80% found this document useful (5 votes)
456 views27 pages

PDF How To Win Friends and Influence People Download

Win

Uploaded by

faedoombuh
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
80% found this document useful (5 votes)
456 views27 pages

PDF How To Win Friends and Influence People Download

Win

Uploaded by

faedoombuh
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 27

Download the full version of the ebook now at ebookgrade.

com

How to Win Friends and Influence People

https://ebookgrade.com/product/how-to-win-friends-
and-influence-people-2/

Explore and download more ebook at https://ebookgrade.com


Recommended digital products (PDF, EPUB, MOBI) that
you can download immediately if you are interested.

How to Win Friends and Influence People

https://ebookgrade.com/product/how-to-win-friends-and-influence-
people/

ebookgrade.com

How to Win Friends and Influence People

https://ebookgrade.com/product/how-to-win-friends-and-influence-
people-2/

ebookgrade.com

How To Win Friends and Influence People Dale Carnegie

https://ebookgrade.com/product/how-to-win-friends-and-influence-
people-dale-carnegie/

ebookgrade.com

How to Win Friends and Influence People in the Digital Age

https://ebookgrade.com/product/how-to-win-friends-and-influence-
people-in-the-digital-age/

ebookgrade.com
How to Win Friends and Influence People in the Digital Age
Dale Carnegie & Associates

https://ebookgrade.com/product/how-to-win-friends-and-influence-
people-in-the-digital-age-dale-carnegie-associates/

ebookgrade.com

Scoring Points How Tesco Continues to Win Customer Loyalty

https://ebookgrade.com/product/scoring-points-how-tesco-continues-to-
win-customer-loyalty/

ebookgrade.com

Art of Digital Persuasion How The World's Most Innovative


Branre Using New Technologies To Influence People The Jeff
Hasen
https://ebookgrade.com/product/art-of-digital-persuasion-how-the-
worlds-most-innovative-branre-using-new-technologies-to-influence-
people-the-jeff-hasen/
ebookgrade.com

How to Win Every Argument The Use and Abuse of Logic 2nd
Madsen Pirie

https://ebookgrade.com/product/how-to-win-every-argument-the-use-and-
abuse-of-logic-2nd-madsen-pirie/

ebookgrade.com
Other documents randomly have
different content
Moreover, his plane was still in Washington, although he was
scheduled to fly it to St. Louis for the week-end.
The City of New York gave Lindbergh a dinner of some 4000 guests
at the Hotel Commodore. It was there that Mr. Hughes spoke the
following unique tribute:
“When a young man, slim and silent, can hop overnight to Paris and
then in the morning telephone his greetings to his mother in Detroit;
when millions throughout the length and breadth of this land and
over sea through the mysterious waves, which have been taught to
obey our command, can listen to the voice of the President of the
United States according honors for that achievement, honors which
are but a faint reflection of the affection and esteem cherished in the
hearts of the countryman of the West who distinguished America by
that flight, then indeed is the day that hath no bother; then is the
most marvelous day that this old earth has ever known.
“We measure heroes as we do ships by their displacement. Colonel
Lindbergh has displaced everything. His displacement is beyond all
calculation. He fills all our thought; he has displaced politics,
Governor Smith.
“For the time being, he has lifted us into the freer and upper air that
is his home. He has displaced everything that is petty; that is sordid;
that is vulgar. What is money in the presence of Charles A.
Lindbergh?
“What is the pleasure of the idler in the presence of this supreme
victor of intelligence and industry? He has driven the sensation
mongers out of the temples of our thought. He has kindled anew the
fires on the eight ancient altars of that temple. Where are the stories
of crime, of divorce, of the triangles that are never equalateral? For
the moment we have forgotten. This is the happiest day, the
happiest day of all days for America, and as one mind she is now
intent upon the noblest and the best. America is picturing to herself
youth with the highest aims, with courage unsurpassed; science
victorious. Last and not least, motherhood, with her loveliest crown.
“We may have brought peoples together. This flight may have been
the messenger of good-will, but good-will for its beneficent effects
depends upon the character of those who cherish it.
“We are all better men and women because of this exhibition in this
flight of our young friend. Our boys and girls have before them a
stirring, inspiring vision of real manhood. What a wonderful thing it
is to live in a time when science and character join hands to lift up
humanity with a vision of its own dignity.
“There is again revealed to us, with a startling suddenness, the
inexhaustible resources of our national wealth. From an unspoiled
home, with its traditions of industry, of frugality and honor, steps
swiftly into our gaze this young man, showing us the unmeasured
treasures in our minds of American character.
“America is fortunate in her heroes; her soul feeds upon their deeds;
her imagination revels in their achievements. There are those who
would rob them of something of their lustre, but no one can debunk
Lindbergh, for there is no bunk about him. He represents to us,
fellow-Americans, all that we wish—a young American at his best.”
Only by reducing this record to catalog form could it possibly be
made to include a fully detailed description of Lindbergh’s four
amazing days in New York. Every night there was a banquet. Every
day there was a festive lunch. Not hundreds, but thousands
attended these entertainments; and at the speaker’s table there
always sat distinguished men whose names were household words
among Americans.
Lindbergh spoke at every banquet. Recurrently he paid gracious
thanks to those who had helped make his visit such a gorgeous
success; he usually ended by speaking on behalf of aviation, the
welfare of which he never forgot even in the most crowded moments
of his days.
The Merchants’ Association gave him a gigantic luncheon. The
Aeronautical Chamber of Commerce entertained him at a banquet
that filled to overflowing the famous ball room of the Waldorf.
On Wednesday night he gave an exhibition of his endurance that
once more reminded the world it was fêting no ordinary hero. After
dining on Rodman Wanamaker’s yacht and seeing a special
performance of a light opera, Lindbergh attended a charity benefit at
one of the big theatres. About 1:30 a.m. he escaped through a back
door and hurried to Mitchel field. Although still in his evening clothes
he borrowed a helmet and hopped off for Washington at 3:05 a.m. By
7:30 a.m. he was back in New York with his own plane.
His last day was too crowded for him to take a nap after his
sleepless night. He went to Brooklyn where above a million people
gave him another moving welcome. He kept a public luncheon date.
He attended a large tea and reception at the Waldorf Hotel where
Raymond Orteig presented him with the $25,000 prize that had long
stood for the first flight from New York to Paris. At eight, a little tired
but still as fresh looking as ever, he followed Charles Schwab in
speaking before a massed aviation banquet that included many
leading pilots of the world.
© Wide World Photos
ST. LOUIS’ WELCOME—LOOKING DOWN WASHINGTON
AVENUE
© Wide World Photos

MY MOTHER
VI
ST. LOUIS

AT 8:17 a.m., Friday June 17th, Lindbergh hopped off in his plane for
St. Louis. At Paterson he passed over the plant of the Wright
Aeronautical Corporation where had been built the motor that had
taken him across the Atlantic. At 11:16 he reached Columbus, Ohio.
At Dayton he was joined by an escort of thirty fast Army planes.
They took-off from the field where the old hangar of Orville and
Wilbur Wright still stands.
About 5 p.m. he approached St. Louis in a wet fog. He dropped lower
and circled the city. As at New York the sky was dotted with planes.
Streets and house tops were massed with people. As he landed at
Lambert Field a cordon of troops protected him from the eager
crowds.
For the evening he managed to escape to the home of a friend
where he got a little much-needed rest, though reporters and
business solicitors still swarmed about him. Saturday morning came
the huge city parade with luncheon and banquet to follow. Sunday
he gave an exhibition flight over the old World’s Fair grounds. Not an
hour, scarcely a waking minute, was he free from demands upon his
time and attention.
By this time his mail had exceeded the wildest imagination. It was
estimated that more than 2,000,000 letters and several hundred
thousand telegrams were sent him. He gave out the following
statement:
“To the Press: As an air mail pilot I deeply appreciate the sentiment
which actuated my countrymen to welcome me home by ‘air mail,’
and regret only that I have no way in which to acknowledge
individually every one of the tens of thousands of ‘air mail’ greetings
I have received, for my heart is in the ‘air mail’ service, and I would
like to help keep alive the air-consciousness of America which my
good fortune may have helped to awaken.”
By this time statisticians began to get busy. One official association
estimated that the tremendous increase of interest in flying
developed by Lindbergh’s feat caused publications in the United
States to use 25,000 tons of newsprint in addition to their usual
consumption.
Roughly 5,000 poems were believed to have been written to
commemorate the first New York to Paris flight. A town was named
“Lindbergh.” Scores of babies were reported christened after the
flier. An enormous impetus was given the use of air mail.
Inspired editorials were written in every part of the civilized world.
The following from the New York Times suitably completes this very
superficial record of the early Lindbergh welcome by mankind:
“Such a man is one in a host. In treating of the psychology of those
who adore Lindbergh it must first be set down that he has the
qualities of heart and head that all of us would like to possess. When
he left Newfoundland behind, the dauntless fellow seemed to have a
rendezvous with Death, but his point of view was that he had an
engagement in Paris. Two gallant Frenchmen had lost their lives, it
was believed, in an attempt to fly across the Atlantic to the United
States. An American, unknown to fame, in whom no one but himself
believed, made the passage smoothly, swiftly and surely, traveling
alone and almost unheralded. From New York to Paris, without a
hand to clasp or a face to look into, was a deed to lose one’s head
over. And that’s what everybody in France, Belgium and England
proceeded to do.
“After all, the greater was behind—the young fellow’s keeping his
own head when millions hailed him as hero, when all the women lost
their hearts to him, and when decorations were pinned on his coat
by admiring Governments. Lindbergh had the world at his feet, and
he blushed like a girl! A more modest bearing, a more unaffected
presence, a manlier, kindlier, simpler character no idol of the
multitude ever displayed. Never was America prouder of a son.”
The End
TRANSCRIBER’S NOTES:
Obvious typographical errors have been corrected.
Inconsistencies in hyphenation have been
standardized.
Archaic or variant spelling has been retained.
*** END OF THE PROJECT GUTENBERG EBOOK "WE" ***

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S.


copyright law means that no one owns a United States copyright in
these works, so the Foundation (and you!) can copy and distribute it
in the United States without permission and without paying
copyright royalties. Special rules, set forth in the General Terms of
Use part of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything
for copies of this eBook, complying with the trademark license is
very easy. You may use this eBook for nearly any purpose such as
creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given
away—you may do practically ANYTHING in the United States with
eBooks not protected by U.S. copyright law. Redistribution is subject
to the trademark license, especially commercial redistribution.

START: FULL LICENSE


THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free


distribution of electronic works, by using or distributing this work (or
any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and


Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree
to and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be
bound by the terms of this agreement, you may obtain a refund
from the person or entity to whom you paid the fee as set forth in
paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be


used on or associated in any way with an electronic work by people
who agree to be bound by the terms of this agreement. There are a
few things that you can do with most Project Gutenberg™ electronic
works even without complying with the full terms of this agreement.
See paragraph 1.C below. There are a lot of things you can do with
Project Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project
Gutenberg™ electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the
collection of Project Gutenberg™ electronic works. Nearly all the
individual works in the collection are in the public domain in the
United States. If an individual work is unprotected by copyright law
in the United States and you are located in the United States, we do
not claim a right to prevent you from copying, distributing,
performing, displaying or creating derivative works based on the
work as long as all references to Project Gutenberg are removed. Of
course, we hope that you will support the Project Gutenberg™
mission of promoting free access to electronic works by freely
sharing Project Gutenberg™ works in compliance with the terms of
this agreement for keeping the Project Gutenberg™ name associated
with the work. You can easily comply with the terms of this
agreement by keeping this work in the same format with its attached
full Project Gutenberg™ License when you share it without charge
with others.

1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside the
United States, check the laws of your country in addition to the
terms of this agreement before downloading, copying, displaying,
performing, distributing or creating derivative works based on this
work or any other Project Gutenberg™ work. The Foundation makes
no representations concerning the copyright status of any work in
any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other


immediate access to, the full Project Gutenberg™ License must
appear prominently whenever any copy of a Project Gutenberg™
work (any work on which the phrase “Project Gutenberg” appears,
or with which the phrase “Project Gutenberg” is associated) is
accessed, displayed, performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United
States and most other parts of the world at no cost and with
almost no restrictions whatsoever. You may copy it, give it away
or re-use it under the terms of the Project Gutenberg License
included with this eBook or online at www.gutenberg.org. If you
are not located in the United States, you will have to check the
laws of the country where you are located before using this
eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived


from texts not protected by U.S. copyright law (does not contain a
notice indicating that it is posted with permission of the copyright
holder), the work can be copied and distributed to anyone in the
United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must
comply either with the requirements of paragraphs 1.E.1 through
1.E.7 or obtain permission for the use of the work and the Project
Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted


with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works posted
with the permission of the copyright holder found at the beginning
of this work.

1.E.4. Do not unlink or detach or remove the full Project


Gutenberg™ License terms from this work, or any files containing a
part of this work or any other work associated with Project
Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this


electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1
with active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if you
provide access to or distribute copies of a Project Gutenberg™ work
in a format other than “Plain Vanilla ASCII” or other format used in
the official version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or
expense to the user, provide a copy, a means of exporting a copy, or
a means of obtaining a copy upon request, of the work in its original
“Plain Vanilla ASCII” or other form. Any alternate format must
include the full Project Gutenberg™ License as specified in
paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,


performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing


access to or distributing Project Gutenberg™ electronic works
provided that:

• You pay a royalty fee of 20% of the gross profits you derive
from the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
about donations to the Project Gutenberg Literary Archive
Foundation.”

• You provide a full refund of any money paid by a user who


notifies you in writing (or by e-mail) within 30 days of receipt
that s/he does not agree to the terms of the full Project
Gutenberg™ License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of


any money paid for a work or a replacement copy, if a defect in
the electronic work is discovered and reported to you within 90
days of receipt of the work.

• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™


electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend


considerable effort to identify, do copyright research on, transcribe
and proofread works not protected by U.S. copyright law in creating
the Project Gutenberg™ collection. Despite these efforts, Project
Gutenberg™ electronic works, and the medium on which they may
be stored, may contain “Defects,” such as, but not limited to,
incomplete, inaccurate or corrupt data, transcription errors, a
copyright or other intellectual property infringement, a defective or
damaged disk or other medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for


the “Right of Replacement or Refund” described in paragraph 1.F.3,
the Project Gutenberg Literary Archive Foundation, the owner of the
Project Gutenberg™ trademark, and any other party distributing a
Project Gutenberg™ electronic work under this agreement, disclaim
all liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR
NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR
BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH
1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK
OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL
NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT,
CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF
YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you


discover a defect in this electronic work within 90 days of receiving
it, you can receive a refund of the money (if any) you paid for it by
sending a written explanation to the person you received the work
from. If you received the work on a physical medium, you must
return the medium with your written explanation. The person or
entity that provided you with the defective work may elect to provide
a replacement copy in lieu of a refund. If you received the work
electronically, the person or entity providing it to you may choose to
give you a second opportunity to receive the work electronically in
lieu of a refund. If the second copy is also defective, you may
demand a refund in writing without further opportunities to fix the
problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED,
INCLUDING BUT NOT LIMITED TO WARRANTIES OF
MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied


warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted
by the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation,


the trademark owner, any agent or employee of the Foundation,
anyone providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with
the production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of the
following which you do or cause to occur: (a) distribution of this or
any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission


of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and
donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the


assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a
secure and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help,
see Sections 3 and 4 and the Foundation information page at
www.gutenberg.org.

Section 3. Information about the Project


Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,


Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to


the Project Gutenberg Literary Archive
Foundation
Project Gutenberg™ depends upon and cannot survive without
widespread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can
be freely distributed in machine-readable form accessible by the
widest array of equipment including outdated equipment. Many
small donations ($1 to $5,000) are particularly important to
maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating


charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and
keep up with these requirements. We do not solicit donations in
locations where we have not received written confirmation of
compliance. To SEND DONATIONS or determine the status of
compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where


we have not met the solicitation requirements, we know of no
prohibition against accepting unsolicited donations from donors in
such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make


any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of
other ways including checks, online payments and credit card
donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About


Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.
Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,


including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how
to subscribe to our email newsletter to hear about new eBooks.

You might also like