March of The Knights

Montagues and Capulets
from Romeo and Juliet
  
Serge Prokofieff
 
              
   
Allegro Pesante  = 100
   
        
Grand Piano 1 2 
   
       
             
         
 
            

  
Grand Piano
   
 
             
 
    
                
 
5
     
          
 
Pno.
   
           
                
      
   

     
Pno.
     
       

          
9
 
             
                      
Pno.
  
     
         
          
            
   
Pno.
        
            
      
 
                
 

13
       
                    
          
Pno.
         

        
 
       
                
Pno.
         

                                      
 
17

          
               
Pno.
     
                


       
 pesante
 
Pno.
   
                                

    
20
  

                      
 
Pno.

                      
 
            
            
Pno.
2
  
                             
    
  
23
      
                        
   
 
Pno.
         

                
    
           
Pno.
         
              
               

27
       
             
  
  
Pno.
          
     
 
     
      

Pno.
     
              
     
           
30
     
               
 
      
Pno.

              
         
 
  
             
Pno.
        
3
  
 
  

  
    
            
   
33
  
 
   

    
          
       
Pno.
 

                     
     
  
          
             
Pno.

      
  
  
    
           
 

36

           

            
 

 
 pesante

Pno.
       
             
              
  
           
  
  pesante
   
Pno.
 
        
                    
      
      


41
          
 
                   


Pno.
       
           
           
            
   
Pno.
     
 
4
 
 
               
 
45
  
      
           
Pno.
    
    

      

  
      

Pno.
    

5
Grand Piano 1 Montagues and Capulets
    
    
      
Serge Prokofieff
     
                       
    
  1  
                 

     
2
           
   
          

7
    
   
                   

                   
                  
 
    
11
  

    
  
               
                 
 
   
                                           
     
  
16
  

      
                         
     
                                     
   
20
     
              
           
   
  
                        
    
     

24
 
 
                      
              
 
  

                  
 
                   
28
            
                

  
 
 
  

      
    
      
  
 
 

                
32
   
    

  

        
   
     
            
  
        
   

           
  
36

               
       

  
 pesante
    
                     
             


41
           
                  
    

 
 
               


45
  
      
           
2
Grand Piano 2 Montagues and Capulets
         
       

          
         
Serge Prokofieff
                   

                        
     

    
   
         

        
                          
   
9
                         
          
            
    
         
          
                 

17

                  
   
 
 pesante
     
                

           
 




   
            

22
       
                  
            
           
        
      
29
  
     

       
        
   
                        


        
33
      
           
            

 
            
                         
                      
37
                    
         
 pesante
    
  
 
               
 

      

46
    
 
 


March of The Knights

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Montagues and Capulets

from Romeo and Juliet

         

         

       

         

                

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