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Peter Bornedal
The Surface and the Abyss
Monographien und Texte
zur Nietzsche-Forschung
Begründet von
Herausgegeben von
Band 57
De Gruyter
The Surface and the Abyss
Nietzsche as Philosopher
of Mind and Knowledge
by
Peter Bornedal
De Gruyter
Anschriften der Herausgeber:
Prof. Dr. Günter Abel
Institut für Philosophie
TU Berlin, Sekr. TEL 12/1
Ernst-Reuter-Platz 7, D-10587 Berlin
Prof. Dr. Josef Simon
Philosophisches Seminar A der Universität Bonn
Am Hof 1, D-53113 Bonn
Prof. Dr. Werner Stegmaier
Ernst-Moritz-Arndt-Universität
Institut für Philosophie
Baderstr. 6−7, D-17487 Greifswald
ISBN 978-3-11-022341-5
e-ISBN 978-3-11-022342-2
ISSN 1862-1260
Bornedal, Peter.
The surface and the abyss : Nietzsche as philosopher of mind and
knowledge / by Peter Bornedal.
p. cm. − (Monographien und Texte zur Nietzsche-Forschung, ISSN
1862-1260 ; Bd. 57)
Includes bibliographical references and index.
ISBN 978-3-11-022341-5 (hardcover : alk. paper)
1. Nietzsche, Friedrich Wilhelm, 1844−1900. I. Title.
B3317.B6554 2010
193−dc22
2009036202
Table of Contents
Introduction
Chapter 1
The Narcissism of Human Knowledge. Truth – Metaphor – Concept:
An Interpretation of Nietzsche’s “Über Wahrheit und Lüge” in the
Context of 19th Century Kantianism ..................................................... 29
0. Introduction ...................................................................................... 30
1. A Human Being with no Natural Disposition for
Producing Knowledge ...................................................................... 36
2. A Polysemous Notion of ‘Truth’ ...................................................... 39
2.1. The Fundamental Opposition: Things-in-themselves versus
Appearances ........................................................................................ 39
2.2. From Truthfulness to Truth: On the Evolution of a ‘Truth-Drive’ ....... 50
3. The Production of Metaphor: Nerve-Stimulus – Image –
Word ................................................................................................. 55
3.1. Contemporary Context and Background ............................................. 55
3.2. The Logic of Metaphor as ‘Replacement’ and ‘Arbitrariness’ ............ 58
3.3. A Distinction between ‘Living Metaphor’ and ‘Dead Metaphor’........ 63
3.4. Metonymy and Surface-World ............................................................ 71
4. The Theory of the Concept ............................................................... 73
4.1. Concept-Formation Distinguishing Human from Animal ................... 73
4.2. The Surface-World and the Tautological Structure of the Concept ..... 78
9,7DEOHRI&RQWHQWV
4.3. Failed Attempts to Uphold a Rigorous Distinction between
‘Word’ and ‘Concept’ ......................................................................... 79
4.4. The Logic of the Concept and Interpretability..................................... 84
4.5. An Interlude on Stanley Fish’s Notion of Interpretability ................... 88
5. Contingency and Narcissism of Human Knowledge ........................ 92
5.1. Recapitulating Nietzsche’s Polysemous Notion of Truth .................... 92
5.2. Connecting ‘Truth as Illusion’ and the ‘Logic of the Concept’ ........... 94
5.3. A Clever, All-Too-Clever Animal ........................................................ 95
Chapter 2
A Silent World: Nietzsche’s Radical Realism: World, Sensation,
Language ................................................................................................... 97
Chapter 3
Splitting the Subject: Nietzsche’s Rethinking of the Cartesian and
Kantian ‘I Think’ ............................................................................... 153
Chapter 4
Theory of Knowledge as ‘Neuro-Epistemology’: Toward a
Biological-Linguistic Subject in Nietzsche and Contemporaries ...... 231
Chapter 5
The Meaning of Master, Slave, and Priest: From
Mental Configurations to Social Typologies ..................................... 358
Chapter 6
Eternal Recurrence in Inner-Mental Life: Eternal Recurrence as
Describing the Conditions for Knowledge and Pleasure ................... 435
Appendix 2
A Theory of “Happiness”: Nietzsche’s Theory of
Pain and Pleasure ............................................................................... 517
Appendix 3
The Fragmented Nietzschean Subject and Literary Criticism:
Conflicting Images of Woman in Jacobsen’s “Arabesque to a Drawing
by Michelangelo”............................................................................... 540
1. On Severe Confusion and Fundamental Ignorance........................... 540
2. Me, on the Contrary . . . . .................................................................. 543
3. Reading the Poem ............................................................................. 547
3.1. First Stanza: Repetition and Rebellion ...................................... 547
3.2. Second Stanza: Implosion and Castration ................................. 550
;,,7DEOHRI&RQWHQWV
3.3. Third Stanza: The Blind Eye of Desire ...................................... 554
3.4. Fourth Stanza: Poetry and Death ............................................... 557
3.5. Fifth Stanza: A Pen through the Heart of Night......................... 560
4. Fundamental Ignorance .................................................................... 461
5. Jacobsen’s Poem ............................................................................... 564
It is difficult, if not impossible, to pinpoint date and origin for the conception
of a work. Partly because the decision about writing a work on this or that
topic rarely comes in a flash, but rather surfaces slowly and gradually. One
does not remember all these minute degrees of gradual maturation; one is
hardly aware of them. Only after they have accumulated, one experiences
perhaps something like a ‘flash,’ which now emerges as nothing more that the
articulation in a sentence of a plan that has been germinating for a long time.
Such plans start to germinate, mature, and sprout ultimately thanks to
nourishment. One is offered certain opportunities, encouragements, and
rewards, and responds to these rewards in the hope of more of the same.
Homo sapiens sapiens is so sufficiently close to other primates on the
evolutionary ladder that it still needs its nuts and raisins for motivation. There
is always something rudimentarily biological about the decision-processes
preceding an activity.
About eight years ago, it was for example my intention to write a work on
methodology, on interpretation, and ‘reading-strategy.’ I had finished a work
practicing readings of some key-philosophical texts, and wanted to supply a
theoretical statement. I regarded Phenomenology, Hermeneutics, and
Grammatology as the three most promising disciplines for working out such a
unified theory of interpretation and methodology, but – besides the
prohibiting ambition of the project, which might in any case have stalled it in
its early stages – nobody were interested. Methodologists are an exclusive
group on today’s academic scene; they live exclusive lives somewhat like the
theoretical mathematician trying to figure out what a six-dimensional
universe might look like. Especially in language and literature departments,
dealing in ‘interpretations,’ one would expect that theory and methodology
had to be foundational disciplines, but no; mutadis mutandis, there was, still
is, no interest.
At that point in time, reading Nietzsche was mostly relaxation; although it
had been an activity enjoyed, on and off, for about thirty years. Nietzsche is
generally pleasant philosophical reading, because his aphorisms are brief and
still brimming with insight. He tends to turn abruptly from subject to subject,
which is pleasing to the mind, because he engages the mind in short bursts of
energy, whereupon the mind is allowed to relax again, ready to start
something new – unlike reading, for example, Kant, where one is forced to
follow long tracts of argument in constant fear of losing one’s understanding.
XIV Preface
with what seems more specific and unique to his thinking, his theories of
master/slave and eternal recurrence.
Since the work is not planned as a whole, the reader is also free to begin
his or her reading from any point of departure. A strategy, which seems to me
to make good sense, might be to first read the subsequent ‘Introduction,’ and
then, according to the brief chapter-descriptions offered here (a kind of
elaborate menu for the work), continue reading whatever chapter appeals to
the reader’s own philosophical interest, engagement, or taste.
Introduction
When one, some years ago, read commentators of Nietzsche from the post-
modernist and deconstructionist tradition, one got the impression that there
was nothing more to say of Nietzsche’s philosophy as philosophy; it was as
if the reception of Nietzsche’s philosophy as philosophy was closed. Only
because Nietzsche was a fascinating poetical-rhetorical writer, the commen-
tator was preoccupied with him, especially with exploring a rich material of
poeticisms, images, allegories, or metaphors left in his texts. There was lit-
tle or no description of Nietzsche’s thinking as a conceptual system, or as a
response to problems in the prevailing contemporary, evolutionary-
cognitive-psychological, paradigm. Instead, one focused on a single image,
an allegory, or a metaphor, which was supposed to ‘generate’ Nietzsche’s
discourse, but so far had gone undetected. To understand Nietzsche’s dis-
course as a conceptual system was not seen to be important, but to
understand its ‘origin’ as ambiguous non-origin – as generating, from a root
that was in-decidable and oscillating, a discourse that was purely rhetorical
– became important.
The assumption behind the approach was that a word, an image, or a me-
taphor would linger in the text as an un-thematized, but over-determining
density, and from that position influence subsequent theoretical decisions
taken in the text. This word or image – as ‘original non-origin,’ as ‘decisive
in-decidability’ – was symptomatically repeated in the entire discourse.
Nietzsche (in effect suffering from a kind of theoretical repetition-
compulsion regarding these mantras) was unbeknownst by himself ultimate-
ly writing on a word. This magical word, the commentator would see
reflected in different aspects of the theory, and it could be put into play in
numerous possible permutations; permutations one could multiply by con-
sulting dictionaries and encyclopedias to trace its history and etymology to
reveal new, hidden, and surprising meanings. The effect of this approach
was that after one had had a first encounter with some significant Nietz-
schean text (which might be represented by a single or a few passages), one
could suspend the reading of Nietzsche in his totality. The strategy allowed
the post-modern deconstructionist to playfully exercise his or her associa-
tions over a word, feeding these associations with carefully selected textual
material, in the assumption that these selections would epitomize
2 0. Introduction
1
James, William: The Principles of Psychology, vol. I. New York (Dover Pub-
lications), 1890/1950; p. 300.
2
The present introduction, I understand as an outline and summation of posi-
tions more detailed described, and further elaborated, in the main text. For that
reason, I abstain at this point from detailing my references to the work of
Nietzsche-scholars I am using, since they are copiously cited in what follows.
For the same reason, I also abstain from quoting Nietzsche himself in order to
substantiate my claims, since this too is scrupulously done in the main text.
The introduction is a recapitulation of the entire work; it is written as the last
phase in a long journey as an outline and summation of research already per-
formed; it seems redundant to repeat this research process yet again, and
expand the text beyond what is strictly necessary. Therefore, in the present in-
troduction, I limit my acknowledgment of commentators of importance for the
interpretations of Nietzsche to a brief string of names.
1. Nietzsches Theoretical Consistency 5
Like much of the newest Nietzsche research, the present work too under-
stands itself as ‘post’ post-Modernism. Like several recent Nietzsche-
scholars, we too believe that this post-Modernist Nietzsche has had his day.
If or when post-modernism is advertised as cutting-edge theory, half a cen-
tury after these interpretations were first proposed, we believe that the
commentator reveals a rather conservative bend of mind.
We read with interest Nietzsche’s recent receptions by more historically
and philologically interested commentators (including for example, C. Em-
den, G. Moore, T. Brobjer, R. Small, C. Cowan, & A. Urs Summer). We
see in this new reception an intention to understand Nietzsche in his histori-
cal, cultural, and intellectual contexts; implying that the scholar takes upon
him or herself reading a large material of texts that would have constituted
the intellectual background and inspiration for Nietzsche. Placed into this
historical-intellectual context, it becomes also far more evident to see the
Nietzschean project as a reaction to the contemporary evolutionary-
cognitive-psychological debates of his day; a dimension almost entirely lost
in the post-modern paradigm.
While thus we find this historical research highly valuable, and we gen-
erally see it as indispensable to be acquainted with some of the textual
material that inspired Nietzsche (in the present work, we put a strong em-
phasis of the trinity, Kant, Schopenhauer, and Lange, but include also
discussions of a number of philosophical and scientific texts that may today
have only historical interest, but had significance to Nietzsche), still, the
present work is not and does not pretend to be a historicist investigation. Its
3. On the Difference between Deconstructive and Reconstructive Thinking 7
contemporary Germany and the Germans. But in any case, his thinking has
positively defined objects.
The truistic fact that we represent an object in a text, does not imply that
the object is a text, as little as events represented on the television-screen
are ‘in’ the television. Writing surely is our most typical means of represen-
tation, but that does not mean that what we represent by means of writing is
also writing. The misunderstanding comes about thanks to a confusion of
means of representation and represented. The text is always in Nietzsche
only a means of representing something outside the text. It is not his idea
that the text’s outside represents the text’s own inside. The internalization
of a moral imperative is supposed to have happened; the human being sub-
jected to the moral imperative is supposed to feel actual guilt; the
suggestion of a ‘super-human’ that might transgress the current situation is
supposed to address a possible real future, etc. That we are able to suspend
references to ‘outside’ objects by applying the phenomenological epochè in
order to study formal conceptual structure, is a purely ‘theoretical attitude’
– a methodological pose, as we say – that does not contradict the general
proposition that Nietzsche must always be seen as thinking about some-
thing.
So, what is Nietzsche thinking about; what is Nietzsche’s thinking
about? In the aspects of his philosophy that we are here pursuing, Nietzsche
is most fundamentally thinking about cognition and mind. This aspect was
suppressed in much late 20th century commentary (however, rediscovered
by the above-mentioned cultural and intellectual historians, and also fre-
quently addressed by a newer generation of German commentators; e.g., W.
Müller-Lauter, J. Simon, G. Abel, W. Stegmaier, R. Gasser, & E. Schlim-
gen) for the understandable reason that if Nietzsche’s philosophy is
frequently about the mind, then he can be seen, not only as thinking about
something, which is supposed to have an empirical manifestation, therefore
a ‘self-presence.’ Moreover, it becomes doubtful if Nietzsche is really such
a good ally to the post-modernists in the current “science wars” fought be-
tween the humanities and the sciences in especially North America. If
Nietzsche is solidly imbedded in the scientific paradigms of his day, it casts
doubts on the cultivated image of Nietzsche as the poeticizing philosopher
engaged in playful transgressions; the thinker who is never serious, who
knows all the traps of metaphysics, and dances his way out of their reach.
In Nietzsche’s epistemology and subject-philosophy, we are always re-
turning to the mind, cognition, and knowledge. It is the mind that perceives
(what has consequences for his theory of perception); it is the mind that
‘simplifies’ (what has consequences for his cognitive theory); it is the mind
that ‘interprets’ (what has consequences for his theory of meaning). It is be-
4. Nietzsche and the Intentional Object 11
cause we have a mind that we cannot have a notion of truth in the classical
sense. What is per definition located beyond the reach of our mind – as ei-
ther the Platonic forms or the Kantian in-itself – cannot be of any
consequence to the human being, because our mind, controlling our percep-
tion and our thinking, prevents us from perceiving or thinking the
absolutely independent and self-sufficient. It is also thanks to our malleable
minds that it is possible to format different human ‘types,’ like so-called
‘master’ and so-called ‘slave.’ It is even because of a certain repetition-
automatism characterizing our cognitive processes that we may experience
something like ‘eternal recurrence of the same’ (at least in what we shall
defend as the strongest and most pertinent interpretation of this enigmatic
concept).
If Nietzsche’s evolutionary-cognitive-psychological understanding of
mind and cognition is his main project, he suddenly becomes a highly
‘timely’ philosopher. This interpretation of Nietzsche is eminently relevant
for contemporary theories of mind, cognition, and neurology. An evolutio-
nary-cognitive-psychological epistemology has several advocates in modern
thinking, some of who nicely continue the Nietzschean project and focus on
both evolutionary and cognitive descriptions of the mind (e.g., R. Penrose,
P. Churchland, D. Hofstadter, M. Solms, H. Tetens, & D. C. Dennett). Still,
it is not our explicit purpose in this work to juxtapose Nietzsche and mod-
ern neuro- and cognitive sciences. That would require another treatise. In
this work, we shall confine ourselves to the contemporary, or near-
contemporary, discourses and paradigms of which Nietzsche was a part.
5. Chapter-Descriptions
In our first chapter, we start with what best represents Nietzsche’s philo-
sophical beginning; we start with a reading of the brief essay Über
Wahrheit und Lüge im aussermoralischen sinne (WL). The essay is proba-
bly the most frequently commented about of Nietzsche’s texts, attracting
commentators from a wide range of different traditions (cf., S. Kofman, P.
de Man, W. Klein, C. Crawford, M. Clark, R. Schacht, C. Emden, & G.
Moore). The essay has ignited a debate especially on Nietzsche’s concept of
truth and his concept of metaphor; less about his concept of concept, which
we find equally important and shall include below.
For some traditions, Nietzsche’s discussions of truth are full of contra-
dictions, because he is apparently discussing truth in more than one sense.
12 0. Introduction
the contrary been offended in their basic dogma, the strongly internalized
belief in the correspondence theory of truth, and the accessibility to the
world as fact. The latter also do not see any reason for erasing the differ-
ence between literal and metaphorical language, because then one is merely
left with an inflated notion of metaphoricity, unable to distinguish different
language-uses, which does not seem to be a theoretical gain (e.g., A. Danto,
A. Nehamas, M. Clark).
In our work, we have articulated the problem differently. Only in a high-
ly qualified sense, we see Nietzsche’s notion of metaphoricity as ‘inflated.’
Preferably, we see it as a completely new concept, with only system-specific
meaning. Like in our example of Nietzsche’s priest, Nietzsche’s metaphor
has only superficially connotations to ‘metaphor’ as used in classical rhetor-
ical theory from Aristotle to Perelman. Its conceptual range has been
expanded; in the expansion, it has perhaps retained a few elements from
classical theory, but largely, Nietzsche has given the concept a new concep-
tual sphere. ‘Metaphor’ has in Nietzsche lost its commonsensical value, and
been re-invested with new values. Now it lingers in his theory as an incom-
prehensible ‘x,’ whose meaning-structure it is the commentator’s task to
reconstruct and better describe. In the classical sense, a metaphor replaces a
literal expression with a figurative expression; one word or phrase in a sen-
tence-construction is replaced with another word or phrase. We
immediately see that Nietzsche’s ‘metaphor’ replaces nothing. (1) Images
supposedly replace nerve-stimuli, but nerve-stimuli have no representation
to begin with, why the ‘image’ as a ‘metaphor’ ‘replacing’ it can be nothing
but pure and spontaneous creation. (2) Words supposedly replace images,
but images belong to visual perception, not to our linguistic capabilities.
Images do not make up a language replaced with a more poetic and figura-
tive language in the form of words. Nerve-stimuli, images, and words are
distinct spheres, and when something is ‘transferred’ from one sphere to
another, the transfer is uniquely original. Therefore, Nietzsche’s ‘metaphor’
replaces a void, implying that it replaces nothing, implying that Nietzsche’s
‘metaphor’ is pure and spontaneous creation, implying that it gives repre-
sentation to something, which originally have no representation.
Nietzsche’s ‘metaphor’ is thus another word for ‘sign.’ By means of signs,
we orient ourselves in the world. Images are such signs, as are words.
Nietzsche’s notion of ‘metaphor’ can therefore be said to be ‘inflated,’ but
only because its system-specific meaning equals ‘sign,’ and because we can
think of no science that does not employ signs.
This reading makes Nietzsche’s theory of ‘metaphor’ entirely harmless
(perhaps even trivial, but we fear not the trivial – especially not when it
provides the best explanation!), and we furthermore understand that in this
5. Chapter Descriptions 15
sense of ‘metaphor,’ Nietzsche does not see language as playful in the post-
modernist sense, since signs are employed, not only in creative and imagin-
ative writing, but also in rigorously formalized languages, such as logic and
mathematics. Nietzsche’s ‘metaphor’ has meaning only within a highly ab-
stract epistemology that generally asserts that our access to so-called
‘reality’ is necessarily sign-mediated. It is in the best sense a foundational
theory, reaching several levels deeper into the enigma of knowledge-
formation, than the superficial distinction between ‘literal’ and ‘figurative’
in classical rhetoric.
distance, and their luminosity. This again enables us to set up tables that de-
termine a near-constant value for the proportionality between for example
mass and luminosity. This table may give us the illusion of a law-governed
universe, thanks to which we may quickly identify a newly observed star
according to our preconceived parameters; but – however impressive the
scientific achievement is – we have exclusively addressed a surface, not a
nature, of things. We have classified only an appearance, that is, an ap-
pearance for-us, appearing according to our exclusive human optics, our
perceptive designs, as we shall explain in better detail in the chapter below.
Beneath the surface, Nietzsche suggests his so-called chaos or world of
becoming. To live in a world of chaos remains our fundamental condition.
It is upon this chaotic foundation, we build our fragile conceptual systems.
Chaos is the nether limit in Nietzsche’s ontology. If being is ultimately
chaos, it implies that there is no nature of things, no thing-in-itself, no hid-
den laws or principles or designs for us to discover, or which by happy
accident we might tumble into. This implies again that our conceptualiza-
tions and classifications are exclusively our work, that science necessarily
has this inescapable anthropomorphic (or ‘narcissistic’) dimension.
Nietzsche’s ontological foundation is the chaos that we cannot access as
such, but can approach only through simplifying processes. Our perceptive
image-making as well as our linguistic language-making are such simplify-
ing processes.
We as such simplify in two stages; and we even seem to be simplifying
two qualitatively different grounds. First we simplify thank to our ‘human
optics.’ This fundamentally means that we see the world as we are capable
of seeing it. That is, the world as it appears to us through our perceptive de-
signs, strongly favoring visual perception, but a visual perceptive system
exclusively designed for humans. (For example, humans see the world in
color (some mammals do not); humans see a limited band of wavelengths
(birds see the world in a far broader band of colors); humans see the world
in three-dimensional perspective (insects do not, and may not even have
visual perception), etc.) As such we see a surface, and habitually believe
that the world is a surface; a surface that may retreat into the horizon, or
draw near just under our noses. Since there is no law guaranteeing that the
world in-itself ‘looks’ exactly as we see it (nor, indeed, that it is a surface),
we must have ‘falsified’ something originally there, but which may look
different from, as Nietzsche says, another “point.” That which is originally
there, that which is open to all possible perception – visual, auditory, tactile,
olfactory – we will now call the Ur-ground. We have no choice but to sim-
plify, thus falsify, this Ur-ground. Per human constitution, we have
perceptive designs, and are not equipped with extraordinary means by
5. Chapter Descriptions 17
‘personality’ (nor, for that matter, any ‘personality-split’), but rather an in-
definite number of ‘ego-positions’ or ‘ego-clusters’ competing against each
other for ‘power’ in the chaotic self.
In the theory of the split subject, we notice that there is in Nietzsche two
ways in which a subject may split; consequently, two levels for discussion
of the condition. When Nietzsche addresses the ‘split subject’ in its most
general sense, he inherits a discussion introduced by Descartes and contin-
ued by Kant as its two major representatives. This discussion concerns the
nature of the I and the ‘thinking’ in ‘I think.’ We see Nietzsche continuing
and radicalizing the critique of the Cartesian ‘I think’ first introduced by
Kant in his famous chapter on the “Paralogisms of Pure Reason” (from
KrV). Already here Kant recognized that there was an unbridgeable gap be-
tween a formal ‘I’ and empirical ‘thinking.’ The I was in Kant no longer
understood as a substance, but as a formality. That to which the I might be
‘referring’ had at best the status of an unknowable and inaccessible thing-
in-itself, explicitly labeled ‘x’. We see Nietzsche continuing this concep-
tion, since he too conceives of the I as a purely fictional construction, with
no reference to a substantive nature of the self. However, Nietzsche ex-
plains the temptation in the Rationalist tradition to misinterpret I as
substance differently from Kant. At the core of this misinterpretation,
Nietzsche too locates a ‘paralogism,’ but if in Kant, the rationalist tradition
misunderstood the notion subject, and applied to it two different meanings
in respectively the major and minor of a syllogism, in Nietzsche analysis,
the rationalist tradition imitates the subject-predicate logic from conven-
tional grammar, and applies it as a substance-accidence scheme to
subjectivity. In Kant, one had been seduced by reason itself. In Nietzsche,
one had been seduced by language. To Nietzsche, the tradition had appro-
priated the grammatical subject and made it a matrix for the existential
subject.
As we shall see, the I as a formality (in Kant) and as a grammatical sub-
ject (in Nietzsche) has a strong family-resemblance to Emile Benveniste’s
recent determination of the subject of enunciation (subject of discourse). In
Benveniste too, the subject is without essence, determined merely by the
performance of “the one who says I in the instance of enunciation.” This I is
instrumental for communication, because in use, it necessarily constitutes
itself as self opposed to the other addressed, the you. It thus constitutes an
elementary self-other opposition in the dialogical situation. In Benveniste,
this I designates, in all instances, the one who says I, as such designating
nobody in particular, therefore cannot provide us as speakers with any subs-
tantive knowledge of ourselves. Still, it is necessary in the communicative
or dialogical situation, since without this ability to refer a discourse to an I
5. Chapter Descriptions 19
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