Sound Opus Er Guide
Sound Opus Er Guide
Table of Contents
1 Introduction 7
1 Requirements ............................................................................................................................................................... 8
2 Workspace 9
1 Project window ......................................................................................................................................................... 13
2 Managing projects .................................................................................................................................................... 15
3 Customizing toolbars ............................................................................................................................................. 18
4 Customizing panels ................................................................................................................................................. 20
5 The status bar ............................................................................................................................................................ 22
6 Workspace presets ................................................................................................................................................... 22
7 Keyboard shortcuts ................................................................................................................................................. 23
3
Contents 4
8 Multitrack mixing 88
1 Track, clip and automation lane .......................................................................................................................... 89
2 Working with tracks ............................................................................................................................................... 89
Add, delete and arrange trac ks ............................................................................................................................... 90
S et trac k output and sends ...................................................................................................................................... 92
Adjust volume and pan ........................................................................................................................................... 93
Mute and solo ......................................................................................................................................................... 94
Add effec ts to trac k ................................................................................................................................................. 95
Trac k automation ..................................................................................................................................................... 96
The Trac k panel ....................................................................................................................................................... 96
The Mixer panel ...................................................................................................................................................... 97
9 Snap 129
10 Undo, redo and history 130
11 Working with markers 131
12 Edit metadata 135
13 Working with effects 137
14 Effects reference 141
1 Amplitude and compression .............................................................................................................................. 141
2 Delay and echo ........................................................................................................................................................ 144
3 EQ ................................................................................................................................................................................. 147
4 Modulate ................................................................................................................................................................... 148
5 Reverb ........................................................................................................................................................................ 151
6 Container .................................................................................................................................................................. 155
5
Contents 6
Index 0
1 Introduction
Soundop is a comprehensive audio editing software with audio file editing, multitrack
mixing, CD burning, and batch processing in a single application that supports 32-bit
and 64-bit Windows.
Soundop supports seamless workflow between projects. You can edit audio sources in
the mixing project directly in the file audio editor and preview the effect in the mixing
project without saving modified audio files.
The user interface of Soundop is flexible and easy to use. You can work with Soundop
in single-window or multiple-window mode. Each type of project has a specific
workspace layout, and you can define workspace presets for the multitrack editor and
audio file editor.
Soundop supports loading audio from most audio and video formats and saving to
major audio formats. And you can play and record audio with MME, ASIO, WASAPI,
and DirectSound audio drivers that best suit your system. Soundop also comes with
audio CD support. You can extract tracks from audio CDs and burn an audio CD with
custom tracks gaps.
Soundop has extensive support for audio metadata. You can work with multiple
metadata formats such as RIFF, AIFF, ID3, and have a clear view of metadata formats
supported natively by different audio formats. And you create audio loops by adding
ACID loop information or create loop points with the built-in sample loop editor.
The batch processor of Soundop can apply processors with predefined time and
frequency range to multiple audio files.
Soundop includes well designed built-in effects such as EQ, Compressor, Limiter,
Reverb, Chorus, Flanger, Phaser, and more. It also has well support for third-party VST
and VST3 plug-ins.
Soundop uses the 32-bit float internally to process audio with excellent quality.
You can view and edit the spectrum directly with effects and processing tools such as
Noise Reduction, Time Stretch and Normalize in the audio file editor. With analysis
tools such as Frequency Analysis, Phase Analysis, Correlation Meter, and Loudness
meter, you can have detailed audio data insights.
1.1 Requirements
Operating system
Windows 10, 8.x, 7
Audio device
Windows MME or ASIO compatible sound card
2 Workspace
The workspace for each project type has different settings of the main menu, toolbars,
status bar, and panels. You can customize the layout of toolbars and panels separately
for each project type.
· Active w indow
Open new projects in the current window.
· Project type w indow
Open new projects in a window of the same project type.
· New w indow
Open new projects with a new window for each file.
· Double click or press Return on the keyboard to switch to the selected project.
· Drag the empty tab area of a panel group to float the panel group or dock to a new
location.
· Choose Save as New Workspace to save the current layout as a new workspace preset.
· Choose Delete Workspace and choose a workspace preset in the dialog to delete it.
· Choose Reset Workspace to reset the layout to the default of the current workspace
preset.
· Choose Update Workspace to update the default layout of the current workspace
preset.
· MME
· WASAPI
· WASAPI (Exclusive)
· DirectSound
You can choose the one that works best for your system in the Audio Device preference.
Mixspaces
Soundop use Mixspace as the alias for the multitrack mixing project. A mixspace has a
folder to store the project file and audio files used in the project.
· Create a new mixspace.
CD projects
The CD project is for arranging audio tracks and burning them to a CD.
· Choose File > New CD Project to create a new CD project.
Batch processors
With the batch processor, you can process multiple audio files with pre-created
processors.
· Choose File > New Batch Processor to create a new batch processor.
2. Enter the name and set the new audio file's sample rate, channels, and bit depth.
· Drop audio files to the Start panel or the audio file editor.
· Choose File > Append Audio File to append audio files to the current audio file.
3. Choose the CD-ROM drive from the drive list if there is more than one CD-ROM
drive.
4. Achieve track information from the Internet automatically or manually, or edit the
track information yourself.
5. Preview the audio tracks and select the tracks to extract.
6. Click OK to start extracting.
· Select the files, and choose Open Files in the shortcut menu.
· Select a project item and press the Enter key to open it.
· Select project items and choose Close Selected Projects in the shortcut menu to close
the selected projects.
· Choose Close All Projects to close all opened projects.
5. Time selection.
6. Vertical scrollbar.
7. Track control view.
· Hold and drag the middle button of the mouse to scroll horizontally.
· Hold and drag the middle button of the mouse to scroll horizontally.
· Ctrl + Click and drag to select a range to zoom to the specified range.
· Choose Zoom Reset(Amplitude) in the shortcut menu to reset the zoom scale to
default.
· Double click the amplitude meter to reset the zoom scale to default.
Set cursor and selection in spectrogram view, waveform view, and multitrack
view
· Select the Time Selection tool, then click and drag in the view.
· Drag left or right edge of the selection to adjust the time range.
· Shift + click and drag to set the left and right edge of the selection.
· Click and drag on the upper half of the ruler to set the cursor position.
· Shift + Click in the time selection on the ruler and drag to move the selection. The
edge near the mouse will subject to snap.
· Press Ctrl + left/right arrow to move the cursor to the previous/next position.
· Ctrl + Shift + Left/Right Arrow to move the right edge of the selection.
· Select the Marquee tool and drag out a rectangle to select the specified time-
frequency range.
· Drag the edge and handle of the marquee selection to adjust the time-frequency
range.
6.6 Playback
Soundop provides versatile options to play audio ranges and other options for scroll
and cursor position during playback.
Play parts according to current time selection with the Transport menu or
shortcut menu of the Transport panel
Scrub
· Choose Transport > Shuttle Right to speed up playback forward.
· Click to show the edit control, then input the value of the position.
4. You may also click the Pause button in the Transport panel to pause or resume
recording.
Monitoring input
You can monitor input audio levels with the Levels panel and monitor other properties
with the Frequency Analysis panel, the Phase Analysis panel, and the Correlation panel.
Record mode
Choose commands under Options > Record Mode to set record mode to Overwrite or
Insert.
Timed Record
Choose Transport > Timed Record to set the start time and length to record and click OK
to start record.
· Choose Edit > Cut to cut selected audio or cut all if there is no selection.
· Choose Edit > Copy to New to create a new audio file with copied audio besides the
copying operation.
Paste
· Choose Edit > Paste to replace selected audio with data from the clipboard or or insert
the clipboard data at the cursor position.
· Choose Edit > Paste to New to create a new audio file with data in the clipboard.
Mix Paste
Choose Edit > Mix Paste to mix data from the clipboard with the data at the target area.
7.3.1 Amplify
Steps to amplify audio selection
1. Choose Tools > Amplify.
7.3.2 Normalize
You can normalize audio data according to sample peak, true peak, loudness, and
RMS.
· Set Fade Type and Tension to change the shape of the fade curve.
· Spline
Use the points to generate a spline curve as the gain envelope.
3. Set the FFT Size to change the resolution of the noise profile.
7.5 Interpolation
Choose Tools > Interpolate to replace the selected audio with an estimation based on the
audio data before and after the selection.
5. Add effects to the FX rack, adjust the parameters, and play the audio selection to
preview the effect.
7.8 Silence
Insert silence
To insert silence at the cursor or replace time range with silence:
1. Set cursor to insert position or select time range to replace with silence.
2. Choose Edit > Insert Silence and set the length of silence in the dialog.
Mute selection
To mute time range selection or spectrum selection:
1. Select the audio that you want to mute.
2. Choose Tools > Silence.
Reverse
Reverse audio data will reverse the playback sequence.
To reverse audio:
1. Select the audio data to be reversed or clear selection to reverse the entire audio.
2. Choose Tools > Reverse.
Generate tone
1. Set the insert position or select a time-frequency range to replace or mix.
2. Choose Tools > Generate Tone.
Generate noise
1. Set the insert position or select a time-frequency range to replace or mix.
2. Choose Tools > Generate Noise.
Generate speech
1. Set the insert position or select a time-frequency range to replace or mix.
2. Choose Tools > Generate Speech.
2. Set the sample rate, channels, and bit depth for the target sample type.
3. Choose whether to dither when converting bit depth.
· Choose File > Export Selection to export only selected audio to a new file.
· Choose File > Export Audio within Range Markers to export audio within ranges
makers to separate files.
2. Soundop will create new audio files with audio data from each channel, and you can
save the files next.
7.18 Processor
To automatically perform several editing operations to an audio file with a single
command, Soundop uses processors that may contain multiple actions for such
purpose. An action defines an editing operation with parameters and selection. You can
run the processor on an audio file or use it in the batch processor to process multiple
files.
3. To change the processor name, click the processor name in the process list.
Remove processors
1. Select processors in the processor list
2. Click the Remove Processor button or select Delete Selected Processors in the shortcut
menu of the processor list.
Remove actions
· Select actions in the action list, click the Delete Selected Action button or select Delete
Selected Actions in the action list's shortcut menu.
· Choose Delete All Actions in the shortcut menu of the action list to delete all actions.
· Select the action and click the Edit Action button or select Edit Selected Action in the
action list's shortcut menu.
You can right-click on the processor list and choose Edit Keyboard Shortcuts to open the
Keyboard Shortcuts dialog's Processor page.
· Select a processor in the processor list and click the Run Processor button or choose
Run Selected Processor in the processor list's shortcut menu.
· You can adjust the output from all tracks in the master track.
2. Pre-fader sends.
3. Volume.
4. Post-fader effects.
5. Mute.
6. Post-fader sends.
7. Pan.
8. Solo.
· Choose Mixspace > Add Stereo Audio Track to add an audio track with stereo output.
· Choose Mixspace > Add Mono Bus Track to add a bus track with mono output.
· Choose Mixspace > Add Stereo Audio Track to add a bus track with stereo output.
· Choose Mixspace > Duplicate Selected Track to add a copy of the selected track.
Delete a track
· Choose Mixspace > Delete Selected Track to delete the currently selected track.
Rename a track
· Click the name of a track in track controls or Track panel to input the selected track's
new name.
Reorder tracks
2. Pan knob.
1. Mute button.
2. Solo button.
Solo commands
There are two commands defined for track solo. You may set shortcuts for those
commands to use them.
· Mixspace > Solo Track.
To follow solo with the selected track, you may choose Options > Solo Follows Selected
Track.
When setting the active track with the following operations, the active track will solo
automatically.
· Left-click on a track.
Automation mode
You can select a specific automation mode in the Editor panel or Mixer panel to record
or play with parameter envelopes.
Automation lanes
You can add automation lanes to a track to view and edit envelopes manually on the
lanes.
1. Click to manage automation lanes. You can add or remove lanes, show or hide lanes
by choosing commands in the menu.
2. Click to select automation mode of track.
For more details, see Automation.
The sections in the panel can be expanded or collapsed. You can resize the FX Rack
section and the Sends section to fit their content by dragging the separator at the
bottom.
Gain
Adjust the volume.
Mute
Mute clip output.
Loop
Loop source audio within the clip.
Fade in/out
Fade in/out at head/tail of clip for a smooth transition.
Volume and pan
Set the automatable volume and pan in the Clip Automation panel.
Effects
Edit effects applied to clip output.
Automation
Automate parameters of clip effects.
3. Monitor button.
Record clips
There are several ways of recording clips in a specific time range.
· Click the Record button on The Transport panel to start recording. If there is no time
selection, the recording will begin at the cursor position; otherwise, the recording will
only take place in the time range selected.
· Choose Transport > Punch In Record to start recording at the beginning of time
selection until stop.
· Choose Transport > Loop Record to record multiple clips in the time selection.
You can stop recording by clicking the Record button or Stop button in the Transport
panel.
Record pre-roll
You can set the preference on the Playback preference page to record extra audio
before the clip.
· Ctrl + click on a clip to add the clip to or remove the clip from the selection.
· Choose the Object Selection tool and drag out a rectangle to select clips.
· Choose Edit > Paste to paste clips at the cursor position in the selected track.
Drag clips
You may drag clips to change position and move clips to other tracks.
To drag clips:
· Click a clip and drag if the Object Selection tool is selected.
Nudge clips
· Choose Clip > Nudge Left to move clips one pixel to the left.
· Choose Clip > Nudge Right to move clips one pixel to the right.
Resize clip
· Drag the left or right edge of a clip to change the length of the clip. If the clip is not
looped, the clip length will be limited to the length of the source file.
· Choose commands under Clip > Trim to trim the selected clips to time selection or
edit-cursor.
Resizing a clip
Split clip
· Select the Split tool and click on a clip to split one clip at the mouse position.
· Choose Edit > Split to split selected clips at the cursor position if there is clip selection
or split all crossing clips if there is no clips selection.
· Choose Edit > Split Clips in All Tracks to split all crossing clips.
Align Sequentially
Order the clips from different tracks sequentially in the timeline.
Align to Begining
Move clip selection to start at the beginning.
Align to Cursor
Move clip selection to start at edit-cursor.
Clip name
When a clip is created, it is named automatically, and the name can be edited in the Clip
panel afterward.
Clip color
You can change the color of clips in the timeline to identify a clip with a particular color.
Mute clip
You can mute a clip to disable the audio output of the clip. The muted clip will be
displayed in a gray tone in the timeline.
Loop clip
By default, the clip length can't exceed the length of its source. You can loop the source
audio in the clip with unlimited length but turning on Loop for the clip.
Clip transparency
When a clip overlaps with another clip in the track, only the clip on the top is audible by
default. You can turn on Transparent of the top clip to make the clip at the bottom audible.
A clip will show transparently in the timeline if it is set as transparent.
Gain envelope
The volume of a clip can also be changed with the gain envelope. The envelope can be
edited the same way as the envelopes of effect parameters, with the waveform of the clip
changed accordingly.
Crossfade
When crossfade is enabled for two clips, dragging one clip to overlap with the other
will automatically crossfade the two clips.
To enable crossfade:
· Turn on crossfade in the Fade section of the Clip panel.
· Choose Edit > Delete Range in Selected Clips to delete time range in selected clips.
· Choose Edit > Delete Range or choose Delete Range in the shortcut menu to delete
time range in all tracks.
· Choose Edit > Delete Range in Selected Track or choose Delete Range in Selected Track
in the shortcut menu to delete time range only in the selected track.
· Choose Edit > Clear Range or choose Clear Range in the shortcut menu to clear the
time range in all tracks.
· Choose Edit > Clear Range in Selected Track or choose Clear Range in Selected Track in
the shortcut menu to clear time range only in the selected track.
Insert silence
Inserting silence on track will split clips at the cursor position and move the audio
contents after the cursor position forward by silence length.
· Choose Edit > Insert Silence or choose Insert Silence in the shortcut menu to insert
silence at the cursor position in all tracks.
· Choose Edit > Insert Silence in Selected Track or choose Insert Silence in Selected Track
to insert silence at cursor position only in the selected track.
Remove gap
When you right-click on the gap between two clips, you may choose Remove Gap in the
shortcut menu to remove the gap.
Each section of the panel can be expanded or collapsed. You can resize the FX rack
section by dragging the separator at the bottom.
If the selection is a group, you can edit the group name and color in the panel.
Also, the clips can be grouped and ungrouped in the panel.
When you rename a clip or link source file for a clip, you also set the name and source
of the active take.
Clip lanes
A track may have multiple clip lanes, which act as alternatives for the track's active
clips.
With clip lanes, you can create several versions of a track and do comparing and select
the best parts.
8.5 Automation
Automation is to change parameters automatically with envelopes when playback and
mixdown. You can record envelopes when playback or manually edit envelopes in the
automation lane.
Automation Mode
Automation modes are used to control playback or recording of the envelope They are
specified as the following:
· Off
Ignore envelopes when playback and mixdown.
· Read
Apply envelopes when playback and mixdown.
· Write
Record parameters when playback.
· Latch
Start recording parameters when adjusted, and stop recording until playback stops.
Automation Lane
Automation lanes are used to view and edit envelopes. You can add multiple lanes for
one track or clip.
1. Envelopes button.
2. Lock button.
Show envelopes
1. Click the Envelopes button.
2. Choose Select Envelopes in the menu to show the dialog to select envelopes displayed
in the lane.
The selected envelopes are highlighted in the tree of available envelopes. Double-click
the name of an envelope in the tree can switch its selected state.
Lock envelope
If the automation envelope of a parameter is locked, you can prevent it from being
changed when recording automation.
To lock the active envelope, click the Lock button.
· Select Object Selection tool and drag in the lane to select points within a time range.
· Right-click in a lane and choose Select All Envelope Points to select all envelope points.
· Click the Delete All Envelope Points button to delete all points.
· Right-click on the Unused folder and select Delete All Unused Files.
· Right-click on a file in the External folder and select Replace with Internal File.
Freeze track
· Choose Mixspace > Freeze Selected Track.
· Click the Freeze button in the FX rack section of the Track panel.
Freeze clip
· Choose Clip > Freeze.
· Click the Freeze button in the FX rack section of the Clip panel.
Unfreeze
· Click the Freeze button to unfreeze manually.
· When there are any modifications of a track or a clip that will invalidate the cache,
the track or clip will unfreeze automatically.
Tail length
Some effects like delay and echo may have tail after input audio has ended. For the
tracks and clips with the Tail turned on, there will be a dialog to input the tail length
before freeze track and clips.
Fit to content
When exporting mixdown, the length of tracks may longer than audio contents; to
avoid trailing silence, turn on the Fit to content option.
Export tracks
To export tracks as separate files, turn on the Export tracks option and select tracks to
export in the drop-down list.
Soundop will name the audio files after the track title and set the Track number and
Title of metadata as track index and track title.
Save As
The Save As command will create a copy of the project file in the specified location.
9 Snap
Soundop can snap the position when using the mouse to drag objects in timelines,
such as dragging the cursor or the selection's edge in the Editor panel. The snap
position could be ruler units, marker positions, and the edge of clips in mixspace.
Snapping makes it easier to align elements to a specific location. You may enable or
disable it as you prefer.
Toggle snap
· Choose Edit > Snap.
Revert to a state
All editing operations constructed a list of states. You can revert to a state in the History
panel instantly by clicking the corresponding item in the panel.
Markers panel
All markers are listed in the Markers panel, and you can view and edit markers in the
panel.
Add marker
To add markers to the current cursor position or time selection:
· Choose Edit > Add Marker.
Move marker
To change position or range of marker, do one of the following:
· Drag the marker indicator in the Editor panel.
Select marker
· Click a marker indicator in the Editor panel to select the marker.
Delete markers
To delete selected marks, do one of the following:
· Right-click on a marker indicator in the Editor panel and choose Delete Selected
Markers.
· Right-click on a marker in the Editor panel and choose Convert to Point or Convert to
Range.
Locate marker
To locate a marker in the timeline:
· Double click a marker indicator in the Editor panel.
· Right-click on a marker in the Markers panel and choose Locate Selected Marker.
· Click the description of a marker in the Markers panel to edit the description of the
marker.
Rename a marker
12 Edit metadata
Metadata is descriptive information about an audio file. You can use the Metadata
panel to view and edit metadata.
Metadata formats
As there are several metadata formats defined for different audio formats, Soundop
groups metadata in several tabs, with each tab contains items for one metadata format.
You may set the target audio format to show only the tabs contains metadata native to
that format.
Save metadata
When saving an audio file or exporting mixdown, besides native metadata, all metadata
will be embedded in the audio file if applicable or saved in an external file with the
"smx" extension. You may choose to save only native metadata in the Metadata
preference page.
Remove effects
· Click an item in the effect list to select one effect, Ctrl + Click or Shift + Click to select
multiple items, then press Delete on the keyboard to remove selected effects.
· Right-click on an item in the effect list, then choose Remove Selected Effects or
Remove All Effects in the shortcut menu.
Duplicate effects
· Select items in the effect list and Ctrl + drag to duplicate those effects.
· Right-click on an item in the effect list and choose Duplicate Selected Effects.
· Drag selected effects from one FX rack to another FX rack to move those effects.
14 Effects reference
Soundop provides a set of built-in effects in several categories.
Compressor effect
The Compressor effect reduces dynamic range by compress audio above a certain
threshold.
· Attack
Adjust the time needed to compress input at the target ratio when the input level
became above the threshold.
· Release
Adjust the time needed to stop compressing when the input level became lower than
the threshold.
· Look Ahead
Set the look-ahead time of processing.
· Sustain
Set the sustain time before the release phase.
· Link Channels
Set the ratio to process all channels with a similar gain envelope.
· Side Chain
Set whether to use the side-chain input to calculate the gain.
· Gain
Adjust the level to boost or attenuate the effect output.
· Mix
Set the ratio of the wet signal in the output.
· Vocal
Enable the vocal mode of the compressor.
Limiter effect
The Limiter effect limits amplitude to a certain threshold.
Parameter settings:
· Input
Set the input gain that is applied to input before applying the limiter.
· Ceiling
Set the maximum amplitude allowed.
· Saturation
Set the range below the ceiling to saturate audio.
· Look Ahead
Adjust the time needed to reach the peak value of attenuation.
· Sustain
Adjust the time length that the attenuation level sustains when the input level
becomes lower than the threshold.
· Release
Adjust the time needed to stop attenuation after the sustain phase ends.
· Link Channels
Set the ratio to process all channels with a similar gain envelope.
· Side Chain
Set whether to use the side-chain input to calculate the gain.
· Output
Adjust the level to boost or attenuate the effect output.
· Mix
Set the ratio of the wet signal in the output.
Parameter settings:
· Delay
Set the delay time of the input signal.
· Mix
Set the ratio of the delayed signal in the output.
· Invert
Set whether to invert the delayed input signal.
Echo effect
The Echo effect adds decayed echo to the output signal.
· Feedback
Set the attenuate ratio of echo.
· Echo Level
Set the percentage of input signal echoed.
· Low Cut
Set the cut-off frequency of the high pass filter to process echo.
· High Cut
Set the cut-off frequency of the low pass filter to process echo.
· Width
Set the stereo width of echo.
14.3 EQ
Parametric EQ effect
There are seven bands available to boost or attenuate audio in a specific frequency
range.
14.4 Modulate
Chorus effect
The Chorus effect simulates multiple voices with modifications to the original sound.
Parameter setting:
· Voices
Set the number of voices simulated.
· Delay Range
Set the modulation depth of delay.
· Delay Rate
Set the frequency of the delay cycle.
· Feedback
Set the percentage of output voices fed back to effect input.
· Spread
Set the range to spread voices with additional delays.
· Gain Depth
Set the modulation depth of gain.
· Gain Rate
Set the frequency of the gain cycle.
· Stereo Field
Set the range of stereo field to position each voice.
· Add Binaural Cue
Set whether to add different delays to each voice channel to make voices seem to
come from different directions.
· Dry
Set the percentage of the input signal in the output.
· Wet
Set the percentage of the chorus signal in the output.
Flanger effect
The Flanger effect modifies input audio with varying short delays and adds it back to
the original input.
Parameter setting:
· Delay
Set the initial delay of flanging.
· Depth
Set the modulation depth of delay.
· Feedback
Set the percentage of flanged signal that added back to the input.
· Mod Rate
Set the frequency of the delay cycle.
· Dry
Set the percentage of the input signal in the output.
· Wet
Set the percentage of the flanged signal in the output.
Phaser effect
The Phaser effect modifies the input audio with phase-shifting filters and adds it back
to the original input.
Parameter setting:
· Stages
Set the number of phase-shifting filters.
· Frequency
Set the frequency of the phase-shifting filter.
· Intensity
Set the variation range of phase shifting.
· Depth
Set the maximum amount of phase shifting.
· Feedback
Set the percentage of the phase-shifted signal fed back to the Phaser input.
· Mod Rate
Set the frequency of the phase-shifting variation cycle.
· Phase Diff
Set the phase difference between the two channels.
· Mix
Set the percentage of the original audio and processed audio.
· Gain
Set the gain value to boost or attenuate the output.
14.5 Reverb
Reverb effect
The Reverb effect simulates the acoustics characteristics of spaces with a relatively fast
and straightforward model.
Parameter settings:
· Pre Delay
Set the additional delay of reverberation.
· Width
Set the stereo width of the reverberation signal.
· Decay
Set the decay rate of reverberation in seconds.
· Damping
Set the cutoff frequency of the low-pass filter to attenuate high frequencies in the
reverberation process.
· High Cut
Set the cutoff frequency of the low-pass filter applied to reverberation.
· Low Cut
Set the cutoff frequency of the high-pass filter applied to reverberation.
· Dry
Set the percentage of the input signal presented in the output.
· Wet
Set the percentage of reverberation presented in the output.
Richverb effect
The Richverb effect simulates the acoustics characteristics of spaces with a relatively
complex model and requires more computation power.
Reverberation settings:
· Room Size
Set the room size of simulated space for reverberation.
· Width
Set the stereo width of reverberation.
· Decay
Set the decay rate of reverberation in seconds.
· Diffusion
Set the strength of diffusion in reverberation.
· Damping LF Freq
Set the crossover frequency of the low-shelf filter for damping.
· Damping LF Gain
Set the gain of the low-shelf filter for damping.
· Damping HF Freq
Set the crossover frequency of the high-shelf filter for damping.
· Damping HF Gain
Set the gain of the high-shelf filter for damping.
· High Cut
Set the cutoff frequency of the low-pass filter applied to reverberation.
· Low Cut
Set the cutoff frequency of the high-pass filter applied to reverberation.
· Pre Delay
Set the additional delay of reverberation.
Output settings:
· Early reflections
Set the percentage of early reflections presented in the output.
· Reverberation
Set the percentage of reverberation presented in the output.
· Dry
Set the percentage of the input signal presented in the output.
14.6 Container
The container effects provide ways to organize effects in a specific structure and process
audio as a single effect.
FX Group
The FX Group has a single group of effects, and audio data is processed sequentially by
its effects.
Mid-Side Splitter
The Mid-Side Splitter has two groups of effects, one for the Mid channel, one for the
Side channel.
1. Peak indicator.
2. Clip indicator.
· Right-click on the Levels panel and choose Reset Indicator to reset all indicators.
Customize
You can right-click on the Levels panel and choose commands in the menu to
customize level meters.
· Meter range
The decibel range to display levels.
· Static or Dynamic peaks
Use Static Peaks to retain max peaks or use Dynamic Peaks to show peaks of a short
period.
Monitoring input
· When a track is armed for recording, input levels are monitored in the track's levels
meter.
· When recording in Audio File Editor, input levels are monitored in the Levels panel.
Monitoring output
· When playback, track output is monitored if the track is not armed for recording.
· Audio data played on the output device is monitored in the Levels panel when
playback.
Target loudness
You can adjust the Target loudness to show the invalid range of loudness displayed in a
red tone. Color indicator and history curve of Integrated Loudness will turn to red if it
is above the target level.
Monitor input
Monitor output
When playback, audio data played on the output device is monitored.
Monitor input
When recording in the audio file editor, input signals are monitored.
Monitor output
Audio data played on the output device is monitored when playback.
· When there is no selection, click Scan All in the panel to calculate the spectrum of the
audio file.
· When there is selection, click Scan Selection in the panel to calculate the spectrum of
the audio selection.
· Right-click on the amplitude meter and zoom with commands in the menu.
· Right-click on the frequency meter and zoom with commands in the menu.
Export spectrum
Click Export Spectrum to export values of the spectrum to the clipboard.
Snapshot
Click the snapshot buttons to capture or release snapshots.
Monitor input
When recording in the audio file editor, input signals are monitored.
Monitor output
Normalize
RMS options
You can change the RMS settings to change the window length for calculation and the
preferred mode of RMS value.
Set the scale factor to set the display size of the video frame.
· Time code overlay
17 Burning audio CD
To burn an audio CD with Soundop, you can create a CD project, add audio tracks, set
pauses between tracks if required, and click the Burn to CD button in the project.
Create a CD project
Choose File > New CD Project.
Open a CD project
· Choose the commands under File > Recent CD Projects.
· Drag CD Projects from File Explorer and drop them to the Start panel.
Add tracks
· Click the Add Files button in the Editor panel.
· Drag audio files from Files Explorer or the Browser panel and drop them to the track
list.
· Choose the commands under Edit > Insert to CD Project in the audio file editor.
Select tracks
· Click in the track list to select one track.
Reorder tracks
Drag the selected track in the track list to reorder tracks.
Edit pause
· Click the Reset Pause button to reset pause time to the default value for all tracks.
You can set the default pause time on the General page of Preferences.
Burn to CD
· Click the Burn to CD button to open to Burn Audio CD dialog.
· Choose the drive for burning and set the burn speed in the dialog.
· If the burning device supports the test mode, you can turn on Test Write to simulate
the burn process.
· Turn on Verify CD after Burning to verify if all tracks are burned correctly after
burning.
· If a CD-RW in the drive, you can erase it by clicking the Erase button. You may turn
on Quick Erase to perform quick erasing or turn off to do full erasing.
18 Batch processing
Soundop provides the batch processor to batch process files with processors and saves
them to a target location with a target format.
· Click the Add Folder button to add files inside the folder.
· Choose Add Files or Add Folder in the shortcut menu to add files.
· Choose Remove All Files in the shortcut menu of the file list to remove all files.
· Turn on the option to automatically remove a file from the list after finish processing
the file.
· Click the Cancel button or choose Cancel Processing for All Files in the shortcut menu
of the file list to cancel running for all files.
· Select files in the file list and choose Cancel Processing for Selected Files in the shortcut
menu to cancel running for the selected files.
· Click the Cancel button in the file list to cancel processing for a file.
20 Preferences
You can edit most of the application settings in the Preferences dialog. Choose Options
> Preferences to open the dialog.
20.2 Dithering
When exporting audio to file formats with low bit depth, dithering is useful to avoid
audible distortion by adding a small amount of noise.
You may set Dithering preference on the Audio Data preference page. If enabled,
Soundop will automatically apply the dithering when exporting audio to file formats
with low bit depth.
Dither option
2. Click Browse to select a folder in the file system or click Set to Default to reset the
folder to the default location.
Interval of saving
You can set the interval of saving in the Preferences dialog.
You can turn off the option for performance-critical tasks, such as deleting silence in
long audio files in the Detector panel.
When 2nd-pass rendering is enabled, you can turn on 2nd-pass rendering when
applying effects with FX rack, applying one effect, and mixing down tracks.