Ben Guet
Ben Guet
Ben Guet
Benguet Heritage
Maribelle T. Apnoyan, Shirley I. Apolonio, Mark Joshua S. Balao-as, Myrna
Sison-Kuiper, Analyn A. Lamigo, Fabiola A. Lucop, Marilyn W. Macwes, Jefort
K. Sab-it, Marina I. Sagandoy
Benguet Geography
Prior to the arrival of the Spaniards, Benguet was a vast, richly forested
hunting ground with diverse flora and fauna, where people lived in
mountainous regions with an abundance of water resources (Province of
Benguet, 2021).
Major migration routes of different ethnolinguistic groups in Benguet from
the 1500s (Bagasmaspad and Hamada- Pawid 2010):
1. The first migration route followed the tributaries of the Aringay-
Galiano rivers, moving people to Chuyo and Tonglo in Tuba.
2. The second route went through the tributaries of the Amburayan River,
leading to settlements in Darew in Barangay Gaswiling and Palaypay in
Kapangan.
3. The third route was along the Agno River, leading to the establishment
of settlements
4. in Imbose along the Agno River in Pacso, Kabayan, and Amlimay in
Kabayan and Buguias
1. In the Ibaloy society, there is a distinct division into classes, with the
wealthy (baknang) and the poor (abitug). The Kankanaey’s society is
organized around the ‘ili’ or village, Which is their largest social unit.
For the Ikalahans, social structures are based largely On kinship,
forming bilateral groups of kin for mutual support (Cordillera Schools
Group, 2003; Prill-Brett, 2015; Rice, 1974).
2. Aduyon/Alluyon: This Ibaloy and Kankana-ey system of mutual and
reciprocal work (Adonis, 2011).
3. Khamal/Kamal: This Batares practice involves gathering neighbors to
help with heavy-Labor projects, such as building a house or community
projects.
4. Albubo: This Kankana-ey tradition represents communal unity,
helpfulness, and Cooperation (NCIP, 2021).
5. Dang-as/Da-ngah: This is the Kalanguya traditional practice of
voluntary service.
Overview
In this unit, you will explore the richness and diversity of Benguet’s
culture, and the transformation of traditional land ownership concepts
in the Cordillera region. You will explore Benguet’s textiles, arts, and
crafts, understand their historical influences, traditional designs, and
symbolic meanings. You’ll gain insights into the clothing and tattooing
practices as well as its sociocultural significance. You’ll learn about the
traditional concept of land ownership among the indigenous Cordillera
people, how it’s rooted in their worldview and spiritual beliefs, and how
these practices have transformed. From textiles to land stewardship,
this unit illuminates the interplay of culture, tradition, and change in
these unique aspects of Philippine society.
I. Introduction
This lesson invites you to explore the rich cultural heritage of
Benguet’s textiles, arts, and crafts. You will uncover the historical
influences, traditional designs, and symbolic meanings behind the
clothing and tattooing practices of various Benguet groups.
Benguet textiles were influenced by traders and migrants from the lowland,
originally coming from the Ilocanos of Tagudin and Bangar, Ilocos Province
(Sacpa-ey & Tabangcura,2009). Textiles were once associated with wealth
and status. Various designs are incorporated, often featuring the figure “x”
and an eyelet design (Sacpa-ey & Tabangcura, 2009).
For the Ibaloy: Women’s skirt: divit or etten; Women’s blouse: kambal/sa-
dey/sambra; Rich women: wear red and black; Headbands, bead necklaces,
and bronze bracelets or karing; Men: wear kubal or binoslan as loin cloth.
For the Kankanaey: Similar attire to the Ibaloy with differences in color
designs; Attire: bangkodo; Men: wear g-string called wanes or kuba, a head
wraparound called bedbed, and a hat made of rattan or balaka.
For the Karao: Men: wear kogal (a g-string) and bengel (a headgear);
Women: wear a blouse called sambra and a skirt called safey.
For the Kalanguya: Men: wear a loincloth or G-string called kubal; Women:
wear woven skirts called lakba and a blouse from the same material (Sumeg-
ang, 2005).
For the Iwak: Men: wear a loincloth or kubal; Women: wear a skirt called
etten (Nueva Viscaya State University, n. D.).
One of the arts of Benguet is tattooing. It is a significant part of Benguet
culture in the past. Tattooed mummies, such as those in Kabayan and Apo
Anno of Buguias, showcase this tradition. The term for tattooing varies
among the indigenous languages: bátek (Ibaloy, Lepanto) and bátak
(Kankanaey). The term burik refers to a person “tattooed all over the body”
in the Ibaloy-speaking communities (Province of Benguet, 2021).
Lesson 2. Traditional Concept of Land Ownership and its
Transformation
I. Introduction
Land ownership is an essential concept within societies and
civilizations, particularly its roots in indigenous traditions. This
lesson delves into the traditional concept of land ownership within
the indigenous Cordillera people of the Philippines and how these
concepts have transformed over time, particularly in Benguet.
Architecture
Benguet architecture is characterized by the use of local materials such as
wood, stone, and thatch, reflecting the environment’s influence and
sustainable building practices.
Abundant pine trees provide material for wooden floors and walls in
wealthier households, while less affluent families use bark bamboo for the
same. Cogon grass is used for roofing. Traditional Ibaloy houses are
elevated, built on posts about five feet from the ground, and are Single-room
structures with doors but no windows. Usually, houses have fenced yards to
deter animals.