E670FE-OM-1

E670FE
Special Edition
Operator´s Manual
INTRODUCTION
The ENGL E670FE Special Edition "Founders Edition" represents the revival of
the iconic ENGL Special Edition Head. The amplifier was crafted following
Edmund ENGL´s vision of a contemporary sound, achieved by strategically
rounding corners and edges. Almost 20 years after its initial release, there
has been enough time for the E670 Special Edition to evolve and improve in
terms of sound and functionality. Recognizing the need for a reintroduction,
we proudly present the "Founders Edition" of this remarkable amplifier. It
features subtle but necessary adjustments to suit the demanding sonic
preferences of the mastermind. The approach taken was to retain the
characteristic aspects of the original design while refining any rough edges.
In consequence this ambitious project meant a sophisticated challenge for
the Amp Sound Designer Horst Langer who started his career together with
Edmund Engl in the early eighties. The resulting product is a highly advanced
and versatile tube amp head that stands out in today's market.
As the owner of this exceptional piece of equipment, you are privileged to
experience its unparalleled capabilities. We are proud to present the ENGL
E670FE Special Edition and we hope your musical expectations will be far
exceeded.
Edmund Engl, Founder of ENGL Amps

Tube Driver switch
Pressing this button activates the Tube Driver, a circuit similar to a very simple preamp channel. Think of it
as an active, tube-driven preamp defeat circuit. Note that this circuit can be selected in reciprocation with
the four channels, whereby reciprocation means that you can activate the Tube Driver irrespective of the
currently active channel and vice versa. The LED above this button lights up to indicate Tube Driver is active.
» This feature can be controlled via MIDI (MIDI program change only).
» This feature can be controlled by the Z9 footswitch (optional available accessory) via the Serial Amp
Control (S.A.C.) Port.
T.D. E.Q. (Tube Driver with Equalizer) switch

Pressing this button activates the Tube Driver with EQ. This function activates the onboard Tube Driver, a
circuit similar to a very simple preamp channel. lt could also be described as an active, tube-driven preamp
defeat circuit, in this case with passive tone controls. Note that this circuit can be selected in reciprocation
with the four channels, whereby reciprocation means that you can activate it irrespective of the currently
active channel and vice versa. The LED above this button lights up to indicate T.D. E.Q. is active.
Clean Gain
Gain control for the Clean channel.
Gain Boost switch

Pressing this button ups the gain factor, thereby increasing the amount of distortion in Clean and Crunch
Channel. The LED above this button lights up to indicate Gain Boost is active.
» This feature can be controlled via MIDI (MIDI program change and/or control change CC#22).
Crunch Gain
Gain control for the Crunch channel.
Bass
Bottom end voicing of the preamps passive EQ the Clean Channel and the Crunch Channel.
Middle
Mid-range voicing control of the preamps passive EQ for the Clean Channel and the Crunch Channel.
Clean Treble
Upper range voicing control of the preamps passive EQ for Clean Channel.
Crunch Treble
Upper range voicing control of the preamps passive EQ for Crunch Channel.
Mid Shift switch

This voicing function works on the channels Clean and Crunch and affects both channels by boosting and/or
cutting certain mid-range frequencies of the signal when activated. Mid Shift affects a broad mid range
spectrum between approximately 200 Hz and 2 KHz. The red LED above the push button lights up to indicate
that Mid Shift is activated.
Bright switch
This voicing function works on the channels Clean and Crunch and affects both channels by boosting the
upper treble range (effectiveness decreases at higher Gain settings). The red LED above this button lights up
to indicate that Bright is activated.
Reverb
This controls adjusts the amount of reverb for the Clean Channel and the Crunch Channel.
Clean Volume
Volume control for the Clean channel (pre-FX Loop, influences the send level). Use this knob to dial in the
desired balance of levels between the Clean channel and the other channels.
Clean switch
Channel selector to activate the Clean channel. The green LED top right of the Clean Volume and the Clean
Treble knob lights up to indicate that the Clean channel is engaged.
» This feature can be controlled via the ENGL Z4 Footswitch (optional available accessory; conventional
6.3mm / ¼” TRS – dual footswitch).
Crunch Volume
Volume control for the Crunch channel (pre-FX Loop, influences the send level). Use this knob to dial in the
desired balance of levels between the Crunch channel and the other channels.
Crunch switch
Channel selector to activate the Crunch channel. The yellow LED top right of the Crunch Volume and the
Crunch Treble knob lights up to indicate that the Crunch channel is engaged.
Presence A
This control defines the Treble response in the poweramp stage. The red LED top right to the knob lights up
to indicate Presence B is active.
Presence A/B switch

Switches back and forth between Presence A and Presence B. The LED top right to the respective Presence
control lights up to indicate which one is activated. Presence A is indicated by a red LED, Presence B is
indicated by a green LED.
Presence B
This control defines the Treble response in the poweramp stage. The green LED top right to the knob lights
up to indicate Presence B is active.
Depth Boost switch
Push this push button to beef up the bottom end in the poweramp stage only. The red LED above this button
lights up to indicate the Depth Boost is activated.
Mega Lo Punch switch

Push this push button to beef up the bottom end globally in the preamp circuit for the four channels
excluding the Tube Driver Channel and to some extent in the poweramp too. The red LED above this button
lights up to indicate the Depth Boost is activated.
FX Loop I/II switch

Push this button to switch between FX Loop I and FX Loop II. The red LED above the push button lights up to
indicate that FX Loop II is activated.
Serial FX Loop switch

Push this button to switch on the serial FX Loop. The red LED above the push button lights up to indicate that
the serial FX Loop is activated.
Input jack
Unbalanced input (conventional 6.3mm / ¼” TS). Plug your guitar in here using a shielded instrument cable.
Amp Mute LED

This LED lights up when Amp Mute is active and/or when the Stand By switch is activated (amp is in Stand By
mode).
» Amp Mute can be controlled via MIDI (MIDI program change and/or control change CC#7).
Note: If you want the power amp to be enabled in a MIDI preset, you must program it with Stand By set to On
position!
Lead I Gain
Gain control for the Lead I channel.
Hi Gain switch
Pressing this button ups the gain factor, thereby increasing the amount of distortion in both Lead Channels.
The red LED above this button lights up to indicate Hi Gain is active.
Lead II Gain
Gain control for the Lead II channel.
Bass
Bottom end voicing of the preamps passive EQ the Lead I Channel and the Lead II Channel.
Middle
Mid-range voicing control of the preamps passive EQ for the Lead I Channel and the Lead II Channel.
Lead I Treble
Upper range voicing control of the preamps passive EQ for Lead I Channel.
Lead II Treble
Upper range voicing control of the preamps passive EQ for Lead II Channel.
Contour switch
This voicing function works on the channels Lead I and Lead II and affects both channels by boosting and/or
cutting certain mid-range frequencies of the signal when activated. Contour affects more prominently the
lower mid range below 400 Hz and in addition to a certain degree even higher mid frequencies. The red LED
above the push button lights up to indicate that Contour is activated.
Mid Edge switch
This voicing function works on the channels Lead I and Lead II and affects both channels by boosting/cutting
certain mid-range frequencies of the signal when activated. Mid Edge affects more prominently the higher
mid range above 600 Hz and in addition to a lesser extent even lower mid frequencies. The red LED above
the push button lights up to indicate that Contour is activated.
Reverb
This control adjusts the amount of reverb for the Lead I Channel and the Lead II Channel.
Lead I Volume
Volume control for the Lead I channel (pre-FX Loop, influences the send level). Use this knob to dial in the
desired balance of levels between the Lead I channel and the other channels.
Lead I switch
Channel selector to activate the Lead I channel. The red LED top right of the Lead I Volume and the Lead I
Treble knob lights up to indicate that the Lead I channel is engaged.
Lead II Volume
Volume control for the Lead II channel (pre-FX Loop, influences the send level). Use this knob to dial in the
desired balance of levels between the Lead II channel and the other channels.
Lead II switch
Channel selector to activate the Lead II channel. The red LED top right of the Lead II Volume and the Lead II
Treble knob lights up to indicate that the Lead II channel is engaged.
Master A
Master volume knob, located post FX Loop. It controls the poweramp output level. The red LED top right to
the knob lights up to indicate Master A is active.
Master A/B switch

Push this button to switch between Master A and Master B. The LED top right to the respective Master
control lights up to indicate which one is activated. Master A is indicated by a red LED, Master B is indicated
by a green LED.
Master B
Master volume knob, located post FX Loop. It controls the poweramp output level. The green LED top right to
the knob lights up to indicate Master B is active.
Modern/Classic switch
This sound-shaping feature voices the basic tonal character of the four channels Clean, Crunch, Lead I and
Lead II. You can choose between a more contemporary sound (Modern) or vintage-approved (Classic) tone.
The red LED above the push button lights up to indicate that the Classic mode is activated.
Reverb Active switch

Push this button to activate / deactivate the Reverb function. The red LED above this button lights up to
indicate that the function is activated.
Noise Gate switch
Push this button to activate / deactivate the Noise Gate function and suppress excess noise in the Crunch,
Lead I and Lead II Channels. Control the Noise Gate threshold using the Noise Gate Threshold knob located on
the back panel of the amp. The red LED above this push button lights up to indicate that the function is
activated.
Write/Copy
Press this button to store the modified setting of a programmable feature to a MIDI memory slot (generally
called a preset). Here is how to distinguish between WRITE and COPY: with the former you‘ re actually
programming or writing a new MIDI preset, with the latter you‘ re making an exact duplicate of an existing
preset. The system will select a WRITE operation whenever you edit a MIDI preset, that is, when you have
modified a programmable feature. You‘ ll know that this is the case because the Status LED flashes steadily
when you edit one or several programmable features. If you press the button and did not edit a MIDI preset,
the system will select. This means that the given preset becomes the source, and its contents are dumped
to another preset and stored there. When you press this button, the Status LED lights up continuously to
indicate is activated. The system quits mode autonomously if you do not select a new MIDI preset within
about 30 seconds. The preset programming process – the WRITE command, that is – is not carried out as
soon as you press the button. Pressing the button merely initiates the process. You must hold it down for
about a second until the Status LED flashes three times in rapid succession. This mechanism is designed to
prevent inadvertent programming. You can cancel the programming process at any time before the Status
LED first illuminates by releasing the WRITE button. Again, the preset will only be programmed successfully
if you press and hold the button until the Status LED flashes three times.
You‘ ll have to go through a similar routine to copy a preset once you select a target preset: When the
Status LED extinguishes, the copy operation is underway and can no longer be canceled. The LED flashes
three times to indicate the preset was copied successfully. You can cancel the copy operation by releasing
the key, but only for as long as the LED lights up continuously.
MORE GOOD TO KNOW INFO: Note that the Status LED also indicates the status of components unrelated to
WRITE and COPY. The micro controller runs a short system check after you switch the amp on. Should it find
a defect in the memory chip (EEPROM), the LED will flash in a pattern of five short bursts. Press the
WRITE/COPY button to confirm that you got the message. Once you have done this, the system will be ready
to run, although you may encounter problems when attempting to select or store MIDI preset.
How to store a setting with programmable features to a MIDI memory slot (generally called a preset)
This is how it works:
1. Send a PC # message to the amp.
2. Select the desired channel and functions for the preset you want to create.
3. Press and hold the Write/Copy push button for about 2 seconds to save the preset to the formerly
sent PC # until the Write/Copy LED is confirming the process by flashing 3 times short.
The Write/Copy LED is also signalizing by permanently slow flashing when a change to a preset is
recognized.
Stand By switch
Use this switch to silence the amp when you take a longer break. The amp´s tubes stay nice and toasty, and
the amp is ready to roll immediately when you ramp it back up to full power. The Stand By switch is also
well-suited for muting the amp for brief breaks, e.g. when you are switching guitars.
Power switch
Mains power on/off.
Please note: Ensure that the Stand By switch is set to Stand By before you switch the amp on. Let the tubes
heat up for about 30 seconds before you activate the poweramp. This procedure spares the tubes.
Main Supply Connector (AC Power Inlet, IEC – C14 connector)

Plug the mains cord in here.
CAUTION! Make sure you use an intact mains line cord with a grounded plug! Before you power the amp up,
ensure the voltage value (e.g. printed on the Type Label or alongside the mains port) is the same as the
current of the local power supply or wall outlet. Please also heed the guidelines set forth in the separately
included pamphlet, Instructions for the Prevention of Fire, Electrical Shock and Injury.
Mains Fuse Box

The rear chamber contains the mains fuse and the front chamber a spare fuse.
NOTE: Ensure replacement fuses bear identical ratings (refer to the technical data)!
CAUTION! Always make sure replacement fuses are of the same type and have the same ratings as the
original fuse! To this end, please refer to the fuse ratings shown on the type panel.
MIDI: MIDI Thru
This 5-pin DIN port patches incoming MIDI data from the MIDI in to any other connected MIDI device.
MIDI: MIDI In
This 5-pin DIN port accepts data sent by a MIDI sender (e.g. the ENGL Z9, Z12, Z15 footswitches)
or routed from or through another MIDI device.
CAUTION: Before you connect any other MIDI footswitch or effects device, always make sure that the
ENGL MIDI Footswitch Power Supply switch is set to the right to avoid damaging the device.
ENGL MIDI Footcontroller Power Supply

This selector activates a MIDI In port power supply for connected ENGL MIDI footswitch. Power is fed
to the board via the MIDI circuit. When the switch is set to the left position, power is routed to the MIDI In
port‘ s pin 1 and pin 2. If you choose to use another MIDI footswitch, be sure to set the switch to the right
to avoid damaging it. If the footswitch you are using is designed to handle phantom power, consult its
operating manual to learn how it is wired (that is, which pins carry its power supply) and what its voltage
and current specifications are. If the voltage and current specifications and wiring match, you may set the
switch to the left to power this footswitch via the MIDI cable.
NOTE: In order to be able to supply an ENGL MIDI footswitch with power, a 5-pin MIDI cable (all 5 pins must be
connected through) must be used.
PLEASE READ AND HEED: Note that a MIDI footswitch may not draw more than 200 mA of current if you want
to power it via this port. You must also check and verify if this footswitch is able to handle 11 volts of
alternating current (AC)! If you are in any doubt, be sure to consult a specialist, meaning an amp technician
or electronics engineer who earns a living with a screwdriver!
Midi Channel, Control Change CC#, Amp Mute
Use this DIP switch to assign the MIDI channel by which the amp‘ s MIDI system will receive program change
commands and specific MIDI controller commands assigned to certain amp functions. Your choices are the
standard 16 MIDI channels numbered from 00 to 15, as well as OMNI mode, whereby all MIDI data is received
regardless of the MIDI send channel
MIDI controller access permission set with the small switch labeled '6' on the larger piano DIP switch:
Setting the small switch labeled '6' to ON enables the MIDI controller access capability for certain Amp
functions. Setting the small switch labeled '6' to OFF disables the MIDI controller access capability for
certain Amp functions. As the table indicates, encoding button 1 (S1) switches between Poly and OMNI mode.
Bear this in mind for practical applications, because this is a fast way to go from a preset Poly channel to
OMNI mode and vice versa.
MIDI Controller (CC#, Amp Mute, etc.)

The small switch labeled '6' on the larger piano DIP switch determines if the amp accepts MIDI commands,
e.g. that MIDI controllers #7 can be used to mute the amp. This controller sends the command to activate
Amp Mute by a value of 5 or higher. A value of 0 to 4 deactivates the Amp Mute function, thereby unmuting
the amp and reactivating at its current MASTER volume setting. The following table lists amp functions and
their assigned MIDI controller numbers.
MIDI Logic reset

Pressing the CRUNCH and PRESENCE A/B buttons for 3 seconds simultaneously will reset the logic unit to
the factory defaults and clear the MIDI presets created by the user.
Footswitch: Serial Amp Control Port (conventional 6.3mm / ¼” TRS)

The S.A.C. Port accepts the ENGL Z9 (optional available accessory), which enables you to control various amp
functions remotely. It is an ENGL proprietary data protocol which allows you to control various functions of
the amplifier via an S.A.C. capable footswitch like the ENGL Z9. To learn if a given feature or function may be
controlled remotely, refer to its description herein.
CAUTION: Connect only the ENGL Z9 to this 6.3 mm / ¼” TRS jack! Connecting any other switching device
may damage it and/or the amps circuitry!
Footswitch: Clean – Crunch / Lead I – Lead II (conventional 6.3mm / ¼” TRS)

Use this jack to connect the ENGL Z4 Footswitch (conventional footswitch with two switching functions; 2 x
off/on – Single Pole Single Throw or SPST for short).
Tip: switching between the Clean and the Lead channels (top section / bottom section)
Ring: switching between Clean/Crunch and Lead I/Lead II.
Default (no footswitch connected): Clean Channel is activated.
» Once a footswitch is connected to this jack, the S.A.C. Port is disabled the and the respective function of
the push button on the front panel is deactivated.
Noise Gate Threshold

With this control you can set the threshold of the Noise Gate. The further the knob is turned clockwise, the
higher the threshold at which background noise is cut off. The Noise Gate can only be activated in the
Crunch, Lead I and Lead II channel.
Serial FX Loop
In the signal path, the Serial FX loop is located post preamp and before the poweramp Master controls.
FX Loop I
In the signal path, the FX loop I is located post preamp and before the poweramp Master controls. It is
blendable from parallel to serial by the FX I balance knob.
FX Loop I Send
Connect the FX Loop I Send (output) to a signal processor´s input or an effect pedal´s input or return jack
using the shortest possible shielded cord (conventional 6,3mm / ¼” TS). Another option is to connect this
output through an outboard filter to emulate a speaker or for example into the ENGL CABLOADER (IR-Loader
with an integrated microphone and poweramp simulation), and feed this externally processed signal to a
recording device or PA system.
FX Loop I Return
Connect the FX Loop I Return (poweramp input) to a signal processor´s output or an effect pedal´s
output/send jack using the shortest possible shielded cord (conventional 6,3mm / ¼” TS).
FX Loop I Balance
FX mix control for FX Loop I. When the knob is set to Dry, the amp signal is routed through with no processed
signal (0% wet balance) added to the mix. Twist the knob clockwise to blend in the processed signal
(parallel/passive, wet balance 1-99%, depending on knob position). When the knob arrives at the Effect
position, only the wet signal (i.e.the processed signal generated by the connected effect device) is patched
to the poweramp (serial, 100% wet).
NOTE: Set this knob to Dry when the FX Loop is not in use! Settings between 9 and 3 o‘ clock position reduce
the signal level. In the event of contact corrosion of the FX Return socket, volume fluctuations may occur.
FX Loop II
In the signal path, the FX loop II is located post preamp and before the poweramp Master controls. It is
blendable from parallel to serial by the FX II balance knob.
FX Loop II Send
Connect the FX Loop II Send (output) to a signal processor´s input or an effect pedal´s input or return jack
using the shortest possible shielded cord (conventional 6,3mm / ¼” TS). Another option is to connect this
output through an outboard filter to emulate a speaker, or for example into the ENGL CABLOADER (IR-Loader
with an integrated microphone and poweramp simulation), and feed this externally processed signal to a
recording device or PA system.
FX Loop II Return
Connect the FX Loop II Return (poweramp input) to a signal processor´s output or an effect pedal´s
output/send jack using the shortest possible shielded cord (conventional 6,3mm / ¼” TS).
FX Loop II Balance
FX mix control for FX Loop II. When the knob is set to Dry, the amp signal is routed through with no
processed signal (0% wet balance) added to the mix. Twist the knob clockwise to blend in the processed
signal (parallel/passive, wet balance 1-99%, depending on knob position). When the knob arrives at the
Effect position, only the wet signal (i.e. the processed signal generated by the connected effect device) is
patched to the poweramp (serial, 100% wet).
NOTE: Set this knob to Dry when the FX Loop is not in use! Settings between 9 and 3 o‘ clock position reduce
the signal level. In the event of contact corrosion of the FX Return socket, volume fluctuations may occur.
Power Tube Monitor
This red LED lights up to indicate one of the internal power tube fuses (each tube is fused separately) has
blown. You can continue playing, but the amp's performance will be diminished. Normally the loss of a power
tube results in an unbalanced signal. Be sure to have the amp checked by a professional as soon as possible;
the fuse probably blew because of a defective power tube. Once a fuse has blown, it must be replaced by a
new fuse.
Line Output – 0 dB
This Line Output port taps the power amp‘ s output to provide a line out signal configured at a level of about
0 dB. The frequency response is identical to the power amp output signal. In other words, its frequency
response is not compensated or corrected. You can feed this signal to another linear power amp. Another
option is to patch it through an outboard filter to emulate a speaker, or for example into the ENGL
CABLOADER (IR-Loader with an integrated microphone and poweramp simulation), and feed this externally
processed signal to a recording device or PA system.
» The Line Output – 0 dB is directly tapped from the Poweramp Output meaning that it is only active when
the amp is not in Stand By mode. Assure to set the Power Range Selector to Speaker Off when having no
speaker load connected to the Poweramp Output.
Poweramp Output, 4 Ohms Parallel

1. One 4 Ohm cab connected to the left jack (1 x 4 Ohm).
2. Two 8 Ohm cabs connected to both jacks (2 x 8 Ohm).
Poweramp Output, 8 Ohms Parallel

1. One 8 Ohm cab connected to the left jack (1 x 8 Ohm).
2. Two 16 Ohm cabs connected to both jacks (2 x 16 Ohm).
Poweramp Output, 16 Ohms

1. One 16 Ohm cab connected to this jack (1 x 16 Ohm).
Cabinet options
1. One 4 Ohm cabinet:
One 4 Ohm Cabinet connected to a 4 Ohm Poweramp Output
2. Two 8 Ohm cabinets:

Two 8 Ohm Cabinets connected to both 4 Ohm Poweramp Outputs
3. One 8 Ohm Cabinet:

One 8 Ohm Cabinet to the left 8 Ohm Poweramp Output.
4. Two 16 Ohm cabinets:
Two 16 Ohm cabinets connected to both 8 Ohm Poweramp Outputs.
5. One 16 Ohm Cabinet:

One 16 Ohm Cabinet connected to the 16 Ohm Poweramp Output.
6. One 8 Ohm Cabinet and one 16 Ohm Cabinet:

The 8 Ohm Cabinet connected to the left 4 Ohm Poweramp Output in combination and the
16 Ohm Cabinet connected to the left 8 Ohm Poweramp Output.
Important Note
We cannot stress enough the importance of proper impedance matching when connecting one or more
cabinets to your amp. Impedance mismatching can damage the poweramp! Always check the impedance of
the connected cabinet to make sure it matches the output impedance of the amplifier!
Controlling the Amp with a Z9 footswitch by the S.A.C. Port
1. Connect the Z9 footswitch to the amplifiers S.A.C. Port.

» A conventional stereo 6.3mm / ¼" TRS cable must be used.
2. Power the amplifier on. The Z9 is powered by the amp through the connection cable.
» Immediately after powering the amp on, the serial amp control mode is indicated by a running light of LED 1
to LED 4 in the running direction from right to left, both LEDs, LED 5 and LED 6 are flashing steadily. In this
mode of operation you can control up to 4 channels (alternatively 2 channels + the respective gain setting;
Channel 1 Gain Lo, Channel 1 Gain Hi, Channel 2 Gain Lo, Channel 2 Gain Hi) directly with the buttons Channel 1
to Channel 4 and two additional sound-shaping and special functions with the buttons Function 1 and
Function 2.
Configuration of the Z9 Footswitch Function 1 and Function 2 buttons
Assignment of a sound-shaping and special function to button Function 1 via the respective setup routine:
1. Simultaneously press and hold the buttons Channel 1 and Function 1 until the LED above the Function 1
button flashes.
2. Press Function 1 again to confirm and enter the setup routine. LED 5 above the Function 1 button lights up.
» The currently to this button assigned function on the amp is activated and shown by the respective LED
(LED 1, LED 2, LED 3, LED 4) above the Channel buttons. The respective LED lights up or flashes to indicate the
amps current sound-shaping and special function assignment.
3. Locate the S.A.C. configuration table in the respective Operator´s Manual of the applicable amplifier.
» Now the desired sound-shaping and special function can be selected with one of the four buttons Channel
1, Channel 2, Channel 3 or Channel 4 on the Z9 using the configuration table.
Programming the Z9 Footswitch Function 1 button

1. Press the Channel X button until the LED above the Channel X button lights up or flashes.
» The function on the amplifier can then be activated or deactivated by pressing the Function 1 button.
The assignment has not yet been saved.
2. Save the assignment by pressing the Function 2 (not Function 1) button. The LED above the Function 2
button flashes once briefly as confirmation.
Configuration of a sound-shaping and special function to button Function 2 via the respective setup routine:
1. Simultaneously press and hold the buttons Channel 1 and Function 2 until the LED above the Function 2
button flashes.
2. Press Function 2 again to confirm and enter the setup routine. LED 6 above the Function 2 button lights up.
» The currently to this button assigned function on the amp is activated and shown by the respective LED
(LED 1, LED 2, LED 3, LED 4) above the Channel buttons. The respective LED lights up or flashes to indicate the
amp´s current sound-shaping and special function assignment.
3. Locate the S.A.C. configuration table in the respective Operator´s Manual of the applicable amplifier.
» Now the desired sound-shaping and special function can be selected with one of the four buttons Channel
1, Channel 2, Channel 3 or Channel 4 on the Z9 using the configuration table.
Programming the Z9 Footswitch Function 2 button

1. Press the Channel X button until the LED above the Channel X button lights up or flashes.
» The function on the amplifier can then be activated or deactivated by pressing the Function 1 button.
The assignment has not yet been saved.
2. Save the assignment by pressing the Function 2 (not Function 1) button. LED 6 above the Function 2 button
flashes once briefly as confirmation.
Z9 Footswitch S.A.C. configuration table for the amps sound-shaping and special functions to Function 1 and
Function 2:
Comments:
1st column: This indicates which function button of the Z9 footswitch can be assigned to the sound functions
listed in column 2.
2nd column: Sound functions of the amp that can be controlled via the Z9 footswitch.
3rd column: Here you will find the configuration or the desired setting of the Z9 footswitch to control the
corresponding sound function on the amplifier.
Thereby means: The first digit is the Function Setup Routine, where 1 stands for Function 1 Setup and 2
stands for Function 2 Setup; Channel 1 to Channel 4 designates the corresponding button on the Z9
footswitch with which the setting is made.
4th column: Display of the currently set configuration or the newly selected configuration.
5th column: This designation of the configuration is used to describe the functionality in some places in the
Z9 Footswitch manual.
For a detailed description of the functionality, please refer to the Z9 footswitch operators manual.
WIRING OF PRINCIPAL CONNECTORS
MIDI In, Din Connector
Z4 Footswitch (Dual Footswitch) and Z9 Footswitch (Serial Amp Control Port) cable assignment
Serial Amp Control Port Dual Footswitch

Stereo Stereo
6.3 mm (¼") plug 6.3 mm (¼") plug
ring: Data ring: Sub I / II
tip: + 5 Volts tip: CHI / CHII

Very important: Use a stereo
use a stereo sleeve: Ground, GND plug only! sleeve: Ground, GND
plug only!
Custom Z-9
Footswitch only!
tip
ring
sleeve
Stereo
6.3 mm (¼") plug
TECHNICAL DATA
Output power approx. 100 Watts
Input sensitivity
Input: from -20 dB to approx. 0 dB max.
FX Return from -20 dB to approx. 0 dB max.
Output level
FX Send from -20 dB to approx. 0 dB max.
Line Out approx. 0 dB / 1 kΩ at nominal power
output
Power consumption approx. 400 Watts (480VA) max.
Fuses
220 / 230 / 240 supply voltage 2 AT L (T: slow-blow)
100 / 115 / 120 supply voltage 4 AT L (T: slow-blow)
Power Tube Fuses 4 x 0,16 AM (M: medium-blow)

Important: Replace these with fuses with the same type and rating only!
Tubes
V1 ENGL ECC83 First Quality (FQ)
V2 / V3 / V4 / V5 ENGL ECC83 Selected
V6 / V7 / V8 / V9 ENGL EL34 Hand-Matched Quartet (EL34 Version)
ENGL 6L6 Hand-Matched Quartet (6L6 Version)
System interfaces:
MIDI: Asynchronous data protocol according to the MIDI
standard
MIDI program changes 0 – 127
MIDI channels 1 – 16
MIDI controller #7, #14, #15, #22, #23, #24, #25,
#26, #27, #28, #29, #30, #31
value 0 – 4 function deactivated
value >/= 5 function activated
Serial Amp Control (S.A.C.): Proprietary ENGL asynchronous data protocol
Dimension 71cm x 28cm x 29cm / 27,95in x 11,02in x 11,42in
Weight approx. 23,5 kg / 51,8lbs

A FEW COMMENTS ON TUBE AMPLIFIERS
Be sure to read this section before powering the amp up!
This amp´s input is extremely sensitive due to its high gain factor. In combination with inherent
microphonics of tubes at certain settings this can elicit powerful feedback from the speakers – even without
a guitar being connected!
This occurs primarily when Crunch and Lead channels (meaning all channels whose preamp is easily
overdriven) are activated and the following settings are dialed in:
• Gain and/or Lead Gain knob past the 12 oćlock position

• Treble knob past the 12 oćlock position
• Crunch/Lead Volume knob past the 12 oćlock position
• Presence knob past the 12 oćlock position
Avoid setting the afore mentioned knobs to extreme positions (that is, combinations in which several of
these knobs are set past the 12 oćlock position). This type of configuration can cause considerable
feedback that could severely damage your hearing and destroy speakers.
If you set the Volume or Master knobs to higher volume levels, always make sure to back off amplification
levels to prevent feedback by turning the Lead channel Gain knobs down. The same applies to these
channel settings of the Treble and Presence controls.
Before you power the amp up, take a moment to check out the control panel and make sure that these knobs
are not set to any configuration similar to the one described above!
A FEW WORDS ON BACKGROUND NOISE IN TUBE AMPLIFIERS
You may hear slight background noise right after you power a tube amp up or even while you are operating.
It manifests as intermittent hissing or sizzling, crackling, or popping noises. Caused by tubes, this type of
noise may even occur with brand new tubes.
The noise is particularly noticeable in high-gain Lead channels. This is because the Lead channels have a
very high gain factor and amplify the noise along with the usable guitar signal.
It is not necessary to swap tubes if you encounter this kind of noise every now and then, though you may
consider replacing tubes if it becomes a constant companion.
TROUBLESHOOTING
The output volume fluctuates or drops:

• Take all effect devices (in front of the preamp and FX Loop) out of the signal chain.
• Check all used cables.
• Check the used guitar or use another guitar.
• Use a patch or guitar cable to patch he FX Send with the FX Return jack.
• Try using an external and functional poweramp with the preamp of the amp (FX Send connected
to an external poweramp) to exclude a problem with the amps internal preamp.
• Try using an external and functional preamp with the poweramp of the amp (FX Return connected
to an external preamp) to exclude a problem with the amps poweramp.
The amp is not providing a proper output signal / no or low sound is emanating from the speaker:
• Is at least one speaker connected to the speaker outputs?

• Is the poweramp activated (Stand By switch to ON)?
• Are all cords (guitar, effects and speaker) connected properly and are they functional?
• Take all effect devices (before the preamp, FX Loop) out of the signal chain.
• Is the Noise Gate activated? (Relevant only, if the amplifier is equipped with a Noise Gate).
• Are the Master knob and the Gain and Volume knobs set to a value higher than 0? If any of these
knobs is set to zero, no signal is routed to the amps output.
The speaker is emitting humming noises:
• The amp and mains ground are not connected properly or are altogether disconnected. Please
have this checked by a technician.
• Cords connected to the input or FX Loop may not be shielded properly. Replace them to check if
this is indeed the case.
• The amp or speaker cords may be picking up interference from powerful magnetic fields (ire., of
nearby power transformers or electrical motors). Reposition the amp and connector cables.
• The amp or speaker cords may be picking up radio signals. E.g. from activated mobile phones or
powerful local transmitting stations nearby. Switch off mobile phones while troubleshooting
noise problems.
Please contact us via e-mail: [email protected] before shipping a product to us.
The more precise the error description is, the better our service team can help you. It is best to send us a
photo of the control settings and a video recording. A detailed description of the error also helps us to
isolate and locate the problem faster.
• Which channels are affected? Which functions are activated?

• In which knob positions does the problem occur?
• Are you using effects devices before the input or in the F-Loop?
• Does the problem occur in standby mode (noise issues)?
• What equipment is used in detail?
Packaging
Please make sure to use suitable packaging to ensure undamaged transport (use original PKG). To unfold the
full protective function of the packaging, the outer packaging, the device and the inner packaging must form
a single unit. This is the only way to ensure that the device survives the transport route undamaged. Please
check used packaging for tears, signs of compression, pressure marks, perforations or other damage
before use. Please do not use damaged packaging. Note that a flight case is not a suitable shipping packaging
and is therefore not accepted. Please never pack devices together (e.g. Z9 Footswitch + E670 Head), but
send them separately. As it is our responsibility to use suitable shipping packaging for return shipping, we
reserve the right to use a new original packaging if necessary and must also charge for this.
Whilst the information contained herein is correct at the time of publication, due to our policy of constant
improvement and development, ENGL AMPLIFICATION reserves the right to alter specifications without prior
notice.
E670FE-OM-1-09/23
www.engl-amps.com

E670FE-OM-1

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E670FE

Edmund Engl, Founder of ENGL Amps

T.D. E.Q. (Tube Driver with Equalizer) switch

Gain Boost switch

Mid Shift switch

Presence A/B switch

Mega Lo Punch switch

FX Loop I/II switch

Serial FX Loop switch

Amp Mute LED

Master A/B switch

Reverb Active switch

Main Supply Connector (AC Power Inlet, IEC – C14 connector)

Mains Fuse Box

ENGL MIDI Footcontroller Power Supply

MIDI Controller (CC#, Amp Mute, etc.)

MIDI Logic reset

Footswitch: Serial Amp Control Port (conventional 6.3mm / ¼” TRS)

Footswitch: Clean – Crunch / Lead I – Lead II (conventional 6.3mm / ¼” TRS)

Noise Gate Threshold

Poweramp Output, 4 Ohms Parallel

Poweramp Output, 8 Ohms Parallel

Poweramp Output, 16 Ohms

2. Two 8 Ohm cabinets:

3. One 8 Ohm Cabinet:

5. One 16 Ohm Cabinet:

6. One 8 Ohm Cabinet and one 16 Ohm Cabinet:

Controlling the Amp with a Z9 footswitch by the S.A.C. Port

1. Connect the Z9 footswitch to the amplifiers S.A.C. Port.

Programming the Z9 Footswitch Function 1 button

Programming the Z9 Footswitch Function 2 button

MIDI In, Din Connector

Serial Amp Control Port Dual Footswitch

tip: + 5 Volts tip: CHI / CHII

Output power approx. 100 Watts

Power consumption approx. 400 Watts (480VA) max.

Power Tube Fuses 4 x 0,16 AM (M: medium-blow)

Dimension 71cm x 28cm x 29cm / 27,95in x 11,02in x 11,42in

Weight approx. 23,5 kg / 51,8lbs

Be sure to read this section before powering the amp up!

• Gain and/or Lead Gain knob past the 12 o´clock position

A FEW WORDS ON BACKGROUND NOISE IN TUBE AMPLIFIERS

The output volume fluctuates or drops:

• Is at least one speaker connected to the speaker outputs?

The speaker is emitting humming noises:

• Which channels are affected? Which functions are activated?

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