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Dorothy Day and the
Catholic Worker Movement
Centenary Essays
Edited by
William J. Thorn
Phillip M. Runkel
Susan Mountin
Marquette Studies in Theology
No. 32
Bill Miller
&
Jeremiah O’Sullivan
Acknowledgements
The editors have been sustained by the support of
their colleagues, students, families, and friends.
In particular, they wish to thank Nicholas C. Burckel,
Charles B. Elston, Lydia R. Runkel, Susan B. Stawicki-
Vrobel, and Rebecca L.Tress.
They are grateful as well to the members of the
Marquette University Religious Commitment Fund
Committee for a grant to defray the costs of publica-
tion.
Contents
Dedication .................................................................................... 5
Acknowledgements ....................................................................... 6
Preface
Phillip Runkel............................................................................. 13
Introduction
William J. Thorn ........................................................................ 14
Poem: Angeli tui sancti habitent en ea, qui nos in pace custodiant
Jacqueline Dickey ....................................................................... 37
PART I
The Catholic Worker and History
1.The Significance of Dorothy Day and the Catholic Worker in
American Catholicism
David J. O’Brien ......................................................................... 41
PART II
The Catholic Worker and the Catholic Church
3. “Blowing the Dynamite of the Church”: Catholic Radicalism
from a Catholic Radicalist Perspective
Rev. Michael J. Baxter, C.S.C ..................................................... 79
8 Dorothy Day
PART III
The Nonviolence of Dorothy Day
and The Catholic Worker
8. Beyond the Ballot Box: The Catholic Worker Movement and
Nonviolent Direct Action
Patrick G. Coy .......................................................................... 169
PART IV
Dorothy Day’s Political and Social Thought
10. Radical Orthodoxy: Dorothy Day’s Challenge to Liberal America
Geoffrey Gneuhs ....................................................................... 205
11. “The Way of Love”: Dorothy Day and the American Right
Bill Kauffman ........................................................................... 222
Table of Contents 9
PART V
Work and the Economy
13. Dorothy Day, the Catholic Worker, and the Labor Movement
John Cort ................................................................................. 257
14. John Cort and Catholic Social Activism since the New Deal
Paul Miller ................................................................................ 264
PART VI
Dorothy Day’s Writings and Rhetoric
18. The Radical’s Paradox: A Reflection on Dorothy Day’s “Leg-
endary” Resistance to Canonization
Carol J. Jablonski ...................................................................... 323
PART VII
Dorothy Day’s Spirituality
20. Identity, Community, and Crisis: The Conversion Narratives
of Dorothy Day
Catherine Faver ........................................................................ 351
PART VIII
Peter Maurin and Catholic Worker Farms
23. Peter Maurin’s Ideal of Farming Communes
William J. Collinge ................................................................... 385
PART IX
Ammon Hennacy
27. An Anarchist Joins the Catholic Church: Why Ammon Hennacy
Became a Catholic
James Missey ............................................................................. 435
PART X
Catholic Worker Pacifism, 1933–1945
28. The Way of Love: Pacifism and the Catholic Worker Move-
ment. 1933–1939
John L. LeBrun ......................................................................... 445
29. Dorothy Day and the Mystical Body of Christ in the Second
World War
William T. Cavanaugh .............................................................. 457
30. “We Are Still Pacifists”: Dorothy Day’s Pacifism during World
War II
Sandra Yocum Mize .................................................................. 465
PART XI
Ecumenical Perspectives
32. The Shakers and the Program and Practice of the Catholic
Worker
Walt Chura ............................................................................... 485
33. Dorothy Day, the Jews, and the Future of Ecumenical Religios-
ity
Marc H. Ellis ............................................................................ 494
PART XII
Personal Narratives
36. Dorothy Day Stories
John Cort ................................................................................. 555
Preface
In 1995 colleagues in the Marquette University Archives encouraged
me to start planning a national conference to commemorate the cen-
tenary of Dorothy Day two years hence. This seemed to be a task for
which I was suited as curator of her papers; my lack of any experi-
ence in organizing academic symposia notwithstanding. Suffice it to
say that my limitations in the latter department soon manifested them-
selves—to me, at least, and probably to the others on the Dorothy
Day Centenary Committee as well. With a lot of help from these
friends, however, and the generous support of the Raskob Founda-
tion and other donors, the conference took place as planed, on Octo-
ber 9-11, 1997 (one month before the actual 100th anniversary of
Day’s birth, to avoid a conflict with celebrations organized by Catholic
Workers in New York City and Las Vegas, Nevada). It featured work-
shops, roundtable discussions, and paper presentations by more than
60 scholars and Catholic Workers. More than 500 participants came
from 26 states, Canada, England, The Netherlands, and New Zealand.
The conference was dedicated to the memory of William D. Miller
(1916-1995), pioneer historian of the Catholic Worker movement,
biographer of Dorothy Day, and esteemed colleague, mentor, and
friend to generations of Workers, scholars, and archivists.
The essays and poems included in this volume were presented at
the Dorothy Day Centenary Conference, most for the first time. We
offer them now in the hope that they will contribute to that ongoing
“clarification of thought” so dear to Peter Maurin’s heart. Anyone
seeking additional information about Dorothy Day and the Catho-
lic Worker movement is most welcome to contact the Department of
Special Collections and University Archives, Marquette University
Libraries, in Milwaukee, Wisconsin.
Phil Runkel
Curator, Dorothy Day-Catholic Worker Collection
Chair, Dorothy Day Centenary Committee
14 Dorothy Day
Introduction
Still Provoking Us
after All These Years:
Dorothy Day
of and outside Her Time
Today, tomorrow, next year and throughout this new century Dor-
othy Day provokes us, pricks our consciences, upsets the comfort of
middle class Christianity, and challenges our assimilation in contem-
porary American life by bearing witness to the possibility of living a
life guided solely by the principles Christ proclaimed. Even though
she began her work among the poor almost 70 years ago and died 20
years ago, she remains a modern presence, a voice which rises out of
The Catholic Worker, her autobiographies, and the recollections of
those who worked with her in the Catholic Worker movement. It is
a voice which challenges us about the way we live our lives, that is to
say, the way we live out our faith.
To members of Generation X and their younger counterparts search-
ing for a meaningful faith and community, Day offers the vision of a
community of faith which actively reaches out to the poor, the hun-
gry, the alienated, as well as to those blinded to the suffering by their
own comfort. For those who had to jettison their church in order to
find God in the world, Day and the Catholic Worker movement
provide a point of connection, a way of resolving the struggle. In
this, she provokes both the young and their parents.
Still Provoking Us after All These Years 15
Founding The Catholic Worker would surely bring her to our atten-
tion as a farsighted publisher and journalist. Founding the Catholic
Worker movement would commend her work and organizational
strategies for further study. Founding and sustaining the houses of
hospitality in order to feed the hungry, clothe the nearly naked, and
provide shelter for the homeless warrants close study as the Sermon
on the Mount put into action. Standing for justice in wages and
protection of workers and against their exploitation by wealthy em-
ployers urges examination of social justice in the workplace as a Chris-
tian construct. Challenging government to give special attention to
the plight of the poor and disadvantaged generates examination of
strategies for political organization. Unwavering opposition to war
and military expenditures, including World War II and the air raid
drills of the ’50s draws students of American pacifism. Her role as a
woman draws examination in the light of the feminist movement.
Her vision, drawn from and with Peter Maurin, of a more humane
society linked with communitarian farming and suspicion of the dark
tendencies of industrialism resonates with movements of the ’70s
and even post-industrial thinking.
Day’s major activities stand out in Depression era America as a
beacon of hope for the poor and hungry and in sharp contrast to the
two dominant trends of the ethnic Catholicism in America prior to
World War II: defense against anti-Catholicism and assimilationist
patriotism. The Catholic Worker became a voice for the powerless
which challenged those who ignored or dismissed them —the wealthy,
churches, government, and employers.
In contemporary America the context is very different for Catholi-
cism, but the need for Day’s provocation remains. Although Catholi-
cism has proclaimed a “preferential option for the poor” and social
justice stands as a little disputed orientation within the church, the
church is no longer dominated by immigrants. Affluent and success-
ful, the children and grandchildren of immigrants have become in-
sulated in suburban life, removed from the plight of the poor and
dispossessed. It is precisely among middle and upper class Catholics
that Day’s ideas and the Catholic Worker movement remain pro-
vocative—when encountered. Afflicting those comfortable in their
faith and affluence remains the role of the Catholic Worker move-
ment and the enduring legacy of Dorothy Day.
Her faith journey from parental Protestantism to Communism and
to Catholicism, reported in her autobiographies and other accounts,
16 William J. Thorn
seems to draw rather less interest. But the religious philosophy which
underlies Day’s world view needs close examination within the Chris-
tian tradition and in comparison with other religious traditions. All
of these factors seem likely to produce scholarly works, even artistic
works in poetry and the plastic arts.
The Marquette University commemoration of the centennial of
Day’s birth was in turn calm and reflective, intellectually combative,
touchingly reminiscent, contentious, and poetic —that is, thoroughly
alive.
Thus the question remains: why does Dorothy Day retain the
power to provoke us after all these years? Why, after all these years,
does Dorothy Day retain the power to generate heated controversy
in a society and culture seven decades past the one in which she be-
gan the Catholic Worker and nearly a quarter century past her death?
Why are Dorothy Day and the Catholic Worker movement cited
authoritatively in discussions of the internet, computers, low power
radio stations, and Microsoft, Inc.?
To my mind, Dorothy Day’s power continues undiminished for
the same reasons that St. Francis of Assisi retains the power to move
people 800 years after his death: a life of Christian integrity and a
moral vision shaped by her faith. Dorothy Daythoughtfully lived out
her life in accord with the most demanding proclamation of the Good
News—Christ’s Sermon on the Mount—and in accord with the doc-
trines and beliefs of the Catholic Church. In living a life of voluntary
poverty and selfless devotion to the least of her brothers and sisters,
Dorothy Day speaks to us even today as a sign of contradiction to
self centeredness and to many aspects of contemporary society and
its culture of consumption and disposability.
Moral vision allowed Dorothy Day to see things and people from a
perspective different from most of her contemporaries. In her vision,
the moral dimension was the foreground and the other aspects moved
to the background of the individuals and situations she encountered.
Where others first saw bums, alcoholism, failures, the shiftless and
the lazy, she saw the face of Christ. Where others saw patriotic self
defense, she saw the Mystical Body torn and shattered on the battle-
field. Where others saw unruly and obnoxious strikers, she saw la-
borers and their families denied a living wage and labor stripped of
its dignity. This is the moral vision of the prophets. It provokes re-
flection; it provokes conversion; it provokes puzzlement. It also pro-
vokes resentment and hostility. Part of her power comes from the
Still Provoking Us after All These Years 17
inner life. In examining Day apart from her Catholicism, one risks
examining the trunk and its branches but ignoring the root system.
In examining one aspect of Day’s life, for example pacifism, it is nec-
essary to include the religious belief which provided Day with the
raison d’etre. Hers was hardly a blind or passively obedient faith, for
she was prepared to confront bishops and cardinals on social justice.
Rather, it was a reasoned and deeply held faith which sustained and
directed everything she did. Day attended Mass daily, and accounts
of the depth of her faith, while less fulsome than those of other as-
pects of her life, create a paradox for American categorical thinking:
religiously orthodox and socially radical. Contrary to the categories
of contemporary political and social thought, the wellspring and
source for Day’s social radicalism is traditional Catholic doctrine.
Dorothy Day went beyond a personal commitment to a life of
service to the least of God’s children by inviting everyone else to join
her, even if only for a short time. Her invitation, like her life, touched
the idealism in many, some of whom joined her in the Catholic Worker
house in New York and some of whom started Worker houses in
other cities. I chaired several panels at this conference, including one
on radio and another on computers. The intense debate over how to
approach modern technology drew directly from the vision of Peter
Maurin and Dorothy Day, and it demonstrated that part of the power
of Dorothy Day and the Catholic Worker movement is that they
dealt with the fundamentals of life in contemporary America: tech-
nology, capitalism, wealth, and the power of individuals over and
against the powerful. Thus integrity and the willingness to take up
the most important and profound issues of the day provide twin
sources for Day’s power to prod and challenge.
Throughout the 1930s, Day was a regular guest journalist in
Marquette’s College of Journalism, invited by the Dean, Jeremiah
O’Sullivan, a former Associated Press editor who admired both her
journalistic skill and her life of total dedication to her Catholic faith.
The Catholic Worker differed dramatically from the rest of the Catho-
lic newspapers of its time because it developed the principles and
ideals of the Catholic Worker movement. In fact, its design, lan-
guage, and style were directly related to the Daily Worker, the Com-
munist newspaper. Well written, The Catholic Worker was not a ve-
hicle of Church hierarchy, but the voice of social justice. It presented
Catholic teaching in direct application to the poor and oppressed,
Still Provoking Us after All These Years 19
communist at heart. Suspicion about Day and her paper even led the
Catholic Press Association to drum The Catholic Worker out as a
member, a step which was reversed years after World War II ended.
Day stood by her principles, even through the Civil Defense era of
the early Cold War when disaster drills were the norm in schools and
in cities. Viewing this as an extension of militarism which took money
away from the poor, Day expressed her pacifism by sitting in city
parks during New York’s disaster drills. She and other Catholic Work-
ers were arrested for civil disobedience.
By the 1960s Day was celebrated as a Catholic visionary, a role
model for Catholic concern about the poor. In fact, American Catho-
lics had only begun to catch up to the Catholic Worker ideals, and by
the 1980s Catholics accepted that the “preferential option for the
poor” was a central principle of Catholic thinking in the United States.
And when she died, Dorothy Day was celebrated as a visionary and
model Catholic, placed on a par with Mother Teresa. Today, the cause
of canonization of Dorothy Day as a saint moves forward with great
support. This, in itself, is hardly an uncommon pattern for radicals
like Day.
Day’s power to stimulate controversy and debate in the 21st cen-
tury, however, has something to do with those things which made
her controversial during her life, but not within Catholic circles. What
seems to make her controversial now are the fundamental aspects of
her life and their link to the Catholic Worker movement. Today’s
scholars, concentrating on one aspect of Day or the Catholic Worker
movement, contribute to the division when they encourage separa-
tion of Day’s integrity by studying only her works.
The Catholic Worker movement is today profoundly divided over
its Catholicity. Some argue catholic meaning universal, others argue
Catholic meaning rooted firmly in Catholic doctrine and religious
practice. No such division was possible while Day was alive. Articles
in this volume reveal the depths of that division. One group argues
that Day’s Catholicism and the very name of the movement means
that the Catholic Worker movement must remain faithful to Catho-
lic doctrine and practice, even if opposing abortion contradicts the
popular position of social liberals. The other group argues that while
Catholicism was fine for Day, it holds no special place nor obligates
those in the movement to refrain from supporting abortion. In some
respects this differs not at all from the issues which confronted other
movements when the founders passed on. In another respect, this
Still Provoking Us after All These Years 21
art. Indeed, the conference section of the art of the Catholic Worker
included displays of the art which contributed so much to the im-
pact of The Catholic Worker.
The essays in each section provide a diverse set of perspectives on
Dorothy Day, the Catholic Worker movement, and its singular proph-
ets, Peter Maurin and Ammon Hennacy.
David O’Brien’s examination of Dorothy Day’s role in American
Catholicism over the past half century concludes with a clarion call
for reestablishment of a liberal Catholicism which fully corresponds
to the vision of the Catholic Worker movement which contributed
so significantly to its emergence. Louise and Mark Zwick recount
the results of the Houston Catholic Worker’s close study of the roots
of the Catholic Worker movement. They carefully review the reli-
gious, philosophical, and social writings which provided inspiration
for a “Revolution of the Heart” against the bourgeois spirit which
blinded so many to the poor and oppressed. As they note, much
research remains to be done on the roots of the movement.
Part II offers some of the most exciting and challenging essays in
this collection. Michael Baxter’s essay develops the wonderful image
of blowing the dynamite of the Church, extending O’Brien’s conclu-
sion that the radical vision of the Catholic Worker movement must
once again revolutionize the current complacency of Catholics and
institutional Catholicism. In addition, Baxter reminds us of the im-
portance of public theology, of the fundamental integration of theo-
logical vision and public policy. Fred Boehrer examines the anarchist
component of the Catholic Worker movement, noting that this is
precisely the component which urges a constant revolution against
institutional complacency while encouraging the movement to be
ecumenical. Ann O’Connor and Peter King, the foremost advocates
of Catholicism’s essential role in all Catholic Worker activities and
public positions, review the Catholic nature of the Catholic Worker
movement and Day’s own faith in addressing the controversy over
Catholic Worker positions on issues like abortion. Brian Terrell of-
fers a somewhat different perspective on Day’s Catholicism, remind-
ing us that she was not a meek and subservient Catholic but one who
lived in permanent dissatisfaction with that part of institutional Ca-
tholicism which stands with the rich and powerful. Matthew Smith
adds to the portrait of Dorothy Day a more contemporary issue of
liberation theology, noting the many points of correspondence be-
Still Provoking Us after All These Years 23
Day has much more to say to Catholics about social justice based on
their faith, history, and customs, she is equally challenging to Protes-
tants, not on matters of social justice and personalism, but on “disci-
pline, prayer, and especially the centrality of church and commu-
nity.” John Sniegocki proposes to bring the Catholic Worker move-
ment into dialogue with Buddhism in one of the most challenging
essays in this collection. Working from primary authors on socially
engaged Buddhism, he aligns the points of common vision to create
a foundation for further dialogue, centering on two points: a “deep-
ened appreciation of spiritual discipline and a broader understand-
ing of nonviolence.”
This book would be incomplete without the personal reflections
of those who knew and worked with Dorothy Day. John Cort, in
recalling the now amusing challenges living and working in the Catho-
lic Worker house brought to his middle class sensibilities, sketches a
portrait of Day which emphasizes her leadership style and the power
of her personal vision. Tina Sipula, in an essay which borders on
poetry, leads us to understand how encounters with Day inspired so
many to follow her lead—in looking first to God for direction and
then in keeping a house of hospitality faithful to the Catholic Worker
vision. Rosalie Riegle, analyzes the conversion narratives which
emerged in her interviews for Voices for the Catholic Worker and con-
cludes that unlike Dorothy Day, whose conversion led to the forma-
tion of the Catholic Worker community, contemporary Catholic
Workers are drawn to the community which provides “an impetus
for conversion.” Jim Forest’s experience with Dorothy Day led him
to describe her as a saint and a troublemaker, the most Christ cen-
tered person he has ever known, one who continues to touch his life
more than 20 years after her death.
This bibliography which concludes this book is a compilation of
all the citations from all of the essays. Each entry was verified against
authoritative listings in the following libraries: Marquette University
(including the archives), the Library of Congress, the New York Pub-
lic Library, the University of Wisconsin-Madison, the University of
Minnesota-Twin Cities, and Notre Dame University, and the special
archives cited by the authors.
28 William J. Thorn
Marquette University’s
Dorothy Day–Catholic Worker Collection
Marquette University boasts of more than 200 cubic feet of ar-
chives on Dorothy Day and the Catholic Worker which contain ev-
erything from original manuscripts to letters, videos and even ar-
ticles of clothing. Spending hours in the archives does not normally
rank as a fun idea for most college students, but I have found that
students find Dorothy and her story so compelling that they quickly
warm to her and dig deeply in the archives to discover clues about
her life and choices, many of which are the same the students face
today.
Imagine being a twenty-year-old female student who knows that
Dorothy is on the track to sainthood. Like Dorothy the student has
struggled with intimate relationships outside of marriage. Perhaps
she, too, or someone she knows has had an abortion, has left school,
has tried to get a job to support herself or has had gnawing questions
about the meaning of life and her role in the world.
Or perhaps think about a male ROTC student watching the esca-
lation of the Balkan War and worrying about what it might mean to
his future. Suddenly issues of war and peace become real in a way
they have not before.
Holding in one’s hands the original manuscript of a handwritten
or typed article, chapter, or letter produced by Dorothy or Peter
Maurin is a moving experience. Carefully reading the material takes
a researcher to new places and understanding.
The students in the class are required to do a major oral presenta-
tion and paper based on that archival research. Their initial groans
become whispers of excitement as they find new ideas, and share
information, which they are encouraged to do: cooperation not com-
petition is encouraged for these research projects and the students
readily find ways to share information and watch for tidbits that might
help a classmate.
The students produce publishable papers in this course. Topics can
be current. Some examples include: nonviolent resistence (a la the
School of the Americas protest in November of each year), a com-
parison of Ani de Franco ( a contemporary music performer who has
30 Susan Mountin
Service Learning
Dorothy Day is one of more than 150 Marquette courses which
incorporate an official “service learning” component. That means that
as part of the course requirements, students participate in some type
of community service. They get credit not for the service itself, but
for the learning, in this case the theological reflection, which flows
from the experience of service. Students in “ Dorothy” volunteer at
shelters and meal programs, particularly at an on campus noon time
meal program in which students make sandwiches and take them
along with soup and beverages and desserts in a van to a parking lot
on the edge of campus, providing lunch for 40 -100 people a day.
The service is important. It gives students an inkling of what Dor-
othy and the founders of the Worker experienced when they fed thou-
sands. At the same time, like the Worker, student coordinators of the
program, lovingly referred to as “Noon Run,” must find the money
to buy the food and support the program through donations and
simple fund-raisers, costing several thousand dollars each semester. I
recall a simple request that came from one of the Noon Run guests
and conveyed by the students: “Could we have some lettuce and to-
mato to put on the sandwiches instead of just bologna for the last
day of the semester?”
Noon Run, like Dorothy, takes its inspiration for existence from
the Gospel, specifically Matthew 25: “When I was hungry, you gave
me to eat...when I was thirsty, you gave me to drink....” Students
who have before scoffed at the homeless people who grace the Mar-
Contemporary Students and Dorothy Day 31
quette campus, call them “friends” by the end of the semester. They
share stories about their lives with each other, not just bread. The
students are surprised some of the homeless have college educations,
and some of the guests have regular jobs, but can’t make ends meet.
The students say that when they meet someone who “looks home-
less” on the street, they stop, smile and say “hi” instead of pretending
the person is not there. At the same time the “guests” say they are
inspired by the students and their care and they come to know their
concerns. Community takes place in ways unimaginable.
The learning takes place when students study the Gospels (par-
ticularly Matthew 25), the social encyclicals, the works of mercy, the
Bishops’ pastoral letter on the economy. They begin to ask questions
about the dignity of the human person, why a rich society is able to
send people to the moon but not house our mentally ill sisters and
brothers, or why our shelters are full every night. It extends when
they begin to see themselves taking roles in the future in which they
can work for change and use their education to make a difference in
a social service agency, in government, in policy making. It is in these
times that the Pastoral Constitution on the Church in the Modern World
becomes a reality. John Courtney Murray would be proud, because
this kind of activity is what he envisioned writing about the role of
the laity in the modern world: bringing the Gospel into daily life.
Theological reflection/Theology
The Dorothy Day course is not a course in social work; it is a
theology course. So at its core is the research and theological reflec-
tion on service, coupled with a healthy dose of church history, scrip-
ture, and tradition. The course is part of both the Catholic Studies
Program and the Women’s Studies program.
Trying to understand the historical development of the Catholic
Church in the United States, especially as thousands of immigrant
Catholics poured into New York seeking housing and jobs, needing
education and language skills, seeking faith and future, students be-
gin to tell the stories of the grandparents and great-grandparents or
what they know about the founding of their parish communities.
They raise questions about the growth of the Church and building
of parishes and schools at a time when so many Catholics lived in
poverty. They are stunned to learn of Pope Leo XIII’s teaching on the
rights of workers in the late 1800s and the subsequent documents on
labor and the economy. They are surprised to study the Church’s
32 Susan Mountin
Contemporary Issues
Today’s students are remarkably ignorant of contemporary history.
Thus, Dorothy’s life and activities, covering the greater part of twen-
tieth century, immerses students in areas they may have only heard
passing reference to before.
Like Dorothy who, as a journalist was constantly interacting with
the times, the students each semesters confront varied issues. Dor-
othy started with the Depression, and the war in Spain, with jobless-
ness, and housing and labor issues. She confronted war and its effects
and the tremendous growth of the military and defense industries
and nuclear weapons, with Vietnam and the School of the Amercias.
Contemporary Students and Dorothy Day 33
The issues of the day provided grist for the mill, topics for roundtable
discussions, inspiration for articles for The Catholic Worker newspa-
per.
The students also saw issues coming to the fore which Dorothy
and Peter faced. In the first semester, they attended the Dorothy Day
conference, meeting more than 500 participants including many who
had known and worked with Dorothy. They heard from Tom Cornell
in class and had so many questions. They used the Internet to access
materials about Dorothy, but also wondered what on earth Peter would
say if he knew!
The second time the course was offered, the United States led its
assault on Kosovo two weeks prior to the point on the syllabus which
listed “Theology of Non-Violence.” Flipping the syllabus was easy
and necessary. The discussion of nonviolent response and Dorothy’s
continued protests of war became fodder for lively discussion, espe-
cially with an ROTC student in class. Learning about the Just War
Theory and trying to understand the Church’s position was a chal-
lenge, but the students had some incredibly poignant discussions.
The class also learned via a New York Times article that the property
on Staten Island which was the site of Dorothy’s cottage would be-
come luxury condos, providing more fodder for great discussion.
The most recent offering of “Dorothy” had an entirely different
cast. A few weeks into the class notice of Cardinal John O’Connor’s
proposal to begin canonization processes hit the press, and in the
middle of the semester the announcement was made about Dorothy
being named “Servant of God.” What an opportunity for theological
questions and growth. What does sainthood really mean? Does it
mean anything today? What is holiness? Who is called to holiness?
Can someone who smoked and had an abortion be a saint? Why
does the church make people saints anyway? What would Dorothy
say? Peter?
Is Dorothy outmoded or outdated? No, there is something about
Dorothy. Her compelling story lives on and needs to be told. Several
students commented that they had been changed forever by study-
ing Dorothy. A few plan to live simpler lives. Some have joined small
communities for volunteer work after graduation. But most say they
will keep in their hearts this challenging woman who taught them a
different value system, a different way to make choices and decisions,
a different respect for people they had before rejected, and a new love
of Jesus Christ and his Gospel.
34 Phillip Runkel
Phillip M. Runkel
Assistant Archivist
Marquette University Libraries
for having sent the records, “what with so many personal letters from
people in them.” She asked that the papers remain closed until she
could “come and go over them a bit.” Ready quickly dashed off a
note of reassurance, reiterated in his next note to her, two months
later, which contained the rather chivalrous promise, “I shall guard
your files against all.” True to her word, Day made her first “tour of
inspection” that November. How much time she spent in the library
is unknown, but she reportedly “showed great pleasure at the han-
dling of her papers.”
When Ready left Marquette, his role as Dorothy Day’s principal
contact at the university was assumed by William Miller of the His-
tory Department. Recognizing the significance of the Worker papers
and the need for a scholarly history of the movement, Miller had
written Day as soon as he learned of the records’ arrival to request
permission to use them, which she promptly granted. A lengthy cor-
respondence and close friendship ensued. The historian aided the
Archives by urging Dorothy Day and her colleagues at the New York
Catholic Worker to regularly transfer office records to the repository
without a prior culling of the material. This they faithfully proceeded
to do—though Day expressed some qualms in a Christmas 1973
note to Father Hamilton:
Before she had time to act on her good intentions, the archivist
hastened to assure her that the burden was a welcome one. So the
New York Catholic Workers have continued to “bundle up” their
mail and send it on to the Archives, following the Catholic Worker
“non-filing system,” and leaving to their archivist the task of creating
a semblance of order out of what seems, at times, pretty chaotic.
Today the Catholic Worker Archives comprise more than 300 boxes
of records, including the personal papers of Dorothy Day, Peter
Maurin, and others involved in the movement; records of past and
present CW communities; photographs; tape-recorded interviews and
speeches; television programs on film and videotape; and a wide va-
riety of publications. Although confidential materials—such as Day’s
diaries— have been restricted at the donors’ request, most records
36 Phillip Runkel
are now open to research use, which the archivists encourage and
strive to assist. They hope and trust that the resources in the CW
Archives will inspire others to work toward a world “where it is easier
to be good.”
The Archives is open weekdays from 8 a.m. to 5 p.m., and at other
times by appointment. Inquiries, requests, and encouraging words
are appreciated. Please write the
I imagine Dorothy
in the upper room
with Mozart on the radio,
a pen, a bookmark, a book, a candle.
Her lips genuflect to the breviary
as she unhooks thick black
reading glasses from her ears.
38 Jacqueline Dickey
PART I
David J. O’Brien
I gather we have come together today to discuss Dorothy Day and
the Catholic Worker movement because we honor her memory and
share the concerns that were central to her life and remain central to
the movement she founded. This is not a museum, and we are not
curators discussing Dorothy Day and her work as we would the bones
of some dead dinosaur. Nor is it a convocation called to examine some
odd aberration in church and society. In life Dorothy surely refused
to become a dinosaur and, as for academic gatherings, she seemed to
regard them with some suspicion, particularly if held in her honor.
The few times I saw her in a college setting, she seemed envious of
students with their opportunity for study and reflection and she
seemed as deferential toward professors as she sometimes was toward
bishops. Yet, when she spoke, to my amazement, she seemed simply
to assume that those who had gathered were a kind of family groping
to discover how to live properly while making a better world. So in her
unassuming way she would tell stories and talk about books and
conduct a kind of conversation. If I knew how, I would talk in that
kind of spirit today. But lacking her gift, I can only try to tell you
something from my work about the American Catholic Church and
where Dorothy and her movement fit in.
Now, that paragraph is a paraphrase pretty accurately of the
opening paragraph from a paper I delivered here at Marquette 16 years
ago on the occasion of a previous symposium held not long after
Dorothy’s death. Much has changed since that day, not least the
tremendous expansion of Catholic Worker scholarship evident in the
wonderful program we have before us today and tomorrow. When we
gathered in 1981, Bill Miller was still among us. Bill Miller was such
a friend and such a warm supporter for me when I was young. To him
42 David J. O’Brien
When they were a few leagues from port, a sort of comedy was played
on board to avoid a confession of trickery. Captain Random pretended
to discover Madame Delmare on his vessel; he feigned surprise,
questioned the sailors, went through the form of losing his temper and
of quieting down again, and ended by drawing up a report of the
finding of a stowaway on board; that is the technical term used on
such occasions.
Allow me to go no farther with the story of this voyage. It will be
enough for me to tell you, for Captain Random's justification, that,
despite his rough training, he had enough natural good sense to
understand Madame Delmare's character very quickly; he ventured
upon very few attempts to abuse her unprotected condition and
eventually was touched by it and acted as her friend and protector. But
that worthy man's loyal behavior and Indiana's dignity did not restrain
the comments of the crew, the mocking glances, the insulting
suspicions and the broad and stinging jests. These were the real
torments of the unhappy woman during that journey, for I say nothing
of the fatigue, the discomforts, the dangers, the tedium and the sea-
sickness; she paid no heed to them.
XXVIII
Three days after the despatch of his letter to Ile Bourbon, Raymon had
entirely forgotten both the letter and its purpose. He had felt decidedly
better and had ventured to make a visit in the neighborhood. The
estate of Lagny, which Monsieur Delmare had left to be sold for the
benefit of his creditors, had been purchased by a wealthy
manufacturer, Monsieur Hubert, a shrewd and estimable man, not like
all wealthy manufacturers, but like a small number of the newly-rich.
Raymon found the new owner comfortably settled in that house which
recalled so many memories. He took pleasure in giving a free rein to
his emotion as he wandered through the garden where Noun's light
footprints seemed to be still visible on the gravel, and through those
great rooms which seemed still to retain the echoes of Indiana's soft
words; but soon the presence of a new hostess changed the current of
his thoughts.
In the main salon, on the spot where Madame Delmare was
accustomed to sit and work, a tall, slender young woman, with a
glance that was at once pleasant and mischievous, caressing and
mocking, sat before an easel, amusing herself by copying in water-
colors the odd hangings on the walls. The copy was a fascinating thing,
a delicate satire instinct with the bantering yet refined nature of the
artist. She had amused herself by exaggerating the pretentious
finicalness of the old frescoes; she had grasped the false and shifting
character of the age of Louis XIV. on those stilted figures. While
refreshing the colors that time had faded, she had restored their
affected graces, their perfume of courtiership, their costumes of the
boudoir and the shepherd's hut, so curiously identical. Beside that
work of historical raillery she had written the word copy.
She raised her long eyes, instinct with merriment of a caustic,
treacherous, yet attractive sort, slowly to Raymon's face. For some
reason she reminded him of Shakespeare's Anne Page. There was in
her manner neither timidity nor boldness, nor affectation, nor self-
distrust. Their conversation turned upon the influence of fashion in the
arts.
"Is it not true, monsieur, that the moral coloring of the period was in
that brush?" she said, pointing to the wainscoting, covered with rustic
cupids after the style of Boucher. "Isn't it true that those sheep do not
walk or sleep or browse like sheep of to-day? And that pretty
landscape, so false and so orderly, those clumps of many-petalled
roses in the middle of the forest where naught but a bit of eglantine
grows in our days, those tame birds of a species that has apparently
disappeared, and those pink satin gowns which the sun never faded—
is there not in all these a deal of poesy, ideas of luxury and pleasure,
of a whole useless, harmless, joyous life? Doubtless these absurd
fictions were quite as valuable as our gloomy political deliverances! If
only I had been born in those days!" she added with a smile; "frivolous
and narrow-minded creature that I am, I should have been much
better fitted to paint fans and produce masterpieces of thread-work
than to read the newspapers and understand the debates in the
Chambers!"
Monsieur Hubert left the young people together; and their conversation
drifted from one subject to another, until it fell at last upon Madame
Delmare.
"You were very intimate with our predecessors in this house," said the
young woman, "and it is generous on your part to come and see new
faces here. Madame Delmare," she added, with a penetrating glance at
him, "was a remarkable woman, so they say; she must have left
memories here which place us at a disadvantage, so far as you are
concerned."
"She was an excellent woman," Raymon replied, unconcernedly, "and
her husband was a worthy man."
"But," rejoined the reckless girl, "she was something more than an
excellent woman, I should judge. If I remember rightly there was a
charm about her personality which calls for a more enthusiastic and
more poetic description. I saw her two years ago, at a ball at the
Spanish ambassador's. She was fascinating that night; do you
remember?"
Raymon started at this reminder of the evening that he spoke to
Indiana for the first time. He remembered at the same moment that he
had noticed at that ball the distingué features and clever eyes of the
young woman with whom he was now talking; but he did not then ask
who she was.
Not until he had taken his leave of her and was congratulating
Monsieur Hubert on his daughter's charms, did he learn her name.
"I have not the good fortune to be her father," said the manufacturer;
"but I did the best I could by adopting her. Do you not know my
story?"
"I have been ill for several months," Raymon replied, "and have heard
nothing of you beyond the good you have already done in the
province."
"There are people," said Monsieur Hubert with a smile, "who consider
that I did a most meritorious thing in adopting Mademoiselle de
Nangy; but you, monsieur, who have elevated ideas, will judge whether
I did anything more than true delicacy required. Ten years ago, a
widower and childless, I found myself possessed of funds to a
considerable amount, the results of my labors, which I was anxious to
invest. I found that the estate and château of Nangy in Bourgogne,
national property, were for sale and suited me perfectly. I had been in
possession some time when I learned that the former lord of the
manor and his seven-year-old granddaughter were living in a hovel, in
extreme destitution. The old man had received some indemnity, but he
had religiously devoted it to the payment of debts incurred during the
emigration. I tried to better his condition and to give him a home in my
house; but he had retained in his poverty all the pride of his rank. He
refused to return to the house of his ancestors as an object of charity,
and died shortly after my arrival, having steadfastly refused to accept
any favors at my hands. Then I took his child there. The little patrician
was proud already and accepted my assistance most unwillingly; but at
that age prejudices are not deeply rooted and resolutions do not last
long. She soon accustomed herself to look upon me as her father and I
brought her up as my own daughter. She has rewarded me
handsomely by the happiness she has showered on my old age. And
so, to make sure of my happiness, I have adopted Mademoiselle de
Nangy, and my only hope now is to find her a husband worthy of her
and able to manage prudently the property I shall leave her."
Encouraged by the interest with which Raymon listened to his
confidences, the excellent man, in true bourgeois fashion, gradually
confided all his business affairs to him. His attentive auditor found that
he had a fine, large fortune administered with the most minute care,
and which simply awaited a younger proprietor, of more fashionable
tastes than the worthy Hubert, to shine forth in all its splendor. He felt
that he might be the man destined to perform that agreeable task, and
he gave thanks to the ingenious fate which reconciled all his interests
by offering him, by favor of divers romantic incidents, a woman of his
own rank possessed of a fine plebeian fortune. It was a chance not to
be let slip, and he put forth all his skill in the effort to grasp it.
Moreover, the heiress was charming; Raymon became more kindly
disposed toward his providence.
As for Madame Delmare, he would not think of her. He drove away the
fears which the thought of his letter aroused from time to time; he
tried to persuade himself that poor Indiana would not grasp his
meaning or would not have the courage to respond to it; and he finally
succeeded in deceiving himself and believing that he was not
blameworthy, for Raymon would have been horrified to find that he
was selfish. He was not one of those artless villains who come on the
stage to make a naïve confession of their vices to their own hearts.
Vice is not reflected in its own ugliness, or it would frighten itself; and
Shakespeare's Iago, who is so true to life in his acts, is false in his
words, being forced by our stage conventions to lay bare himself the
secret recesses of his deep and tortuous heart. Man rarely tramples his
conscience under foot thus coolly. He turns it over, squeezes it, pinches
it, disfigures it; and when he has distorted it and exhausted it and
worn it out, he carries it about with him as an indulgent and obliging
mentor which accommodates itself to his passions and his interests,
but which he pretends always to consult and to fear.
He went often to Lagny, therefore, and his visits were agreeable to
Monsieur Hubert; for, as you know, Raymon had the art of winning
affection, and soon the rich bourgeois's one desire was to call him his
son-in-law. But he wished that his adopted daughter should choose
him freely and that they should be allowed every opportunity to know
and judge each other.
Laure de Nangy was in no haste to assure Raymon's happiness; she
kept him perfectly balanced between fear and hope. Being less
generous than Madame Delmare, but more adroit, distant yet
flattering, haughty yet cajoling, she was the very woman to subjugate
Raymon; for she was as superior to him in cunning as he was to
Indiana. She soon realized that her admirer craved her fortune much
more than herself. Her placid imagination anticipated nothing better in
the way of homage; she had too much sense, too much knowledge of
the world to dream of love when two millions were at stake. She had
chosen her course calmly and philosophically, and she was not inclined
to blame Raymon; she did not hate him because he was of a
calculating, unsentimental temper like the age in which he lived; but
she knew him too well to love him. She made it a matter of pride not
to fall below the standard of that cold and scheming epoch; her self-
esteem would have suffered had she been swayed by the foolish
illusions of an ignorant boarding-school miss; she would have blushed
at being deceived as at being detected in a foolish act; in a word, she
made her heroism consist in steering clear of love, as Madame
Delmare's consisted in sacrificing everything to it.
Mademoiselle de Nangy was fully resolved, therefore, to submit to
marriage as a social necessity; but she took a malicious pleasure in
making use of the liberty which still belonged to her, and in imposing
her authority for some time on the man who aspired to deprive her of
it. No youth, no sweet dreams, no brilliant and deceptive future for
that girl, who was doomed to undergo all the miseries of wealth. For
her, life was a matter of stoical calculation, happiness a childish
delusion against which she must defend herself as a weakness and an
absurdity.
While Raymon was at work building up his fortune, Indiana was
drawing near the shores of France. But imagine her surprise and alarm,
when she landed, to see the tri-colored flag floating on the walls of
Bordeaux! The city was in a state of violent agitation; the prefect had
been almost murdered the night before; the populace were rising on all
sides; the garrison seemed to be preparing for a bloody conflict, and
the result of the revolution was still unknown.
"I have come too late!" was the thought that fell upon Madame
Delmare like a stroke of lightning.
In her alarm she left on board the little money and the few clothes that
she possessed, and ran about through the city in a state of frenzy. She
tried to find a diligence for Paris, but the public conveyances were
crowded with people who were either escaping or going to claim a
share in the spoils of the vanquished. Not until evening did she
succeed in finding a place. As she was stepping into the coach an
improvised patrol of National Guards objected to the departure of the
passengers and demanded to see their papers. Indiana had none.
While she argued against the absurd suspicions of the triumphant
party, she heard it stated all about her that the monarchy had fallen,
that the king was a fugitive, and that the ministers had been
massacred with all their adherents. This news, proclaimed with
laughter and stamping and shouts of joy, dealt Madame Delmare a
deadly blow. In the whole revolution she was personally interested in
but one fact; in all France she knew but one man. She fell on the
ground in a swoon, and came to herself in a hospital—several days
later.
After two months she was discharged, without money or linen or
effects, weak and trembling, exhausted by an inflammatory brain fever
which had caused her life to be despaired of several times. When she
found herself in the street, alone, hardly able to walk, without friends,
resources or strength, when she made an effort to recall the particulars
of her situation and realized that she was hopelessly lost in that great
city, she had an indescribable thrill of terror and despair as she thought
that Raymon's fate had long since been decided and that there was not
a solitary person about her who could put an end to her horrible
uncertainty. The horror of desertion bore down with all its might upon
her crushed spirit, and the apathetic despair born of hopeless misery
gradually deadened all her faculties. In the mental numbness which
she felt stealing over her, she dragged herself to the harbor, and,
shivering with fever, sat down on a stone to warm herself in the
sunshine, gazing listlessly at the water plashing at her feet. She sat
there several hours, devoid of energy, of hope, of purpose; but
suddenly she remembered her clothes and her money, which she had
left on the Eugène, and which she might possibly recover; but it was
nightfall, and she dared not go among the sailors who were just
leaving their work with much rough merriment and question them
concerning the ship. Desiring, on the other hand, to avoid the attention
she was beginning to attract, she left the quay and concealed herself in
the ruins of a house recently demolished behind the great esplanade of
Les Quinconces. There, cowering in a corner, she passed that cold
October night, a night laden with bitter thoughts and alarms. At last
the day broke; hunger made itself felt insistent and implacable. She
decided to ask alms. Her clothes, although in wretched condition, still
indicated more comfortable circumstances than a beggar is supposed
to enjoy. People looked at her curiously, suspiciously, ironically, and
gave her nothing. Again she dragged herself to the quays, inquired
about the Eugène and learned from the first waterman she addressed
that she was still in the roadstead. She hired him to put her aboard
and found Random at breakfast.
"Well, well, my fair passenger," he cried, "so you have returned from
Paris already! You have come in good time, for I sail to-morrow. Shall I
take you back to Bourbon?"
He informed Madame Delmare that he had caused search to be made
for her everywhere, that he might return what belonged to her. But
Indiana had not a scrap of paper upon her from which her name could
be learned when she was taken to the hospital. She had been entered
on the books there and also on the police books under the designation
unknown; so the captain had been unable to learn anything about her.
The next day, despite her weakness and exhaustion, Indiana started
for Paris. Her anxiety should have diminished when she saw the turn
political affairs had taken; but anxiety does not reason, and love is
fertile in childish fears.
On the very evening of her arrival at Paris she hurried to Raymon's
house and questioned the concierge in an agony of apprehension.
"Monsieur is quite well," was the reply; "he is at Lagny."
"At Lagny! you mean at Cercy, do you not?"
"No, madame, at Lagny, which he owns now."
"Dear Raymon!" thought Indiana, "he has bought that estate to afford
me a refuge where public malice cannot reach me. He knew that I
would come!"
Drunk with joy, she hastened, light of heart and instinct with new life,
to take apartments in a furnished house, and devoted the night and
part of the next day to rest. It was so long since the unfortunate
creature had enjoyed a peaceful sleep! Her dreams were sweet and
deceptive, and when she woke she did not regret them, for she found
hope at her pillow. She dressed with care; she knew that Raymon was
particular about all the minutiæ of the toilet, and she had ordered the
night before a pretty new dress which was brought to her just as she
rose. But, when she was ready to arrange her hair, she sought in vain
the long and magnificent tresses she had once had; during her illness
they had fallen under the nurse's shears. She noticed it then for the
first time, her all-engrossing thoughts had diverted her mind so
completely from small things.
Nevertheless, when she had curled her short black locks about her pale
and melancholy brow, when she had placed upon her shapely head a
little English hat, called then, by way of allusion to the recent blow to
great fortunes, a three per cent.; when she had fastened at her girdle
a bunch of the flowers whose perfume Raymon loved, she hoped that
she would still find favor in his sight; for she was as pale and fragile as
in the first days of their acquaintance, and the effect of her illness had
effaced the traces of the tropical sunshine.
She hired a cab in the afternoon and arrived about nine at night at a
village on the outskirts of Fontainebleau. There she ordered the driver
to put up his horse and wait for her until the next day, and started off
alone, on foot, by a path which led to Lagny park by a walk of less
than quarter of an hour through the woods. She tried to open the
small gate but found it locked on the inside. It was her wish to enter
by stealth, to avoid the eyes of the servants and take Raymon by
surprise. She skirted the park wall. It was quite old; she remembered
that there were frequent breaches, and, by good luck, she found one
and passed over without much difficulty.
When she stood upon ground which belonged to Raymon and was to
be thenceforth her refuge, her sanctuary, her fortress and her home,
her heart leaped for joy. With light, triumphant foot she hastened
along the winding paths she knew so well. She reached the English
garden, which was dark and deserted on that side. Nothing was
changed in the flower-beds; but the bridge, the painful sight of which
she dreaded, had disappeared, and the course of the stream had been
altered; the spots which might have recalled Noun's death had been
changed, and no others.
"He wished to banish that cruel memory," thought Indiana. "He was
wrong, I could have endured it. Was it not for my sake that he planted
the seeds of remorse in his life? Henceforth we are quits, for I too
have committed a crime. I may have caused my husband's death.
Raymon can open his arms to me, we will take the place of innocence
and virtue to each other."
She crossed the stream on boards laid across where a bridge was to be
built and passed through the flower-garden. She was forced to stop,
for her heart was beating as if it would burst; she looked up at the
windows of her old bedroom. O bliss! a light was shining through the
blue curtains, Raymon was there. As if he could occupy any other
room! The door to the secret stairway was open.
"He expects me at any time," she thought; "he will be happy but not
surprised."
At the top of the staircase she paused again to take breath; she felt
less strong to endure joy than sorrow. She stooped and looked through
the keyhole. Raymon was alone, reading. It was really he, it was
Raymon overflowing with life and vigor; his trials had not aged him,
the tempests of politics had not taken a single hair from his head;
there he sat, placid and handsome, his head resting on his white hand
which was buried in his black hair.
Indiana impulsively tried the door, which opened without resistance.
"You expected me!" she cried, falling on her knees and resting her
feeble head upon Raymon's bosom; "you counted the months and
days, you knew that the time had passed, but you knew too that I
could not fail to come at your call. You called me and I am here, I am
here! I am dying!"
Her ideas became tangled in her brain; for some time she knelt there,
silent, gasping for breath, incapable of speech or thought. Then she
opened her eyes, recognized Raymon as if just waking from a dream,
uttered a cry of frantic joy, and pressed her lips to his, wild, ardent and
happy. He was pale, dumb, motionless, as if struck by lightning.
"Speak to me, in Heaven's name," she cried; "it is I, your Indiana, your
slave whom you recalled from exile and who has travelled three
thousand leagues to love you and serve you; it is your chosen
companion, who has left everything, risked everything, defied
everything, to bring you this moment of joy! You are happy, you are
content with her, are you not? I am waiting for my reward; with a
word, a kiss I shall be paid a hundred fold."
But Raymon did not reply; his admirable presence of mind had
abandoned him. He was crushed with surprise, remorse and terror
when he saw that woman at his feet; he hid his face in his hands and
longed for death.
"My God! my God! you don't speak to me, you don't kiss me, you have
nothing to say to me!" cried Madame Delmare, pressing Raymon's
knees to her breast; "is it because you cannot? Joy makes people ill, it
kills sometimes, I know! Ah! you are not well, you are suffocating, I
surprised you too suddenly! Try to look at me; see how pale I am, how
old I have grown, how I have suffered! But it was for you, and you will
love me all the better for it! Say one word to me, Raymon, just one."
"I would like to weep," said Raymon in a stifled tone.
"And so would I," said she, covering his hands with kisses. "Ah! yes,
that would do you good. Weep, weep on my bosom, and I will wipe
your tears away with my kisses. I have come to bring you happiness,
to be whatever you choose—your companion, your servant or your
mistress. Formerly I was very cruel, very foolish, very selfish. I made
you suffer terribly, and I refused to understand that I demanded what
was beyond your strength. But since then I have reflected, and as you
are not afraid to defy public opinion with me, I have no right to refuse
to make any sacrifice. Dispose of me, of my blood, of my life, as you
will; I am yours body and soul. I have travelled three thousand leagues
to tell you this, to give myself to you. Take me, I am your property, you
are my master."
I cannot say what infernal project passed rapidly through Raymon's
brain. He removed his clenched hands from his face and looked at
Indiana with diabolical sang-froid; then a wicked smile played about his
lips and made his eyes gleam, for Indiana was still lovely.
"First of all, we must conceal you," he said, rising.
"Why conceal me here?" she said; "aren't you at liberty to take me in
and protect me, who have no one but you on earth, and who, without
you, shall be compelled to beg on the public highway? Why, even
society can no longer call it a crime for you to love me; I have taken
everything on my own shoulders! But where are you going?" she cried,
as she saw him walking toward the door.
She clung to him with the terror of a child who does not wish to be left
alone a single instant, and dragged herself along on her knees behind
him.
His purpose was to lock the door; but he was too late. The door
opened before he could reach it, and Laure de Nangy entered. She
seemed less surprised than exasperated, and did not utter an
exclamation, but stooped a little to look with snapping eyes at the half-
fainting woman on the floor; then, with a cold, bitter, scornful smile,
she said:
"Madame Delmare, you seem to enjoy placing three persons in a very
strange situation; but I thank you for assigning me the least ridiculous
rôle of the three, and this is how I discharge it. Be good enough to
retire."
Indignation renewed Indiana's strength; she rose and drew herself up
to her full height.
"Who is this woman, pray?" she said to Raymon, "and by what right
does she give me orders in your house?"
"You are in my house, madame," retorted Laure.
"Speak, in heaven's name, monsieur," cried Indiana fiercely, shaking
the wretched man's arm; "tell me whether she is your mistress or your
wife!"
"She is my wife," Raymon replied with a dazed air.
"I forgive your uncertainty," said Madame de Ramière with a cruel
smile. "If you had remained where your duty required you to remain,
you would have received cards to monsieur's marriage. Come,
Raymon," she added in a tone of sarcastic amiability, "I am moved to
pity by your embarrassment. You are rather young; you will realize
now, I trust, that more prudence is advisable. I leave it for you to put
an end to this absurd scene. I would laugh at it if you didn't look so
utterly wretched."
With that she withdrew, well satisfied with the dignity she had
displayed, and secretly triumphant because the incident had placed her
husband in a position of inferiority and dependence with regard to her.
When Indiana recovered the use of her faculties she was alone in a
close carriage, being driven rapidly toward Paris.
XXIX
XXX
It was last year, one evening during the never-ending summer that
reigns in those latitudes, that two passengers from the schooner
Nahandove journeyed into the mountains of Ile Bourbon three days
after landing. These two persons had devoted the interval to repose, a
precaution quite inconsistent with the plan which had brought them to
the colony. But such was evidently not their opinion; for, after taking
faham together on the veranda, they dressed with especial care as if
they intended to pass the evening in society, and, taking the road to
the mountain, they reached the ravine of Bernica after about an hour's
walk.
Chance willed that it should be one of the loveliest evenings for which
the moon ever furnished light in the tropics. That luminary had just
risen from the dark waves and was beginning to cast a long band of
quick-silver on the sea; but its rays did not shine into the gorge, and
the edges of the basin reflected only the trembling gleam of a few
stars. Even the lemon-trees on the higher slopes of the mountain were
not covered with the pale diamonds with which the moon sprinkles
their polished, brittle leaves. The ebony trees and the tamarinds
murmured softly in the darkness; only the bushy tufts at the summit of
the huge palm-trees, whose slender trunks rose a hundred feet from
the ground, shone with a greenish tinge in the silvery beams.
The sea-birds were resting quietly in the crevices of the cliffs, and only
a few blue pigeons, concealed behind the projections of the mountain,
raised their melancholy, passionate note in the distance. Lovely
beetles, living jewels, rustled gently in the branches of the coffee-
trees, or skimmed the surface of the lake with a buzzing noise, and the
regular plashing of the cascade seemed to exchange mysterious words
with the echoes on its shores.
The two solitary promenaders ascended by a steep and winding path
to the top of the gorge, to the spot where the torrent plunges down in
a white column of vapor to the foot of the precipice. They found
themselves on a small platform admirably adapted to their purpose. A
number of convolvuli hanging from the trunks of trees formed a natural
cradle suspended over the waterfall. Sir Ralph, with wonderful self-
possession, cut away several branches which might impede their
spring, then took his companion's hand and drew her to a seat beside
him on a moss-covered rock from which in the daytime the beautiful
view from that spot could be seen in all its wild and charming
grandeur. But at that moment the darkness and the dense vapor from
the cascade enveloped everything and made the height of the
precipice seem immeasurable and awe-inspiring.
"Let me remind you, my dear Indiana," said Ralph, "that the success of
our undertaking requires the greatest self-possession on our part. If
you jump hastily in a direction where, because of the darkness, you
see no obstacles, you will inevitably bruise yourself on the rocks and
your death will be slow and painful; but, if you take care to throw
yourself in the direction of the white line which marks the course of the
waterfall you will fall into the lake with it, and the water itself will see
to it that you do not miss your aim. But, if you prefer to wait an hour,
the moon will rise high enough to give us light."
"I am willing," Indiana replied, "especially as we ought to devote these
last moments to religious thoughts."
"You are right, my dear," said Ralph. "This last hour should be one of
meditation and prayer. I do not say that we ought to make our peace
with the Eternal, that would be to forget the distance that separates us
from His sublime power; but we ought, I think, to make our peace with
the men who have caused our suffering, and to confide to the wind
which blows toward the northeast words of pity for those from whom
three thousand leagues of ocean separate us."
Indiana received this suggestion without surprise or emotion. For
several months past her thoughts had become more and more
elevated in direct proportion to the change that had taken place in
Ralph. She no longer listened to him simply as a phlegmatic adviser;
she followed him in silence as a good spirit whose mission it was to
take her from the earth and deliver her from her torments.
"I agree," she said; "I am overjoyed to feel that I can forgive without
an effort, that I have neither hatred nor regret nor love nor resentment
in my heart; indeed, at this moment, I hardly remember the sorrows of
my sad life and the ingratitude of those who surrounded me. Almighty
God! Thou seest the deepest recesses of my heart; Thou knowest that
it is pure and calm, and that all my thoughts of love and hope have
turned to Thee."
Thereupon, Ralph seated himself at Indiana's feet and began to pray in
a loud voice that rose above the roar of the cascade. It was the first
time perhaps since he was born that his whole thought came to his
lips. The hour of his death had struck; his heart was no longer held in
check by fetters or mysteries; it belonged to God alone; the chains of
society no longer weighed it down. Its ardor was no longer a crime, it
was free to soar upward to God who awaited it; the veil that concealed
so much virtue, grandeur and power fell away, and the man's mind
rose at its first leap to the level of his heart.
As a bright flame burns amid dense clouds of smoke and scatters
them, so did the sacred fire that glowed in the depths of his being
send forth its brilliant light. The first time that that inflexible conscience
found itself delivered from its trammels and its fears, words came of
themselves to the assistance of his thoughts, and the man of mediocre
talents, who had never said any but commonplace things in his life,
became, in his last hour, eloquent and convincing as Raymon had
never been. Do not expect me to repeat to you the strange harangue
that he confided to the echoes of the vast solitude; not even he
himself, if he were here, could repeat it. There are moments of mental
exaltation and ecstasy when our thoughts are purified, subtilized,
etherealized as it were. These infrequent moments raise us so high,
carry us so far out of ourselves, that when we fall back upon the earth
we lose all consciousness and memory of that intellectual debauch.
Who can understand the anchorite's mysterious visions? Who can tell
the dreams of the poet before his exaltation cooled so that he could
write them down for us? Who can say what marvellous things are
revealed to the soul of the just man when Heaven opens to receive
him? Ralph, a man so utterly commonplace to all outward appearance
—and yet an exceptional man, for he firmly believed in God and
consulted the book of his conscience day by day—Ralph at that
moment was adjusting his accounts with eternity. It was the time to be
himself, to lay bare his whole moral being, to lay aside, before the
Judge, the disguise that men had forced upon him. Casting away the
haircloth in which sorrow had enveloped his bones, he stood forth
sublime and radiant as if he had already entered into the abode of
divine rewards.
As she listened to him, it did not occur to Indiana to be surprised; she
did not ask herself if it were really Ralph who talked like that. The
Ralph she had known had ceased to exist, and he to whom she was
listening now seemed to be a friend whom she had formerly seen in
her dreams and who finally became incarnate for her on the brink of
the grave. She felt her own pure soul soar upward in the same flight. A
profound religious sympathy aroused in her the same emotions, and
tears of enthusiasm fell from her eyes upon Ralph's hair.
Thereupon, the moon rose over the tops of the great palms, and its
beams, shining between the branches of the convolvuli, enveloped
Indiana in a pale, misty light which made her resemble, in her white
dress and with her long hair falling over her shoulders, the wraith of
some maiden lost in the desert.
Sir Ralph knelt before her and said:
"Now, Indiana, you must forgive me for all the injury I have done you,
so that I may forgive myself for it."
"Alas!" she replied, "what can I possibly have to forgive you, my poor
Ralph? Ought I not, on the contrary, to bless you to the last moment of
my life, as you have forced me to do in all the days of misery that have
fallen to my lot?"
"I do not know how far I have been blameworthy," rejoined Ralph;
"but it is impossible that, in the course of such a long and terrible
battle with my destiny, I should not have been many times without my
own volition."
"Of what battle are you speaking?" queried Indiana.
"That is what I must explain to you before we die; that is the secret of
my life. You asked me to tell it to you on the ship that brought us here,
and I promised to do so on the shore of Bernica Lake, when the moon
should rise upon us for the last time."
"That moment has come," she said, "and I am listening."
"Summon all your patience then, for I have a long story to tell you,
Indiana, and that story is my own."
"I thought that I knew it, inasmuch as I have hardly ever been
separated from you."
"You do not know it; you do not know it for a single day, a single hour,"
said Ralph sadly. "When could I have told it to you, pray? It is Heaven's
will that the only suitable moment for me to do so, should be the last
moment of your life and my own. But it is as innocent and proper to-
day as it would formerly have been insane and criminal. It is a personal
gratification for which no one has the right to blame me at this hour,
which you accord to me in order to complete the task of patience and
gentleness which you have taken upon yourself with regard to me.
Endure to the end, therefore, the burden of my unhappiness; and if my
words tire you and annoy you, listen to the waterfall as it sings the
hymn of the dead over me.
"I was born to love; none of you chose to believe it, and your error in
that regard had a decisive influence on my character. It is true that
nature, while giving me an ardent heart, was guilty of a strange
inconsistency; she placed on my face a stone mask and on my tongue
a weight that it could not raise; she refused me what she grants to the
most ordinary mortals, the power to express my feelings by the glance
or by speech. That made me selfish. People judged the mental being
by the outer envelope and, like an imperfect fruit I was compelled to
dry up under the rough husk which I could not cast off. I was hardly
born when I was cast out of the heart which I most needed. My
mother put me away from her breast with disgust, because my baby
face could not return her smile. At an age when one can hardly
distinguish a thought from a desire, I was already branded with the
hateful designation of egotist.
"Thereupon it was decided that no one would love me, because I was
unable to put in words my affection for anyone. They made me
unhappy, they declared that I did not feel my unhappiness; I was
almost banished from my father's house; they sent me to live among
the rocks like a lonely shore-bird. You know what my childhood was,
Indiana. I passed the long days in the desert, with no anxious mother
to come there in search of me, with no friendly voice amid the silence
of the ravines to remind me that the approach of night called me back
to the cradle. I grew up alone, I lived alone; but God would not permit
me to be unhappy to the end, for I shall not die alone.
"Heaven however sent me a gift, a consolation, a hope. You came into
my life as if Heaven had created you for me. Poor child! abandoned
like me, like me set adrift in life without love and without protectors,
you seemed to be destined for me—at least I flattered myself that it
was so. Was I too presumptuous? For ten years you were mine,
absolutely mine; I had no rivals, no misgivings. At that time I had had
no experience of what jealousy is.
"That time, Indiana, was the least dismal period of my life. I made of
you my sister, my daughter, my companion, my pupil, my whole
society. Your need of me made my life something more than that of a
wild beast; for your sake I threw off the gloom into which the
contempt of my own family had cast me. I began to esteem myself by
becoming useful to you. I must tell you everything, Indiana; after
accepting the burden of life for you, my imagination suggested the
hope of a reward. I accustomed myself—forgive the words I am about
to use; even to-day I cannot utter them without fear and trembling—I
accustomed myself to think that you would be my wife; child that you
were, I looked upon you as my betrothed; my imagination arrayed you
in the charms of young womanhood; I was impatient to see you in
your maturity. My brother, who had usurped my share of the family
affection and who took pleasure in peaceful avocations, had a garden
on the hillside which we can see from here by daylight, and which
subsequent owners have transformed into a rice-field. The care of his
flowers occupied his pleasantest moments, and every morning he went
out to watch their progress with an impatient eye, and to wonder, child
that he was, because they had not grown so much as he expected in a
single night. You, Indiana, were my whole vocation, my only joy, my
only treasure; you were the young plant that I cultivated, the bud that
I was impatient to see bloom. I, too, looked eagerly every morning for
the effect of another day that had passed over your head; for I was
already a young man and you were but a child. Already passions of
which you did not know the name were stirring my bosom; my fifteen
years played havoc with my imagination, and you were surprised to
see me so often in a melancholy mood, sharing your games, but taking
no pleasure in them. You could not imagine that a fruit or a bird was
no longer a priceless treasure to me as it was to you, and I already
seemed cold and odd to you. And yet you loved me such as I was; for,
despite my melancholy, there was not a moment of my life that was
not devoted to you; my sufferings made you dearer to my heart; I
cherished the insane hope that it would be your mission to change
them to joys some day.
"Alas! forgive me for the sacrilegious thought which kept me alive for
ten years; if it were a crime in the accursed child to hope for you,
lovely, simple-hearted child of the mountains, God alone is guilty of
giving him, for his only sustenance, that audacious thought. Upon what
could that wounded, misunderstood heart subsist, who encountered
new necessities at every turn and found a refuge nowhere? from
whom could he expect a glance, a smile of love, if not from you, whose
lover and father he was at the same time?
"Do not be shocked to find that you grew up under the wing of a poor
bird consumed by love; never did any impure homage, any
blameworthy thought endanger the virginity of your soul; never did my
mouth brush from your cheeks that bloom of innocence which covered
them as the fruit is covered with a moist vapor in the morning. My
kisses were the kisses of a father, and when your innocent and playful
lips met mine they did not find there the stinging flame of virile desire.
No, it was not with you, a tiny blue-eyed child, that I was in love. As I
held you in my arms, with your innocent smile and your dainty
caresses, you were simply my child, or at most my little sister; but I
was in love with your fifteen years, when, yielding to the ardor of my
own youth, I devoured the future with a greedy eye.
"When I read you the story of Paul and Virginie, you only half
understood it. You wept, however; you saw only the story of a brother
and sister where I had quivered with sympathy, realizing the torments
of two lovers. That book made me miserable, whereas it was your joy.
You enjoyed hearing me read of the attachment of a faithful dog, of
the beauty of the cocoa-palms and the songs of Dominique the negro.
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