ARTS 1013 Module 5 Week 9 and 10
ARTS 1013 Module 5 Week 9 and 10
Tuguegarao City
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O God, wellspring of goodness and blessings, we give you thanks and praise as one Louisian community. The
graces You incessantly grant upon us and Your divine providence have sustained our beloved University throughout
the years of mission and excellence.
Having been founded by the Congregation of the Immaculate Heart of Mary, we pray that You keep us committed
and dedicated to our mission and identity to serve the Church and the society as we become living witnesses to the
Gospel values proclaimed by Jesus. For if we are steadfast in our good and beautiful mission, our works will bring
success not only to ourselves but also to those whom we are bound to love and serve.
Inspired by St. Louis our Patron Saint, who was filled with a noble spirit that stirred him to love You above all things ,
may we also live believing that we are born for a greater purpose and mission as we dwell in Your presence all the
days of our life.
Week 9-10
Learning Outcomes: At the end of this module, you are expected to:
• Identify the underlying history, philosophy of the era or movements in
Art
• Classify the various movements according to various characteristics
LEARNING CONTENT
Introduction:
Visual art recounts stories of our past, it gives an account of past events. Art history allows us to look
back and understand how our civilization evolved over the centuries. It is a way to know ourselves better. Why
do we have certain values? What shaped the way we think and our vision of the world? Well, if we consider the
discipline differently from a career standpoint, we realize that it serves fundamental purposes.
Studying art history is really not about memorizing dates, artists’ names, art movements, etc. Instead, it
drives you to analyze paintings, photographs, sculptures, etc. To support your analysis, you must build rational
and convincing arguments, hence developing your critical thinking.
Let’s begin to identify the underlying history, philosophy of the era or movements…
Lesson Proper:
Week 9
Art History
Art history is the study of objects of art
considered within their time period. Art historians
Iconography is a major part of art history. It consists in analyzing the symbolism of works of arts. For
instance, art historians identify the visual elements of a painting and interpret its meaning. Art historians are
interested in what the works of art represented at the time they were created. It is a way to learn about the
civilizations of the past.
Beginning of Architecture
The beginning of architecture was when the early man began the practice of burying the dead. The first
architectural structures were the menhirs, dolmens, and cromlechs. They were associated with funeral and
religious purpose
1. Menhirs were simple monuments consisting of a single large piece of stone called megalith.
2. Dolmens were made up of a number of vertical megaliths with a horizontal slab spanning them. They
are beginning of post-and-lintel system (this is a building system where strong horizontal elements are
held up by strong vertical elements with large spaces between them.)
River Civilization
At the onset of warmer weather throughout the world, man migrated and settled along the banks of the river:
In Mesopotamia arose the kingdoms of Sumeria and Babylonia. The first codes of law were
drawn up, the most famous of which is the Code of Hammurabi with its principles: “Eye for an eye, a tooth
for a tooth.” - or the law of retaliation is the principle that a person who has injured another person is to be
penalized to a similar degree by the injured party. In softer interpretations, it means the victim receives the
estimated value of the injury in compensation.
In Babylonia, known for its Tower of Babel, was erected the ziggurat, a tower-like structure
which strove to reach the skies. Sculpture was generally associated with the religious function. All the arts
were in the service of religion and the glory of the ruler.
Egyptian Art
The art of the Egypt was closely knit with religion and its very core is profound preoccupation with death
and immortality. The basic religious scripture was the Book of the Dead with its funeral prayers and rituals.
PYRAMIDS
The great pyramids of the kings, especially that of King Khufu or Cheops, were the highest points of
Pyramid construction. Within the chambers of the royal dead were spacious apartments with interconnecting
corridors. Here the treasures of Pharaoh were kept. The king’s mummy was concealed beneath several layers
of gold and silver sarcophagi, which also doubled as full-length images of Pharaoh. All around the walls were
painting of the king surrounded by his family and other deities. These paintings were stylized linear geometric
style. The paintings, with the face in profile, have a fully delignated eye, and the shoulders in frontal position.
TEMPLES
It is in the ancient Egypt temples that the visual arts – painting, sculpture, and architecture – found
fullest expression. Egyptian architecture developed the use of post-and-lintel system. It is also made use of
columns with lotus and papyrus. Examples of temples were:
History: Built for the Eighteenth Dynasty pharaoh Hatshepsut, who died in 1458 BC, the temple
is located beneath the cliffs at Deir el-Bahari on the west bank of the Nile near the Valley of the Kings.
History: The Abu Simbel Temples were constructed during the rule of Pharaoh Ramesses II in
around 1264 BCE. The pharaoh commissioned the construction of the monuments as a commemoration of
his victory against the Hittite Empire led at the ancient city of Kadesh during the Battle of Kadesh in May
1274 BCE. The temples were also meant to showcase Egyptian religious superiority to its neighbors.
Archeologists and historians believe that it took 20 years to complete the temples which were dedicated to
the Egyptian deities Ptah and Ra-Horakhty.
The Greeks were known to excel in various fields and aspects of society. For example, their political
ideals eventually became the framework for the democratic form of government in modern times.
They also valued poetry, drama, and philosophy, which remain interesting fields of study for the contemporary
times. For those who want to be involved in arts such as painting, sculpture, and architecture, it is required to
have a certain skill sets and body of knowledge.
The Greeks were known to place prime importance in the use of reason. For the civilization, man was at the
center of society and how they train their minds could be the very foundation of how they lived their lives. The
humanist ideals of the Greeks were reflected in their democratic form of government.
This certain level of freedom was also reflected in their artworks, architecture, literature, and philosophy. They
were notably passionate about natural phenomenon and believed that nature should be in perfect order. These
principles, belief system, and ideologies are at the core of Greek art and architecture.
1. Geometric Period was a time when Greece was starting to get back from the onslaught of what
seemed to be their Dark Ages. It was a period when geometric shapes and patterns have taken the
spotlight in most of the artworks.
2. Archaic Period, on the other hand, placed importance on human figures. This was primarily a result of
Greece's trading activities with other civilizations
.
Image online source: https://www.metmuseum.org/toah/hd/argk/hd_argk.htm
3. Classical Period - The peak of Greek sculpture and architecture. In the early 5th century Greek
artists began consciously to attempt to render human and animal forms realistically.
This entailed careful observation of the model as well as understanding the mechanics of anatomy -
how a body adjusts to a pose which is not stiffly frontal but with the weight shifted to one side of the
body, and how a body behaves in violent motion.
4. Hellenistic Period. It was during this time when the Greeks found themselves rebuilding their temples
and focusing on creating artworks. The time of Alexander the Great was called the Hellenistic Period.
During this time, art was primarily focused on showcasing emotions and depicting reality. Hellenistic
sculptures started to emphasize balance while showcasing dynamic poses and a number of emotions
evoked by the subjects.
Introduction:
As the term denotes, it is the period between the decline of the Roman Empire and the Renaissance. It
was a period that is characterized by ignorance and darkness Another dominant characteristic of the period
was that the Church was the central figure and authority of the period. Since the Church was the most
important figure, the most important products of the early Middle Ages would have to be copied of the Christian
scriptures.
The printing press came later after the Middle Ages, so copies 0l the scriptures were done by hand. These
copies were also done with illustrations and decorations which highlight the religious focus of the period.
During this time, great cathedrals were built. These cathedrals can be categorized into two periods:
Romanesque, inspired by the old Roman Empire; and Gothic, which had a more northern flavor from the Goths
which refers to vulgar and barbarian.
Renaissance Art
Mannerism Art
The Triumph of the Immaculate by Paolo de Matteis, a painting produced during the Baroque Art Movement
Image online source: https://www.worldatlas.com/articles/what-was-the-baroque-art-movement.html
Neoclassicism Art
Romanticism, as an art movement, used the central themes of Neoclassicist artworks as a springboard.
Romanticists have highlighted heroic elements into their work. During the Age of Revolutions, there has been a
tremendous focus on patriotic and nationalistic movements. One of the major revolutions in history would be
the French Revolution. Such revolutionary movements became the focal point of most Romantic works.
The major and central themes of Romanticism movement include the emphasis on the goodness of
mankind. Most works also promoted justice, equality, and social order. Artists also emphasized emotions and
feelings of man, which was a deviation from the humanist principles of rationalism.
Realism
Realism as a style of work focuses on the accuracy of details that depicts and somehow mirrors reality.
There is little room for imagination in this movement since emphasis is placed in observable traits that can
concretize through artworks. Realism was heavily influenced by Hellenistic Greek culture since most artworks
during that period placed emphasis on the human body.
Realism as a modern movement in art veered away from traditional forms of art. In a way, it
revolutionized themes and techniques in paintings. In addition, this movement also expanded and widened
existing notions of what can be considered as art.
Since artists worked within the context of revolutions and social change, artistic works began to depict
real-life events. Idealistic concepts and images were replaced by real manifestations of society. There is a
move to combine both art and life in artistic works since the modern world were suitable for subjects of art. This
movement also reexamined existing belief systems and traditions.
Impressionism Art
The Impressionism movement started in France, which led to a break from the tradition in European
painting. Impressionism is a style of painting that emerged in the mid- to late 1800s. Impressionist artists
incorporated scientific principles to achieve a more distinct representation of color. The distinctive
characteristic of this style is that it allows the artist to emphasize the immediate impression he has of a
particular event or scene. The said impression is communicated by the artist through his work and can be seen
through the brushstrokes, distinction of colors, and the lights and shadows used by the artist.
Berthe Morisot, by Manet (1869). Impressionist artists started moving art outdoors which aimed to include the
shifting light they wanted to capture in their works. This work by Morisot is one of the first few "open air'
paintings under the impressionism movement.
Neo-Impressionism Art
Art Nouveau
Between 1890 and 1910, countries from Europe and the United
States witnessed the emergence and flourishing of a new art style. This
ornamental style of art was a break from the conservative historicism,
which was the prevailing and dominant theme of most Western artworks.
This ornamental style uses long and organic lines that are concretely
manifested in architecture, jewelry and glass design, among others. In
most works, the defining characteristic of Art Nouveau is the asymmetrical
line that usually is in the form of insect wings or flower stalks. The line is
done in such a graceful and elegant manner that somehow evokes a
certain power to it.
His work was inspired by nature and literature. He would collect and study plants and bugs in his free
time for inspiration, pioneering experimental techniques in glass making that he later patented. Many of his
work had floral motifs and poems sealed within, written for the owner.
Fauvism
Technically, the painting is wild, with neat colors, as though used straight from the paint tube. The
inconsistent brushstrokes not only intensify the composition, but also cause distraction and minimize
traditionalism. On an emotional level, Boats in the Harbor evokes the soaring degree of elation Andre Derain
must have felt while creating it. The paintings atmosphere is joyful, yet serene, not an easy feat for any artist.
Cubism
Between 1907 and 1914, French artists Pablo Picasso and
Georges Braque introduced a new visual arts style called cubism.
This style would later on have a huge influence on artists during the
twentieth century. Cubists highlighted the two- dimensional surface
of the picture plane. Focusing on a flat surface was a rejection of the
dominant techniques like the use of perspective, foreshortening, and
modeling. In addition, one of the things that cubism rejected was the
existing and prevailing notion that art should imitate nature. Cubists
emphasized that they are not in any way obliged to copy texture,
form, color, and space. They presented a new depiction of reality
that may appear fragmented objects for viewers.
Example: Pablo Picasso, “Three Musicians”, 1921
Image online source: https://news.masterworksfineart.com/2018/10/31/pablo-
picasso-and-cubism
Futurism
It is an early twentieth century art movement that started in Italy,
which highlighted the speed, energy, dynamism, and power of
machines. In addition, common themes for works in this movement
are restlessness and the fast-pace of modern life. Later on, the
movement's influence branched out not only in Europe but also in
Russia. The greatest impact of futurism is evident in poetry and visual
arts.
Città Nuova (New City) by Antonio Sant'Elia
Image online source:
https://www.theartstory.org/movement/futurism/artworks/
This image is part of Sant'Elia's design for a new city and this
reflects the architect's ideas of modernity. He expressed these in The
Manifesto of Futurist Architecture in 1914, writing that "We must
invent and rebuild our Futurist city like an immense and tumultuous shipyard, active, mobile, and everywhere
dynamic, and the Futurist house like a gigantic machine". In this part of the design, elevators can be seen
ascending the façade of the building, and modern modes of transportation, highways and trains, run alongside
and into the complex. The building itself is multi-leveled and as well as more traditional vertical lines it is
composed of elliptical and diagonal lines, which Sant'Elia wrote were "dynamic by their very nature".
Textbook:
Online References:
Readings on The Egyptian Art Pyramid retrieved from:
https://www.nationalgeographic.com/history/magazine/2016/01-02/egypt-book-of-the-dead/
Readings on Prehistoric Art retrieved from:
https://courses.lumenlearning.com/masteryart1/chapter/oer-1-17/
Readings on Neolitic Revolution retrieved from:
https://courses.lumenlearning.com/masteryart1/chapter/reading-the-neolithic-revolution/
Readings on Ancient Near East Art retrieved from:
https://courses.lumenlearning.com/masteryart1/chapter/reading-ancient-near-east/
Readings in Ancient Egypt Art retrieved from:
https://courses.lumenlearning.com/masteryart1/chapter/reading-ancient-near-east/
Readings on Ancient Greece and Rome retrieved from:
https://courses.lumenlearning.com/masteryart1/chapter/reading-ancient-greece-and-rome/