Notes On Sensation and Perception Defintions and Principles
Notes On Sensation and Perception Defintions and Principles
UNIT OBJECTIVES
1.0. Introduction
Sensation and perception are two separate processes that are closely related. Sensation
is input about the physical world obtained by our sensory receptors. Perception is the
process by which the brain selects, organizes and interprets these sensations. In other
words, senses are the physiological basis of perception.
Perception of the same senses may vary from one person to another because each
person’s brain interprets stimuli differently based on that individual’s learning, memory,
emotions and expectations.
2.0. Sensation
The human body has sensory receptors, that is, specialized neurons that respond to
specific type of stimuli. When sensory information is detected by a sensory receptor,
sensation has occurred. For example, light that enters the eye causes chemical changes
in the cells that line the back of the eye. These cells relay messages, in the form of action
potentials, to the central nervous system. The conversion from sensory stimulus energy
to the action potential is known as transduction.
Human beings are found to possess at least 9 senses: vision, hearing, smell, taste,
pressure, temperature, pain, vestibular and kinesthetic senses. These have been
categorized as follows:
3.0. Perception
While the sensory receptors are constantly collecting information from the environment,
it is ultimately how we interpret that information that affects how we interact with the
world.
Boring, Langfield & Weld (1994) “ The first event in the chain which leads from
stimulus to action”
Morris (1979) “All the processes involved in creating meaningful patterns out of a
jumble of sensory impressions fall under the general category of perception”.
Fantino & Reynolds (1979) “Perception is the organizing process by which we
interpret our sensory input”
Desiderate, Howieson & Jackson (1976) “Perception is the experience of objects,
events or relationships obtained by extracting information from and interpreting
sensation”
Silverman (1979) “Perception is an individual’s awareness aspect of behavior, for it is
the way each person processes the raw date he or she receives from the environment,
into meaningful patterns”.
Based on the several definitions above, perception can be defined as “the physiological
process that helps us derive necessary meaning from our sensory impressions for
initiating behavioral responses to the stimuli lying in our environment.
3.2. The Nature and Meaning of Perception
From the definitions of perception, the following constitute the nature and meaning of
the term perception:
a. Perception is a process
Our sensory receptors are bombarded continuously by various stimuli present in our
environment. It is difficult and rather impossible to react to all stimulation. A selection
process is therefore essential. Perception perform this duty by extracting relevant
information out of a jumble of sensory impressions and converting them into some
meaningful pattern.
Perception is the first step towards the active behavior of an organism. It is the
preparatory stage that prepares an individual for action and response. Our sensory
receptors are just the receiving and transmitting centers of the sensory information. How
we should react and respond is ordered by our central nervous system through the
involvement of some mediating activity known as perception.
In a simple and straight forward way, we may sense that sensation precedes perception.
The relationship between sensation and perception is always direct, that is, what we do
have in sensation is always a part of perception. Perception goes beyond perception as it
organizes, interprets and gives the to the result of sensations. This implies that sensation,
attached with some meaning, is thus termed as perception.
Our senses react to patterns of stimuli present in the environment. Perception organizes
that stimulation, it interprets the patterns and gives them meaning.
The Gestaltists discovered over a hundred principles or laws concerning the perceptual
organization.
The perception of the object or figure (in terms of color, size, shape, intensity and
interpretation, depends on the figure-ground relationship. We perceive a figure against a
background or background against a figure, depending on the characteristics of the
perceivers as well as the relative strength of the figure or ground.
Sensory experiences other than visual experiences are also perceived as figure and
ground. For example, a person who is eating a meal that tastes too salty will perceive
salt as a figure on a ground of chapaties and vegetables. We smell odors, listen to the
news and watch particular figures on television (figure) and at the same time, are aware
of the conversations going on and various objects present in the room (ground).
A proper figure – ground relationship is quite important from the angle of the perception
of a figure on the ground. In a case where such a relationship is not there, we may
witness ambiguity in terms of clear perception as may be revealed through the figure
below (Rubin’s Vase), with the depiction of a reversible figure –ground perception.
In the above illustration, the pattern shown may be perceived in two plausible ways,
depending on which of the two shapes, vase or faces, is perceived as the figure and
which one as the background. Moreover, it is impossible to perceive both figure and
background at the same time.
C1. On basis of similarity, objects or stimuli that look alike are usually perceived as a unit.
For example, in the figure below, horizontal rows of black dots and blank dots may be
seen to form separate groups in terms of their perception.
C2. On the basis of proximity, objects or stimuli that appear close to one another are
likely to be perceived as belonging to the same group.
C3. On the basis of continuity, the objects or stimuli are perceived as a unit or group on
the basis of their continuity.
This explains why our attention is held more by continuous patterns rather than
discontinuous ones.
e. Principle of Contour: It asks for the degree of the quality of the contour,
separating the figure from the ground
A contour is said to be a boundary between a figure and its ground. The degree of the
quality of this contour separating figure from ground is responsible for enabling us to
organize stimuli or objects into meaningful patterns.
The context is the setting in which a perceived stimulus or object appears. A change in
its context is likely to bring a great change in its perception. For example, the rain may
be perceived by the same farmer, as different in different contexts. Similarly, a word may
mean different things in different contexts. Furthermore, an examiner may award higher
marks to the same answer book in a pleasant context than in an unpleasant one.
g. Principle of Contrast: Lays emphasis on the care of the contrast effects
in perceptual organization
Perceptual organization is very much affected through contrast effects as the stimuli that
are in the sharp contrast to nearby stimuli may draw our maximum attention and carry
different perceptual affects. For example, the intensity or brightness of a color is strongly
affected by the presence or proximity of the contrasting background or figure. It may
also lead to distortion of our perception as may be evident through the following figure:
In the above illustration, the surrounding circles in “A” make the central circle seem
smaller than the central circle in “B”, even though they are the same size.
According to this principle, the perceptual organization for some stimuli depends on the
adaptability of the perceiver to perceive the similar stimuli. An individual who adapts
himself or herself to work before an intense bright light will perceive normal sunlight as
quite dim, while for a person whom adapts himself or herself to work in a dimly lit room,
the normal sunlight is likely to be perceived as very bright. Similarly, our senses of touch,
smell, hearing may all get accustomed to a certain degree of stimulation and getting
accustomed to this may strongly affect the interpretation of the related sensations.