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Introduction to Radiometry and Photometry
Second Edition
For a complete listing of titles in the
Artech House Applied Photonics Series,
turn to the back of this book.
Introduction to Radiometry and Photometry
Second Edition
All rights reserved. Printed and bound in the United States of America. No part of this book
may be reproduced or utilized in any form or by any means, electronic or mechanical, including
photocopying, recording, or by any information storage and retrieval system, without permission
in writing from the publisher.
All terms mentioned in this book that are known to be trademarks or service marks have been
appropriately capitalized. Artech House cannot attest to the accuracy of this information. Use of
a term in this book should not be regarded as affecting the validity of any trademark or service
mark.
10 9 8 7 6 5 4 3 2 1
Contents
Introduction xiii
End Notes xviii
Acknowledgments xxi
1.8 Polarization 22
v
vi Introduction to Radiometry and Photometry
2.1 Light 39
2.7 Illumination 60
2.7.1 Illuminance Selection 62
End Notes 68
4.1 Introduction 99
Contents vii
Appendix B
Table of Physical and Mathematical Constants 443
Index 447
Introduction
Radiometry is a system of language, mathematics, and instrumentation
used to describe and measure the propagation of electromagnetic radiation,
including the effects on that radiation of reflection, refraction, absorption,
transmission, and scattering by material substances in their solid, liquid, and
gaseous phases.
Photometry is a system used for the same purpose when the radiation
is to be detected by the human eye, so it applies to a more restricted portion
of the electromagnetic spectrum.
Having the languages of radiometry and photometry helps make the
definitions and explanations of various descriptive quantities precise and
meaningful.
Evolution of the subject and the units used. Radiometry and photometry
have evolved considerably over the long history of civilization’s development of
science and engineering. In the beginning, the terminology used was invented
by early scientists attempting to make sense of the visible world around them.
Thus, many of the early terms and units predated the more logical and consis-
tent international systems of units and terminology used today, infusing the
early development of this field with a possibly confusing set of names as well as
units for the quantities presented in this book.
For example, the Anglo-Saxon period in England used the North German
foot (335 mm or 12.2 inches in current units) as the basis unit of length and it
was divided into 4 palms or 12 thumbs. A cubit was set to be 2 feet and an elne
to 4 ft. The rod (15 Anglo-Saxon ft) was used for the measurement of larger
distances, including the furlong (10 rods). An acre became 160 square rods and
36,000 Anglo-Saxon feet [1].
From the early English system of physical units there evolved what is
currently known variously as the “inch-pound,” “British imperial,” and “U.S.
xiii
xiv Introduction to Radiometry and Photometry
customary” systems of measurement, based on the inch for length, pound for
force or mass, gallon for volume, and second for time (known as the IPS sys-
tem). Along the way, the unit of luminous flux per unit area was called the
foot-candle, since it was defined as the flux per unit area one foot distant from
a standard candle flame. Alhough that was later supplanted with a definition
based not on a candle but on a point source emitting uniform radiation, the
name foot-candle (FC) stuck in the U. S. customary system of measurement.
As the metric system (called the MKS for meter-kilogram-second and
currently named the International System of Units, or SI for Systeme Interna-
tionale in French) was developed, the unit of luminous flux was given the name
lumen and the international metric system assigned the name lux to one lumen
per square meter, the current standard for illuminance in the SI system.
Most light meters offered for sale today give readings in both lux and FC.
As the old FC was being deprecated (declared obsolescent), instructors
came to use humorous means to help students avoid the old, archaic units. One
made a wax sculpture of a human foot and placed a wick between the second
and third toe, lit it with a match, and called it a “foot candle.” Another drew
a cartoon image of a swami reading a book, standing on one leg and holding
with his other foot above his head a candle with a flame. To the right of this he
drew another cartoon of a human foot placed on a tabletop weigh scale adjacent
to a mechanical contraption causing a hammer to descend repeatedly onto the
toes of a human foot. Below that was placed the admonition: “One must never
confuse a foot-candle with a foot pound or a pound foot.” Today, most books
and courses on illumination and lighting design use the more rational metric
system, the SI system, and measuring devices have become quite sophisticated
and both precise and accurate.
Small candles molded in the shape of a foot (with the wick sticking up
from the middle of the cut above the ankle) were distributed by General
Electric during the 1960s as advertising novelties. These visual puns
promoted GE’s line of fluorescent lighting and were an intentional
reference to the unit of light. The sole of the “foot” placed on a tabletop
had a label reading “GE makes the difference in light!” These were
functional candles that could be lit. They were not, however, “standard
candles” nor did they deliver any calibrated amount of illuminance.
End Notes
[1] Availone, E., T. Baumeister, and A. Sadegh. Marks’ Standard Handoook for Mechanical En-
gineers, 11th Edition, New York: McGraw-Hill Professional Publishing, 2006; Zupko, R.
E. British Weights and Measures: A History from Antiquity to the Seventeenth Century, Uni-
versity of Wisconsin Press, 1977; Klein, H. A. The World of Measurements: Masterpieces,
Mysteries and Muddles of Metrology, New York: Simon and Schuster, 1974.
[2] McCluney, W. R. “Radiometry and Photometry,” Am. J. Phys. Vol. 36, 1968, pp. 977–979.
[3] Biberman, L. M., Appl. Opt., Vol. 6, 1967, p. 1127.
[4] The international system of units (System Internationale, or SI) called the metric system
is based on seven fundamental, or base, units of measurement: meter, kilogram, second,
ampere, kelvin, mole, and candela. In this system, energy is a derived quantity and the
primary unit of energy is the joule. In terms of the base units, a joule is a Kg·m2·sec-1. The
joule is equivalent to the newton meter. The photometric unit, candela, discussed in the
Chapter 2, is one of the seven base units of the SI system.
[5] IESNA, 345 East 47 Street, New York, NY 10017.
[6] CIE, International Lighting Vocabulary, CIE Publ. No. S 017/E:2011 ILV, Central Bu-
reau of the Commission Internationale de l’Eclairage, Kegelgasse 27, A-1030 Vienna,
P.O. Box 169, Austria, and Bureau Central de la Commission Eletrotechnique Interna-
tionale, 3, rue de Varembé, P.O. Box 131 CH 1211, Geneva 20, Switzerland. 2011. (See
http://www.cie.co.at/index.php/Publications/Standards. Also available from the national
committees of the CIE. In the United States, this document can be obtained from TLA-
Lighting Consultants, Inc., 7 Pond Street, Salem, MA 01970-4819 and from Thomson
Reuters/Techstreet, 3916 Ranchero Dr., Ann Arbor, MI, 48108. See also http://www.cie-
usnc.org/publications/cie-standards-store/.)
Introduction xix
[7] Nicodemus, F. E., ed. Self-Study Manual on Optical Radiation Measurements, NBS Tech-
nical Notes 910-1 through 910-7, U. S. Department of Commerce, National Bureau of
Standards (now National Institute of Standards and Technology), March 1976 through
April 1984.
[8] Grum, F. Optical Radiation Measurements, A Treatise, Volumes 1 through 5, Academic
Press, 1979–1983; Wyatt, C. L. Radiometric Calibration: Theory and Methods, New York:
Academic Press, 1978; Boyd, R. W. Radiometry and the Detection of Optical Radiation,
New York: John Wiley & Sons, 1983; Driscoll, W. G., ed. Handbook of Optics, New York:
McGraw-Hill Book Company, 1978, Section 1, Radiometry and Photometry; Nicode-
mus, F. E. “Radiance,” Am. J. Phy. Vol. 31, 1963, p. 368; Meyer-Arendt, J. R. “Radiom-
etry and Photometry: Units and Conversion Factors,” Appl. Opt. Vol. 7, 1968, p. 2081;
Tyler, J. E. “Applied Radiometry,” Oceanography and Marine Biology, An Annual Review,
Vol. 11, Harold Barnes,ed., London: George Allen & Unwin Ltd., 1973; Nicodemus, F.
E., et. al. “Geometrical Considerations and Nomenclature for Reflectance,” NBS Mono-
graph 160, U.S. Department of Commerce, National Bureau of Standards (now National
Institute for Standards and Technology), October 1977; Siegel, R., and J. R. Howell,
Thermal Radiation Heat Transfer, 2nd Edition, New York: McGraw-Hill, 1981; Bass, M.
ed., Handbook of Optics, Volumes I–V, Optical Society of America, McGraw-Hill, 2010
(esp. Volume III, containing a chapter on photometry and radiometry); DeCusatis, C.,
ed., Handbook of Applied Photometry, Melville, NY: AIP Press, 1997; Walsh, J., Photometry,
published by Constable based on an original from the University of California, 1958 (also
published by Dover Press, NY, as part of its series on physics and mathematical physics;
see also the unabridged and unaltered republication of the third revised edition by Dover,
New York, in 1965).
[9] Kaufman, J. E., and J. F. Christensen, IES Lighting Ready Reference: A Compendium of Def-
initions, Conversion Factors, Lighting Source Tables, 2nd Edition, Illuminating Engineering
Society of North America, 1990 (additional IESNA examples: USA Standard Nomencla-
ture and Definitions for Illuminating Engineering, RP-16, IESNA, 120 Wall St., Floor
17, New York, NY, 10005-4001, published in 1986; and DiLaura, D., K. Houser, R.
Mistrick, and Gary Steffy, eds. IES Lighting Handbook, 10th Edition, New York: IESNA.
[10] Weather- and climate-related information sources provided by the National Renewable
Energy Laboratory in Golden, CO include many solar and other environmental radiation
applications, http://www.nrel.gov/publications/, http://www.nrel.gov/renewable_resources/.
[11] McCluney, R., “Radiometry of Water Turbidity Measurements,” J. Water Poll. Contr. Fed.,
Vol. 47, No. 2, 1975, pp. 252–266.
[12] Duffie, J. A., and Beckman, W. A., Solar Engineering of Thermal Processes, 2nd Edition,
New York: John Wiley & Sons, 1991.
[13] McCluney, W. R., “Remote Measurement of Water Color,” Remote Sens. Environ., Vol. 5,
1976, pp. 3–33; Peterson, C. A., B. R. Hawke, P. G. Lucey, and C. R. Coombs, “Spectral
Reflectance Studies of the Grimaldi Region of the Moon,” Geophys. Res. Lett., Vol. 22, No.
22, 1995, pp. 3055–3058.
[14] Campbell, J. B. and R. H. Wynne, Introduction to Remote Sensing, Fifth Edition, New
York: The Guilford Press, 2011; NASA, “Remote Sensing,” http://science.nasa.gov/earth-
science/oceanography/living-ocean/remote-sensing/; Purkis, S. and V. Klemas, Remote
Sensing and Global Environmental Change, Hoboken, NJ: Wiley-Blackwell, 2011.
Acknowledgments
The author gratefully acknowledges Frances Rubenstein of Lawrence Berkeley
National Laboratory, whose interest led to the idea for writing the first edi-
tion of this book, and to Paul Jindra, formerly with the Florida Solar Energy
Center, for his painstaking review of portions of the original manuscript
and many helpful suggestions. Dr. Arthur Tarrant is kindly thanked for
his suggestions for improving the manuscript. David Goebel and William
E. Schneider are thanked for the material they provided about colorimetry
and standards in radiometry and photometry. Dr. Laney R. Mills is thanked
for his extensive and invaluable assistance in checking some of the worked
examples and making numerous suggestions throughout the text. Formerly
an associate professor of physics at the College of Charleston, Dr. Mills was on
sabbatical leave at the National Center for Atmospheric Research when this
assistance was provided. Donna Waters, formerly a graduate assistant working
for me at the Florida Solar Energy Center, then a staff scientist at Ball Aerospace
and Technologies Corporation and currently with Proof of Concept Optical
Engineering of Boulder, CO, is thanked for her comments and suggestions on
Chapter 11. Dr. William Donnelly and Dr. John Herlocker, both of Breault
Research Organization, are gratefully acknowledged for their critical reading
of Chapter 11. An anonymous reviewer is appreciated for the many excellent
comments and suggestions made on the manuscript as it was being readied for
publication.
xxi
1
Fundamental Concepts of Radiometry
1
2 Introduction to Radiometry and Photometry
or the submultiples of the meter given in Figure 1.1. (More information on the
metric system and metric terminology can be found in Chapter 10.) Frequency
is given the Greek symbol ν and has units of cycles or periods per second. One
cycle per second is called one hertz, abbreviated Hz.
The wavelength λ and frequency ν of a monochromatic beam are related
by the equation
c= λν (1.1)
where c is the speed of light in the medium through which the radiation is
propagating. The speed of light in a vacuum is 299,792,458 m·s–1. It is not
much different from this value in air at sea level. One can select a wavelength
(or frequency) of interest and use (1.1) to determine the corresponding fre-
quency (or wavelength).
The human eye is most responsive to radiation at about 555 nm in wave-
length. The corresponding frequency is 5.4 × 1014 Hz. The eye is not visu-
ally responsive to radiation below 360 nm or above 830 nm.
Knowledge of the spectral distribution of radiation is crucial for many
applications of radiometry and photometry. The optical properties of materi-
als such as transmittance, reflectance, and absorptance are generally dependent
on the wavelength of radiation incident upon them or passing through them.
One is therefore interested in spectral variations in the transmission, reflection,
refraction, and absorption properties of materials.
Figure 1.1 Portions of the electromagnetic spectrum of interest in many fields of study. UV
means ultraviolet and IR means infrared.
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you, noble Liria, when the storm swept me to this isle.”
You may be sure the heart of the Princess leaped when she heard
these tidings!
Forgetting that he was himself but a shipwrecked wanderer much in
need of aid, the Prince, like the brave fellow that he was, could think
of nothing but of rescuing his lady from the dark magician; as for
the Princess, she could think of naught but the plight of Porphyrio,
tossed friendless and forlorn upon the isle. But at length she shook
her head and smiled.
“To-day,” said she, “is mine, and to-morrow also; but the Magician
has bidden me be prepared for the wedding feast by sundown on
the following day. But, look, the shield of the sun breaks the storm
clouds close above the waters; twilight approaches; the hour of the
magician is at hand; you must go. Hide yourself well to-night, and
come to the garden to-morrow when the chimes ring thrice. On yon
dark wall you will find some strangely shaped fruits growing; fear
not to eat of them when you hunger. Liria the Unhappy bids you
farewell, Prince Porphyrio.”
“Farewell, Princess,” replied Porphyrio. “Do not despair. We shall yet
outwit the dark Magician!”
And now the Prince lay hid in the heart of a great tree, watching the
doors and windows of the palace slowly opening in the twilight.
Suddenly huge bells swung forth in waves of heavy sound, strange
music played, and the thousand windows filled with the magic glow
of moon-fire. All night long the people of the night held festival; but
at the break of dawn the silver windows closed slowly on their
hinges, the music grew faint, and the murmur died away.
On the second afternoon the Prince, in his impatience, came early to
the shadowy garden. The Princess Liria was not to be found, so
Porphyrio wandered away into the dark alleys by the pools. Suddenly
he found himself looking at his own reflection in a huge round mirror
which two marble statues supported between them, one at each
side. Happening to move a little, the Prince discovered that his
reflection did not move! He lifted an arm, the image remained
motionless; he shook his head, the mirror gave no sign. Puzzled,
Porphyrio left the spot, and saw his reflection remaining behind the
glass.
Presently he heard the welcome footsteps of Liria. And as the lovers
walked and talked and discussed plans of escape, the Prince
chanced to tell of the mirror he had found. Uttering a little gasp of
alarm, the Princess cried: “Now we are lost indeed! Yon mirror is a
mirror of memory, and reveals to the Magician the faces of those
who walk these paths. As soon as he sees your reflection therein,—
and he gazes into the glass every eve,—his demons will be sent in
search of you. There is one hope and one only.
“Go you once more to the sea; follow the cliff for a league to the
west of the promontory, and you will find at its base the opening of
an ocean cave. When you arrive there the tide will be at half-flood,
and the entrance will still be visible above the waves. Fight your way
within and climb to the cavern’s height. Little by little the rising tide
will seal the portal and hide you from the search. Make haste, dear
Porphyrio, for there is not an instant to lose! Oh, that I had warned
you!”
The image in the mirror stood still
Across the landscape in a long straight line fled the Master Thief on
his wonderful legs, pushing the perambulator all the while. Now they
saw him bouncing it across furrowed fields, now they saw it speed
like a jeweled boat through a sea of waving green grain, now they
beheld it scattering the silly sheep in the upland wilds.
Presently the bells of the city set up the maddest ringing; foot
soldiers were turned out on the roads, and squadrons of cavalry
were sent galloping after; but all in vain—the jeweled carriage,
blazing in the western glow, sped like a meteor over the land. The
last they saw of it was a moving streak of light along the steep slope
of a mountain, a light which gleamed for a moment on the crest like
a large, misplaced, and iridescent star, and then swiftly sank from
view.
When the Master Thief reached his secret haven in the valley, he
shouted aloud for triumph, and swiftly wheeled the perambulator
down to the museum. The most magnificent perambulator in the
world! Once more drawing forth the most comfortable chair, the
Master Thief sank into it and contemplated his newest prize.
Suddenly, a strange sound, half cry, half gurgle caused him to sit
bolt upright. Had someone discovered his secret treasury? What
could it mean? And now there came a second cry which ended in a
long protesting wail.
The Master Thief had stolen the invisible baby along with the
carriage!
Now the notion of having to take care of a baby, of any baby, was a
matter which might well alarm the Master Thief; but as for an
invisible baby, that was indeed a trial! All at once, however, the
Master Thief slapped his knee and chuckled for joy—he had thought
of the spell-dispeller! Holding aloft the brightest lantern in the world,
the robber made his way to the little side-cavern in which he had
placed the talisman.
His heart jumped. The spell-dispeller was gone!
Baffled and perplexed, the Master Thief began a nervous search of
the little cavern; but never a sign of the spell-dispeller could he find.
Vowing not to restore the Prince till he had found the talisman and
tested its power, the Master Thief at length abandoned the search
and carried the Prince through the caverns to his dwelling.
And now days passed, and months passed, and even years, without
bringing to light the spell-dispeller. From an invisible infant the Prince
grew to be an invisible boy, whose merry voice and friendly presence
played about the house of the Master Thief like a capful of summer
wind on a mountain lake.
Heigho, but after all it wasn’t so bad to be invisible! One could see
things and find things hidden away from all other mortals; one could
climb to the side of a bird’s nest, sit still, and watch the mother bird
feed her young; one could dive, unseen, into the clear, cold pools of
the mountain streams and pinch the lurking trout by their rippling
tails; one could follow the squirrel to his secret granary!
Now, during the Prince’s fifteenth year, it came to pass that the
Master Thief suddenly became ashamed of his wicked ways, so
ashamed indeed that he resolved not only to forgo further collecting
but also to return every single thing he had stolen! The invisible
Prince, I am glad to tell you, was of the greatest possible service to
the Master Thief in this honest task. And now, all over the kingdoms
of the world, people began to find their stolen possessions waiting
for them when they came down to breakfast in the morning: the
stuffed cat became once more the pride of the Blue Tower, the most
interesting book went back to its place on the shelves of the royal
library, the golden scroll of the funniest joke appeared as if by magic
on the wall of the king’s own room. Alas for human waywardness,
there were actually people who had grown so accustomed to the
loss of their belongings that they reviled the Master Thief for their
return. Dreadful to relate,—the style having changed,—the
handsomest lamp-shade was actually tossed in a well!
At the end of the fifth year, the opal perambulator and the invisible
Prince were the only two stolen things left to return. The invisible
youth was twenty years old. With a sorrowful heart, for the youth
was as dear to him as a son, the repentant Master Thief began
preparations to restore prince and perambulator to the unhappy
parents.
Now it came to pass that, on the morning of departure, the Master
Thief descended for the last time to the forlorn and dusty corridors
of his great museum and walked about the galleries, leaving
footprints in the dust and musing on the glories that had been. Here
had stood the shiniest rubber-plant, here the most beautiful hat-
rack, here the only eraser which had never rubbed a hole in the
paper. A tear gathered in his eye. He had loved them; he had stolen
them; he had restored them; he was free!
All at once his glance, roving empty shelves, fell on a tiny box
wedged in a sombre corner. With a loud shout of joy, the Master
Thief recognized the spell-dispeller! It had fallen behind a shelf and
had lain there concealed for almost twenty years! Thrusting it into
his pocket’s depth, the Master Thief bounded up the secret stairs to
the joy of the sun.
After a pleasant rambling journey in a huge coach, the Master Thief
and the invisible Prince reached the city at the twilight hour, and
took lodgings at a quiet, comfortable inn. The invisible Prince, I must
remind you, was still invisible.
Now it came to pass that when supper had been served and eaten,
the Master Thief and the invisible Prince went for a stroll through the
royal city. Much to the surprise of the travelers, they found the city
hung with streamers and bunting of the gayest kind. Stranger still, in
spite of this display, the citizens of the royal city appeared to be
particularly out of spirits.
“Good host,” said the Master Thief to the landlord of the inn, “pray
what means this air of jubilee? Do you make merry for some kingly
festival?”
“A festival, yes,” replied the host, looking about to see if anyone
were listening, “festival it is, but only in name. Have you not heard
the news? Let us walk a little to one side and I will tell you the story.
“Three years ago our gracious sovereign, the good King Valdoro the
Fourth—weary of the cares of state and still stricken to the heart by
the loss of his son, the invisible Prince of whom you may have heard
—gave over the guidance of the kingdom to the Marquis Malicorn.
Last week this official made himself master of the royal power,
imprisoned our dear King and Queen in a dark tower, and proclaimed
himself successor to the throne. The coronation is to be held to-
morrow afternoon in the great hall of the royal palace. Alas for the
people and the nation! Oh, if the invisible Prince would only return!”
To this the Master Thief nodded his head, his busy brain plotting all
the while. All at once he smiled. He had devised a plan.
And now it was once more the great hall of the castle, and once
more a sunny afternoon. Bells rang, but their cry was wingless and
leaden, and there was a dull and joyless note in the cannon’s roar.
Crowded as densely together as ever they were twenty years before,
the magnificoes sullenly awaited the arrival of the usurper and his
train.
Presently the portals were once more swept apart, revealing
Malicorn and his followers. Not a sound rose from the assembly.
Growling for rage beneath a huge pair of dragoon’s whiskers, the
wicked Marquis made his way to the dais and the coronation chair.
The noise of bells and cannon ceased. An official in blue advanced
with the royal robe.
Just as he was about to throw it over the waiting shoulders of the
usurper, an invisible something snatched the robe from him and, lo,
it melted into the air!
Exceedingly angry, yet disturbed at heart, Malicorn hoped for better
luck with the sceptre, but this, too, was snatched by an invisible
hand. As for the royal crown, it vanished from its purple cushion in
the twinkling of an eye.
Speechless with rage, Malicorn now rose to his feet, and stood
before the throne, glaring about into the air. Cries of defiance,
mingled with shouts of derision, rose from among the magnificoes.
And now, even as the turmoil was at its height, the Master Thief,
who had been concealed behind some curtains, strode boldly forth
to the dais, thrust Malicorn aside with a sweep of his long arms, and
shouted to the audience:—
“Magnificoes of the Realm, you came to see your King. Your rightful
King is here. Would you behold him?”
“Yes!” shouted the assembly in one voice. And now the Master Thief
touched the invisible Prince with the spell-dispeller.
The instant he did so a flash of deep golden light set everyone
blinking, fairy music was heard, and suddenly the invisible Prince
stood visible before the throne. He was tall, dark-haired, brown-
eyed, and a bit slim, and the crown was on his head, the robe on his
shoulders, and the sceptre in his hand.
And now the bells and cannon began to boom in real earnest, and a
gay breeze came sweeping in to toss the flags and banners that had
hung so still. Overcome by emotion, the generalissimo seized the
Lord Chancellor by the waist and swung him into a jig, the soldiers
all tossed their caps into the air and cheered like mad, whilst the
organist became so excited that he began to play two tunes at once.
Everybody was laughing and hallooing and hurrahing.
As for Malicorn and his crew, they were tumbling out the back door
as fast as their legs could carry them, and nobody has seen them
from that day to this.
Presently the old King and the Queen, released from the dark tower,
came hurrying in to greet their son.
“He resembles you, my dear,” whispered the King to the Queen.
The Master Thief was forgiven everything.
Singing and rejoicing, the people of the city poured from the houses
into the sunny streets.
Clang, clang! Boom! Clang, clang! Boom, boom! Boom! Boom!
And they all lived happily ever after.
THE TWO MILLERS
Once upon a time, in a pleasant country of meadows sweeping
seaward from wooded inland heights, there were two millers and
two mills. If you came to the country in a ship, you saw the windmill
first, for it was built upon a tongue of land rising above the wide salt
meadows and the washing midnight-tides; but if you came to the
country by the land, it was the water mill you saw, for it stood
beside the highway in the valley of a brooklet rushing to the sea.
Now the wind-miller, who was a great tall man with blue eyes and
fair hair, had a daughter named Cecily, whilst the water-miller, who
was a little nimble man with a red face and crisp, black curls, had a
son named Valentine. And because both the millers were merry
men, and there was a plenty of grain for both the mills to grind,
these millers were excellent cronies, and the maiden Cecily had been
betrothed to the young man Valentine.
Every eve, when the day’s task at the water mill had been brought
to an end, the gates lowered, and the brooklet turned free to rush
unhindered down the glen, Valentine would walk from his wooded
hills to the headland by the sea, and call at the mill for Cecily. The
nights were often still, and the golden shield of the moon, rising
over the hilly woods, gleamed upon the curling foam of the little
long waves, and filled their glassy hollows with her light.
Now it befell that as Valentine and Cecily walked by the shore on
such a night, they heard from the hollow of the hills a faint and far-
off rumble like the echoing of thunder. Such mysterious sounds were
forever rising in the hills, and because no one could tell whence they
came, a legend had grown up that somewhere in the forest depths
there dwelt a hidden someone, known as the Husbandman of the
Hills.
“Listen, Valentine,” said Cecily, “the Husbandman of the Hills is
closing the door of his barn. Think you that some day a mortal may
find him in his hiding-place in the hills?”
“But suppose it were naught but an idle tale?” said the merry youth,
with a smile.
“Oh no, Valentine,” said the maiden seriously. “All my life long have I
dwelt here on the shore, and heard the mysterious echoes from the
hills. Sometimes the sound is of the lowing of cattle, sometimes of
the threshing of grain, sometimes ’tis the creaking of a hay wain in a
field. And always the old and wise tell of the Husbandman of the
Hills. Some day a mortal will find the hidden Husbandman—do you
but wait and see.”
It was the early summer now, and all went merry as a marriage bell.
The heavy water-wheel turned with a rolling thunder and a sound of
endless splashing; and the four arms of the windmill spun with a
windy thrum and a clock-like clack from the rising of the wind to the
calm of sundown and the eve.
And now, alas, events were at hand which were to shatter the plans
of the two millers and wreck the hopes of Cecily and Valentine!
At the close of the harvest-tide, the Princess Celestia, only daughter
of the King and Queen of the country, was going to be married. Now
it chanced that the Queen, her mother, was famous in the land as a
maker of cake, and presently this good lady promised her daughter
a wedding cake so splendid and delicious that painters would beg to
be allowed to paint its portrait, and poets to praise it in glorious and
immortal song.
Yes, the Queen would make the cake with her own white hands, the
batter should be mixed in a golden bowl with a golden spoon, the
two best hens in the kingdom should be summoned to lay the eggs,
the oven should have a door of diamonds, and as for the flour, that
should come from the finest fields and the best mill in all the land.
“I know what I’ll do; I’ll offer a rich reward for the best flour,” said
the good Queen. And calling the royal herald to her presence, she
bade him summon all good millers to strive for the prize, and to
bring of their new flour to the palace at the close of the harvest
yield.
Now it chanced that the Queen’s herald, all dressed in blue-and-
white and sounding a silver horn, came cantering first to the water-
miller’s door.
“I should like to win that treasure,” said the water-miller to himself,
musing in the doorway.
“After all, my flour is better than the wind-miller’s meal. That
treasure should be mine, must be mine. Yes, mine, mine, mine!”
Now it was the custom of the country for millers to visit the farms in
midsummer, view the growing, green grain, and bargain with the
husbandmen for the yield of the tossing fields. Suddenly the water-
miller, coveting the treasure, determined to purchase all the standing
grain, so that the wind-miller should not have any good grain to
grind! And this he did, forgetting the while that the deed was sharp
and unfriendly.
A day or two passed, and presently the wind-miller climbed to the
saddle of his fat white steed, and rode away to buy his customary
grain. Alas, there was none to be had. Every turn of the road
disclosed new fields of grain, but every single ear was pledged to the
miller by the brook!
At first—I must tell you—the wind-miller was more hurt than angry
at his old crony’s trickery; but the more he thought of it the angrier
he grew. Storming about the windmill in a rage, he gave a great roar
for Cecily, and when the frightened maiden appeared before him, he
bade her dismiss all thoughts of Valentine from her heart, and
consider herself fortunate to be rid of the son of such a father.
The water-miller, however, was not to be outdone. The moment he
heard of the wind-miller’s wrath, he too fell into a rage, and
presently forbade Valentine, on pain of dismissal, so much as to look
at the maiden Cecily.
And now the youth and the maiden were very sad indeed, for in
spite of the strife between their fathers, they continued to love each
other very much. Presently Valentine could endure it all no more,
and stole away one night to have a word with Cecily.
The mill brook was babbling in the dark when Valentine returned to
the mill, and a single light was burning in a window by the door.
Opening the portal gently, the youth presently discovered his father
seated on the stair clad in a flowered nightcap and a long white
dressing-gown.
“Valentine,” said the water-miller in a voice deep as the bottom of a
well, “where have you been?”
“I’ve been to the windmill to see Cecily,” said Valentine truthfully and
bravely.
“Sirrah!” cried the water-miller, shaking with such temper that his
flowered nightcap trembled on his head. “Did I not forbid you to go
to the windmill, on pain of being turned away from this my house?
Go!” And the angry water-miller pointed a level finger out into the
night.
“But, father,” protested Valentine.
“But me no buts,” thundered the miller. “Go, sirrah, for this house is
yours no more.”
“But whither, father?” asked bewildered Valentine.
“That, sirrah, is your affair,” replied the angry miller. “Go anywhere
you please; go find the Husbandman of the Hills!”
And with this last bit of advice, the wrathful water-miller pushed his
son out of the mill and drew the long, grinding bolt across the door.
A moment later the single light went out, and the mill was dark.
And now Valentine, in search of shelter for the night, sought out a
farm in the gloom of the wooded hills. Leaving the broad white road,
he followed first a country lane, then a pathway winding through a
great woodsy mire, and then another lane, softly carpeted with moss
and last year’s fallen leaves.
A star fell from the twinkling heavens; a hunting owl hooted in a
tree. Ever so far away a silver bell struck the midnight hour.
Suddenly Valentine knew that he had followed a strange path, and
was lost in the heart of the hills. It was a very strange path indeed,
for the trees and the brambles along it seemed to have grown
together in the dark, and pressed forward to form a thick
imprisoning wall.
Uneasy at heart, the youth now turned to retrace his steps, only to
see that the same mysterious trees had risen up behind!
Hours passed. Stars that were high in the heavens vanished over
treetops in the east, a silvery dawn began to pale, and there were
chirps and stirs and peeps and feathery noises in the wood. At the
rising of the sun, Valentine arrived at the farm of the Husbandman
of the Hills.
Now the Husbandman of the Hills—I must tell you—was the farmer
of the fairies. It was from this farm in the hills that the goblins of the
mountain-tops, the elves of the silver river, and the peoples of the
fairy kingdoms of the world had their apples and clotted cream, their
cherries and plums, and their butter-pats stamped with a crown.
The fairy farm lay in a green vale, magically walled about with briery
trees. Only at the midnight minute could the wall be passed, and
Valentine had chanced to cross it at the sixth stroke of the bell.
And now Valentine found himself made welcome by the
Husbandman and his lady, the Goodwife of the Hills. The
Husbandman was old; his face was ruddy and his hair silvery white,
and in a smock of blue with a white collar was he clad. His spouse
was elderly too, and wore a gown of green with short old-fashioned
sleeves, a white housekeeper’s-apron, and a cap with ribbons and
frills.
I wish I had time to tell you of how the long summer passed at the
farm of the fairies—of the brewing, the baking, and the churning;
and of how the green elves came to cut the grain with silver scythes
no longer than your arm; of how a very young giant, who had a
pleasant smile and was as tall as a tree, came to pitch the hay into
the barn; of how the orchard goblins came to gather the wonderful
apples into baskets of silver and gold; and of the enchanted bear
who wore yellow spectacles and turned the butter churn.
Presently the leaves, though green, began to rustle dryly on the
trees, and Valentine began to long for his own again.
“You have been a faithful laborer,” said the old Husbandman of the
Hills. “A reward is yours. What shall it be?”
“But I seek no reward,” said Valentine, “for you gave me shelter,
when shelter I had none.”
“A brave answer,” said the old Husbandman with a smile. “But you
have earned your wage, good friend. I’ll give you a wish. Be in no
haste to use it. And guard it well!”
And now Valentine turned from the vale, passed the magic bound at
midnight, and found himself once more in an old, familiar pathway
of the wood.
The autumn had been a rainless one, and the water-miller was
having forty fits.
The mill brook was running dry!
Already there was scarce water enough to stir the heavy wheel.
Another week without rain, and the bed of the brook would be
naught but a length of puddles and pools. And the fine golden grain
he had purchased was being threshed and winnowed, and would
soon be arriving at the mill!
In and out of the door of the mill, a hundred times a day went the
water-miller, now to stare at the vanishing brook, now to sweep the
sky in hope of rain. But the dry leaves only rustled more dryly, and
the sun was bright.
Worse yet, the Princess Celestia’s wedding day was fast
approaching, and the Queen would soon be calling for her flour. And
sure enough, the Queen’s herald presently rode again through the
land, summoning all good millers to bring of their new flour to the
palace before sundown on the seventh day.
The following week was indeed an anxious one for the miller by the
brook. Alas for his fortunes—not a single drop of rain fell either in
the meadows or the hills, and the brook ran dry. You might as well
have tried to turn the wheel with a pitcher of water as to turn it with
the trickle which remained.
On the night of the sixth day, the water-miller, humbled in heart,
rode over to the windmill to make his peace and ask a boon. He
would ask the wind-miller to grind the wonderful golden grain, and
offer him half of the grain as a reward.
Now the wind-miller had not forgotten the water-miller’s trickery; so
he received his old crony with anything but a friendly air.
“Grind grain for you, sir?” said the wind-miller, standing with arms
akimbo and feet apart, “yes, sir; but only on one condition, sir, and
that is, sir, that you let me choose my half of the grain, sir.
“And hearken, sir, one thing more, sir. You must bring the grain to
the windmill this very night, sir.”
Now it came to pass that, as the water-miller, hanging his head,
went out into the night, Cecily saw him, and ran to ask him for news
of Valentine. But the water-miller was himself troubled because of
the absence of his son, and could give no new tidings to the maid.
Groaning many a regretful groan, the water-miller loaded his fine
two-wheeled scarlet cart with sacks of golden grain, and carried it to
the windmill door. It was a warm night. The water-miller unloaded
the sacks, mopped his brow with a red bandanna handkerchief, and
sighed.
What a fool he had been not to play fair! What a fool to send away
his son!
When the water-miller had driven away, the triumphant wind-miller
took a great iron lantern, and went down to see the grain. For a
moment or two he stood motionless, chuckling at his unexpected
victory. Presently he called to Cecily to gather all the lights and
candles she could find, and place them round about.
And now, toiling in a great blaze of candlelight, the wind-miller
slowly and carefully sifted out for himself the better half of the
wonderful grain. The remaining half—which was good enough, but
full of husks and dust—he set apart for his rival.
The dawn was breaking as he finished the task. Some of the candles
were burned out, and the lanterns were smoke-begrimed and dim.
Wearily rubbing the grain-dust from his eyes, the wind-miller
trudged up the circular stair and tumbled into bed. He would grind
the grain into flour as soon as he woke in the morn.
And on that same still, autumn dawn young Valentine came out of
the fairy wood.
When the wind-miller woke, he woke with a start, for he had slept
late, and the sun was high. How warm and misty-moisty it was!
Good heavens—there wasn’t a breath of wind!
A ship drifted becalmed upon the glassy sea; a blue haze of wavy
summer heat lay upon the meadows, and over the wooded hills
hung a motionless mass of bluish cloud with a rim of silvery white.
There was not even air enough to stir a dead leaf hanging by a
thread.
In and out of the door of the mill, like one distracted ran the miller;
he stood upon the balcony and stared about at the sky, the greeny-
leaden sea, and the helpless ship; he lifted a moistened finger to the
air.
Oh, for a wind!
And now a ship’s bell in the mill struck the eight strokes of high
noon, and presently the water-miller came hurrying to the mill in his
scarlet cart. A moment’s glance at the two halves of golden grain
told him of the wind-miller’s counterstroke, and he ran upstairs into
the mill room full of wrath.
He lifted a moistened finger to the air. Good heavens—there wasn’t a breath of
wind!