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PIVOTAL STUDIES IN
THE GLOBAL AMERICAN LITERARY IMAGINATION
SERIES EDITORS: DANIEL T. O’HARA · DONALD E. PEASE
Immunity’s Sovereignty
and Eighteenth- and
Nineteenth-Century
American Literature
Rick Rodriguez
Pivotal Studies in the Global American
Literary Imagination
Series Editors
Daniel T. O’Hara
Temple University
Philadelphia, PA, USA
Donald E. Pease
Department of English
Dartmouth College
Hanover, NH, USA
This series will present new critical perspectives on the histories and lega-
cies shaping the divergent visions of America in the world within literary
texts. Texts that re-envision America and its relationship to the larger
world, in ways other than exceptionalist, will provide a point of critical
focus for these cutting edge scholarly studies. Using the unique format of
Palgrave Pivot to make an incisive intervention into current scholarship,
the stress in these books will be on how American literary texts have and
continue to contribute to the reformation of the vision of America in the
world from roughly the antebellum period to the present. As “transna-
tional” approaches to scholarly production have become mainstream,
Pivotal Studies in the Global American Literary Imagination considers the
complexities of such an appropriation and, instead, develop alternative
global perspectives.
All American genealogies from the New England preeminence through
the mid-century modern cold war consensus to post-modern dissensus,
transatlantic, global/transnational turns (and counter-turns) would be
tapped and the word “American” in the title will include all of North
America. All critical perspectives would also be welcome, so long as the
focus is on the question of how the texts and subjects discussed bear on
the question of the global American literary imagination. Finally, the
authors will demonstrate how to read their chosen texts, revealing the
ways these new interpretations foster informed critique and revised critical
methods.
Books published within this series should fall within the Pivot length
limits of 25,000–50,000 words.
Immunity’s
Sovereignty and
Eighteenth- and
Nineteenth-Century
American Literature
Rick Rodriguez
Baruch College
New York City, NY, USA
© The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer
Nature Switzerland AG 2019
This work is subject to copyright. All rights are solely and exclusively licensed by the
Publisher, whether the whole or part of the material is concerned, specifically the rights of
translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on
microfilms or in any other physical way, and transmission or information storage and retrieval,
electronic adaptation, computer software, or by similar or dissimilar methodology now
known or hereafter developed.
The use of general descriptive names, registered names, trademarks, service marks, etc. in this
publication does not imply, even in the absence of a specific statement, that such names are
exempt from the relevant protective laws and regulations and therefore free for general use.
The publisher, the authors and the editors are safe to assume that the advice and information
in this book are believed to be true and accurate at the date of publication. Neither the
publisher nor the authors or the editors give a warranty, expressed or implied, with respect to
the material contained herein or for any errors or omissions that may have been made. The
publisher remains neutral with regard to jurisdictional claims in published maps and
institutional affiliations.
This Palgrave Pivot imprint is published by the registered company Springer Nature
Switzerland AG.
The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
Acknowledgments
This project was made possible by the generosity of many people to whom
I’m immensely grateful. At Loyola-Chicago, my cohort at the Americanists
Reading Group brought crazy smarts and great cheer to our meetings,
where many of the ideas for the project initially took shape. My thanks to
John Schlueter, Ann Mattis, Bill Malcuit, Kristen Egan, Zachary Lamm,
Shelly Jarenski, Doug Guerra, and to the crew at Northwestern: Peter
Jaros, Sarah Mesle, Katy Chiles, Sarah Blackwood, and Cole
Hutchison. Chris Castiglia guided the dissertation and encouraged by
example writing for the tenth draft—a practice that continues to inform one
of the things I enjoy most about this profession. Jack Kerkering and Paul
Jay read generously and critically and pushed for clarity and precision.
Carina Pasquesi heard and read the whole thing more than once and
would not let anything slide. I could not have asked for a better interlocu-
tor during those walks. She’s one of a handful of ideal readers I want to
surprise with my work. At Baruch, friends and colleagues helped me navi-
gate the busy life of an assistant professor at CUNY. Michael Staub,
Carmel Jordan, Bill McClellan, Grace Schulman, Harry Brent, John
Brenkman, Peter Hitchcock, Sean O’Toole, Allison Deutermann, and
Stephanie Hershinow shared practical strategies, sage advice, and warm
collegiality. Ana Ramos-Zayas, Matt Eatough, Don Mengay, Tim Aubry,
and Jessica Lang gave generously of their time and read parts of the proj-
ect when it (and I) needed it most. The support and mentoring of my
Department Chair, Jessica Lang, made all the difference, especially in the
final stretch. At Palgrave, Donald Pease, Daniel O’Hara, Allie Troyanos,
and Rachel Jacobe were a delight to work with as the book made its way
v
vi ACKNOWLEDGMENTS
1 Immunity’s Sovereignty 1
Chapter 2: The Haitian Exception 13
Chapter 3: Algerian Captivity and State Autoimmunity 14
Chapter 4: Poe and Democracy’s Biopolitical Immunity 14
Chapter 5: Cuba and the Imperial Solution 15
Chapter 6: Panic Room 16
Works Cited 17
vii
viii CONTENTS
6 Panic Room123
Works Cited 131
Index133
CHAPTER 1
Immunity’s Sovereignty
A sense of their own vulnerability sends the city’s elite rushing to find
shelter in the Prince’s palace, leaving those outside its walls exposed to the
ravages of the plague. Thinking themselves secured against the worst of
the contagion, the city’s well-to-do citizens go on to enjoy their exemp-
tion from risk in an orgy of music, dance, and drink. But their enjoyment
is never free from the anxiety haunting their new intra-mural existence. At
the stroke of midnight the revelers become conscious of their mortality
and fearful that they have walled themselves in with the plague, and before
the Prince or his guests can determine if the palace walls were built high
or thick enough to keep contagion out, one after the other, starting with
the Prince, they all drop dead: “And Darkness and Decay and the Red
Death held illimitable dominion over all” (Poe, “The Masque of the Red
Death: A Fantasy,” 490).
Edgar Allan Poe’s grim fantasy of state immunity is a provocation for
readers to think not just about what is at stake for citizens when the state’s
reaction to an emergency reproduces the lethal conditions that brought
the rationale for immunity into being in the first place, but also, and per-
haps more significantly, what can happen when immunity becomes soci-
ety’s reigning political paradigm. The first of these propositions folds into
the more encompassing logic of the second. In the first instance, immu-
nity is conceived as a reaction determined by the contingencies of emer-
gency situations, of which there may be many in the history of any society,
as well as effective and ineffective state responses to such situations. In the
second, immunity stands in apposite relation to a permanent state of emer-
gency whose now-temporality subsumes the randomness of contingent
crises into a chronic condition demanding permanent state intervention.
“No pestilence,” the story insists, “had ever been so fatal, or so hideous.”
Unique in the scope of its devastation, the plague functions in the story as
an unabated disaster in search of a countervailing agency capable of
addressing the emergency in its totality. As such, Poe’s plague figures not
purely as an external threat but as a negation inhabited by its opposite.
Death meets its Prince in a zone of indiscernibility where distinctions
between inside-outside, culture-nature, life-death, self-nonself, prince-
plague are inscribed into one another. Framed this way, the state of emer-
gency (Red Death) and the sovereign state (Prince) stand not just in
opposition but in dialectical relation to one another, with the two, if not
quite vying for “illimitable dominion,” certainly creating the conditions
that give that specific conclusion a sense of inevitability. This is to say that
if the story can be read as a dramatization of immunity’s lethal dimension,
it can just as well be interpreted—considering the prospect of the plague’s
illimitable reach—as an extended metaphor for the state’s justified deploy-
ment of its powers of immunization under extreme circumstances. Both of
these readings underscore the story’s broader implication that a perma-
nent state of emergency invariably results in immunity becoming society’s
common-sense logic. Under such conditions, ordinary democratic proto-
cols for public deliberation and debate are more likely to be preempted by
the state’s imperative to preserve life, and what’s left of liberty, justice and
politics, at all cost. This is not to say that this line of thought goes unques-
tioned in American culture, then or now, nor that immunity forecloses
1 IMMUNITY’S SOVEREIGNTY 3
a nxiety its end as well as its means. Crisis was the social norm it sought to
inculcate. The future, though divinely assured, was never quite there, and
New England’s Jeremiahs set out to provide the sense of insecurity that
would ensure the outcome. (23)
wars between neighboring states and void of the feudal traditions resulting
in class strife. American society thus imagined itself immunized by the
protection afforded by two oceans and providentially destined to assert
dominion over the continent, if not the hemisphere, as evident, for exam-
ple, in the arc of Walt Whitman’s poetic trajectory across the continent,
“starting from Paumanok” (Long Island) and ending in Mexico, where
the poet’s persona ventriloquizes chants of praise to the agents of
Manifest Destiny:
In the wake of the Cold War, American exceptionalism has lost traction,
more recently with scholars interested in the transnationalization of
American culture. Case in point is Donald Pease’s post-mortem on “the
breakdown of the encompassing state of fantasy called American excep-
tionalism that had regulated U.S. citizens’ relationship to the political
order for the preceding half century” (1). According to Pease,
It is true that, on the one hand the American exceptionalist myth self-de-
structed theoretically during the course of the Vietnam War … and then
again, even more decisively, with George W. Bush’s declaration of the
United States’ unending global War on Terror and the rogue states, like Iraq
and Afghanistan, that harbored terrorists in the aftermath of September 11,
2001, and, on the other, that the multiplication of contrapuntal postcolonial
voices have challenged the American version of the exceptionalist Western
narrative of modern global history…. Despite its theoretical disintegration,
the American exceptionalist ethos continues, after the fall of the Bush
administration, to remain intact as hegemonic “truth.” (81)
Both Pease and Spanos attest to the endurance of the myth of exceptional-
ism as they trace its various incarnations and contradictions to the present
day. In their own ways their work gives credence to Octave Mannoni’s
theory of the fetishist’s formula, which allows the fetishist to persist in his
belief in the face of evidence to the contrary: I know well … (e.g. that
1 IMMUNITY’S SOVEREIGNTY 11
models or genres (i.e. jeremiad, myth) and takes on new ones (fantasy,
spectacle, etc.). In the context of our seemingly never-ending war on ter-
ror, where an ailing foundational myth shows signs of its unexceptionality,
the language and practices of immunity, however, are healthy and flourish-
ing. Crackdowns on illegal immigration, travel bans, the rise in detention
centers and the number of deportations, an increase in protective tariffs
against foreign commerce, and escalation in military armament against
rogue states, all index signs of inoculation from global exchanges and
interactions deemed now excessive and pernicious but once thought nec-
essary for the continued health of the nation-state.
That is to say, immunity, while seeking exemption, thrives on contact,
risk, and potentially contagious relationality. A glance at today’s headlines
might lead one to read Poe’s Red Death as a metaphor for globalization
and the transnational flows of capital, mass migrations, war and terror that
threaten the integrity of local, national, and regional polities. To be sure,
this is not to argue that globalization poses an absolute threat to the nation-
state (there’s no shortage of exceptionalist war-hawks and doves across the
political landscape advocating for neoliberal free trade), but it goes without
saying that globalization’s critics never tire of pointing out its capacities for
weakening the aforementioned polities against its influence. The resur-
gence of nationalism, racism, and ethnocentrism that we have witnessed in
recent years have been read by many as symptoms of what Peter Sloterdijk
calls “the advanced erosion of ethnic container functions.” Framing the
current crisis in immunological terms, Sloterdijk reads the loss of meaning
for the nation-state as part of an immunological transformation, “a trend
towards a world of thin-walled and mixed ‘societies’” that for numerous
people is “neither clear nor welcome.” The erosion of imaginary and real
immunitary structures takes on spatial metaphors of walls considered easier
to breach by populations less bound by the convergence of self and place:
What was previously understood as ‘society’ and invoked with it was usually,
in fact, nothing other the content of a thick-walled, territorially grounded,
symbol-assisted and generally monolingual container—that is, a collective
which found its self-assurance in a certain national hermeticism and flour-
ished in redundancies of its own (that could never be entirely understood by
strangers). Because of their self-containing qualities, such historical com-
munities—known as people—stayed on the point of intersection between
self and place and usually relied on a considerable asymmetry between inside
and outside; this usually manifested itself in pre-political cultures as naive
1 IMMUNITY’S SOVEREIGNTY 13
and horror at the events transpiring in the former French colony. These
texts, chief among them Leonora Sansay’s novel Secret History; or, the
Horrors of St. Domingo, often availed themselves of sentimental and sensa-
tional tropes to frame shifting reactions to a revolutionary world-event
that more often than not resisted strategies of silencing and disavowal.
tend with an increasingly reified world where the possibilities for public
action and social change are re-contained within a globalizing capitalist
economy, centralized state power, and a vast network of institutions whose
chief function is to organize what is left of public life. With the advent of
democracy and the expansion of the world market, sovereign power
undergoes a radical reconstitution in which the politicization of life across
every strata of society becomes necessary for the reproduction of social,
political, and economic orders. The transformation in power ushered in by
the age of revolution and democracy would not be possible if people did
not actively participate with varying degrees of agency and social mobility
in the constitution of the sociopolitical order. It is as if with the invention
of modern democracy came a supplemental biopolitical order very much
invested in managing life. “Immunity’s Sovereignty” turns to the work of
Edgar Allan Poe in order to engage the biopolitical dimension of the
domestic conflicts that previous generations of U.S. writers had displaced
to foreign sites. Poe’s work records in horror what he perceives as the pass-
ing of old-style Republicanism and the emergence of popular democracy
in Jacksonian America. The fear that the federal state would be a govern-
ment of people, not states, loomed in the imagination of an elite witness-
ing the erosion of the buffer zones it had erected in order to distance itself
from the encroaching masses. We might dismiss Poe’s attacks on democ-
racy as the criticism of an aspiring elite bemoaning the breakdown of social
hierarchy and traditional values, but in doing so we miss engaging a seri-
ous opposition to the immunization of life in democratic order.
a site where domestic antagonisms were, much like in Algiers and Haiti,
again refracted through an exotic prism.
An expanding empire from its beginning, the U.S. found itself with the
difficult task of having to accommodate sectional interests in the acquisi-
tion of new territory. The South hoped to annex new lands to the Union
to maintain state parity with the North, while the North aimed to control
commerce with outlying regions without necessarily having to add new
states to the Union and thereby try to avoid exacerbating the issue of slav-
ery. The book’s last chapter reads U.S. novels about Cuba, Lucy Pickens’
The Free Flag of Cuba (1854) and Mary Peabody Mann’s Juanita: A
Romance of Real Life in Cuba Fifty Years Ago (1887) in order to track the
mounting crisis in the U.S. over national sovereignty. More specifically, it
examines how these novels reflect on the transition from federal to national
sovereignty and the emergence of an imperial state produced by the nor-
malization of wartime exceptions.
3.
Cones OPP′ and OPP″ intersect along the two lines OP and
OQ, so these are the only possible spin axis locations. From
our general knowledge of the situation (or from any third
measurement of glint time), OQ can be ruled out, and we
conclude that only OP can be the true spin axis.
But we knew that one mirror could not do the whole job. After
Telstar I had been in orbit more than 30 days, the 68-degree mirror
would only be in position to give infrequent flashes, and one at
about 95 degrees would be more useful. This presented two
problems. First, no facet on the satellite makes a 95-degree angle
with the spin axis. However, we could use one of the facets just
below the equatorial antenna, which makes a 112-degree angle, and
groove or facet the mirror so that its reflecting faces became narrow
strips slanted 17 degrees away from the base at the angle of 95
degrees (112 - 17 = 95). Our second problem was space—since
there was not enough room left on any of the 112-degree facets to
mount a second large mirror, we substituted two smaller mirrors and
mounted them 120 degrees apart. This arrangement lets us know
from which mirror we see flashes—the plane mirror gives one flash
for each revolution of the satellite; the faceted mirrors give two
flashes for each revolution of the satellite.
58
Sketches of three reflecting mirrors and their locations on
the Telstar satellite. The upper plane mirror is set at 68° to
the spin axis; the lower ones are faceted to give reflecting
surfaces at 95°. Two of the satellite’s six solar aspect cells
can be seen within the circular cut-outs in the mirrors.
59
How We Record Flashes from the Mirrors
61
Results
Kenneth D. Smith
Electronics Engineer—Member of Staff, Semiconductor Device
Laboratory
THE PROBLEM
Before we learned about the Van Allen belts, we expected that the
solar cells used to power satellites would last for many years in
space. We thought they would be damaged only by cosmic rays,
micrometeorites, and occasional bursts of particles from the sun. But
when the solar plants of some American satellites went out of action
after only a few weeks in orbit, we realized that in the future solar
cell power units would need better protection from radiation
damage. We had learned that satellites—and particularly medium
altitude communications satellites—must spend a lot of time in
regions where they will be struck by thousands or even millions of
high-speed radiation particles each second.
This fact forced us to change almost all our thinking about solar
power plants for satellites. To make sure they would last for several
years, we had to design new types of solar cells and devise new
ways of mounting them. We also had to revise our estimates of how
much power we could expect to get from our cells.
63
Organizing the Work
Our work on the solar cells for Telstar I began in October, 1960. With
just a little more than a year to go before the satellite had to be
ready, there was no time to lose. So we decided to break down the
over-all problem into three parts:
The second type of solar cell is just the reverse. It begins with a
body of p-type silicon (with impurity atoms from a group III
element) and conducts electricity by means of “holes”—vacant sites
where electrons might be but are not. These holes act as free-to-
move positive charges. We can make a solar cell from this material
by diffusing a layer of n-type impurity, such as phosphorus, into it.
We call this an n-on-p cell (see the figure below).
Although both p-on-n and n-on-p cells were made in early laboratory
studies, the p-on-n cells gave a somewhat higher output. As a result,
all the American commercial solar cells up to 1960 were of this type,
and they were used on all satellites before Telstar I. (Russian
satellites, we believe, have used n-on-p cells from the beginning.)
The U.S. Army Signal Corps Research and Development 65
Laboratory, however, decided to make both p-on-n and n-on-p
cells and compare their performance. This laboratory work led to a
surprising discovery: The n-on-p cells were several times as resistant
to energetic particle radiation as were comparable p-on-n cells.
These results were announced in 1960, and confirmed by our
measurements and those of other laboratories. The timing was very
fortunate, since we had just learned of the greatly increased
radiation hazards presented by the Van Allen belts.
Now, having given you a very brief account of how a solar cell works,
let us return to our three-part problem. The first objective was to
study all the aspects of radiation damage. To do this, we had to find
out how much radiation the Telstar satellite would encounter; we
needed to estimate the concentration of high-energy particles—both
electrons and protons—at various altitudes and locations. Several
government agencies are now carrying on research in this important
area, but at the time of the Telstar I launch we did not know exactly
how much radiation the satellite would run into. And the high-altitude
nuclear explosion of July 9, 1962 (the day before Telstar I went into
orbit) may have increased the quantity of high-energy electrons
injected into its path.
With electrons, the situation is different; they are much lighter and
have much less energy. Also, if their energy is reduced below a
certain level (about 180 thousand electron volts) electrons will not be
able to knock silicon atoms out of position, and thus cannot harm a
solar cell. We experimented with a number of different kinds and
thicknesses of cover plates, and found that transparent material with
a mass of 0.3 gram per square centimeter would slow down
electrons enough to make them no problem.
66
Designing and Making the Best Solar Cells
After it was discovered that the n-on-p cell was more resistant to
radiation, we decided to make an all-out effort to develop an n-on-p
cell that could be manufactured in quantity for our new satellite.
Since we didn’t know whether we could solve this problem in time to
meet the Telstar I launch date, we “hedged” by designing the new n-
on-p cells to be the same physical size (one by two centimeters) as
conventional p-on-n cells. Thus, if the n-on-p project hit a snag, we
probably could use regular p-on-n cells.
As you can imagine, making a solar cell to fit the very high
requirements we had set for the Telstar satellite is not an easy job—
and making these cells by the thousands is even more of a task.
During October, November, and December of 1960 we carried on a
crash program in which we made hundreds of experimental cells in
our laboratories, using a variety of materials and many different
manufacturing techniques.
The third part of our problem had to do with finding the best ways to
mount and protect the cells on the Telstar satellite itself. Since a
satellite’s solar power plant usually has several thousand cells, we
find it best to mount the cells in groups, or modules. These can be
pretested as a unit after individual interconnections have been made.
For Telstar I, we decided to mount the 3600 solar cells in 12-cell
modules like those shown in the figure below.
67
The satellite uses 300 modules of twelve solar cells, in
groups of six or three modules per facet.
68
Each of the cells has a top contact along one edge and a bottom
contact all over its base, so we were able to assemble the 12-cell
groups like shingles, with the bottom edge of one cell covering the
top edge of the next, leaving only the active area of each cell
exposed. But this meant that each module would be over four inches
long and only 14 thousandths of an inch thick—far too weak to
withstand stress and vibration. To support the cells, we decided to
mount them on a metallized ceramic base. But this presented a
problem: If the cells were soldered directly to the base, the different
thermal expansion rates of the silicon and the ceramic would cause
the structure to break during the cycles of extreme changes in
temperature that Telstar would pass through. We remedied this by
connecting each cell to the ceramic support by a thin U-shaped strip
of silver (see above). Since silver has a much higher thermal
expansion coefficient than silicon, we added tiny sandwiches of Nilvar
or Invar (36% nickel, 64% iron) where the cells were attached. With
this mounting method, the cell modules withstood thermal and
mechanical shocks much more severe than those they would
undergo in actual use. In one test, for instance, an entire cell module
with its cover plates was first dipped in hot water, then plunged into
liquid nitrogen at a temperature of -195° Centigrade. In orbit, the
temperature range for the satellite was not expected to be more than
from +80° to -100°C, with a rate of change of no more than three
degrees a minute.
70
CASE HISTORY NO. 5
Would Time Delay Be a Problem in Using a
Synchronous Satellite?
Peter D. Bricker
Psychologist—Member of Staff, Behavioral Research Laboratory
THE PROBLEM
71