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Kuno Lorenz
Logic, Language and Method − On Polarities in Human Experience
Logic, Language and Method −
On Polarities in Human
Experience
Philosophical Papers
by
Kuno Lorenz
De Gruyter
The publication of this book was funded by the Laboratoire d’Histoire des
Sciences et de Philosophie (CNRS), Archives Henri-Poncaré, Nancy, and by
the Department of Philosophy at the Universität des Saarlandes, Saarbrücken.
ISBN 978-3-11-020312-7
e-ISBN 978-3-11-021679-0
Preface ......................................................................................................VII
5. The Pre-Established Harmony Between the Two Adams (1993) ...... 162
Index........................................................................................................ 223
Preface
happens and has happened around us and with us. Be it Doing and Suffering,
Subject and Object, Truth and Meaning, Body and Soul, Particular and Gen-
eral, Practical and Theoretical, Knowing-how and Knowing-that, Thought
and Action, and a multitude of others. Thus, procedural questions are not out
of purview in the first part, and substantial questions do enter the papers of
the second part. The reader will often encounter direct investigations into
some of the oppositions, some others being touched alongside (I.1, I.2, I.3,
I.7, I.9, II.1, II.2, II.3, II.4, II.6), and he equally should cast an eye on how
the use of oppositions in the course of arguing interrelates with their status of
being an object of argumentation as well.
Looking back it appears now that in a way most of the papers may ba-
sically be considered as different steps en route of reducing the conceptual
oppositions that permeate content and set-up of the papers to the funda-
mental one of looking at actions as ‘objects’ and as ‘a means’ in statu
operandi, i.e., ‘from a distance’ and ‘while engaged in doing it’. This is
true, already, of my billet d'entrée into professional philosophy: the dis-
sertation on arithmetic and logic as dialogue games under the supervision
of my late teacher Paul Lorenzen. This way of looking, I come to argue
eventually, arises due to a basic anthropological feature: Humans are or-
ganized dialogically, as I and You. When A does something – A in the role
of I – B (being identical with A in but a special case) ‘sees’ A doing that, B
in the role of You. This simultaneity of two dialogical roles extends to the
level of sign actions: When, in the role of I, A, besides e.g. speaking, ‘says’
something, then B, in the role of You, besides e.g. hearing A, ‘understands’
something (I.4, II.7, II.8). Philosophers are particularly prone to the danger
of presenting their thoughts as if they were elected to represent mankind
each for herself alone in telling how things are ‘really’ and often tend to
forget about their dependence on others, if not their fellow philosophers.
Usually, in science and philosophy we are accustomed to treat issues
from a distance. This is in tune with considering the very verbalization as,
already, a kind of detachment from its subject matter: words and things fall
apart. On the other hand, we are well aware of how verbal activity any-
where and without restriction is the most prominent medium of being en-
gaged with something: thinking and doing coincide. But when activities
themselves, plain or verbal, are articulated as in papers like the present
ones, a stage is reached where matters become quite complicated. What is
at stake, is the relation of one’s individual activity, both plain and verbal,
with the activity of others and with the particular objectives of activities
that are supposed to be intersubjectively identifiable (I.6, I.8).
It is not surprising, therefore, that many of the conceptual oppositions
nourish competing philosophical doctrines and have done that since their
inception with the consequence that scientific theories that avail them-
Preface IX
____________
3 Cf. Kolmogorov 1932, and Lorenzen 1955. Gödel has shown that an axiomatiza-
tion of the concept ‘beweisbar’ (provable) within classical logic, somewhat dif-
ferent from Kolmogorov’s nonformalized version, can be used as a representation
of intuitionistic logic, cf. Gödel 1933.
Rules versus Theorems 5
of classical logic as well as of modal logic and others,4 but it could not
answer the initial question of what kind of theory or rather ‘action’ (Denk-
tätigkeit) 5 it actually is that is formalized by this or that formal system of
logic. And intuitionism (in the spirit of Brouwer) consequently never
claimed to be able to represent its logic fully by a formal system.
In order now to gain a better understanding of the actual conflict, it is
necessary to go beyond these introductory remarks by stressing a difference
of points of view between the proponents of classical logic and the
proponents of effective logic, which is so much taken for granted that it is
hardly ever explicitly disputed. Since the time of Leibniz, classical logic is
often referred to as a system of ‘truths’ which hold ‘universally’, in ‘all
possible worlds’, and, therefore, independently of the special facts of the
‘actual world’, i.e., of the natural sciences. And mathematics is, following
the programme of logicism, to be constructed as a special part of this system
of logical truths. In precisely this sense logic, and with it mathematics, came
to be considered as a system of tautologies without factual content. Classical
logic is the formal frame for any scientific investigation, the a priori basis of
empirical science. It makes no essential difference when Quine, expanding
ideas of C. I. Lewis, disputes the distinction ‘a priori-empirical’ and stresses
the uniformity of the whole corpus of scientific truths instead. 6 This corpus
is not uniquely determined by observational facts, it is in need of conceptual
and other theoretical constructions, e.g., mathematical ones, which are
chosen by intrinsic criteria of perspicuity, economy, connectedness et alii of
the system of science as a whole. Thus, it may well obtain that even logic,
one of the central parts of the corpus of truths, has to be changed due to new
observational facts in order to satisfy the aforementioned criteria. Yet, even
then, logic, the system of accepted logical truths, be it in its formalized
version derivable by a classical or by some other calculus, remains the
formal frame of science. Logic may be called ‘relatively universal’, i.e., a
system of universal truths relative to the actual state of science.
On the other hand, effective logic (explicitly in its operationist inter-
pretation), must be looked at as a system of ‘universal’ rules that are accepted
whenever a system of rules of action, e.g., rules for producing proofs or
rules for producing arbitrary strings of signs, has been laid down. In this
case, the field of application for the rules of logic is not the world as the
totality of facts, but rather the world as seen in terms of specific kinds of
scientific human activities. Within mathematics, for example, the rules of
____________
4 Cf. the review of the main results in Kleene 1952, § 81; especially important is the
paper McKinsey/Tarski 1948.
5 Cf. Heyting 1930, pp. 45–46.
6 Cf., e.g., the paper Two dogmas of empiricism in: Quine 1953, pp. 20–46.
6 Philosophical Logic and Philosophy of Language
effective logic may be used without restriction. And this obtains because
mathematics is not viewed as a system of truths, even less logical ones, but
is treated as an independent scientific activity which, together with its
intrinsic rules, may use the rules of logic as additional ‘admissible’ ones.
Effective logic is the material content of any scientific investigation, the
‘empirical core’ even within mathematics. It goes without saying that no
uniqueness claim is added. The set of rules of effective logic may vary from
one scientific activity to another, and are not even strictly determined by
any one of those. It coincides even with the set of rules of classical logic in
the case of strictly finite mathematics, as Brouwer explicitly observed.7
Thus, logic may again be called ‘relatively universal’, i.e., a system of
accepted universal rules relative to the field of investigation.
In the light of these considerations, the basic conflict is a question
rather of the set-up of formal logic itself than of accepting this or that
propositional schema as valid. And, indeed, the competing views, to treat
logic either as a set of rules (‘for correct thinking’) or as a set of theorems
(‘on the general behavior of thought’), trace back to the very beginning
of formal logic, to Aristotle and his interpretation by posterity. The conflict is
known under the rubric: logic – art or science?, the respective Greek terms
being ‘τέχνη’ and ‘ἐπιστήµη’.
The problem, at the beginning of logic in the Greek period, was to set up
a discipline that realizes the possibility of well-founded argumentation
without using these very means of argumentation under pain of begging the
question.
If logic, and in the case of Aristotle this means his syllogistic, would
have to count as a science, it should obey the conditions laid upon a system
of truths by Aristotle in order to have it represent an ἀποδεικτικὴ ἐπιστήµη.
That is, there should exist a set of first true premisses8 out of which all
further truths may be inferred by (apodeictic) syllogisms. But syllogisms
never count as propositions (λόγοι ἀποφαντικοί), nor do perfect syllogisms
count as axioms (ἀρχαί), nor are the reductions of the syllogisms to perfect
ones called ‘proofs’ by Aristotle.9 Aristotle does not treat his syllogistic as a
science. On the other hand, if the set-up of syllogistic would represent an art
in the strong sense of a διαλεκτικὴ τέχνη, there should exist first premisses
accepted for the sake of argument (τόποι), from which those propositions
____________
7 Cf. Brouwer 1925.
8 The other conditions that Aristotle imposes on these first true premisses, i.e., the
axioms or, rather, ‘principles’ (ἀρχαί), as they are now called, are of no concern
for our purposes; cf. An. post. 71b.
9 This has been made a point in the convincing operationist interpretation of Aris-
totle’s syllogistic against the arguments of Łukasiewicz in: Ebbinghaus 1964.
Rules versus Theorems 7
____________
10 Cf. Aristotle Met. 995a.
11 Top. 100a25–26; cf. An. pr. 24b19–20.
12 For two modern proponents of either possibility, cf. Łukasiewicz 21957, and Scholz
2
1959. Łukasiewicz interprets syllogisms as generalized subjunctions, Scholz reads
them as rules of inference. For example, PaQ, QaR≺PaR (modus barbara) becomes
∧P,Q,R. a(P,Q)∧a(Q,R)→a(P,R). in Łukasiewicz, and PaQ; QaR ⇒ PaR in Scholz.
13 Cf., e.g., An. post. 83b–84b, where there are two ‘proofs’ for the claim that to each
science there must exist first true and undemonstrable principles.
14 This is done successfully in the operationist interpretation of Aristotle’s syllogistic
by Ebbinghaus as mentioned in note 9. In addition, the interchange of terms in PeQ
(ἀντιστροφή), the contradictoriness of PaQ and PoQ, and of PeQ and PiQ, and the
contrariness of PaQ and PeQ, all these formulated verbally by Aristotle, are given
the form of rules; then all other valid syllogisms are ‘provable’ as admissible rules
relative to the initial set of valid rules.
15 Cf. Soph. Elench. 172a36.
8 Philosophical Logic and Philosophy of Language
as entities sui generis, those rules of inference may be transferred into (lo-
gical) implications, i.e. three-place (meta)propositions on propositions, and
thus theorems.16
Hence, syllogistic in the sense of a theory of the valid rules of
inference may be taken as an early anticipation of the position held by the
proponents of effective logic, now in a refined version: effective logic is to
be considered as a theory, i.e., a system of truths, about the universally
admissible rules within arbitrary systems of rules of action.
Naturally, in the course of history, syllogistic has been treated the other
way round, too. For example, according to the most influential diplomatic
vote of scholasticism, which can be found in the Summulae Logicales (ca.
1250 A.D.) of Petrus Hispanus, who later became Pope John XXI, the
definition of logic runs like the following: dialectica (i.e., logic) est ars
artium et scientia scientiarum ad omnium methodorum principia viam
habens;17 and Duns Scotus gives an interpretation of this twofold
determination: logic is a science respectu materiae ex qua constat, and
logic is an art respectu materiae in qua versatur. This distinction may now
be taken as an anticipation of the position held by the proponents of
classical logic, here again in a refined version, insofar as the system of
tautologies can be enumerated by a calculus, i.e., a system of rules. More in
the line of Aristotle, the more radical schoolmen such as Buridan in his
Summa de Dialectica just dropped any mention of logic as a science and
kept only its characterization as ars artium which, therefore, leads again to
the position of the proponents of effective logic.
Hence, classical logic is the result of starting with arbitrary theories
that obey the axiomatic method by concentrating on the forms of truths
within arbitrary domains, and then formalizing this system of formal truths
by means of some calculus, thus getting a praxis on top of the theories.
Effective logic, on the other hand, starts with arbitrary calculi built up by
the constructive, i.e., genetic, method, and proceeds to a theory about the
generally admissible rules within the calculi – a theory which can after-
wards likewise be formalized; here we have a theory on top of the praxis.
Now it looks almost like a matter of taste how one is going to choose the
level for a reasonable beginning of formal logic. Yet, the following
constructions claim that there is an adequate solution of the conflict
____________
16 This is an accord with the characterization of arts and sciences in An. post. 100a8–
10. Arts are concerned with the world of coming-to-be and passing-away, sciences
are concerned with the world of being.
17 There are references to the art-science dispute and its medieval background in the
course of discussing modern operationist logic (Brouwer, Wittgenstein, Kolmo-
gorov, Lorenzen) in: Richter 1965.
Rules versus Theorems 9
between a logic of rules and a logic of theorems and, more generally, a proper
approach to the problem how praxis and theory interact in the case of logic.
II
The starting point is again very close to the actual origin of logic in
antiquity. With Aristotle, and even more with Plato, logic – or rather
dialectic, the term being a strong hint by itself – had to provide the means
by which sound argumentation could be distinguished from unsound
argumentation.18 This has been a practical necessity in face of the highly
developed sophistic technique to provide proofs for arbitrary theses on
demand. And indeed, if it is granted that any scientific activity, be it on
practical or on theoretical matters, is characterized as scientific by the fact
that there is a justification available for each and every assertion put forth in
the course of this activity (the possible linguistic articulations of non-
linguistic acts included!), there is no other basis for the construction of
logic than to look for a methodical introduction of the linguistic elements of
assertions and from there to proceed to the use of assertions within
argumentations.
Such an introduction of elementary linguistic elements shall be called
primary praxis and will be executed within properly stylized teach-and-learn
situations for these elements. As far as simple singular and simple
general terms are concerned, the details of the procedure do not bear upon
the set-up of formal logic. They have been discussed extensively
elsewhere.19 For our purposes, it is sufficient to remark that introducing
words by means of teach-and-learn situations guarantees their public
understandability. Furthermore, it should be clear that the determination
of a primary praxis in the given sense is a process post hoc, something
man does in order to gain precise knowledge concerning his abilities and
their limits after he has used speech and other acts meaningfully in the
context of life.
____________
18 Cf. the first sentence of the Topics (100a18–20), where the purpose of the treatise
is characterized as “finding a method, by which we shall be able to argue (συλ-
λογίζεσθαι) on any problem set before us starting from accepted premises
(ἔνδοξαι) such that, when sustaining an argument (λόγος), we shall avoid saying
anything self-contradictory”. It was E. Kapp who showed convincingly that the
origin of Aristotle’s syllogistic (still taken to be a theory) is situated in the actual
sophistic discussions on public affairs, cf. Kapp 1942.
19 Cf. the second part in: Lorenz 1970. There will be found special references to
competing proposals in: Quine 1960, and in: Strawson 1959.
10 Philosophical Logic and Philosophy of Language
in (Dl) to argue alternatively together with the rule of win and loss in (D5),
if to both players is guaranteed that neither must defend upon an attack
unless this attack has been defended first upon a counter-attack.
Now, (D1) – (D5) are not sufficient to secure finiteness of the indivi-
dual plays of the game. There is lacking a regulation on the number of attacks
permitted against a single argument during a given play. Yet, since any
choice of bounds would be arbitrary, it might be accepted as reasonable that
this choice should become part of the dialogue game itself. After the initial
argument has been laid down by P, first O shall choose a natural number n
as the maximal number of attacks to be directed against a single argument
of P, then P shall choose a natural number m analogously. Only now the
proper dialogue about the initial argument may start obeying the following
additional stipulation of the structural rule.
(D6 n,m) During a play of the game, any argument may be attacked by the opponent
at most n-times, by the proponent at most m-times.
In order actually to play a dialogue game according to the given rules, the
rules of argumentation in (D1) have to be specified. This can be done by
laying down a schema of attacks and defenses, which shows all possible
attacks against an argument as well as all possible defenses of this argument
upon each of these attacks. And, in general, this specification is possible
only by special reference to the internal structure of the propositions
concerned. The structural rule is purely ‘formal’ in the sense that no special
knowledge about the proposition is needed, whereas the rules of
argumentation are ‘material’ in so far as they have to make use of the
actual set-up of the propositions, their ‘content’ in the terminology of
traditional philosophy.
Yet, there is a possibility of determining special rules of argumentation
that are, in a way, formal, too, namely, those that make use only of the fact
that propositions may be composed out of subpropositions. This leads to
the concept of logical composition that in turn affects the introduction of
further terms into the primary praxis, the so-called logical particles. A
proposition A shall be called ‘logically composed’ out of propositions from
a class K of given dialogue-definite propositions, if the schema of attacks
and defenses associated with A contains only propositions from the class K.
By means of such special rules of argumentation, the particle-rules, any
dialogue about A is reduced to dialogues about the subpropositions of A: A
is dialogue-definite, too.
Easy combinatorial considerations show 25 that for a complete survey it is
sufficient to discuss unary, binary and infinitary logical particles only,
____________
25 Cf. Lorenz 1968, pp. 41–43.
14 Philosophical Logic and Philosophy of Language
under the condition to restrict the schemata in question to those that con-
tain each subproposition just once and that use as further attacks certain
non-assailable orders for defense or doubts, symbolized by ‘?’ with added
indices. Scheme 1 will be self-explanatory. (As notation for plays of the
dialogue game it seemed to be sufficiently suggestive to use two columns
such that the rows are reserved for the consecutive attacks (from top to
bottom with an index of the row number of that argument against which the
attack is placed) together with an entry for the chosen defense – if any –
upon that attack; to recover the order of moves one may enumerate the
arguments, if necessary.)
*A attacks defenses
position ⌐A ? A
negation
¬A A
(not)
scheme 1
As an example of a dialogue we will discuss the assertion A0
((a→b)→b)→((b→a)→a) for dialogue-definite propositions a and b.
Furthermore, we will make use of one of the main results of the theory of
dialogue games, namely that the class of propositions for which there are
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Michael.
(Bending down to her.) Kiss me, dear.
(She kisses him perfunctorily on
the cheek; he sighs; she
turns and descends the
ladder on the left; he follows
her.)
How sweet it is!...
Clare.
Sweet?
Michael.
Your “pigtail,” dear. The sight of it makes me feel a boy again. I
should like to pull it and run away.
(Clare laughs and they both
descend out of sight. A
pause. The nightingale starts
singing. Mrs. O’Farrel
emerges from the summer-
house. Her step is almost
jaunty with suppressed
triumph, and her manner
elaborately off-hand. The
Dean remains invisible in the
summer-house.)
Mrs. O’Farrel.
Ah, the nightingale! How charmingly it sings to-night!... I do wish
we had some nightingales at Ashurst. I suppose they prefer low-
lying ground like this.... Do they sing in your garden at the Deanery?
(The Dean comes out of the
summer-house in a very
crestfallen condition.)
Dean.
Eileen——
Mrs. O’Farrel.
(Cheerfully.) Yes?
Dean.
This is dreadful—dreadful....
Mrs. O’Farrel.
On the contrary, I think it’s most delightful! One can hear every
note so perfectly at this elevation.
Dean.
Is it generous of you—is it generous of you, Eileen, to flaunt your
terrible triumph like this? I am heart-broken! I am distracted! What
on earth am I to do?
Mrs. O’Farrel.
(Pouring him out a whisky-and-soda.) Drink this!
Dean.
(Pettishly.) I don’t care for whisky.
Mrs. O’Farrel.
Oh, you needn’t make such a fuss! It’s perfectly obvious from
what we saw just now that no real harm has been done. The way
she kissed Michael——
(She bursts out laughing.)
Dean.
How can you, Eileen? How can you?
Mrs. O’Farrel.
It reminded me of a child taking castor-oil!... But Michael—the
double-faced hypocrisy of the man! I’m really very sorry for Patricia.
Dean.
I don’t see the necessity for lavishing sympathy on her.
Mrs. O’Farrel.
What do you mean? Doesn’t she believe he returns her devotion?
Dean.
Her devotion doesn’t prevent her philandering with other men, as
I told you just now.
Mrs. O’Farrel.
Well, upon my word! I wouldn’t have believed it! In spite of this
gross example of your obtuseness, you still have the—the audacity
to stick to your slander against Bill! Really I—— (She stops short,
listens, then hurries to the back and looks over the railing. She turns
to the Dean and speaks in a quiet whisper.) We must hide in the
summer-house....
Dean.
Eh? What?
Mrs. O’Farrel.
At once! Bill and Patricia are returning here. You will see for
yourself there’s nothing more between them than cousinly regard.
Dean.
I refuse to eavesdrop a lady.
Mrs. O’Farrel.
But you deliberately did it a moment ago.
Dean.
Clare is my daughter.
Mrs. O’Farrel.
Fiddlesticks! (Pushes him before her.) Quick now!
Dean.
I submit——
Mrs. O’Farrel.
Hush!
Dean.
—Under protest....
(She shepherds the Dean into the
summer-house just as Patricia
and Bill come up the central
ladder.)
Lady Patricia.
Cousin Bill and I have discovered that guelder-roses are guelder-
roses after all.... Why, Bill dear, they’re not here!
Bill.
Got impatient, I suppose, and went back to the house. About time
we did the same. It’s getting late.
Lady Patricia.
(Dreamily.) Too late, too late! Ye cannot enter now!
Bill.
What d’you say?
Lady Patricia.
I was quoting Tennyson.
Bill.
Oh....
Lady Patricia.
You know the lines, don’t you? Listen:
So sweet and sad, are they not? Don’t you love sweet, sad things?
Bill.
Rather.
Lady Patricia.
Our sweetest songs are those that tell of saddest thought.
Bill.
Rather.... I say, hadn’t we better be going?
Lady Patricia.
Bill....
Bill.
Yes.
Lady Patricia.
(Her hands on his shoulders.) Do you love me as you used to?
Bill.
I say, why d’you—you don’t think——
Lady Patricia.
No—no—no—ah, no! I know well enough that your love is deeper
and stronger than it was. But this sacred love—this hopeless love of
ours has swept you suddenly into manhood. You are no longer a
boy; you are graver; you are sadder.... And if sometimes you seem
to avoid me now, it’s due to no cooling of passion, but to the fear
lest the pent-up lava at your heart should overflow and ruin us both.
Bill.
I say, you do put things awfully well!
Lady Patricia.
Petrarch and Laura—Paolo and Francesca—Lancelot and
Guinevere.... Bill—no, William and Patricia.... Ah, my poor boy, put
your arm around me, and say those lines of Lovelace that I taught
you.
Bill.
Oh, I say—really, you know—— On my honour, I’ve forgotten
’em....
Lady Patricia.
No, no! You’re merely shy—bashful—boyish! I love to hear you say
that verse. (She starts him.) Yet this——
Bill.
Yet this—yet this—— What’s the word?
Lady Patricia.
Yet this inconstancy——
Bill.
(In a self-conscious sing-song.)
Lady Patricia.
Loved I not honour more.... Love—duty—honour—— (She sighs
deeply.) Come, dear....
(They go out on the left. A pause.
The Dean comes out of the
summer-house. He barely
conceals his triumph under a
mask of outraged propriety.
Mrs. O’Farrel follows him.)
Dean.
H’m.... Cousinly regard!...
Mrs. O’Farrel.
It’s shocking! Outrageous!
Dean.
It is indeed.
Mrs. O’Farrel.
—That you shouldn’t even pretend to hide your satisfaction at the
scene we have just witnessed.
Dean.
Satisfaction! I assure you, dear lady, I’m shocked and grieved—
deeply grieved, that your son should prove capable of such
depravity.
Mrs. O’Farrel.
My son! You know as well as I do that the foolish boy has been
bewitched by that unprincipled woman.
Dean.
Come, come, Eileen. In common fairness we should apportion the
blame equally—though, indeed, my experience has generally led me
to the conclusion that the man is more to blame in these cases than
the woman.
Mrs. O’Farrel.
Your experience! Quite so!... I shall give Patricia my plain,
unvarnished opinion of herself and forbid her my house. You will tell
Michael that he’s a scoundrel and a libertine.
Dean.
No, no, no! Tact, tact, my dear Eileen, tact and diplomacy!... Let
us calmly review the position. Cosway’s and Lady Patricia’s relations
with Clare and your son, though highly culpable, appear to be
blameless of the worst, and considerably more—er—ardent on the
part of the married couple than of the single. So much is—er—
unhappily evident. Now, do you still maintain that your son is—er—
interested in Clare?
Mrs. O’Farrel.
I am certain of it.
Dean.
Incredible! Of course, I know—in spite of appearances—that Clare
feels strongly for your son.
Mrs. O’Farrel.
Fudge!
Dean.
Now, my dear Eileen, pray don’t fall back on contradiction. What
we have both got to do is to bring these young people together——
Mrs. O’Farrel.
Hush! D’you hear? (She goes quickly to the back and looks out. A
pause.) All four of them! Of course, they went up to the house to
look for us.... What shall we do?
Dean.
Ah! (Goes to the railing at the back.) Allow me.... (Calls.) Clare....
Clare.
(Beneath.) Hullo!...
Mrs. O’Farrel.
(Excitedly.) But are you going to let them know——
Dean.
I beg you, Eileen, to sit down and control yourself.
Mrs. O’Farrel.
Well, but I should like to know——
Dean.
Will you kindly entrust the conduct of the situation entirely to me.
Take your cue from me, and above all, be tactful and dignified. (He
sits down with unction.)
Mrs. O’Farrel.
I really believe you are thoroughly enjoying yourself.
Dean.
Pray don’t be flippant, Eileen. This is a very serious matter.
(He crosses his legs and fixes his
eyeglass as Clare enters up
the central ladder followed by
Lady Patricia, Bill, and
Michael.)
Clare.
We thought you had gone back to the house.
Dean.
Indeed.
Lady Patricia.
I really believe they went to depreciate the guelder-roses as well!
Mrs. O’Farrel.
We did nothing of the sort, Patricia, and let——
Dean.
Kindly allow me, Mrs. O’Farrel.... No, Lady Patricia, we have not
been to examine the guelder-roses. We have been all the time here.
Dean.
We have been all the time—here.
Michael.
But—but I returned a short while ago, and you were certainly not
here then.
Dean.
Excuse me, sir—we were.
Clare.
But we never saw you....
Dean.
That I can quite believe. We, however, saw you and Mr. Cosway
quite distinctly.
Mrs. O’Farrel.
Most distinctly! And I——
Dean.
Allow me, Mrs. O’Farrel....
Bill.
But, I say——
Dean.
Sir?
Bill.
You can’t have been here a minute or two ago when Patri——
Cousin Patricia and I——
Dean.
Pardon me, sir—we were.
Bill.
But, I say, you must have hidden yourselves somewhere, because
——
Dean.
Your mother and I were sitting in the summer-house.
Bill, Clare.
Oh ...!
Lady Patricia.
Oh!... O—oh!... (She gropes for a chair, she sits down heavily.)
Michael.
What—what is the matter, dear?
Lady Patricia.
Nothing.... I—I am a little faint——
Michael.
The—the night is certainly oppressive....
Lady Patricia.
I—I’m all right now....
(A pause. The nightingale starts
singing.)
Dean.
(To Clare.) I think it is high time to go.... Did you see whether the
carriage had arrived?
Clare.
Yes, it’s there.
Mrs. O’Farrel.
Come, Bill, we must be getting home.
Dean.
(Solemnly.) I have several weighty additions to make to my
sermon to-morrow—additions which certain events to-night have
suggested. I trust you will all be at the Cathedral for morning
service. (An awkward silence. The Dean waves his hand towards the
central ladder.) Mrs. O’Farrel.... (Mrs. O’Farrel passes and descends.)
Clare.... (Clare passes him and descends. He says with impressive
unconcern:) The nightingale sings most divinely to-night!
(He goes out, Bill following him
with a hang-dog air. Baldwin
enters on the left just as Lady
Patricia and Michael move to
the central ladder.)
Baldwin.
If you please, sir....
Michael.
What is it, Baldwin? What is it?
Baldwin.
If you please, sir, will you be using them lanterns agin to-night?
Michael.
No.
Baldwin.
Then I ’ad better take ’em down, sir?
Michael.
Yes, take them down. (To Lady Patricia.) Come, dear.
(Baldwin starts fiddling about with
the strings of the lanterns.)
Lady Patricia.
(Wearily.) Yes, darling.
Baldwin.
(Lowering the first lamp.) Whoa!...
Lady Patricia.
(Speaking in a passionate whisper.) Will you love me, Michael,
always—always—and no matter what may happen?
Michael.
(Taking her hands.) I? How can you ask? But you—could you still
love me if—if——
Lady Patricia.
If——?
Michael.
If I were unworthy?
Lady Patricia.
You!
(They descend the central ladder.)
Baldwin.
(Lowering the second lantern.) Whoa!... (He blows out the candle
and folds the lamp up. Then he goes leisurely for the next lantern
and lowers it.) Whoa!... (He blows it out, folds it up and goes for the
next lantern and the curtain descends while he is lowering it. When
it rises again, he says:) Whoa!... (And folds it up.)
Dean.
What a morning! Fragrant! Exquisite! Ha! (He sniffs the air
appreciatively, fixes his eyeglass and beams around him.) A happy
Whitsun, John.
John.
Thank you, sir. Same to you, sir.
Dean.
Eh?... Oh, certainly!
John.
Yes, sir. It’s mornings like this, sir, that one feels a inclination to
sing the tedium.
Dean.
To sing the—er——?
John.
The tedium, sir.
Dean.
The Te Deum! Ah, yes, to be sure! To sing the Te Deum. Most
appropriate! (Looks at his watch.) A quarter to ten.
John.
Yes, sir. It’s highly significant to see so many people at early
service this morning, sir. Highly significant.
(Robert goes out.)
Dean.
Ah, yes!... Is Miss Clare in the garden?
John.
I believe she is, sir.
Dean.
Well, she’ll be here in a minute. I think, as it’s rather late, I had
better begin at once. Is this all you’re giving me to-day, John?
John.
Oh, no, sir. There’s an omelette with asparagus-tops to come.
Dean.
Good. Very good! In the meantime these delicious fruits.
(Sits at the table.)
John.
Yes, sir. If you please, sir, Mr. Cosway’s gardener was here this
morning before you came back from church. As far as I could gather
he had some message from her ladyship which he refused to leave. I
gathered he had instructions to give it to you direct, sir.
Dean.
Oh ... ah ... h’m.... Is he here now?
John.
No, sir; I told him to come back at ten o’clock. He’s gone to the
cemetery to visit the grave of his first wife.
Dean.
Bring him here when he comes.
John.
Very good, sir.