ARCHITECTURE, DESIGN, INTERIORS + PROPERTY

ISSUE 242 / MAY 2024

identity.ae
A MOTIVATE PUBLICATION

The Craft Issue

DHS 25.00 OR 2.70 BD 2.60
SR 25.00 KD 2.10

Third-culture Craftsmanship / Crafting Living Spaces / Salone

del Mobile 2024 Highlights

ID_052024_P01_Cover.indd 2 29/04/2024 18:33

 LU X U RY P E R F O R M A N C E FA B R I C S A N D R U G S

perennialsfabrics.com

Dubai Studio I Perennials FZ LLC, A503 Building 1A, Dubai Design District (D3), Dubai I [email protected]
Mumbai Studio I Villar Ville PJ Ramchandani Marg. Mumbai, Maharashtra I [email protected]
 [MAY 2024]

Contents

Features
28 Third-culture
Craftsmanship
We explore the fascinating intersection
of diverse cultural influences on
traditional craftsmanship techniques in
Dubai and Riyadh

38 A Maldivian Touch
Olga Melnikova from OL Interior
breathes life into a Palm Jumeirah home
by filling it with character and warmth

42 Global Outlook
Looking east, we explore South Korean
craftsmanship through Jung Hoon’s
Heritage Gwol series, ogle at the DDP,
and discover east meets west at Hotel
Hana, Paris

54 Crafting Living Spaces 38

 xploring the harmonious balance
E
between artisanal craftsmanship and
contemporary interiors within living
room spaces

62 Minimalist Marvel
Waad Kansou, Founder of
Doubleyouinteriors, takes us through a
zen home

22 62

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 Surface Solutions,
Designed By Nature

MARBLE | ONYX | QUARTZ | PRECIOUS STONE | TRAVERTINE | SINTERED STONE | PORCELAIN

www.glaze.ae/
 [MAY 2024]

Contents
Editor-in-Chief
Obaid Humaid Al Tayer
Managing Partner and Group Editor
Ian Fairservice

Editor
Aneesha Rai
Senior Art Director
Olga Petroff
Junior Designer
Charissa Canlas
Sub-editor
Max Tuttle

Chief Commercial Officer

Anthony Milne
Senior Sales Manager
Sharmine Khan
Sales Representative - Italy
Daniela Prestinoni

General Manager - Production

Sunil Kumar
Production Manager
Binu Purandaran
Production Supervisor
Venita Pinto

Head Office: Media One Tower,

PO Box 2331, Dubai, UAE; Tel: +971 4 427 3000,
Fax: +971 4 428 2260; 48
E-mail: [email protected]

Dubai Media City: SD 2-94, 2nd Floor,

Building 2, Dubai, UAE; Tel: +971 4 390 3550,
Fax: +971 4 390 4845

Abu Dhabi: PO Box 43072, UAE,

Tel: +971 2 677 2005, Fax: +971 2 677 0124;
Regulars
E-mail: [email protected]
54 Design Focus
Saudi Arabia: Regus Offices No. 455 - 456,
4th Floor, Hamad Tower, King Fahad Road, 70 Library
Al Olaya, Riyadh, Kingdom of Saudi Arabia;
Tel: +966 11 834 3595 / +966 11 834 3596; 72 Products
E-mail: [email protected]
74 #idmostwanted
London: Acre House, 11/15 William Road, London
NW1 3ER, UK; E-mail: [email protected]

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 INNOVATION RUNS
IN OUR VEINS

HIGH PREMIUM MINERALS MAX. 10% CRYSTALLINE NEW PATTERNS EXCLUSIVE REAL
PERFORMANCE INSIDE SILICA CONTENT & DESIGN COLLECTIONS FULL BODY

COSENTINO CITY DUBAI

Dubai Design District (D3) Building 4-A,
Unit 401 - 042428131
[email protected]
Follow Us : F @CosentinoMiddleEast
 [MAY 2024]

Editor’s Note Craftsmanship permeates every aspect of our lives, mani-

festing in countless mediums and forms. It is an art form that resonates
deeply with me and seemed apt for a debut issue - it transcends time,
blending tradition with innovation, and heritage with contemporary
flair. It is an embodiment of dedication, skill, and passion—a testament
to the artisans who breathe life into their creations. In this issue, we cel-
ebrate the magic of craftsmanship, exploring its role in redefining de-
sign narratives from a third-culture perspective, with local sensibilities
and global thinking at its fore.
In the same vein, our cover story features the remarkable
Khalid Shafar, an Emirati designer whose work beautifully intertwines
local culture and crafts with contemporary aesthetics. His designs,
both functional and creative, resonate deeply, reflecting a harmonious
blend of past and present. Alongside Khalid, we spotlight a curated se-
lection of craftworkers from the Gulf, each infusing their creations with
their own distinctive third-culture sensibilities.
In our design focus segment, we consult architects, interior
designers, furniture designers & interior stylists to share invaluable in-
sights into harmoniously integrating cherished crafts with modern aes-
thetics, offering you inspiration to craft your own unique living spaces.
Venturing into the realm of interiors, we invite you to explore
a Dubai home where opulence meets elegance, and where spaces are
designed to inspire.
As you immerse yourself in the pages of this issue, I invite you
to celebrate the transformative power of craftsmanship and the artisans
who continue to push boundaries. Here’s to embracing the beauty of
design - wherever it may lead us.

Aneesha Rai
Editor
identity

On the cover
Palm Lighting by Khalid Shafar.
Photography by Salama Studio

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 ART

Carpets of Eden:
A Tapestry of Art and Fantasy
Behrang Samadzadegan’s latest curation at Leila Heller Gallery
explores woven dreams and forms a tapestry of realms
WORDS – ANEESHA RAI

I
n the intricate realm where fibres and threads lands, transforming our living spaces into sanc- of Eden, Gardens of Fantasy’, which runs until
are woven together, carpets and rugs emerge tuaries where dreams take flight. 20 September, invites viewers on a pilgrimage
not just as functional objects but as master- Captivated by the hypnotic allure of these through these ornate works. Each step reveals
pieces of craftsmanship. They stand as silent textile gardens, the artisans featured in this a new narrative, alluding to a brushstroke of
storytellers, whispering tales of mystical realms exhibition find themselves drawn into the in- creativity inspired by the rich tapestry beneath
and transcendent paradises. Each thread and tricate embrace of their creations. Some revel our feet. It’s a celebration of the extraordinary
hue are meticulously selected by artisans, creat- in the structured beauty of the carpets, los- potential found in the overlooked corners of
ing a mesmerising ballet of fantasy – a dance of ing themselves in the rhythmic geometry and our daily lives, transforming the ordinary into
intricate patterns and vibrant colours that en- meticulous order of patterns. Yet, within this the extraordinary. This exhibition not only of-
chants the senses and ignites the imagination. structured realm lies an uncharted territory of fers fresh perspectives on carpet research and
Throughout history, carpets have held a revered creativity – a space where artists can explore artistic exploration, but also presents carpets
status beyond being mere floor coverings. These boundless fantasies and weave layers of imagi- as models for understanding art and art histo-
textile wonders embody the allure of faraway nation that transcend the tangible. ‘Carpets ries on a broader scale.

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 ART

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 Photography by Shanavas Jamaluddin

12 THE CRAFT ISSUE

ART

identity.ae
 ART

Modernising
Tradition
How the contemporary fusion of
African and Amazigh influences featured
at the Casablanca Art School

WORDS – ANEESHA RAI

I
n a celebration of artistic innovation hibition offers a comprehensive view of
and cultural heritage, the landmark the school’s enduring impact. Alongside
exhibition ‘Casablanca Art School: rare print archives, vintage journals,
Platforms and Patterns for a Postcolo- photography and film, the artworks
nial Avant-Garde 1962–1987’ has opened include vibrant abstract paintings, ur-
its doors in Sharjah at Al Hamriyah Stu- ban murals, crafts, typography, graph-
dios and Old Al Diwan Al Amiri, follow- ics and interior design. The artists of
ing its successful showing at Tate St Ives, CAS – including influential figures like
and can be viewed until16 June 2024. Farid Belkahia, Mohammed Chabâa,
This ground-breaking exhibition show- Bert Flint, Toni Maraini and Mohamed
cases the transformative work of the Melehi – embraced their multicultural
Casablanca Art School (CAS), an institu- heritage to bring art into everyday life.
tion that played a pivotal role in reshap- Through paintings, posters, magazines,
ing Moroccan art by integrating abstract outdoor murals and street festivals,
art with African and Amazigh traditions. they initiated a Moroccan ‘new wave,’
In the wake of Moroccan independ- sparking a social and urban movement
ence in 1956, CAS emerged as a beacon of that resonated across Latin America,
artistic revolution. Staff and students at West Asia and Africa.
the school embarked on a mission to blend The exhibition is thoughtfully cu-
contemporary abstract art with the rich rated into thematic platforms and pat-
cultural tapestry of the region, drawing terns that explore different facets of
inspiration from traditional African and CAS’s legacy, including the fusing Afro-
Amazigh crafts such as rugs, jewellery, Amazigh heritage and design for every-
calligraphy and painted ceilings. day through the integration of art, craft
Featuring artworks by 21 CAS artist- and architecture; and its role in trans-
activists spanning generations, the ex- forming neglected spaces and districts.

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Creating
a Space for
the Arts
Gaith Abdulla created Bayt
AlMamzar as a sanctuary for
artistic expression. He delves
into its origin, his inspiration
and upcoming plans
WORDS – ANEESHA RAI

I
“ ’m actually a Gulf studies specialist that
found my way into the art community as
a young social science student in London
on my visits back to Dubai, where I would
hang out with my brother and his art friends
who were studying at the college of fine arts in
Sharjah around 2007-08. Those years were, in
my opinion, the defining moment in the con-
temporary history of art in the UAE. It was a
moment where the government and major in-
stitutions were like, “Let there be art” – decid-
ing that visual art would be a key part of the
UAE’s culture.
The interest in art has since matured and
developed into a broader and greater under-
standing than [only] its relevance to contem-
porary society in the Gulf. Art brings together
other disciplines, worlds and fields in a bril-
liant way. It’s a great way to explore everything
from science to history to human interaction –
and anything else one can imagine.
Bayt AlMamzar was a project developed by
my brother Khalid and me. The seed of the pro-
ject came around eight years ago when Khalid

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Photography by Saif Mhaisen
 ART

This page – Crystal

Clear exhibition held at
Bayt Al Mamzar, courtesy
of Studio Salasil

AlMamzar, a space that includes artist studio

spaces and exhibition spaces favouring experi-
mental exhibition development. We also house
a specialist research library and other facilities.
We’ve hosted residencies by artists from It-
aly, Bangladesh, Tunisia, Kuwait and Pakistan
so far this year. The exhibition ‘Crystal Clear’
– curated and produced by Studio Salasil (Sara
Bin Safwan & Zainab Hasoon), running ‘til May
– has really pushed what exhibition-making in
non-institutional settings can and should look
like in the UAE. One of the other coolest things
we did this year was hosting a Bathroom Resi-
dency. It was the product of a relationship we
have as Bayt AlMamzar with our friend, artist
and jewellery designer, Ana Escobar Saavedra.
She had previously informally produced won-
derful activations throughout the house over
the past two years and jokingly said, ‘All that’s
left is for me to do something in the bathroom.’
She reached out a few weeks later and said,
suggested to my father that we turn what was sustained way, and other signs were there that ‘Gaith, I wanna do a residency in the bathroom
our grandma’s house into a private contempo- the non-commercial spaces for art were grow- at Bayt AlMamzar,’ and I said, ‘Okay’. Ana
rary art museum after the family had moved ing. There’s still a great need for more but the was working towards her MFA at the time and
out. At that time Dubai had a severe lack of progress is there. needed a space to do stone-working. The bath-
non-commercial spaces showcasing contem- There was, and still is, another key struc- room was the perfect space because it could get
porary art, and such non-commercial spaces tural challenge in Dubai and the UAE – which super messy and had ventilation and access to
are the key to a thriving and honestly reflec- is the need for accessible studio spaces for prac- water. Above all, Ana’s intention was to delve
tive art ecosystem. When the time came to ac- ticing artists. This is primarily because rent is into the concept of the entity’s support and its
tually begin work on what was to become Bayt very expensive and it’s hard to find appropriate significance to an artist. In this case, it was as
AlMamzar in 2020, Khalid and I looked at the spaces which can function as studio spaces for simple as a bathroom. This is especially impor-
state of things and saw that things were de- artists. We realised that the bedrooms of the tant in a place like the UAE, where artists and
veloping. Jameel Arts Centre came into exist- house would make perfect artist studios, so creatives feel that support needs to come from
ence, Alserkal Avenue had taken on a mandate we shifted the focus to include artist studios the government or big institutions and that it
of supporting artistic development in a more and residencies as well. The result is now Bayt requires huge resources and big budgets.

16 THE CRAFT ISSUE identity.ae

 ART

Bayt AlMamzar is an evolving space – in

the short time we’ve existed we’ve done some
awesome things and that was because of the
incredible creatives we have collaborated with;
we take our cues from them, and the aim is to
Photography by Youssif AlHarmoodi, Alexey Shvedov

make sure we’re guided by the needs and inter-

ests of the creatives around us and the growing
grassroots movements that are producing such
cool things in art, design and culture.
Our goal is to be a space that nurtures crea-
tive development, critical dialogue and col-
laboration in a non-institutional way. We’re
making small steps forward in this by actively
allowing the space to be shaped and reshaped
by the communities of creatives that are driv-
ing it. We hope to see more initiatives like
ours come to life in the UAE and wider region.
There’s a serious need for creatives to come to-
gether and build things in the gaps between the
mega institutions that dominate things here.”

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 ART

Crafting in
a Time of Crisis
WORDS – ANEESHA RAI

Photography courtesy to Carbon 12 Gallery

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 Left page – A Man, Burning #2,
Oil on canvas (2023); This page –
Head of Div #11, patinated bronze
and wood (2024); Figure of Div
#5, Oil on canvas (2024)

Amir Khojasteh’s work strikes

a chord, with a raw and
emotional take manifested
at his latest exhibition

D
uring the tumultuous times of an Ira-
nian uprising, artist Amir Khojasteh
retreated to his studio, seeking refuge
and understanding. “Something had
been unveiled,” he reflects. In this time of cha-
os, Khojasteh persisted, meticulously crafting
sculptures of divs – powerful and malevolent
entities of Persian mythology that possess vari-
ous magical abilities. Through their creation,
he conquers both physical and metaphorical
demons, immortalising his victory and show-
casing his deep commitment to craftsmanship.
The bronze used in the pieces lends a lustrous
surface that interacts dynamically with light,
creating a mesmerising visual dance.
Khojasteh’s paintings resonate with the
spontaneity and texture of monotype prints.
Intricate white lines, slots or scars infuse the
compositions with added vitality. Drawing
from art history, life-sized mythical creatures
emerge from these curved canvases. The dome
form, reminiscent of Qajar-era paintings, ac-
centuates the primal essence and vibrant pres-
ence of these divs.
“Living in a burning house” becomes an en-
during metaphor. Each painting can be inter-
preted as a self-portrait or commentary on sur-
real circumstances. Amidst the haze of ongoing
chaos, Khojasteh finds humour in his work,
leaving the observer with a paradox of feelings.
Running until 28 May at Carbon 12 Gallery

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 ARCHITECTURE

NEOM unveils
Aedas-designed Gidori
A golf haven on the Gulf of Aqaba
WORDS – ANEESHA RAI

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 ARCHITECTURE

I
n a recent announcement, NEOM has unveiled spaces. Gomez highlights, “Different textures
Gidori, an exclusive private golf community of glass and metallic surfaces are adopted to
designed by global architecture firm Aedas. create a vibrant movement of shade and light.”
Situated amidst the picturesque coastal hills Gidori’s centerpiece is its 18-hole champi-
of the Gulf of Aqaba in northwest Saudi Arabia, onship golf course, which meanders through
Gidori aims to blend world-class golfing facili- gentle hills and rocky outcrops. Alongside the
ties with dynamic leisure options, catering to golf course, 200 individually crafted private
both enthusiasts and leisure-seekers. villas are planned. Additionally, the develop-
Ignacio Gomez, the Global Design Princi- ment will feature an 80-room boutique hotel
pal at Aedas said, “Gidori is an ultimate expe- offering unique accommodations, restaurants,
rience of community living. A series of spaces a spa, gym, multiple pools, and an exclusive
offering points of connection between humans entertainment theatre.
and nature.” The development is designed to In alignment with NEOM’s environmental
seamlessly integrate with its stunning natu- ethos, Gidori will also provide natural rec-
ral surroundings, offering upscale hospitality, reational spaces suitable for outdoor activi- TECHNICAL SHEET
premium residences, and a diverse range of ties such as hiking, cycling, and water sports.
Project: Gidori
sports and leisure facilities. Gomez emphasized that, “Gidori is the power
At the core of Gidori is a beachfront complex of bringing together people, community and Location: Gulf of Aqaba, NEOM, Saudi Arabia
called the Monolith, which features a striking nature to create a powerful new future.” Ae- Client: NEOM
and awe-inspiring cantilevered structure. This das continues to be a key player in supporting Design Architect: Aedas Middle East
complex is set to include 190 luxury sea-view NEOM’s ambitious vision for the future, with
Design Director: Ignacio Gomez, Global
apartments, along with various dining ven- ongoing involvement in other groundbreaking
ues, signature retail outlets, and lush garden projects, including the Trojena Ski Village. Design Principal

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 DESIGN

Highlights of
Salone del Mobile,
Milano 2024
All things new and noteworthy at the most awaited
week for the international design industry
WORDS – ANEESHA RAI

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 DESIGN

S
tep into the realm of creativity, in-
novation and aesthetic brilliance as
we unveil the captivating highlights
from this year’s Salone del Mobile in
Milan. This prestigious event, hailed as the
pinnacle of the international design calendar,
once again mesmerised attendees with its un-
paralleled showcase of cutting-edge design
concepts, groundbreaking innovations and vi-
sionary craftsmanship.

LOEWE lamps
LOEWE revealed a collection of new lamps
specially developed for the presentation by
24 artists, all of whom have a long-stand-
ing relationship with the house. These
newly commissioned floor, table or sus-
pended lamps were on view in the Palazzo
Citterio. Light was the central medium in
all these works, and its properties were
embraced and manipulated by each artist,
guided by their own individual practice.
The showcase was LOEWE’s eighth at the
international furniture fair, which enabled
the brand to venture into creative experi-
ments with artists, expanding on genera-
tions of design and crafts knowledge.
This was the first time many of the
featured artists had created lamps, and
the project enabled them to utilise a wide
range of mediums, pushing the proper-
ties of each material to create unexpected
interactions with light. For many of the
artists, it was also an opportunity to in-
troduce new techniques and materials into
their practice. Playing with the pliability
of bamboo, birch twigs and horsehair; ex-
perimenting with the translucencies of
paper and lacquer finishes; and exploring
the dynamic reflective contrasts between
glass, leather and ceramic, they created
forms that took inspiration from natural
and man-made objects – spanning lighters
and storefront shutters to morphing mi-
croorganisms and hanging gourds.

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 DESIGN

[BELOW]

Soft Glass by Tonelli Design

Soft Glass, the new and first sofa by
Tonelli Design, designed by Massimo
Castagna, breaks away from convention-
al sofa design by integrating glass as the
framework for a captivating interplay of
shapes and materials. This marks a sig-
nificant departure from traditional up-
holstery, offering a fresh perspective on
living space aesthetics. At first glance,
Soft Glass mesmerises with its uncon-
ventional style, striking a delicate bal-
ance between lightness and modularity.
The sofa’s soft, generously filled volumes
create a welcoming seating system that
redefines spatial design. Castagna’s vi-
sion of modular design allows for origi-
nal, dynamic and informal compositions,
setting new trends and even anticipating
them. With its wooden slatted frame and
glass bases, Soft Glass offers unparalleled
versatility, allowing for a multitude of
configurations to suit diverse preferences
and spatial requirements. Whether in
larger or smaller configurations, the sofa
remains a statement piece

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 DESIGN

[LEFT]

Antolini’s stone cladding ful combination of craftsmanship and

Antolini’s exquisite stone craftsman- technological innovation. With its in-
ship has left us in awe. In this month’s nate ability to infuse spaces with per-
edition, we turn our focus to the heart sonality and warmth, Antolini’s stone
of the home, the living room, and this cladding emerges as a natural choice
brand resonates strongly with us – for elevating the ambiance of any living
because of its dedication to produc- room. From sleek marble accents to rus-
ing and marketing the finest natural tic granite features, each stone selection
stones by highlighting and enhancing tells a story, adding depth and character
their unique beauty thanks to the skil- to the living room narrative.

[ABOVE]

TRICIA PAOLUCCIO X JWANA HAMDAN’s ALIYA dining chair

The new capsule collection by Jwana Hamdan, in collaboration with Californian artist Tricia Paoluccio, was
previewed at Salone. The collection, titled TRICIA PAOLUCCIO X JWANA HAMDAN, presented a contempo-
rary dialogue between floral art and lyrical gardens. Inspired by Hamdan’s desire to express the beauty and
essence of nature through design, the collaboration aimed to evoke a cultural heritage rich in poetic and liter-
ary tradition. The lush gardens referenced in Middle Eastern poetry served as powerful metaphors to represent
human emotions and social interactions. One highlight of the collection was the ALIYA dining chairs, elegantly
adorned in floral-themed fabrics, available at Purity.

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 COVER STORY – DESIGN

Third-culture
Crafts
We explore the fascinating intersection of diverse cultural
influences on traditional craftsmanship techniques in
Dubai and Riyadh, as demonstrated by various craftspeople
at the top of their game
WORDS – ANEESHA RAI

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 COVER STORY – DESIGN

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 COVER STORY – DESIGN

K
eeping the pulse of this phenom-
enon, which is rooted in identity,
these individuals’ approach to
artistry and craftsmanship tran-
scends boundaries, creating unique
and innovative works that resonate with global
audiences. By embracing a blend of tradi-
tions, materials and techniques from various
cultures, third culture craftsmanship offers a
fresh perspective, celebrating the richness of
cultural diversity while pushing the bounda-
ries of traditional art forms. This evolving
practice enables collaboration across cultures,
fostering creativity, innovation and mutual
understanding in the world of craftsmanship.

clothes stands, tables and lighting fixtures,

and remains a crowd favourite – capturing the
KHALID SHAFAR essence of Emirati culture while offering prac-

On Crafting a Legacy
tical solutions for everyday living.
Now, the designer is placing research and
collaboration at the forefront of his work. “We
have started researching more than material,
Khalid Shafar, with his eponymous design stu- sion to create designs that celebrate Emirati exploring ancient and existing crafts, as well
dio, is redefining the boundaries of furniture heritage. At the heart of KHALID SHAFAR’s as different materials such as concrete, stones,
and product design by seamlessly blending ethos lies a dedication to preserving and pro- marbles, metal and various patinas. Our aim is
functionality, practicality and creativity. His moting Emirati crafts. Shafar’s meticulous at- to collaborate with brands and designers from
designs artfully intertwine Emirati culture tention to detail and integration of traditional different studios, merging industries to create
and craftsmanship with contemporary aes- techniques and materials, such as safeefa in unique works of art,” he explains.
Photography by Salama Studio

thetics, creating pieces that are both visually his Palm tables collection, showcase his com- As Shafar continues to push the bounda-
stunning and deeply rooted in tradition. mitment to this cause. “We have a lot of arts ries of design and collaborate with renowned
Shafar’s design journey began at the and traditions that we wanted to preserve, and brands and designers, his vision for KHALID
American University in Dubai in 1998, where I wanted to use it either through telling the SHAFAR remains steadfast: to create timeless
he studied interior design. Although he initial- story of that particular craft or even integrat- pieces that resonate with generations to come.
ly pursued a career in business management, ing the craft in the product itself,” he explains. Through his innovative designs, he is crafting
his passion for design never waned. In 2010, Shafar’s innovative approach to materials a legacy that celebrates Emirati culture, pro-
he pivoted back to his true calling, founding has resulted in products that leave a lasting motes craftsmanship and shapes the future of
KHALID SHAFAR and embarking on a mis- impression. His debut Palm collection includes design in the UAE and beyond.

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 COVER STORY – DESIGN

adds a sense of calm or unease just by the way

the elements form,” she says. Resonating with
the wabi-sabi concept, the artist believes in
embracing imperfections and impermanence
in her work, creating pieces that exude time-
lessness. While Farrelly’s multicultural back-
NICOLE FARRELLY – ground makes it challenging to pinpoint spe-
Founder of Cole and Cinder cific cultural nuances in her work, she draws
inspiration from her unique family experienc-

Breaking the Mould es. “Food is a huge part of my family’s expres-

sion of love,” she shares, reminiscing about
Sunday roasts and dinner parties.
Creating tableware has always been a
Family ties, artistic exploration and a passion set up tablescapes, ignited her love for interior dream for Farrelly, and seeing people cherish
for design all shape Nicole’s work. The artisan design and styling. Cole & Cinder was born out her pieces evokes a warm sense of nostalgia.
has carved a niche for herself in the world of ce- of a serendipitous encounter during lockdown. Her signature scented candles, inspired by
ramics, blending influences from her multicul- A chance sale of one of her experimental ce- church and rainy days on her aunt’s farm in
tural background to create unique pieces that ramic vessels sparked interest and led Far- England, encapsulate the essence of ‘home’
resonate with depth and character. relly to delve deeper into the world of ceramics. and offer a sensory journey back to her roots.
Farrelly’s move to Dubai at the age of 17 was “My journey has been about consistency, trial As Farrelly continues to evolve as a design-
driven by a desire to be close to her father, who and error, and learning from the ceramic com- er and individual, she hopes to see Cole & Cin-
had relocated to the city a few years earlier. Her munity,” she explains. Farrelly’s aesthetic is der grow alongside her. With plans to explore
family’s longstanding connection with the ho- characterised by “complex simplicity”, with a new forms and designs, she remains commit-
tel industry instilled in her early on an appreci- focus on naturally derived colours and the coil ted to her core values of authenticity and crea-
ation for design and aesthetics. “Growing up in technique. “Our ethos at Cole & Cinder is that tivity. In this creator’s hands, third culture
and around hotels played a huge part in shap- we are all constantly changing but always have craftsmanship finds a harmonious expression,
ing my passion for design,” she recalls. Mem- our core self that stays the same,” she reflects. bridging the gap between diverse influences
ories of sitting in hotel lobbies adorned with Nature serves as a powerful inspiration for and creating spaces imbued with warmth,
ceramics and art, and helping the events team Farrelly’s designs. “The silent power of nature character and timeless appeal.

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 COVER STORY – DESIGN

CYRIL BARRET –
Founder of Cyril Furniture

Crafting Timeless Elegance

Cyril Barret has established himself as a mas- niture in Abu Dhabi, later expanding to Dubai.
ter of furniture design, merging French crafts- “The allure of antique furniture, its beauty,
manship with enduring elegance. Founder of craftsmanship and historical significance, has
Cyril Furniture, his dedication to quality and always captivated me,” he shares. This passion
tradition is evident in every piece he creates. infuses every Cyril Furniture piece, blending
Born in Bordeaux, France, Barret has called functionality, aesthetics and innovation.
Dubai home for 17 years. His furniture-making Cyril Furniture’s portfolio of projects in-
journey began at 18, under the guidance of ex- cludes private palaces in Oman and Abu Dhabi,
perts from Compagnons du Devoir, a historic the King of Bahrain’s palace, and French châ-
French organisation. “I’ve always poured my teau-style villas in Kuwait. As a French expa-
heart and soul into it,” he says, reflecting on triate in Dubai, Barret harmoniously integrates
his three-decade commitment to the craft. The his cultural heritage with the region’s vibrancy.
designer’s Gulf introduction was through a piv- His journey informs Cyril Furniture’s unique
otal project in Oman. From 1998 to 2002, his style, preserving artisanal techniques. With
team furnished the Sultanate of Oman’s palace, Barret at the helm, furniture design becomes a
a project that remains a highlight and a cata- creative odyssey, blending passion and artistry.
lyst for his regional success. Seeing the region’s Through Cyril Furniture, he continues to shape
appreciation for craftsmanship and French- the luxury interiors landscape, creating pieces
inspired interiors, Barret founded Cyril Fur- that are as timeless as they are elegant.

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 COVER STORY – DESIGN

her team believe in using the highest quality

materials, sourced from around the world, to
create pieces that resonate with their custom-
ers’ unique aesthetic journeys. One of Maison
Mishmashi’s standout pieces is The Queen
Chair, a true embodiment of the brand’s ethos,
seamlessly blending tradition with modernity.
Known for its distinctive patchwork designs
and commitment to sustainable craftsmanship,
Maison Mishmashi’s creations are both beauti-
ful and environmentally conscious. Al Omary’s
dedication to utilising every beautiful remnant
has led to the creation of iconic patchwork col-
lections that showcase the brand’s creativity
and commitment to sustainability. The inspira-
tions behind the brand are deeply rooted in Al
MAYA TORON AL OMARY – Omary’s upbringing and life experiences. With
Founder of Maison Mishmashi a keen awareness and appreciation for her sur-
roundings, the designer finds inspiration in the

Crafting Authenticity interplay of colours, textures and patterns that

evoke raw emotion within her. Rather than ad-
hering to specific eras or aesthetics, she draws
inspiration from the feelings and connections
As the founder of Maison Mishmashi, Maya rience in my life has led me authentically to that each design evokes.
Toron Al Omary weaves together her diverse where I am today.” As a third-culture woman, Al Omary em-
life experiences to create pieces that celebrate Before venturing into the world of design, braces the fusion of East and West, tradition
beauty, individuality and authenticity. Al Omary co-founded the first all-women-run and modernity in her designs. Maison Mish-
Born in New York City to diplomat parents real estate company in Dubai in 2007. While mashi is a reflection of her journey, honouring
with Syrian roots, Al Omary’s upbringing was her previous venture was ground-breaking, her roots while embracing the diverse influ-
steeped in art, culture and travel. Her parents, her passion for design and home décor eventu- ences that have shaped her worldview. It’s an
who are accomplished painters, instilled in her ally led her to establish Maison Mishmashi. For extension of her authentic self, where crea-
a deep appreciation for creativity, while her in- Al Omary, design is a form of self-expression, tivity, courage and self-expression converge.
ternational upbringing exposed her to diverse and Maison Mishmashi provides her with a In essence, Maison Mishmashi is Al Omary’s
traditions and lifestyles. Having graduated canvas to express herself and share her unique invitation to join her on a journey of creativ-
with an Associates Degree in Political Science vision with the world. ity, self-expression and discovery. With each
while living in Paris, Al Omary’s educational Maison Mishmashi is more than just a fur- piece crafted with love and intention, she and
journey may seem unrelated to her current niture brand; it’s a celebration of individual- her brand invite us to celebrate our individual-
profession, but as she puts it, “Every expe- ity, craftsmanship and culture. Al Omary and ity and embrace the beauty that surrounds us.

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 COVER STORY – DESIGN

GHAZLAH STUDIO

The Art of Rug

Design with
a Saudi Twist
Ghazlah Studio has been making waves since its
launch. The studio fuses artistry with tradition,
bringing a fresh perspective to the world of rug de-
sign. Born and raised in Riyadh, the founding team
behind this innovative approach comprises three dis-
tinct talents: Bassam Al Khulaifi, Saud Al Rasheed
and Somaya Al Azhrani. While Al Khulaifi paints
and experiments with fabrics, Al Rasheed, who has a
finance background, manages the execution process
alongside Al Azhrani, who majored in epidemiol-
ogy. Together, they breathe life into their creations,
drawing from their diverse backgrounds to create
pieces that resonate with audiences far and wide.
The team’s journey into rug design began unex-
pectedly during the pandemic. Faced with a lack of
creative rug designs for their personal spaces, the
trio decided to take matters into their own hands.
Experimentation has been key to Ghazlah’s suc- artistic expression. At the heart of the studio’s crea-
cess. While the studio has dabbled with various tions lies the rich tapestry of Saudi culture and the
yarns, wool and acrylic remain their primary materi- myriad artistic influences the trio have encountered
als. Their versatility allows them to cater to a broad during their travels. Whether it’s the vibrant hues of
audience, from boutique hotels to art collectors, each local cuisine, the rhythms of traditional music or the
piece offering a unique blend of functionality and myriad people they meet along the way, every experi-
ence enriches their design palette.
Ghazlah studio’s work is a celebration of its
founders’ heritage, capturing the essence of Saudi
Arabia’s architectural marvels, weaving techniques,
colours, shapes and even its unique scents and fauna.
It’s a meticulous process of absorption and reflection,
each piece echoing the world around them and reso-
nating with cultural significance.
Among their creations, the ‘Dallah’ piece and
‘Painting Man’ hold a special place in their hearts.
‘Dallah’, a symbol of Saudi culture, beautifully en-
capsulates their identity, while ‘Painting Man’ rep-
resents their journey of exploration and innovation.
Both pieces challenged Al Khulaifi to learn new tech-
niques, pushing the boundaries of the trio’s craft and
inspiring further creativity.
What drives this team is the ability to trans-
late personal experiences and interpretations of
the world into tangible pieces of art. For them, rug
design is not just about aesthetics; it’s a medium to
convey emotions, stories and cultural narratives that
people can connect with and cherish.
In essence, this Saudi-based venture is more than
just a rug design company; it’s a testament to the
power of collaboration, creativity and cultural pride.
Through their unique blend of craftsmanship and
artistry, they invite audiences worldwide to experi-
ence the beauty of Saudi culture, one rug at a time.

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 A Maldivian Touch
Olga Melnikova from OL Interiors
breathes life into a Palm Jumeirah home
by filling it with character and warmth
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identity.ae THE CRAFT ISSUE 39
 INTERIORS

Above – Textures play against each other in earthy tones in the

bedroom; Right page – A warm, inviting ambiance in the dining area

I
nitially devoid of character and warmth, this complete the space. Soft furnishings, carefully
Palm Jumeirah villa stood as a blank canvas, curated decor, and panoramic views of the sea
waiting to be infused with boho elegance, set the stage for intimate gatherings and cher-
Maldivian inspirations, and a touch of famil- ished moments. The dining area emerged as a
ial charm. The challenge was clear: to meta- focal point, adorned with bespoke plaster art
morphose an empty, impersonal space into a crafted by a sculptor-artist transposed against
boho minimalist sanctuary. a stunning Bloomingdale’s table with chairs TECHNICAL SHEET
Olga’s expertise lay in weaving warm from Marina Home. This unique masterpiece
Upholstery: Defure
creamy tones, cosy textures, and artful com- added a powerful design element to the space,
positions into every corner of the villa. With elevating the overall dining experience. Furniture: Poliform, Bo Concept,
a family of three children in mind, each room Olga Melnikova’s design prowess extended Bloomingdale’s, Marina Home, Crate &
was meticulously crafted to reflect individual to sourcing special designer pieces and materi- Barrel, Kit & Kaboodle
personalities while harmonizing within the als, collaborating with notable brands for furni-
Lighting: Artemide,Louis Poulsen,
overarching design narrative. ture and lighting, and coordinating with skilled
The living room became a haven; inviting contractors to bring her vision to life. She in- Dantone Home, Slamp, Nemo
both guests and the family to unwind in style, fused every element with a sense of bio-eco- Carpets: Art de Vivre
with sofas and terracotta armchairs from logical friendliness, warmth, and comfort. The Curtains: Katrin & Alex
Poliform, a floor lamp from Artemide and Art villa, once devoid of personality, now exudes a
Soft furnishing: Baccarat
de Vivre carpets with curtains from Katrin welcoming aura that beckoned one to linger, re-
& Alex and coffee tables from Crate & Barrel lax, and savour moments of tranquility. Paint: Benjamin Moore

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 GLOBAL OUTLOOK

Rediscovering Tradition
The South Korean designer blends ancient hanok elegance with
contemporary design in a modern furniture context
WORDS – ANEESHA RAI

T
“ he allure of objects steeped in his- Gwol] series offers a modern reinterpretation “Amid the rise of ‘glocalism’ – blending
tory offers comforting nostalgia, of the age-old beauty inherent in hanok. This global and local influences – there’s a growing
evoking a sense of familiarity and exploration particularly delves into Giwa, the interest in researching and celebrating tradi-
connection.” Designer Jung-hoon roof tiles crafted from soil or cement that are tional cultures worldwide.
Lee’s [Heritage Gwol] series embodies this emblematic of hanok structures. This movement fosters a renewed appre-
sentiment, blending modern craftsmanship The series aims to capture the aesthetic al- ciation for each country’s heritage, driving the
with the timeless essence of antique heritage. lure found in various Giwa types, the structur- exploration of new aesthetic forms and func-
This collection of contemporary craft furni- al elegance supporting the roof, and the deli- tional designs relevant to modern life.” says
ture seamlessly integrates into everyday life cate curves intrinsic to hanok design. These the designer. In response to this trend, Lee re-
while emanating an ancient aura. Inspired elements combine to create furniture that re- imagines Korea’s unique cultural and aesthetic
by the symbolic forms and colours of Korea’s flects the subtle sophistication of Korea’s cul- sensibilities, adapting them to align with glob-
traditional hanok architecture, the [Heritage tural heritage through a contemporary lens. al design trends.

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An Icon of
Sustainable
Innovation
Fluid forms, innovation and culture fuse
together at this architectural gem in Seoul,
designed by Zaha Hadid Architects
WORDS – ANEESHA RAI PHOTOGRAPHY – VIRGILE SIMON BERTRAND

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identity.ae THE CRAFT ISSUE 45
 D
ongdaemun Design Plaza
(DDP) stands as a monumen-
tal architectural and design
achievement in the heart of
Seoul, South Korea, master-
fully conceived by the late, acclaimed ar-
chitect Zaha Hadid and her design firm,
Zaha Hadid Architects. As a symbol of
Seoul’s dedication to innovation, creativ-
ity and forward-thinking design, DDP
transcends conventional architectural
norms, embodying a harmonious blend
of form, function and sustainability.
DDP is a tour de force of contempo-
rary design, characterised by its fluid,
curvilinear forms and futuristic aesthet-
ic. The structure’s seamless integration
with its surrounding landscape creates a
sense of continuity and fluidity, blurring
the boundaries between interior and
exterior spaces. This fluidity is accentu-
ated by the plaza’s undulating roofscape,
which serves as an expansive public
park, offering panoramic views of the

cityscape and providing a tranquil re-

treat amidst the urban hustle and bustle.
The design of DDP is not merely
aesthetically adventurous; it is also in-
herently sustainable, incorporating a
range of eco-friendly materials and in-
novative technologies that minimise
energy consumption and environmental
impact. From its energy-efficient light-
ing systems to its rainwater harvesting
capabilities, DDP exemplifies a holistic
approach to sustainable architecture,
setting new standards for environmen-
tally conscious design.

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 GLOBAL OUTLOOK

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 GLOBAL OUTLOOK

Cultural
Convergence
Hotel Hana blends the elegance of Belle Époque with
the simplicity of Japanese minimalism in the heart of Paris
WORDS – ANEESHA RAI PHOTOGRAPHY – STEPHAN JULLIARD

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 GLOBAL OUTLOOK

Japanese aesthetics harmoniously intertwine with Parisian design sensibilities

with a consistent design language throughout

D
rawing inspiration from the avant- west across time. Gonzalez masterfully or- ous suite, offer guests a serene retreat from the
garde spirit of the 1920s – which at- chestrates a dialogue between the opulence of urban chaos and feature interiors imbued with
tracted the Japanese diaspora to this Belle Époque design and the refined simplicity a Feng Shui aura crafted by expert Hélène We-
vibrant neighbourhood called ‘Lit- of Japanese minimalism. Eschewing her signa- ber. The design pays homage both to Japanese
tle Tokyo’, nestled between the iconic Opéra ture eclectic style, she opts for a more neutral and Belle Époque influences, showcasing iroko
Garnier and Place de la Bourse – Hotel Hana, palette and handcrafted aesthetic, playing on wood, straw coverings and bicolored marble in
conceptualised by Nicolas Saltiel serves as an the contrast between romanticism and sobrie- the bathrooms. The carpets, designed by Mar-
oasis of tranquillity and design sophistica- ty. Custom-designed furniture punctuates the guerite Lemaire, and original designs by Laura
tion amidst the city’s hustle and bustle. Here, space, set against a backdrop of soft tones and Gonzalez, reproduced by Pierre Frey, add the
Japanese aesthetics harmoniously intertwine materials reminiscent of Art Nouveau. finishing touches to the meticulously curated
with Parisian design sensibilities, resulting Artisanal craftsmanship is evident through- spaces. The result is a harmonious ensemble
in a captivating interplay of traditions, where out Hana, with contributions from skilled that invites guests to escape and dream, envel-
every detail, gesture and object tells a story. craftspeople like Sonja de Monchy, Les Ateliers oped in a cocoon of design excellence where the
Laura Gonzalez, the visionary architect Roma and Signature Murale, who elevate the taste for beautiful things reigns supreme, and
and interior designer, collaborated with Ol- design with their unique artistic expressions. attention to detail is paramount. Hana offers an
ivier Leone, a renowned artistic director in the Each space is thoughtfully curated, from the authentic yet contemporary experience, strik-
fashion world, on his inaugural hotel venture. restaurant counter adorned with intricate de- ing a delicate balance between tradition and
This creative partnership has given rise to an tails to the textured paintings surrounding the modernity, inviting guests to surrender to the
exciting dialogue of design where east meets pool area. Hana’s 26 rooms, including a luxuri- allure of timeless design.

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What to Expect
at INDEX 2024

The Middle East’s highly

anticipated interiors trade
show will take place from
4 to 6 June
WORDS – ANEESHA RAI

1. Witness exceptional design, right

from the start. Experience design like
never before with the unmatched haptic expe-
rience of INDEX 2024. Attendees, including
buyers, fit-out contractors and design enthu-
siasts, can directly interact with cutting-edge
designs. This interactive approach allows for
more informed decisions and fosters stronger
relationships with exhibiting brands.

52 THE CRAFT ISSUE identity.ae

 PARTNER CONTENT

2. INDEX Design Talks: One of our fa-

vourite events at the fair, INDEX Design Talks
is a platform where industry visionaries and
design experts gather to discuss the latest
trends and challenges in interior design and
architecture.
3. Flooring and Surfaces Summit:
This year, INDEX 2024 is hosting a one-day
summit focused on the vital role of flooring and
surfaces in contemporary design. Knowledge-
able speakers, architects and designers will in-
vestigate the most recent trends and advanced
techniques, providing attendees with a one-of-
a-kind chance to redefine modern design aes-
thetics.
4. Engage with industry experts
from around the world. Connect with
professionals, architects, designers and sup-
pliers from all over the world. Expect to gain
valuable insights from talks and sessions led
by the top experts in their fields. Attendees
can form meaningful connections, foster col-
laborations and draw inspiration from the live-
ly event atmosphere.
5. Explore the scale and breadth of
a truly global event. INDEX 2024 show-
cases a diverse range of products, designs and
technologies under one roof. Participants will
have the opportunity to explore a wide array of
interior design solutions, ranging from global
trends to local innovations. This comprehen-
sive offering provides everything needed for
the transformation of built spaces, both now
and in the future.

identity.ae THE CRAFT ISSUE 53

Image courtesy of Studio d.04
Crafting the Perfect
Living Room
Exploring the harmonious balance between
artisanal craftsmanship and contemporary interiors
within living room spaces
WORDS – ANEESHA RAI
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 DESIGN FOCUS – LIVING ROOMS

Left page – NM
Residence by Studio d.04.
Photography by Natelee
Cocks; This page – Living
space by Studio d.04

derstand their needs and preferences.

This helps us create spaces that adapt
and evolve based on the user’s re-
quirements,” he explains.
Percy Deng, Interior Stylist and
Founder of Midgu, a Dubai-based fur-
niture curation marketplace, adds an-
other layer to this understanding. She
emphasises the role of personalisation
and individuality in crafting living
spaces. “As an interior stylist, my ap-
proach begins with a thorough under-
standing of the client’s individuality,”
she notes. “I carefully select pieces
that resonate with their aesthetic and
tell a compelling narrative.”
Rozina Stefan, Furniture Curator
and Founder of The Loom Collection,
underscores the value of authenticity
and uniqueness when selecting ar-
tisanal pieces. “I recommend home-
owners opt for handmade pieces with
intricate detailing, such as chairs,
handwoven rugs or bespoke textiles
for cushions and throws,” Stefan
says. “By blending these pieces with
modern furniture, homeowners can
achieve a harmonious balance that
reflects both style and heritage.”
Deng also further elaborates on

C
this point by highlighting the im-
rafting the perfect living room in- She advocates for a bespoke approach, where portance of harmonising bespoke pieces with
volves a delicate dance between ar- each design reflects the client’s lifestyle, per- the overall design aesthetic: “I harmonise the
tisanal craftsmanship and modern sonality and narrative. “When working with bespoke pieces with the overarching interior
interior design. This fusion creates clients, our interactions are intimate and col- style of the house. I delicately balance propor-
spaces that not only captivate the eye but also laborative. We delve into their preferences, tion and scale, meticulously selecting materi-
evoke emotions, tell stories and enhance well- histories and aspirations to ensure that every als and fabrics that complement the space’s
being. Here, we explore insights from leading design element speaks to their identity and tone and add depth.”
architects, designers, furniture curators and enhances their daily living experience,” she Balancing craftsmanship with function-
interior stylists to unravel the intricacies be- says. Similarly, Sergi Comellas, Interior Ar- ality and comfort is also essential in crafting
hind this process. chitect and Founder of Barcelona-based studio the perfect living room. Al Awar emphasises
Noora Al Awar, founder of Studio D.04, SERGI COMELLAS, stresses the significance the importance of achieving harmony between
a multi-disciplinary studio based in Dubai, of understanding how clients interact with a craftsmanship, functionality and comfort to
emphasises the importance of capturing the space, using cognitive mapping to tailor de- enhance daily experiences. Similarly, Ste-
homeowner’s essence in living room interiors. signs accordingly. “We talk to clients to un- fan prioritises ergonomic design principles to

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58 THE CRAFT ISSUE identity.ae
 ensure that bespoke furniture pieces not only
look exquisite but also provide practicality and
comfort for everyday living: “We extensively
test and refine our products – sometimes for
six to eight months – to ensure every detail is
perfect. Even a difference of one to two centi-
metres can significantly affect the comfort of a
lounge chair or the depth of a sofa. We take our
time to get these details right because we view
our furniture [pieces] as long-term invest-
ments. This meticulous process ensures our
pieces are not only aesthetically pleasing but
also practical and suited for everyday living.”
Deng echoes these sentiments by advo-
cating for the integration of vintage pieces to
infuse character into the space while main-
taining modern comforts. “While opting for
a highly comfortable modern sofa for its func-
tionality, I complement it with vintage arm-
chairs to add a touch of charm and unique-
ness,” she shares.
Artisanal craftsmanship adds depth, au-
thenticity and a tactile allure to living room
designs. Al Awar believes that integrating ar-
tisanal elements elevates both aesthetic qual-
ity and user experience, imbuing each space
with a unique personality. “Our approach in-
volves a deep understanding of the materials
and craftsmanship available in our region. We

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 DESIGN FOCUS – LIVING ROOMS

The fusion of artisanal craftsmanship and modern interior design

offers endless possibilities for creating living rooms that are visually
striking, emotionally resonant and deeply personal

prioritise artisanal pieces that not only reflect the fully curated array of furniture, objects, art and
cultural richness of our environment but also en- vintage pieces, aiming to celebrate and advocate
hance the living experience through their unique- for the art of hand craftsmanship,” she explains.
ness and bespoke quality. This careful curation “It acts as a worldwide stage for artisans to show-
ensures that each living room we design is not only case their talents while also showcasing the allure
a reflection of the client’s personality but also a of Oriental aesthetics, all the while paying homage
functional, cohesive part of their home,” she re- to my cultural heritage.”
veals. Comellas echoes this sentiment, emphasis- The fusion of artisanal craftsmanship and
ing the sensory experience of tactile elements and modern interior design offers endless possibilities
the emotional depth they bring to a room. ““Many for creating living rooms that are visually strik-
times, when we see an item, we need to touch it. ing, emotionally resonant and deeply personal.
This page (from left) –
Understanding an artisanal element’s power is es- By understanding their own essence, curating
Townhouse in Tbilisi, sential. It’s not just about visual appeal but also bespoke furniture, balancing craftsmanship with
Georgia by SERGI about how it feels,” he adds. functionality and elevating design quality with
COMELLAS; Boutique home Deng’s passion for hand craftsmanship led artisanal elements, homeowners can craft living
in Emporda, Catalonia, her to launch Midgu, her own furniture curation spaces that are true reflections of their style, val-
Spain by SERGI COMELLAS venture. “Through Midgu, I present a thought- ues and stories.

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WORDS – ANEESHA RAI
PHOTOGRAPHY – NATELEE COCKS
Minimalist
Marvel
Waad Kansou, Founder of
Doubleyouinteriors, takes us
through a zen home
 DESIGN FOCUS – LIVING ROOMS

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 DESIGN FOCUS – LIVING ROOMS

T
he project brief called for a zen ceived enhanced wardrobe space. The mas-
and minimalistic space, featuring ter en suite was transformed into a luxuri-
a monochromatic colour scheme ous and functional space, featuring an open
enriched with varied textures. The shower area, sliding shutters for privacy and
aim was to optimise functionality and spa- high-quality materials to maintain a hotel-
ciousness while aligning with the client’s like vibe. An additional walk-in wardrobe
vision. Floating steps were introduced to area offers ample storage while preserving a
transform the staircase and integrate it with clutter-free environment.
the double-height TV unit. This involved In collaboration with The Design House,
concealing the handrail and incorporating a a local furniture supplier, the 3D renders
projected wall with indirect lighting, ensur- were brought to life through the careful se-
ing a seamless transition between the stair- lection of fabrics and materials. Incorporat-
case and the TV unit. Lighting was a key el- ing the client’s preference for a minimalist
ement, accentuating materials and volumes palette with black and light purple accents, a
throughout the space, highlighting textures touch of purple was added to the living room
and adding depth to the overall ambiance. furniture to introduce a subtle pop of col-
To enhance functionality and openness our while maintaining the monochromatic
in the living area, the ground floor guest theme. This ensured the space reflected the
bedroom was converted into a home office. client’s preferences while achieving the de-
This led to a versatile and connected lay- sired zen and minimalistic aesthetic.
out. The addition of a cosy library, featur-
ing slatted sliding wooden doors for stor-
ing books and a vintage camera collection,
added warmth and character to the space.
While the kitchen retained its original
location, it underwent a significant trans-
formation. The kitchen island was reorien-
tated to connect it with the dining room.
Additional storage and a black wooden fin-
ish contrast beautifully with the micro ce-
ment flooring and Neolith stone countertop,
achieving a sleek and modern aesthetic.
A minimalistic Japandi touch was infused
by incorporating Japanese pottery and tea
pots. The signature double-height TV unit
was kept minimal yet functional, using the
same stone as in the kitchen and white oak
slatted panels for cohesion. Creative storage
solutions were employed, maximising avail-
able space and incorporating an electric
chimney for added cosiness.
On the first level, the layout was entirely
reimagined. A bathroom accessible from two
spaces was redesigned, and the bedroom re-

TECHNICAL SHEET
Area: 149.57 m2
Design and Project Manager: Doubleyouinteriors
Contractor: The Agency
Joinery work: Designsmith
Kitchen: Schröder küchen UAE
Main furniture pieces: The Design House

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 DESIGN FOCUS – LIVING ROOMS

An
Alluring
Villa
This villa project in
Riyadh, Saudi Arabia
combines local
architecture with modern
sensibilities
WORDS – ANEESHA RAI

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 DESIGN FOCUS – LIVING ROOMS

identity.ae THE CRAFT ISSUE 67

 DESIGN FOCUS – LIVING ROOMS

A
selection of 28 independent signs and contemporary layouts, these
villas, NQSH combines mod- residences reflect the evolving needs
ern elegance with a touch of of the modern Saudi family. Prioritis-
local architecture. Designed ing privacy, the homes feature double-
by architect Mohammed S. Almansour height ceilings and a focus on comfort.
of Alwathaaeq Consulting Engineers, Neutral and calming tones further
the villa spans a spacious 7,936 square enhance the dwellings’ inviting ambi-
metres. Emphasising open-plan de- ance and timeless appeal.

The open plan layout

and tasteful textures of TECHNICAL SHEET
the NQSH villas.
Area: 7,938 m2
Photography by Felwa.Co
Type: Private villas
Architect: Mohammed Almansour
Designed by: Alwathaaeq Consulting Engineers
‫‏‬Real Estate Developer: Alramz Real Estate

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 DESIGN FOCUS – LIVING ROOMS

identity.ae THE CRAFT ISSUE 69

 LIBRARY

WORDS – ANEESHA RAI

Born in Oasi Zegna

A green tale of sustainability and design

A
t the heart of the Biella Alps in insights and evocative prose, inviting readers the donation of new flowerbeds in Milan’s Piazza
northern Italy lies Oasi Zegna, a to delve into its pages repeatedly. ZEGNA’s leg- Duomo on 19 April. This initiative marks the in-
100 km² haven nurtured by ZEGNA acy of community and environmental steward- ception of a worldwide endeavour to recreate the
since 1910. Recently showcased dur- ship began with Ermenegildo Zegna’s refor- essence of Oasi Zegna, emphasising the impor-
ing Milan Design Week at ZEGNA’s headquar- estation efforts around his Wool Mill (Lanificio tance of urban green spaces in nurturing biodi-
ters from 16 to 21 April, ‘Born in Oasi Zegna’ Zegna), bridging mountainous divides with versity and fostering social responsibility. During
captivated visitors with an immersive installa- the iconic 232 Road. Today, Oasi Zegna stands Milan Design Week, ‘Born in Oasi Zegna’ trans-
tion brimming with vegetation from this eco- as a testament to this vision, boasting over half formed the ZEGNA headquarters into a living
paradise. This book is more than a narrative a million trees and fostering harmony between gallery, inviting visitors to explore its lush pages
– it’s a visual odyssey and a tribute to ZEGNA’s industry, humanity, and nature. first-hand. The immersive exhibition merged the
enduring commitment to sustainability. With As the epicentre of ZEGNA’s values, Oasi beauty of Oasi Zegna with ZEGNA’s ethos, creat-
its cyclical theme mirroring the seasons, it Zegna transcends its physical boundaries. Its ing an experience that was both enlightening and
weaves together captivating imagery, historic influence is expanding globally, starting with enchanting. Available at zegna.com

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Choose from our
extensive range of authentic
Thesiger photographs.

PERFECT DECORATIONS
FOR HOTELS, OFFICES
AND HOMES.

Framed or unframed prints available

exclusively from The Arabian Gallery
 PRODUCTS

WORDS – ANEESHA RAI

A
t Cersaie 2023, Atlas Concorde laun-
ched its captivating Marvel Merav-
iglia collection, featuring a standout
collaboration with Zaha Hadid Ar-
chitects called Diamond. This innovative col-
lection merges timeless craftsmanship with
avant-garde design. Its unique design reima-
gines traditional mosaics, creating dynamic
modular geometries that offer limitless pat-
tern possibilities. Paolo Zilli, Associate Di-
rector of Zaha Hadid Architects, commented,
“Diamond transforms the concept of tradi-
tional mosaic design, creating a sequence of
modular geometries with limitless possibilities
for dynamic patterning. This decor reflects
Zaha Hadid Architects’ innovative approach,

Innovative
blending classic mosaic elements with disrup-
tive design elements to create a dynamic and
evolving surface. “This collaboration between
Atlas Concorde and Zaha Hadid Architects ex-

Interplay
emplifies a blend of tradition and innovation,
setting new benchmarks in decorative design.”
Inspired by the elegance of Calacatta Mer-
aviglia marble, the collection also introduces
Velvetech, a patented porcelain surface by
Atlas Concorde. Velvetech replicates the pol-
Atlas Concorde introduces the Marvel ished marble’s intricate finish, offering vary-
ing opacity levels for a nuanced aesthetic. The
Meraviglia collection featuring Diamond entire collection offers a diverse range of fin-
ishes, including hammered, matt and polished,
décor by Zaha Hadid Architects catering to modern interior design needs.

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 PRODUCTS

[LEFT]

Chatty Sofa
The Chatty sofa from the MCM
Wearable Casa Collection
unveiled during the 2024 Milan
Design Week, has captured our
attention. Designed by Atelier
Biagetti and curated by Maria
Cristina Didero, this sofa chan-
nels a street graffiti aesthetic,
drawing inspiration from vibrant
urban art. Beyond its artistic
appeal, the Chatty sofa pays
homage to iconic pieces like
Gufram’s Bocca Sofa by Studio
65 from the 1970s, blending
nostalgia with contemporary
sensibilities. This sofa offers a
space for relaxation, while also
incorporating charging capabili-
ties to keep users connected.

Things to Covet
Here are the pieces, objects and furniture pieces that
we love for their craftsmanship
WORDS – ANEESHA RAI

[RIGHT]

Z Desk
The Z Desk by Marcin Waszak
Design caught our eye thanks to its
practical yet playful approach to
work. Marcin Waszak, a UK-based
furniture designer, collaborated
with William Hands to create a
unique desk inspired by Wassily
Kandinsky’s ‘Dance Curves’ draw-
ing series from 1926. Drawing from
Kandinsky’s abstract linear designs
depicting human dancing poses and
movement, Waszak translated these
elements into the frame of the desk.
The desk features a removable
central panel that can serve as an
angled drawing board or a surface
for use over one’s lap while seated
on a sofa or bed. It also offers extra
space through a sliding panel hid-
den on the right side of the tabletop
and three movable drawers. We love
it because the piece explores the
concepts of movement and space,
prioritising adaptability for the user.

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 ID MOST WANTED

Arabesque bench by Nada Debs

The Arabesque bench by Nada Debs captivates with its elegant curved lines and impeccable
craftsmanship. Drawing inspiration from mid-century design, this sofa effortlessly combines
a modern S-shaped silhouette with the timeless allure of exquisite craftsmanship. Crafted
from French oak, the bench features a natural motif that echoes the intricate patterns
of traditional mashrabiya screens, adding a touch of cultural richness to its design. Beyond
its visual appeal, the bench’s unique shape invites relaxation and stimulates engaging
conversations, making it a versatile and inviting centrepiece for any open-plan living space.

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 Landscaping Villa Extension Fit Out

Iris Bay 501, Business bay, Dubai.

[email protected]
+971 55 206 8104 SCAN ME
www.ferrutti.com
Premium Wood Flooring

H AKWO O D .CO M | H W M E-SAL ES @ H AKWO O D .CO M