Fashion Through Ages 3
Fashion Through Ages 3
Fashion Through Ages 3
The lady wears a dress with a long, tight, pointed bodice and full
skirt supported on many petticoats. The sleeves are tight and she
also wears a shawl. She carries a parasol. The gentleman wears the
new-fashioned short lounge jacket with wide trousers, introduced
for country wear around 1800. His collar is lower and a bow
replaces the starched cravat.
The man wears an informal lounge suit, the shape based on a cut-
away coat. He wears the more comfortable turn-down collar with
knotted tie and low-crowned ‘bowler’-like hat.
Pictured right – Lady around 1870. Please note the pleated bodice,
tight high collar and tight sleeves with trimming.
Lady’s Day Dress about 1885 (left)
This day dress has a bustle to support the weight of the heavily-
trimmed overdress. The skirt, pleated and fairly wide, was thought
to be an advance in comfort, although the corset was still very tight
and the dress bulky. The high hat, tight collars and sleeves further
restricted movement. Many women preferred the masculine-styled,
plain ‘tailor-made’. Indeed the Rational Dress Society was founded
in 1880 with the aim of making dress healthier and more
comfortable.
The lady wears tailored ‘walking dress’. Typical of the middle of the
1890’s is the great ‘leg-of-mutton’ sleeve, the tight bodice, the small
back frill (all that remains of the bustle) and the smooth flared skirt.
The gentleman wears the top hat and frock coat that have become
established formal dress for over forty years. Black is established as
the standard colour for formal dress, and little else has changed
except details like the length of the lapel and the curve of the tails.
He wears a high starched collar.
Above: Detail from a photograph taken around 1905. Please note the gentleman’s
top hat (right) and the boater (gentleman, left). The ladies are wearing hats
perched on top of the head, the hair worn very full.
Lady’s Day Dress 1906
The man’s suit is still high waisted with a rounded jacket. Men’s
trousers were full, sometimes widening at the turn-up to form
‘Oxford bags’. Contrasting sports jackets were beginning to be worn
at this time.
Clothes Rationing
Inevitably styles and fashion were affected by the clothing shortages. Fewer colours
were used by clothing companies, allowing chemicals usually used for dyeing to be
used for explosives and other much needed resources for the war effort. Materials
became scarce. Silk, nylon, elastic, and even metal used for buttons and clasps were
difficult to find.
The turban and the siren suit became very popular during the war. The turban
began life as a simple safety device to prevent the women who worked in factories
from getting their hair caught in machinery. Siren suits, an all-enveloping boiler
suit type garment, was the original jumpsuit. With a zip up the front, people could
wear the suit over pyjamas making it ideal for a quick dash to the air raid shelter.
The end of clothes rationing finally came on 15th March 1949. Photograph Above:
The turban
Photograph Above:
Kentwell Hall, WW2 Re-Creation.
Day Clothes 1941 (left)
The man’s suit has a new longer waist and fits more loosely. Sports
jackets with contrasting trousers gave variety and economised on
the ‘coupons’ that were issued to everybody when clothes were
rationed.
By 1966 Mary Quant was producing short mini dresses and skirts
that were set 6 or 7 inches above the knee, making popular a style
that had not taken off when it made its earlier debut in 1964. The
Quant style became known as the Chelsea Look.
The girl (left) has a simple natural hairdo with exotic makeup. She
is very slim and wears a short, mini-skirted semi-fitted tunic made
of linked colourful plastic disks, one of many new materials. The cut
is simple and variety of texture, pattern and colour are all
important.
Short hair, dark coats and trousers and plain white shirts had been
worn by men for a hundred and fifty years. Now however men’s
hair is worn longer, and there is a return to flamboyant materials,
bright stripes, velvet trimmings and flower patterns on shirts. He
blends a Georgian style cravat, mid-Victorian tail coat and military
trimmings.