Surrealism

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Surrealism

(in French: Surrealisme). Surrealism is a literature and art trend that took place in
the 1910s – 1920s in France. It was based on the philosophy of intuitionism,
mystical religious doctrine in Eastern regions, and Freudianism; many theses of
surrealism theorists appear to be relatively close to the Zen Buddism. These
theorists considered German romanticists to be their predecessors, and viewed poet
G. Apollinaire and Italian artist G. de Chirico as their dear pioneers. Despite
arising among writers, surrealism was more prominent in art (S. Dali, J. Miro, J.
Tanguie, G. Arpe, M. Ernst, A. Masson, R. Margitt,…). Many founders of this
trend were renowned writers such as L. Aragon, A. Breton, F. Soupalt, P. Eluard,
R. Desnos, A. Artaud, R. Vitrac, T. Tzara,…
The aesthetics of surrealism was stated in A. Breton’s “Manifesto of Surrealism”
(1924) and in many other fundamental works of people following surrealism (The
Surrealist Revolution journal, 1924-1929). Surrealism aims to release the “ego” of
human from the bondage of materialism, logic, rationality, morals, traditional
aesthetics, which they considered to be the grotesque results of capital civilizations
hindering human’s creativity. The ultimate truth of the present, according to
surrealists, lies in the area of the subconsciousness, and art is supposed to reveal
and express it in the artistic works. The foundations of the surreal way to create,
according to A. Breton, is “the purely psychological automation whose target is to
express the present functions of thoughts through oral or written speech or any
other methods.” Artists should resort to all of their subconscious experiences such
as dreams, illusions, deliriums, childhood memories, mystical figures,… The
artistic effects of surreal works are based on absolutizing the principle of artistic
antagonism. As stated by P. Reverdy, images originate from “uniting the distant
and fractured realities”. In surrealists’ works, methods such as illogicalization,
paradox and surprise making, combining the uncombinables,… were cultivated to
their limits. Thereby, surrealists were able to create a distinguished artistic
atmosphere of extreme realities that can only be found in the works of this trend.
In poetry, especially in romantic poems – surrealists’ favorite literary form, the
starting model of all creating actions is “automatic writing”, which is shorthand
writing words, anecdotes, obsessing images… popping up in our minds. On surreal
stage (whose theorist is A. Artaud) and surreal cinema, the “true present” is
determined by the fiction style with abrupt, peculiar and astonishing pieces, scenes,
phases.
As a trend or a movement, surrealism existed only in a short period of time.
However, numerous artists and writers who had participated in the movement still
carried on creating new works in surreal style. Methods of surrealism is continually
utilized in cinema ( L. Bunuel can be seen as an example), in “Theatre of the
Absurd” (E. Ionesco, S. Beckett), in decorative art, artistic photography, and
television.

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