ART 002
ART 002
Finally, sometimes art is used to maintain a species. Egyptian (3100 BC -30 BC)
This can be seen in rituals of the animal kingdom and
Everyone is familiar with the awe-inspiring architecture
in humans themselves. Biological functions obviously
of the ancient Egyptians, including the Great Pyramids.
include fertility symbols (in any culture), but there are
Busts and statues of royal figures were a major part of
many ways humans adorn their bodies with art in
Egyptian art as well, which has many of its own unique
order to be attractive to others and eventually mate.
artistic periods. "Egyptian Art" is a pretty huge
umbrella term for an entire culture, after all.
Art Eras: Where to Begin? The period of early, Hellenistic Greek art was one of
As long as humankind has been conscious of itself, it idealism and perfection, which was reflected greatly in
has been creating art to represent this self. The earliest the era's architecture and sculptures. The Parthenon
cave paintings that we are aware of were created was built during this time, a temple dedicated to
roughly 40,000 years ago. We have found paintings and Athena, the goddess of wisdom and warfare, among
drawings of human activity from the Paleolithic Era other things. Today, the Parthenon exists as a symbol
under rocks and in caves. We cannot truly know the of Athenian democracy. The famous styles of Greek
reason why these early humans began to produce art. column were also invented during this time: Doric,
Perhaps painting and drawing were a way to record lonic, and Corinthian.
their lived experiences, to tell stories to young
Roman (500 BC - 476 AD)
children, or to pass down wisdom from one generation
to the next. There's a vast history of Roman architecture as well,
which you can learn more about in this history of
In the history of art, Prehistoric art refers to all artwork
Roman art course. During this era, we see the
produced by ancient men before any preconceived
construction of the Pantheon - a temple dedicated to
culture and known methods of writing. The term cave
all Roman gods - and the Colosseum, among other
art is the painting and drawing of figures called
classic buildings
PETROGRAPHS or PETROGLYPHS to portray a story or
to record known history. The term is mostly used in Byzantine and Islamic (476 AD - 1453 AD) This period
connection with Stone Age Art created during the late saw the birth of the Islamic religion, and structures like
Ice Age, between about 40,000 and 10,000 BCE a period the Hagia Sophia and the Alhambra.
known as "UPPER PALEOLITHIC"
It is generally believed that this was created by the Middle Ages (500-1400)
Modern Man (Homo Sapiens)
This was the era of Celtic and Gothic art, which saw the
Stone Age (30,000 BC - 2500 BC) rise of intricate gothic cathedrals and structures like
Notre Dame. It was a dark era, home to the Black Death
The Stone Age was the era of cave painting. Well and the crusades, which was all reflected in the dark,
known pieces include the Lascaux Cave in looming, and religious nature of its art.
southwestern France, a cave system covered in cave
paintings of animals, humans, and symbols, rendered Early and High Renaissance (1400-1550)
in mineral pigment. Efforts have gone into restoring
The word "Renaissance" is a French term meaning
the paintings, which have faded. They are, after all,
rebirth, which is exactly what the Renaissance
over 17,000 years old. Another famous work from this
movement was. It was a cultural rebirth of art,
literature, and intellect after a vast period of darkness, nature of the self seen in the Romantic - all of these
disease, and war. Music, art, science, philosophy, and things were thrown out the window. The working class
other schools thrived during this era, which gave birth ruled the era of Realism, at least as far as art went.
to such greats as Michelangelo, Leonardo da Vinci, Common folks' lives were pictured there, and all the
Donatello, and more. For a more in-depth guide to this mundane experiences and struggles that characterize
period, check out this art history course, which begins life. Famous artists include Courbet and Millet.
its focus on the early Renaissance era before moving
Impressionism (1865-1885)
on to the modern age.
Impressionism might have been one of the first purely
Venetian and Northern Renaissance (1430 - 1550)
aesthetic art periods, a style focused on capturing a
During this era, the Renaissance movement spread
visual phenomenon rather than an intensely political
from Italy to France, Germany, Poland and other
or religious one. Impressionism rejected dated
northern European countries. Bellini, Jan van Eyck,
techniques that dictated form and order, and painted
Bosch, and other artists reigned during this time.
freely. Their works were like impressions of scenes and
Baroque (1600-1750) people, hence the name. Painters like Monet, Manet,
and Cassatt were known during this time. If you want
The Baroque was a highly religious era that overlapped
to learn the techniques used by the impressionists,
the Thirty Years War between the Protestants and the
check out this course on acrylic painting. Watercolors
Catholics. Baroque artists like Rembrandt and
were also popular during this time. Check out this
Caravaggio were well known during this time for the
introduction to watercolors to get started with the
tense, moody, and extremely dramatic style of their
medium.
work, reflected in lighting techniques and subject
matter. Baroque architecture like that of the Palace of Post-Impressionism (1885-1910)
Versailles was known for its ornate intensity. Many of
Post-impressionism was the logical follow-up to
these art periods were reflected in the music of the
impressionism, an art style that maintained its
time as well! Check out this course on classical music
philosophy - a rejection of traditional art rules and its
for some examples.
focus on perfection - but also rejected its supposed
Neoclassical (1750-1850) limitations. Post-impressionism carried on
impressionism's free style and unrestricted brush
The Neoclassical era toned down the extremity of
techniques, but applied it to more common scenes,
Baroque while still capturing the grace and aesthetic
and also painted forms rather than just impressions.
perfection of Greco-Roman art periods. It was likely the
Notable post-impressionists include Rousseau,
overlapping Age of Enlightenment, which saw another
Toulouse-Lautrec, and van Gogh.
turn towards the scientific over the religious. That set
the tone for this era, as well as the concurrent Fauvism and Expressionism (1900-1935)
Industrial Revolution. Jacques-Louis David, and Jean-
Expressionism and its cousin Fauvism were partially
Auguste-Dominique Ingres were well known painters
products of wartime. It flourished during and after the
during this time.
first World War with its harsh colors, bold shapes, and
Romanticism (1780-1850) often its disturbing emotional content. Of course, the
last part is not a requirement of expressionism.
While past art eras had embraced the religious and the
Matisse, a Fauvist painter, usually kept things very
scientific, Romanticism saw an emphasis on the self, as
light. Then there was German expressionism,
well as a rejection of the kind of order that the
influenced highly by the disturbing works of Edvard
Enlightenment had imposed in favor of a more chaotic
Munch (who was Norwegian) and Egon Schiele.
approach to life. This took place during the American
Consider a course on oil or acrylic painting to learn the
Revolution and the French Revolution, and saw its
techniques used by the expressionists.
crowning artists across a host of different counties.
Delacroix, Turner, and Gericault, among others, Cubism, Futurism, Supremativism, Constructivism, De
defined the landscape with their dark and moody Stijl (1905 - 1920) Occurring parallel to expressionism
works. and during and after the first World War, the diverse set
of art styles including cubism, futurism,
Realism (1848-1900)
supremativism, and constructivism was important for
Realism was the first movement to finally reject all the its explorations of numerous expressionistic styles. No
drama, intensely exaggerated emotion, and grandeur longer were artists forced to capture realistic images of
of other art styles for a more grounded approach to people or beautiful scenery. This era saw shapes,
human nature. The melodrama of religion seen in the abstract objects, and highly deconstructed renders of
Baroque, the false perfection of the sciences seen in landscapes and other things used as a means of
the Neoclassical, and the embracing of the chaotic expression, rather than traditional techniques seen
before. This was a bold period for art, and saw talents Paleolithic had been replaced by geometrically
like Picasso leading the way. abstract art of Neolithic.
Dada and Surrealism (1917-1950) THE ROMAN ART (500 B.C. to 1453 A.D.)
Dada and surrealism rejected so much of traditional art Roman art began around 500 B.C. and ended at the fall
that it dived into absurdism. Elements of dreams and of Rome in 1453 A.D. medieval art covers the
the subconscious were explored with this style, as well production of art and artists in North Africa, Europe
as wartime horrors (it overlapped World War II and the and the Middle East.
atomic bombings of Japan). The Dadaists meant to
Roman art was developed largely because of the
subvert classical ideas of expression, as well as
Roman empire, During the time of Romulus to Emperor
question what art itself even means. This is captured
Constantine.
perfectly in Marcel Duchamp's piece, Fountain, which
was just a porcelain urinal he found, signed, and Roman art often depicted Roman mythology because
entered into an art exhibition. Notable surrealists of their belief in the power of gods, artists also
include Dali and Magritte. illustrated Roman emperors particularly in sculpture.
Pop Art (c. 1950s CE - 1960s CE) MEDIEVAL PERIOD (c. 450 C.E to 1400 C.E.)
Popular; Transient; Expendable; Low Cost; Mass Medieval art covered almost ten centuries between the
Produced; Young; Witty; Sexy; Gimmicky; Glamorous; Sack of Rome (c. 450 C.E.) and the early Italian
and Big Business, outlining his definition of Pop Art. Renaissance (1400 C.E.). Only one institution survived:
This quote from one of the movement's forerunners the Christian Church- centered in Rome and
aptly describes Pop Art. Satirical observers of Constantinople. The church became the main sponsor
contemporary culture, Although their individual styles of architecture and the other types of art during the
and techniques varied, together their art revealed medieval era.
American values and obsessions during the 1960s. The
movement rose to popularity unlike any other In the beginning of the medieval period, all work of art
movement. The trendy look and familiar subject are commissioned by religious authorities for
matter made Pop Art easy to like. Artists used churches/monasteries.
contemporary images, such as food product labels and
Prominent use of valuable materials such as gold. for
celebrity photographs, and mass- production
objects in churches, jewelry, mosaic backgrounds.
techniques to voice political and social commentary.
They were interested in advertising, consumer TYPES OF MEDIEVAL ART
products, television, magazines, and comics.
ILLUMINATED MANUSCRIPTS
Postmodernism and Deconstructivism (1970 CE) METALWORKS
PAINTINGS
Much of postmodern art is deconstructing styles of the
SCULPTURE
past and reinterpreting them.
STAINED GLASS
Neo-Expressionism (c. 1980s CE) HERALDRY
By the end of the 1970s a movement emerged that The Gothic Era (1100-1500)
threw out the cool ideas of Minimalism and embraced
Gothic art - originated in the 12th century with the
the impassioned emotions of Expressionism (a German
rebuilding of the Abbey Church in Saint Denis, France.
art movement of the early 1900s). Neo-Expressionism
Gothic architecture offered revolutionary structural
resurrected what Minimalism attempted to kill. While
advancements such as ribbed vaults, flying buttresses,
Minimalism attempted to strip away personal feelings,
and decorative pinnacles all contributing to taller and
autobiographical content became a hot subject in the
lighter building design.
Neo-Expressionist movement. Art that incorporated
Neo-expressionist ideas is often characterized by the Gothic architecture was light, graceful and mostly
raw and sensual handling of mediums, social protest, spacious in nature. Heavy piers were replaced by
and the attempt to make abstract emotions tangible. slender ones while window dimensions became larger
as vaults and spires increased in height.
The Paleolithic Period (Old stone age) in arts was the
time when primitive cave artworks were created with Gothic sculptures borrowed motifs from the
the use of primitive tools by primitive men. architecture of the period since it was primarily used to
decorate exteriors of cathedrals and other religious
The Neolithic Period (New stone age) when man began
buildings.
to develop culture and change his lifestyle. The
naturalistic art style of hunter gatherer of the Characteristics of Medieval Art
Rich colors This was the period when classical ideals of humanism
Heavily outlined were fully implemented in both painting and sculpture.
Flat and stiff figures showing no depth The preceding Early Renaissance had been centered on
Religious icons Florence and paid for by the ruling Medici family while
Architecture is influenced by Greek and Roman- the High Renaissance was centered on Rome and paid
Byzantine, Romanesque and Gothic styles emerged for by the Pontiff.
from this period.
High Renaissance artists wanted beauty and harmony
Mosaics replaced carved decorations
more than realism, they looked for ultimate truths in
Large domes central to the church
the study of the classical world of Greek and Roman
Medieval Churches and Monasteries culture.
According to Webster's, it is the ability to create and "What an artist does to an emotion is not to induce it,
the quality of being creative. but express it. Through expression, he is able to
explore his own emotions and at the same time, create
CREATIVITY IN ART
something beautiful out of them." - Robin George FREEHAND- the ability to draw something without
Collingwood depending on instruments or something else to
draw
Expressing emotions is different from describing
2. Mechanical lines can express a rigid control.
emotions.
Mechanical Drawing- combinations of straight lines
This makes people's art not a reflection of what is
and curved lines that show the edges and surfaces
outside or external to them, but a reflection of their
of an object.
inner selves.
3. Continuous lines can lead the eye in certain
directions.
It is one in which a single, unbroken line is used to
Visual Elements of Arts and Designs develop the image.
4. Broken lines can express the ephemeral or the
THE VISUAL ELEMENTS OF ART
insubstantial.
The Visual Elements are Line - Shape - Tone - Color - 5. Thick lines can express strength. (6) Thin lines can
Pattern - Texture - Form. These are the building blocks express delicacy.
of composition in art. When we analyze any drawing,
SHAPE can be natural or man-made, regular or
painting, sculpture or design, we examine these
irregular, flat (2-dimensional) or solid (3- dimensional),
component parts to see how they combine to create
representational or abstract, geometric or organic,
the overall effect of the artwork.
transparent or opaque, positive or negative, decorative
The Visual Elements have a relationship to one or symbolic, colored, patterned or textured.
another:
The Perspective of Shapes/ Perspective drawing:
1. Most images begin their life as line drawings. The angles and curves of shapes appear to change
2. Lines cross over one another to form shapes. depending on our viewpoint. The technique used to
3. Shapes can be filled with tone and color, or describe this change is called perspective drawing.
repeated to create pattern.
The Behavior of Shapes are as follows:
4. A shape may be rendered with a rough surface to
create a texture. 1. Shapes can be used to control your feelings in the
5. A shape may be projected into three dimensions to composition of an artwork.
create form. 2. Squares and Rectangles can portray strength and
stability.
Each of the elements may also be used individually to
3. Circles and Ellipses can represent continuous
stress their own particular character in an artwork.
movement.
Different elements can express qualities such as
4. Triangles can lead the eye in an upward
movement and rhythm, space and depth, growth and
movement.
structure, harmony and contrast, noise and calm and a
5. Inverted Triangles can create a sense of imbalance
wide range of emotions that make up the subjects of
and tension.
great art.
TONE is the lightness or darkness of a color. The tonal
LINE is the foundation of all drawing. It is the first and
values of an artwork can be adjusted to alter its
most versatile of the visual elements of art. Line in an
expressive character. It can be used to create (1) a
artwork can be used in many different ways. It can be
contrast of light and dark, (2) the illusion of form, (3) a
used to suggest shape, pattern, form, structure,
dramatic or tranquil atmosphere, (4) a sense of depth
growth, depth, distance, rhythm, movement and a
and distance and (5) a rhythm or pattern within a
range of emotions.
composition.
There is a psychological response to different types of
COLOR is the visual element that has the strongest
lines such as:
effect on our emotions. We use color to create the
1. Curved lines suggest comfort and ease. mood or atmosphere of an artwork. There are many
2. Horizontal lines suggest distance and calm. different approaches to the use of color such as light,
3. Vertical lines suggest height and strength. tone, pattern, form, symbol, movement, harmony,
4. Jagged lines suggest turmoil and anxiety. contrast and mood.
The way we draw a line can convey different expressive PATTERN is made by repeating or echoing the
qualities: elements of an artwork to communicate a sense of
balance, harmony, contrast, rhythm or movement.
1. Freehand lines can express the personal energy
and mood of the artist. There are two basic types of pattern in art: Natural
Pattern and Man-Made Pattern. Both natural and man-
made patterns can be regular or irregular, organic or
geometric, structural or decorative, positive or recently the CAD process of 3D printing has been
negative and repeating or random. added to the list of sculptural processes.
Two-Dimensional Form constructs the illusion of
Natural Pattern: Pattern in art is often based on the
3D in 2D media by a skillful manipulation of the
inspiration we get from observing the natural
visual elements. Perspective drawing, trompe l'oeil
patterns that occur in nature. We can see these in
[1], 3D computer graphics programs and
the shape of a leaf and the branches of a tree, the
holograms are examples of 2D form.
structure of a crystal, the spiral of a shell, the
symmetry of a snowflake and the camouflage and
signaling patterns on animals, fish and insects.
Principles of Arts
Man-Made Pattern: Pattern in art is used for both
structural and decorative purposes. For example, THE PRINCIPLES OF ART
an artist may plan the basic structure of an artwork
by creating a compositional pattern of lines and The principles of art (or the principles of design) are
shapes. Within that composition he/she may essentially a set of criteria which are used to explain
develop its visual elements to create a more how the visual elements are arranged in a work of art.
decorative pattern of color, tone and texture These principles are possibly the closest thing we have
across the work. to a set of objective criteria for analyzing and judging
art.
TEXTURE is the surface quality of an artwork - the
roughness or smoothness of the material from which it Art is a notoriously gray area when it comes objectively
is made. We experience texture in two ways: optically defining what is great and what is not. An artist of one
(through sight) and physically (through touch). era may be mocked during his lifetime, yet revered
after his passing (such as Vincent van Gogh). The
Optical Texture: An artist may use his/her skillful principles of art help combat this gray area to some
painting technique to create the illusion of texture. extent. They allow us to communicate what makes a
For example, in the detail from a traditional Dutch great painting great with an element of objectivity and
still life above you can see remarkable consistency.
verisimilitude (the appearance of being real) in the
painted insects and drops of moisture on the silky 1. Balance refers to the visual weight of the elements
surface of the flower petals. of the composition. It is a sense that the painting
Physical Texture: An artist may paint with feels stable and "feels right." Imbalance causes a
expressive brushstrokes whose texture conveys the feeling of discomfort in the viewer.
physical and emotional energy of both the artist Balance can be achieved in 3 different ways:
and his/her subject. They may also use the natural Symmetry, in which both sides of a composition
texture of their materials to suggest their own have the same elements in the same position, as in
unique qualities such as the grain of wood, the a mirror-image, or the two sides of a face.
grittiness of sand, the flaking of rust, the Asymmetry, in which the composition is balanced
coarseness of cloth and the smear of paint. due to the contrast of any of the elements of art.
(Actual/Tactile texture): can be felt by touching the For example, a large circle on one side of a
surface of the object or material. composition might be balanced by a small square
Ephemeral Texture: This is a third category of on the other side
textures whose fleeting forms are subject to Radial symmetry, in which elements are equally
change like clouds, smoke, flames, bubbles and spaced around a central point, as in the spokes
liquids. coming out of the hub of a bicycle tire.
2. Contrast is the difference between elements of art
FORM is the physical volume of a shape and the space in a composition, such that each element is made
that it occupies. It can be representational or abstract. stronger in relation to the other. When placed next
Form generally refers to sculpture, 3D design and to each other, contrasting elements command the
architecture but may also relate to the illusion of 3D on viewer's attention. Areas of contrast are among the
a 2D surface. first places that a viewer's eye is drawn. Contrast
can be achieved by juxtapositions of any of the
Three-Dimensional Form can be modelled (added
elements of art. Negative/Positive space is an
form), carved (subtracted form) and constructed
example of contrast. Complementary colors placed
(built form). It can be created from sculptural
side by side is an example of contrast. Notan (light
materials like clay, wax, plaster, wood, stone,
and dark harmony) is an example of contrast.
concrete, cast and constructed metal, plastics,
3. Emphasis is when the artist creates an area of the
resins, glass and mixed media. It may also be
composition that is visually dominant and
kinetic, involving light and movement generated
commands the viewer's attention. This is often
by natural, mechanical and electronic means. More
achieved by contrast.
4. Movement is the result of using the elements of art
such that they move the viewer's eye around and
within the image. A sense of movement can be
created by diagonal or curvy lines, either real or
implied, by edges, by the illusion of space, by
repetition, by energetic mark-making.
5. Pattern is the uniform repetition of any of the
Mediums and Techniques in Art
elements of art or any combination thereof.
Anything can be turned into a pattern through WHAT IS A MEDIUM IN ART?
repetition. Some classic patterns are spirals, grids,
weaves. For examples of different pattern types see According to the Oxford English Dictionary, from an
the Artlandia Glossary of Pattern Design. A popular artistic point of view 'Medium' refers to "any raw
drawing practice is Zentangles, in which an material or mode of expression used in an artistic or
abstract or representational outline is divided into creative activity". Generally speaking, it is the 'mode of
different areas, each of which contains a unique expression' used to create an artwork. Whether we are
pattern. talking about painting, drawing, sculpting, printing or
6. Rhythm is created by movement implied through writing - the means the artist employs is the 'Medium'.
the repetition of elements of art in a non-uniform
A medium is the material that is used to create the
but organized way. It is related to rhythm in music.
actual work of art. Common mediums in art are oil,
Unlike pattern, which demands consistency,
watercolor and acrylic paint, clay for sculpture and
rhythm relies on variety.
paper for collage. Different materials have different
7. Unity/Variety You want your painting to feel unified
properties, reflect light differently, and move
such that all the elements fit together comfortably.
differently. The use of various media allows for more
Too much unity creates monotony, too much
artistic expression because it adds another channel of
variety creates chaos. You need both. Ideally, you
expression to the artists.
want areas of interest in your composition along
with places for your eye to rest. Different Types of Art Mediums
8. Harmony is a bit vague compared to some of the
other principles. Generally speaking, it refers to Acrylic - An acrylic painting is done with acrylic paint,
how well all the visual elements work together in a the paints made from the synthetic resin and have low
work of art. Elements which are in harmony should odor. It is one of the best mediums for art because it
have some kind of logical progression or can be applied in many different ways. It offers
relationship. If there is an element which is not in versatility to experiment with many styles, techniques
harmony with the rest of an artwork, it should and types of paint. It is an ideal painting medium for
stick- out and be jarring to look at. Kind of like an beginners. Being water based, it dries quickly saving
off-note in a song. time and can be used in wet on wet style techniques of
painting. It can also be thinned with water up to a
point. Acrylic painting requires less brushes than oil
paints and also has a huge range of colors.
Analyze. Mentally separate the parts or elements, 1. Repeating shapes, patterns, and symmetry.
thinking in terms of textures, shapes/forms, light/dark 2. Colors, especially colors that complement or
or bright/dull colors, types of lines, and sensory enhance each other.
qualities. 3. Textures, both visual and physical (like thick,
impasto paint).
Interpret. Seeks to explain the meaning of the work. 4. Crops and compositions that focus the eye and
keep the viewers’ attention.
Judgment. Reject, accept, pass, failed
5. Movement or flow to guide viewers through the art.
Application of the 4 steps in art criticism are the 6. Correct or appealing proportions of figures and
following: objects.
7. Presentation and framing.
1. Description - Be 100% Objective. Think of facts.
a. What specific Elements of Art (color, line, SKILL & TECHNIQUE - Technical skill is the most
shape, texture, form, space, value) can you comparable and measurable aspect of art.
find within this art piece?
First, compare the works to other art you’ve seen in
b. What's the title of the art work?
that medium before
c. Who is the artist?
Second, look at all the artwork on display by the
d. When/where was it created?
artist.
e. What media was used?
Third, look at each work of art itself. Are they
f. Is there a primary subject in the place?
individually consistent? Are there places where you
2. Analysis - Be 100% Objective/ Think of Facts
can see odd markings compared to another area
a. What Principles of Art (balance, emphasis,
within the same piece?
movement, pattern, repetition, proportion,
etc.) can you find within the art piece? INHERENT MEANING - Here are five levels of meaning in
b. How do the Elements of Art interact with art, which I’ve listed in order of increasing importance.
each other?
c. Are there interesting visual effects created? 1. Purely representational art – Made simply for
d. What specific element stand out in this visual appeal, with no deeper intent.
composition and why? 2. Art that references other art – It “tips its hat” to
e. Is there a focal point? How is the art work some other work, possibly providing a fresh
organized? perspective or continuing a conversation that
3. Interpretation - Subjective. Requires thought on another artist began.
your part as judge, find the following: 3. Art that tells a story, or evokes a specific emotion –
a. What is the artist trying to communicate? This is art that begins to affect you. It might cause
you to understand, empathize or feel what’s being Painting: Perspectives and Textures
depicted.
PAINTING
4. Art that makes a statement – Here the artist is
clearly speaking through the work, actively Painting is the application of pigments to a support
promoting a cause or perhaps bringing attention to surface that establishes an image, design or
an issue that’s important to him or her. decoration. In art the term "painting" describes both
5. Art that is an allegory or metaphor – This is art that the act and the result. Most painting is created with
contains more than one meaning, and possibly pigment in liquid form and applied with a brush.
several. It uses symbolic imagery or deals with Exceptions to this are found in Navajo sand painting
more intangible human issues, and yet the artwork and Tibetan mandala painting, where powdered
should still work as a visually appealing creation. pigments are used. Painting as a medium has survived
for thousands of years and is, along with drawing and
UNIQUENESS - This is the aspect of art that relates to
sculpture, one of the oldest creative media. It's used in
not only what the artist is depicting but also how the
some form by cultures around the world.
artist is depicting it.
Three of the most recognizable images in Western art
FULFILLED INTENT - What is the artist trying to say? I
history are paintings: Leonardo da Vinci's Mona Lisa,
hear this question a lot, and for the most part, there’s a
Edvard Munch's The Scream and Vincent van Gogh's
simple way to find out. If you’re at a gallery, read the
The Starry Night. These three art works are examples
artist’s statement.
of how painting can go beyond a simple mimetic
Concrete Artistic Concepts function, that is, to only imitate what is seen. The
power in great painting is that it transcends
Use of Space: A great work of art should have elements
perceptions to reflect emotional, psychological, even
of the artwork displayed in different regions of the
spiritual levels of the human condition.
artwork, but those elements must all be contributing
to the substance of the overall image. However, no PERSPECTIVES
individual element should so completely predominate
Perspective is an art technique for creating an illusion
the artwork as to overshadow all the other elements.
of three-dimensions (depth and space) on a two-
Use of Color: A work of art should use many different dimensional (flat) surface. Perspective is what makes a
combinations of colors and should not be overrun by painting seem to have form, distance, and look "real."
any one single color. The sky is normally blue in color, The same rules of perspective apply to all subjects,
and the leaves of trees are usually green during the whether it's a landscape, seascape, still life, interior
spring, but may contain elements of red, orange or scene, portrait, or figure painting.
yellow leaves during the autumn.
As one of the two terms used to define aspects of
Proportion/Dimension/Scale: When leaves are placed perspective in art, linear perspective is linked to the
on branches of a tree, they should not be the size of pie idea that objects of similar size appear smaller as the
plates. The leaves should reflect the size of what a leaf distance between the object and viewer increases. On
would look like when being objectively viewed by any the other hand, the effects that the atmosphere has
person looking at it. upon objects as they recede into the distance are
referred to as aerial perspective.
True to Form: The elements of an artwork should
closely resemble what they are intended to represent. Viewpoint in Perspective - Viewpoint is the spot (point)
A human being should not have two heads or three from which you, the artist, is looking at (viewing) the
arms but should instead appear exactly like real life scene. Linear perspective is worked out according to
characters in the world. Placing a mouth on a this viewpoint. There's no right or wrong choice of
character's forehead does not reflect reality. viewpoint, it's simply the first decision you make when
beginning to plan your composition and figure out the
Effected by the Environment: The scenes of artwork
perspective.
might convey the hot climate of summer or the cold
climate of winter. The characters interacting in the Normal viewpoint is how an adult sees the world
artwork must reflect that characteristic of the climate. when standing up. When painting in a realistic
style, this is the viewpoint you'll probably use
Layering: When elements of an artwork are placed into
because it's what we're accustomed to seeing. It's
the scene, they should not be placed into boxes where
what looks most real.
one element does not touch with any other elements
Low viewpoint is when you're looking at a scene
The elements should instead interact with each other
from much lower than you would standing up. For
and should be layered on top of each other.
instance, if you were sitting on a chair, had
crouched down onto your heels or, even lower
down, sitting on the grass. Of course, it's also the 5. Finally end the drawing by sketching lines that will
level from which small children see the world. highlight or outline the path and roof.
High viewpoint is when you're looking down on a 6. Ink over your drawing and you're done.
scene. You might be on a ladder, up a hill, on the
One-point perspective is usually used when the
balcony of a tall building.
object's front is facing the viewer. In this type of
The rules of perspective don't change between a drawing the horizontal and vertical lines will be
normal, low, or high viewpoint. The same rules apply in horizontal and vertical respectively in the drawing, and
all cases. What changes is what you see in a scene. The lines getting farther from the viewer will have an angle
rules of perspective help us interpret and understand towards what is called a "Vanishing Point."
what we're seeing, and enable us to "get it right" in a
One Point Perspective Procedures
painting.
1. Determine the horizon in your drawing.
The Horizon Line in Perspective - The horizon line is an
2. Choose the vanishing point.
imaginary line used to create accurate perspective in a
3. Sketch the main objects.
painting. Anything above the horizon line slopes down
4. Give detail to your drawing respecting the
towards it, and anything below the horizon line slopes
proportions dictated by the reference lines you
up towards it. Depending on what it is and how it is
sketched before.
positioned, this may be very obvious or it may be very
slight. Something that straddles the horizon line will Two-point Perspective - Two point perspective or
slope both up and down. The horizon line is important perspective with two vanishing points is used when the
because the painting's perspective is constructed from objects' corners are facing the viewer. This method is
this. perfect for drawing isometric objects.
Vanishing Lines in Perspective - Vanishing lines are Texture - Texture defines the surface quality of an
imaginary lines used to create accurate perspective in artwork - the roughness or smoothness of the material
a painting. They are drawn on the top and bottom from which it is made. We experience texture in two
horizontal edges of an object, along the object and ways: optically (through sight) and physically (through
then extended to the horizon line. touch).
One-Point Perspective - You're looking at the one-point Optical Texture: An artist may use his/her skillful
perspective when you're standing on a station staring painting technique to create the illusion of texture.
down the railway track which narrows and then For example, in the detail from a traditional Dutch
disappears at a spot in the distance. The same with an still life above you can see remarkable
avenue of trees, or a long straight road. verisimilitude (the appearance of being real) in the
painted insects and drops of moisture on the silky
Things Further Away Are Smaller - The accurate
surface of the flower petals.
relative scale of objects is part of the illusion we're
Physical Texture: An artist may paint with
creating when we apply the rules of perspective in
expressive brushstrokes whose texture conveys the
composition. We can create a sense of distance by
physical and emotional energy of both the artist
painting things in the background smaller than they
and his/her subject. They may also use the natural
are in the foreground. If you're creating from
texture of their materials to suggest their own
imagination (rather than observation) and aren't sure
unique qualities such as the grain of wood, the
how large to make an object, judge it by what else is in
grittiness of sand, the flaking of rust, the
that part of the painting. For instance, if you have a
coarseness of cloth and the smear of paint.
tree and you want a person standing next to it, the tree
Ephemeral Texture: This is a third category of
will likely tower above the figure (unless it's a sapling,
textures whose fleeting forms are subject to
of course). If the person is standing next to a car, they'll
change like clouds, smoke, flames, bubbles and
likely be taller if they're an adult. THER OW
liquids.
Procedures for Basic Perspectives