Pirogov

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Pirogov

Vals
Arr. Marvin Ruiz Dmitri Shostakovich
2

  Moderato
          

       
Flauta piccolo

   

Flutes

             
     

 


Oboes

   
        
 

Clarinets in B♭

  
         
      


         
Saxofón Alto


 
       
Bassoons



        
Horns in F

        
 
          
Trumpets in B♭

 
        
Timpani

        
Caja de concierto

        
Bombo de concierto

 
      
   
Platillos

       
   
Violins I

           
Violins II

          
Violas


          
Violoncellos

Contrabasses
 
3

8          


         
Picc.

   
  
                
Fl.

         
Ob.

    
 
               
B♭ Cl.


       
           
Sax. A.


   
       
Bsn.


         

F Hn.

         

          
B♭ Tpt.



         
Timp.

C. Clar.

Bom. Conc.          
         

          
Plat.


         
Vln. I


          
Vln. II

          
Vla.


          
Vc.

Cb.
 
4

17           

Andante Allegro

       
Picc.

     
 
   
Fl.

         
 
         
Ob.


     
      
B♭ Cl.

  
  
                     
   
Sax. A.

 
   
      
Bsn.

 
     
  
  
     
       
F Hn.


          
 
               
B♭ Tpt.

  
         
Timp.

          
C. Clar.

          
Bom. Conc.


           

Plat.

      
Vln. I

 

 
  

   
Vln. II

               
   
Vla.

pizz. 
            


               
Vc.

 

Cb.
5

27         
 
           
    
Picc.

  
       
Fl.

  

          
  
Ob.

      
       
       
B♭ Cl.

    

         
 
Sax. A.

   
Bsn.

                       
 
                       
F Hn.

          

           
B♭ Tpt.

 
         
Timp.


C. Clar.

        

Bom. Conc.

        

     
Plat.

     
    
    
 
  
Vln. I

  
     
   

      
Vln. II

                         
         
    
Vla.

          
arco


                  
Vc.

   
Cb.

6

35         


        
Picc.

  
     
Fl.

      
  
    
Ob.

           
  
   
         
B♭ Cl.

  

 
Sax. A.

    
        
 
Bsn.

                         


                       
F Hn.

        

         
B♭ Tpt.

 
        
Timp.

        
C. Clar.

        
Bom. Conc.

   
      
   
Plat.

   

 
Vln. I


         
               
     
   
Vln. II

              
    
     
Vla.

      
 
                   
Vc.

Cb.
 
7

43 
       

    
              
Picc.

     
Fl.

   
      
         
Ob.


  
              
B♭ Cl.


        
Sax. A.


 
          
Bsn.

               

             
 

 
  
F Hn.

       

        
B♭ Tpt.



       
Timp.

C. Clar.

Bom. Conc.        
       

     
Plat.

    
  
  
 
  
 
 
Vln. I

 
 

 

 

 
      
 
             
   
Vln. II


                 
  
         
Vla.

      
 

    
Vc.

Cb.
                   
8

50       

                       
Picc.

    
                    
Fl.

 
    
      
          
Ob.

    

     
B♭ Cl.

 
         
 
Sax. A.

       
 
   
Bsn.

      
   
  
 

 
  
            
F Hn.

      
 
       
B♭ Tpt.



      
Timp.

C. Clar.

Bom. Conc.       

      

     
            
Plat.

   
  
  
Vln. I

 
 

 

 

       
Vln. II

               
  
Vla.

             
 
        
Vc.

       
Cb.
  
9

56    
         

Vivace


1. 2.

    
Picc.

       
      

 
         
Fl.

     
  
 
        
Ob.

  
   

              
B♭ Cl.

 
       
Sax. A.

  
           

  
             

Bsn.

          
  
 
                    
F Hn.

 
           
   


      
B♭ Tpt.

    

 
    
Timp.

     
        
      
   
C. Clar.

 
Bom. Conc.

               
   
Plat.

 
     
Vln. I

              
        
 
Vln. II

                    
 
     
Vla.

    
     
 
   
 

                 
Vc.

  
 

Cb.
            
10

       
   
62

                   
             
Picc.


 
                         
Fl.


     
                     
Ob.

  
                      
B♭ Cl.

                  
               
      
Sax. A.

           

 
Bsn.

                     

                      
F Hn.

                    
      

                      
B♭ Tpt.



                     
Timp.

C. Clar.

Bom. Conc.        
       
                    
                   
  
Plat.



Vln. I

      
 

 
 
      
                      
Vln. II

                     
        
Vla.

      
 
                
Vc.

Cb.
       
     
11

                

1.
69

                    

Picc.


  
                         
Fl.


                       
Ob.


               
B♭ Cl.

      
                
                   
Sax. A.

               

 
Bsn.

                    



         
             
F Hn.

                       
     

 
                     
B♭ Tpt.


                     
Timp.

C. Clar.

Bom. Conc.        
       
 
                     
                   
Plat.



Vln. I

 
 

 
    
 
         
                    
Vln. II

 
                    
              
 
Vla.

   

             
Vc.

       
Cb.
  
          
12

76      
     
2.

             

Picc.

  
     
            
     
Fl.

        
  
              
  
Ob.

            
 
               
B♭ Cl.

   
    
       

           
Sax. A.

  
                        

      
Bsn.

            
 
          
         
F Hn.

                
            


          
B♭ Tpt.

 
                  
  
Timp.

         
         
C. Clar.

           
Bom. Conc.

                    
Plat.

    
  
    
 
Vln. I

           
  
  
                   
Vln. II

  
    
            
               
Vla.

        

 
 
Vc.

                   
   

Cb.
13

83     
     
 

 
Picc.

  
      


  
    
Fl.

     

  

Ob.

       
 
   
B♭ Cl.

      
  
   
Sax. A.

             
    
    
Bsn.

 


 



 
 
  
          
F Hn.


               
  

  
B♭ Tpt.

            

  
Timp.

       
       
C. Clar.

 
Bom. Conc.

       


            
Plat.

  
    
  
  
    
Vln. I

       
        
           
Vln. II

      
   
     
Vla.

       
     
        
         
Vc.

Cb.
   
14

90             

      
         
        
Picc.

     
                   
Fl.

    
     
      
Ob.

      
      
    
B♭ Cl.

    
   
  
               
Sax. A.

 
   
Bsn.

     
       
 



    
          
F Hn.

           
 
        
B♭ Tpt.

    
 
         
Timp.

       
C. Clar.

        
Bom. Conc.

      
         
 
        
Plat.

 
  
    
Vln. I

        
   
      
         
Vln. II

           

 
Vla.

                 

 
 
Vc.

             
         

Cb.
15

97 
Vivace

         
Andantino
1. 2.

              
 
Picc.

        
 
          
 
Fl.

           
 

        
Ob.

   
        
 
      
         

B♭ Cl.

    
  
         
Sax. A.

 
  
  

Bsn.

       
 
        
  
      
 
             
       
F Hn.


         
    

         
B♭ Tpt.


 
         
Timp.

         
C. Clar.

          

Bom. Conc.

         
            
Plat.

 
 
     
Vln. I

        
        
       
     
Vln. II


                  
  
Vla.

             
     
   
Vc.

               
      

Cb.
16

104         

            
Picc.

 
            
Fl.

 
           
Ob.

 
       
B♭ Cl.


    
Sax. A.

   
  
  
Bsn.

           
          
 
   

                   
F Hn.

              
     
         
B♭ Tpt.



        
Timp.

C. Clar.

Bom. Conc.         

        


      
Plat.

     


Vln. I

  
 


 
 
           

 


   
                  
Vln. II

 
Vla.

    
   
     
   
    
Vc.

  
Cb.
    
17

112         

1. 2.

         
              
Picc.

   

    
             
Fl.

       

     
          
Ob.

        
       
B♭ Cl.


         
Sax. A.


 
                   
Bsn.

      

                   
  
F Hn.

        

         
B♭ Tpt.

  
       
Timp.

        
C. Clar.

        
Bom. Conc.

        
             
Plat.


    

          
Vln. I

            
 
           
 
Vln. II

                     
    
Vla.

    
 

   
 
    

        
Vc.

            
Cb.
   
18

119          

Allegro

              
Picc.

      

 
Fl.

    
   
 
       
Ob.

            

        
B♭ Cl.

           
 

         
Sax. A.

  
  

Bsn.

                
     
 

                 
 
F Hn.


         

          
B♭ Tpt.

 
         
Timp.

         
C. Clar.

         
Bom. Conc.


      
         
Plat.

          
   
Vln. I

        
      
       
Vln. II

                   

Vla.

         
                
arco


 
      
           
Vc.


 

Cb.
19

128         

         
Picc.


       
Fl.

       
      
Ob.

         

   
           
  
B♭ Cl.

 
   
Sax. A.

    
      
 
Bsn.

                         


                   
  
F Hn.

        

         
B♭ Tpt.



        
Timp.

C. Clar.

Bom. Conc.         
        

    
    
Plat.

         

 
Vln. I

      
   
 


 

  
            
                
Vln. II

   
           
 
Vla.

   
 
        
         
Vc.

Cb.
 
20

136 
       
         
              
Picc.




           
Fl.

 
   
               
Ob.

  
            
      
B♭ Cl.

 



Sax. A.

        

  
                 
Bsn.

          
 
             
 
  
F Hn.

       

        
B♭ Tpt.

 
       
Timp.

C. Clar.

Bom. Conc.        
       

         
             
Plat.



 
Vln. I

   

 
 
        
 
          
   
Vln. II

                
     
Vla.

           
  

 
Vc.

                 
Cb.
    
21

143       

                
Picc.

   

                 
Fl.

  

 
                
Ob.

   
  
          
 
B♭ Cl.

 
  
          
  
Sax. A.

   
 
  
Bsn.

      
   
 




 
  
 
    
            
F Hn.

      

       
B♭ Tpt.



      
Timp.

C. Clar.

Bom. Conc.       
      

     
             
Plat.

 
  
 
Vln. I

   

 

 
 
 
       
  
Vln. II

              
  
Vla.

   

     
    
         
Vc.

      
Cb.
  
22

149   

  
Picc.

  
  
Fl.

  
 
Ob.

   
 
B♭ Cl.

 

    
Sax. A.

  
 
Bsn.

  





 

      
F Hn.

    

  
B♭ Tpt.

   

    
Timp.

C. Clar.

Bom. Conc.     

    

   
Plat.

  

Vln. I

    
 
  
Vln. II

       
  
Vla.

   
 
   
Vc.

  
Cb.
  
Flauta piccolo Pirogov
Vals

   
Arr. Marvin Ruiz Dmitri Shostakovich


Allegro

            
    
Moderato Andante Vivace


1. 2.

            
 
                
  
61

      1.           
                   

2.
70


                 

   
     
80

  
     
Vivace

        
Andantino Allegro

 
95
1. 2. 1. 2.
Flutes Pirogov
Vals

    
Arr. Marvin Ruiz Dmitri Shostakovich

            
Moderato

   
Andante


 
                       
   
Allegro


22

         
                  
46

          
                    
Vivace

  
55 1. 2.


                 1.     
                 

64

                     
    
2.

 
74

 
    
         
          
        
87

2.         
Vivace

                
Andantino

     

1.


98


               
       
          
1. 2.

 
112
Allegro




        
   
                
  
122
2

                                
     
142
Oboes Pirogov
Vals

  
             
Arr. Marvin Ruiz Dmitri Shostakovich


         

Moderato

  

              
      
Andante

    
10

   
 
        
Allegro

  
     
22


     
    
        

39



                      1.    
       
52 2.

    
                              

60 Vivace


     1.     
                                   

68



                         
       
77
2.


     

        
                      
   
89

              
Vivace

          
Andantino

  
1. 2.

 
99


2

                 
         


1. 2.

 
113 Allegro

    
    
          
 
127

                                
     
142
Clarinets in B♭ Pirogov
Vals

   
Arr. Marvin Ruiz Dmitri Shostakovich

    
Allegro

                 
Moderato Andante


       
          
           
29

             
            
           
41

          
 1.     
      

     
52 2. Vivace


                         
   
61

 
           1.                  2.   
  
69


               
         
       
78


               1.
   
                     
90

                   
Vivace
Andantino

    
2.

 
101


   

                            
1. 2.
115 Allegro


2

   
                         
127

     
                        
             
139

  
  
148
Saxofón Alto Pirogov

  
Vals

               
Arr. Marvin Ruiz Dmitri Shostakovich

    
      
Moderato


        
                 
Andante


10

   
 


 
                     
Allegro


22

     
                         

38

 
                           
           
50 1. 2. Vivace

                 1.     
                      
67

      
                  
   
             
76
2.

 
          
            
    

   
89

         
              
Vivace

  
Allegro


Andantino


99
1. 2. 1. 2.


            
                

124
                  
2

        
  

  
136

      
      

 
 
146
Bassoons Pirogov
Vals

    
                   
Arr. Marvin Ruiz Dmitri Shostakovich

      
Moderato Andante



  
   
   
    
  
Allegro

           
23


            
 
     

42

                
                  
Vivace


56
1. 2.


                       1.     
                   

65

                       
                            
2.


74

 
    
                     

83

   
 1.  2.
Vivace

         
    
Andantino

   
 
93

 
 1. 2.   
     
       
Allegro

  
108


             
       
 
134
2

       

148
Horns in F Pirogov
Vals

 
Arr. Marvin Ruiz Dmitri Shostakovich

 
Allegro

                   
Moderato Andante

      
  
                     


30 
                                

                                

41 
                                   

                          
  

52   
         
                     
1. 2. Vivace


             
                


62 
                              

                               

72  1. 
  
                             
2.


           
                   

2

86  
                        
   
 
       
                   

99 
Vivace

                               
Andantino

  
1. 2.


                           
   

109 
                                 
       
1. 2.

                                 

119  Allegro
                                

                    
   

130 
                                 

                             
 

140            
           
    
      
                            
 
Trumpets in B♭ Pirogov
Vals

    
Arr. Marvin Ruiz Dmitri Shostakovich


          
Allegro

   
Moderato Andante Vivace
1. 2.


  
 
                         
    
62

                    2.           
       
71 1.

    

    
                     
80
1.


Vivace

     
      
Andantino

             
101
2. 1. 2.



   
118 Allegro
Timpani Pirogov
Vals

   
Arr. Marvin Ruiz Dmitri Shostakovich
Allegro

                  
Moderato Andante


1. 2.

                                 

60 Vivace

  
                      
     
71 1. 2.

 

  
Vivace

                    
Andantino

 
87
1. 2.


        

116
1. 2. Allegro
Caja de concierto Pirogov
Vals

       2.
Arr. Marvin Ruiz Dmitri Shostakovich

            
Allegro
Moderato Andante 1. Vivace

                      
64
1.

                            
Andantino
75
2. 1. 2.

          
102
Vivace 1. 2. Allegro
Bombo de concierto Pirogov
Vals

       2. Vivace
     2. 
Arr. Marvin Ruiz Dmitri Shostakovich

 
Allegro
Moderato Andante 1. 1.

                      
Andantino
82
1. 2.

  

          
102
Vivace 1. 2. Allegro
Platillos Pirogov
Vals

       2. Vivace
     2. 
Arr. Marvin Ruiz Dmitri Shostakovich

 
Allegro
Moderato Andante 1. 1.

Vivace

                    1.  2.    
Andantino
82
1.

      
117
2. Allegro
Violin I Pirogov
Vals

  
Arr. Marvin Ruiz Dmitri Shostakovich
Allegro

                  
   
Moderato Andante

 

   
                 
     

35

 

                                     
      
47

             
                 
    
Vivace

    
56 1. 2.


                    1.     
             
        

65

                          
                       
2.

  
74

 
 
           
  
      
 
   
     
83


                           
       
      
92

 
         
Vivace

  
 
Andantino

    
1. 2.

 
100


             
               
1. 2.

  
Allegro

 
114


2

   
                
       
125

 

       
                  
137

        
 
      
  
146
Violin II Pirogov
Vals

 
Arr. Marvin Ruiz Dmitri Shostakovich
Allegro


          
       
Moderato Andante

      
 
              
 

 






30

      

                      
40

                   
              
            
Vivace

    
51
1. 2.

     

                     
61

        

      
             
  
71

         
1. 2.


        
              
82

    
         
                           
91
1.

 Vivace      
     
            
Andantino

           
101
2.

                 
   
                               
111
1. 2. Allegro

    
2

 
                 
 

 




121

      


                     
131

                   

                
   
141

      
Viola Pirogov
Vals

 
Arr. Marvin Ruiz Dmitri Shostakovich
Allegro

                          
Moderato Andante

                                
30

 
                          
41

                                
52
1. 2. Vivace

                               
62


                    
    

72
1. 2.



                              
  
82

                                  
91
1.

 Vivace

                                   
Andantino
101
2.


                          
111
1. 2. Allegro


2

                                
121

                                
132

                       
143
Violoncello Pirogov
Vals

      
Arr. Marvin Ruiz Dmitri Shostakovich

       
Allegro

           
Moderato Andante arco


pizz.


       
                   
 
31

    
                     
        
42


          
                  
Vivace

 
54

 
1. 2.


                            
                  

63


                 2.          
 
                     
    
   
 
1.


72



         
       
          
81

  

  
                
90

  
 2. 
Vivace

    
    
Andantino

       
   
100 1.

   
         
 
Allegro

                   
arco

   
112
1. 2.

  
  
2

                   
      
  
124


                         
      
136

        
 
148


Contrabasses Pirogov
Vals

 
Arr. Marvin Ruiz Dmitri Shostakovich
Allegro

                         
Moderato Andante


                      

30

                              
    
41

                                  
 
52
1. 2. Vivace

                            
     
63
1.

    
                      
      
74
2.


     
     
             
    
84

 Vivace

                         
Andantino

       
94 1. 2.


                      
          
105
1.

                               

117
2. Allegro


2

                                  

128

                     
     
139

    

150

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