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Another random document with
no related content on Scribd:
Then, inevitably with that overload, the Hustic spouted black smoke.
The line surge that flashed back up the cables bent the meter
needles around their stop pegs, and down in the belly of the ship
the power packs sizzled and crackled. But somehow they didn't
explode.
Mike staggered and covered his face with his hands. He dropped to
his knees and for an instant I thought the current had followed the
helmet cable and electrocuted him.
But he grasped a stanchion and pulled himself upright. His face was
haggard and gaunt, but there was a wildly triumphant gleam in his
bloodshot eyes and a twisted grin on his lips.
Then I got my worst scare of all as he lurched toward me, fumbling
in his pocket for the spring-opening knife he always carried. I closed
my eyes and waited for the end.
But he didn't stab me. Instead the air swooshed out of my cushions
as he ripped the fabric. Then he turned and yanked the sleep mask
from Bill's face.
I scrambled out. My legs felt rubbery from being pinned in the
cushions so long but I managed to stagger over and twist Bill's air
release valve just as Mike crumpled to the deck.
Bill opened his eyes. "What the—?"
Then he remembered what had happened, and heard the Marties
still howling outside in a most unpleasant way.
"Let's get the hell out of here!" he bellowed.
We went out with Bill on the throttles and me down in the drive
room with the portable emergency power-pack and a handful of
wires to get the Wilsons firing. Mike was out cold on the control
room floor. We went out with a swish and a swoop on an
uncontrolled skew curve, and only the low .38 gravity and 3.1 mile
per second escape velocity of Mars kept us alive.
As soon as we straightened out of the escape spiral Bill and I hustled
Mike into the cushions. It wasn't necessary to gas him, for although
he had recovered consciousness he did not resist at all. Instead he
fell into a long normal sleep, twice around the clock as though
completely exhausted.
That trip still haunts my nightmares. Everything powered off the
secondaries—which meant nearly everything but the main drivers—
was dead. Mike had really fixed that.
Then one of the Wilsons burned a liner, and with grave misgivings
we had to turn Mike loose. We didn't like the notion of spacing a
trajectory on power settings plotted by a crazy man, but the
calculations for unbalanced drive needed his astrogating skill. With
the mechanical astroplotter out of action it was too much for Bill and
me.
He didn't get violent, so after that we gave him the run of the ship,
though of course we never left him on watch alone. He seemed
harmless enough, and spent most of his time at a typewriter he had
rebuilt to operate in variable gravity. He wrote a few poems to and
about Polly. The usual mush.
Then he wrote a story. Maybe I've mentioned before that he
collected rejection slips. Bill and I laughed when we read it, because
it was much too farfetched for publication. All about a mysterious
artificial brain—he didn't specify whether animal, vegetable or
mineral—invented to serve as a combination integrating calculator
and reference library, working on a form of telepathy. But the
creatures for whom it was built kept using it more and more to solve
their problems instead of working them out for themselves. After a
few generations the creatures became nothing but eyes and hands
for the brain, letting it do all their thinking and make all their
decisions.
And because the Thing was aware of every sensation of a whole
planetful of creatures it grew very tired of processing irrelevant
information and began to propagate the idea that any thought or
action not absolutely essential for survival was wrong and should be
suppressed, and that emotions—which interfered with transmission
of factual data—were unthinkably degenerate, to be shunned at all
costs. After a few more generations the creatures did not even
realize they were being controlled by the Thing, had even forgotten
its existence and believed its thoughts and decisions were their own.
That was the story.
Then he got to fooling with the burned-out ruins of the Hustic and
made a sheaf of graphs, all in five and six colors. They were too
complex for Bill or me.
A few days out from Earth, a worried Bill got me up in the middle of
my off-shift and motioned to the forward view-plate. There, coming
toward us from the inviting blue-green ball of Earth, were thirty
closely grouped orange specks. Spaceship driver flares.
Mike took a look too, then held both hands to his forehead with
index fingers protruding and wiggled them at us. When I got the
idea I wasn't happy about it. The wiggling fingers meant antennae.
Martians.
Bill and I gnawed our fingernails. The poor Banshee could neither
run nor fight. But the Martian ships went right on by without even
trying to contact us on the Luminophone. Mike just grinned through
it all.

We landed rough, on account of the burned-out driver, but when

things stopped bouncing we were all in condition to limp away.
Mike saw the car pull up outside and had the hatch open before we
could stop him.
Polly met him with open arms and a kiss that would have been
censored on any telaudio show. She wasn't the pale, subdued,
inertia-ridden girl of a few months before. Not at all.
The Professor was dancing up and down with excitement behind her,
trying to shake one of Mike's hands.
"You did it, darling!" Polly released her lips long enough to say.
"They're gone, every one of them! And so is the Complex."
"Huh?" Bill and I stared.
Then Bill grabbed his brother.
"You mean Mike isn't—?" he began.
"Of course not," the Professor snapped. "He never was." Then he
turned to Mike.
"What capacitance were you using when you picked up the Thing's
radiations?" he demanded. "What power factor? What wave form?
Sine wave or flat top or sawtooth? Did you have the transportation
grid shielded or were you getting a reinduction feedback?"
"Father!" Polly said sternly. "Later!"
Mike reached in his pocket and handed his fancy graphs to the
Professor, who seemed to understand them at a glance.
"Oh," he said. "There's just enough similarity of wave form here so
the telepathic inertia influences directed at the Cultural Emissaries
would heterodyne in their receiving organs and be re-emitted exactly
on a generalized human brain-wave pattern.
"And that makeshift capacitance bar you rigged just happened to
sensitize the set to the Thing's own wave form."
We listened, but right then Mike was more interested in Polly. About
that he displayed good sense.

Bill's Banshee III and my Thor are between-trips at the same time,
so it was only natural that we got together last night. And when we
met Miu Tlenow, the Venusian cat-man, it was also natural that we
head immediately for the Ursa Major Tavern.
"Mewargh!" Tlenow purred, extending and retracting his clawlike
fingernails with pleasure as the second drink took hold. "Really it is
good to get away from that madhouse."
"What madhouse?" Bill asked.
"Mars."
We sat up straighter. Somehow in the five years that had passed
without authentic news from the Red Planet we had taken it for
granted that things there had settled down once more to a slow,
lethargic normality. We hadn't realized the full impact of Mike, as
amplified by the Hustic.
"Those Martians!" Tlenow mewled, his whiskers twitching in agitated
disgust. "They are crazy. All crazy. They mate, but they use no sense
in how they mate. Like Earthmen. Such complications! They have
many different governments with a hundred different political
parties, and they talk and talk, vote and vote. They argue.
"Things like Earthmen's gloves they make. Of course they will not fit
Martian hands and they carry them only to hit in each other's faces.
Then they fight duels.
"They make liquor and drink it, and how crazy-drunk they get. Then,
Great Space, they even try to sing!
"They make jokes and play pranks, too, something they never did
before."
Tlenow was slit-eyed with amazement at such illogical Martian
behavior.
"They do this one day, do that the next. Always they grow more like
Venusians or Earthmen, only with not so much sense. What they will
do on any tomorrow one can never tell."
He finished his drink and leaned forward.
"They make writing—too much writing—everything in writing—and
all of it funny kind. What you Earthmen call—I think—poetry. Yes,
that is it. Poetry. And each day gets worser. They never make like
that before. By the Seven Black Comets, how they get that way?"
That was when Bill and I knew we had to break our silence.

So the Marties have not yet learned to think for themselves. Five
years, after all, is a very short time. Perhaps some day. In the
meantime they're nothing but reflections of the more uninhibited
and generally screwy aspects of Terence Michael Burke's personality.
And I'm afraid they'll share his disturbing ideas of humor.
Do we want anything to do with them? Frankly, I don't know. That's
up to you, Citizens of Earth, when you vote on the new treaty.
But don't say I didn't warn you.
*** END OF THE PROJECT GUTENBERG EBOOK MADMEN OF MARS
***

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