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Description
Essentials of Meteorology-An Invitation to the Atmosphere 7th Edition by C. Donald
Ahrens test bank

;A weak trough of low pressure found in the tropics and along which hurricanes occasionally form is called a(n) __
 a. tropical wave (or easterly wave)

b. oceanic wave (or easterly wave)

c. isobar

d. streamline

ANSWER:

;Hurricane energy comes from the latent heat of ____.

a. evaporation

b. condensation

c. fusion

d. melt

ANSWER:
;The skies in the center of a hurricane are often cloud free. This is because the air in the eye is ____.

a. sinking

b. very cold

c. dry

d. expanding

ANSWER:

;Pressure at the center of a hurricane is ____ than the surroundings at the surface and ____ than the surroundings

a. higher; lower

b. lower; higher

c. lower; lower

d. higher; higher

ANSWER:
;As surface air rushes in toward the eye of a hurricane, the air expands and should cool. The main reason the surf

a. the sinking air near the eye warms the air

b. friction with the water adds heat to the air

c. the warm water heats the air

d. sunlight heats the air

ANSWER:

;The vertical structure of the hurricane shows an upper-level ____ of air, and a surface ____ of air.

a. outflow; inflow

b. outflow; outflow

c. inflow; outflow

d. inflow; inflow

ANSWER:
;During a hurricane, the heaviest rainfall occurs in the ____.

a. eye

b. eyewall

c. spiral rain band

d. storm’s periphery

ANSWER:

;At the periphery of a hurricane, the air is ____.

a. sinking and warming

b. sinking and cooling

c. rising and warming

d. rising and cooling

ANSWER:
;Typhoons and hurricanes ____.

a. cannot occur at the same time

b. are different types of storms

c. never appear in the same hemisphere

d. are the same type of tropical storm

ANSWER:

;By international agreement, what is the general term for all hurricane-type storms that originate over tropical wa

a. typhoons

b. hurricanes

c. tropical storms

d. tropical cyclones

ANSWER:
;The skies in the center of a hurricane are often cloud free and surface air pressure is very low. This area is referre

a. eye

b. eyewall

c. rainfree area

d. streamline

ANSWER:

;During a hurricane in the Northern Hemisphere, surface winds increase in speed as they blow ____ and ____ the

a. clockwise; inward toward

b. clockwise; outward from

c. counterclockwise; inward toward

d. counterclockwise; outward from

ANSWER:
;The strongest winds in a hurricane are found ____.

a. at the center of the storm

b. in the eye wall

c. at upper levels, above the center of the hurricane

d. near the periphery of the hurricane

ANSWER:

;Hurricane winds rotate in a clockwise direction in ____.

a. the Northern Hemisphere only

b. the Southern Hemisphere only

c. both the Northern and Southern Hemispheres

d. neither hemisphere

ANSWER:
;Storms that form in the tropics are given names when ____.

a. they reach tropical storm strength

b. they become fully developed hurricanes

c. they approach to within 250 miles of land

d. rotation becomes visible on a satellite photograph

ANSWER:

;As a northward-moving hurricane passes to the east of an area, surface winds should change from ____.

a. NW to N to NE

b. W to SW to S

c. NE to N to NW

d. S to SW to W

ANSWER:
;Suppose the eye of a hurricane passed directly over you, and you survived the experience. If winds were from th
from what direction did the winds blow when the eyewall reached you the second time?

a. NW

b. NE

c. SE

d. SW

ANSWER:

;The main reason hurricanes don’t develop over the south Atlantic Ocean adjacent to South America is because t

a. Coriolis force is too small there

b. pressure gradient force is too weak in that area

c. surface water temperatures are too cold

d. air at the surface is always diverging

ANSWER:
;Which region of the United States will most likely experience thunderstorms, hurricanes and tornadoes during th

a. Pacific Coast states

b. New England states

c. Gulf Coast states

d. Great Plains states

ANSWER:

;Which environmental conditions are most favorable for hurricane formation?

a. Winds are light, humidity high, and surface water temperature is warm.

b. Winds are light, humidity low, and surface water temperature is cool.

c. Winds are high, humidity high, and surface water temperature is cool.

d. Winds are high, humidity low, and surface water temperature is warm.
ANSWER:

;Hurricanes do not form ____.

a. along the intertropical convergence zone (ITCZ)

b. along the equator

c. with an easterly wave

d. when the trade wind inversion is weak

ANSWER:

;Hurricanes cannot form along the equator because ____.

a. there isn’t much water along the equator, it’s mostly land

b. the Coriolis force is too small along the equator

c. there are no feedback mechanisms along the equator

d. it’s too humid for the ocean water to evaporate

ANSWER:

;The main source of energy for a hurricane is the ____.

a. upper-level jet stream

b. rising of warm air and sinking of cold air in the vicinity of weather fronts

c. warm ocean water and release of latent heat energy by condensation

d. ocean currents and tides

ANSWER:

;Hurricanes dissipate when ____.

a. they move over colder water

b. they move over warmer water

c. surface inflow of air is less than upper-level outflow of air

 d. water temperatures below the eyewall increase

ANSWER:

;The three stages of a developing hurricane (from the first stage to the third) are ____.

a. tropical disturbance, tropical storm, and typhoon

b. tropical depression, tropical disturbance, and tropical storm

c. tropical disturbance, tropical depression, and tropical storm

d. cyclone, typhoon, and tropical storm

ANSWER:

;Just before a storm is classified as a fully developed hurricane, it is in the ____ stage.

a. tropical depression

b. tropical disturbance
 c. tropical storm

d. tropical cyclone

ANSWER:

;The main feature distinguishing a hurricane from an ordinary tropical storm is that ____.

a. hurricanes are larger

b. tropical storms are more than 500 miles from the mainland

c. winds speeds are greater in a hurricane

d. hurricanes have a clearly defined eye on satellite photographs

ANSWER:

;A tropical storm is classified as a hurricane when ____.

a. a clear eye becomes visible on a satellite photograph

 b. the central pressure drops below 950 mb

c. the winds exceed 64 knots (74 MPH)

d. it reaches Category 3 on the Saffir-Simpson scale

ANSWER:

;Which statement accurately describes hurricane naming conventions?

a. Hurricanes are given only male names.

b. Hurricanes are given only female names.

c. Hurricanes are alternately assigned male and female names.

d. Atlantic hurricanes are given male names and Pacific hurricanes are given female names.

ANSWER:

;Climate models predict that, as the world continues to warm, sea-surface temperatures in the tropics will rise. Th
 a. increase global circulation

b. increase the amount of time between hurricane formations

c. increase the strength of hurricanes

d. decrease the strength of hurricanes

ANSWER:

;Most of the overall destruction caused by a hurricane is due to ____.

a. high winds

b. flooding

c. lightning

d. tornadoes

ANSWER:

;Along a coastline, most hurricane damage is caused by ____.

 a. the pressure gradient force

b. the storm surge

c. wind shear

d. release of latent heat

ANSWER:

;On the Saffir-Simpson scale, a category 5 storm would indicate ____.

a. a weak hurricane

b. a moderately strong hurricane

c. a very strong hurricane

d. nothing in particular, as the Saffir-Simpson scale applies to tornadoes

ANSWER:
;On the Saffir-Simpson hurricane scale, a hurricane with winds in excess of 155 mi/hr (135 knots) would be classi

a. 1

b. 3

c. 4

d. 5

ANSWER:

;The term storm surge refers to ____.

a. the leading edge of a hurricane

b. a higher-than-average incidence of tropical storm occurrence

c. a rise in ocean level of several meters or more

d. the increasing speed of a hurricane as it moves in the middle latitudes

ANSWER:
;The strongest winds in a hurricane heading westward toward Florida would most likely be found on the ____ side

a. northern

b. southern

c. eastern

d. western

ANSWER:

;Hurricane Katrina was classified as a Category 5, but as it moved towards the coast its rainbands near the center
storm weakened, and Katrina made landfall as a Category 3 hurricane. This weakening was primarily due to the p

a. trade-wind inversion

b. rainband disintegration

c. eye replacement

d. eyewall replacement

ANSWER:
Discovering Diverse Content Through
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 Selected and Edited, with an Introduction,

By W. B. YEATS.

With Twelve Full-Page Illustrations by James Torrance.

IBSEN’S PROSE DRAMAS.

Edited by WILLIAM ARCHER.

Complete in Five Vols. Crown 8vo, Cloth, Price 3/6 each. Set of Five
Vols., in Case, 17/6; in Half Morocco, in Case, 32/6.
“We seem at last to be shown men and women as they are; and at first it is
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hypnotized, and under their creator’s imperious demand to reveal themselves.
There never was such a mirror held up to nature before: it is too terrible.... Yet we
must return to Ibsen, with his remorseless surgery, his remorseless electric-light,
until we, too, have grown strong and learned to face the naked—if necessary, the
flayed and bleeding—reality.”—Speaker (London).
Vol. I. “A DOLL’S HOUSE,” “THE LEAGUE OF YOUTH,” and
“THE PILLARS OF SOCIETY.” With Portrait of the Author,
and Biographical Introduction by William Archer.
Vol. II. “GHOSTS,” “AN ENEMY OF THE PEOPLE,” and “THE
WILD DUCK.” With an Introductory Note.
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Note and Portrait of Ibsen.
Vol. IV. “EMPEROR AND GALILEAN.” With an Introductory
Note by William Archer.
Vol. V. “ROSMERSHOLM,” “THE LADY FROM THE SEA,”
“HEDDA GABLER.” Translated by William Archer. With
an Introductory Note.
The sequence of the plays in each volume is chronological; the complete set of
volumes comprising the dramas thus presents them in chronological order.
 “The art of prose translation does not perhaps enjoy a very high literary status in
England, but we have no hesitation in numbering the present version of Ibsen, so
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“We have seldom, if ever, met with a translation so absolutely idiomatic.”—
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COUNT TOLSTOÏ’S WORKS.

The following Volumes are already issued—

A RUSSIAN PROPRIETOR.

THE COSSACKS.

IVAN ILYITCH, and other Stories.

MY RELIGION.

LIFE.

MY CONFESSION.

CHILDHOOD, BOYHOOD, YOUTH.

THE PHYSIOLOGY OF WAR.

ANNA KARÉNINA 3s. 6d.

WHAT TO DO?

WAR AND PEACE. (4 Vols.)

 THE LONG EXILE, and other Stories for Children.

SEVASTOPOL.

THE KREUTZER SONATA, AND FAMILY HAPPINESS.

Uniform with the above.

IMPRESSIONS OF RUSSIA

By Dr. Georg Brandes.

BOOKS AT 6/–.

VAIN FORTUNE. By George Moore. With Eleven Illustrations by

Maurice Greiffenhagen.

MODERN PAINTING. A Volume of Essays. By George Moore.

PEER GYNT: A Dramatic Poem. By Henrik Ibsen. Translated by

William and Charles Archer.

AMONG THE CAMPS; OR, YOUNG PEOPLE’S STORIES OF THE

WAR. By Thomas Nelson Page. (Illustrated.)

THE MUSIC OF THE POETS: A Musicians’ Birthday Book.

Edited by Eleonore D’Esterre Keeling.

THE GERM-PLASM: A Theory of Heredity. By August

Weismann, Professor in the University of Freiburg-in-Breisgau.
 DRAMATIC ESSAYS.

EDITED BY

WILLIAM ARCHER AND ROBERT W. LOWE.

Three Volumes, Crown 8vo, Cloth, Price 3/6 each.

Dramatic Criticism, as we now understand it—the systematic
appraisement from day to day and week to week of contemporary
plays and acting—began in England about the beginning of the
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century several of the leading essayists of the day—men of the first
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Under the title of
“DRAMATIC ESSAYS”
will be issued, in three volumes, such of their theatrical criticisms as
seem to be of abiding interest.

THE FIRST SERIES will contain selections from the criticisms of

LEIGH HUNT, both those published in 1807 (long out of print), and
the admirable articles contributed more than twenty years later to
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THE SECOND SERIES will contain selections from the criticisms

of WILLIAM HAZLITT. Hazlitt’s Essays on Kean and his
contemporaries have long been inaccessible, save to collectors.
 THE THIRD SERIES will contain hitherto uncollected criticisms
by JOHN FORSTER, GEORGE HENRY LEWES, and others, with
selections from the writings of WILLIAM ROBSON (The Old
Playgoer).
The Essays will be concisely but adequately annotated, and each
volume will contain an Introduction by William Archer, and an
Engraved Portrait Frontispiece.
Crown 8vo, Cloth, Price 6s.

MODERN PAINTING.

By GEORGE MOORE.

SOME PRESS NOTICES.

“Of the very few books on art that painters and critics should on no
account leave unread this is surely one.”—The Studio.
“His book is one of the best books about pictures that have come
into our hands for some years.”—St. James’s Gazette.
“If there is an art critic who knows exactly what he means and says
it with exemplary lucidity, it is ‘G. M.’”—The Sketch.
“A more original, a better informed, a more suggestive, and let us
add, a more amusing work on the art of to-day, we have never read
than this volume.”—Glasgow Herald.
“Impressionism, to use that word, in the absence of any fitter one,
—the impressionism which makes his own writing on art in this
volume so effective, is, in short, the secret both of his likes and
dislikes, his hatred of what he thinks conventional and mechanic,
together with his very alert and careful evaluation of what comes
home to him as straightforward, whether in Reynolds, or Rubens, or
Ruysdael, in Japan, in Paris, or in modern England.”—Mr. Pater in
The Chronicle.
 “As an art critic Mr. George Moore certainly has some signal
advantages. He is never dull, he is frankly personal, he is untroubled
by tradition.”—Westminster Gazette.
“Mr. Moore, in spite of the impediments that he puts in the way of
his own effectiveness, is one of the most competent writers on
painting that we have.”—Manchester Guardian.
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about; and everyone who is interested in modern painting will do
well to make acquaintance with its views.”—Scottish Leader.
“As everybody knows by this time, Mr. Moore is a person of strong
opinions and strong dislikes, and has the gift of expressing both in
pungent language.”—The Times.
“Of his [Mr. Moore’s] sincerity, of his courage, and of his candour
there can be no doubt.... One of the most interesting writers on art
that we have.”—Pall Mall Gazette.

WORKS BY GEORGE MOORE.

Crown 8vo, Cloth, Price 3s. 6d. each.

TWENTIETH EDITION.

A MUMMER’S WIFE.
“‘A Mummer’s Wife’ is a striking book—clever, unpleasant,
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“‘A Mummer’s Wife,’ in virtue of its vividness of presentation and
real literary skill, may be regarded as in some degree a representative
example of the work of a literary school that has of late years
attracted to itself a great deal of notoriety.”—Spectator.
 EIGHTH EDITION.

A MODERN LOVER.
“It would be difficult to praise too highly the strength, truth,
delicacy, and pathos of the incident of Gwynnie Lloyd, and the
admirable treatment of the great sacrifice she makes.”—Spectator.

SEVENTH EDITION.

A DRAMA IN MUSLIN.
“Mr. George Moore’s work stands on a very much higher plane
than the facile fiction of the circulating libraries.... The characters are
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With Eleven Illustrations by Maurice Greiffenhagen.

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A VOLUME of ESSAYS by GEORGE MOORE.

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MODERN PAINTING.
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Play in Three Acts.

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