NeroWaveEditor Eng
NeroWaveEditor Eng
Ahead Software AG
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content of the Nero Wave Editor user manual. The contents of the software
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3 Settings .........................................................................................10
3.1 Selecting the input and output devices ...................................... 10
3.2 Setting the editor options............................................................. 10
3.2.1 Setting the display features.......................................................... 11
3.2.2 Specifying the directories used .................................................... 12
3.2.3 Audio output ................................................................................. 13
3.2.4 VST Plug-ins ................................................................................ 14
4 View ...............................................................................................15
4.1 Specifying the view....................................................................... 15
4.2 How the audio files can be represented ..................................... 16
4.3 Zooming ......................................................................................... 17
4.3.1 Vertical zoom ............................................................................... 17
4.3.2 Horizontal zoom ........................................................................... 18
7 Effects ...........................................................................................31
7.1 Introduction ................................................................................... 31
7.1.1 Saving the effect settings ............................................................. 31
7.1.2 Loading the effect settings ........................................................... 32
7.1.3 Deleting the effect settings........................................................... 32
7.2 Equalizer ........................................................................................ 33
7.3 Transposing................................................................................... 34
7.4 Dynamics ....................................................................................... 35
7.5 Time correction ............................................................................. 36
7.6 Delay............................................................................................... 37
7.7 Flanger ........................................................................................... 37
7.8 Chorus............................................................................................ 38
7.9 Reverberation ................................................................................ 39
7.10 Wah-Wah...................................................................................... 40
7.11 Phaser .......................................................................................... 41
7.12 Voice modification ...................................................................... 42
7.13 Pitch tuning ................................................................................. 43
7.14 Karaoke filter ............................................................................... 44
8 Enhancement................................................................................45
8.1 Introduction ................................................................................... 45
8.2 Band extrapolation........................................................................ 45
8.3 DC Offset Correction .................................................................... 46
8.4 Filter toolbox ................................................................................. 46
8.5 Declicker ........................................................................................ 47
8.6 Noise Reduction............................................................................ 48
8.7 Noise Analysis............................................................................... 49
9 Index ..............................................................................................51
2.1 Introduction
Nero Wave Editor is a user-friendly program for editing and recording audio
files, which may be of the 'wav', 'mp3', 'vqf' or 'aiff' format. The other types of
format that can also be read by Nero Wave Editor depend on the plug-ins that
have been installed.
Individual audio-files can be created quickly and easily using the various filters
and sound optimization methods.
Nero Wave Editor is started by: Start > Programs > Ahead Nero > Nero Wave
Editor.
The 'Level Meter' regulates how the open audio file is played.
The 'Spectrum Analyzer' displays the bandwidth of the open audio file (in
decibels - dB).
2. Click on the 'View' index card and specify whether the following control fields
should be activated or disabled:
Show axis to the left of the audio visualization
Show time rules above the audio visualization
Always keep the playback position in the window whilst playing
2. Click on the 'Audio Output Settings' index card and specify whether the
following control fields should be activated or disabled:
Use noise shaping when converting to lower bit depths
Use dithering when converting to lower bit depths
1. Specify the bit resolution on the dropdown button and highlight the number of
bits wanted.
Dithering and noise shaping are used to minimize noise disturbance at low
resolutions. Noise shaping shifts the disturbance to bandwidths that the human
ear cannot hear particularly well. Dithering adds a quiet noise signal so that
there is no longer any correlation between the desired signal and the noise
signal causing the disturbance.
To add VST-Plug-ins click on the ‘Add Plug-in’ button, select the directory
containing the plug-in, highlight and click on the ‘Open’ button.
To delete a VST-Plug-in, highlight the unwanted plug-in and click on the ‘Delete’
button.
Level meters
Status bar
Spectrum analyzer
Spectrogram display
Wavelet display
The vertical zoom setting can only be changed if the vertical zoom bar is
displayed. If it is not visible, it can be displayed via the 'View' menu and the
'vertical zoom bar' command.
The following example shows the 100% zoom, i.e. levels from –100% to +100%
of the maximum levels.
Selecting the 200% zoom reduces the displayed levels to –50% to +50% of the
maximum levels.
2. Click on the button to play the whole audio file. While playing, the level
meter will graphically display the level control for the left and right-hand audio
channels.
Parallel to this, the current playback time appears in the lower border of the
window.
The exact times of the selected section can now be seen in the status bar.
3. Click on the button to play the selected section of the audio file. While
playing, the level meter will graphically display the level control for the left
and right-hand audio channels.
4. Click on the gray area to the left of the 'Wave' window to revoke the
selection.
The file will then be inserted and appears in the opened one as a marked
selection.
4. Click on the button to start recording. In the adjacent fields you will see
the recording time as well as the recording level display.
5. Click on the 'OK' button to stop recording. The audio file recorded will appear
in the display area.
Only an entire audio file can be converted, i.e. highlighted sections of a file
cannot be converted separately.
The higher the sampling rate and the sampling resolution, the more memory the
file will need.
5.6.1 Muting
Muting removes all the signals in the section selected.
1. Open an audio file and highlight the section you want.
2. In the 'Volume' menu, select the 'Mute' command. This will lead to the
selected position of the audio file being overwritten with 'silence'.
5.6.2 Normalization
Normalization leads to an the volume being matched to a standard value.
During normalization, the whole audio file or the selected section of the file is
proportionately increased or reduced on the basis of a measurement of the
maximum value.This does not mean that the volume at each point of the audio
file is equally high, but only how loud the loudest point in the selected section
may be. Normalization is largely used to give different audio files the same
volume spectrum.
1. Open an audio file and highlight the section you want.
2. In the 'Volume' menu, select the 'Normalize' command. Push the slider in the
direction required (pushing it upward will lead to a higher maximum level;
2. In the 'Volume' menu, select the 'Volume change' command. Push the slider
in the direction required (if you push it upward it will increase the volume;
pushing downward will reduce the volume) then click on the 'OK' button.
6.1 Preparation
There are many ways of reproducing the sound of records on a computer; the
following example only describes the basic procedure for doing this.
The signal received from the record player's magnetic sampling system cannot
be directly fed into the soundcard's line-in input, as the signal is frequency-
distorted for technical reasons. A so-called 'frequency corrector preamplifier'
between the sampling system and the soundcard is needed in order to correct
the frequency response. This is most easily performed using the amplifier's
phono input.
Sometimes leakage pickups (humming) can arise when the soundcard is linked
to the amplifier. The humming is caused when two devices that have already
been grounded (earthed) are connected with one audio cable. A by-pass power
filter or transformer can solve the problem. Sometimes it is simply enough if the
devices are connected to different power sources.
4. Click on the 'OK' button to take over these settings. The recording console
will appear.
5. Click on the button to start recording, then place the stylus on the record.
You will see the recording time and the level control display in the recording
console while you are recording.
If the level is too loud or too quiet, you can change it. Open the volume control
and move the slider of the 'line' section in the desired direction.
6. At the end of a track, click on the 'OK' button to stop recording. The audio file
recorded will appear in the display area.
8. Adjust the audio file as you wish, using a filter or optimize the sound.
9. Repeat the corresponding steps to record more tracks.
7.1 Introduction
One particular feature of Nero Wave Editor is its ability to nondestructively edit
audio files. This means that changes to the audio file (e.g. as a result of using
special effects or sound enhancement) can be checked immediately without
having to perform a time-consuming recalculation of the audio data. The edited
audio file is only computed during saving.
Click on the button to play back the audio file with the changes stated. This
allows you to check straightaway that you are happy with the results.
3. Push the slider in the direction required – if you push it upward there will be
amplification; pushing it down will have the opposite effect.
Click on the button to play back the audio file with the changes stated. This
allows you to check straightaway that you are happy with the results.
3. Use the 'Interval' and/or 'Fine Tune' round buttons to set the type and
intensity of the transposing.
The file may become longer as a result of the type of transposing chosen. If
you select the 'Maintain Original Length' control field, the original file length
will be retained.
Click on the button to play back the audio file with the changes stated. This
allows you to check straightaway that you are happy with the results.
3. Place the mouse cursor on that part of the green line that you wish to alter –
a white square will appear at the place where you click the mouse – and drag
the square to the position desired.
Repeat this procedure for all the sections selected.
You can remove a dynamic position by clicking on the chosen square with the
right-hand mouse button.
In addition, you can also change the reaction time of the dynamic processor
using the 'Attack time' and 'Release time' round buttons.
3. Click on the radio button of your choice in the 'Time Scale Modification
Factor' area to determine the correction factor. This is either a percentage
modification factor or a new tempo in 'Beats Per Minute’ (BPM). You can set
the time scale modification factor by entering a figure or by turning the knob.
4. Choose the appropriate optimizing method by clicking on the dropdown
button and highlighting the desired list box field.
Click on the button to play back the audio file with the changes stated. This
allows you to check straightaway that you are happy with the results.
Click on the button to play back the audio file with the changes stated. This
allows you to check straightaway that you are happy with the results.
7.7 Flanger
The flanger creates unusual sound effects through variable modulation and
mixing. The effect is caused by the change in the time delay. Using the flanger,
the original is mixed together with a signal that has been modulated (changed in
pitch). This signal is sometimes slower or sometimes faster than the original.
Pleasant stereo effects can be created if the signal then switches from "left" to
'right' and back again.
1. Open the desired file.
2. Select the 'Flanger' command in the 'Effects' menu.
Click on the button to play back the audio file with the changes stated. This
allows you to check straightaway that you are happy with the results.
7.8 Chorus
The chorus, like the flanger creates unusual sound effects through variable
modulation and mixing. In comparison with the flanger, the delay is longer and a
number of delayed, i.e. modulated signals are added at the same time. By these
means, the audio file receives a warm sound and the impression is created that
a greater number of voices can be heard.
1. Open the desired file.
2. Select the 'Chorus' command in the 'Effects' menu.
Click on the button to play back the audio file with the changes stated. This
allows you to check straightaway that you are happy with the results.
Click on the button to play back the audio file with the changes stated. This
allows you to check straightaway that you are happy with the results.
Clicking on the button plays the audio file with the specified changes. This
allows you to check immediately whether you are happy with the results.
Clicking on the button plays the audio file with the specified changes. This
allows you to check immediately whether you are happy with the results.
3. In the 'Pitch' area choose the interval and the fine tune by turning the knob. In
addition, you can check the 'Keep Length' box to keep the original length of
the recording.
4. If you need a different time scale modification factor, you can enter the
percentage by which the recording should be stretched by turning the knob in
the 'Time Stretch' area. To do this, you must check the 'Time Stretch' box.
Clicking on the button plays the audio file with the specified changes. This
allows you to check immediately whether you are happy with the results.
2. Check the box in the 'Correction' area if you want to make corrections and
choose a scale to determine how pitch tuning will be carried out. In addition
you can choose the reference tone and the binding by turning the
corresponding knob. Binding is a measurement of the maximum permitted
deviation from the reference tone.
3. Check the box in the 'Vibrato' area if you want to add vibrato. You can specify
the frequency and depth of the vibrato by turning the respective knobs.
Clicking on the button plays the audio file with the specified changes. This
allows you to check immediately whether you are happy with the results.
2. Determine the position of the vocals in the stereo field by turning the 'Vocal
Pan' knob.
3. Turn the knobs in the 'Vocal Frequency Band' area to specify the upper and
lower limits of the frequency range within which the filter will work.
Clicking on the button plays the audio file with the specified changes. This
allows you to check immediately whether you are happy with the results.
8.1 Introduction
The sound of audio files can be improved with the enhancement commands.
Click on the button to play back the audio file with the changes stated. This
allows you to check straightaway that you are happy with the results.
With this command, you do not have any selection choices and it is not possible
to check the result of optimization in advance.
2. Check the box in the 'Band Pass Filter' area if you want to use this filter, and
specify the upper and lower limits of the frequency range by turning the
corresponding knobs.
3. In the 'Notch Filters' area, choose the filter you want and specify the center
frequency by turning the knob.
4. Check the box in the 'User drawn filter response' area if you want to use your
own frequency. You can draw this using the green line.
Clicking on the button plays the audio file with the specified changes. This
8.5 Declicker
The Declicker effectively removes the clicks which are often heard on records.
The Decrackler is aimed at very short, impulse-type interference with small
amplitudes which occurs frequently (and sounds like crackling).
2. Check the box in the 'Declicker' area if you want to remove clicks. Specify the
sensitivity of the Declicker by turning the corresponding knobs to set the
detection threshold and the maximum length of the clicks. If you check the
'High Quality' box, a complex algorithm is used for interpolation. If your PC is
not fast enough for high quality mode, you should uncheck this box.
3. Check the box in the 'Decrackle' area if you want to remove crackling.
Specify the sensitivity of the Decrackler by turning the corresponding knobs
to set the detection threshold and the crackle reduction level.
Clicking on the button plays the audio file with the specified changes. This
allows you to check immediately whether you are happy with the results.
3. Choose an existing setting by clicking on the button on the drop-down list and
highlighting an item from the list, or select the subtraction profile by choosing
the required mode. Select ‘Editable Noise Curve’, then click in the line in the
field you want to change, a white square will appear at this point and you can
drag the square to the required position.
You can also use the slider to set the reduction level and the ‘Gain Floor’ to
the required position.
Click on the button to play back the audio file with the changes stated. This
allows you to check straightaway that you are happy with the results.
'Noise analysis' does not itself alter the audio file. However it enables 'Noise
Reduction' to be made.
1. Open an audio file and highlight the section concerned (which should consist
of noise only).
If you select another option, ‘Noise Print’ is no longer available and noise
analysis must be re-started.
4. Set the reduction level to the required position using the slider.
5. Click on the 'OK' button to run noise reduction.
The next picture shows the audio file changed using noise reduction.
9 Index
DC Offset Correction 46
Noise Analysis 49
Noise Reduction 48
F
Fade in 27
Fade out 27
I
A Input Device
Selecting 10
Audio files
Converting 23
Editing 25 M
Inserting 21 Muting 25
Loading 19
Playing 19 N
Recording 22, 29
Saving section 21 Normalization 25
Selecting section 20
Audio Output O
Settings 13
Output device
Selecting 10
B
Bit depth 7 R
Bitrate 7
Recording 22
Gramophone records 29
C
Changing volume 26 S
Sampling rate 7
D Select
Directories Input device 10
Specifying 12 Output device 10
Display Sound optimization
Spectrogram 16 High frequency 45
Wave 16 Spectrum analyzer 15
Wavelet 16 Standard toolbar 15
Status bar 15
E
T
Effects
Deleting 32 Time correction 36
Dynamics 35 Transposing 34
Echo 37
Equalizer 33 V
Flanger 37
Vertical zoom bar 15
Loading 32
Saving 31