool (B): The Ripple Edit Tool trims a clip's in or out point and ripples the
rest of the timeline to close the gap. It helps maintain the overall duration of your
sequence when you edit a clip.
5. Rolling Edit Tool (N): The Rolling Edit Tool adjusts the edit point between two clips
without changing the overall duration of the sequence. It moves the in and out points of
adjacent clips simultaneously.
6. Rate Stretch Tool (X): The Rate Stretch Tool changes the duration of a clip by adjusting
its playback speed. When you shorten a clip, its playback speed increases, and when you
lengthen it, the speed decreases.
7. Razor Tool (C): The Razor Tool is used to cut clips at specific points on the timeline.
You can use it to split a clip into multiple parts, allowing for precise editing.
8. Slip Tool (Y): The Slip Tool allows you to change the in and out points of a clip without
changing its position in the timeline. It's useful for fine-tuning the content of a clip
without disturbing its placement.
9. Slide Tool (U): The Slide Tool moves a clip's in and out points in the timeline without
creating a gap. It allows you to adjust the timing of a clip while maintaining the
sequence's overall duration.
10. Pen Tool (P): The Pen Tool is primarily used in the Effect Controls panel. It allows you
to create control points for effects such as opacity and position, enabling you to create
keyframe animations.
11. Hand Tool (H): The Hand Tool allows you to scroll horizontally in the timeline when
the timeline is zoomed in, making it easier to navigate through your project.
12. Zoom Tool (Z): The Zoom Tool allows you to zoom in and out of the timeline for a
closer or wider view of your project.
13. Menu Bar: is located at the top of the application window and contains various menus
with options and commands for editing, organizing, and enhancing your video projects.

14. File Menu: The "File" menu contains options related to project management, importing
and exporting media, saving, and opening projects. Here, you can create new projects,
open existing ones, import media files, and export your finished projects in various
formats.
15. Edit Menu: The "Edit" menu includes commands related to editing your video clips,
such as cut, copy, paste, and undo/redo actions. It also contains options for manipulating
sequences, markers, and metadata.
16. Clip Menu: The "Clip" menu provides options for working with individual video and
audio clips. It includes commands for modifying clip properties, interpreting footage, and
managing markers.
17. Sequence Menu: The "Sequence" menu contains commands specific to working with
sequences. You can find options for creating new sequences, changing sequence settings,
and nesting sequences within each other.
18. Markers Menu: The "Markers" menu offers commands for adding and managing
markers on the timeline. Markers are used for annotating specific points in your project
for various purposes, such as indicating edit points or adding comments.
 19. Graphics Menu: The "Graphics" menu is used for working with motion graphics
templates and essential graphics. It includes options for creating new graphics, editing
existing ones, and managing graphics layers.
20. Window Menu: The "Window" menu controls the arrangement and visibility of various
panels and workspaces within Adobe Premiere Pro. It allows you to show or hide specific
panels, reset panel layouts, and switch between different workspaces tailored for editing,
color grading, audio, and more.
21. Help Menu: The "Help" menu provides access to the Adobe Premiere Pro user guide,
online resources, and support options. It also contains information about your software
version and licensing details.

3.2 Import Footages

3.2.1 Demonstration 1: Step By step guidelines on how to import footages

Step 1: Launch Adobe Premiere Pro: Start by opening Adobe Premiere Pro on your computer.

Step 2: Create a New Project: If you're starting a new project, select "New Project" and give it
a name. If you're working on an existing project, open it directly.

Step 3: Access the Media Browser:

Go to the "File" menu.

Choose "Import" or use the keyboard shortcut Ctrl+I (Windows) or Command+I (Mac).
Alternatively, you can open the same import menu by right-clicking anywhere in
the Project window and selecting Import from the drop-down menu.
Step 4: Navigate to Your Media: Use the Import dialog or the Media Browser panel to navigate
to the location of your video clips, this being the folder created earlier.

Step 5: Select Clips for Import:

Click to select individual clips you want to import.

To select multiple clips, hold down the Ctrl key (Windows) or Command key (Mac) while
clicking on them.

You can also drag your mouse to create a selection box to import multiple clips at once.

Select the footage and files you want to import and click the ‘open’ button.
Step 6: Import and Organize:

Click the "Open" button. Adobe Premiere Pro will copy the selected media to your project folder
and organize it in the project panel.

Being organized is essential in making a video, especially when it comes to editing. One of the
best things you can do when carrying out a Premiere import is to ensure that your files are neatly
organized in the project panel using bins. Things can become very confusing and messy quickly
if you don’t.
A ‘bin’ is essentially just a folder inside the project panel. For example, below, I’ve organized
my files into footage from my GH5, music from Artlist, royalty-free stock footage and video
overlays from Artgrid and some stock photos from motion array. This will help me navigate
through my files and edit them much quicker.
To create a new bin, simply click the New Bin folder icon at the bottom of the Project panel.
This will create a new folder that you can name appropriately.
Step 7: View and Sort Clips:

In the project panel, you'll see the imported clips. You can view details like resolution, frame
rate, and more.

Use the search bar, labels, and metadata to efficiently sort and locate your clips.

Step 8: Drag Clips to the Timeline:

To begin editing, simply drag your clips from the project panel to the timeline.You can also use
keyboard shortcuts like "Ctrl+I" (Windows) or "Command+I" (Mac) to insert clips into the
timeline.

Step 9: Adjust Sequence Settings: If your clips have different resolutions or frame rates than
your sequence, Adobe Premiere Pro will ask if you want to change sequence settings to match
your clips. Make a choice based on your project's requirements.

Step 10: Save Your Project: Regularly save your project to ensure your work is preserved.
3.3 Cut, trim, and arrange clips to create a coherent story.

3.3.1 Demonstration 1: Step by step guidelines on how to cut videos

Step 1: Open Adobe Premier pro

Step 2: Click file and click import to import your footages

Step 3: Check if the footages you have selected have been imported
Step 4: Drag and Drop your footages to the sequences tab
3.3.1 Demonstration 2: Step by step guidelines on how to trim videos
Step 1:Open premier pro

Step 2: Click file and Click import

Step 3: Check if the footages you have selected have been imported

Step 4: Drag and Drop your footage to the sequence tab

Step 5: Use the razor tool to cut the footages you have on the sequence tab

Step 6: Cut the unwanted scene and remain with the wanted part
Step 7: On each of the empty space after trimming out the unwanted, right click and click ripple
delete to bring the videos together
3.3.1 Demonstration 3: Step by step guidelines on how to arrange videos
Step 1:Open premier pro

Step 2: Click file and Click import

Step 3: Check if the footages you have selected have been imported
Step 4: Drag and Drop your footage to the sequence tab

Step 5: Now you can move the videos (A cam and B cam) as you trim and arrange on the
sequence tab to create.
3.4 Adding Transitions

3.4.1 Demonstration 1: Step By step guidelines on how to add transitions

Step 1: Selecting the Transition: In Adobe Premiere Pro, start by placing your video clips on
the timeline. Locate the "Effects" panel on the right-hand side and then click on the "Video
Transitions" folder. Here, you can browse and select from a variety of transition effects.

Step 2: Placing the Transition: Drag and drop your chosen transition effect between two
adjacent video clips on the timeline. You'll see a visual representation of the transition effect
appearing in the timeline.

Step 3: Adjusting Transition Duration: To customize the transition duration, click on the
transition effect on the timeline. Handles will appear at the edges, allowing you to adjust the
length of the transition as needed.
Step 4: Customizing Transition Parameters: For some transitions, Adobe Premiere Pro offers
additional customization options. You can access these options in the "Effect Controls" panel.
Here, you can fine-tune parameters like the direction of a slide or the shape of a wipe.In the
Effect Controls panel, the adjoining clips and transition are displayed in A-roll/B-roll format.
A. Play The Transition button
B. Transition preview
C. Edge selector
D. Clip previews
E. Start and End sliders
F. Transition settings
G. Clip A (first clip)
H. Transition
I. Clip B (second clip)
J. Current-time indicator
Step 5: Previewing the Transition: Adobe Premiere Pro provides a convenient way to preview
transitions. You can use the Program Monitor to watch how the transition will look in your video
project.

Step 6: Fine-Tuning: After previewing, if necessary, make adjustments to the transition's

timing, placement, or other parameters to ensure it fits seamlessly within your video's context.
Step 7: Rendering: Once you are satisfied with the transitions and your entire video edit, you'll
need to render or export your video. Adobe Premiere Pro will include the transitions in the
exported video.

Adding transitions in Adobe Premiere Pro is an integral part of the creative process, allowing
you to enhance the storytelling, visual appeal, and overall impact of your video project.
Remember to use transitions judiciously, as overusing them can detract from your content's
message. Adobe Premiere Pro's user-friendly interface and extensive transition options make it a
powerful tool for adding professional-grade transitions to your videos.