9399490-LOST SPRING QN BANK rev 2023
9399490-LOST SPRING QN BANK rev 2023
9399490-LOST SPRING QN BANK rev 2023
2. Through the years rag picking has acquired the ‘proportion of a fine art’
in Seemapuri. Justify the statement.
Ans. The means of survival of the migrants of Bangladesh in Seemapuri is rag
picking. Garbage to them is gold. Like a fine art that has no end in appealing to the
sense of beauty, the rag pickers scrounging the garbage is a never ending process
which provides them their daily bread day after day.
3. Does rag picking mean the same thing for parents and children? Give
reasons for your answer.
Ans. No, rag picking is not the same for parents and children. For the elders, rag-
picking is a necessary evil-the only means of survival as it provides them their daily
bread. On the other hand, the children view the garbage as a mine of gold. They
marvel at what they might find in the garbage dumps. A chance finding of a
currency note or a coin thrills them beyond imagination and provides them hope of
finding more.
6. What is Saheb looking for in the garbage dumps? Where is he and where
has he come from?
Ans. Unlike his parents who sifted through the garbage dumps for their survival,
Saheb took it to be a treasure trove, wondrous and magical. He sometimes chanced
upon a coin and hoped to find more. He was not only looking for the yellow metal
but anything valuable like money, clothes, shoes, etc.
He lived in Seepapuri . He had come from Bangladesh in 1971.
7. What explanations does the author offer for the children not wearing
footwear?
Ans. The author disagreed with the usual explanation that is offered for the
children going barefoot as a part of tradition. She felt it was only an excuse for the
lack of money. They could not afford shoes as they lived in ‘a perpetual state of
poverty’.
14. Why does the author describe children of the slums as partners in
survival?
Ans. Children in Seemapuri are offsprings of homeless rag pikers. Due to extreme
poverty , their parents are unable to provide for them and so they end up picking
rags at an early age for their survival and as support to their families.
15. How does Mukesh’s grandmother view the family occupation of bangle
making and its poverty?
Ans. She views it as the destiny of her family members. Her husband’s blindness,
their misfortune and impoverished condition – she feels, are ordained by destiny.
Years of deprivation and suffering have made her accept everything stoically in the
name of karma or fate.
16. How has being born in the caste of bangle makers become both a
destiny and a curse?
Ans. Many people in India follow a rigid caste system. Being born in a caste of
bangle makers in the city of Firozabad is both a destiny and a curse. By virtue of
their birth, extreme poverty, lack of education and opportunity, they have taken up
the profession of bangle making at an early age. Their destiny becomes a curse as
once in this profession, they’re in the grip of a vicious circle. All doors close on them
and in a short span of time they end up losing their spirit as well as their eyesight.
17. Describe the atmosphere in glass furnaces. How can working there
affect the young children?
Ans. Glass furnaces of Firozabad are ill-lit, ill-ventilated, unhygienic and dingy
hovels. Working for long hours in these hot furnaces with high temperatures bends
the backs of young children, leads to loss of vision at an early age and makes them
old before their time.
Bangles – red, green, blue, yellow etc. are a symbol of ‘suhaag’ and
auspiciousness in marriage in our country since centuries. In today’s world,
they are also a fashion statement for the young and old women alike. These
glass bangles of varied hues adorning a woman’s wrist provide not only a
visual treat but also music of their own. These bangles spread joy and
happiness in the lives of women. But ironically little do these women realize
that the makers of these beautiful bangles themselves lead a miserable life.
After nearly 60 years of independence, Firozabad, the hub of the bangle
industry is an underdeveloped, backward town with neither any infra-
structure nor basic amenities. The town resembles a dumping ground. The
glass furnaces where workers make bangles are ill-lit and ill-ventilated,
dingy hovels with high temperatures. People here do not even get one frugal
meal a day. To add to the misery, all of them lose their eyesight at a young
age and live in a dark world for the rest of their lives.
The lesson ‘Lost Spring’ describes the apathy of the bangle-makers on two
planes.
Firstly, it is the plight of the street children forced into labour early in life
and denied the opportunity of studying in schools. Secondly, the glass
industry has its own hazards. The employment of very young children in the
pathetic working conditions is illegal. Over and above, it is the apathy and
callousness of society and the political class to the sufferings of the poor that
makes us sympathetic towards these bangle makers. They work in glass
furnaces with high temperatures. Their dingy cells have no light, no
ventilation. Children work in these extreme conditions while welding pieces
of coloured glass to make bangles. Their eyes are more adjusted to the dark
than to the light outside. They often lose their eyesight at a young age.
The other reason for which the poverty stricken bangle makers suffer is
because of the exploitation at the hands of the middlemen and politicians.
They do not work to bring an improvement in their conditions, instead they
get brutally beaten up by the police. They are unable to organize themselves.
Hence, their life is full of sufferings both physical and emotional.
3. “But promises like mine abound in every corner of his bleak world.”
What does the writer mean?
The writer, Anees Jung, met Saheb every morning looking for money in the
garbage. Saheb confessed that he scrounged the rubbish heaps as he had
nothing better to do. He longed to go to school but there was not one in the
neighbourhood. When Anees asked him casually that if she started a school,
would he join, he consented very gladly. In fact, he was so enamoured with
the idea that a few days later he asked her if her school was ready. Anees
was embarrassed at having made a promise that she was not serious about.
She felt that most people made promises to children like him that were never
fulfilled.