B-Bender

A B-Bender is a guitar accessory that enables a player

B-Bender
to fluidly alter the pitch of a guitar's B-string. This
works by mechanically bending the B-string through
the use of a series of levers and/or pulleys attached to
an external lever that is controlled by the player.

There are several different designs, but all use levers or

pulleys inside or outside the guitar body that are
activated by a pull or push of the guitar neck, body, or
bridge. The resulting tone sounds much like a pedal
steel guitar and contributes a "country" feeling. The
original device, named the "Pull-String" or Fig.A The first B-Bender was the
"StringBender" in various iterations, was designed, Parsons/White Pull-String
built, and installed by musicians Gene Parsons and Other instrument
Clarence White, and as such the device is sometimes Classification Guitar accessory
called the "Parsons-White B-Bender". Parsons licensed
Inventor(s) Gene Parsons and Clarence
the device for use by several electric guitar
White
manufacturers, but the bulk of the first decade and a
half of production was done by Parsons himself, Developed 1968
building and installing an estimated 2000 kits before Playing range
he outsourced the production and installation to other A minor third
companies.

Originally designed for the Fender Telecaster, B-Benders are now available to fit many solid body electric
guitars, and even acoustic guitars.

Guitar solo using a B-Bender

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On this 1969 recording of "Tulsa County Blue" by The Byrds, guitarist Clarence White plays a
Telecaster equipped with a B-Bender device.

Problems playing this file? See media help.

History
The B-Bender was invented in 1968 by musicians Gene Parsons and Clarence White of Nashville West
and The Byrds. The device was originally called the Parsons/White Pull-String, later renamed the
StringBender, and is now best known as the B-Bender. Early prototypes developed by Parsons (a
machinist as well as a drummer) included multiple bending devices for the E, B, G and D strings, but
guitarist White decided he preferred a single B string bender in the final design.[1] The B string is bent up
a full tone by pulling the guitar neck down. This applies tension in the strap, which is attached to a
spring-loaded lever at the base of the neck. The lever arm passes through the body of the guitar and is
connected to the B string behind the bridge (Figure A).[2] White's 1956 Telecaster with the original Pull-
String is now owned and regularly played by Marty Stuart, who bought it from White's widow.[3]

Another early maker and user of the Pull-String was Bob Warford, a friend and Kentucky Colonels
bandmate of White's who also played guitar with Linda Ronstadt and The Everly Brothers. Warford made
his own Pull-String in early 1968 based on the Parsons/White design, with their consent, and installed it
in his Telecaster.[1] Later that year, Parsons and White licensed the StringBender to Leo Fender at Fender
Musical Instruments Corporation. Fender revised the design to simplify mass production and developed a
prototype.[4] However, this model never went into production. Parsons and White subsequently licensed
their design to Dave Evans, who had heard about the device and had been experimenting with his own
models. Evans built and sold a version of the Pull-String from 1969 to 1973. His customers included
Albert Lee, John Beland (guitarist for Linda Ronstadt) and Eagles guitarist Bernie Leadon, who played
his Evans Pull-String on "Peaceful Easy Feeling".[5]

In 1973 Parsons started making and installing the Pull-String himself, and renamed it the StringBender.
He eventually made as many as 2,000 custom installations for guitarists including Ronnie Wood of The
Rolling Stones. Harold Matlin of Matlin Guitars built one for Jimmy Page of Led Zeppelin. Parsons also
supplied several hundred StringBender kits to Japanese guitar manufacturer Tokai Gakki. In 1989, when
demand overtook his production capacity, Parsons partnered with Meridian Green to outsource the
production of the kits, develop a network of authorized installation shops and write an instruction manual
for the installers.[6] Green also approached Fender again, and the Fender Custom Shop began producing a
Clarence White signature model custom Telecaster equipped with the Parsons/White StringBender.
Around 200 were produced, and based on this success, Fender decided to mass-produce a similar model
and call it the B-Bender. Parsons and Green revised the design again, and in 1996 Fender began
production of the Nashville B-Bender Telecaster incorporating the Parsons/Green StringBender.

Shortly after Clarence White was killed by a drunk driver while loading equipment into his van with his
brother Roland after a gig, Richard Bowden, former Linda Ronstadt and Dan Folgelberg guitarist, joined
Roger McGuinn's post-Byrds organization and Bowden created his own B-Bender. Being a Gibson player
and with String Benders only available for Telecasters, Bowden created a non-defacing palm pedal that
attached to the standard Gibson-style stop-bar tail piece. He leased his patent to Gibson, who turned it
over to Epiphone for production. Due to manufacturing flaws, Epiphone discontinued production when
their patent lease expired after ten years. Bowden now manufactures his device in his own custom shop
and has expanded his designs to also fit on Telecasters, G&L ASAT Tribute Specials, and Stratocasters, as
well as many acoustic guitars.[1]

Variations
Another type of B-Bender is activated by the picking hand, like the Bigsby vibrato tailpiece. Unlike the
Parsons/White model, this type does not require any structural modifications to the guitar body and is
simply installed with a few screws. Examples are the Bigsby Palm Pedal, the Bowden B Bender (non-
defacing to guitar - inventor, Richard Bowden), the Hipshot Palm Lever, and the Duesenberg Guitars
Multibender. Each of these can bend multiple strings using different levers.
 The Hipshot B-Bender, developed by David Borisoff, also
mounts to the tailpiece end of the guitar without requiring any
modifications. A lever extends behind the guitar and rests
against the player's body. The bender is activated by moving
the whole guitar against the player's body.[7] The Hipshot is
used by Will Ray of the Hellecasters. While this version
bends the string up, James Hennessey developed a version
that can bend the string either up or down, although mounting
it requires modification of the guitar body (Figure B.)[8]

Fig. B The Hennessey model bends a

string both up and down

The same type of mechanics can be applied to other

strings besides the B, with the G string being the most
common. Brad Paisley is a well-known proponent of Fig. C The Glaser design bends one, two or three
the "G-Bender" and uses a model from Charlie strings independently
McVay. "Double Benders" can bend both the B and G
strings independently. The B string pull operates like
the Parsons/White design, by pushing the neck down against the strap. The G string pull uses a push-
away motion of the neck and depends on a lanyard attached to the player's belt.

A variation developed by Joseph Glaser can bend up to three different strings independently. Like the
Double Benders, Glaser's design uses a downward pull of the guitar neck to bend one string and a push-
away against a belt lanyard to bend a second string. The third string bend (such as the low E string) uses a
backward pull of the neck toward the player's body (see Figure C.)[9] Jimmy Olander of Diamond Rio has
Glaser Double-Benders (B & G) in his instruments, with the G string activated by his shoulder strap and
the B string by a belt lanyard.[10] Unlike most bender players, Olander uses them more for stylistic
enhancement than for a steel guitar sound. Other notable users of Glaser benders include Dan Schafer,
Ricky Skaggs, Keith Richards and Mick Taylor.[1]

Footnotes
1. Driscoll, Edward; Forte, Dan (April 2004), "Parsons-White String Bender" (https://web.archiv
e.org/web/20090615032804/http://www.vintageguitar.com/features/brands/details.asp?AID=
1179), Vintage Guitar Magazine, vol. 18, no. 6, archived from the original (http://www.vintag
eguitar.com/features/brands/details.asp?AID=1179) on June 15, 2009, retrieved October 5,
2008
 2. US 3512443 (https://worldwide.espacenet.com/textdoc?DB=EPODOC&IDX=US3512443),
Parsons, Gene & Black, Clarence, "Shoulder Strap Control for String Instruments",
published 1968, issued 1970.
3. Russell, Rusty (April 2004), " "Clarence": The Granddaddy of Bender Guitars" (http://www.m
artystuart.com/zArt-VintageGuitar4-04.htm), Vintage Guitar Magazine, vol. 18, no. 6
4. US 3686993 (https://worldwide.espacenet.com/textdoc?DB=EPODOC&IDX=US3686993),
Fender, Clarence, "Shoulder Strap-Operated Pitch-Changing Means for Spanish Guitars",
published 1971, issued 1972.
5. Evans, Dave (May 4, 2008), History of the Evans Pull-String (https://web.archive.org/web/20
090312062748/http://evanspullstring.com/), archived from the original (http://evanspullstring.
com/) on March 12, 2009, retrieved November 15, 2009
6. Parsons, Gene, StringBender: The History of the Third Hand (https://web.archive.org/web/2
0120224032621/http://www.stringbender.com/bender/history.php), archived from the original
(http://www.stringbender.com/bender/history.php) on February 24, 2012, retrieved May 24,
2009
7. US 4535670 (https://worldwide.espacenet.com/textdoc?DB=EPODOC&IDX=US4535670),
Borisoff, David, "String bender attachment construction", published 1984, issued 1985.
8. US 4658693 (https://worldwide.espacenet.com/textdoc?DB=EPODOC&IDX=US4658693),
Hennessey, James, "Rear Operated Control Device for Guitar", published 1986, issued
1987.
9. US 4354417 (https://worldwide.espacenet.com/textdoc?DB=EPODOC&IDX=US4354417),
Glaser II, Joseph, "Tone changer for stringed instrument", published 1981, issued 1982.
10. Lee, Guy (June 2001), "Jimmy Olander: From Banjo to B-bender" (http://www.vintageguitar.
com/features/artists/details.asp?AID=2101), Vintage Guitar Magazine

Further reading
Owens, Jeff (2018). "Pitch Perfect: A History of the B-Bender" (https://www.fender.com/articl
es/gear/pitch-perfect-a-history-of-the-b-bender). Fender. Retrieved March 23, 2019.

External links
Photos of a disassembled B-Bender Telecaster (http://www.pbase.com/jroy/inside_clarence_
whites_telecaster)

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