Jennifer Robinson - Keina Yoshida - How Many More Women - Exposing How The Law Silences Women-Allen & Unwin (2022)
Jennifer Robinson - Keina Yoshida - How Many More Women - Exposing How The Law Silences Women-Allen & Unwin (2022)
Jennifer Robinson - Keina Yoshida - How Many More Women - Exposing How The Law Silences Women-Allen & Unwin (2022)
Certain sections of this book have been redacted on legal advice, due to the
possibility that the timing of its publication may coincide with the date of
the criminal trial concerning allegations of rape made by Brittany Higgins
where the accused has pleaded not guilty. Following that trial, this book
will be updated and reprinted without redactions. You can use the QR code
above to access the redacted pages once the trial has concluded. Further
information about the book, resources and a full bibliography can also be
accessed via the QR code or by going directly to:
www.allenandunwin.com/howmanymorewomen
Jennifer Robinson is a barrister at Doughty Street Chambers in London.
She has acted in key human rights and media freedom cases in domestic
and international courts. Jen sits on the boards of the Grata Fund, the
European Center for Constitutional and Human Rights and the Bonavero
Institute of Human Rights at Oxford University, and is a trustee of the
Bureau of Investigative Journalism.
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Allen & Unwin acknowledges the Traditional Owners of the Country on which we live and work. We
pay our respects to all Aboriginal and Torres Strait Islander Elders, past and present.
Index by Puddingburn
Set by Midland Typesetters
Cover photograph: Jonathan Buckmaster / Alamy (Justitia above Central Criminal Court, Old Bailey,
London)
Author photograph: Kate Peters
CONTENTS
1 Silencing Justitia
2 How many women are silenced?
3 What happens when women speak?
4 Her guidebook to his playbook
5 Contracted to silence
6 Defamation on trial
7 Her truth on trial, twice
8 What about her rights?
Many of those speaking out are women and girls who seek to shine a
spotlight on sexual and gender-based violence. In this book, we will
often refer to women and girls in an inclusive sense but are acutely
aware that misconduct, harassment, abuse and rape affect people of all
genders, including those who are trans, non-binary and gender non-
conforming. This is important. In Japan, for example, rape laws
excluded men and boys until very recently. Men and boys are also
victims and survivors of sexual abuse, rape and harassment. That
beacon of feminist thinking bell hooks reminds us that ‘patriarchy has
no gender’. She has explained that ‘The enemy of feminism isn’t men.
It’s patriarchy. And patriarchy is not men. It is a system. And women
can support the system of patriarchy just as men can support the fight
for gender equality.’ Her work seeks to emphasise the tyranny of
patriarchy and toxic masculinity. Thus, while we focus here on women
and girls’ experiences, we do not exclude men and boys and much of
what we say will be relevant to everyone. But focusing on women and
girls is important, as it allows us to shine a spotlight on sexism, gender
stereotyping and patriarchal laws that tend to oppress and discriminate
against women and girls.
HOW MANY DISCLAIMERS?
The judge concluded that Nicola had libelled her ex-husband for saying
‘he tried to strangle me’ because the technical legal definition of
strangulation, according to the judge and the dictionary he consulted,
requires an intent to kill. It didn’t matter what Nicola intended with her
words—that he had constricted her neck forcefully and painfully,
threatening her—it mattered what the judge said her words meant (‘an
attempt to kill by strangulation’). She could prove he had assaulted her by
placing his hands around her neck, that the police had observed red marks
on her neck hours after that assault, that he breached a non-molestation
order prohibiting him from threatening or intimidating her, and that he had
been arrested three times. But she couldn’t prove that he had intended to kill
her, or indeed that he had attempted to kill her. On this basis, the judge
concluded that Nicola did not meet the ‘sting of the posting [Facebook post]
that the claimant was a dangerous man’. Despite the evidence Nicola had of
his threats, intimidation and assault, the judge found that her statement and
its suggestion that Mr Stocker was dangerous—at least to any woman he
lived with—was not true, and was therefore defamatory.
For obvious reasons, the High Court decision received fierce criticism.
‘A greenlight for men who abuse women’, read one headline. The judge’s
reasoning was criticised by women’s rights non-government organisations
(NGOs) and frontline domestic violence organisations, which raised their
concerns about the implications of the judgment. As the Centre for
Women’s Justice stated:
Despite these criticisms, the judge’s decision was later upheld by the
Court of Appeal. Commenting before the Supreme Court judgment, Harriet
Wistrich, a leading women’s rights campaigner and lawyer in the United
Kingdom, noted:
This case has chilling implications for women who speak out about
male violence. The judgment reveals a shocking ignorance amongst
members of the judiciary of the realities of domestic violence. The fact
that Mr Stocker was arrested and red marks were observed by the
police on the victim’s neck is a serious warning of escalation of
violence regardless of whether he had any intent to kill. In fact,
strangulation is a warning marker in standardised police risk
assessments. We are appalled that a woman speaking out about an
accepted incident of domestic violence has been silenced and severely
financially penalised.
How was it that the courts could find that Nicola Stocker had defamed
her ex-husband for saying he tried to strangle her when, as the Supreme
Court would later note, it ‘was beyond dispute that Mr Stocker grasped his
wife by the throat so tightly as to leave red marks on her neck visible to
police officers two hours after the attack took place’? The judge had found
that Mr Stocker had intended to silence Nicola. By finding that she had
defamed the man who had assaulted her, the judge was prohibiting her from
repeating the allegation—effectively silencing her. Couldn’t the judge see
the irony and perverse logic of his judgment? For years Nicola could not
speak about her abuse. For speaking out and attempting to warn her ex-
husband’s new partner about his history of violence, she faced hundreds of
thousands of pounds in costs and damages.
For us, Nicola’s case was the last straw. We kept thinking about those
words: ‘his intention was to silence, not to kill’. How could this outcome be
possible in any legal system, let alone be considered justice? What had
happened to Nicola’s right to speak about her experience of violence?
We believed there were important arguments on the right of free speech
about gender-based violence, equality and the need to prevent the silencing
of women about their abuse that weren’t being heard or considered by the
courts. For this reason, we applied to intervene in Nicola’s case on behalf of
Liberty, Britain’s leading human rights organisation. We argued that the
courts had so far failed to recognise Nicola’s rights: her right to speak, and
her right to live a life free of gender-based violence.
The Supreme Court declined to hear us. Ultimately, Nicola would win—
but for very different reasons.
On 3 April 2019, the Supreme Court found that the trial judge was wrong
to conclude that Nicola’s words meant that her ex-husband had intended to
kill her, and that her language, expressed as it was on social media, should
not be given such a technical meaning. The late Lord Justice Kerr, a liberal
and compassionate voice on the court, pointed out that the fact Mr Stocker
had assaulted her and violated a non-molestation order would be considered
by many (though not the trial judge) to be sufficient to show he was a
dangerous man. Lord Kerr also questioned how the trial judge had reached
a conclusion ‘more benevolent to Mr Stocker than any version of the facts
which could reasonably have been advanced’, having sought as he did ‘to
explain the red marks on a basis which Mr Stocker never argued for’.
Despite Nicola’s evidence, and the police evidence supporting her account,
the trial judge had come up with his own hypothesis about what had
happened in order to exonerate Mr Stocker. This is what is known as
‘himpathy’—and gender bias—in action.
But the Supreme Court did not call it that, nor was the judge’s gender
bias stated as a reason to overturn his findings. Nor did the Supreme Court,
anywhere in its decision, mention the importance of freedom of speech
about gender-based violence, or the need for women to be able to talk about
their experience of abuse. Instead, the judgment was all about the need for
courts to consider the context of social media posts, whatever their content
or subject matter. While the Supreme Court decision is important for all
future social media defamation cases, it was in our view a missed
opportunity to underline the importance of protecting the rights of survivors
to speak about their abuse—online or anywhere else.
Nicola Stocker’s legal case is an important illustration of the difficulties
people face when trying to speak out about or make allegations of domestic
violence, sexual violence or sexual harassment. But her case is also just one
example of a much broader trend in Australia, the United Kingdom and
around the world of survivors, journalists and advocacy groups being
silenced by asphyxiating, expensive civil litigation.
We wrote this book to put forward the arguments the Supreme Court
declined to hear. We want to show how these laws are failing, and silencing,
women. And we want to inform more women than we could ever meet in
person in our chambers about the kinds of risks they face.
What happens when the law that is meant to protect us is instead used to
silence? And what can we do about it?
INTRODUCTION
Grace Tame spoke these words after being named Australian of the Year in
January 2021.
In a lot of ways, this was a peak of the MeToo movement—a survivor
being recognised, and speaking on a national platform about her experience
of challenging a law that prevented her from talking about the abuse she
suffered. This was a shift, and an acknowledgement of the change that was
happening.
MeToo, at its core, is a movement about survivors speaking out and
finding solidarity in one another. In a culture of shame and silence, where
survivors are kept siloed and isolated from each other, speaking is a
powerful act. It has shown how powerful silence was in protecting
perpetrators. That cultural silence—and the status quo—was finally
breaking, along with the impunity perpetrators had enjoyed for too long.
MeToo was started by Tarana Burke all the way back in 2006 as a means of
letting victims and survivors know that they were not alone, but in 2017 the
movement went viral.
In a sense, the MeToo movement is a response to legal systems that do
not serve women and girls, either because the laws are inadequate or
because the response of the legal system to victims and survivors is flawed.
Many women and girls have lost faith in the police and the legal system to
provide justice to survivors of sexual harassment, misconduct, abuse and
rape—and understandably so.
In Australia, Canada, the United Kingdom and the United States, only 14
per cent of sexual violence victims report the assault to police. And even if
sexual assault and rape are reported to police, prosecutions and convictions
remain depressingly low. For example, in the United Kingdom only 1.6 per
cent of rapes reported to the police result in a charge—a rate so low that the
UK Victims Commissioner, Dame Vera Baird, has said that ‘we are
witnessing the de-criminalisation of rape’.
Even if a matter does get to trial, most of the time it doesn’t feel much
like ‘justice’. Many survivors talk about being retraumatised by police and
by cross-examination, and many more experience victim-blaming attitudes
and gender bias in the courtroom. Even smaller again is the number of men
who are actually convicted. In the United Kingdom, less than 1 per cent of
rape cases result in conviction. And even where men are convicted, judges’
biased sentencing remarks regularly minimise or excuse their offending.
The system fails survivors at so many points—from not educating
children about consent to failing to tackle the misogynistic ideas about sex
and violence that pervade our culture, our police and our courts. In this
context, speaking out about it is the only way many survivors feel they can
agitate for change. They want to tell their story to protect others, to stop the
violence from happening again, and to start a serious conversation about
violence against women. In speaking out, survivors also find solidarity and
support, and are no longer alone in a shame that should never have been
theirs to carry.
The crux of the problem is that women and girls are speaking out about
abuse and violence because not enough is being done to stop it—and we
need to be able to talk about it so that governments can do better. We can’t
act if we don’t know.
The success of MeToo has been in how it is breaking down cultural
silence about gender-based violence, encouraging women to speak out and
enabling us—the public and policymakers—to understand the extent of the
problem. Around the world, thanks to MeToo, police and rape crisis
services saw a massive spike in women reporting their abuse, and we have
seen increased public discussion about violence against women and policy
discussions about how we might better address it. The resistance and
bravery of those speaking out has brought to light ‘a collective experience
of powerlessness against systemic injustice’.
For human rights experts at the United Nations, MeToo marked ‘a tipping
point’ for women’s rights and foreshadowed the end of indifference and
impunity as ‘the shame and fear begin to shift from the victims to the side
of abusers and perpetrators of sexual violence’. This change is urgently
needed to address what is an urgent and widespread human rights crisis. As
UN Women reports, violence against women and girls is the most prevalent
human rights violation in the world, suffered by one in three women, and a
problem that disproportionately affects women of colour, First Nations
women and those with disability—who are each far more likely to face
abuse. The UN Committee on the Elimination of Discrimination Against
Women (CEDAW) has described gender-based violence as pervasive,
reminding all governments that it is prohibited under international law and
that they have an obligation to protect women from violence, to punish
those responsible and to put an end to violence. As CEDAW makes clear,
freedom of speech—and the ability for survivors to talk about their abuse
and the media to report on it—is an essential aspect of violence prevention.
But something has been happening as a reaction to this movement. As
women have been empowered to break their silence, they have also been
facing a different kind of silencing: the silencing of women who speak out
by and through the law.
The spike in survivors speaking out has been followed by a spike in legal
actions against them and the journalists who want to report their stories—in
defamation, in contract, in privacy and in breach of confidence. We have
seen this in our practice and have watched it happen all around the world.
The law is being wielded to reinforce the culture of silence and protect the
status quo. The courts have become the battlefield, where judges grapple
with competing rights: her right to speak about gender-based abuse and his
right to reputation.
The UN-appointed expert on freedom of expression, Irene Khan, calls
this ‘the perverse twist of MeToo’ and ‘gendered censorship’. It is a
problem so big that she dedicated her entire report to the UN General
Assembly in 2021 to it and explained why free speech is also an equality
issue.
We agree—and in this book we show why.
As we saw in Nicola Stocker’s case—and in the many cases we highlight
in this book—the same gender bias, victim-blaming and harmful
stereotypes about sexual and domestic violence that impede the ability of
the criminal justice system to deliver justice are also found in this flood of
civil cases which silence. The difference, however, is that these cases are
initiated not by the state but by (mostly) powerful and wealthy individuals.
The costs of these cases are borne not by the state but by those facing the
legal action: the women who speak out, the journalists who report on it or
the advocacy groups that seek to campaign about it. And the costs are
crippling. In many cases it is an alleged perpetrator suing his victim, and the
law enables him to turn his victim into the defendant. Using the law in this
way is a legally sanctioned way to victim-blame. As psychologist Jennifer
Freyd explains, it offers abusive men a legal mechanism for the age-old
strategy of ‘deny, attack and reverse victim and offender’ (known as
DARVO). Many women who are sued by their perpetrator experience
litigation as another form of abuse, a legally sanctioned means by which he
continues to torment, humiliate and control her long after she has left him.
Using the law in this way is also a legally sanctioned way to say ‘Don’t
tell anybody’. It enables men with wealth and power to repeat that refrain:
‘Don’t make a sound.’
SILENCING JUSTITIA
This book traces the ways in which the law silences women. So let’s begin
with the history of human rights and women’s right to free speech—and the
fact that we were not originally entitled to it at all.
Human rights law is said to reflect and protect the essence of what it
means to be human, and it defines our rights in society, including our right
to freedom of speech. These rights are now found in most democratic
constitutions (except in Britain, where there is no codified constitution, and
in Australia, where the written constitution doesn’t really protect human
rights at all, and the courts had to imply limited free speech protections).
But the right to free speech has not always protected women. Indeed, until
about the last century, women didn’t have many rights at all—in
international or national law.
The history of human rights is intertwined with the histories of class and
gender. While they are said to be human rights, not all humans had their
rights protected equally. For the United Kingdom, Australia and the rest of
the common law world, the foundation for human rights began with the
Magna Carta Libertatum (or ‘Great Charter of Freedoms’), signed in
England in 1215. The Magna Carta limited the power of the King of
England and introduced some limited but important rights, such as the right
to due legal process. But these rights only applied to noblemen—that is, to
certain wealthy white men. Rights were only for the rich and powerful, not
for all people—and certainly not for women and people of colour.
The first comprehensive legal declaration of human rights is said to have
come in 1789, after the Enlightenment and the French Revolution, when the
French National Constituent Assembly drafted the ‘Declaration of the
Rights of Man and of the Citizen’. This was a declaration of rights for the
people—not just for the ruling class. It embodied what we now see as
modern natural and civil rights.
As Susie Alegre points out in Freedom to Think (2022), the declaration
was radical in its time, but not so radical as to extend equality to anyone
other than white men. The seventeen principles were designed to protect
and respect the rights of men and ensure the happiness of men—and
exclusively men. It established the rights of liberty, property, due process,
security and resistance to oppression. It established the pillars of modern
democracy and defined the relationship between man and government, by
establishing the rule of law, the separation of powers and accountability of
government to the all-male electorate.
It also protected—for the first time—the right to freedom of speech.
Again, this was only for men. But, as Alegre writes, just a few years after
this was drafted, a woman dared to point out the limitations of this male-led
Enlightenment political thinking and their failure to include women in their
so-called égalité. It did not end well for her.
This was Olympe de Gouges—a pen name she chose for herself when
she sought her destiny as a revolutionary in Paris. As an activist, she fought
for the right for women to be included in the social reforms sweeping
France. In 1791, she wrote the ‘Declaration of the Rights of Woman and of
the Female Citizen’, in which she stated: ‘A woman has the right to be
guillotined; she should also have the right to debate.’
This turned out to be disturbingly prophetic: after upsetting many
powerful figures through her political activism and writings (including
Robespierre, whom she called a tyrant), she was convicted of treason, and
executed. Her execution was seen as a warning to all politically active
women—and generally to women who dared to speak out—many of whom
were executed in the years that followed.
But it would be a mistake to think that advocating for equality for women
began in revolutionary France. In fact, hundreds of years earlier, in the
1630s, the Ethiopian philosopher and intellectual Zera Yacob was an
advocate for equality for all, including women. Yacob believed that equality
was for all humans: this meant that women should be treated equally and
that slavery was unjustifiable.
And yet it wasn’t until after World War II, when women were needed in
the workforce, that women’s rights were formally—and finally—
recognised, when they were included in the Universal Declaration of
Human Rights (UDHR). But even then, the first draft of the document
opened with the words ‘All men are brothers’ and it looked like we might
end up with another declaration of men’s rights. It was in fact a formidable
Australian woman, Jessie Street, who—together with the few other women
invited to the founding conference of the United Nations, held in San
Francisco in 1945—insisted that women be included and the wording ‘All
men are brothers’ be dropped.
Street was the sole woman on the Australian delegation, and was
instrumental in creating the Commission on the Status of Women (CSW),
on which she served as the inaugural vice-president. Street also served on
the UDHR drafting committee, which was led by Eleanor Roosevelt, a
feminist, social justice activist and former US First Lady. Street insisted,
after banding together with the small group of women delegates, that ‘if you
don’t refer expressly to women, they will be excluded from rights’. Their
efforts ensured that Article 1 of the UDHR states: ‘All human beings are
born free and equal in dignity and rights’, and that human rights would be
for all, women included. Street may have succeeded on this, but another of
her important points was ignored: she had argued for the inclusion of the
right of women to freedom from violence. As we explain in Chapter 8, it
would take another half a century for this right to finally be recognised—
and governments are still failing to give it effect.
Historically, sexual violence was not criminalised for the effect it had on
women. It was a crime that centred on the trespass of property—that is,
based on women being the property of their father or husband—and was
concerned with how a sexual assault of a woman would affect those men.
The law was a means by which men secured legitimate heirs and
bargainable daughters: therefore, as Atkins and Hoggett explain, when it
came to rape, the law was primarily concerned with penile penetration
because it might lead to pregnancy. There was far less concern for other
forms of sexual assault, which also violated women’s bodily autonomy but
did not risk impregnation.
As Atkins and Hoggett write, men went to even greater lengths to protect
themselves from other men: the harshest penalties in law were preserved for
non-consensual vaginal intercourse and for buggery of men, whether
consensual or non-consensual. There was far less concern for punishing
female homosexuality—after all, that didn’t concern men. (In modern
times, some countries—such as Sri Lanka—amended their criminal laws to
make sex between women an offence. Keina successfully challenged this
law before the Committee on the Elimination of Discrimination Against
Women (CEDAW) as a violation of women’s rights to equality and
privacy.)
For centuries, the law condoned rape within marriage: women were,
upon marriage, the property of their husband and had no right to refuse sex.
Husbands had complete immunity from criminal prosecution for rape. The
origin of this rule of common law is an oft-quoted statement from Sir
Matthew Hale published in 1736: ‘[T]he husband cannot be guilty of rape
upon his lawful wife, for by their mutual matrimonial consent and contract
the wife hath given up herself in this kind unto her husband, which she
cannot retract.’ Marriage was therefore an irrevocable contract for sex. If a
man was violent with his wife in order to have sex with her, he could be
prosecuted for assault, but not for rape.
In the United Kingdom, it wasn’t until 1991 that the courts removed this
immunity. Finally, the British courts recognised that Sir Matthew’s
statement that a woman gave up her right not to consent to sex upon
marriage was ‘a common law fiction which has become anachronistic and
offensive’. The same can be said of Sir Matthew’s views on abortion, but
that has not stopped the US Supreme Court from citing him in 2022 to deny
women rights over their own body. Justice Samuel Alito’s majority opinion
overturning Roe v. Wade—which put an end to women’s constitutional right
to an abortion in the United States—cited the same treatise, The History of
the Pleas of the Crown, in which he described abortion as ‘a great crime’.
Sir Matthew’s 17th-century views of the law and women—which included
putting women to death for witchcraft—clearly have not yet been consigned
to the history books.
In Australia, it was not until 1976 that ‘marital rape’ was partially
criminalised, and only in South Australia. It took until 1994 for all the other
states and territories to catch up. Despite this, recent surveys in both
Australia and the United Kingdom show that an alarming number of people
still do not consider forced marital sex to be rape; clearly many still believe
that women in relationships have an obligation to have sex with their
partner, even if they don’t want to.
According to the United Nations in 2021, some 43 countries still don’t
have legislation criminalising marital rape. Even worse, in some countries
the law can grant this immunity retrospectively: twenty countries still
permit a man to escape criminal prosecution for rape if he marries his
victim. Morocco recently repealed the law after a young woman committed
suicide after being forced to marry her rapist. How many women will speak
out about their rape if it might mean being forced to marry the man who
raped her? The effect of these laws is to silence victims.
Even in countries where these laws have been repealed, the attitude
persists that marriage atones for rape. In India in 2021, Chief Justice Sharad
Arvind Bobde told an accused rapist: ‘If you want to marry her, we can help
you. If not, you lose your job and go to jail.’ The defendant had been
accused of stalking, gagging and repeatedly raping the girl, and of
threatening to douse her in petrol, set her alight and kill her brother. This
was despite a 2013 Supreme Court decision that said ‘rape is not a matter
for the parties to compromise and settle’. In India, defence lawyers
reportedly still often propose that the defendant will marry the victim in the
hope of receiving a more lenient sentence for rape.
Rape was historically seen and defined as an offence of honour,
committed against the property of husband or father, rather than an act
which violated women’s bodily autonomy. As Professor Jessica Clarke
explains, in the United States—and elsewhere—rape historically could not
be committed against a female victim of previously unchaste character. This
is why rape only used to be prosecuted when the victim was a ‘respectable
woman’. Sex workers were deemed to have given up their right to refuse
consent—and the right to deny their services—to the world at large.
This underlying architecture is still present in modern-day cases of sexual
assault and rape around the world. In India, until recently, differential
sentences were given to men for rape depending on the woman’s previous
sexual activity. We interviewed a leading Indian barrister, Karuna Nundy,
who redrafted India’s sexual offences law after the now-infamous Delhi
gang rape in 2012. She explained: ‘If the woman was a virgin and deemed
“pure”, the sentence was higher; if she was married or otherwise sexually
active, the sentence was less. In fact, pursuant to the hierarchy of “purity”,
rapists of women who are sexually active but not married receive the lowest
sentences.’ The test to assess whether women were ‘habituated’ to sex was
the two-finger test, where a doctor inserts their fingers into the vagina of a
woman to test her hymen and vaginal laxity.
The two-finger test is a virginity test used in many parts of the world
despite the fact that the World Health Organization (WHO) has long
condemned its use for medical and ethical reasons, including because it
can’t prove whether sexual intercourse took place or not. But it wasn’t until
2013 that the Supreme Court of India declared the practice unlawful on the
grounds that it violated women’s privacy and dignity.
Karuna also explained that Indian law was—as in the United Kingdom—
male-centric and therefore only penalised penile penetration of the vagina
as rape. Karuna has worked with others to change this by redefining the law
from a feminist perspective: any non-consensual form of penetration or
sexual touching is now a crime. But even today, Karuna told us, judges in
India still talk about ‘honour’ in rape cases, despite it bearing no relevance
to the law as it now stands.
This is a familiar pattern around the world: long after the requirement
that a woman must be chaste to be considered a rape victim has been
removed, a woman’s sexual history continues to be brought up by defence
lawyers to undermine a victim’s credibility. As Harvard law professor
Catharine MacKinnon has written, this is a perpetuation of ‘the rape myth
that women who have had sex are inherently not credible . . . having
apparently lost our credibility along with our virginity’. Baroness Helena
Kennedy QC has written extensively about her experience in sexual crimes
trials in Eve Was Framed (1992) and Eve was Shamed (2018). She writes
how complainants in rape trials are ‘required to be the ideal victim,
preferably sexually inexperienced and at least respectable’. Throughout her
career, women complainants were ‘still asked questions which are never put
to men’, including about her sexual history, her clothing, whether she had
anything to drink, why she was out alone, why she was at the pub or
nightclub. Women who had uncommitted consensual sex were treated as
having consented to sex in any context, which Helena writes ‘seems to be
the price paid for woman choosing to be as independent as a man’. In one
case, she describes a male defence counsel saying ‘You are not a true
victim. You are the victim of your own behaviour that evening.’ As Helena
wrote, ‘[t]rue victimhood has very demanding standards’. And it worked
with juries: she referred to research in Canada that showed that the more a
jury heard about a woman’s previous sexual history, the less likely they
were to convict.
In many jurisdictions today, including Australia, the United Kingdom and
the United States, evidence about a victim’s sexual history is now barred in
sexual offence trials—though this has been a relatively recent development.
But the history and architecture of bias in the law is hard to break. Despite
all the new guidance and jury directions in the United Kingdom that aim to
educate police, prosecutors, juries and judges about these myths in sexual
offence trials, they persist.
In 2020, a whistleblower came forward to show how UK police and
prosecutors were declining to prosecute sexual offence cases based on these
very myths. In one case, prosecutors declined to prosecute a rape case
because the complainant ‘enjoyed an adventurous sex life’. Even more
shockingly, as we explain in Chapters 6 and 7, there are no protections in
civil defamation trials—before judges or juries—about this. In the high-
profile Depp v. Heard defamation case in the United States, where an issue
before the jury was whether or not Johnny Depp had subjected his then wife
Amber Heard to domestic and sexual violence, Amber told us that she faced
questions in depositions about her sexual history and whether she had
worked as a stripper and sex worker—all of which was irrelevant to
whether or not Depp had hit her or raped her.
The laws on the books are one part of the problem. But there is the less
visible problem of how myths and stereotypes are still pervasive—and how
they are used to discredit and silence victims.
As Professor Jessica Clarke points out in The Global #MeToo Movement,
the law has treated rape cases with ‘extraordinary scepticism both because
women were thought to fabricate accusations and because the crime was
penalised by the harshest of sanctions, including the dealth penalty’.
Because the consequences were so serious for the accused (who were
overwhelmingly men), the law imposed special requirements on victims
(who were overwhelmingly women), which were not seen in any other area
of assault law. They included that a man could not be convicted of rape
without corroboration: juries were warned that the woman’s evidence alone
was not enough; it had to be backed up by other evidence before a jury
could convict. In the words of one Judge Sutcliffe to a jury in 1971, ‘it is
well known that women in particular and small boys are liable to be
untruthful and invent stories’. Thanks to feminist campaigning, this
requirement was removed in the United Kingdom in 1994. A credible
account from a victim now can and should form the basis of a prosecution
and a conviction. That is, unless you are in countries like Iran where the
Islamic Penal Code requires that, for a rape conviction, a woman must also
have four male eyewitnesses, an obviously near-impossible evidential
standard. The word of the victim, even where corroborated by several
female witnesses, is not enough.
This old requirement of corroboration was based upon, and perpetuated,
the myth that women making allegations of abuse could not be trusted—and
survey after survey in Australia, the United Kingdom and elsewhere show
that alarming numbers of people continue to hold this belief.
Another special requirement imposed on victims of sexual assault was, as
Professor Clarke explains, that the victim had to show that she had
physically resisted during her assault, as well as actually saying ‘no’.
Presumably the requirement of physical resistance was put in place so that
the man could be shown to clearly understand that she did not want to have
sex; saying or even screaming ‘no’ was not enough. This denies the reality
of most women’s experience: freezing is the most common reaction to rape,
with the victim unable to resist. Physically resisting a man is likely to
provoke further violence during rape, even risking death, and many women
don’t resist for this reason.
These requirements were never designed to prioritise the experience of
rape victims or to protect them. Instead, they were developed to ensure that
men were not wrongfully convicted. The result is a law that bears little
relation to the reality of the crime or women’s experience of it, and that
means many rapes have gone unpunished.
The requirement that a woman physically resist has—like the
requirements of prompt reporting and corroboration—been removed in the
United States, the United Kingdom and other democratic countries. But, as
Professor Clarke explains, these myths and ‘outdated ideas continue to
influence’ cases today—determining whether the police investigate,
whether the prosecutor’s office decides to press charges and what is
convincing to juries—and inform popular ideas about ‘real victims’ and
‘real rapes’.
The old requirement that there be an element of force for rape to be
prosecuted as a crime also contributes to outdated myths. For example, as
Professor Clarke explains, early US courts had borrowed from the old
English definition of rape: ‘carnal knowledge of a woman forcibly and
against her will’. The requirement of force has been removed from the laws
of many countries, including in the United Kingdom and Australia, where
the law is based on consent. But it has perpetuated the myth that ‘real rapes’
are stranger rapes, perpetrated by force—even though the statistics show
that the overwhelming majority of rapes are committed by intimate partners
or acquaintances.
Force remains a requirement of rape in many jurisdictions, including in
Japan and in countries across Europe, although women are fighting to make
rape a consent-based offence. Even in jurisdictions where force is no longer
a legal requirement, the UN Special Rapporteur on Violence Against
Women notes that this myth has resulted in judges, juries and prosecutors
being more likely to believe women’s accusations of rape when it is
accompanied with physical injury, and more likely to give lighter sentences
for rape by acquaintances. So who, then, does this law really protect? And
what use is the law if it doesn’t reflect the real conditions in which that
crime is committed?
We see a similar pattern with the old ‘prompt reporting’ requirement.
Victims who don’t report a rape right away are seen as unreliable or seeking
revenge—or so it was said. Of course, contemporaneous reporting enables
evidence to be taken when memories are fresh. Trauma responses, fear of
retaliation (particularly when perpetrators are powerful) and being afraid of
not being believed are all common reasons that it can take some victims
time—sometimes years or even decades—to report their abuse. Experts
agree that there are many legitimate psychological and cultural reasons why
survivors take time to report, and that a delay is not, in and of itself, any bar
to the successful prosecution of crimes.
For this reason, many countries have removed the ‘prompt reporting’
requirement to better reflect the reality of victims’ lived experiences. But
some countries have kept it: in Italy, it remains a requirement that victims
report within six months of the alleged crime. This is considered ‘protection
against false complaints or blackmail’. Again, this justification is rooted in
the myth that ‘real victims’ report immediately.
In some countries where the ‘prompt reporting’ requirement has been
removed, there still exist statutes of limitations, ranging between five and
fifteen years, for criminal and civil claims for rape and sexual assault. This
was how the US comedian Bill Cosby avoided prosecution in all but one of
50 cases: the women had remained silent, or had not been believed by
police, for too long. Only Andrea Constand’s case against Cosby alleging
sexual assault could be prosecuted, because all other cases were statute-
barred and out of time.
Limitation rules are designed to protect the due process rights of the
accused: memories fade and evidence deteriorates over time, which can
potentially make convictions less reliable. But in many jurisdictions,
limitation periods apply in respect of prosecution for rape (committed
overwhelmingly by men against women), but not for murder
(overwhelmingly committed against men, except—of course—in relation to
intimate partner murder). Campaigners say this unfairly denies rape
survivors justice, and they have campaigned for extensions to the time
limits in order to recognise the reality of victims’ lived experiences.
They have had some success: in the United Kingdom, for example, there
is now no time limit on prosecuting sexual assault or murder. The extension
of time limitations for civil claims relating to historical sexual abuse in
California has enabled a number of women to make civil claims against
Cosby for sexual assault.
The history of family law, on divorce and domestic violence, shows how it
disadvantaged women in order to protect the interests of men. Despite
changes to the law since, we still see the same myths play out in the family
courts and in defamation cases involving domestic violence.
The starting point in family law and divorce was the indivisible
matrimonial union and the protection of patriarchal propriety interests. Like
the laws on rape, the laws around divorce and adultery were designed to
protect men’s lineage and succession from women who might lie. Divorce
was permitted for a man if his wife committed adultery, but not for a
woman if her husband did. As the Lord Chancellor explained in 1857,
‘[T]he adultery of the wife might be a means of palming spurious offspring
upon the husband, while the adultery of the husband could have no such
effect with regard to the wife.’ As Atkins and Hoggett explained, this
inequality persisted in the United Kingdom until 1923.
For women, it was hard to get a divorce even if your husband was
violent. As far back as the 1700s, a woman could get a divorce for cruelty if
she suffered domestic violence, but only if ‘she was a woman of good
temper’ and had ‘always behaved dutifully to her husband’. The law of
provocation set out all the ways in which her behaviour would justify male
violence in marriage and would deny her the right to divorce him for
cruelty. Atkins and Hoggett described provocation as ‘the most insidious
concept’ in cruelty and domestic violence cases. As they explained, ‘the
alleged provocative act is usually an affront to the husband’s exclusive
rights of possession’: adultery, withdrawal of sex, neglect of household
duties. Women behaving in this way ‘provoked’ their husbands and
therefore had no remedy. In this way, victim-blaming was legally
sanctioned.
Until the late 1960s, you can find cases where a man’s violence was
excused because his wife ‘provoked’ him. Atkins and Hoggett outline
different cases where his violence was deemed to be justified. In one case, a
woman went to visit her relatives after her husband told her not to, so his
beating her did not constitute cruelty because she had disobeyed his orders.
In another case, a judge stated that a woman’s withdrawal of sex and
neglect of household duties justified ‘very considerable violence’.
Provocation could even extend to nagging. If a man beat his wife after she
had been nagging him, it would not constitute cruelty in law, and if he
murdered her, the crime would attract a lesser prison sentence. These
attitudes persist in domestic violence myths, which continue to be rolled out
in cases today to discredit victims: if she wasn’t passive, if she wasn’t
faithful or if she nagged him, then she deserved it and is not a ‘real victim’.
This stands in stark contrast to the behaviour expected of rape victims: if
she did not resist she is not a ‘real victim’. But when it comes to domestic
violence, if she does resist she is not a ‘real victim’. Women’s credibility is
questioned for not resisting or resisting too much.
The law also imposed a difficult standard of proof on women seeking a
divorce due to domestic violence. Until the 1970s in the United Kingdom,
women were not able to divorce violent husbands with a history of abuse
unless they could prove there was a risk that the men would be violent
again. As Atkins and Hoggett explain, a past history of abuse, even with
evidence, was not enough to meet this evidentiary bar. They also highlight a
1975 textbook on matrimonial offences which explained that, in the law,
some ‘rough and tumble’ was deemed to be the ‘wear and tear’ of married
life. The textbook author explained it was a ‘natural part’ of marriage, and
opined that ‘an occasional thrashing’ was considered by some as ‘a sign of
their husband’s affection’.
In a famous case in 1983, Bergin v. Bergin, a judge found that a beaten
woman who did not go to the police or seek medical attention, despite
having black eyes, had accepted the violence and so had no remedy. As we
explain in Chapter 6, similar attitudes continue to be expressed in cases
argued today. Of course, there are many reasons women don’t report
violence at home or otherwise attempt to hide their injuries from others,
including to protect their partner because they still love him and to keep
their children’s father out of jail.
Even when women did make reports to the police, it didn’t necessarily
result in action. For many years, as Atkins and Hoggett and others have
written, police rationalised their failure to act against domestic violence as a
desire not to disrupt a marriage or a family home, as that was seen as
‘private’ and beyond the realm of the law. What happened in the home
stayed in the home, and the police wouldn’t intervene even if there was
evidence of violence. Domestic violence was also seen and treated as
somehow less serious than other forms of violence, with violent offences by
strangers in the street attracting longer sentences than domestic violence. In
her books, Helena Kennedy has also written of her extensive experience in
criminal trials involving battered women, who ‘still face the prospect of
being condemned by popular mythology about domestic violence’. Over
her decades in practice, Helena saw how these harmful myths and
stereotypes were deployed in court to let men get away with it: ‘Within the
male stronghold of the court it is all too easy to create the feeling that a
woman had it coming to her. Pictures of nagging, reproachful, bitter
termagants who turn domestic life into hell on earth are painted before the
jury,’ she writes. Women are judged by impossible standards of a ‘real
victim’, despite the reality that ‘[t]o onlookers the response of a battered
woman seems abnormal, but to her it is a rational response to her abnormal
circumstances’. According to Helena, understanding domestic violence is a
challenge for the police, lawyers and judges, and ‘misconceptions litter the
court and are reflecting in the verdicts of juries’.
These problems continue today. A super-complaint filed by the Centre
for Women’s Justice against the British police in 2020 exposed ongoing
failings in how women are treated when reporting domestic abuse in the
United Kingdom. These include the failure to properly investigate abuse
allegations, the arresting of abused women instead of perpetrators, and
police themselves displaying victim-blaming attitudes.
The legacy of these laws, and of the ongoing gendered myths and
stereotypes that they embodied, has a silencing effect on victims. Many
survivors report that they don’t recognise themselves in what society—and
the law—have told them a ‘real victim’ looks like. Others report that the
men who assaulted them don’t look like ‘real abusers’.
Law professor Julie Macfarlane has written about this from her
perspective as both an academic and a survivor. In her book, Going Public:
A survivor’s journey from grief to action, Professor Macfarlane explains the
difficulty she faced in speaking out about her abuse by an Anglican priest.
She had been groomed and sexually assaulted by an Anglican priest when
she was sixteen, but only felt able to speak out about it and take action 30
years later, after the MeToo movement began. Even as a respected academic
and white woman, she experienced victim-blaming from the church over
her delayed report. The church also claimed she had consented to her abuse.
After she spoke out to the media, the church claimed that if she was, in fact,
abused (i.e. was a ‘real victim’), her post-traumatic stress would have
prevented her from being able to speak out about it. From her experience
and her research, Professor Macfarlane writes about how these myths
reinforce survivors’ concerns that they will not be believed if they speak out
or report their abuse—and how they therefore silence many women. The
myth that a ‘nice guy’ cannot also be a perpetrator is one of the most
insidious. Each time a person or group of people (his friends, family or
colleagues) says a man has been nice to them so he couldn’t possibly be a
perpetrator, they perpetuate this myth to undermine her credibility.
Studies that also show that women who are confronted by these harmful
myths and victim-blaming attitudes from police and prosecutors—which is
known as ‘secondary victimisation’ and even ‘judicial rape’—often
withdraw their report and their support for prosecution. Psychiatrist Judith
Lewis Herman has written about how these myths are deployed by men as
tools to silence victims after they speak out: ‘If secrecy fails, the perpetrator
attacks the credibility of his victim. If he cannot silence her absolutely, then
he tries to make sure no one listens.’ These attacks happen in public, in the
media, on social media and in the courtroom. Sadly, they work—in the
court of public opinion and in the courts of law.
Professor Macfarlane explains that the research shows that juries are
overwhelmingly influenced by myths about rape and abuse when evaluating
evidence and determining guilt or innocence. Studies have shown that men
are more likely to believe these myths and tend to have more negative
reactions to women victims. However, both men and women—of all ages
and backgrounds—are affected by rape myths and demonstrate victim-
blaming views. These include beliefs that victims who are voluntarily
intoxicated are responsible for their rape; that it’s a woman’s fault for not
properly communicating her lack of consent; that it is not rape if she hasn’t
been injured; that a delay in reporting an alleged rape is suspicious; and that
women often lie or report men in order to take revenge. Studies also show
that less blame was attributed to the man when there was a prior
relationship with the victim, or where she was seen to have somehow
‘participated’, whether by what she was wearing or by her behaviour,
including flirting.
However, the studies also show that this bias and prejudice can be
addressed by judge and juror education, and by judges giving appropriate
directions to juries. In the United Kingdom, for example, judges are now
required to warn juries about the dangers of myths and stereotypes about
both perpetrators and victims when deciding sexual offence cases. This
shows there is a need to actively counteract these damaging mythologies,
which jurors are now told are ‘misleading and capable of leading to
injustice’.
But as our colleague Harriet Johnson states in her 2022 manifesto
Enough, no such jury directions are given in cases of domestic violence—
and directions are needed, because myths and victim-blaming remain
pervasive in all cases involving gender-based violence in the criminal
justice system. As we explain in Chapter 6, there is no requirement for
giving jury directions about such harmful myths in civil defamation cases
decided by juries—even though juries in defamation cases are increasingly
dealing with cases involving sexual and domestic violence.
The reason the law has historically reflected male interests is because
women had no role or voice in political life and law-making. In most places
around the world, women were not permitted to vote until the 20th century.
At a national level, women were first enfranchised in New Zealand, in
1893, with Saudi Arabia being the last country to allow it, in 2015. History
shows that once lawmakers are accountable to women voters, laws change
in material ways that are meaningful for women.
It is no coincidence that the year after women got the vote in the United
Kingdom and Australia, sweeping laws were passed giving women more
rights. In 1919, the UK Parliament passed a law to enable women to join
professions and professional bodies, and be awarded degrees. Before that,
for example, women had been barred from practising law because they
were not considered ‘persons’ under the Solicitors Act 1843. In Australia,
the year after women got the vote, Victoria’s parliament passed the Women’s
Disabilities Removal Act 1903 (since being a woman was considered a
disability in relation to work), which allowed women to join professions,
become lawyers and sit on juries. Studies have since shown that the
inclusion of women on juries increases conviction rates for sexual offences
against women. Women are more likely to believe women—and listen to
them.
The vote has not meant the end of inequality or discrimination caused by
laws that were made and applied by men. But we know that when we have
more women MPs, more laws are passed that better protect the interests of
women (though, of course, it should never be taken for granted that all
women act in the best interests of other women, or that all self-proclaimed
feminists enact feminist laws and policies).
Women are still very under-represented in parliaments around the world.
Australia was the first country in the world to allow women to sit in
parliament, but this came about after a miscalculation by Ebenezer Ward, a
vocal opponent of women’s rights in the South Australian Legislative
Council. Ward devised a ploy to kill a bill which proposed to give women
the right to vote. His plan was to add an amendment to the bill saying that
women would not only be allowed to vote, but could also run for
parliament. He believed this would ensure that the bill was voted down. But
it passed, 31–14. Queen Victoria called it a ‘mad, wicked folly’—but gave
it her royal assent in 1895. But it would take decades before Australia had
its first woman parliamentarian, when Edith Cowan was elected to the
Western Australian Legislative Assembly in 1921. And it would take until
1975 before the Australian Senate even bothered to install toilet facilities
for women.
Life still isn’t easy for women in parliament, as evidenced by Julia
Gillard’s famous speech on misogyny and the ‘Ditch the Witch’ placards
she faced as Australia’s first female prime minister. The experience for
women of colour in politics is even worse: studies show that Diane Abbott,
who in 1987 became the first Black woman MP in the British Parliament,
continues to receive—by far—the highest number of online attacks and
threats.
Things are not yet equal. In the United Kingdom in 2021, only 34 per
cent of parliamentarians in the House of Commons were women—and this
was an all-time high. Australia had 38 per cent representation in the federal
House of Representatives.
It wasn’t until 1983 that Susan Ryan—a senator and later the first woman
to serve in a Labor cabinet—introduced the first draft legislation outlawing
sex discrimination. The opposition to it was as fierce as it was hysterical:
opponents said it would result in a totalitarian regime, the creation of a
unisex society, and the demise of the nuclear family. However, according to
the National Museum of Australia, the law has since had ‘a profound
impact on women’s position in Australian society’, ‘encouraged more
women to seek an education and employment, which raised families’
incomes’, and has meant more opportunities for single mothers and more
women being appointed to more senior and visible roles. The vehement and
even hysterical opposition to progressive change for women is worth
reflecting upon as we engage in debates today about women’s rights—and
their right to speak.
Women MPs and peers played a similarly important role in ensuring the
passing of the equivalent legislation in the United Kingdom: the Sex
Discrimination Act 1975, which created similarly positive outcomes for
women. Without it, Jen would not have received her scholarship to Oxford:
it was only after this legislation that the Rhodes Scholarship had to be open
to women applicants—and even then only after Education Secretary Shirley
Williams (at the time the only woman in cabinet) signed a statutory order to
remove the words ‘manly’ and ‘qualities of manhood’ from Cecil Rhodes’
will. Feminist MPs like Stella Creasy, Jess Phillips and Maria Miller, with
their work on domestic and sexual abuse and discrimination against women,
demonstrate the importance of having women in parliament. The continuing
need for more focused attention on issues affecting women and necessary
law reform within parliament was underscored by the creation of the
Women and Equalities Committee in 2015—the work of which we consider
in Chapter 5.
It is not enough to improve the law to better protect women. We need also
to look at how the law is applied by the courts. The just application of the
law might be represented by Justitia, a woman balancing the scales of
justice, but in practice those responsible for this task have been men. In the
United Kingdom and Australia, the judiciary has always been dominated by
privileged white men—and this remains so today. As a former Chief Justice
of Western Australia, Wayne Martin, has said, Australia’s judiciary is ‘pale,
stale and male’. And this lack of judicial diversity—and perspective—
matters.
Reflecting on progressive legal reforms for women over the past 40
years, Susan Atkins notes how judges’ application of the law—and their
male-centric perspectives—have often undermined intended reforms or
limited their effectiveness. For example, the British courts ruled that
discrimination on the grounds of pregnancy was not sex discrimination
under the Sex Discrimination Act 1975, because discrimination required a
comparison between a man and a woman in the same circumstances and
men could not be pregnant. This ruling was, thankfully, overturned by the
European Court of Justice (a correction that today would not be possible, in
this post-Brexit world). As Atkins explains, judges tended only ‘to
understand the law from a female point of view when they realised that if
men were treated in the same way, it would be unfair’. Her best example of
this was a case in which women were excluded from ordering drinks at a
bar—an injustice any man can empathise with. Attempts to provide better
protection against domestic violence were also undermined. When the
parliament legislated to increase the courts’ powers to grant injunctions to
remove violent men from their homes in order to protect women from
domestic violence, Atkins notes, judges showed reluctance to deny
husbands their right to occupy the family home, calling the injunctions
‘draconian’, even where they were required to protect the wife from further
violence.
This is not ancient history. We could write an entire book on the unjust
decisions caused by gender bias. The organisation Women’s Link
Worldwide has an annual awards ceremony for the best and worst legal
decisions that demonstrate this, and that emphasise the need for a gender
balance on the bench.
In 2017, there were so many examples of sexist judicial comments that
the journalist Sarah Friedman compiled her top picks for the year, which
included Canadian judge Robin Camp asking a sexual assault survivor why
she couldn’t ‘just keep her knees together’ to ‘prevent’ the assault. In 2019,
in Indonesia, a judge acquitted a defendant of rape because the alleged
victim was not a virgin and had ‘a drinking habit’. In a case about the
capacity of a woman with learning difficulties to consent to sex with her
husband in 2019, a British judge said, ‘I cannot think of any more obviously
fundamental right than the right of a man to have sex with his wife,’
sparking outrage and reminders from women’s groups that rape in marriage
was criminalised back in 1991. In 2016, Judge Aaron Persky’s comments in
the United States, when sentencing Brock Turner for sexually penetrating
an unconscious woman, caused national and international outrage: he
justified a lenient sentence by referring to the ‘huge collateral
consequences’ for Turner, ignoring the damage his assault had caused to the
survivor, Chanel Miller. Turner served just three months in prison.
In Australia in 2021, Judge Robert Sutherland quashed the conviction of
Nicholas Drummond, making comments which caused controversy. There
was no dispute on the facts: the former student of the private boys’ school
Knox Grammar had drunkenly punched two people outside a pub. This
included punching one woman in the back of the head after yelling at her
‘Put your tits away’ and calling her a ‘slut’. Using his discretion at
sentencing, Justice Sutherland granted Drummond a good behaviour bond.
He commented that Drummond’s comments were ‘lewd’ and ‘completely
inappropriate’, but that they were made to someone ‘whose dress . . . might
have been perceived by a 20-year-old former student from Knox to be
provocative’. The judge’s comments sparked outrage, including from the
victim, who said ‘it made me feel as if his actions were almost justified’.
Activist Chanel Contos, who founded Teach Us Consent to highlight the
pervasiveness of sexual assault perpetrated by private schoolboys in
Australia, said this decision showed the injustice in the courts in relation to
gender-based violence and the lack of accountability for men with privilege.
How many women will speak out about their abuse—and seek justice—if
this is how they are treated by the courts? The effect of decisions like these
is to silence women.
Having women in positions of power can influence the law and create
meaningful change. Feminist legal critics Susan Atkins and Brenda Hoggett
are two women who put their understanding into practice. After publishing
Women and the Law, their seminal 1984 text highlighting the injustices
arising from a male-dominated interpretation of the law, both women made
career changes in order to have a more direct impact on policymaking and
legal interpretation. Atkins joined the civil service and worked at the Equal
Opportunities Commission, while Hoggett became a judge—and eventually,
as Baroness Brenda Hale (having reverted to her pre-marriage surname), the
first woman on the UK Supreme Court, and the first woman to be its
president.
In her time on the bench, Hale drafted and handed down decisions that
have markedly improved the lives of women in the United Kingdom: from
abortion rights to the protection of asylum-seeking mothers and their
children. When asked about her all-time favourite judgments, Hale
mentions Yemshaw v. London Borough of Hounslow (2011), which
established that domestic violence need not be physical and included
coercive control. This was a law reform that she and Atkins had argued for
almost 40 years earlier in the first edition of Women and the Law.
Hale’s impact shows just how important it is to have women on the
bench, but also just how slow law reform can be. Hale has been criticised
for her work, with one Daily Mail piece describing her as ‘subverting
family values’. But it’s the same work for which she has deservedly gained
cult status in the United Kingdom, akin to that of Ruth Bader Ginsburg
(also known as RBG) in the United States, who was a Supreme Court
justice and became a feminist icon. While RBG was known for her
elaborate lace collars, Lady Hale became known for the coat of arms she
chose upon her appointment to the House of Lords, which bears the motto
Omnia Feminae Aequissimae, meaning ‘women are equal to everything’.
There is growing recognition that an all-male judiciary—and perspective
on the law—is no longer acceptable. In 2001, Sonia Sotomayor, now a US
Supreme Court justice, stated: ‘I would hope that a wise Latina woman with
the richness of her experiences would more often than not reach a better
conclusion than a white male who hasn’t lived that life.’ In the United
Kingdom, judges have been making statements calling for a more diverse
judiciary, more women judges and more transgender judges in recognition
of the ‘rainbow lives of the law’. As a former Australian High Court justice,
Michael McHugh, said back in 2004, ‘When a court is socially and
culturally homogenous, it is less likely to command public confidence in
the impartiality of the institution.’
Change is happening, even if it is happening slowly. In Australia, there
are now three women judges on the High Court (an all-time high), and in
2021 India appointed three women judges to its Supreme Court. But there is
still a long way to go. In both Australia and the United Kingdom, women
still only represent just over one-third of judges, despite the fact there are
more women than men graduating from law. Only two of the eleven
Supreme Court judges in the United Kingdom are women. According to the
Diversity Council Australia, international research shows that Indigenous
people and minorities are under-represented in the judiciary. Justice
Sotomayor’s nomination to the US Supreme Court in 2009 made her only
the third person of colour appointed to that court in its 222-year history. At
the time of writing, we could not find any official statistics on the race and
ethnicity of Australian judges, which is itself a problem: you can’t
understand what you don’t measure. One study of the profession shows that
while Asian Australians make up almost 10 per cent of the population, they
make up only 0.8 per cent of the judiciary. In the United Kingdom in 2021,
Black, Asian and minority ethnic men and women accounted for only 5 per
cent of judges in post.
Why are there still so few women judges? And how many more women
judges do we need on the bench to ensure the law is interpreted to better
protect women?
Women in the law
If we are to have more women judges, then we need more women lawyers
not just entering the profession but reaching the top of the profession. It
might be more than 100 years since the prohibition on women practising
law was lifted—and women like Helena Normanton in the United Kingdom
and Flos Greig in Australia began practising as lawyers—but the figures
show we still have a long way to go.
History shows that having women lawyers in practice has been game-
changing for women’s rights.
RBG could not get a job at a law firm when she graduated in 1959
because law firms asserted a right to discriminate against women. As a law
professor, she wrote about sex discrimination and later argued Moritz v.
Commissioner of Internal Revenue, a case about discrimination against a
man in order to lay the foundations for discrimination against women under
the Fourteenth Amendment to the US Constitution. RBG went on to set up
and lead the American Civil Liberties Union’s women’s rights project in
1972, with the support of Pauli Murray, a Black lawyer and academic who
had pushed for a women’s rights agenda at the ACLU. Murray’s scholarship
had compared the legal status of women and African Americans, using the
term ‘Jane Crow’. Their names appear together on the brief for Reed v.
Reed, the first case in which the US Supreme Court applied the Equal
Protection Clause of the Fourteenth Amendment to strike down a law that
discriminated against women.
When Sarah Weddington graduated from law school in Texas in the
1960s, she couldn’t get a job in a law firm because they didn’t hire women.
Instead, like RBG and other women of her generation, she became a law
professor—one of the few ways she was allowed to use her degree. In 1973,
at age 27, she filed what would become one of the most important and hotly
contested women’s rights cases in US history: Roe v. Wade. Weddington
argued the case all the way to the US Supreme Court and won, ensuring that
women across the United States had the constitutionally protected right to
choose to have an abortion (at least until 2022, when it was taken away).
One of Jen’s law heroes is Elizabeth Evatt, whose career in the law was
one of many ‘firsts’: she was the first woman to win the University Medal
for Law at the University of Sydney, the first woman to be appointed to an
Australian federal court, the first Chief Justice of the Family Court and the
first Australian to serve on the United Nations Human Rights Committee
(UNHRC) and the Committee on the Elimination of Discrimination Against
Women (CEDAW). During her career, she became a prominent reformist
lawyer and later jurist. One of her early cases as a young barrister saw her
defending a woman charged with causing the death of a young woman
during an abortion. This case made it clear to her that there was a need for
Australian women to have access to legal and safe abortion. From then on,
she became an advocate for law reform on abortion and its
decriminalisation in New South Wales. She chaired the Royal Commission
on Human Relationships (1974–77), which made recommendations on
contraception, rape, child abuse and abortion, and recommended reforms to
better protect women from violence and to ensure equality in divorce. In her
work with the United Nations, Evatt developed international human rights
jurisprudence, including to protect women against discrimination.
Progress has been made since these women started out in the law, but the
numbers don’t lie: more women than men start out in law, but this has not
translated into senior roles or judicial appointments. And this is a problem
when talking about who has the power to shape our laws and how they are
applied.
In the United Kingdom, less than 40 per cent of practising barristers are
women. Judges are typically selected from among silks, but only 18 per
cent of Queen’s Counsels are women. The UK Bar Council has starkly
warned that at this rate, women will never take silk in equal numbers to
men, which does not bode well for achieving gender parity at the bar or on
the bench. In Australia, the figures are worse: in New South Wales, Jen’s
home state—women are only 24 per cent of barristers and less than 9 per
cent of silks. When women are appointed silk in Australia, they are almost
immediately tapped for judicial appointment because supply simply does
not meet demand.
Why aren’t more women progressing to the top of the profession?
Structural discrimination, the studies all say. As Margaret Thornton wrote in
1996, despite the increase in numbers of women in law, women were still
‘fringe-dwellers in the jurisprudential community’ and would remain so
until structural discrimination in legal practice was addressed. In 2021,
Thornton said that while things have slowly improved, the implicit bias and
‘boys’ club’ mentality have continued. The law remains, as it was before, a
good case study of discrimination against women.
Jen’s perspective
As a law student in Australia, I didn’t see women doing the work I wanted
to be doing. Until I started working as a barrister in the United Kingdom, all
of my mentors were men. The human rights lawyers I had read about in
books at university and had seen in the media were mostly men. I’ve since
been fortunate to be able to work with many of those men, including
Australian barrister and co-founder of Doughty Street Chambers, Geoffrey
Robertson QC, Spanish jurist Baltasar Garzón, and the late Michael Ratner,
a prominent US civil rights attorney and co-founder of the Center for
Constitutional Rights. My work with them led me to women like Nancy
Hollander in the United States and Baroness Helena Kennedy QC in the
United Kingdom, who both forged the path for women at the bar and have
both become dear friends and mentors. Their stories of the early days at the
bar for women are a reminder of how far we have come, and they continue
to inspire me.
‘Gentleman, approach the bench.’ This was how judges would address
Nancy and her male opposing counsel when she started out in the early
1970s. One day she had had enough of it. When the judge asked them to
approach, she remained in her seat. The judge looked up and asked her if
there was a problem. ‘I am clearly not a man,’ she replied. From then on,
the judge would ask ‘counsel’ to approach. As a single mother, Nancy
overcame discrimination, prejudice and structural obstacles to build a
successful practice and become the first woman president of the National
Association of Criminal Lawyers in the United States. Her work defending
Guantanamo detainees was portrayed in the 2021 Hollywood film The
Mauritanian, in which she was played by Jodie Foster.
We stand on the shoulders of women like Nancy and Helena. I often
think of Ada Evans, the first woman to graduate from law school in
Australia in 1902. At law school, Ada was told she ‘had not the physique’
to become a lawyer. But she persisted. She was not allowed to practise until
1921 because of laws discriminating against women, but her efforts made
sure I now can.
My own experience—and that of women of my generation at the bar—is
a reminder of how far we still have to go. As a law student in Australia, I
suffered sexual harassment in two of the three law firms I worked at before
I even graduated. For many women, this is enough to kill their passion for
the law, if not their willingness to work in such an unsafe environment. In
my early days of practice in the United Kingdom, I was often mistaken for
the secretary. Alexandra Wilson, a criminal defence barrister and the
founder of Black Women in Law, has spoken about how she has been
mistaken for the defendant in criminal courts. Even today, when I’m asked
in social situations what I do, a surprisingly common response is, ‘You
don’t look like a lawyer’. ‘What does a lawyer look like?’ I ask in response.
And I have the benefit of white privilege. It is so much more difficult for
women of colour and those women whose English accent reveals their class
as quickly as my Australian vowels and intonation, or Keina’s Northern
Irish lilt, reveal our roots. I also have educational privilege. I may be a
colonial upstart in London, but my scholarship-funded Oxford education
eased my path to the Bar.
There are more women at the bar in London where we practise than there
are in my home state of New South Wales in Australia. But when I joined
the bar in early 2017, I quickly became aware of how few women barristers
there are. When I went into the storied Ede & Ravenscroft on Chancery
Lane to buy my wig and gown, I added my name to the handwritten list of
women barristers who have gone before me, proudly listing my little
country hometown of Berry in the book—a small but surprisingly
emotional reminder of my unlikely trajectory. Flicking through the book, I
noticed that it wasn’t very many pages before me that Cherie Blair QC had
signed her name. Cherie is another brilliant, pioneering woman in the law
who I have since had the privilege of working with, and who—like Helena
and Nancy—has forged a path for us. Later in 2017, my pupil supervisor
and leading light on women’s rights, Caoilfhionn Gallagher QC, took silk.
When you take silk, you are given your number: she was only the 398th
woman to take silk since the first in 1949. To put this in perspective, there
are around 1500 male silks in practice in the United Kingdom today, before
we even consider the number across history.
As Caoilfhionn was preparing for her silk ceremony, we discovered that
the shoes she was required to wear did not come in a size small enough for
her. This is just one of the small, seemingly unimportant but significant
ways we, as women, are told we don’t belong in the law. Indeed, it was only
in 2020, a century after women began practising as barristers, that our
colleague Karlia Lykourgou established the first ever legal outfitter devoted
to and designed specifically for women. Her company is called Ivy &
Normanton, named for the first two women to practise at the bar in England
and Wales. For 100 years women have been wearing ill-fitting legal attire
designed for men. ‘Finally, a collar that actually fits and won’t pull my
hair,’ remarked one of our colleagues.
We are fortunate to be members of Doughty Street Chambers, which was
founded to further human rights and civil liberties for all. Each year we
have an event for International Women’s Day to celebrate the work of
Doughty Street women, and all women in the law, in pursuit of women’s
rights. Each year I marvel at the remarkable work done by our colleagues:
challenging laws criminalising abortion in Northern Ireland, suing prisons
for their failure to provide women prisoners adequate sanitary supplies,
defending battered women prosecuted for killing their abusive husbands or
sued for defamation for speaking about their abuse, defending women
arrested for protesting for women’s rights and suing the police for failing to
protect women from their abuser. And each year I am horrified to hear the
stories about how women barristers and solicitors are treated in our courts
and in the media. Not so long ago, a woman QC explained how, when in a
heated argument with a male silk, a judge cautioned her not to be
‘hysterical’—a gendered comment that would never be levelled at a man.
But things are changing: in 2022, a barrister was disciplined and fined for
using this language.
How we are represented in the media matters too. When Amal Clooney
walked into the European Court of Human Rights to argue a case with
Geoffrey Robertson QC for Armenia about genocide denial, a male
journalist stopped her to ask her what she was wearing. With the quick wit
and humour typical of my brilliant friend and colleague, Amal laughed,
pointed to her barrister’s robe and said, ‘Ede & Ravenscroft’. No one asked
Geoffrey what he was wearing. In the media, women lawyers are too often
defined by our appearance and fashion choices.
After I won the Rhodes scholarship, I got a call from an Australian
magazine wanting to profile me. It was my first national media profile. I
thought they might be interested in the fact I was the first Rhodes scholar
from my region, and a woman (at the time, men still dominated the
scholarship: only three of eleven scholars that year were women). The
photographer called me to discuss the concept: they wanted me pictured in
nothing but an academic robe and ‘sexy stilettos’. I was to be their real-life
version of Elle Woods, Reese Witherspoon’s character in Legally Blonde. I
refused, telling them it was already hard enough to be taken seriously as a
young woman in the law. After some negotiation, I was pictured in a ball
gown with the robe. I can’t imagine Tony Abbott or Malcolm Turnbull, or
any other male Rhodes scholar since, having to have that conversation.
It has continued since I have become a lawyer: like Ada Evans more than
a century before me, my physique is apparently still relevant. In 2011, a
piece in The Monthly about the Julian Assange extradition trial described
me as ‘the curvy, blonde barrister’. There was no description of the ‘rotund’
or ‘slim’ male lawyers in the room—it was only my physique that got a
mention.
If it’s not about how we look, then it’s about how we behave. We are
judged for doing our jobs—on the one hand, for being not being ‘womanly’
enough, and, on the other, for not being enough like a lawyer. Conservative
columnist Gerard Henderson once described me as ‘the sassy Assange
lawyer’. He was using ‘sassy’ in the pejorative manner it was used back
when Ada Evans was at law school: I was too big for my boots, even
though I was saying exactly what Geoffrey Robertson QC was saying about
the same case. (It made me laugh to think that, whatever Henderson meant
by it, ‘sassy’ means something entirely different and positive to younger
generations of women.) Another profile headline described me as the
‘hardnosed’ lawyer, as if I needed another adjective to ensure readers
understood I had the characteristics required of a lawyer. Notice next time
you read a description in the media of a woman lawyer being ‘aggressive’
for doing her job. Would it be said of a man?
And all of this continues today. During the Johnny Depp defamation trial
in the United Kingdom, the media coverage often perpetuated myths and
sexism, including about us as women lawyers. I was counsel for Amber
Heard and assisting News Group Newspapers defend against Depp’s claim,
which alleged Amber lied about him abusing her. As the trial opened, a
Daily Mail story was devoted to profiling me and lead counsel for the
newspaper, Sasha Wass QC, an eminent woman in the law with decades of
experience. The headline proclaimed we were ‘Amber’s Avengers’. The
article described my personal life and ‘figure-hugging outfit’ and Sasha’s
‘elfin face’ and ‘penchant for wearing leather boots’. But even more
problematic than the focus on our appearance and fashion choices, was the
headline: ‘Ms Heard is banking on this formidable legal duo to slip a stiletto
into Johnny Depp’. The newspaper had chosen a gendered, violent
metaphor to describe women lawyers doing their job: our job was depicted
as perpetrating violence on Depp, when our job was to prove that Depp had
violently assaulted Amber (see Chapter 7). Would a male lawyer doing their
job ever be described as beating or stabbing the opposing client with their
shoe? And how could the trial be complete without an Elle Woods
reference: a front-page Daily Mail image of me comforting Amber as we
prepared to enter court was captioned ‘Legally Blonde’.
When working on high-profile and controversial cases, women lawyers
—like women journalists and politicians—face online attacks and threats. It
is sadly not unusual for me or for my colleagues and clients to receive
threats. The online attacks we face as women are typically gendered and
sexualised: commenting on our appearance, our families, our personal
relationships, or making threats of gender-based violence. Over the years, I
have received rape and death threats, marriage proposals and indecent
images. When I spoke with Rebekah Giles, a well-known media lawyer in
Australia who has represented high-profile feminists, women making
accusations of abuse and men accused of abuse, she told me she had faced
the same. Rebekah pointed out that despite working on many of these cases
on teams that included male lawyers, it was only the women lawyers who
faced this kind of abuse. She told me, ‘At times, it’s very unsettling. Some
days I wonder, am I going to get my throat slit on the way to the carpark?’
And this is our experience in Australia and the United Kingdom. Women
lawyers I’ve worked with in countries like Colombia, Mexico, India and
South Africa face serious threats of physical violence. As we explain later,
this is just another of the ways women are told to be quiet, play small, and
stay out of public and professional life.
We also know that women barristers are paid less and briefed less—and,
again, it’s worse for women of colour. Studies show we are interrupted
more in court—a fact that holds true all the way to the US Supreme Court.
Workplace culture still makes it incredibly difficult for women with
children to succeed in the law, which I think partly explains why so few
women remain in the profession, and why we have so few women taking
silk and becoming judges.
All of this matters. It matters because we need a diversity of perspectives
in the way the law is argued, shaped and applied. We need more women
lawyers and judges, and more lawyers trained and educated not to pander to
outdated and false myths about male violence. As Harriet Johnson argues in
Enough, a more representative legal system is vital not just to ensure public
confidence but to ensure fair treatment of women. Johnson writes about the
injustices resulting from sexist arguments in criminal cases about gender-
based violence, but, as we will show in Chapter 8, these same problems also
arise in civil cases that focus on women’s rights to speak about it.
Malestream media
Man claims violent sex attack was agreed rape fantasy Woman alleges
man raped her three times and threatened to kill her (Courier Mail,
Australia)
Justitia is depicted in our courts as holding the scales while blindfolded. But
for the many women silenced by the law and by our justice systems, it
would be more realistic to depict her as gagged—as she is on the cover of
this book. This needs to change, and this is why we argue, just as RBG did,
that women belong in all places where decisions are made—in parliament,
in the courts and in the media. Many more women.
Laws made by men and judged by men have historically protected men,
and those same laws have failed—and silenced—women. This structural
issue affects how the law regulates gender-based violence. Harmful
stereotypes and gender bias pervade how violence against women is
reported in the media. and how it is treated in the justice system. This is the
reality women are coming up against. As we will explain, it also can affect
the outcome of cases involving women speaking out about gender-based
violence.
Chapter 2
In 2021, Chinese tennis star Peng Shuai accused a former vice premier of
the Chinese State Council, Zhang Gaoli, of coercing her into having sex.
She posted the accusations on the Chinese social media site Weibo. The
allegation was the first to be made against one of China’s most senior
political leaders.
After she posted the accusation in November 2021, Peng Shuai was not
seen or heard from for several weeks. The original post disappeared and
news reports began to circulate that her personal feed had been censored.
The BBC reported that search terms such as Peng Shuai’s name were also
temporarily blocked from social media.
International concern mounted for her wellbeing, with the United Nations
requesting proof that she was safe and well and able to speak in her own
terms. Serena Williams, Naomi Osaka and Novak Djokovic, some of the
biggest stars in world tennis, spoke out and raised their own concerns. The
Women’s Tennis Association (WTA) pulled out of all tournaments in China
the following month.
Then, in December, Peng Shuai gave an interview with media, wearing a
red national tracksuit. In the interview, she walked back her accusations,
saying, ‘I never said anyone had sexually assaulted me in any way.’ She has
since been seen on social media and in person, but many are still concerned
for her welfare. Some even noted that, in the video of her interview, there
was a mirror showing a man standing there—likely her minder. The WTA
has maintained its concern, and no events are taking place in China in 2022.
Peng Shuai’s case was a window into the censorship that has stifled the
MeToo movement in China: the hashtag #MeToo is itself blocked, along
with other key phrases, including ‘rice bunny’, a Chinese homonym for the
MeToo campaign. Prominent MeToo figures like Xianxi, who was sued for
defamation after raising sexual harassment allegations against CCTV
presenter Zhu Jun, and their supporters, have been blocked from posting on
Weibo too.
Others have been arrested and imprisoned. For example, Huang Xuequin,
an investigative journalist who has been involved in several MeToo
campaigns to provide support and assistance to survivors, is currently in
prison on charges of ‘subverting state power’. Human Rights Watch reports
that many Chinese MeToo activists have been ‘[s]ilenced by their home
country’ and have fled overseas, where they have freedom to speak, post
online and be heard.
Just as there is a continuum of violence against women, from wartime
rape to all different forms of violence, abuse and harassment, there is also a
continuum of silencing. In this chapter we set out how human rights
activists, women advocating for sexual and reproductive rights, journalists
reporting allegations of sexual abuse and harassment, and individuals
speaking about their own experiences of abuse are being silenced through
the use of the law. We explain how the law is being used around the world
—in different places and in different ways—to silence. And with different
levels of silencing. This is what the United Nations has called ‘gendered
censorship’. Women are being silenced and their right to free speech is not
being protected, or respected. From the conviction of directors of domestic
violence shelters for speaking out about violence, to the targeting of those
advocating for the decriminalisation of abortion, to the detention of migrant
women who report their abuse to the police, there has been a global failure
to uphold and protect women’s free speech when speaking out against
violence and abuse and advocating for their rights.
Should women face criminal charges for walking down the street with a
large plastic vagina, or for marching for the right to have legal and safe
abortions? While most places in the world advocate for freedom of
expression, there seems to be a double standard when it comes to
campaigning for women’s rights. Religious freedom is often used as a
means of silencing women, just as defamation is used not as a shield but as
a sword.
In Spain and Latin America, ancient criminal laws on injury to religious
feelings are used to prosecute and criminalise women’s rights marches. For
example, in Spain, a woman was given a criminal record for marching with
a plastic vagina down a street because ‘it was evidently with the intention of
ridiculing and laughing in a gratuitous way at Catholic tradition’. The
criminal investigation was instigated by a complaint from the conservative
lawyers’ association that carrying a ‘powerful vulva’ down a street is a hate
crime. The convictions and the censorship of vaginas and vulvas are a
ridiculous violation of the freedom of expression of those who march for
greater respect of the rights of women to choose and to have bodily
autonomy. It would all be funny—and ludicrously so—if women weren’t
ending up with criminal records.
In the United Kingdom, women have found themselves having to
challenge bans on protests about women’s rights and gender-based violence.
A recent example is the vigil organised in the wake of Sarah Everard’s
disappearance, kidnapping and murder. Women and girls took to the streets
en masse, to ‘reclaim the streets’, to advocate for the right to live a life free
from violence, and to say enough is enough. The organisation Reclaim the
Streets, represented by lawyers including two of our colleagues, had to go
to court to challenge the Met Police’s handling of the proposed vigil—
which effectively banned them from organising an event to express their
collective grief and to campaign for changes in attitudes and responses to
violence against women. The Met threatened the organisers with fines and
prosecutions if the event went ahead. The High Court found that the four
organisers’ human rights to free speech and freedom of assembly had been
breached.
There is a long history of silencing women who campaign for the right to
access safe abortions.
When Keina was a law student at Trinity College Dublin, one of her
professors was Ivana Bacik, who is currently leader of the Labour Party in
Ireland. Ivana was then a criminal law professor and well-known feminist
activist. In 1989, she was threatened with prison. For what crime?
Providing the phone numbers and addresses of abortion clinics in England
to Irish women. She was prosecuted not for being involved in an abortion,
but for simply giving information to women about where they could safely
access an abortion outside the country. At that time in Ireland, many women
were forced to travel to England, and pay a lot of money, for access to legal
abortions. This was because abortion was unlawful in Ireland—and this
remained the case until 2018, with the groundbreaking movement and
referendum to repeal the Eighth Amendment to the Constitution of Ireland,
which finally changed the law.
Ivana avoided prison, largely thanks to her lawyer, Mary Robinson—who
would go on to become the first female president of Ireland. But her case
showed that the law could be weaponised against women to stop them from
sharing information. Information is a form of power—it educates and
empowers women to know their rights and to take action for change—and,
eventually, the law was changed. This shows the power of advocacy, but
also the power of silence. Silencing women slows progress, if not
preventing it altogether. And when there is a vested interest in silencing
women to protect the status quo, the law can be and has been used as a
blunt tool to shut us up. This should be deeply worrying—and should
prompt us to question who is really entitled to freedom of speech, and why.
The weaponisation of the law to silence abortion activists occurs in a
broader context, and often comes together with non-legal silencing
techniques, including intimidation and harassment. Women speaking out
and informing other women are facing legal threats, as well as physical and
online attacks, and the ultimate silencing tactic: assassination attempts and
extrajudicial killings. This builds on the broader continuum of silencing
which is produced by the criminalisation of abortion. Women who have
been raped are too scared to come forward and seek medical abortions
when they fear criminalisation for doing so.
We recently caught up with the Colombian feminist and human rights
activist Mónica Roa. Mónica is well known across Latin America for
bringing a case that legalised abortion in Colombia, which paved the way
for similar court decisions elsewhere in the region. She was only in her
twenties when she brought that case, but it would change her life forever.
She was sued, received death and rape threats, had to have 24/7 bodyguards
for years and her office was shot at; eventually she was forced to leave the
country. Throughout and despite all this, she continued her work with
Women’s Link Worldwide, where Keina also worked, to implement the
legal decision to make abortions available for women whose life or health
was at risk or who had been raped.
After Mónica took and won the case that overturned the abortion ban, she
filed another lawsuit on behalf of 1201 Colombian women, claiming that
the state had violated their right to information by failing to provide
accurate sexual and reproductive health information—including about how
women could get an abortion. The lawsuit challenged misinformation by
the inspector-general—the equivalent of a minister responsible for ensuring
compliance with the constitution—and the government officials charged
with implementing the Constitutional Court’s decision on abortion.
‘I had faced harassment and threats since the beginning from litigating
abortion rights,’ Mónica said. ‘But when it became about the inspector-
general, I had people walking up to me on the street, screaming at me,
calling me a baby killer.’
She told us about how, in 2011, she was shot at while working in her
office in Bogota. This was despite having 24/7 security guards provided by
the state. After that, she told us, she realised she would never feel safe in
Colombia, even with state protection. She received a huge number of
threats online, many of which were motivated by religious extremism. She
was sent emails with quotes from the Bible, such as ‘the one who spills
blood will be the one whose blood is spilled’, and ‘pictures of babies in
clouds, saying they would send me to heaven too’. She recalled how people
even ‘threw shit at the door of the office’.
In 2012, out of the blue, Mónica was informed that a criminal
investigation had been opened against her for criminal defamation. She
learned via the press that she was being prosecuted, but her lawyers were
unable to find out who had made the original complaint. She believes a
powerful government official made the criminal complaint against her
because of the ‘right to information’ lawsuit she filed before the
Constitutional Court and her public statements calling for the state to make
access to abortion care a reality. Mónica explained to us: ‘It’s difficult to
understand, but the reason the government official denounced me for
criminal defamation and calumny is simply because I filed a lawsuit.’
Women’s Link Worldwide released a press statement raising its concerns
that a high-level government official could file a criminal defamation
complaint against a women’s rights activist, and emphasised that women’s
rights would be seriously undermined if the state criminalised the work of
human rights defenders. The American Bar Association wrote to the
president of Colombia to outline its concerns over the attacks against
Mónica Roa and the fact that a criminal defamation complaint had been
made against her apparently in response to her filing of a legal case on
sexual and reproductive rights.
Mónica decided to protect herself from retaliatory legal suits—and the
risk to her life—and went to stay with Keina in London. Ten years later,
Mónica continues to live outside Colombia. She continues to work on
human rights, but she still faces security issues.
In 2019, when she travelled to Mexico, Mónica became a victim of
digital kidnap, inhuman and degrading treatment, and sexual abuse. Digital
kidnap is an emerging form of online violence whereby criminal groups
intimidate and threaten someone by cloning their phone, and then they
convince the victim’s loved ones and friends that they have been kidnapped.
At the same time, they make the victim believe that they are in a hostage
situation.
Mónica took to Twitter to raise the alarm that she had been a victim of
this new form of violence: she had been made to believe that she was in a
hostage situation in her hotel room in Mexico, and at the same time her
friends and family were told that she had been physically abducted. It was a
nightmare for Mónica and her loved ones, until the Mexican and Colombian
authorities stepped up and helped them. Monica’s legal work underlines the
personal impact and security challenges that many lawyers and activists
face for standing up for human rights, protecting the environment and
trying to ensure the world is a more equal place. It also shows how the law
can be used against us. It is judicial harassment, and the organisation
Frontline Defenders calls it out as such.
The trend of criminalising and silencing activists and those working on
women’s rights issues is also affecting those working in frontline domestic
violence services. This silencing, and the fear of legal repercussions for
speaking publicly about violence against women, is a problem that
organisations often raise with us.
It is a serious issue for many small, grassroots and frontline organisations
working with migrant women, Black-led women’s organisations and rape
crisis centres in the United Kingdom and elsewhere. It is especially a
problem in countries where the law enables police officers, state officials or
abusive men to file criminal defamation claims against those who report on
their abuse or criticise their failings.
In Latin America, celebrated journalists such as Lydia Cacho have been
arrested, detained and subjected to cruel, inhumane and degrading treatment
on charges of criminal defamation. The Mexican journalist had written a
book about corruption and child sexual exploitation. The powerful figures
she criticised wanted to silence her, so they had her arrested for criminal
defamation. The UN Human Rights Committee held that her rights had
been violated, and that Mexico should repeal its criminal defamation laws.
In Chile, the feminist dance group Las Tesis is also facing criminal charges
of defamation for creating a song titled ‘A Rapist in Your Path’, and for
calling out the police for their inaction on violence against women. The
police filed a criminal defamation suit against Las Tesis.
These cases demonstrate how the state shuts down women’s activism—in
fact, it SLAPPs them down. ‘SLAPP’ stands for ‘Strategic Litigation
Against Public Participation’, and it’s a term that is increasingly being used
around the world to explain legal actions in which the law is used as a
weapon to silence.
When we spoke to Mónica Roa about her situation, she told us that we
needed to speak to two Colombian journalists who were facing criminal and
civil suits for reporting on MeToo allegations. Catalina Ruiz-Navarro had
been the communications officer at Women’s Link Worldwide at the time
Keina had worked there and when Mónica had faced her criminal
defamation suit in Colombia. When we spoke with Catalina, we were
shocked to learn that she was facing multiple suits, along with her co-
founder and editor-in-chief of the online feminist magazine Volcánicas. It
was time to talk to Catalina.
Keina’s perspective
Today, Shiori Ito is instantly recognisable in Japan; she was one of Time
magazine’s people of the year in 2020. But the first time I met her, back in
2018, it was not long after she had gone public about her allegation of rape.
She was living in London, having been subjected to horrendous abuse in
Japan after speaking out about her experiences.
When Jen and I discussed writing this book together, Shiori immediately
came to mind as someone who has been changing the national conversation
in Japan. I’m Japanese-Irish, and spent some of my childhood living in
Tokyo. I go back to see my family there every year. I’ve always been
fascinated at how the outside world views Japan as a progressive, techno-
capitalist Asian country, full of pikachus and kawaii or ‘cute’ culture. But
the idea of Japan as a ‘progressive’ country should be more nuanced.
Japan still has the death penalty and carries out executions. According to
the global Gender Equality Index 2021, Japan ranked 120th in the world,
which makes it one of the lowest-ranked countries in the Asia-Pacific
region (only ranking higher than Papua New Guinea and Vanuatu). By way
of comparison, Ireland, my other country of nationality, ranks ninth; Spain,
where I live now, ranks fourteenth; the United Kingdom, where Jen and I
work, is 23rd; and Australia is 50th. In other words, Japan’s track record on
gender equality is abysmal. Of course, there is incredible activism and
organising by feminists within Japan, and Japan has a surprisingly good
record in appointing Japanese candidates to CEDAW. But Japanese women
are subject to stereotyping and are more limited in their opportunities to
participate in public life than women in most Western countries.
This is why Shiori Ito is such a hero of mine. She is breaking down
barriers, fighting to change laws, and advocating for a society in which
gender equality is discussed. By speaking out at a press conference about
her own experiences of reporting her allegation of assault to the police, she
forced open a conversation in a country where rape and violence against
women often goes unreported in the media. There have been only a handful
of cases in Japan where sexual violence has been discussed so widely in the
media; one was the Waseda Super Free case in the early 2000s, when an
elite university social club became known as a ‘rape club’ after members of
the group were convicted of raping three women. But Shiori is the first
woman I have seen come forward in Japan and speak on her own terms
about the need for justice for her experiences of alleged abuse and assault.
But for daring to speak out, she has paid a high cost.
I first met Shiori Ito at the offices of the Centre for Women’s Justice in
London, where we were gathered to discuss law reforms for sexual offences
in Japan. The Centre for Women’s Justice is led by the formidable human
rights lawyer Harriet Wistrich. She founded Justice for Women, a law-
reform group, and has specialised in fighting for justice for women who
have killed their violent partners after years of abuse.
Harriet represented Sally Challen, who was convicted of murder for
killing her controlling husband Richard; Challen later walked free after
Harriet’s intervention highlighted the impact of coercive and controlling
behaviour. Harriet and I have worked together on Fiona Broadfoot’s case.
Fiona had been in local authority care when she was groomed, pimped and
prostituted. Instead of being protected, she was prosecuted by the police and
convicted by the courts for street prostitution. The law that was meant to
protect her actually punished her, and then prevented her from getting jobs
years later, so we fought to have her criminal record—which stated she was
a ‘common prostitute’—removed.
Harriet is a feminist lawyer who is tireless in making women’s rights to
live a life free from violence and misogyny a reality. So it’s little wonder
that people from around the world ask for her advice and her perspective on
law reform. On this occasion, it was a group of Japanese lawyers,
prosecutors, psychologists and journalists, who were on a study tour to
learn from organisations in the United Kingdom about how to improve the
law in Japan on sexual offences and how to provide better victim support.
Shiori was among the expert Japanese group seeking to reform the law. I
was invited along as a half-Japanese barrister working on issues of violence
against women.
I remember Shiori clearly, as we were two of the younger members of the
group squeezed into a small conference room. Shiori has a presence that I
quickly warmed to. She speaks English with an American lilt and is the
kind of person you want to be friends with. Her eyes sparkle with
intelligence and she has a passion for justice. She handed me her business
card after the meeting, a Japanese custom, and I apologised for having
forgotten to bring mine.
In the years since I first met Shiori, a lot has happened. Shiori has since
become a symbol of Japan’s MeToo movement and has battled multiple
defamation cases, both as a claimant and as a defendant.
________
In 2013, Shiori Ito was a young journalist trying to find her way into the
news industry. She was ambitious and talented, and decided to study in
New York. It was there that she met Noriyuki Yamaguchi, the Washington
bureau chief for Tokyo Broadcasting System, a major media network.
Yamaguchi was powerful and well connected, with close ties to the
Japanese prime minister of the day, Shinzo Abe. Yamaguchi introduced her
to colleagues and she got an internship.
In 2015, Shiori met up with Yamaguchi again at a restaurant in Tokyo to
discuss a job opportunity that he had emailed her about. Five days after the
meeting, Shiori Ito went to the police and reported that, after their dinner,
she had allegedly been raped in a hotel room by Mr Yamaguchi while she
was unconscious.
Shiori asked for a female police officer at the police station. But the only
one available worked in the traffic department, so her case was handled by
male officers. The police officers made her re-enact the alleged sexual
assault, using a life-sized doll. They took pictures. She was asked again and
again whether or not she was a virgin. It was not until two years later, in
2017, that prosecutors said there was not enough evidence to bring the case.
In Japan, the definition of rape requires evidence of force or violence—
it’s not enough to show that you didn’t consent. Because Shiori told the
prosecutors she was unconscious, her rape was considered, in law, a ‘quasi-
rape’. And the prosecutors said she did not have enough evidence to
prosecute even for this lesser charge. Shiori has publicly stated that
prosecutors in charge of her case told her that because the incident occurred
behind closed doors, it was a ‘black box’. They meant the ‘truth’ of what
happened could never be known, so prosecuting the case was not
worthwhile. (Shiori would later use this term as the title of a book about her
experiences, Black Box. Yamaguchi would countersue following its
publication and, according to newspaper reports, win.)
Her hopes for a trial—and for accountability—vanished. There was no
way for her to get justice, or even to be heard. So she decided to go public.
In May 2017, she held a press conference, calling upon the police to reopen
the investigation, and bringing attention to the unjust laws and practices in
the criminal justice system. Shiori’s decision to speak out soon led to an
avalanche of media reporting and internet speculation. She was called a
North Korean spy, and many commented that her allegation was politically
motivated, since Yamaguchi was by now close friends with former prime
minister Shinzo Abe. The media also judged her for the way she dressed,
questioning whether a ‘real victim’ would have had the top button of her
shirt undone at a press conference—or given a press conference at all.
At the same time she faced this public backlash, Yamaguchi brought a
defamation claim, for an amount so high it would have bankrupted Shiori.
Instead of backing down and being silenced, Shiori decided to countersue
him for calling her a liar, arguing it was defamatory for him to allege she
was making the accusation up. This had never been attempted before in
Japan: using defamation against the alleged offender.
In 2019, Shiori Ito won damages in her civil suit against Yamaguchi, with
the court dismissing his 130 million yen defamation claim against her. The
court found that she had been ‘forced to have sex without contraception,
while in a state of unconsciousness and severe inebriation’.
In July 2022, the Japanese Supreme Court dismissed Yamaguchi’s appeal
to the civil suit and finalised the lower court’s ruling that he had sexually
assaulted Shiori. Shiori was awarded 3.3 million yen in damages
(US$24,000). The Supreme Court also made a separate ruling awarding
Yamaguchi 550,000 yen in damages (US$4000) and ordered Shiori to pay
this for claims made in her book that he might have drugged her. On 21 July
2022, Shiori gave a press conference following the Supreme Court ruling,
stating that, while sexual assault victims are finally being heard, the burden
of filing a lawsuit has been mentally and financially huge for her. The
Supreme Court judgment brings an important end to a long-running lawsuit
and vindicates Shiori’s decision to speak out.
But Shiori’s legal battles are not over. In Chapter 8, we will explain how
she is using the law to fight back against the online harassment and trolling
that she receives because she went public. She is campaigning to make the
internet a safer space for women and girls, and to reform Japan’s sexual
offences laws to be based on consent—rather than requiring victims to
prove the use of violence or intimidation, or that they were ‘incapable of
resistance’.
The trolling Shiori receives is so bad that she needs a team to go through
her social media so that she does not have to see it and take on all of the
trauma. It is so bad that she decided to live outside of Japan for a while.
This is the other cost of speaking out: it’s not just the legal battles, but the
enormous personal and financial pressures that come from advocating for
change and for women to be able to live lives free from violence.
As we were discussing the similarities of the arguments made about ‘real
victims’ in court cases around the world, Shiori said simply, ‘Different legal
systems, same story.’ That perfectly sums up the problem, and the pattern
we are seeing around the world. Like us, Shiori wants to solve it by
changing and improving the law.
The law as it stands is silencing the voices of victims and survivors. Some
of these laws were designed to protect women, but in practice they have
often ended up protecting perpetrators by silencing victims who want to
speak out. Some of these laws censor or ban certain speech—or ban speech
from certain individuals. Others result in a less direct form of silencing, but
with similar effect, making journalists fearful of reporting allegations
because of the risk of lawsuits, which are expensive and can result in
bankruptcy or even prison.
This global picture of silencing—especially in how it undermines
women’s rights and the right to be free from violence—underlines why it is
so important to defend free speech as a women’s right and as an equality
issue. We must ensure that journalists can do their work and report abuse,
that domestic violence shelters can raise money and campaign, and that
silence-breakers can speak out, inspire other women to come forward, and
advocate for changes in the legal system. We need to free her speech and
end gendered censorship.
Chapter 3
Women had been speaking about sexual assault and violence long before
MeToo—it was just mostly behind closed doors or in whispers. They might
pull a new colleague aside, whispering the names of men she should ‘watch
out’ for. Maybe they would be waiting in line for the bathroom, quietly
talking about what they’d heard about how a guy at the party treated one of
their friends. Maybe it would be in the form of a joke—the kind of joke that
has the sting of truth underneath.
Far from being rumours designed to ruin reputations, this ‘whisper
network’ existed for one main reason: protection. It was a way women
could protect themselves and other women. It was especially important
when the men in question were in positions of power—when speaking in
more than a whisper might have serious personal and professional
consequences for her—and went far beyond not being believed. But it was
imperfect and inefficient, and it did not address the root of the problem—or
provide a meaningful mechanism of justice for survivors. That’s where
MeToo came in.
In a lot of ways, MeToo brought the whisper network into the public
sphere. These whispers were no longer whispers, they were statements
made out loud, and on the record. MeToo recognised that while whispering
might have protected some women, it also protected the men and the
institutions that sheltered them.
The MeToo movement took off in the United States and around the
world. There was a clear message for men who were used to being
protected by silence: women were speaking. And they were being heard. A
new form of justice began to take shape. We saw how just one woman
having the courage to speak out could encourage so many others to come
forward. We saw even powerful men held accountable—and prosecuted.
We saw how, together, women speaking out could spark protests, and legal
and political change.
But in making violence against women more visible, the MeToo
movement also made more visible the cultural and legal obstacles women
face when they speak out. This is what had maintained the status quo of
silence for so long. In the backlash, we saw these same cultural and legal
tools being used to reassert that status quo—to silence the women who
spoke out, and deter anyone else who might be thinking of speaking out in
the future.
In this chapter, we look at the MeToo movement in Australia—how it
started and what happened when women spoke out—as a case study to
show the intersectional, cultural and legal issues that women come up
against in their efforts to seek justice and create change.
When the movement kicked off in Australia in 2017, the legal backlash
was swift: defamation claims and threats rained down on women and the
media who reported their stories. Many mused about whether the law had
killed the movement. That oversimplification ignored the complex cultural
reasons in Australia—established as a penal colony, with an ambivalent
relationship to its own racism, and renowned for its sexism—that meant the
MeToo movement didn’t catch on in the same way as it did in other
countries. But a few years later, a group of young women started to stand up
and say—again—enough. Their stories came together to spark a national
controversy and protest movement in 2021, which shifted public discourse
and political space and started to force change.
Soon after Hollywood adopted and amplified the MeToo movement, social
media in Australia was set alight. And from the fire that was starting to
burn, one Australian figure promised to bring the same reckoning as
Weinstein faced to Australian shores: journalist Tracey Spicer. She called
for women to come forward with their stories, promising to read and
respond to every single one. Soon, she was overwhelmed. Spicer has said
that more than 2500 women reached out to her with their stories of sexual
abuse and harassment.
The first big MeToo story in Australia—prompted by disclosures made to
Spicer, and published by The Sydney Morning Herald and the ABC in
November 2017—reported multiple allegations of sexual harassment
against the gardening TV personality Don Burke. Burke denied the
allegations and called it a witch-hunt. But in a later case against him, which
we discuss in Chapter 8, his denials were found to be ‘implausible’.
Media organisations suddenly clamoured for more MeToo stories, and
others soon followed: about former Neighbours star Craig McLachlan, and
the Oscar-winning actor Geoffrey Rush. Both men sued for defamation:
McLachlan sued the media and Christie Whelan Browne, the woman who
had made the allegations. He would withdraw his case in 2022, but only
after the trial had started and $2–3 million in costs had been incurred. Rush
sued Sydney newspaper The Daily Telegraph and won (we discuss both
cases in Chapter 6).
Even women who hadn’t wanted their story to be made public faced
defamation cases and threats. A troubling aspect of the early days of MeToo
in Australia was the number of women who became the subject of media
reporting without their consent, including for the political objectives of
men.
The Daily Telegraph story on Rush had itself been rushed: the matter was
reported without ever seeking comment from the woman at the centre of it,
Eryn Jean Norvill. She had made a confidential sexual harassment
complaint at the Sydney Theatre Company and never intended for it to be
public. But it ended up on the front page and in court.
Under the cover of parliamentary privilege, a NSW government minister
outed his political opponent, opposition leader Luke Foley, alleging he had
sexually harassed a journalist. That journalist, ABC reporter Ashleigh
Raper, had chosen not to complain about the incident and never wanted it to
become public. She said she had feared she might lose her job, and worried
about the publicity and the pressure she and her family would face. But her
choice was taken from her. After her story was ‘outed’ in parliament, she
decided to tell it herself. Foley denied her allegations and threatened to sue
the ABC for defamation for having published her story.
Catherine Marriott had made a confidential internal complaint to the
National Party against the former party leader and deputy prime minister
Barnaby Joyce over an incident of alleged sexual harassment at an official
event. It was leaked and she became front-page news. She said the publicity
was ‘horrific’. Joyce said her allegations were ‘spurious and defamatory’
(i.e. she lied), questioned why it took her a year to report it and claimed ‘it
should have been dealt with immediately’; he said she should report it to the
police so he could defend himself.
How many women will report sexual harassment—even confidentially—
if it might end up on the front page of the newspaper and they are
threatened with defamation? Incidents like these did not empower women
to report or speak out, and only exacerbated mistrust. Women must be
allowed full agency over whether or not they speak out about their
experience—and the media should always seek their consent before
reporting it and before naming them.
At the same time, all of these defamation threats fuelled commentary that
Australia’s defamation laws were stifling the movement, deterring women
from speaking out and stopping the media from reporting on it. The
backlash was not just legal—and it was directed at those speaking out and
the journalists reporting on it: Spicer said she received death threats and
vicious online abuse for her work exposing sexual misconduct. Christie
Whelan Browne, who spoke out about McLachlan, received an avalanche
of online abuse, including comments like ‘hope she gets raped’.
Spicer spoke about being swamped and said she was, understandably,
unable to handle all of the disclosures on her own. She co-founded NOW,
an organisation which was meant to be the Australian answer to TimesUp.
It promised a triage service to help women who wanted to speak out: it
would direct survivors to journalists and the legal support and counselling
they needed. She told BuzzFeed that she started NOW ‘after it became clear
our defamation laws were severely restricting the movement’ and
‘protect[ing] the rich and powerful’.
Then came the magazine cover. Latte, a women’s business magazine,
featured the headline ‘Tracey Spicer and the women dismantling
discrimination’. As Jess Hill writes, it showed ‘Spicer, strong and defiant, at
the centre of a circle of mostly white women in power suits’. This was the
image that would come to define the movement in Australia but it also drew
criticism. As Laura La Rosa, a Darug woman, feminist writer and critic,
wrote, the movement was ‘glaringly white and middle-class in its
representation’.
Soon after the magazine cover incident, Spicer would step back from her
work with NOW ‘to allow more diverse voices into the space and to look
after her mental health’. She was later awarded the Sydney Peace Prize in
2019, together with the US founder of MeToo, Tarana Burke, for her work
spearheading award-winning investigations into sexual abuse and
harassment. In accepting the prize, Spicer spoke of the privilege of bearing
witness to the stories of survivors, and of the emotional burden of being
entrusted with those stories.
But the criticism and legal issues continued.
When an ABC TV documentary about Spicer, Silent No More, was
shared with journalists for media publicity prior to its broadcast in late
2019, an error was made: the program failed to blur out survivors’ names
and the details about their stories. Spicer drew criticism from survivors for
identifying them without their consent, and many took to social media to
complain about her handling of their personal information. Having
criticised the use of defamation laws to silence survivors, Spicer herself
threatened to sue survivors and others for criticising her over the privacy
breach—an irony that did not go unnoticed after her earlier critique of
defamation laws. The ABC issued an apology for its error and the breach of
privacy in identifying survivors. By June 2020, NOW had been dissolved.
Around this time, many began to think the Australian MeToo movement
was over. Dr Karen O’Connell of the University of Technology Sydney
wrote that it ‘seems to have gone quiet’, and high-profile cases (such as
those involving Burke, McLachlan, Joyce and Foley) had ‘mostly faded
from public view’. As O’Connell observed, while all were alleged sexual
harassment cases, none of the women had claimed or received any remedy
under sexual harassment laws. Instead, she wrote, ‘what most of these cases
have in common is that the men involved have sued or threatened to sue for
defamation . . . [and] may lead someone who has experienced sexual
harassment to think that the reputational interests of the accused are better
protected by law than those alleging harassment’. And if not better
protected by the law, they are certainly better remunerated for it: as she
explained, damages for defamation claims over allegations of sexual
harassment far exceed the amounts women would ever receive in damages
in claims for suffering sexual harassment.
So what went wrong? Was it our defamation laws? As detailed by
journalist Jess Hill in her Quarterly Essay, the problem with trying to
reproduce the MeToo movement in a different context became apparent
very quickly. The early days of MeToo in Australia were characterised by
its spotlight on the experiences of white, middle-class women—which left
women of colour, working-class women and queer folks out of the
conversation altogether. This lack of intersectionality matters: in media
coverage and the public conversation in Australia.
But the next wave of the movement was about to break. At the forefront
was Dhanya Mani whose fight to be heard spurred her into action—for
herself and for all women, including women of colour. But was Australia
ready to listen?
Dhanya’s story
I joined the Liberal Party when I was 17. When I began attending
social events, I was given a list of the men I should avoid due to their
lengthy records of sexual harassment. When I asked whether these
serial offenders had ever been reprimanded, I was laughed off. I was
told these men were ‘good guys’ but this was ‘just how they were’ and
so I should be aware.
These are the words Dhanya Mani wrote in an essay for Women’s Agenda in
2019. The child of first-generation migrants, a Liberal Party member and
survivor-advocate, Dhanya told us that she experienced sexual harassment
and assault by a fellow political staffer while working in the NSW
Parliament in 2014, when she was just 21. For years, her internal
complaints had gone nowhere. As a result, she left politics to pursue her
career in law and landed a prestigious job as a judge’s associate on the
NSW Supreme Court. But while working there, she says she faced sexual
harassment from one of the most powerful men in the legal profession:
former High Court justice, Dyson Heydon AC QC. She said it happened
several times and in the court building. It was 2018 and two years before
the Sydney Morning Herald’s explosive ‘Dirty Dyson’ exposé about how a
culture of silence had protected Heydon when he sexually harassed a
succession of young women lawyers who worked for him on Australia’s
highest court. And it was two years before Australia’s first woman Chief
Justice, Susan Kiefel AC, apologised to six women after an independent
inquiry found they had been sexually harassed by Heydon. (Heydon
‘categorically’ denied the allegations.) So Dhanya didn’t know then that it
had happened to others: the women were still in silos of silence. She
reported it to the judge she was working for, but nothing was done. ‘I felt
there was nowhere else to go. I had left politics because of the sexual
assault. I went into the law, then I faced sexual harassment from someone
who was revered . . . I just thought, that’s it, if I confront him, I am done, if
I don’t confront him, I am done. My boss idolises him, all the judges in the
equity division are mates with him . . . This is why I reached out to
[Spicer].’ The MeToo movement gave her the confidence to speak out.
Encouraged by Spicer’s willingness to take on men in power and NOW’s
promised nonpartisan approach, she contacted the journalist.
Months passed and she received no reply.
‘I felt like I was suffocating,’ Dhanya told us. ‘I had nothing left. It didn’t
matter how much I had overcome odds to be there [in the law] and it was all
for nothing. I thought there must be some way to get justice . . . and it’s
speaking out. And then nothing . . . if Spicer didn’t want my story, when she
was asking for people to speak to her, who else would?’
After a lot of self-reflection, Dhanya chose to tell her own story—in her
own words and on her own terms—or at least, part of it. ‘I knew how to
write it in a way where I couldn’t be sued. I could achieve what mattered to
me on an emotional level,’ she told us. She wrote the essay for Women’s
Agenda about her experience of the culture within the Liberal Party and the
failure to properly deal with her complaint about the sexual harassment and
assault she had experienced in politics. Having been warned that her
credibility would be attacked if she spoke out before the state election, she
deliberately waited to publish on the day after the election—and the Liberal
government was returned to power. Pre-empting predictable attacks,
Dhanya didn’t want her allegations to be dismissed as politically motivated
to damage the government’s re-election. In her essay, she explained the
victim-blaming culture she saw, observing negative comments about
women who had raised complaints, such as ‘she was drunk’, ‘desperate’,
‘easy’, ‘ambitious’ or ‘asking for it’. When Dhanya raised her own
complaint, it went nowhere and she was deemed a troublemaker. Various
MPs and political staffers asked her questions like, ‘Oh, I feel sorry for him
—why don’t you just date him?’ and ‘Are you sure you didn’t lead him
on?’ and ‘You do realise you could ruin his life and he could lose his job,
don’t you?’ Dhanya explained how she had come to understand, from her
own experience, the gaps in legislative protection for women working in
parliament and the inadequacies in processes within both parliament and the
Liberal Party itself. Her essay advocated for engagement by the Australian
Human Rights Commission on sexual harassment in parliaments and for
better workplace protections in parliament.
It was brave to speak out about Liberal Party culture when no one else
was. Dhanya said she knew that she was sacrificing opportunities that had
been offered to her within the Liberal Party, but she felt she had ‘a moral
imperative’ to speak out. Her courage would encourage more women to
speak out.
But she didn’t tell her story about Heydon. ‘I was too scared,’ she told us.
Dhanya explained that she already felt marginalised in the law, as a woman
of colour and one of only two ethnically diverse people working on the
court. ‘I didn’t have any friends or mentors I could rely on to support me.
My parents were poor migrants. If I had spoken about my experiences, I
was going up against one of the strongest legal minds in the country—what
chance did I have? Be sued for defamation and be bankrupted? It didn’t feel
like an option to me. I would be committing career suicide and exposing
myself to bankruptcy.’ She would tell her story about Heydon in 2020,
inspired by the courage of the six women who had come forward before her
and broken the silence.
After her essay was published, Dhanya was contacted by another woman
who had her own story: Chelsey Potter. Chelsey had worked for the Liberal
Party in federal parliament and, like Dhanya, says she was sexually
assaulted by a fellow staffer. Together, they took their stories to a journalist.
Reflecting on this, Dhanya said, ‘I didn’t think anyone would care about it
if it was just me; I needed to do it with a white woman. I regret that I felt
that way, and I regret that I was actually right.’ Months after Dhanya had
first spoken out about her story, Nine Media published an ‘exclusive’ story
about sexual harassment in the Liberal Party, reporting her story (again)
along with that of Chelsey. The story made clear that, ‘[f]or legal reasons,
9News has chosen not to identify the two men, who strongly deny the
allegations’. It emphasised the fact that neither woman had chosen to report
her allegations to the police or their MP at the time. Dhanya told us that,
like many women, she didn’t go to the police because she didn’t want to
relive the trauma again. She didn’t speak out because she wanted to see him
in prison; she spoke out because she wanted the culture and processes in
parliament to change.
Suddenly, now she was not alone, there were headlines: ‘Liberal Party
rocked by allegations two young female staff were sexually assaulted’.
Dhanya and Chelsey co-founded ‘Changing Our Headline’, a network for
survivors of sexual assault and abuse that happened while they were
working in Australian politics. They aimed to create a ‘campaign and
community for survivors and allies to come together for a better political
future’, and for laws, policies and complaint mechanisms to ensure a culture
where survivors could speak out without fear—and be heard and supported.
Dhanya was the driving force behind the creation of the network and has
continued with the work since Chelsey stepped away. Motivated by her
experience with NOW, Dhanya told us she has made sure that every
survivor who contacts the network receives a response. She also created
clear policies on privacy and on how survivors’ information could be used.
Survivors who contacted her had options: they could share their story and
seek support and advice, and even if they didn’t want to speak out publicly,
they could contribute their ideas about what needed to change to inform
advocacy. ‘It was important to me to include survivor input on necessary
law reform . . . so they could be given a voice and their experience could be
utilised. I created as many pathways as possible so I could afford them
some agency, even if they didn’t want to be public.’
Disclosures of assault and sexual misconduct poured in—this time, to
Dhanya. She was contacted by women in both state and federal politics. She
reached out to Prime Minister Morrison’s office to try to seek support and
informed Morrison’s principal secretary of the ‘overwhelming’ number of
complaints she had received, including about cabinet ministers. Dhanya
says, ‘I was vulnerable and desperately attempting to seek help for myself
and other women,’ but she said he seemed more concerned about political
risk. She never heard back.
Among the many women who reached out to Dhanya for advice and
support were two women whose stories would become public—and would
send shockwaves through the halls of power and inspire more women
around Australia to speak out. [redacted text] The second was a woman
called Kate, whose allegations against the then federal attorney-general,
Christian Porter, resulted in a national controversy about accountability and
a controversial defamation case. Dhanya would later rename her campaign
Kate’s List to recognise and celebrate the life of her late friend Kate.
Kate’s story
Kate reached out to Dhanya to tell her story, more than 30 years after her
alleged rape. This is not uncommon: many women wait to come forward
with their stories, especially if the person they are accusing is powerful. By
the time Kate felt able to speak out and take action, the man she was
accusing had become very powerful: Christian Porter was the chief law
officer of Australia, and a federal cabinet minister.
The facts about her alleged rape are taken from Kate’s statements, which
are now public on the Federal Court of Australia website as part of
documents in separate legal proceedings associated with the defamation
case. They are all allegations that Porter denies vehemently.
Kate, as she was known by her friends and referred to by the ABC in the
subsequent defamation proceedings, was a promising young Australian
woman: at sixteen years old, she was intelligent, articulate, ambitious and
one of ‘the most brilliant debaters of her generation’. Her future looked
bright, with friends suggesting she would one day take high office. But after
a debating event in Sydney in 1988, Porter—a fellow debater—took her out
drinking. She claimed that he gave her a date rape drug, escorted her home,
forced her to have oral sex and then raped her after she fell asleep. Initially,
she said, she didn’t tell anyone because she was so ashamed.
Porter went on to have a brilliant career in law and politics—and was
even tipped as a future prime minister. Meanwhile, the bright career Kate’s
friends had predicted for her had not yet come to be—though she still had
plans and aspirations. Mental health issues surfaced. Kate was later
diagnosed with bipolar disorder, and eventually sought counselling from a
sexual assault counsellor in 2013. She had never told anyone about what
happened to her, but after the counselling she decided to tell her friends,
including those who had been on her debating team at the time of the
alleged rape. They believed her.
Kate later reached out to Dhanya’s organisation for support. They soon
became friends and were in almost daily contact. Before getting into the
story, Dhanya pauses to provide important context to Kate’s story: ‘One of
the greatest failures of the MeToo discussion in Australia has been the
singular focus on younger women.’ She points out how older women, like
Kate, ‘have more to lose in speaking out’ and ‘the complexity of this has
been completely left out of the narrative’. They are more advanced and
established in their careers, which makes any forced pivot harder, they have
families who will be affected, their perpetrators are also older and often in
positions of power—‘and yet, they are not a cultural priority’. For this
reason, Dhanya admired Kate’s courage in coming forward: ‘It was heart-
breaking to hear her say to me, “seeing you say these things helped me
realise I could stand up to people in politics”. I found it bizarre that I
enabled her; I looked up to her, I was half her age. We don’t really have
approachable contactable figures for anyone in that demographic, so it was
brave for her to reach out to me.’
Kate was very clear in her intentions. She wanted Porter to face trial. She
did not want to be identified until after any criminal trial and conviction.
Dhanya explains, ‘She wanted it to be a story about abuse of power, about
what survivors are put through, about the inadequacy of mental health care.
She wanted to run for parliament. She wanted to be a voice for change.’ But
things took a tragic turn. ‘Kate didn’t want it to happen the way it did,’
Dhanya says, in grief and anger.
Encouraged by her friends, and by Dhanya, Kate reported the rape to the
police in November 2019. By June 2020 the police had still not taken her
statement. Dhanya was dismayed by the police failures. Kate was
encouraged by the specialist detective who was assigned to her case in
Sydney, but repeated requests for them to travel to enable Kate’s statement
to be taken were refused. Kate had worked with a lawyer to prepare her
statement and supporting documents—all that was left was for her to meet
with police and sign it. ‘There is no good reason why her statement wasn’t
signed. There were so many options to get it done,’ says Dhanya. Dhanya
told us how this had been the cause of further upset and anxiety for Kate. ‘I
kept saying “keep the faith, it will work out”. But thinking about it all now,
maybe I should have validated her complaints about the delay with the
police—because clearly my faith was misplaced.’
In the interim period, Kate sought further psychiatric care. Dhanya said
Kate was proactive about seeking help and encouraged Dhanya to look after
her own mental health too. She was released from care but, while waiting
for further treatment, she was isolated at home, kept apart from her family
and friends by Covid-19 restrictions. After a week of being isolated at home
alone, on 23 June 2020 she sent an email to the police to say she could not
continue with the complaint for medical and personal reasons because she
couldn’t take it anymore. The next day, she killed herself.
In the days leading up to Kate’s death, Dhanya had been busy: she had
just gone public with her story about being sexually harassed by Heydon.
But she had noticed something strange: she hadn’t heard from Kate after the
news broke and Kate didn’t respond to her messages about it. Kate had
supported Dhanya in her decision to speak out about Heydon—she would
have been the first to message or call her about it. Dhanya knew something
was wrong. She was devastated when she was told of Kate’s suicide. ‘Kate
had never wavered for a moment from her ultimate motivation to speak
about what had happened to her and to hold power to account to give other
women hope.’ Dhanya believes Kate was failed by the police and by health
services—and that this should be explored in a coronial inquest.
Kate had been believed by her friends, but the man she accused was
powerful. The police let her down. And after Kate’s death, what hope was
there for accountability?
A few months later, in November 2020, the ABC’s Four Corners
program ran an episode titled ‘Inside the Canberra Bubble’ about the
culture in parliament, featuring Porter. It painted a portrait of Porter as a
man who had a long history of misogynistic behaviour and attitudes—even
as far back as his law school days, he was ‘tipped’ as the most likely to
become prime minister, and the most likely to be dismissed for
inappropriate sexual misconduct. He had once argued in a debate that his
opposition’s arguments ‘had more holes than Snow White’s hymen’. A
barrister who knew him at law school described him as ‘deeply sexist’, and
said he had ridiculed women for how they looked. As a university law
professor, he was accused of making sexualised comments to students.
When he got to parliament, he was accused of making unwanted sexual
advances towards staffers and even received a warning from then Prime
Minister Malcolm Turnbull over his sexual relationship with a junior staffer
—despite having a wife and toddler at home.
The program did not include Kate’s allegations about Porter. Kate’s
friends say that the ABC had originally planned to include her story in the
program—but it was cut out because of the defamation risk. Porter was
protected from any public discussion about Kate or her allegations, for now.
After the program aired, Porter said he regretted things he had said in the
past, but he denied (and continues to deny) all accusations of mistreating
women. Maybe it’s possible to look at each of the details the ABC had aired
and say they were just examples of Porter ‘joking’, or the kind of childish
sexist humour often seen from those who went to elite boys’ schools. He
wasn’t a bad guy—he was just a bit of a larrikin. And a lot of men did think
that way—including Prime Minister Scott Morrison. He said he thought
Porter’s conduct had passed ‘the pub test’, because ‘Australians understand
more about human frailty than perhaps you are giving them credit’. Boys
will be boys, as they say. Porter remained attorney-general.
Months went by after the ABC’s story about sexism and the culture of the
federal parliament. But another brave young woman would soon capture the
nation’s attention: on 25 January 2021, Grace Tame was announced as the
Australian of the Year, and gave a powerful speech about the silence that
had protected her abuser. Her words reverberated around the nation. Grace
was being recognised and celebrated for being a silence-breaker about child
abuse, and for her #LetHerSpeak campaign, which helped break the silence
for other survivors. She would encourage many more women to come
forward, [redacted text]
Brittany’s story
[redacted text]
[redacted text]
Having learned about this letter, a journalist decided it was time to tell
Kate’s story. ABC journalist Louise Milligan reported the story of how the
prime minister, senators and the Australian Federal Police had been
informed of the historical allegations made by Kate about a cabinet minister
and that Kate’s friends were calling for an inquiry into the allegations. Her
stories did not name Porter. Social media was set alight with speculation—
who was the minister being accused of rape? Off the back of Milligan’s
earlier, ‘Inside the Canberra Bubble’ story, many pointed the finger at
Porter.
After widespread speculation and intense public pressure, Porter outed
himself as the subject. In his press conference, Porter vehemently denied
that the alleged rape ever happened, and said he had never been contacted
by anyone—by Kate, by the police or by the ABC—before the allegation
was published. ‘It just didn’t happen,’ he said. Porter claimed that he was
being placed in the position of having to ‘disprove something that didn’t
happen 33 years ago’.
Prime Minister Morrison praised Porter’s decision to identify himself as
the subject of the rape allegations, and his decision to take mental health
leave—‘to get support to deal with what has obviously been a traumatic
series of events’—and said he ‘looked forward’ to Porter returning to work.
Treasurer Josh Frydenberg emphasised Porter’s right to be presumed
innocent and pledged his full support. Meanwhile, the new Minister for
Defence, Peter Dutton, praised Porter as ‘a first-class act’ for naming
himself. But what about the suffering and trauma of Kate and her friends
and family? Where was the support for them? What about the trauma the
news, and the response from the prime minister and senior ministers,
triggered for survivors around the country?
Meanwhile, the media went hard on Kate’s mental health history—even
publishing her diaries. ‘She was made to look crazy,’ Dhanya said, arguing
that she wasn’t and that she had put together a credible case with her
lawyer. In his later public statement, Porter would complain about his ‘trial
by media’ and claim Kate’s allegation lacked ‘credibility’ because she was
‘unwell’ and that it was based on ‘repressed memory’—an allegation Kate’s
sexual assault counsellor had refuted. Dhanya raised concerns that because
Kate had died, she couldn’t be defamed—and couldn’t defend herself or
push back on the narrative built about her.
Women went to social media to share their stories and how triggered they
were by the high-profile rape allegations and the lack of accountability—
and support for #March4Justice swelled. The movement was started by
Janine Hendry and quickly gained 27,000 followers on Facebook. Women
across the country began to organise protests in other capital cities and
regional towns. As one sexual assault survivor, Carol Shipard, said, the
government’s response [redacted text] felt like ‘a punch in the guts’; ‘the
closing of the ranks’ by powerful men had to stop. Another organiser, Aoife
McGreal, told The Guardian, ‘I feel like every woman has a story. Whether
it’s workplace harassment, or abuse in the home, or on the street, even. It’s
time for women to speak up. I feel like it’s a time of reckoning for
Australia.’
Kate’s family supported an inquiry into the allegations she had made, and
public pressure grew. As attorney-general, Porter had ordered the inquiry
into sexual harassment allegations against former High Court judge Dyson
Heydon. Why shouldn’t an inquiry be held into Porter, many asked. But the
prime minister stood firm against any inquiry because, he said, it was a
matter for the police. Instituting an inquiry ‘would say the rule of law and
our police are not competent to deal with these issues’. As Dhanya made
clear, the police had already failed Kate. And worse: even before the prime
minister asked the nation to leave it to the police, the police themselves had
told the media that the investigation into the matter had been closed because
of ‘insufficient admissible evidence’. It would only emerge six months later,
after an internal review, that the NSW Police had never even commenced an
investigation. In fact, the police had asked to close the case the very same
day they had received the dossier of evidence with Kate’s witness
statement.
There is a common refrain in rape and sexual assault cases: if it
happened, why didn’t she go to the police? The implication is that what this
woman says cannot be true because if it were true, she would have gone to
the police immediately. And the presumption is that, if she goes to the
police, the police will do their job, and that all women must therefore take
the criminal justice route.
In Kate’s case, she had gone to the police—but she gave up in dismay
after police delays. That’s why it was so frustrating that the prime minister
said he thought it should be a matter for the police: the police had already
bungled it. And as Laura Tingle, the ABC’s chief political correspondent,
pointed out, Morrison’s position that the Porter matter should be left to the
police was ‘disingenuous at best’, because he knew full well that Kate’s
death ‘made it virtually impossible for NSW Police to investigate the case’.
Dhanya, on the other hand, rejected the proposition that Kate’s death meant
the case could not be prosecuted, pointing out that the Catholic Cardinal,
George Pell, had been prosecuted for historic sex offences in relation to two
men when they were aged thirteen, one of whom had since died (Pell’s
conviction was later overturned on appeal to the High Court). ‘Why not
Porter? It was police negligence that meant Kate’s statement had not been
signed,’ Dhanya said.
At the same time, concern was raised about Porter’s right to due process
and the presumption of innocence—and that he should not face ‘trial by
media’. ABC journalist Annabel Crabb noted that while the media was the
forum in which the allegations were being ‘thrashed out’, it was ‘the only
institution with current access to both sides of the story’, given the
incapacity of the criminal law to deal with the allegation for both people
involved: ‘In death the woman is forever denied her day in court. In life, Mr
Porter will never get his either.’
As women across Australia were preparing to march, Porter and his
lawyers were making preparations for him to get his day in court—but in a
defamation lawsuit, rather than a criminal case. His defamation claim
against the ABC and journalist Louise Milligan over Kate’s rape allegations
was filed the same day as the March4Justice protests (see Chapter 6 for
further discussion of this case). The significance of the chief law officer of
Australia filing his defamation case on the same day of protests fuelled by
women’s frustration over the government’s failure to hold him and other
alleged perpetrators to account was not lost on anyone.
If that wasn’t enough, Prime Minister Morrison took to the floor of the
House of Representatives to proclaim that it was a triumph of Australian
democracy that the women protesters outside Parliament House were not
‘met with bullets’.
The defamation claim Porter filed over the historic rape allegation—and
not the rape allegation itself—cost him his job as attorney-general: he
couldn’t oversee Australia’s defamation law reforms while suing the public
broadcaster for defamation himself. But he remained in cabinet. And while
the defamation claim cost him his job as chief law officer, it gave the prime
minister an answer to calls for a public inquiry into Kate’s allegations. The
prime minister then started saying that her rape allegations would now be
determined by a court in the defamation claim against the ABC, so it would
not be appropriate to conduct a separate inquiry. When Porter later settled
his defamation case before trial, so there would never be that day in court,
the prime minister shifted again: there would still be no public inquiry over
Kate’s allegations—and no accountability for Kate.
The March4Justice protests ended up being the largest protests seen in
Australia in years, with an estimated 110,000 people protesting in 40
different cities and regional centres to demand ‘equality, justice, respect and
an end to gendered violence’. Jen joined her local protest with her eleven-
year-old half-sister and her 85-year-old grandmother. It was her little
sister’s first ever protest and one of many for her grandmother, who had
protested for equal pay and funding for domestic violence refuges in the
1960s and ’70s. She told Jen she was ‘too old to still be out protesting about
this shit’—but there she was, joining with thousands of other women in a
massive inter-generational protest. Amid these protests, it was announced
that Kate Jenkins, the Sex Discrimination Commissioner at the Australian
Human Rights Commission, would lead an independent inquiry into the
culture of Parliament House. It was the very action that Dhanya had called
for two years earlier. The power of more women speaking out and of protest
was clear: things had to change and reform recommendations were coming.
[redacted text]
[redacted text] Look at Dhanya Mani and the other women who spoke
out about Heydon, who have spoken of losing their passion for the law.
How many women have left politics, law—or other careers—after having
similar experiences? How many women have left careers they love after the
institution in which they worked failed to protect them from abuse or
harassment?
And how many women had to speak out and protest about this before it
would change?
Even after the protests, Porter remained in cabinet and was later
promoted to temporarily fill in as leader of the House of Representatives—a
move by Morrison that Grace Tame would call ‘a proverbial slap in the face
of our entire nation’ and ‘an insult to all survivors’ that would only
embolden perpetrators. Tame wrote that Porter’s were ‘circumstances
steeped in the protective privileges of a patriarchal parliament’ and ‘[g]iven
the seriousness of the allegations against Porter, the bare minimum test of
his fitness to hold ministerial office would be an independent inquiry’. Only
later, when it emerged that Porter had accepted $1 million in a ‘blind trust’
to fund his defamation case against the ABC, were questions raised about
the integrity of that arrangement and whether he had complied with his
code of conduct as a cabinet minister—or as an MP. Porter would later
resign from cabinet and from politics: not over the historic rape allegation,
but over the shady financial arrangement that had funded his defamation
case. He is now back in legal practice. There would be no inquiry into him
accepting funds from anonymous donors who funded his defamation case—
or into Kate’s allegations. If the man holding the highest legal office in the
country would not face accountability, who else would?
Accountability for his party would come at the ballot box. Spurred by the
events of 2021, a group of independent women, ‘the teal independents’, ran
for federal parliament to knock off Liberal Party seats. Running on
platforms of equality for women, accountability, transparency and climate,
they were elected in record numbers in 2022. Julie Bishop, former longtime
Liberal MP and foreign minister said, [redacted text] that women ‘didn’t
see [Morrison and the Liberal Party] as having any empathy for the
concerns of women’. Simon Birmingham MP pointed out the obvious:
‘What we can’t do is abandon the space on listening to women . . . We can’t
have a situation where women are voting for us in lesser numbers than
males.’ The rest of his party seemed to have forgotten: women’s votes count
in a democracy.
We first reached out to interview Dhanya Mani in early 2022, before Prime
Minister Scott Morrison announced that he would make an ‘apology’ in the
federal parliament to women who had suffered sexual harassment in
parliament. At that time, she told us that very few journalists or
commentators had contacted her to report on her story or her work. Dhanya
feels very strongly that she has been left out of the media conversation.
Dhanya was not invited to parliament for Morrison’s speech or
acknowledged alongside the other women who had spoken out about the
culture of parliament, [redacted text] women who came to prominence
after seeking advice and support from Dhanya. Grace Tame and Chanel
Contos were invited given their important work, which was unrelated to
parliament workplace culture. ‘Somehow I had disappeared,’ Dhanya said.
On the day of Morrison’s apology, Dhanya spoke out about her erasure—
and that of all women of colour—and there was a flurry of media interest in
her story. It started an important and much-needed conversation about the
visibility and recognition of women of colour in Australia. A few days later,
Greens senator Larissa Waters read Dhanya’s words in her speech to the
Senate: ‘I will not stop until skin colour and minority status do not
determine whether we are acknowledged, whether we are recognised by
politicians and the media, and whether cultural and historic milestones built
on our advocacy and labour belong to us.’
What we didn’t realise until we met her was just how hard and how long
Dhanya had been fighting to be heard and seen. She had been fighting for
visibility—a fight that continues.
When Dhanya first raised her complaint in the NSW Parliament she said
she was ‘gaslit and ignored’. She was the first to speak out about her
experience in the Liberal Party and the person who established an
organisation that encouraged and supported so many other women to come
forward and made recommendations for reform. It took years—and more
white women—to speak out before anyone really listened.
[redacted text] Her work was not acknowledged in the federal apology
either. Even after all the media controversy that followed, when the new
NSW premier, Dominic Perrottet, apologised to Dhanya in state parliament
this year, it barely got a mention in the Australian media.
‘How many more women might have come forward earlier if I had only
been white?’ Dhanya asks. Even now, Dhanya says she hasn’t been offered
the support or opportunities offered to the other young women who came to
prominence for speaking out, [redacted text] the mentorship, institutional
support, employment or funding opportunities. All three women have book
deals; at the time of writing, Dhanya does not. The problem is structural. As
Dhanya told us:
The media landscape hasn’t changed and the work of women of colour
has not been recognised or credited . . . The absence of this has limited
the conversation in Australia, and until and unless we have voices in
the media acknowledge their bias and the mistakes that have been
made, it will not open up space for conversations about how people of
colour are treated . . . there is an empathy gap. There is a particular
difficulty in finding resonance if you are not white or if you are First
Nations. I think that is why it’s hard for our stories to take off.
As author Sisonke Msimang wrote for The Guardian in 2022, people like
Grace Tame represent the ‘acceptable’ white faces of Australian feminism.
Msimang makes very clear how much she admires both women—and how
she struggled to find a way to express in her critique about how Black
women are not ‘greeted with the same kind of public solidarity or
sympathy’ they receive. Msimang writes how, in Australia, ‘a narrative
emerge[d] of white women as fighters, as eloquent challengers of the status
quo, as upholders of the feminist legacy with little to no reference to Black
women who have been doing this for years.’ Perhaps it is as simple as Scott
Morrison said: these are the faces of the daughters of Australia’s most
powerful men.
Msimang rightly points out that Black women have always been at the
forefront of struggles for equality and justice in Australia. ‘There is no
reckoning for Australian women if the media and the public aren’t able to
listen and relate to the stories of Aboriginal women, women in hijab,
women whose skin is far “too” dark, and women who live on the wrong
side of town; who can’t go to university and who will never report from
parliament or file stories in newsrooms.’
In an essay in 2018, Amy McQuire—a Darumbal and South Sea Islander
journalist—wrote about how ‘white liberal feminism . . . finds the loudest
voice in mainstream media,’ while the deaths of Aboriginal women are
found in footnotes. Violence against First Nations women has not sparked
nationwide protests of women, but it should. As McQuire writes, the issue
isn’t that First Nations women are ‘silent’: ‘Aboriginal women have been
talking about violence for decades—the “silence” is not the issue. It is that
no one listens unless it is spoken in a way that bypasses the role of white
Australia, and places blame right back onto Aboriginal people themselves.’
A feminism rooted in racism, colonial violence and ableism is not really
feminist at all. Activism rooted in a deep and meaningful appreciation of
intersectionality is the work that needs to happen to bring about meaningful
change, change that ensures the voices and stories of women of colour are
not erased or silenced. ‘There is so much injustice in this country,’ said
Dhanya. ‘But we are where we are today . . . We need more white people
talking about this and to showcase white women and women of colour
working together and creating positive and mutually affirming
relationships.’
Women are—and have been—speaking. We all need to ask: who will do
the work of listening to and amplifying what they say to push for real
change? All of us have a responsibility to ensure that all women are heard,
and that we are not complicit in the silencing.
[redacted text]
In this chapter, we explain the set of strategies used by rich and powerful
men to silence women and the media. We know this story: we have seen it
play out, over and over again, with our clients and with the women and
journalists with whom we have spoken. We also explore what women go
through in order to speak out, and the legal risks they face. We understand
what she might come up against, and what journalists face when trying to
report on these issues. Think of this as her guidebook to his playbook. And
as we will explain, it is a playbook enabled by the law.
The sheer scale of allegations of misconduct against the rich and
powerful might make it seem like publishing these stories is easy. But the
fact is that publishing allegations of violence against women takes a lot of
hard work—and resources—behind the scences. Perhaps his celebrity or
power has protected him so far. The journalist wants to tell your story,
which, let’s face it, will be damaging to his professional and personal life.
Then lawyers get involved. The financial risks for speaking out are huge.
Even before you enter the courtroom, hundreds and thousands of pounds of
legal costs start to ratchet up. He is litigious and will probably threaten to
sue. Even where the allegations are well known in certain circles or where
rumours are already circulating, publishing them for the world to read is
another matter entirely.
This is the story behind the stories you see in the papers. It’s the story of
what it takes to get a story over the line and into print. It’s a practical
illustration of how the different laws play out and how the rich and
powerful don’t always—in the words of Gill Phillips, head of legal at The
Guardian—‘fight fair’.
We tell this story of silencing through what we know from our work with
survivors, journalists and media organisations. We tell it through the
example of what has been reported about the experiences of those silence-
breakers and survivors who chose to go to the media about their abuse at
the hands of Jeffrey Epstein and Ghislaine Maxwell.
Speaking out
Going to a journalist
Some women decide to take their stories to the media. But once you speak
to a journalist, it is not up to you whether the story will be published: it will
be up to them, their editors and their lawyers to decide whether or not to
investigate your claims, to determine whether there is enough evidence for
them to publish your story, and to decide if and when your story will be
told. Those investigations can take weeks, months and sometimes even
years.
When speaking to the media, survivors need to consider whether they
want to be named or not—and an ethical journalist will discuss your options
and the risks of identification with you. In some countries, you will
automatically be entitled to anonymity. Some, like ‘Jane’ in the Sunday
Times story, choose to remain anonymous. But some women decide to
waive their legal right to anonymity in order to more effectively tell their
personal story to fight for justice and change. But with that comes the
scrutiny, the online trolling and the sadly inevitable attacks on your
reputation and credibility—and even death and rape threats.
If you don’t want to be named, how can your identity be protected? The
journalist will have to be careful about the details they report to protect you
from the risk of ‘jigsaw identification’—that is, where there is enough
information in the article and elsewhere in the public domain for people to
piece together the story (like a jigsaw puzzle) and identify you. It’s
important to be clear with journalists about whether you want to protect
your identity. It’s also important to be clear about how much of your story,
and of the information you give them, is on the record (which they can
publish) or off the record (for their background knowledge but not for
publication). Some women don’t want all the graphic details of their assault
reported—and it’s often not necessary to tell the story—so don’t be afraid to
be clear about what you’re comfortable with being reported.
One of the first things a journalist will ask is if a woman has gone to the
police. For the reasons we explained earlier in this chapter, this can affect
what they can report and when—and it may even affect whether they
investigate the matter at all.
Alongside the ‘has she gone to the police?’ flow-chart of legal
considerations, the journalist has to carefully consider all the circumstances.
The journalist knows that allegations of this kind are serious. Jeffrey
Epstein was reportedly one of the richest and most powerful men in New
York in the early 2000s—and had a lot of powerful friends. Allegations of
violence against women can seriously harm a person’s reputation and have
consequences for his work and his family life. Any story that includes them
comes with significant legal and cost risk, and could also have serious
consequences for the journalist’s reputation—and their publication’s—if
they get it wrong. Each investigation and each story is its own legal
adventure.
Is there a non-disclosure agreement, or NDA? If there is—whether from
an earlier settlement of her legal claims against him or as part of her
employment contract—things are legally very tricky (see Chapter 5). She
has been contracted to silence. An NDA cannot stop her reporting him to
the police, but it will likely be a breach of her NDA for her to speak to a
journalist, and even for the journalist or their lawyer to look at the terms of
her NDA to know what they are dealing with. She would need to seek
independent legal advice on her NDA before any investigation could
progress. He could—based on the NDA—get an injunction to stop
publication, and sue her and the newspaper for damages if the story is
published. The courts will typically uphold her contractual obligation to
him to remain silent. Most people can’t afford to bring proceedings to try to
get out of an NDA: the fees can run into the thousands; if he fights it,
maybe the millions. That could be the end of the road for the story.
While it was reported that some Epstein victims had signed NDAs, Maria
and Annie Farmer had not—so their story could go ahead.
If the investigation proceeds, it will often take months of detailed
investigation before the story ever makes it into the newspaper. It will
involve interview after interview with the woman, or women, about what
happened—both to assess their credibility and test the facts. Who is the
perpetrator? Where did it happen? Are there witnesses? Did you tell anyone
else? If not, why not? If so, who and when? Why didn’t you go to the
police? Do you have any documentary evidence to confirm what you say?
Her motivations will be questioned. It will also involve gathering as much
contemporaneous evidence as possible to corroborate her truth: text
messages, emails, medical records and evidence from friends, family,
colleagues or anyone she might have told about it. Some media
organisations require the women to give a formal witness statement or make
a statutory declaration to affirm the truth before they will publish her story.
Some survivors can feel demoralised by the barrage of questions they
face from journalists and their lawyers. Even if a journalist believes you,
they have to conduct a rigorous investigation of the facts and they have to
get it past their lawyers and editors. A good journalist should explain this to
you, and the legal reasons for which they have to question everything you
tell them. Journalists aren’t prosecutors, but reporting these stories should
(but doesn’t always) involve a rigorous process of building a strong case,
with the mindset that it may well one day end up in court.
The difference between a prosecutor and a journalist is that the latter
needs to be able to prove your case to the civil (rather than criminal)
standard of proof: the truth, on the balance of probabilities. They have to be
able to show their editors and counsel that, if they were ever sued for
printing your story, they could prove in court that what they have written is
true—or at least that their investigation met the standards required of public
interest journalism. That’s what the law and the courts require. It is in your
interests for journalists to do their job properly, as their aim is to protect
themselves and you from the stress and cost of legal claims.
If it is one woman accusing him, then it’s her word against his. For some
journalists, this is too legally risky: some say they would need to gather
testimonies from multiple women before they feel confident to approach
their editor with it, let alone before they will print a story. One woman’s
account is too easily attacked as lacking credibility, they say. One in-house
legal counsel told us the same thing.
Years of feminist advocacy has meant that, in criminal cases, a woman’s
own account is enough evidence on its own to convict an accused offender.
Juries are now specifically reminded that her testimony is enough. But
when it comes to libel, it seems that for some journalists, lawyers and
courts, one woman’s evidence often isn’t enough: it must be corroborated
by other evidence, or by other women. How many women must accuse a
man before a story about his abuse can be published?
One media lawyer we spoke with raised the importance of ensuring that
the allegation is a matter of public interest. Is the figure against whom the
allegation is being made a public figure? Is there something that makes it a
public interest story? She suggested that these questions are important, and
that printing a story that includes an accusation or allegation of sexual
assault or domestic violence of an unknown individual might not make it
over that hurdle, whereas allegations against industry leaders or other public
figures likely would. Recall the case of Andrew Griffiths (see Chapter 2),
where public interest arguments were made in relation to allegations and
civil findings of abuse against a man who had been an incumbent MP.
In Epstein’s case, reporting about his abuse was clearly in the public
interest. Maria and Annie Farmer both went on the record and had agreed to
be named as part of the story. Both women said they were sexually
assaulted and exploited by Epstein, with Maxwell’s help. They had told
their mother and friends, and their mother also went on the record. But
when it came to it, Vanity Fair did not publish their story. Vicky Ward’s
profile, entitled ‘The Talented Mr Epstein’, merely spoke of his tendency to
surround himself with young women.
In the years since, and particularly since Epstein’s death, there has been a
heated debate about why the women’s story was spiked. Ward has since
claimed she was determined to expose Epstein as a sexual abuser, but that
Epstein convinced her editor, Graydon Carter, not to publish the story. ‘It
came down to my sources’ word against Epstein’s,’ she told The New
Yorker, ‘and at the time Graydon believed Epstein.’ It has been reported that
Epstein threatened and pressured Carter not to publish the story, but Carter
disputes the suggestion that this affected his editorial judgement. Instead, he
says, the abuse story was pulled for legal reasons: it would not have
withstood a libel claim. Carter told The Hollywood Reporter that Ward did
not have three sources on the record, which he said he considered necessary
for the story—but he later clarified that Ward did not have three sources
that met the magazine’s ‘legal threshold’.
How many women had to accuse Epstein before the story could be
published? Two or more, according to Vanity Fair.
Whatever the truth about why Vanity Fair spiked the story, there is a
lesson for women wanting to speak out: it is important to think carefully
about the journalist you choose to speak to, and the publication’s track
record in reporting stories of violence against women.
The situation can sometimes be ‘chicken and egg’. It often takes one
allegation to be reported for more people to come forward—reporting the
story about him will ‘shake the tree’. That is to say, reporting one story
about him can encourage more women or more witnesses to come forward
about him. The important public interest role played by the media is
recognised by police, who often make statements to the media appealing to
the public to come forward with evidence to assist their investigations. As
cases from Harvey Weinstein to Bill Cosby show, it usually takes that first
woman to come forward—and the first journalist or media organisation to
bear the initial cost risk to publish—to break the dam. As we saw in those
cases, more and more women coming forward to the media finally
prompted police action and criminal prosecutions. Indeed, when federal
prosecutors finally charged Epstein with sex trafficking in 2019, the then
US Attorney for the Southern District of New York said, ‘We were assisted
by some excellent investigative journalism.’ This kind of public interest
reporting is incredibly important, and can also be relevant in some
jurisdictions when it comes to defending defamation claims.
Even where there are multiple accusations, the story might not get over
the line. It is often said that if the women’s stories are similar—as they were
with Weinstein—it shows his modus operandi and it’s more likely they are
all telling the truth. But it can cut both ways: if their stories are too similar,
have they colluded? Journalists have to assess their credibility, because the
women will inevitably be accused of lying and/or colluding out of revenge.
Did the women know each other? Have they spoken to one another about
their allegations? For Pia Sarma at Times Newspapers Limited, one
woman’s story can be enough, but in practice the media organisation must
always have in mind how a judge might respond to the claimant lawyers
who still ‘churn out those lines about women being devious and
manipulative’, and the sometimes sexist arguments that we still see being
run by what are largely all-male legal teams before mostly male judges.
The fact is that the media’s assessment of the credibility of certain
women’s claims can silence stories. The Weinstein story broke after
powerful, high-profile women in the entertainment industry spoke out on
the record. Why did it take so long for Epstein’s victims’ stories to be
reported? ‘Some critics of the press’s performance say ruefully there may
have been a class element at play . . . Epstein and his associates recruited
young women from working-class backgrounds and disrupted families,’
writes David Folkenflik for NPR.
Journalist Jim DeRogatis investigated abuse claims against the musician
and producer R Kelly for twenty years before Kelly was finally prosecuted
and sent to prison. He is reported to have harmed as many as 48 women and
girls. ‘Everyone failed these young Black girls,’ he said.
Despite many young Black women coming forward, DeRogatis struggled
to place his stories in the media. His dogged reporting is now credited with
helping to end Kelly’s abuse, but DeRogatis said his conviction was ‘too
little, too late’ for the women whose stories he reported. ‘It was very
difficult for any of them to take satisfaction out of the fact it took two
decades to stop it,’ he said. Throughout his reporting, the most common
comment he heard from women was: ‘Nobody cares about young Black
girls. Nobody is going to believe us.’
Then there is the question of what the journalist will report about the
allegation and how it will be reported. Survivors often want their truth told,
and they want journalists to publish it in definitive terms: she was raped and
he is a rapist. But for legal reasons, in any story about rape or gender-based
violence, you will read the words ‘alleged’, ‘claimed’ or ‘reported’ before
the words ‘abuser’ or ‘rapist’. You will find, somewhere in the story, ‘she
said’ and ‘he said’: a denial from him or words to the effect of ‘all claims
are strongly denied’. Survivors can sometimes feel betrayed by this, but it is
the work of the newspaper’s legal counsel, who is trying to ensure that the
paper, the journalist and the person making the accusation in the news story
don’t get sued. It is easier for the newspaper to defend in court an allegation
that there were grounds to suspect he had raped her, rather than a statement
that he is guilty of rape. Language matters—and it really matters in the law.
Similarly, publishing an allegation of a specific crime like attempted rape
or strangulation is risky: could he allege that he didn’t intend to rape her?
Could he allege that he didn’t intend to kill her? We need only look back at
Nicola Stocker’s case (‘he tried to strangle me’) in the Prologue to see why
language matters. This is why the language is often softened by the
newspaper’s lawyers: the newspaper might use wording such as ‘sexual
misconduct’ or some form of words which is not defined in criminal law.
Again, this is to make it easier to defend a lawsuit later, if they are sued.
We’ve seen time and time again the media’s tendency to minimise violence
against women. But there are also legal pressures that contribute to this.
The story is carefully reviewed and checked by the legal department—
but there is one very important stage left: the journalist has to go to him for
comment. By this time, the investigation could have taken weeks, if not
months. The journalist will have spoken to the woman or women making
the allegation multiple times, and obtained any corroborating evidence there
might be. The story will have cleared the internal steps to prepare it for
publication. Journalists are supposed to contact the subject of any story who
is accused of wrongdoing to give him notice of the story and allow him
time to respond (it is required by broadcasting rules in the United Kingdom
and for journalists who want to later rely on a public interest defence in any
defamation claim).
This is called the ‘right to reply’ and it allows the subject of the story to
ensure their version of the facts are included. In MeToo type situations, the
reply is often simple and predictable: it’s all lies, and all wrongdoing is
denied. But what it also means is that he is put on notice—if he didn’t
otherwise already know—that she is speaking out.
What’s the first thing he does? Make a call to his lawyer (or team of
lawyers)—and his PR team. This is where his playbook begins.
His first strategy is simple: send a letter. But not just any letter. This letter
will threaten costly legal proceedings: it might threaten the journalist that he
will go to court for an injunction if they don’t undertake to stop publication,
or he might claim the allegations are ‘false and defamatory’ and threaten to
sue if they go ahead and publish. This is what reportedly happened when
The Sun tried to publish abuse allegations about Jimmy Savile, the former
BBC television presenter, in 2009, while he was still alive. The stories were
only reported by the media after Savile’s death in 2011, by which time there
was no risk in doing so because you can’t defame the dead. A Met Police
report in 2013 later found that Savile had commited sex offences against
450 people, including 328 minors. How many women and children could
have been warned and protected if the story was published earlier?
The legal threat letter is an effective tactic because legal proceedings are
extremely expensive—even if the defamation claim never gets to trial,
masses of costs can be racked up. Pia Sarma told us that if you get a story
about rape wrong and later have to pull it and apologise, it could cost
hundreds of thousands in legal fees and damages. Even if you get it right
but you’re forced to defend it at trial, it will cost hundreds of thousands—or
even millions—more. For many journalists and newspapers, the cost risk is
simply too great. For every defamation trial you see, there is an avalanche
of legal letters and threats that have stopped stories from reaching the
public domain: the threat of legal action has prevented publication. No one
knows how many women’s stories have been silenced, because these letters
are confidential and marked ‘not for publication’. No one knows about it
except the journalist, their legal team and his lawyers. In this way, the rich
and the powerful have ensured—in some cases for decades—that
allegations of abuse and harassment, even if widely rumoured, have not
been reported in the media.
For journalists, it is much easier to report on allegations of rape or abuse
where there is a prosecution. As we have seen, journalists cannot be sued
for defamation for fairly reporting on what is said in court. Where there is
no criminal prosecution or any other civil claim where the facts are heard in
court, though, they are at legal risk. In some countries, especially in Latin
America, journalists will only report a case after a trial has commenced, or
even wait to be sure and report only after it has concluded with a
conviction. The problem is that most rape cases don’t go to trial, and 99 per
cent don’t result in a conviction—so for a media organisation to require a
conviction before it publishes an allegation is to effectively refuse to report
on 99 per cent of rape cases.
After the receipt of a legal threat letter, it takes deep pockets, determined
journalists, and editors and lawyers who have an appetite for risk to follow
through and print the story. As Gill Phillips explained to us, the lawyers at a
newspaper advise on the legal risks but the choice to publish ultimately
rests with the editor. While it might be possible for large media
organisations with large legal budgets and experienced in-house counsel to
assess the risk and deal with these letters, for freelance journalists or small
media houses, it is much harder—seeking external legal advice is
expensive, and legal action could mean they face bankruptcy and are shut
down.
When Professor Julie Macfarlane decided to go public about her abuse by
an Anglican priest (see Chapter 1), she went to the Church Times. In her
book Going Public (2022), she explains how the journalists were threatened
with an injunction by the diocese and had to have a barrister on call. The
journalists admitted to her that they wouldn’t normally have the legal
budget to contest an injunction. Happily for Julie, they were able to publish.
The resulting publicity led other survivors to reach out to her—and the
church suddenly became interested in settling her case.
For some small publications, though, the legal threat letter can force self-
censorship: smaller media organisations often just can’t afford to take a risk
on stories about violence against women. Rich and powerful men, and their
lawyers, know this. They know that one warning shot can be enough to shut
the story down, and silence the victim and the journalists who want to tell
her story. The legal threat is not about winning the case at trial, but about
pressuring her or the journalist into self-censoring. The result can be a
silencing of stories about a particular man for years, even decades. If no one
in the media reports on it, then other women who might have come forward
never find out that they were not alone. Women remain in their silos of
silence. That’s often why these letters are so aggressive: their aim is to shut
the story down before it starts rolling, and before other women (if there are
any) come forward.
Vanity Fair’s decision to pull the Farmers’ Epstein abuse story because of
the defamation risk is just one example—there are others. In 2006, the
allegations of almost three dozen more women led to Epstein being
charged. But his lawyers struck a controversial plea deal so he could plead
guilty to reduced state charges of ‘soliciting prostitution from a teenager’,
instead of the more serious charge of sexual assault of minors. Epstein spent
fifteen months in jail, with much of it on ‘work release’. Afterwards,
Epstein was quickly accepted back into society: he hosted a dinner to
honour Prince Andrew at his Manhattan home, and donated large sums to
scientists and institutions for art and music.
Years passed and the story seemed to be over. But in 2015, another
survivor, Virginia Giuffre decided to tell her story about Epstein and the
powerful people around him, including Prince Andrew. She decided to
speak out because ‘Epstein was walking around a free man, comparing his
criminal behavior to stealing a bagel,’ as she wrote in an email to NPR. ‘I
really wanted a spotlight shone on him and the others who acted with him
and enabled his vile and shameless conduct against young girls and young
women.’ Giuffre went to ABC News; she later told NPR that she saw an
opportunity to call out the government ‘for basically looking the other way’
and she wanted ‘to describe the anger and the betrayal victims felt’. But the
story never aired, and she was never told why.
According to NPR, the story was pulled after Epstein’s powerful lawyer,
Alan Dershowitz, called ABC to speak with the producers and their lawyer.
ABC told NPR their decision not to broadcast the interview ‘reflected
proper journalistic care’, but refused to detail its editorial choices. Giuffre
has said: ‘I was defeated, once again, by the very people I spoke out against
and once again, my voice was silenced.’
After ABC pulled Giuffre’s interview, it would be another journalist’s
work that would result in more of the Epstein story finally being told. Julie
Brown at The Miami Herald continued to dig and investigate Epstein after
the government allowed him to plead to lesser charges—and later revealed
the extent of his abuse. As The New Yorker reports, her persistent reporting
and the role of investigative journalism in helping to hold Epstein
accountable was praised by Attorney General William Barr after Epstein’s
arrest in July 2019. Journalistic inquiry and reporting can assist the criminal
justice authorities. But, as Brown has said, she—and all journalists
reporting on Epstein—lived in constant fear of being sued for defamation.
Even now, at the time of writing—after Epstein’s suicide and Maxwell’s
conviction—we haven’t yet heard Giuffre’s full story for legal reasons. In
2022, Prince Andrew settled the civil claim brought against him by Giuffre
for sexual assault and battery during her time working for Epstein and
Maxwell for a reported US$12–15 million. The settlement came with a
limited NDA: she couldn’t tell her story until after the Queen’s Platinum
Jubilee. Amber Melville-Brown, a media lawyer, said Giuffre’s time-limited
silence under the settlement would be ‘worth its weight in gold to the
Queen’. Prince Andrew denies all wrongdoing.
The Epstein story shows that even large media outlets will silence stories
because of legal risks. Vanity Fair and ABC News silenced Epstein stories.
Journalist Ronan Farrow reportedly left NBC and went to The New Yorker
after NBC refused to run his reporting on Weinstein. It can be seriously
upsetting for the journalists who work with women for months—sometimes
years—to build trust to enable them to come forward and tell their story,
only to have the story spiked by an editor or their legal team, often at the
last minute.
According to Vicky Ward, it was an editor at Vanity Fair who informed
her that the magazine had decided not to include the Farmer sisters’
allegations against Epstein in her story. ‘I must have gone into the office,
because I do remember being there and just crying . . . They had been so
brave, and we just let them down,’ Ward later recalled.
For the women who have trusted journalists to tell their story, it can feel
like a brutal betrayal of trust. In a statement to NPR, the Farmer sisters said:
‘It was terribly painful. We hoped the story would put people on notice and
[Epstein and Maxwell] would be stopped from abusing other young girls
and young women. That didn’t happen. In the end, the story that ran erased
our voices.’
Their lawyer, David Boies, claimed that Vanity Fair’s omission made it
more difficult for other victims and witnesses to speak out. ‘I think it helped
create the impression among many of the victims that the media was under
Epstein’s control, that Epstein had all this power.’
The fact is that women’s stories are often silenced for legal reasons. For
every story you read in the paper, many more have been spiked—thanks to
Play 1.
Writing in 2019, Farrow explained that Black Cube was only one of the
agencies hired by Weinstein to prevent the disclosure of sexual abuse
claims. Dossiers were created on journalists and accusers. One of the people
placed on a ‘list of targets’ was Rose McGowan. In her 2018 book Brave,
the actor explained her experiences leading up to the publication of her
allegations against Weinstein. With Jen’s assistance, Rose also made a
submission to the Women and Equalities Committee of the UK Parliament
in 2019, outlining her experiences. In the latter, she said:
I was later to learn that he and his powerful lawyers had another
strategy to silence me: they hired Black Cube, a London-based private
security firm who sent out former Mossad agents using false identities
to infiltrate my life, extract information from me about my book,
Brave (which I was then writing and has now been published), and
about the journalists I was speaking to, so they could stop the story
coming out. Their aim was to silence me and the other brave women
who wanted to speak out. They now have PR people, lawyers and
pliant journalists who troll my every public statement and appearance
to make sure I am always to be harassed and targeted. They first
wanted to silence me … when they couldn’t silence me, they are now
doing everything in their power to discredit me.
McGowan told the committee how she was approached by a woman who
gave the name Diana Filip, who said she wanted to invest in McGowan’s
production company. Rose later discovered that she was a Black Cube
agent, sent to ‘silence and steal’ her story:
‘Diana Filip’ was an alias for a former officer in the Israeli Defence
Forces working for Black Cube. According to their $600,000 contract,
their goal was to stop the publication of any stories about the man who
assaulted me and ‘obtain additional content of a book which is
currently being written and includes harmful negative information on
and about the Client’: that is, my book, Brave. The documents
(obtained by The New Yorker) show that Black Cube delivered more
than a hundred pages of transcripts and descriptions of my book, based
on tens of hours of recorded conversations between me and ‘Diana
Filip’. The contract had provided for them to get a bonus $50,000 if
Black Cube secured ‘the other half’ of my book ‘in readable book and
legally admissible format.’
The New Yorker investigation, led by Ronan Farrow, also uncovered
a million-dollar bounty on my book, Brave. Apparently, it was not
enough to have assaulted me and ruined my career in film—he then
intruded into my life to silence me and steal my story. Ultimately,
Weinstein succeeded in getting 125 pages of my book before its
publication. I felt violated all over again. I was pursued in the manner
authoritarian governments pursue journalists or human rights
defenders; when all I am is a woman speaking out about sexual abuse
to stop an international predator.
These are the playbook strategies we see being used all over the world to
stop women and journalists speaking out or publishing claims against
powerful and wealthy men. The law is being weaponised. Too often women
have no idea of what they are getting into when they decide to speak out,
and as a result they are not prepared for the challenges they face when they
do. We want every woman and every journalist to know his playbook—so
that when they do decide to speak out, they are informed.
Chapter 5
CONTRACTED TO SILENCE
Why did it take decades for allegations against Harvey Weinstein, Jeffrey
Epstein and Bill Cosby to become public?
A culture of victim-blaming, shame and silence? Sure.
Power? Definitely.
Being influential figures who could make or break careers, particularly of
the women they targeted? Absolutely.
But there was another reason—a specifically legal one. These men had
got the women they employed, harassed and/or abused to sign contracts,
promising—usually in return for a sum of money—to remain silent. This is
an NDA, or non-disclosure agreement, and it has been used to protect men
for decades.
Before MeToo, most people didn’t know what NDAs were, let alone
about the widespread practice of powerful men and corporations using them
to silence women who have suffered sexual abuse and harassment. NDAs
have been used to devastating effect, prohibiting women from speaking
about their experiences, isolating victims in silos of silence, preventing
them from warning other women and enabling their perpetrators to continue
their abuse.
In this chapter, we share what we have learned—from both our legal
practice and from our interviews for this book—about the many ways in
which NDAs are used and abused. We’ve talked to women who have been
contracted to silence to show how NDAs work, how power imbalances
come into play and what the impact is on survivors who feel forced by
circumstance—if not by pressure from the perpetrator—to sell and sign
away their freedom of speech. We explain what happens when NDAs end
up in court, and the arguments that can and should be used to protect
women’s right to free speech.
What is an NDA?
We may never know how many women have been kept silent by NDAs—or
how much evidence of abuse will remain hidden, while perpetrators carry
on with their lives and careers.
NDAs are common in divorce agreements, including where a spouse has
alleged domestic or sexual violence, and in employment contracts and
settlement agreements. NDAs have been used to cover up alleged sexual
misconduct by media figures—from both the right (Roger Ailes and Bill
O’Reilly at Fox News) and the left and liberal (Charlie Rose at NBC and
Matt Lauer from Today)—and by political figures including Donald Trump
and the former New York mayor and presidential candidate Michael
Bloomberg.
It is now the norm for celebrities and prominent people to put in place
NDAs with consensual sexual partners to prevent them from later selling
their story to the tabloids. So pervasive is their use that Billie Eilish sings a
song about making a ‘pretty boy’ sign an NDA after he stays overnight,
which a music review in Nylon described as ‘a weird act of power’. Eilish
says her song was about the dark side of fame—the fact that NDAs are
required at all—but what about the dark side of NDAs? What happens if the
encounter turns non-consensual? If it is considered ‘a weird act of power’ to
have a consensual partner sign an NDA, then what should we say about the
powerful men and corporations requiring women to sign contracts to ensure
that they never speak about the abuse they have suffered?
And it’s not just celebrities and public figures: NDAs are also being used
in parliaments, in universities and in other public institutions. Around the
world—from Australia to Canada to the United Kingdom, Ireland and
beyond—religious institutions from Hillsong to the Church of England have
included NDAs in settlement agreements with women and child sexual
abuse survivors, prohibiting them from speaking about their experiences.
In the United States, Congresswoman Jackie Speier revealed that the US
House of Representatives had paid more than US$17 million to settle 260
claims of harassment over the twenty years before 2017 (a figure that
included sexual offences as well as harassment based on race, age or other
factors). In the United Kingdom, between just 2017 and 2019, British
universities had spent more than £90 million on settlements that included an
NDA related to sexual assault. The House of Commons has also used
NDAs in settlements with former staff. The Guardian reports that NDAs
have been widely used to silence women in cases of pregnancy-related
discrimination at work.
In Australia in 2020, Senator Deborah O’Neill used parliamentary
privilege to air testimony from a whistleblower and former employee of
AMP, a large financial services company in Australia and New Zealand,
after a sexual harassment scandal. The young woman reported that, after
reporting sexual harassment by several senior male executives, one was
promoted while she faced retribution and was told she would lose her job if
she did not sign an NDA. In a clear articulation of the pressure women face,
she explained: ‘I had run out of funds to pay my lawyers and I was
physically and psychologically destroyed, so I signed.’
More and more stories about NDAs are being reported—many of them
anonymously, because of the legal risks for women who speak out in
violation of their agreement.
Like Andrea Constand, many women feel traumatised and isolated by the
NDAs they have signed. In our experience, this is common. We have seen
how victims have been gagged, preventing them from speaking to family
and friends about what happened, from warning others about the
perpetrator, and from seeking solace and solidarity with other women who
have suffered at the same workplace or at the hands of the same man, or
with others who have been silenced by NDAs. We have also seen how
NDAs have had a chilling effect on those wishing to speak up about
wrongdoing, and how victims live in fear of the consequences of breaking
the agreement.
To explain the problem, here is a hypothetical example that draws upon
the kinds of cases we have been asked to advise upon in our practice, but
which have never become public.
Katie worked at a large financial services firm in London, in a job she felt
lucky to get in a highly competitive industry. Her boss, Max, was a big
figure in the finance world. He seemed to take a special interest in Katie’s
career, giving her guidance and inviting her to meetings with big clients,
meetings her peers were left out of. He occasionally made jokes about her
coming back to his hotel room, which Katie laughed off. But then he started
buying her expensive gifts. This included a set of lingerie, which made
Katie feel uncomfortable.
They travelled a lot for work. On one business trip, Max insisted she
come to his hotel room before a work meeting. There, he pulled her in for a
kiss. Even though she said out loud ‘stop’ and ‘I don’t want this’, he
continued, and started to grope at her until she was able to push him off.
On her return to London, Katie went to HR to tell them what had
happened. They immediately offered her a settlement package, including a
confidentiality agreement. In retrospect, she said, she felt like she was on a
conveyer belt, in a process that felt like a ‘well-oiled machine’. But she
wasn’t in a position to know anything more—or whether it had happened to
other women—and she accepted the settlement so she could get out of there
as fast as possible and get on with her life and her career.
A year later, Katie ran into her former assistant and learned that her
successor, a woman, had already left the firm. Katie’s former assistant told
her that she’d overheard an office secretary say, ‘Apparently Max did
something.’ Later, another former colleague who had left the firm in hushed
circumstances, Anna, confidentially admitted to Katie—in breach of her
own NDA—that she had left the firm after Max harassed her, and that she
had heard that Katie’s predecessor had left for the same reasons.
Katie was horrified: she realised that when she was hired, the firm
already knew what Max was doing. Without any warning, she had walked
into what the firm knew was an unsafe workplace. And after Katie had
experienced sexual assault, she had left and, like the women before her,
signed an NDA and kept silent about it. She now realised that this had
enabled Max to do it again to the women coming after her.
This was the reason Katie came to us for advice about what she could do:
she didn’t want to go public, but she wanted to make sure Max was held
accountable. It was clear that the silo of silence that each of these women
had been kept in was enabling him to continue to harass women with
impunity because of his power within the company.
Provisions in NDAs that limit what survivors can say to their friends,
family and therapists have the effect of isolating them from their support
networks and even from accessing medical assistance. In our example, the
silos of silence enabled by NDAs meant not only that Max was getting
away with his assaults, but also that the victims were kept isolated from
each other, prospective victims had no idea what they were walking into,
and Max’s company was getting away with it cheaply. Settlement in
circumstances where one woman has experienced abuse is one thing, but
repeated settlements where the company knowingly places women at risk is
quite another. NDAs meant the women did not know there was a pattern, or
that they had knowingly been put at risk.
Katie might have had an interesting claim, but in our experience, women
in Katie’s position often don’t want to come forward and reopen the painful
experience or begin a legal battle. The old trope that women somehow
benefit from going public with their allegations is nonsense: we see time
and time again that women who have legitimate claims, which could
potentially force the courts to look differently at NDAs, don’t go through
with it because they don’t want to become publicly and permanently
associated with the name of their perpetrator and what he has done to them
—and understandably so. Most also can’t afford it, even if they wanted to
challenge the validity of their NDA. Each of them had every right to accept
their settlement and move on, with the confidentiality that protected them
and their privacy just as much as it protected him.
But how is Max’s company able to get away with it? As a private
company without public disclosure obligations, what consequences are
there for men like Max and the companies they control? What are they
telling their shareholders about the repeated payouts to these women? What
are they telling the tax office, and how are these expenses accounted for?
Are they allowed as tax deducations, to reduce what the company pays into
the public purse? We don’t know.
Placing survivors in silos of silence under NDAs creates a culture of
impunity that enables further abuse. How can we as a society tackle gender-
based violence and workplace harassment if those affected by it can’t talk
about it? In this way, NDAs raise public interest and policy concerns, and
potentially impede governments in their obligations to protect women and
girls.
A parliamentary inquiry in the United Kingdom looked into NDAs in
2018. Jen, together with leading women barristers, made a joint submission
to the Women and Equalities Committee setting out the problem and why
governments need to better regulate the use of NDAs:
Fortunately, there have been women who have been willing to lift the veil
of secrecy on this ‘serious social vice’, so that the public and our
parliamentarians can understand the problem. Let’s hear their stories.
Silence-breakers
I want to publicly break my non-disclosure agreement. Unless
somebody does this there won’t be a debate about how egregious these
agreements are and the amount of duress that victims are put under.
My entire world fell in because I thought the law was there to protect
those who abided by it. I discovered that it had nothing to do with
right and wrong and everything to do with money and power.
These are the words of Zelda Perkins, quoted in The Financial Times on 14
October 2017. It was the first time her story about her NDA with Harvey
Weinstein, which had covered up his sexual harassment and assault during
her time working for him at Miramax, was reported. It was also the first
time anyone subjected to a Weinstein NDA had spoken publicly about the
legal tool that had protected him for so long—and how he had used them.
Back in 1998, Zelda Perkins was just 24 years old. She had a great job at
Miramax Films in London, working in an all-woman team. She had never
aspired to work in the film industry, and she now says that her lack of
ambition in the industry is probably what protected her. But she loved her
job, being paid to read scripts in what she told us was ‘a cool Soho office in
London surrounded by bright, but mostly young, women’. Everything
changed when Weinstein flew in from the United States and she started
working for him directly—but it would take twenty years for her to be able
to tell her story.
In the years that Zelda had worked for Weinstein, she says, he sexually
harassed her and pressured her for sexual favours while at work. But it
wasn’t until the 1998 Venice Film Festival, when her even more junior
assistant told Zelda that Weinstein had sexually assaulted her, that she
resigned and resolved to hold him accountable. Outgunned by his lawyers,
overwhelmed by the power imbalance and dismayed by her available legal
options, she and her assistant ended up settling their claims and signed
NDAs.
As the MeToo movement kicked off in 2017 and allegations about
Weinstein swirled, back in London, Zelda took the decision to speak out,
deliberately breaching the oppressive NDA she had felt forced to sign, to
highlight how NDAs had allowed Weinstein to abuse women with impunity
—and in the hope that her disclosure would encourage others to come
forward.
It certainly did.
Zelda’s story
When Zelda jumps onto our Zoom call, she is flustered. Behind her are
chickens, in the yard of her house in the English countryside—peaceful
green hills and winding roads, her place to return to after campaigning in
the public eye. She has been fighting for laws to reform how NDAs are
used, and for better protection for survivors. It is not always easy, and her
name and face mean she is recognisable—tied, always, to the downfall of
Harvey Weinstein.
We are here to ask her to tell us what happened, in her own words. She
tells us what happened and that the versions she tells to the media are
intentionally sanitised, she says, as she doesn’t want the details to distract
from her message. (Out of respect to Zelda, we are only including the facts
we consider to be relevant to show how NDAs function to perpetuate a
culture of silence and enable impunity, and to show the impact they have on
survivors.)
Before Zelda started working for Weinstein, she was given a warning of
sorts. When she was offered the promotion to work directly for Weinstein,
she was told that she really needed to think about whether she wanted the
job. ‘I had been given a light-hearted, jokey warning,’ she explains. ‘Never
sit next to him on the couch . . . Don’t turn your back on him.’ The only
explicit warning she got was about his temper. ‘We all knew he was a
monster temper-wise, but not any other-wise.’
What Zelda wasn’t told was that sexual harassment and pressure for
sexual favours in the workplace would be common and normalised—
Weinstein would appear naked, grab her and request massages and oral sex.
This was not something that was openly discussed among the women
working for him. ‘We were all isolated. We were all young women. We
were culturally silenced,’ Zelda says. ‘We didn’t want to look weak, or
make a fuss, or look like we couldn’t handle him. But later when [our
silence] became contractual, it was even more powerful.’
Zelda did her best to warn others she interviewed to work with
Weinstein. ‘No one warned me about Harvey. I didn’t know [beforehand
that] he was a habitual abuser, but by then I knew what he did to me.’ So
she began telling young women that he would be inappropriate and they
needed to be robust to be able to deal with him. Years later, after she broke
her NDA and more details of Weinstein’s conduct became public, two
young women wrote to her to thank her: both had declined the job offer
after her warning at their interviews.
For years, Zelda put up with and managed Weinstein’s harassment. She
thwarted his physical advances, developing a variety of avoidance strategies
to do so. In some strange way, she said, she felt she was beating him at his
own power game. But then her junior assistant, Rowena Chiu, came to her
at the 1998 Venice Film Festival, upset, hysterical and in shock: she told
Zelda that Weinstein had sexually assaulted her.
‘It was very clear to me that something had happened,’ Zelda explains. ‘I
was so horrified that I had put her in that position. She was my
responsibility.’
This was the first time Zelda knew of Weinstein physically assaulting
anyone. Rowena, who has since told her story to the media, was scared to
lose what was her dream job. She chose not to report him to the Italian
police. Zelda confronted Weinstein, but he denied it.
Zelda and Rowena both resigned. ‘He has left us with no choice,’ Zelda
said she told Rowena. They both loved their work but they were forced to
leave it behind.
But Zelda wanted to make sure Weinstein was exposed and stopped. She
was told she would need a lawyer. She didn’t know where to start: she was
‘so naive’, she tells us, that she called the Citizens Advice Bureau for help.
In the end, she looked up lawyers in the Yellow Pages and found Simons
Muirhead Burton (SMB), a respected, boutique law firm that was just a few
streets away in Soho. It was after her first meeting with a young woman
lawyer at the firm that she realised how bad her harassment had been and
how normalised it had become. When Zelda told her about what happened
with Weinstein, she says the lawyer ‘was shocked, and I was shocked at
how shocked she was’. Zelda again felt naive, and embarrassed that she had
put up with it.
Her next shock was at the lack of legal options available to her and
Rowena. ‘I genuinely thought if we could go to court, it would all be fine,’
she said. Zelda wanted to expose Weinstein and see him prosecuted in
court. But it wasn’t going to be that easy—the assault had happened in Italy,
a different jurisdiction, and they hadn’t gone to the police. Weinstein, with
his almost infinite resources, wasn’t going to go down easily.
‘I was told that he and his lawyers would try to destroy us and our
families, attack you upways, sideways and backways, find every skeleton in
your closets, bankrupt you and anyone near you, and your legal costs will
be beyond anything you can afford,’ Zelda explains. The women were
advised to seek damages through a mediation process.
Zelda was upset at the time, thinking it was the wrong decision. But she
also took it as a lesson about the law and how it works for rich men. As she
told us, she realised after frank discussions with her own lawyers that it
would be futile for her and Rowena to take him on: she felt it would be ‘just
two silly girls’ word’ against Harvey Weinstein, his power and his immense
resources.
Still, Zelda held out hope. She thought the negotiation process would be
a chance to hold him accountable within Miramax, and stop him from doing
this to anyone else. She wrote out a list of demands, including a new
complaints procedure and that Weinstein go to therapy, and make a big
donation to a rape charity. She was told she should just seek a year’s pay
(£20,000 at that time). At this stage, she had no idea that the matter would
ultimately all be kept secret.
Zelda decided to ask for a huge sum, so that anyone who dug up the
papers (which she had presumed would be on the public record) would see
the money and see it as a big red flag, and in her words ‘indicative of the
crime’. She asked for £250,000. Her lawyers said she was crazy for asking
that much. Within hours of their making the offer, though, Weinstein’s team
accepted it. When Weinstein’s personal lawyer flew out from the United
States to negotiate the details, it reiterated for Zelda just how serious the
situation was.
However overwhelming and unfair the process felt, and however great
the power disparity, Zelda did claim some wins: the contract included a
requirement that Weinstein attend therapy for a minimum of three years,
and Miramax promised a complaints procedure, as well as a provision
requiring that if there was another complaint against Weinstein within two
years of the contract and it resulted in a settlement of either £35,000 or six
months’ salary, Miramax agreed to report the matter to Weinstein’s bosses
at Disney—or to dismiss him. Zelda doesn’t know whether Miramax ever
complied with those requirements.
Zelda says she honestly did not know, going into the negotiations, that
she would be required to sign a confidentiality agreement—it only came up
in the closing parts of the negotiation, by which time she was too exhausted
to fight. She also didn’t know it was going to be so invasive, or the
obligations so extensive. After a long week of late-night negotiations in
Weinstein’s lawyers’ offices with her lawyer, she and Rowena were split
into separate rooms, isolated from each other, and were asked to write down
every single person they had told about the matter. Zelda refused to name
anyone, and instead spoke in general terms. ‘I felt like we were dealing with
the mafia,’ she recalls. ‘I was really scared of these lawyers and thought
that if I named any of my friends or family, these people would go after
them.’
In the end, each NDA included a short schedule describing friends and
family she had told. Both women had to call the people included in the
schedule and say they were never to discuss the story again, not even with
each other. If the women wanted to go to a therapist, they’d have to sign an
NDA. The same if they saw a lawyer, the police or the tax authorities.
Everyone around these women were now also bound to Weinstein—legally
required to maintain the silence that would protect him for years.
Once the NDA was signed, Zelda and Rowena had one last meeting: with
Weinstein himself. They were led into a room, to sit face to face with the
man who had sexually assaulted one of them. He apologised, but Zelda and
her lawyer were not permitted to take or keep any notes of what he said.
But as reported by Tortoise and as she told us, she did keep a record, in
secret: ‘Sometimes [I] don’t know when its consensual,’ Weinstein said.
By the end of the process, Zelda told us she was devastated and felt she
was pressured into receiving what she now describes as ‘blood money’. She
chased Miramax afterwards to find out if Weinstein was in therapy and to
make sure the complaints process was in place, but said they stalled,
refusing to give her any information, and eventually she gave up. She also
had trouble getting work because of the stories circulating in the industry
about what had happened. To get away from it all, she moved to Central
America.
Yet Zelda was deeply troubled by what had happened, and she found that
the matter followed her. Over the years, journalists contacted her to
corroborate allegations against Weinstein, but she kept quiet. That was until
2013, when she felt she could not stay silent any longer.
A journalist from The New Yorker told her that Weinstein was done for:
Italian model Ambra Gutierrez had been assaulted by him, and had gone to
the New York Police Department to report it. She agreed to be part of a
sting operation aimed at getting Weinstein to admit to what he had done.
She wore a wire, and caught him admitting it on tape. ‘Finally,’ Zelda
thought. ‘He is going down.’
Zelda decided to break her NDA to speak to the journalist to back up
Gutierrez’s story. But Weinstein’s lawyers went into overdrive, hiring
private investigators to dig up information on Gutierrez and discredit her.
They launched a smear campaign, accusing her of being a prostitute and
saying she was enacting revenge. Upsettingly, it worked. No charges were
laid. Dragged through the mud, Gutierrez agreed to settle, and joined the
many other women in their terrible little club: people who signed
Weinstein’s NDAs.
Weinstein’s team suspected that Zelda had talked, and she started getting
a lot of calls from ‘journalists’—who it turned out were actually
Weinstein’s investigators, and former Israeli spies. Zelda would later
discover that Weinstein’s lawyer, David Boies, had hired the firm Black
Cube to keep watch on Zelda and others who might break their NDAs. The
actor Rose McGowan and other women were also contacted and harassed in
this way.
When women started coming forward to journalists with their stories
about Weinstein in 2017, Zelda was first contacted by journalists Jodi
Kantor and Megan Twohey. Ronan Farrow also later reached out to her and
told her that he was going to report more stories, including rape allegations.
Zelda was floored: this was the first time she had heard Weinstein had been
accused of rape. She knew what Rowena had accused him of back in 1998,
but that hadn’t gone as far as rape.
This revelation really affected Zelda, and she told us that she started to
understand that her silence had enabled Weinstein to continue to act with
impunity—and to go on to do worse. It was then, she said, that she realised
‘this piece of paper is protecting a rapist’. She decided then and there that
she was going to speak out: she was willing to break her NDA if she had to.
She wanted to show the secretive legal processes that were being used by
the rich and powerful to silence women about abuse and harassment.
Zelda wanted to take legal advice, but she had a problem: she did not
have a copy of her own NDA, which she needed if she was to figure out a
way she could talk to the media. It is Kafkaesque, but it’s important to
know that this was not unusual. All Zelda had was a document summarising
her obligations under the contract. She called up her former law firm to get
a copy of the agreement, but she was told she was not permitted to have it.
She asked around for recommendations for lawyers, but she told us she was
‘stonewalled’ and that she wasn’t allowed to show it to another lawyer.
Zelda said a lawyer friend made some inquiries for her and was told,
‘You’ve got to be fucking joking—we wouldn’t touch that with a ten-foot
pole—we get these signed all the time for our clients.’ Firm after firm said
that they wouldn’t act for her. Zelda realised there and then that ‘this is a
stitch-up—and it’s not just a Weinstein problem; this is a law problem’.
It was a huge decision for Zelda to speak out. In doing so, she had to
calculate the risk: would Weinstein go for her in the midst of the unfolding
scandal as more and more women came out against him? ‘The people at
[The Financial Times] basically told me, “You’re fucked if you break this
and we can’t protect you, except in the court of public opinion,”’ Zelda tells
us. She thought, ‘Well, fuck it, I’ve got to do it and this is all I’ve got.’ The
Financial Times put the story to Weinstein and his lawyers. According to
Zelda, they threatened to get an injunction and sue for defamation. The
newspaper considered the risk and published anyway.
And it was the right call, because Weinstein didn’t sue. But what if she
had spoken out earlier, before the MeToo scandal engulfed Weinstein?
Would his lawyers have made a different calculation and sought that
injunction, which would have prevented Zelda, The Financial Times and
any other media organisation from reporting her allegations?
After Zelda’s story was published, Weinstein could have sued Zelda for
breach of contract for speaking to the media—and he might have won. He
also could have sued her for defamation for the accusations she publicly
made about the reason for the NDA—Rowena’s allegations that he sexually
assaulted her—and she would have faced immense legal costs and the usual
evidential difficulties to prove her allegations about him in court. But by
then his credibility was shot by the sheer number of women coming
forward, the weight of evidence and the similarities of the women’s
accounts—and by then, as The Financial Times had rightly noted, public
opinion was on her side. The situation had changed drastically since 1998,
when Zelda and Rowena had signed their NDAs and been advised not to
take him on: in a battle of credibility in 2017, the women would win.
Rowena would later take the decision to speak out about her experience too.
While the situation had changed, legally nothing had changed.
After Zelda spoke out, it emerged through the reporting of The New York
Times and The New Yorker that Weinstein had used NDAs to keep all kinds
of sexual misconduct quiet, and that employees from Miramax had felt
silenced from speaking out about other wrongdoing at the company.
For Zelda, the process of going public with her experiences has been
cathartic: ‘Once I started speaking out, I found my voice . . . I found
myself.’ And she began campaigning to end the abuse of NDAs—a
campaign that continues to this day.
Soon after Zelda spoke out, another NDA scandal would break, after which
Prime Minister Theresa May announced a parliamentary inquiry into the
use of NDAs in the United Kingdom (the inquiry in which Zelda’s evidence
and Jen’s legal submissions would later play a key part). The story hit the
headlines thanks to the work of two women undercover reporters, Madison
Marriage and an unnamed colleague, again from The Financial Times.
Marriage replied to an advertisement for waitresses for the annual
Presidents Club dinner. The men-only charity dinner, attended by 360
figures from the British business, politics, finance and entertainment
worlds, had been running for 33 years and had raised £20 million for
children’s charities. FTSE 500 companies sponsored tables and sent their
male executives. The dinner held in January 2018, hosted at the Dorchester
Hotel, would raise £2 million. But charities would soon reject the funds the
Presidents Club had raised.
The advertisement sought ‘tall, thin and pretty’ women to serve as
hostesses at the event. Marriage wrote for The Financial Times that she was
warned after her initial interview for the job that the women might have to
put up with ‘annoying men’, who will try to get them ‘pissed’. Two days
before the event, Marriage and the other women were informed their
phones would be ‘safely locked away’ at the event and that their boyfriends
and girlfriends were not welcome at the venue. They were advised to bring
black ‘sexy shoes’, black underwear, and do their hair and make-up as they
would to go to a ‘smart sexy place’. Upon arrival at the event, dresses and
belts were supplied, which were short and tight, resembling corsets. The
women were being paid £150, as well as £25 for a taxi home, to work from
4 p.m. until the early hours of the morning. Most of the women were
students working their way towards careers in law or finance, while others
were part-time actresses, dancers, models and performers who did hostess
work to pay the bills and get by. All were contract workers.
But before the women were handed their skimpy uniforms and had their
hair and make-up done, they were handed a five-page document to sign: an
NDA. They were forced to sign this contract before the event started as a
condition of work. They were not given time to read or consider the terms
—let alone to seek independent advice on those terms—and they were not
allowed to keep a copy of what they had signed.
Given who was in attendance and what went down at the event, it is no
wonder the event organisers wanted the women contracted to silence. As
The Financial Times reported, the attendees and supporters of the event was
like ‘a roll call of British wealth and business influence’. Hosting the event
was the comedian and author David Walliams, and attendees included
businessman Sir Philip Green, cabinet minister Nadhim Zahawi (at the time
the Under-Secretary of State for Children and Families), and Lord
Mendelsohn, a Labour peer.
In a later piece for Marie Claire, Marriage provides a vivid description of
what it was like to work at the event, which she describes as ‘grotesque’.
The MC opened the event by welcoming the men ‘to the most un-PC event
of the year’. Women were told to line up and then parade across a stage in
front of 360 ‘braying’ men, as they played the song ‘Power’ by Little Mix,
a song choice Marriage described as a ‘cruel irony’, given the immense
power imbalance between the young women and the powerful men in
attendance.
The funds for charity were raised by an auction that included items such
as lunch with Boris Johnson (then the foreign secretary). Marriage also
explained that it included items like ‘a night at Soho’s Windmill strip club,
and a course of plastic surgery with the invitation to “add spice to your
wife”.’
While the accompanying brochure included ‘a full-page warning that no
attendees or staff should be sexually harassed’, it is clear from Marriage’s
reporting that numerous men either failed to read the instructions or simply
ignored them. She writes ‘many of the hostesses were subjected to groping,
lewd comments and repeated requests to join diners in bedrooms’ in the
hotel—by men considered to be pillars of society. Hostesses reported men
forcefully pulling them onto their laps and ‘repeatedly putting hands up
their skirts’ and that one attendee had even ‘exposed his penis’ during the
evening. At the after party, one of the hostesses was grabbed, poured a
drink and told, ‘I want you to down that glass, rip off your knickers and
dance for me.’
Marriage’s story was published in January 2018 and resulted in national
headlines off the back of the controversy from Zelda speaking out about
Weinstein’s NDAs. It wasn’t just Weinstein using NDAs to cover up
misconduct; this was happening in the United Kingdom. Marriage has since
written that the impact of her reporting went further than she ever could
have imagined. Within days, the Presidents Club Charitable Trust was
closed, its trustees stepped down from a number of government roles and
directorships, the Charities Commission announced an investigation,
charities refused to accept the promised funds, and those which had already
received funds promised to improve their due diligence procedures. The
story was debated in parliament, and Prime Minister May said she was
‘appalled’ by the behaviour of the attendees. Another prominent woman
MP, Jo Swinson, declared the event to be ‘stomach-churning’ and evidence
of the ‘sexist culture still alive and kicking in parts of the business
community’.
Marriage wrote about her desire that change would follow her reporting:
that men in positions of power would change how they treat women and
that they would be held accountable for their actions. But her story would
also spark a national conversation about the use of NDAs and the need for
better protections for contract workers who face sexual harassment. A
public petition to reform the law to give greater legal rights to workers who
experience sexual harassment in the workplace followed—and gained more
than 100,000 signatures. And, as we noted above, Prime Minister May
announced a parliamentary inquiry into the use of NDAs.
Jen’s perspective
After these women spoke out and reported on NDAs, and exposed the
misconduct and abuse they were covering up, various parliamentary and
regulatory inquiries were conducted (and are ongoing) in the United
Kingdom, the United States, Australia and elsewhere around the world. But
in Australia and the United Kingdom, despite recommendations, no
legislative changes have been made.
The Women and Equalities Committee of the UK Parliament first looked
at NDAs as part of its inquiry into sexual harassment at work in 2018, and it
then conducted a second, follow-up inquiry specifically into NDAs; its
findings were published in 2019. Zelda gave evidence before the
committee, telling her story, and Jen, together with Anya Proops QC,
Aileen McColgan QC and Natalie Connor, made a written submission to
assist the inquiry, setting out how NDAs are used and misused, explaining
the legal issues arising with respect to NDAs in the United Kingdom, and
suggesting a range of reforms the committee could consider.
In its final report, the committee raised concerns that NDAs had been
used unethically by some employers and lawyers to silence victims of
sexual harassment, and that there was insufficient oversight and supervision
of their use. In highlighting the chilling effect of NDAs in silencing victims,
the committee cited Jen’s joint submission on the main risks of the
unethical use of NDAs: ‘individuals will not report serious wrongdoing to
the police; will feel compelled not to assist with relevant law enforcement
investigations or prosecutions; and will feel unable to speak openly and in
the public interest about serious wrongdoing, thus inhibiting public
awareness and debate’.
However, the committee also recognised the value of NDAs for some
victims. As Jen and her colleagues had emphasised, ‘there may be times
when a victim makes the judgment that signing an NDA is genuinely in
their own best interests, perhaps because it provides a route to resolution
that they feel would entail less trauma than going to court, or because they
value the guarantee of privacy’.
Banning NDAs altogether is clearly not the way forward: any protective
regime must protect all victims, so it would be problematic if
confidentiality is not available as an option for those who want to choose to
be protected by the confidentiality NDAs afford. Removing the option of
confidentiality could, in fact, deter some women from reporting. But
confidentiality can be achieved by specifying it in contracts—or by
requiring it in legislation ensuring women in these circumstances
anonymity. The committee challenged the status quo of considering NDAs
as intrinsic to settlement agreements or employment contracts, and made
clear that it was unacceptable that sexual harassment and abuse were being
covered up by NDAs. But it stopped short of recommending that they
should not be used at all.
A lot of NDAs include clauses that would be unenforceable if they were
brought before the courts—including, as we have mentioned, any clause
that purports to prevent or limit reporting to the police. But how many
women who signed one are aware of this? Zelda did not properly
understand her rights—and remained silent for years for fear of the
consequences. How many more women were in Zelda’s position? How
many women felt pressured into signing an NDA? The committee
concluded that the effect of the clauses was that women were afraid to
speak out—even if, legally, they were allowed to. Irrespective of the legal
position, the committee found that many women feared criminal and civil
sanctions if they reported to police, sought legal advice or spoke out.
Who are NDAs being used for? The committee raised concern about
NDAs being used to protect ‘rainmakers’, or people in key positions of
financial influence. Their behaviour is being excused: companies are using
NDAs to settle and silence allegations rather than properly investigate them,
and using their power and resources to draw out legal disputes to pressure
women to settle and sign NDAs.
The committee did make a number of recommendations, including public
education about NDAs to ensure people better understand their rights, and it
demanded that legal professional regulators take action against lawyers if
they misuse NDAs, especially where they are trying to prevent or deter
victims from going to the police. The committee also recommended
providing clarity on permitted terms, ensuring that NDAs do not prevent
discussion of sexual harassment and abuse while keeping protections for
victims who wish to protect their privacy, ensuring adequate financial
support for employees to take independent legal advice on NDAs, and
improving corporate governance and accountability on sexual harassment.
This is important: what the committee had to say about NDAs matters, and
has since been cited in an important court case about NDAs and free speech
—ABC v. Telegraph in 2018—a case about the enforceability of Sir Philip
Green’s NDAs and whether the media could report the story.
But it isn’t enough. As Jen and her colleagues told the committee, ‘There
is no doubt but that the misuse of NDAs is a serious social evil, and one that
requires a robust legal response.’ No legislative changes have been made to
date and, as we explain, the case law has developed since Zelda spoke out
in 2017, but it remains problematic.
In response to the controversy after Zelda went public, the Solicitors
Regulation Authority in the United Kingdom published new guidance and
‘warning notice’. It made clear that a lawyer was violating their
professional ethical duties by improperly pressuring parties to sign NDAs.
But the warning extended beyond clients—they also had to warn the
lawyers who were using NDAs to cover up their own sexual misconduct.
Meanwhile, Weinstein’s solicitor, Mark Mansell from Allen & Overy,
was required to give evidence to the parliamentary inquiry about the terms
of the NDA Zelda had been required to sign; Zelda later made a
professional complaint against him. However, in January 2021, the Law
Gazette reported that proceedings were stayed on the basis of Mansell’s ill
health. The Solicitors Disciplinary Tribunal reportedly said it was of
concern that Mansell continued to practise law but could not appear before
a disciplinary hearing over allegations of his misconduct.
In Australia, it was much the same story. In 2021, there was a Human
Rights Commission investigation into sexual harassment in the workplace
and the use of NDAs. As part of this, the commission asked for large
employers to temporarily waive NDAs so survivors could come forward
anonymously for the inquiry. Only 39 companies did so. This secrecy is a
problem. The Human Rights Commission report Respect@Work noted—as
we saw in the United Kingdom—the benefits of NDAs in protecting the
confidentiality and privacy of victims and in helping to provide closure, but
also the concerns that NDAs contribute to a culture of silence. However, the
commission merely recommended the development of guidelines
identifying best practice principles on the use of NDAs in workplace sexual
harassment matters. Glaringly missing from any of the various official
inquiries and their recommendations was what should happen for women
who have signed NDAs but now wish to speak publicly about their
harassment or abuse. It appears to be accepted that women can sell—and
contract away—their right to freedom of speech.
For those who have signed an NDA and now want to speak out, there are
few—if any—protections. In some jurisdictions, including the United
Kingdom, there is whistleblowing legislation that can, in some exceptional
circumstances, permit an employee to make ‘protected disclosures’
(including about sexual misconduct) to the media. But as Jen and her
colleagues pointed out to the Women and Equalities Committee, these
protections are very limited. While the committee recommended extending
the regulators to whom disclosures could be made without violating an
NDA, this did not extend the rights of women to speak out publicly to the
media or on social media.
Various recommendations were made in public submissions to limit the
use of NDAs in cases of gender-based violence altogether. For example, in
the United Kingdom, the Centre for Women’s Justice argued that NDAs
should only be allowed to protect women’s identities, and should not be
permitted to prevent discussion of the facts about the harassment or abuse.
In Australia, the Women Lawyers Association of NSW recommended that
NDAs should not be permitted at all in respect of sexual abuse or
harassment. Neither of these proposed recommendations was adopted.
This means that for women who have signed an NDA and wish to speak
out about their experience of gender-based violence, we must consider how
the courts will treat their cases if they are sued. If you’ve signed an NDA
and later want to speak out, all you can do is argue that your disclosure is in
the public interest, and more important than the public interest in upholding
the contract. Will the court protect your freedom of speech?
The answer is the infuriating answer clients so often receive from
lawyers: well, it depends.
A disappointing recent decision from the UK courts has made the situation
more difficult for women and for journalists. The Court of Appeal found
that, once an NDA is signed, the public interest in upholding the contract
generally outweighs the public interest in women speaking out.
This was the case brought by Sir Philip Green, the billionaire and former
owner of Topshop. In October 2018, The Daily Telegraph reported that it
had been gagged by a leading businessman from reporting MeToo
allegations, running with the headline ‘British #MeToo claims which cannot
be revealed’. They could not be revealed because of an NDA.
Sir Philip sought an interim injunction to prevent publication. Because of
the NDA, there was both an ‘open’ judgment and a ‘closed’ judgment. The
open judgment was light on details: it merely explained that on 16 July
2018, a journalist working for the Telegraph emailed the claimants (who we
now know to be Sir Philip and his company) saying that she intended to
report ‘certain matters’. On 18 July 2018, lawyers for ‘the claimants’ sent a
letter threatening an injunction, and asked for an undertaking that the article
would not be published. A rapid hearing was arranged for 23 July 2018.
The judge concluded—in a great decision for the media and women
wanting to speak out—that ‘the public interest in publication outweighs any
confidentiality attaching to the information’, and denied the injunction. The
claimant appealed, which meant his identity and the allegations of
misconduct against him remained a secret, for now. All the identifying, and
important, details were in the closed judgment. But the interest of the media
was piqued, and speculation began on who exactly had sought the
injunction—and what he was seeking to cover up.
And on appeal, he won. The Court of Appeal made clear the importance
of protecting and upholding contracts and duties of confidence,
emphasising the public interest in enforcing NDAs so that others entering
such contracts can ‘be confident that they can disclose, without risk of
wider publication, information that it is legitimate for them to wish to keep
confidential’. Freedom of speech can be limited in ways ‘necessary in a
democratic society’. Where a woman has signed an NDA, the court will
generally put more weight on protecting the contract over protecting her
right to freedom of speech. The rationale is that she can choose to sell her
right to speak—and if she does, she must be held to it. But here comes the
infuriating ‘it depends’. The question the court must ask themselves in each
case is ‘whether, having regard to the nature of the information and all the
circumstances, it is legitimate for the owner of the information to seek to
keep it confidential or whether it is in the public interest that the
information should be made public’.
In Sir Philip Green’s case, it was on this question—and the balancing of
the public interest between the right to contract and the right to speak—that
the High Court and the Court of Appeal differed. The trial judge had placed
emphasis on the controversies related to NDAs and the concerns raised by
the Women and Equalities Committee about the misuse of NDAs to cover
up sexual harassment. The Court of Appeal, however, emphasised the fact
that the committee had also recognised the legitimate role of NDAs,
including to protect complainants’ privacy. Despite the Telegraph’s
undertaking that the individuals involved would be anonymised in its
reporting, the court was concerned about their privacy: one of the
complainants did not want their story reported. The court therefore found in
favour of upholding the NDAs over the freedom of speech of the newspaper
and the two people who did want their story told.
In reaching its decision, the Court of Appeal made a strong statement
about the enforceability of NDAs and upholding contracts—provided they
were not procured by bullying, harassment or undue pressure, the person
signing had independent legal advice and the NDA permitted disclosure to
regulatory or statutory bodies. The court upheld the interim injunction and
set the matter down for trial, where it would hear evidence to determine the
validity of the NDAs and whether the public interest, in this case, meant the
women could speak out and the story could be published.
Then, before a full trial could take place, a member of the House of
Lords took matters into his own hands. Using the protection of
parliamentary privilege, Lord Peter Hain named the businessman in
parliament—rendering the injunction, and further litigation, moot. ‘My
motive was to stand up for ordinary employees against a very powerful and
wealthy boss who, as described to me, seemed to think he was above the
rules of decent respectful behaviour,’ he said. Lord Hain claimed the
women had told him that they had only settled and signed NDAs after being
worn down by the spiralling legal costs of the proceedings against Green.
We don’t know whether, on a full trial of the facts of the case, the trial
judge may have come down in favour of disclosure or made any further
statements of principle that may have assisted in future cases.
What we do know is that the precedent set in this case has already been
used to suppress discussion about alleged mistreatment of women at work.
For example, in 2019, the top tier commercial law firm Linklaters obtained
an injunction against a former senior employee, who had said he intended to
give media interviews about ‘the ongoing struggle Linklaters has with
women in the workplace’. In that case, the injunction was granted on the
basis of a confidentiality clause in the former employee’s employment
contract. The court cited Sir Philip’s case, reiterating the importance of
upholding contracts and that this will generally triumph over the right to
free speech, even if the issue is the mistreatment of women. However, the
court did note that the public interest would be satisfied in a Weinstein-like
situation: where the matters sought to be published were ‘serious enough’
and ‘create a compelling picture of persistent or habitual wrongdoing’, or if
the disclosure involved ‘correcting misleading public statements’. But the
court found that nothing of that kind emerged from the evidence in this case
and, taken together with concerns about protecting the privacy of the
women employees who were involved in the relevant incidents of concern,
the injunction was granted.
This case law in the United Kingdom is similar to a trend of cases in the
United States, where the enforceability of NDAs is under challenge in
relation to public safety and student safety, in particular where the NDA is
covering up repeated misconduct and enabling further abuse and
harassment. As Professor Julie Macfarlane, author of Going Public,
explains, this law is developing alongside a growing body of case law
where students have sued their university for failing to protect them from
professors who engaged in repeated sexual harassment. In one case, which
was settled for US$14 million, the students argued that the university failed
to protect them from sexual harassment despite being aware of the
professors’ conduct for sixteen years. In short, institutions need to think
more carefully about using NDAs—and how and when they use them, and
what they are covering up.
So what would have happened if Weinstein had sued Zelda and The
Financial Times back in 2017? Zelda’s lawyer, Mark Stephens, told us that
‘based on what the law is or at least as it was back then, he might have
won’. In Zelda’s case, she could have argued—as Mark and Jen had
discussed back then—that, given the number of women coming forward
with historical allegations, it was in the public interest for her and Rowena
to tell their stories and to show how Weinstein had used the law to silence
women for so long. Given that the courts now recognise that showing
‘persistent and habitual wrongdoing’ will tip the public interest balance in
favour of allowing the woman to speak, she might have won.
But how many women have to have been harassed or abused before the
public interest will allow them to speak?
This also creates a ‘chicken and egg’ problem: how do women know
there was persistent wrongdoing if they are all in silos of silence? If all the
women have signed NDAs, they will need to break their NDAs in order to
talk to each other about what happened just to be in a position to know
whether the court might find in their favour if and when they do speak out.
Or at least one of the women would need to take the cost risk of breaking
her NDA—as Zelda did—without knowing she had protection, in the hope
others might come forward and support her. But what if, by virtue of her
NDA, she isn’t in a position to know there was persistent wrongdoing? And
in what circumstances will an individual case of wrongdoing meet this
public interest test? The law places the women—and the journalists who
want to report on their experiences—in the position of having to take a risk.
It is for this reason that most women don’t speak out, and, if they obtain
legal advice on their NDA, they will be advised to remain silent.
We think this is wrong. We think that there should be better protection for
women who have signed NDAs to be able to speak out, especially when
circumstances change. We agree with Mark Stephens, who believes that the
legalistic approach to NDAs—looking at the issue purely from a contract
law perspective—does not properly allow for the lived realities of women
or the power dynamics at play: the cost risks, the serious inequality of
bargaining power and the inequality of arms. What does ‘the freedom to
enter contract’ mean when women—often traumatised by their experience
—face the prospect of costly, stressful litigation? ‘There is a clear risk that
more powerful perpetrators will seek to exploit the victim’s vulnerability to
procure an NDA in the knowledge that, once it’s in place, most are
unwilling or unable to take the risk of breaking it,’ he told us.
We think it should, with some narrow exceptions, be considered in the
public interest per se for women to be able to speak about their experience
of gender-based violence—and that the courts and parliament need to make
this clear.
In the meantime, how do we get more cases before the courts to
challenge these precedents and set better ones? Many women are frustrated
by the injustice but do not want to go public or just can’t afford it. If a
woman chooses to speak out in violation of an NDA to test the law and then
is sued, the costs to her are huge. When Sir Philip withdrew the proceedings
against The Daily Telegraph because his name was already public, he was
ordered to pay the bulk of their legal costs, which reportedly ran to £3
million. For most women—and most media organisations—running these
cases will be cost-prohibitive. Whatever their legal rights are or whatever
the legal possibilities might be, the cost risk will stifle women’s ability to
speak out.
Women who are considering signing NDAs should also be aware of the
issue they can cause when it comes to any future legal proceedings. Many
women don’t realise that signing an NDA means that it can effectively turn
them into hostile witnesses in any future defamation claim in which the
truth of their allegations might be tested. For example, where an alleged
perpetrator, having contracted a woman to silence, then sues a media outlet
for publishing that he abused that woman (or another), the NDA may mean
she cannot assist the newspaper to defend the case unless she is
subpoenaed. This gives him a clear litigation advantage.
For example, in Johnny Depp’s case against The Sun (News Group
Newspapers, or NGN), issues arose about whether Amber Heard could give
evidence to support the newspaper’s case. Her US lawyers said that she
wanted to give evidence but was prevented from assisting the UK
newspaper because of the NDA in her US divorce agreement with Depp.
Amber’s US lawyers were concerned that if she gave evidence in the UK
court, she would be in breach of the terms of her NDA in the United States,
which could result in Depp suing her for breach of contract and damages in
that country and threaten their divorce settlement. Despite Depp bringing
the claim—and asserting he wanted the truth to out—he refused to release
her from the NDA for the purposes of giving evidence against him.
In a part of the Depp v. NGN defamation proceedings that has escaped
much reporting, NGN filed an abuse of process application against Depp.
Its argument was simple: it was an abuse of process to sue NGN in the
United Kingdom with the claim it was defamatory that he was a ‘wife
beater’—that is, that Amber lied—while simultaneously refusing to release
Amber from an NDA that would allow her to help them prove it was true.
Amber, like other women who have signed NDAs, could be summonsed, or
subpoenaed, to give evidence in court, and have witness immunity for the
evidence she gave.
There are obvious public policy concerns about private contracts that
prevent people from giving evidence in court. The courts strike a balance
between the public interest in upholding contracts (including NDAs) and
ensuring the court has the evidence it needs to determine disputes in a fair
and just manner. However, Amber would not have been able to discuss the
matter with NGN before giving her evidence in court. In effect, the
existence of an NDA turns a witness—however willing they are and
however much they want to assist the party in the case—into a hostile
witness by virtue of the contracted confidentiality.
But there was an additional complication in Amber’s case: her US
counsel stated that Amber could only respond if she was subpoenaed for the
purposes of legal proceedings in the United States: her NDA was silent on
her participation in foreign proceedings. Despite her requests, Depp refused
to release her to assist NGN to defend her truth.
There was evidence before the court that it would cost Amber between
US$20,000 and $40,000 to use the arbitration mechanism under their
divorce agreement to obtain an order from a judge in California to allow her
to give evidence in the United Kingdom. There was also evidence that
Amber had previously sought to use the same mechanism to seek remedy in
relation to Depp’s defamatory statements to the media claiming she was
lying, but the process had gone nowhere after four months. Depp’s refusal
to release her would cause her costs and significant delay: NGN could not
obtain evidence from its key witness until this process was completed.
NGN argued that it was within Depp’s gift to release Amber to be able to
give evidence so that it could properly test his claim that she lied, and that,
since he had brought the proceedings, he should do so, and his failure to do
so amounted to an abuse of process. As Adam Wolanski QC made clear for
NGN, Depp’s refusal to release her meant Amber’s ‘hands are tied . . . but
she remains ready to assist the court if [Depp] stipulated her giving
evidence would not put her at risk of legal action in the US’. NGN argued
that there could not be a fair trial if Amber was not able to participate, give
her side of the story and help NGN prepare their defence.
The threshold test in an abuse of process application is high: judges are,
quite rightly, reluctant to deny a claimant the opportunity to vindicate their
legal rights. In the Depp case, the judge found that Depp’s refusal to release
Amber was not enough to justify his claim being thrown out or stayed,
because she had a mechanism available to enable her participation and she
should go to the expense of going through that process to seek to release
herself from the NDA. The judge indicated that he would entertain another
abuse application if she were unable to obtain the order she needed from a
US judge.
The Depp case is not the only defamation case where this has been an
issue. In Australia, an NDA created issues in the Ben Roberts-Smith’s case
against Nine Entertainment and several journalists over claims he commited
war crimes and physically abused a woman he had an affair with. The
defence wanted to call Roberts-Smith’s ex-wife, Emma, to testify—but she
had signed an NDA as part of their divorce settlement. Roberts-Smith
refused to release her from the NDA, and even threatened her with legal
proceedings if she assisted the newspaper—threatening the financial
settlement from their divorce. But Nine Entertainment subpoenaed her to
the stand—which no NDA can stop.
Roberts-Smith denied hitting her. He claimed she had been drunk and
fallen down the stairs at an event, and that this caused her the injury and the
black eye—a fact that was later supported by witness evidence at trial.
Person 17 did not contest that she had the fall and was injured by it. She
maintained that Roberts-Smith had punched her when they got back to their
hotel after expressing his anger about her conduct at the event and his
concern that she had exposed their affair. In her affidavit, she said she didn’t
go to the police after the alleged incident because she was scared for herself
and her children. Roberts-Smith said that her allegations were ‘completely
false’ and a ‘fabrication’, and that he abhors domestic violence. It also
emerged from evidence in court that Roberts-Smith had hired a private
investigator to follow Person 17 to an abortion clinic.
Emma Roberts-Smith gave evidence that her former husband had asked
her to lie to the media and make a false statement to his lawyers about his
affair with Person 17 in order to keep custody of her children. She said that
Roberts-Smith had threatened her, saying ‘if you don’t lie you will lose
them’. She also contradicted several other aspects of Roberts-Smith’s
evidence. Her evidence was challenged on the basis of text messages which
his lawyers suggest show that she is seeking revenge against her ex-
husband. The case closed, with lawyers for the newspaper urging the court
to reject ‘outdated and discredited stereotypes’ about domestic violence.
Judgment is expected late in 2022.
DEFAMATION ON TRIAL
By far the most common legal action we have seen used against women
who have spoken out or reported gender-based violence is the libel suit.
These defamation cases are about protecting his right to honour and
reputation from the damage caused by her speech.
Defamation law allows a person to sue for damage caused to their
reputation. The law is different in different countries; in some contexts, it is
a criminal offence with those losing defamation claims facing penalties
ranging from a fine to imprisonment. Civil defamation claims can involve
monetary damages and legal costs into the millions.
In defamation cases involving allegations of gender-based violence, it is
always a question of weighing his right to reputation against her right to
free speech, weighed on Justitia’s scales. But how and where is the balance
struck? And are the courts getting the balance right?
Before there were defamation claims, there were duels. This was how men
defended their honour against lies and libels. Two men, with pistols or
rapiers, would meet at dawn—and had one shot each. It was a manifestation
of an aristocratic honour culture in which nothing was more valuable than a
man’s reputation. Or a rich man’s reputation, at least. And he was willing to
pay for it with his life.
It was an act borne of extreme entitlement. Duels were known as ‘judicial
combat’ for a while; it was said that God would oversee the encounter and
decide the winner. Winning a duel was not a matter of luck or whoever had
the best shot, but a matter of divine intervention—God was saying, ‘This
man is telling the truth.’
Over the centuries, various kings and governments tried to stamp out the
practice of duelling but it continued well into the 20th century. In one of the
most famous of all duels, popularised by the hit musical Hamilton, former
Secretary of the Treasury Alexander Hamilton died in a duel with US Vice-
President Aaron Burr in 1804. By then, reputation was meant to be decided
in courtrooms, not on battlefields, through the action of defamation. So it is
a great irony that, just months before he died, Hamilton had been in court
defending the free speech of a client in a defamation case. In it, Hamilton
made a crucially important contribution to early defamation law. In an
appeal involving a criminal libel conviction against journalist Harry
Croswell over statements he had published about then president Thomas
Jefferson, Hamilton argued: ‘The right of giving the truth in evidence, in
cases of libels, is all-important to the liberties of the people. Truth is an
ingredient in the eternal order of things, in judging of the quality of acts.’
The case was not ultimately determined, but the year after Hamilton’s
death by duel, the New York legislature adopted his argument and made it
law that truth alone is a defence to libel, regardless of the subject matter.
Whether you are speaking about the President of the United States or about
gender-based violence, your right to free speech and your civil liberties
means the truth must protect you against a defamation claim. As we
explain, most countries around the world now recognise truth as a defence
to any defamation claim—and international law requires it under your right
to free speech.
In Hamilton’s time, those who lost their duel were silenced by injury or
death. The musical Hamilton ends with his death by duel and a song called
‘Who Lives, Who Dies, Who Tells Your Story’—a reflection on narrative
control and historical legacy. Duels may now be dead too, but the language
lives on in defamation and the media’s representation of it: a New York
Times headline in 2020 read ‘The Depp v Heard duel approaches its
climax’. Today, those who lose their defamation claim are silenced not by
death but by the law. Whoever wins gets to tell their story.
Invisible wounds
Today, defamation is the cause of action men most often use to vindicate
their reputation after allegations of gender-based violence. Wealthy and
powerful men sue, and women are often outgunned by men’s teams of
lawyers in this modern-day duel. Defending claims is expensive—and
stressful. But it’s so much more than that. Understanding the impact for
women facing defamation claims requires us to look beyond the law as it
appears in the statute books, and beyond the technical legal arguments we
make in court, to look at the law’s real-world impact.
Journalist Carole Cadwalladr was sued for defamation by Brexit-backer
Arron Banks over allegations she made in her TED Talk about his alleged
connections to the Russian government. Before winning the case in 2022,
she wrote on Twitter about her personal experience of being sued for
defamation:
it’s not just designed to silence you. Although it does. But also to
destroy you. Which it does too. It’s not a pissy business dispute. It’s a
full-frontal multi-million quid existential assault. On who you are . . .
it is a rich man’s sport . . . It’s not just the trial or an act or an event,
it’s a process that goes on over years. It’s a toxin that enters your
central nervous system slowly & insidiously, until one day you can’t
move your limbs.
The right to protect one’s reputation, like the right to free speech, is
protected under human rights law. Everyone is entitled to protection against
unlawful attacks on their honour and reputation. This is protected under
Article 17 of the International Covenant on Civil and Political Rights
(ICCPR) and in regional treaties such as Article 8 of the European
Convention on Human Rights. International law makes clear that protecting
the rights and reputations of others is a legitimate ground to limit the right
to free speech. But her free speech is the starting point and any restriction
on her right to free speech in order to protect his reputation—like
defamation laws—must be limited to what is strictly necessary in a
democratic society.
International courts and bodies have considered Justitia’s balance
between the right to free speech and the right to protect reputation and give
guidance on how to get that balance right. To start with, criminal
defamation laws should be repealed, and imprisonment is never an
appropriate remedy. Whether defamation law is civil or criminal,
defamation laws must always include Hamilton’s rule: the defence of truth.
His right to reputation cannot protect her from speaking the truth about his
action.
The problem is that many countries don’t respect this requirement and
write their laws to protect men and to prohibit women from speaking out.
For example, in South Korea, when a person’s social reputation is tarnished,
truth is no defence. Women accusing men of sexual assault face civil and
criminal defamation claims in response, even after they have reported the
offending to the police. As Seo Hye-jin of the Korean Women Lawyers
Association has explained, ‘Many abusers openly use the threats of lawsuits
as an intimidation tactic, saying, “I’ll drop the false accusation and
defamation suits against you if you drop the sex abuse complaint against
me”.’ In Colombia, truth is generally a defence to any defamation claim—
unless you are speaking about sexual relationships. Article 224.2 of the
Colombian Criminal Code provides that, while truth is generally a
justification for speaking out, this is not the case when matters relate to
allegations made in intimate, marital and conjugal relationships—even if
they are about abuse. This law is being challenged before the Constitutional
Court in Colombia and, with our assistance, the UN and Organization of
American States (OAS) Special Rapporteurs on Free Speech have
submitted a brief arguing that this law results in indirect censorship and
affects survivors’ free speech rights to report and contribute to public
discussion on gender-based violence.
In most common law jurisdictions, including the United Kingdom and
Australia, truth is a defence. But having a truth defence in the law is not
enough to comply with the right to free speech under international human
rights law. It also requires that women will not be held to unrealistic or
excessive standards of proof to prove her truth and be able to succeed in a
truth defence. As we explain later in this chapter, even in countries where
truth is a defence, her right to tell her truth isn’t always properly protected.
It doesn’t stop him suing her—and evidential difficulties, old male-centric
myths about abuse and cost often mean that, in practice, he can defeat her
truth and sideline her right to free speech.
Defamation laws should also contain a defence for speaking about and
reporting on matters of public interest. This is reflected in the laws of most
democratic countries, including in the United Kingdom and in most states
in Australia. This means that even untrue statements (or, more accurately,
statements that cannot be proven in court to be true) or statements made in
error should not be penalised in defamation if they were made in the public
interest and without malice. As we argue, her right to speak about gender-
based violence is a matter of public interest and should be protected. UN
experts have repeatedly emphasised that allowing women and girls to speak
about gender-based violence is a matter of public interest.
In each legal system there are various other defences such as qualified
privilege and honest opinion, which—like truth and public interest—are
supposed to reflect the appropriate balance between the rights to reputation
and free speech. Defamation law is highly technical, and each case requires
specialist legal advice. It is impossible for us to cover each defence in detail
in this book. In this chapter, we focus on truth and public interest.
In the end, free speech protection isn’t just about the law as it appears on
the books but also how it operates in practice: UN bodies have repeatedly
warned that states must ensure that defamation laws ‘do not serve, in
practice, to stifle freedom of expression’ and ‘are not misused . . . to
illegitimately or arbitrarily censor journalists and interfere with their
mission of informing the public’. UN experts have warned states to ensure
that defamation laws do not prevent survivors of gender-based violence
from speaking out about the abuse they have suffered or have a chilling
effect on the ability of the media to report on it. Are our laws and our courts
helping or hindering women’s ability to speak?
It’s important first to be clear about what you cannot be sued for. You
cannot be sued for defamation for reporting your abuse or anyone else’s to
the relevant police or state authorities (at least in most jurisdictions). You
also cannot be sued for what you say in court when giving evidence about
it. But you can be sued for what you say and publish outside of court.
You can be sued for any accusation of gender-based violence you make
on social media, in the print media or on TV or radio—and even for what
you write in an email. Slander is spoken defamation, but anything spoken
that is recorded or broadcast becomes libel. Libel is defamation in lasting
form, and so includes any statement that is written, broadcast, posted
online, tweeted or otherwise published. As we saw at the beginning of this
book, Nicola Stocker had to fight all the way to the UK Supreme Court over
a Facebook comment.
For him to be able to bring a defamation claim, he must show that she
damaged his reputation. Unlike other kinds of allegations, any allegation of
gender-based violence—rape, sexual assault or harassment, or domestic
abuse—will generally be presumed to cause damage to a man’s reputation.
Even in the United Kingdom, and Australia (except in Western Australia
and the Northern Territory), where a new ‘serious harm’ to reputation test
was put in place to make it harder to sue for libel and better protect free
speech, accusations of gender-based violence—particularly if published in
the national media—will meet that threshold. But this is a fact-specific test,
and a recent case in the United Kingdom suggests the test may not be met
where a woman is simply talking to her friends and social circles about his
alleged abuse. For example, in Lee v. Brown a man sued his ex-partner for
claiming he had been abusive towards her during their relationship. He
claimed she had been running ‘an abusive smear campaign’ against him.
The publications he complained of included private emails and
correspondence to eleven identified people and a Facebook post. Her
Facebook post did not name him, though the judge found that didn’t matter
because he could still be identified from the post. The post was seen by
between a hundred and thousands of Facebook users. This would have been
enough to be defamatory under the old common law and allow him to sue
her, but the judge dismissed his case because he had not proved that her
statements had caused ‘serious harm’ to his reputation under the new test.
Relevant to his conclusion was the fact that the allegations were made and
published to people who were already ‘partisan recipients’ on either side of
‘an acrimonious relationship break down’. As a result, the judge concluded
that people would be unlikely to change their mind or allegiance and—in
the absence of evidence to show otherwise—the publications of the
allegations could not be said to have caused serious harm to his reputation.
In short, it is all about context: where it was published, who it was
published to, the extent and effect of publication on his reputation. In
Nicola Stocker’s case, her Facebook post was seen by a relatively small
number of people but was enough to meet the serious harm test. And media
publications about gender-based violence will almost always enable him to
sue.
Of course, he can only bring a claim if he has a reputation to defend: you
can’t harm, let alone do serious harm to a reputation that has already been
irreparably harmed. By the time tens of women had made credible sexual
assault allegations against Harvey Weinstein, many lawyers argued that it
was safe to report further since there was a good argument to say that he no
longer had a good reputation to defend. But that’s a hard argument to run
and win, even when more than one woman speaks out.
You don’t need to name your alleged perpetrator: it is enough that he is
identifiable and someone who reads the story can connect it to him. We
have noticed a trend towards women not naming the person in order to
protect themselves against defamation proceedings. For example, in
Australia, former member of parliament and lawyer Julia Banks recently
published her book Power Play: Breaking through bias, barriers & boys’
clubs (2021), about the sexism she faced in politics. In the book, and in the
media, she has described an incident when she was inappropriately touched
by a cabinet minister in the Prime Minister’s Office. Banks has told that
story out of her stated concern that, if he was willing to do it there, and to
her—a fellow MP—imagine what he would do to women with less power,
and elsewhere. In response to questions as to why she would not name the
minister, she said, ‘I’m not fearless,’ and cited the risk of defamation
proceedings.
While you’re safer not to name him, not naming him won’t necessarily
protect you: what matters is whether or not he is identifiable—and what
you’ve published causes his reputation harm. If you claim an ex-boyfriend
raped you at a particular age, then he will be identifiable to those who know
you both, and so he could still sue you. Banks perhaps felt some security in
not naming that cabinet minister because there were sixteen men in Prime
Minister Turnbull’s cabinet in 2016 and only six women. Ironically, the
historical discrimination against women that has caused the under-
representation of women in politics, and in cabinet appointments, affords
her some protection. That and the fact he probably doesn’t want to name
himself in order to be able to sue her.
The past four and a half years have significantly traumatised me and
the other brave women who spoke up at that time and afterwards. I
have received multiple threats and constant abuse and it continues to
this day . . . I have lost my feeling of safety in the world, knowing
someone wanted so badly to damage me for speaking the truth.
Whelan says she hopes that the fact that she fought and McLachlan
ultimately withdrew his case will be ‘a reminder that women will stand up
for themselves and each other, even when threatened by those more
powerful’. But how many women can afford to fight a defamation case for
four years and through to trial? And how many women have to come
forward before a powerful and wealthy man will withdraw his case? Or
choose not to sue in the first place?
It is a fundamental aspect of her right to free speech that she is protected for
speaking the truth. But what happens when her truth goes on trial?
Many women have asked us: ‘But he can’t sue me for defamation if it’s
true, can he?’ The short answer is yes: he can still bring an action, and it
will be a matter of proving it at trial. There are many famous examples of
wealthy and powerful men—from Oscar Wilde to Lord Jeffrey Archer—
who have sued for defamation, at great expense, despite the allegation being
true. In Archer’s case, he sued and won his defamation case against a
newspaper in 1987 by lying about his relationship with a sex worker,
Monica Coghlan. Coghlan gave evidence at trial and told the jury the truth:
Archer was lying. But the jury preferred the testimony of the peer and his
wife over Coghlan’s evidence (which is perhaps not surprising given that, in
his directions to the jury, the judge famously described Lady Archer’s
‘elegance’, ‘radiance’ and ‘fragrance’, giving credence to her claim about
their ‘full married life’ and its implication that her husband would have no
need to turn to Coghlan). He was awarded £500,000 in damages. But the
truth would later out, and Archer went to prison for perjury in 2001, and
had to repay the newspaper. Sadly, Coghlan struggled to work after the
verdict and didn’t live to see her vindication: she died in a car accident
before Archer was convicted. The English Collective of Prostitutes wrote to
The Guardian at the time, complaining about the discrimination and
victimisation she and her family faced in the earlier defamation trial, the
associated media coverage and the years since, asking, ‘how will Ms
Coghlan’s son be compensated for the unjust slander of his mother?’
The point is that women, journalists and media organisations need to be
prepared to prove her truth at trial. This means proving in court—to the
civil standard of proof, on the balance of probabilities—that their allegation
is true. This is different to the criminal standard of proof. For example, if
she accused him of rape, a prosecutor would have to prove ‘beyond a
reasonable doubt’ that he had raped her. For this reason, it should be easier
in a defamation claim to prove that what she said was true. It is a risk that
men take when they sue in civil courts—and may explain why men like
McLachlan choose not to pursue defamation cases on this lower standard of
proof, especially after being acquitted by the criminal courts.
Different jurisdictions have different rules about how the truth is to be
judged. In the United Kingdom and Australia, the burden falls on the
defendant. An allegation about gender-based violence will be presumed to
be defamatory, and the person who made that allegation—or the journalist
who reported it—must prove that it is what happened. If her allegation is
one of serious criminality (such as rape, sexual assault or domestic
violence), then she is required to have even stronger evidence if she is to
succeed with a truth defence.
In the United States, however, the burden is reversed: the burden of proof
falls on the person bringing the defamation claim. This reversal of the
burden of proof is considered an essential element of the stronger free
speech protections that are said to exist in the United States under the First
Amendment to the Constitution. As a result, scholars and lawyers agree that
US law better protects free speech—and her speech.
As in criminal cases, it is often challenging to prove allegations of sexual
assault or domestic violence. More often than not, the offending has
occurred in private, and so it comes down to the credibility of the witnesses:
will a judge or jury believe her or believe him? Much has been written
about the gendered bias in criminal prosecutions of sexual crimes, and how
it undermines justice for women. For this reason, many countries have
adopted rape shield laws, jury directions, and judicial guides and bench
books to guard against gendered bias and to warn juries to ignore myths
about gender-based violence and how victims ‘should’ behave. As our
colleague Harriet Johnson writes in Enough, ‘This has a significant impact
in shifting the emphasis of the defence in such cases: if a barrister knows
that, after her closing speech, the judge will tell the jury to disregard
stereotypes about rape, she is unlikely to rely on stereotypes about rape in
her speech.’ But in defamation jury trials about sexual and domestic
violence, there are no such protections: there is no requirement to give jury
directions about harmful myths and no rule to prohibit cross-examining
women about their sexual history. Evidence about sexual history should, of
course, be considered irrelevant and inadmissible—but that doesn’t stop
lawyers trying to raise it (see discussion of the Depp case in Chapter 7).
When a woman’s truth goes on trial, she also comes up against the
problem of what is known as ‘testimonial injustice’. When she speaks about
gendered violence or sexual assault, her word is often not enough. A lot of
the time, without corroborating evidence, she will not be believed (and
sometimes even with it). In criminal cases, this may mean there is ‘not
enough evidence’ for the state to prosecute. In defamation proceedings, it
can mean a woman’s testimony is not sufficient to establish the truth of her
allegations.
One of the earliest feminist interventions in law was to try to remove the
requirement for corroborating evidence for sexual assault and rape
allegations. As we explained in Chapter 1, many common law countries had
rules requiring corroboration evidence in sexual violence cases and judges
would warn the jurors that it was dangerous to believe uncorroborated
evidence (that is, it was dangerous to believe the woman’s testimony alone).
This was rooted in the idea that the testimonies of women and children were
inherently unreliable. Yet in cases of gender-based violence, there may be
nothing other than a woman’s testimony—because it so often happens
behind closed doors, enveloped in shame and secrecy. Many countries have
since abolished the requirement for corroboration evidence, as we explained
earlier, having appreciated that presuming all women to be unreliable
witnesses is discriminatory. But some countries still require corroboration
evidence.
The International Commission of Jurists has emphasised that this
requirement is underpinned ‘by the gender stereotype that women fabricate
allegations of rape and sexual assault’ and that they make allegations of
rapes when they want to cause harm or seek revenge. The ICJ has produced
evidence and data that the percentage of women who fabricate complaints is
in fact very low and that ‘it is increasingly accepted and understood that in
fact allegations of sexual assault are not easy to make’.
The ICJ notes too that there is no legitimate reason for the application of
a different approach to the testimony of survivors of sexual violence to
those of other crimes.
Even where the corroboration requirement has been removed, women
and girls often find that they are considered unreliable witnesses. According
to feminist philosopher Kate Manne, judges treat women and non-white
men less favour-ably, due to unconscious bias, and find ‘their testimony
suspect or their arguments unpersuasive’. This explains why men are often
granted testimonial priority in ‘he said, she said’ situations. Judges or juries
uphold his point of view and thus uphold the patriarchal order; women’s
testimony is found to be suspect, or they are told there is no ‘evidence’
when they make allegations. As Rebecca Solnit has put it in her book Men
Explain Things to Me, women are not considered to be reliable witnesses in
relation to their own lives.
The testimonial injustice identified by Manne is a particular concern in
defamation cases where women—or the newspapers and journalists
reporting their stories—rely on a truth or justification defence. This has
been starkly exemplified in Johnny Depp’s defamation trial against Amber
Heard in the US, as we shall discuss in more detail in the next chapter, and
in many other defamation cases around the world. How much corroborating
evidence do women need before they will be believed? How many women
must make allegations for a truth defence to succeed?
These are questions that were asked after the decision in the Rush case in
Australia. The trial was conducted under intense public and media scrutiny.
Thanks to their own sensational reporting, The Daily Telegraph had a tall
task: to prove the meaning of their articles—that Rush had committed
sexual assault, had been a sexual predator and pervert, and that his conduct
was such that he would never work at the STC again. The judge, Justice
Wigney, came to the (correct) conclusion that the newspaper’s reporting
was ‘reckless’—which was no fault of Norvill. But given the newspaper
had pleaded truth as its defence, it was Norvill who was on trial. Norvill
was the key witness and took to the stand to defend her initial reports made
to STC.
But after Norvill’s allegations were made public, she was supported by
fellow crew members, who told The Daily Telegraph they believed her. And
there was soon another twist: actor Yael Stone came forward with her own
allegations about Rush involving sexually inappropriate behaviour during a
different production at Belvoir St Theatre. Stone’s decision to go public was
widely praised.
Neither Stone nor Norvill had wanted to be caught up in a defamation
trial. But both ended up offering their evidence. Stone decided to take to the
stand in support of Norvill, but only came forward late in the trial. For this
reason, the judge refused to let her evidence in, saying it would prejudice
Rush despite the newspaper’s arguments about the fact her evidence would
help prove their case. So it would only be Norvill’s allegations heard at
trial: it was her word against Rush. Who would the judge prefer in the battle
of credibility—and why?
In reaching his judgment, Justice Wigney acknowledged the difficulties
women face giving evidence about sexual harassment because of stress and
trauma they have faced. He also recognised that ‘the absence of
corroboration’ is ‘a common feature of cases involving sexual harassment’.
But he nevertheless came to a decision about Norvill’s credibility that has
caused concern: he found that Norvill’s account was ‘exaggerated and
unreliable’. The judge raised concern about Norvill’s delayed report of
some details, because she had ‘remembered things that [she] hadn’t before’,
as she thought more and more about the allegations. He thought it
significant that Norvill had—after alleged incidents—caught an Uber with
Rush and gone to dinner and a show with him, his daughter and another
man. Surely, if he had done what she said he had (and she was a ‘real
victim’), she wouldn’t socialise with him afterwards in groups or at industry
events? Or so it goes—if you don’t understand power dynamics in the
workplace and in her industry. The judge also cited the fact that she had
made positive statements about Rush during publicity interviews to promote
the King Lear production. Surely, if it was true (and she was a ‘real
victim’), she wouldn’t say anything positive about him in the press? The
newspaper rightly pointed out it was ‘fanciful’ to expect her ‘to sit silently
or give a neutral or guarded answer’ about Rush in promotional media
interviews, especially given the fact it was her job to promote the show and
be positive about her co-star to bring people to the show. Had the judge
assessed her evidence by unrealistic or mythical standards of victimhood?
The judge found in favour of Rush, awarding him $2.9 million in damages
and an injunction.
The judgment received widespread criticism and the hashtag #IbelieveEJ
flooded social media. Journalist Judith Ireland noted ‘gendered discomfort
about the way Norvill was treated as a witness’. The Daily Telegraph
appealed, arguing the judge had demonstrated apprehended bias, including
his treatment of Norvill as a witness and in his refusal to hear Stone’s
evidence. The judge had privileged Rush’s desire for quick ‘vindication’ of
his reputation over allowing the newspaper the opportunity to defend free
speech with evidence that could have proved the truth of their case. But the
appeal was unsuccessful.
The damage was already done. The judgment was said to change the
game for Australian defamation law—and for all the women who watched
how Norvill was treated in the case and in the media. What might have been
a validating moment for survivors of abuse across Australia became just the
opposite. The message was clear: we will not believe you. And your word
alone is not enough.
After the decision, journalist Jenna Price raised concern about the
worrying trend in defamation cases in Australia where it appeared one
woman’s evidence was not enough. She wrote, ‘as one defamation lawyer
joked today, you need three witnesses and a person of impeccable gender,’
adding wryly, ‘[e]xcept that wasn’t a joke’. Would the judge’s conclusion
have been different had he heard Stone’s evidence too?
In Japan, Shiori Ito (see Chapter 2) went to great lengths to get
corroborating evidence of her rape claim. She went to the hotel and got
video footage of Mr Yamaguchi carrying her into the hotel before her
alleged rape, because she was unable to walk. And she got testimony from a
taxi driver to confirm her claims. And even when Shiori had this evidence,
as she told us, the police investigation into what was happened to her was
still closed. But her extraordinary determination and, in some ways, luck in
being able to find this evidence—which later helped her win her defamation
case—does not reflect what most survivors are able to do. Most women are
unable to secure this kind of evidence, if it exists.
Without contemporaneous third-party accounts—and sometimes even
with them—judges and juries are deciding that women shouldn’t be trusted,
and are preferring his account. How many women does it take to come
forward about a perpetrator before they are believed? How many witnesses
does a survivor need to have before she is believed? What evidence does
she need to back up her own words?
The failure to treat her testimony alone as enough, and the associated
problem of testimonial injustice, denies women their truth and their right to
free speech. This is—and should be treated as—a free speech issue: the
failure to fairly consider the evidence denies her right to speak.
Her speech and the public interest
This tragic case established that the public interest defence did protect
Eleanor’s father, with the court agreeing that it is in the public interest to
speak about prosecutorial decisions in false reporting cases because of the
impact it might have on other women coming forward to the police.
In another case in the United Kingdom, the courts have recognised that
reporting about domestic violence and discrimination against women are
matters of public interest to which the public interest defence will apply.
This was in the case we first mentioned in Chapter 1, where Afsana
Lachaux’s ex-husband, Bruno, sued The Independent and The Evening
Standard for publishing stories about Afsana’s allegations of domestic
abuse. The newspapers had reported how Afsana sought refuge with her son
in a women’s shelter in the UAE after she said she had suffered domestic
abuse and was then prosecuted for kidnapping her son for taking him with
her to the shelter. She lost custody of her son after divorce proceedings
brought by Mr Lachaux in the UAE, under laws which discriminate against
women. Afsana returned home to the UK to campaign to get custody back
and sought the help of Southall Black Sisters. She told us that she and her
family had also been threatened with defamation, but that her ex-husband
had only sued the media. Lawyers for the newspapers reached out to Afsana
who was—like Eryn Jean Norvill—willing to help the newspaper defend
her truth and provided them with evidence to support her claims. The media
defended the case arguing truth and public interest.
But while the defamation case wound its way through the courts, the
decision of the family court was handed down. In 2017, a British judge
rejected Afsana’s allegations of abuse—in a decision which has been
criticised as being based on misconceptions about domestic abuse (see
Chapter 1). For Afsana, the family court decision was incredibly traumatic
and a huge blow to her efforts to regain custody of her son. But the ruling
also meant the media decided to withdraw their defence of truth. For
Afsana, this too was difficult. But the decision was not hers to make.
However, she spoke in glowing terms of the sensitivity and respect she was
shown by David Price QC, who defended the media in the case, who had to
break this news to her and who helped her understand why the battleground
was shifting to the public interest in reporting her story.
The judge agreed that publishing information that a woman had been
subjected to domestic violence by her husband, was mistreated by the UAE
authorities and faced an unfair trial over the alleged kidnap of her son, were
all matters of public interest. But the media still lost the case. The problem
wasn’t with the subject matter, but with the journalism. The journalists
themselves could not say they considered the public interest in reporting
Afsana’s story before publication (one couldn’t even remember why he
wrote the article) and they had not taken steps to contact Afsana and verify
her allegations, nor had they sought comment from Mr Lachaux before
publication. Mr Lachaux was awarded £160,000 in compensation and an
injunction to prevent repetition of the allegations.
The Lachaux case shows that reporting on gender-based violence is a
matter of public interest. But it is also a warning to journalists about
complying with responsible journalistic practices if they want to benefit
from the defence. In Afsana’s case in the United Kingdom, as with Eryn
Jean Norvill in Australia, the journalists failed to do so, leaving lasting
consequences for both women. Even if The Daily Telegraph had been able
to defend the Rush case using the new public interest defence introduced in
2021 in parts of Australia (which was designed to reflect the same public
interest test applied in Lachaux), they would likely not have succeeded. The
Daily Telegraph would not have benefited from the defence because it had
failed to properly verify the allegations with Norvill and because its
reporting was sensational. Both cases have been cited as chilling the media
from reporting on stories on violence against women, but they are, in fact,
both lessons about how not to report these stories. Journalists can and
should still report stories about gender-based violence, and the public
interest test provides important protection for this reporting. But journalists
must always have in mind that when you run a truth defence, the victim
goes on trial; when you run a public interest defence, your journalism goes
on trial.
What does your right mean if you can’t afford to defend it?
It just snowballed. It became very clear very quickly that this issue had
hit a nerve. We want it to go to help as many people as possible but
also we want to highlight the public’s frustration with defamation laws
and the clear impetus for reform . . . Clearly Australians feel
passionately about this issue.
For journalists wanting to report these stories, it’s not just the cost risk if
you are later sued. As Pia Sarma explained, getting a story wrong and
apologising can still cost £250,000 without going to trial. But to investigate
the stories to a standard that will pass muster—to ensure you can win on a
truth or public interest case in court—takes time and resources that many
media organisations no longer have. With more and more cuts to
investigative journalism and their legal budgets, who can afford to pursue
these stories?
Both plaintiff and defendant counsel have complained about the cost of
bringing and defending defamation proceedings. For example, in the United
Kingdom, two publishers have filed a complaint to the European Court of
Human Rights after having to spend £578,000 to defend their decision to
publish on truth and public interest defences. In their complaint, they assert:
Defamation today
The law of defamation has been weaponised by rich and powerful men to
silence women who might speak out against them. Women speaking out and
journalists reporting their stories cannot afford to defend the cases—and
their freedom of speech. This must be acknowledged and made right.
Defamation trials about domestic and sexual abuse also suffer from the
same problems that have plagued criminal trials: difficulty proving
allegations in court, compounded by persistent myths and prejudice that
mean women are not believed and are denied justice.
In the next chapter, we explore how these issues played out in two of the
most high-profile defamation trials in recent history: Johnny Depp’s
defamation claims in the United Kingdom and the United States about
Amber Heard’s allegations of domestic abuse. Jen will give her perspective
on the two trials, which involved the same facts, but different defendants, in
different jurisdictions, offering an unprecedented comparative perspective
of what happens when a woman’s truth goes on trial.
Chapter 7
‘LIAR!’
This word was shouted, over and over, as our car pulled into the side
entrance of the Royal Courts of Justice in London. The crowd of paparazzi
and Depp fans pushed up against the car, jostling for a glimpse of Amber
through the car window. It was the opening morning of the trial in John
Christopher Depp II v. News Group Newspapers Ltd, billed by the tabloids
as ‘the libel trial of the century’. Johnny Depp was suing The Sun for
defamation for calling him a wife-beater: he claimed his ex-wife Amber
Heard had lied about the domestic violence she said she had suffered during
their relationship.
We could hear them before we could see them. Bellowing, yelling,
booing. Among the angry crowd were grown men dressed up as Johnny
Depp—or at least as Jack Sparrow and Edward Scissorhands—pushing up
against the car and milling about in the crowd.
‘Amber, you lie!’ a man screamed. His face pressed up against the
window. Angry fists were banging on our car window. I flinched. ‘You lie,
you lie!’
These men weren’t Johnny Depp. Some had dressed like him, but all of
them had taken up his cause as if it were their own. They held up hand-
drawn placards:
‘Men too’
‘Gold-digger’
‘Amber LIES’
‘Amber the Abuser’
I had worked on cases that had drawn a crowd before, but I had never
seen anything like this. Celebrity fandom and misogyny converged. I
reached out to squeeze Amber’s hand. In some ways, she had seen it before.
She was heckled outside court in 2016, when she first got a domestic
violence restraining order against Depp, and had been attacked ever since:
in the media, in Depp’s PR statements and in the avalanche of social media
trolling that followed. But it was shocking—for her and for me—to see it
play out in person.
I was grateful to the newspaper and the court for making arrangements to
allow us to enter through the judge’s security entrance. We needed it.
Amber had to have a personal security guard for the duration of the trial. On
some days, police escorted us in and out of the court gates. Depp walked
through the court’s front door trailed by his usual security team, with
women pressed against the security barriers handing him flowers, hoping
for an autograph. His fans would shout their support and wave their ‘Justice
for Johnny’ signs.
By the first day of the trial in London, it had been four years since Amber
got the restraining order from a Californian judge. In 2018, when Depp had
sued The Sun in the United Kingdom over an article that had called him a
‘wife-beater’, she reached out to me to advise her. In 2019 he sued Amber
personally in the United States over an opinion piece she had written about
the treatment of survivors. In the UK case he was claiming over £300,000
in damages and an injunction to prevent The Sun from ever reporting he
was a ‘wife-beater’ again, which would also stop other media reporting it
too. In the United States, he was claiming US$50 million in damages, more
than enough to bankrupt Amber. Her legal costs were crippling, even for a
Hollywood actor.
But our immediate concern on this day was getting her safely into court,
where she was about to see Depp for the first time since their divorce. She
was also about to be cross-examined about what she describes as the most
traumatic experiences of her life, and they would then be splashed across
front pages and TV screens around the world. As the intimidatory banging,
shouting and abuse at our car windows continued, Amber squeezed my
hand back to let me know she was okay. Our security detail looked alert,
while gently telling us to remain calm: they would get us into the court as
quickly as possible.
As we got out of the car and entered through the court’s security gates,
the angry crowd of mostly men and middle-aged women gathered at the
fence, continuing to scream abuse at Amber. Their aggression was intense.
Why did they feel the need to come out and show their support for Depp by
shouting horrific abuse at Amber? Why did they feel so strongly about a
case involving celebrities they had never met? How had Depp—and this
case—somehow become, for them, an emblem?
In Johnny Depp, it was as if they saw the victim of a cancel culture
supposedly obsessed with bringing white masculinity down. He was not just
someone suing in costly defamation proceedings with a huge legal team and
a PR campaign of the kind very few people can afford. He had somehow
become an everyman, unfairly accused and subject to the same ‘witch-hunt’
that had seen the demise of every guy who had made an off-colour office
joke since MeToo. Every man who had been sacked for coming onto the
junior women at work or making ‘now inappropriate’ comments. They saw
the jobs they had not been offered because of quotas. They saw their own
ex-wives and custody battles, and the child support they had been forced to
pay. Maybe they sympathised with Depp when they learned he had sent a
message to Elton John calling his ex-wife and mother of his children,
Vanessa Paradis, ‘an extortionist French c***’. Maybe they agreed with his
texts calling women sluts and whores and wishing ruin and death on
Amber, his ex. They saw all of this in Johnny Depp—to them he was not an
out-of-touch celebrity, but an anti-establishment hero, the kind he so
convincingly played in movies.
Depp supporters found each other online, in Reddit forums and comment
threads on YouTube, the same kind of algorithmic echo chambers in which
alt-right culture thrives. Hashtags like #MenToo, #JusticeforJohnny and
#AmberHeardIsaLiar flooded the internet, and were directed at Amber, at
me as her lawyer, and at any film, any brand, any organisation or any
individual associated with her. They were represented in the angry,
disaffected men protesting outside court. Their sentiment was shared by
‘Fathers for Justice’, who drove by the court and around London with a
giant mobile billboard bearing an image of Amber and Depp and the words
‘Ditch the Witch’.
These online attacks and in-person protests weren’t spontaneous: they
were often reflecting and repeating the misogynistic language from Depp’s
own words; they echoed his text messages, made public as evidence in
court, and the harmful myth-filled public messaging that had been coming
from Depp’s lawyer, Adam Waldman. Depp had sent texts calling Amber ‘a
scumbag, gold-digging cunt’, a whore and a witch; he joked about wanting
to drown and burn her—and ‘fuck her burnt corpse to make sure she’s
dead’. Waldman ran a relentless PR campaign: he claimed it was Amber
who was ‘a violent abuser’ and who had ‘repeatedly violently attacked and
severely injured’ Depp. He claimed she had ‘faked abuse allegations’
against Depp, motivated by money, that she was a gold-digger who had
even ‘painted on [her own] ‘bruises’ to be able to ‘masquerade as victim’.
Waldman’s constant refrain was that Amber was not a ‘real victim’.
According to him, she had ‘abused the trust and experiences of real
survivors for her own reputational gain’ and ‘defraud[ed] her abused hoax
victim Mr. Depp, the #metoo movement . . . and other real abuse victims
worldwide’. ‘Does the #metoo movement care about male victims too?’
Waldman asked. His narrative dominated online spaces and was amplified
by parts of the media.
Amber had not spoken in public about the violence she said she suffered
during her relationship with Depp, nor did she ever want to. Before Depp’s
defamation claim, Amber had only told a judge in California enough detail
about the violence to obtain a restraining order back in 2016. Once she got
the restraining order, she had no interest in talking about it again, and she
had signed an NDA as part of their divorce that prevented her from doing
so. When Depp sued The Sun, Amber had not given a single media
interview about the violence she said she had suffered during their
relationship. Depp sued over an opinion piece by journalist Dan Wootton,
which The Sun had published without speaking to her and without seeking
her comment. But the newspaper was going to defend the case on truth, so
her truth was going on trial. Depp’s defamation claim meant she would give
evidence before a British judge to defend her truth, not because she wanted
to but because he decided to sue and claim that she had lied.
The stage was set: he was the powerful, much-loved movie star calling
her a liar. She was the younger woman, who left him, got a restraining order
and was trying to get on with her career. She said he was violent, he
vehemently denied it—so it would be left to the judge. Who was to be
believed? The judge had to decide: had The Sun published things about
Depp that were true? And, by extension, had Amber told the truth about his
domestic violence?
Amber and I had spent two years gathering evidence to corroborate her
allegations: photos, text messages, medical records, witness evidence. She
had, in my view, far more evidence than most victims of domestic abuse.
We worked together with the lawyers for the newspaper he sued to help
build their defence. I sat with Amber and her sister through sixteen days of
evidence in London. I watched on as she and Depp were cross-examined
over fourteen separate incidents of violence, including sexual violence,
which was heard in closed court to protect what was left of her privacy. As I
sat in court, I watched as Depp’s defence used all the old, gendered tropes:
she lied, she nagged him, she picked fights, she stood up to him, she was
not a ‘real victim’. If it was true, why didn’t you leave him? If it was true,
why didn’t you go to the police? Her answers were constant: I loved him. I
wanted him to get sober. I thought if I could just help him get sober, the
‘monster’ would go away and the violence would stop. I was trying to help
him to get better. I didn’t want the media or anyone else to know what he’d
done.
Everything about the UK trial—from the crowd outside court to the way
it was covered in parts of the media and how it was argued in the courtroom
—left me feeling depressed about how far we still have to go as a society
when it comes to the treatment of women who have made allegations of
gender-based violence.
As the trial progressed, friends and colleagues called me to check in.
They were observing from afar, trying to understand the trial through media
reports and discussion online. ‘It doesn’t seem to be going well for her,’
was their almost uniform comment. It was striking to me because, with the
benefit of being in the courtroom and having a close understanding of the
evidence, the opposite was true: it was obvious to me that it was going well
for Amber and for the newspaper. Where was the disjunct coming from?
How was it that what I was seeing inside court was not being reflected in
public understanding?
At the conclusion of the trial, Amber gave her one and only public
statement about the case on the steps of the Royal Courts of Justice, amid
boos and taunts from the Depp fans jostling behind the media’s cameras.
She said this:
Four months later, the judgment arrived in my inbox. I had been sitting at
home, anxiously waiting for it to arrive. Because Amber was a witness, and
not a party, we had not had advance notice of the outcome (Depp and the
newspaper had, but they were not allowed to tell us). When it popped up, I
quickly scrolled through the 129-page judgment to understand the judge’s
findings on incident after incident of alleged violence. Amber’s faith in
British justice had not been misplaced: Mr Justice Nicol found that what
The Sun had published was substantially true. With his decision, the judge
gave Amber the message she had long deserved: I believe you. But it was
much more than that: the judgment set out, in meticulous detail the witness
evidence, issues of witness credibility and corroborating evidence to
explain why the judge could reach the conclusion that twelve of the
fourteen incidents of violence in dispute, including an incident of sexual
violence, were proven to the civil standard of proof. I immediately called
Amber to give her the good news: she had been vindicated. Messages of
congratulations flooded in from friends, colleagues and journalists who had
been covering the case.
Depp had lost his case. The Sun ran a triumphant headline and front page:
‘On behalf of all domestic abuse survivors we can now confirm that HE IS
A WIFE-BEATER.’ His lawyers protested what they called ‘a perverse and
bewildering’ decision, but his appeal was rejected.
The outcome was hailed by domestic violence charities, after ‘a trial
which exemplified tactics used to silence and discredit victims’. Lisa King
of Refuge, the United Kingdom’s largest specialist domestic violence
service, said the ruling was ‘a very powerful message . . . power, fame and
resources cannot be used to silence women’. Harriet Wistrich from the
Centre for Women’s Justice said the decision ‘will serve as a warning to
men who think they can silence those who speak out about their abuse’. All
of the charities highlighted the problem that had prompted us to want to
write this book long before the Depp case came across my desk: defamation
laws are being used to silence women.
It was a big win—for Amber, for the newspaper, and for all women—
setting a precedent that would deter the powerful from suing to silence.
The judgment had restored my faith about the progress that had been
made in how women are treated in the courts, if not in the media and online.
‘Surely, no one could doubt her now?’ I thought to myself. But how wrong
I was. Whatever had horrified me about the media coverage, online trolling
and angry mob of Depp supporters during the UK trial was nothing
compared to what was to come in the United States.
Two years later, on the same set of facts, the same outdated arguments
were run again before a jury in Virginia. Only this time it worked. The jury
found against Amber.
Two cases, two very different outcomes—which shows what can happen
when her truth goes on trial. But how did it all come about?
The backdrop
In 2016, a story circulated. It was widely reported, but it didn’t set the
world alight—or spark a movement in Hollywood or anywhere else. Amber
Heard had taken out a restraining order against her husband, and soon to be
ex-husband, Johnny Depp.
‘During the entirety of our relationship, Johnny Depp has been verbally
and physically abusive to me,’ said her witness statement to the court, a
public document. But their divorce settlement contained an NDA, and a
non-disparagement clause, and for a while neither of them spoke about the
matter—or each other—again. All that could be said publicly after the
divorce was contained in this joint statement: ‘Our relationship was
intensely passionate and at times volatile but always bound by love. Neither
party has made false accusations for financial gain. There was never any
intent of physical or emotional harm.’
I remember reading this carefully worded statement in the media, years
before I met Amber. I was struck by its wording: it did not say there was no
physical violence; it merely said that none was intended. And it included
language that addressed any suggestion she had lied in order to extract a
bigger divorce settlement. Amber’s actions spoke even louder than those
words: the amount of her divorce settlement was low by Californian
standards—given Depp’s wealth and earnings—and she pledged all of it to
charity. These didn’t seem to me to be the actions of someone out to ruin a
man’s reputation or get rich by making unfounded domestic violence
claims. (The judge in the UK case would later agree, concluding that
Amber’s actions were not those ‘one would expect of a gold-digger’.)
But the world moved on and the restraining order became a footnote in
the glossy magazine timelines of their relationship and in their public
profiles. Depp continued his career as a star leading man, including in J.K.
Rowling’s billion-dollar franchise films. The following year, when MeToo
exposed Harvey Weinstein and the PR and legal machine that had protected
him, Amber’s allegations against Depp were not part of the conversation,
nor did she seek to make them so. Having signed an NDA, she did not talk
to the media. Again, these did not seem like the actions of a woman who
made allegations for money or fame.
But tides had turned enough after MeToo that people started to question
why Rowling had cast Depp in the role, and a discussion about the
restraining order resurfaced (even though Amber was not able to and had
not spoken about her allegations outside of court). In response to growing
public criticism, Rowling put out a public statement defending her decision,
saying she was ‘genuinely happy’ to cast Depp. That’s how it came to be
that Johnny Depp sued The Sun—for an article it published titled ‘GONE
POTTY: How can JK Rowling be “genuinely happy” casting Johnny Depp
in the new Fantastic Beasts film after assault claim?’
In it, journalist Dan Wootton quoted actor Caitlin Dulany:
‘We would like to see things change in this industry and not see people
who have allegedly victimised women. It is not much of a change if
you are seeing people rewarded with roles. Amber has been through a
difficult time with him. But it seems like what happened hasn’t really
affected Johnny.’
What was striking about Depp’s decision to sue The Sun was that the
article wasn’t the first to report on the claims of assault made against him,
nor was it the first article to raise concerns about J.K. Rowling’s decision to
cast him.
Four months before the Sun article, a very similar opinion piece by
Hadley Freeman had appeared in The Guardian, in December 2017,
referring to Depp as a ‘wife batterer’. Both articles referred to the
restraining order and criticised Rowling’s casting decision, pointing out that
it did not sit easily with her public advocacy for women. But Depp chose to
sue The Sun, not The Guardian or any of the other publications in the
United States or elsewhere that had published stories about the abuse
allegations.
For lawyers who understood media law, it came as no surprise that Depp
chose to sue in London. Defamation law in the United Kingdom is
notoriously pro-claimant—and, for this reason, has been described as ‘the
libel capital of the world’. As we explained in Chapter 6, by suing in the
United Kingdom, the burden of proof fell on the newspaper to prove its
claim about Depp’s abuse. The actor and his lawyers chose The Sun as the
defendant, a tabloid that would be unlikely to arouse the sympathy of much
of the public, or of fellow celebrities or Hollywood executives. For those in
the film industry, it was no coincidence that he chose to bring suit over this
article, which focused on J.K. Rowling and her upcoming film franchise.
And with concern for gender-based violence on the rise around the world
after MeToo, an investment worth hundreds of millions of dollars was at
stake.
In the lead-up to the trial in London, I asked a talent agent in Los
Angeles why Amber was not receiving more support in a post-MeToo
Hollywood. He replied, ‘To be frank, no one wants to be on the wrong side
of Depp’s comeback.’ It became clear to me that Amber was up against
every film industry executive and agent who stood to make, or wanted to
make, money from Depp.
Depp had chosen to sue The Sun. Amber had not been interviewed for the
article or asked for comment. Wootton had based his opinion piece on the
publicly available evidence that had been before the Californian judge who
had granted the restraining order. Amber was not a party to these
defamation proceedings, and had no control over how they were conducted.
She was merely a witness, asked by The Sun to give evidence to help them
prove she had not lied about the abuse she suffered in their relationship.
When Amber first called me about the case, I explained how she—like
Eryn Jean Norvill in the Geoffrey Rush defamation case in Australia, and so
many other women in cases like these—was in an invidious position. The
Sun had published its piece without speaking to her since it was an opinion
piece, but was pleading truth as its defence and relying on Amber’s
statement to the Californian court as proof. The burden of proof was on the
newspaper, not on Depp, and he would turn up to court and say that she had
lied to the Californian court. Amber did not want to have to get involved,
but she wanted to defend her truth and was concerned about what would
happen if she didn’t. I explained to her that The Sun could at any time
choose to settle for commercial reasons—and if it did, Depp would use the
settlement to say she had lied, and that Rupert Murdoch’s paper agreed with
him or weren’t prepared to defend it in court. If it went to trial, whatever he
said about her in court would be reported around the world, without her side
of the story being told. And if Depp won, she would be called a liar, and he
would get an injunction preventing The Sun from repeating the claim that
he was violent towards her, which would also deter others from repeating it.
In considering Amber’s position, I always had in mind how Norvill was
treated in the Rush trial in Australia. Norvill had been, like Amber,
understandably reluctant to give evidence for a tabloid. She had only agreed
to participate just weeks before trial, which meant the newspaper had not
had the benefit of her assistance in preparing the case, and her initial
witness statement had been prepared without consulting with the
newspaper’s lawyers, so it was not as comprehensive as it needed to be. As
they would complain in their appeal, the judge made adverse findings about
Norvill’s credibility because of the deficiency in her witness statement. I
did not want Amber to be put in that same position. If she wanted to give
evidence, we needed to be prepared and we needed to work closely with the
newspaper so they could win.
Faced with this prospect, Amber chose to give evidence. News Group
Newspapers, their editor and their brilliant legal team were committed to
fighting the matter—and free speech—all the way, and treated her with
respect and sensitivity throughout.
After Depp filed the defamation claim, his PR campaign kicked into gear.
It did not start well.
In July 2018, Depp gave an interview to Rolling Stone that resulted in a
profile piece entitled ‘The Trouble with Johnny Depp’. The article was later
described as ‘damning’ and a ‘PR disaster’, outlining—among many
problems—Depp’s issues with drugs and alcohol, his financial woes, his
failure to perform on set, and Amber’s ‘persuasive allegations of physical
abuse’. It described Depp as ‘an aging man-child’, ‘oblivious to any
personal complicity in his current predicament’.
Crisis-management firm Hawthorn was brought in. Later, GQ would
explain that Hawthorn acts for ‘exceptionally wealthy clients [who] call if
there’s no one else to call’; its staff were ‘the Harvey Keitels of this world:
wolf men, fixers, public-image adjustment specialists’. The result was a
new—fawning—profile in GQ, titled ‘Johnny Depp Will Not Be Buried’. In
it, Depp asserted that ‘there’s no truth’ to Amber’s allegations of domestic
violence, and that ‘the truth will come out in all of this and I will be
standing on the right side of the roaring rapids’.
The GQ cover story epitomised the stereotypes, biases and assumptions
we see in the media when reporting on gender-based violence. A New
Statesman article issued a reminder to the men’s magazine: ‘GQ: being
accused of domestic abuse does not make you cool.’ In her critique of the
GQ profile, Anna Leszkiewicz highlighted how ‘Depp is glorified as a
modern-day Odysseus or Perseus’, noting GQ’s references to Odysseus’s
triumph over the Sirens, and how Depp had metaphorically ‘looked into the
Gorgon Medusa’s eyes to see for himself life’s savage reality’. Leszkiewicz
sardonically pointed out the obvious reason why these particular myths
were deemed to be relevant to Depp’s story: each involve ‘legendary tales
of heroic men overcoming tempting, manipulative, or vengeful women’.
This was just a snapshot of the media messaging in the lead up to trial to
paint Amber as a liar and abuser and Depp as the ‘nice guy’ victim.
Celebrity friend after celebrity friend gave statements in support of Depp.
He was a ‘sweet’, ‘kind’ friend and father, and a ‘gentleman’. Javier
Bardem, in a declaration for the US proceedings, even claimed that
Amber’s allegations were ‘false facts’ and ‘lies’, though it is unclear how
he was in a position to attest to the truth or otherwise of what happened
behind closed doors. His ex-wife Vanessa Paradis said it was not the ‘true
Johnny’ she knew, repeating the exact same phrase as Bardem: the
allegations were ‘false facts’. Winona Ryder said in her statement that the
allegations were ‘impossible to believe’, though neither she nor Paradis
would appear in the London court to allow us to cross-examine them about
what they had said in their statements about their relationship with Depp.
(Depp’s lawyers would later say in court that they were not needed, but it
was later reported that Ryder had hired a former US prosecutor to block the
use of her testimony in the UK trial.) But their statements were still used in
the PR campaign to undermine Amber’s credibility with the public: if he
didn’t do it to them, then he didn’t do it to Amber—or so it goes.
Whatever was said about his character, there was nothing sweet or kind
about Depp’s PR campaign. His US attorney, Waldman, speaking on Depp’s
behalf and at his behest, was aggressive. His regular missives repeated all
the old tropes. To build his desired public narrative that Amber was the
abuser, and to place pressure on The Sun to settle before trial, Waldman
selectively leaked evidence to the media, in violation of a US court order,
which would later result in the US judge kicking Waldman off the court
record. Waldman later admitted to having leaked a heavily edited version of
a recording of an argument Depp and Amber had about domestic violence
in their relationship in which Amber admits to having hit him. (Her
evidence was that she had acted in self-defence.)
This fed a public narrative that their relationship was one of ‘mutual
abuse’, a harmful myth that has been rejected by domestic violence experts.
They point out there is always a primary aggressor in an abusive
relationship; the fact that a woman acts in self-defence should not be seized
upon as evidence that she is the abusive partner. This didn’t stop the term
from being thrown around in the media before the UK trial (and later in the
US proceedings). For example, Piers Morgan claimed that their relationship
was ‘a mutually abusive situation’ and that the case ‘diminishes people that
go through real abuse’ (again: Amber was not a ‘real victim’). Morgan
wasn’t alone: Sharon Osbourne also opined that ‘she gave him as good as
she got’.
Meanwhile, a sea of online trolls targeted Amber, us as her lawyers, and
the journalists reporting on the case. An online petition calling for her to be
dropped from the Aquaman sequel attracted 400,000 signatures. After
Amber appeared at an International Women’s Day event for my chambers,
my Doughty Street colleagues and I were flooded with what appeared to be
bot-generated emails and tweets saying that we had been associating with a
‘criminal’ and an ‘abuser’. It was sophisticated: it targeted everyone who
had been pictured with Amber, tweeted about Amber or tweeted about
being at the event—not just with tweets, but with emails addressed to their
workplace. Colleague after colleague forwarded me the identical tweets and
emails they had received. UN Women, who Amber had worked with, was
also targeted, along with the brands Amber worked with. The message was
clear: don’t believe Amber, don’t associate with her, don’t defend her—and
don’t hire her.
Despite Amber’s position as a witness, the UK defamation case was
repeatedly mischaracterised in the media as a spat between Depp and
Amber in which she had equal agency, even though she had been dragged
into it as a third-party witness. For example, The Times ran a headline
describing Depp’s case against the newspaper as the ‘Depp v Heard court
duel’. Meanwhile, Piers Morgan raged on Good Morning Britain that Depp
and Heard were ‘spoiled brats’ for subjecting Britain to a ‘circus’ during a
pandemic. At the same time, Depp’s team complained that because Amber
was not a party, she didn’t have the same disclosure obligations as he did.
As was pointed out during the various pre-trial hearings about disclosure,
and by the judge in his final judgment, Depp was well advised when he
chose to sue the newspaper—and should have been aware of all the
consequences that would flow from that decision.
The UK case was mired by Depp’s repeated failures to disclose relevant
evidence—in fact, Depp’s entire case was nearly struck out because of it.
His firm, Brown Rudnick, disclosed by accident 70,000 of Depp’s personal
text messages (every lawyer everywhere will shudder at the thought of
being responsible for clicking send on that email). But within the material
accidentally disclosed were text messages that were relevant to the case and
should have already been disclosed, including the now infamous texts
between Depp and actor Paul Bettany joking about wanting to drown and
burn Amber and rape her corpse. And Waldman, the US attorney, had been
leaking evidence to the Daily Mail that had not been disclosed to the
newspaper in the UK case. Just before trial it emerged that Depp had failed
to disclose even more relevant text messages—this time, texts showing
Depp had lied about his drug use in Australia at the time of one incident of
alleged violence—and thereby violated court orders for disclosure. The
existence of these texts was only brought to the British court’s attention
because Amber had received them in disclosure for the US proceedings,
and we were able to identify the gap and alert the newspaper’s lawyers.
Depp then sought sanctions against Amber in the US proceedings for
having pointed this out. The newspaper sought to have the proceedings
struck out and argued that Depp’s conduct amounted to ‘threats’ and
‘intimidation’ of Amber, as a witness seeking to assist the court. The judge
allowed the UK trial to go ahead—despite Depp’s violation of court orders
for disclosure—but on one condition: Depp had to provide an undertaking
to the court that he would not seek sanctions against Amber in the United
States.
Depp also sought to exclude Amber from attending the trial until after
she had given evidence. The newspaper opposed his application on the
basis that it would have meant Amber would not have been allowed in court
while he and his witnesses gave evidence and so would not be able to assist
the newspaper in responding to the allegations made about her and what
happened. His lawyers argued that she was a witness, not a party, and that
she should not be allowed to observe the rest of the evidence before giving
her own. The judge refused Depp’s application, stating that while the
newspaper was defending the case, it was relying ‘heavily’ on what Amber
said and excluding her ‘would inhibit the defendants in the conduct of their
defense’. So the trial was going ahead—and Amber and I would both be in
the courtroom to assess Depp’s evidence and help the newspaper rebut it.
The UK trial
It was one thing for Depp and his supporters to make all kinds of claims in
the media and online, but it was another to make them in court where a
judge would decide. The Sun’s opening statement to the court made this
distinction clear:
[I]n all the years of violence she alleges, when she has her phone at the
ready, where is the secret recording of Mr Depp knocking seven bells
out of her, grabbing her by the throat, pulling her hair, screaming at
her, threatening to kill her, or any of the other acts of brutality which
he is said to have perpetrated against her on a regular basis throughout
these years? Nowhere, is the answer.
What was Amber expected to have done while Depp dragged her by the
hair, punched her and threatened to kill her—take a selfie? As the one video
of Depp in a violent rage (widely available on YouTube) shows, after Depp
smashes his wine glass and violently kicks a cupboard, his discovery that
Amber is filming him only infuriates him further.
The tropes continued. If he really hit her, why didn’t she just leave? It
couldn’t be true because she hadn’t left him. He couldn’t have controlled
her because (he alleged) she had extramarital affairs (for which he had no
proof). Mr Sherborne even quipped in court, ‘She was not controlled. She
was barely controllable as a witness.’ Depp’s counsel asserted in court that
Amber was not a ‘vulnerable victim’ or a real victim because she didn’t go
to the police or a hospital, because she was capable of ‘standing up to’
Depp and hitting him, because she was ‘a financially independent woman
and an actress’ and ‘a woman with all the choices’, and because she was
capable of documenting her injuries.
At times, it even seemed as though Depp was running a provocation
defence from the 1960s, with his lawyers arguing that Amber ‘deliberately
provokes arguments’: she had nagged him, ‘berated him’, verbally fought
him, ‘lied about extra-marital affairs’, denied him certain drugs he was
supposed to be detoxing from, and driven him to drink. As Sasha Wass QC
pointed out in closing for The Sun, ‘It is as though Mr Depp is seeking to
justify his physical assaults on Ms Heard on the basis that she may have
deserved it.’ She contended, too, that he had ‘sought to deploy the more
old-fashioned methods to discredit women, that she is a gold-digger, a
shrew, an adulterer’—none of which, of course, was relevant to the central
question: had he ever hit her?
Depp’s lawyers repeated in court the offensive lines run in Depp’s PR
campaign: Amber had ‘concocted’ her allegations, the restraining order was
‘a publicity stunt’, she was doing ‘a huge disservice’ to ‘genuine victims’
and ‘the MeToo movement’, and she was ‘exploiting the rising popular
movements for speaking out against violence against women for her own
ends’. Never mind that she had sought the restraining order in 2016, long
before MeToo went viral.
Depp’s own text messages, which were evidence in court, were worse.
On the day after his divorce was finalised and their respectful joint
statement—which his lawyers had agreed—was published, it emerged that
Depp had written this text to his agent about Amber:
She’s begging for global humiliation. She’s gonna get it . . . But she
sucked Mollusk’s [a reference to Elon Musk] crooked dick and he
gave her some shitty lawyers. I have no mercy, no fear and not an
ounce of emotion or what I thought was love for this gold digging, low
level, dime a dozen, mushy, pointless dangling overused flappy fish
market . . . I cannot wait to have this waste of a cum guzzler out of my
life. She will hit the wall hard. I met a fucking sublime little Russian
here . . . which made me realise that time I blew on the 50cent stripper
. . . I would not touch her with a goddam glove. I can only hope that
karma kicks in and takes the gift of breath from her. Sorry man but
now I will stop at nothing!
In Depp’s texts, his desire to ruin Amber’s career was clear: ‘I want her
replaced on that [Warner Bros] film’—an aim that, as we saw earlier in this
chapter, was later pursued by his fans via an online petition. Despite
describing himself as ‘a Southern gentleman’ who had respect for women,
Depp’s text messages showed a different picture. Depp describes women as
sluts and fat whores, boasting in one exchange that he would ‘smack the
ugly cunt around’—he was speaking of his ex-wife Vanessa Paradis, whom
he also described as a ‘worthless hooker’.
It was in a text message exchange with Paul Bettany that Depp joked
about murdering Amber to see whether she was a witch, with Depp saying,
‘I will fuck her burnt corpse afterwards to make sure she’s dead.’ ‘My
thoughts exactly,’ Bettany replied.
When Bettany was asked in a later media interview about the texts, he
complained that it was ‘embarrassing’ and ‘unpleasant’ to have his texts
read in court. ‘I’m not sure there’s anybody who has one of these devices
that would feel comfortable having a team of lawyers scour their private
text messages,’ he said. Let it be a warning to anyone bringing a defamation
claim, as Depp did: you must be prepared for the disclosure obligations you
are subjecting yourself to in order to bring your claim. Notably absent from
Bettany’s response was any apology or regret for the language he had used
about women (or, if he did make such a statement, the media did not
publish it). His sole regret appeared to be that the texts were made public.
In her closing address, Sasha Wass QC was forensic. Bringing her
perspective as a criminal barrister who had acted in sex offence cases, she
debunked myth after myth about domestic abuse that had been raised by
Depp’s lawyers in what she described as their ‘outdated and facile’
arguments. She began with the question of corroboration, pointing out that
Amber’s evidence alone was enough to prove The Sun’s case, and noted
that we are ‘long past the days when the courts in this country required
corroboration before accepting the unsupported testimony of a female
complainant’. Not only was Amber a reliable and consistent witness, she
was supported by ‘a wealth of supporting evidence’, including emails, text
messages and the accounts of those she had told at the time, including her
mother, her sister, her friends and medical professionals.
Wass then pointed out that many of Depp’s witnesses had made the
‘unmeritorious’ point that no one had seen him hit her: it was unmeritorious
since domestic violence is usually behind closed doors. It was
‘misconceived’ to suggest that Amber could have left when she wanted to,
and to say that, just because she chose to stay with him, she was not ‘a
genuine victim’. Wass explained Amber’s family history: her father had
been violent to her mother, and her mother had stayed with him until her
death; it was ‘trite to suggest that a person who chooses to stay with a
violent partner cannot be a victim’. As the LA police officers called to give
evidence explained when cross-examined about their training for
responding to domestic violence incidents, ‘a victim may love a perpetrator
and still be in fear of them’, and victims may try to protect the perpetrator,
refuse to give a statement and be so ashamed of the abuse that they are
reluctant to disclose it. And this was no ordinary case: Amber knew that the
moment she made a police report about Depp, it would cause a media storm
and global controversy; the details of their lives would be out there for all to
see. He could also face prosecution and prison. She didn’t want that. As
Wass told the court, ‘[T]he last thing [Amber] wanted was to expose herself
or Mr Depp to ridicule.’
Wass was cutting about Depp’s ‘risible’ theory that Amber’s
documentation of her injuries was some kind of ‘hoax’ or an ‘insurance
policy’, especially since ‘what exactly Ms Heard was insuring against in the
course of this hoax remains unexplained’. She dismissed any suggestion
Amber was a ‘gold-digger’, pointing to the joint statement that Depp had
agreed to sign upon their divorce, which made clear she had not ‘made false
accusations for financial gain’, and to the fact that she had pledged her
divorce settlement to charity. As Amber had said in her evidence, she knew
it would not assist her career to make allegations of domestic violence; in
fact, it was quite the opposite. After all, how many women have ever
benefited from making abuse allegations?
Depp had denied everything and accused her of being the abuser, which
Wass explained was ‘to reverse his role with hers’—the well-known
DARVO tactic to ‘deny, attack and reverse the role of the victim and
offender’, which we explained in Chapter 6. Wass raised concern that the
way Depp had put his case assumed that if Amber had hit him once this
‘absolved Mr Depp from any responsibility for the many occasions when he
assaulted her’ and that ‘she may have deserved it’. As Wass made clear, the
court was not concerned with whether Amber had fought back or lost her
temper. In other words, as the experts say, mutual abuse is not a thing.
There is always a primary aggressor and, on the Sun’s case, it was Depp.
Wass also pointed out that much of Depp’s case was irrelevant to the
central question: had he hit her? It was irrelevant whether or not she had
affairs, with Elon Musk or anyone else. Depp had applied to try to get third-
party disclosure from Amber of all her personal text messages with Musk,
which he believed would prove his theory about Amber’s supposed affair.
The judge, rightly, refused: the issue of adultery was irrelevant to whether
or not Depp had hit her. As Wass argued, Amber had denied having affairs,
and Depp’s evidence was ‘thin’ at best, dismissing Depp’s ‘old-fashioned
methods to discredit women’.
Turning to Depp’s evidence, Wass showed that Depp had lied about his
drug use—indeed, many forget that Depp’s failure to disclose the text
messages that proved that lie had almost seen the entire case thrown out.
But Depp also showed himself to be an unreliable witness on the stand.
Amber’s evidence was that, in one incident, he had headbutted her, leaving
her with bruising and a suspected broken nose. In Depp’s witness statement
about the same incident, he had claimed he had not touched her and that she
was left uninjured. Long after Depp’s witness statement was served, a
recording came to light. As part of their couples therapy, Amber and Depp
had been recording their discussions and fights. In a recording that we
discovered, and submitted as evidence just before trial, Depp said this: ‘I
headbutted you in the fucking forehead, that doesn’t break a nose.’
When confronted with this evidence in court, Depp conceded he
headbutted her but claimed it was ‘accidental’. When pressed about why—
if this were true—he had not included this in his written statement, he
admitted that he had not read his own witness statement. It was all ‘too
much information’ for him and he blamed his lawyers for the factual error.
The reaction among the lawyers in the courtroom was palpable. A lawyer
for the newspaper turned sharply to catch my eye and we shared a knowing
look: this was a huge blow to Depp’s credibility.
There was a problem with Depp’s answer, as the judge would abruptly
remind him: he had been asked at the outset of his evidence to confirm for
the court that he had read his witness statement and that it was true, and he
had done so.
Depp had also tailored his evidence when confronted with unfavourable
evidence. For example, when confronted with evidence from his former
girlfriend and co-star Ellen Barkin that he had been jealous and had thrown
a bottle at her, he said he didn’t remember it; then he said it had never
happened; and then he claimed that she bore a twenty-year grudge against
him—yes, that old chestnut: the scorned woman. Other parts of his
evidence were contradicted, rather than supported, by the evidence. For
example, he claimed that he had not controlled, or tried to control, Amber,
despite evidence of the texts he had written to her forbidding her from
taking work (‘NO GODDAM MEETINGS???? NO MOVIES’), and a text
to his sister complaining about her working, ‘I don’t need actress bullshit
and her fucking ambition.’ Depp also had direct communication with their
personal nurse, ordering her to medicate Amber to control her (‘CALM
HER DOWN KEEP HER UNDER CONTROL’).
Amber’s evidence was that drugs and alcohol would often bring out ‘the
monster’ and result in outbursts of violence towards her. Depp denied he
ever hit her, but it was also clear his recollection of events was seriously
affected by his substance abuse. For example, he admitted that during an
incident on a private plane where he had disputed Amber’s evidence that he
kicked her, he had in fact ‘blacked out’ and couldn’t remember parts of the
flight. Amber’s account of being kicked was also corroborated by a text
message from Depp’s assistant Stephen Deuters after the flight, saying
‘When I told him he kicked you, he cried.’
There was also evidence that Depp was prone to violence, especially
when using drugs and alcohol, and he himself admitted to ‘losing control’.
The newspaper presented evidence of his history of violent outbursts, which
included trashing a hotel room and causing US$10,000 worth of damage,
assaulting a photographer with a piece of wood, and throwing a bottle at
Barkin, his former partner. At the time the UK case was heard, Depp was
also facing legal action in the United States for assaulting a crew member
on a film set in 2018. (Depp claimed his actions were in self-defence. The
case against him has since been settled—the terms of settlement have not
been made public.)
In her closing submission, Wass said it was clear from the evidence that
Depp had ‘no accountability for his actions’. He was surrounded by people
who never told him no. When giving evidence, Amber expressed concern
that he never faced up to the consequences of his actions and was being
enabled, rather than helped by, the people around him: his security and staff
would clean him and the mess up after his benders, make excuses for his
absences from set, and—rather than help him get clean—prop him up just
enough to try to keep him in work.
Wass also pointed out how Amber had tried to help Depp kick the drugs,
but he had grown to resent her for it. This was demonstrated by his text
messages to her, including one in which he accuses her of being ‘a lesbian
camp counsellor’ for questioning his substance abuse. ‘Mr Depp has spent
his entire adult life doing exactly what he wanted and he was not about to
answer to a woman at this stage of his life,’ Wass concluded.
The full 129-page judgment is worth reading in detail. There is a
separate, closed judgment, in which the judge made findings about Amber’s
allegations of sexual violence. He found the evidence supported Amber’s
account in twelve of the fourteen incidents of violence pleaded by the
newspaper.
Depp’s team called the decision ‘perverse’. His supporters and online
trolls went into meltdown. Wild claims were made about the judge—and
about me. A flowchart appeared on social media that depicted all the ways
in which I was supposedly connected to the judge—through my chambers
and professional relationships—in an attempt to make the false and absurd
claim that I had improperly influenced the judge’s decision, and that he
somehow had conflicts of interest. Thousands signed online petitions
calling for the judge to be sacked. It was just another online misinformation
campaign that bore no relationship to reality—or what had happened in
court: when Depp appealed, no such complaint was raised.
Depp’s appeal was rejected by the Court of Appeal: the hearing had been
‘full and fair’, with an ‘extremely detailed review of the evidence’, and the
judge’s conclusions had ‘not been shown even arguably to be vitiated by
any error of approach or mistake of law’. As The Sun said, the ‘decision
vindicates the courageous evidence that Amber Heard gave to the court
about domestic abuse, despite repeated attempts to undermine and silence
her’.
But what troubled me was that it didn’t seem to matter. It didn’t seem to
matter that Depp had lost the case. It didn’t seem to matter, to many at least,
that the British courts had found him to be a wife-beater. The vile,
misogynistic and violent language that Depp had used about the women in
his life—which was on display in court and reported in the media for all to
see—didn’t seem to matter either. It was Amber who continued to face
suspicion and online attacks and abuse. The online noise attacking her
drowned out the fact that a judge had ruled she was a survivor—and that
Depp had been violent towards her. What consequences were there for
Depp?
While it was announced that he had been asked to resign from his role in
Rowling’s films, he was reportedly paid his full US$13.5 million salary
because of his contract. Depp continued to win awards for his acting—over
and above the protests of women in film—and kept his ad campaigns for
luxury brand Dior.
For years I had been turning up at Heathrow to see huge Dior
advertisements with Depp’s image promoting a men’s perfume named
‘Sauvage’. Long before I had met Amber, the ads had troubled me ever
since I had read about the domestic violence restraining order against him;
‘sauvage’ is the French word for savage. But these advertisements remained
up around London during and after the defamation trial in 2020—for
Amber and all to see—despite the evidence in court of his violence, and
even evidence that Depp had called himself a ‘fucking savage’. In 2015,
Dior had immediately dropped a previous advertisement with Depp after
complaints and controversy about the appropriation of Native American
culture. But after the US court granted a restraining order against him in
2016, and even after the UK court found Amber’s domestic violence
allegations to be true in 2020, his Dior ads remained up—a decision that
was slammed by domestic violence campaigners. In 2021, after the UK trial
and before the US trial, Dior promoted a new fragrance with Depp called
‘Sauvage Elixir’, describing him as ‘uncompromising, profound, authentic’,
and proclaiming, ‘Never has he been so mesmerising, so rock’n’roll.’ As
one global cosmetics website noted, ‘That’s certainly an interesting take on
domestic violence, Dior.’
The US trial
So how was it that the case ended up being run again in the United States?
Almost six months after Depp sued The Sun, and the year before the UK
trial, Amber was asked to write an op-ed in her capacity as Women’s Rights
Ambassador for the American Civil Liberties Union (ACLU). Her piece,
which was originally drafted by the ACLU team for her, was published in
The Washington Post in December 2018. In it, Amber wrote from personal
experience about how women who speak out need to be supported, and
about necessary law reform to better support survivors. She wrote these
words: ‘[T]wo years ago, I became a public figure representing domestic
abuse, and I felt the full force of our culture’s wrath for women who speak
out.’ She also described her experience:
[I]f you spend enough time inhaling the sulfurous fumes of the Depp–
Heard live stream, what it starts to resemble most is a high-budget,
general-admission form of revenge porn, an act in which the person
with the upper hand in a relationship forces the other to be complicit in
the sharing and dissemination of raw, vulnerable, literally sensational
moments for the delectation of an unseen audience . . . This is who she
is now—the victim of an unprecedented Internet pile-on, a bruised
face on an iPhone, a woman who makes people laugh when she cries.
The trial had ‘turned into a public orgy of misogyny’, wrote Moira
Donegan in The Guardian—and she was right. Arwa Mahdawi also wrote
for The Guardian, ‘If the trial showed us anything, it’s that misogyny is
more alluring to many people than facts’—and she was right too. For
Donegan, the case marked a ‘tipping point’ in the backlash against MeToo.
That backlash was not just against Amber, but against every woman who
dares to speak out.
And the fallout has been global.
Lawyer colleagues around the world have told me their clients are
worried about taking action against their abusers after seeing what
happened to Amber. Some decided not to go ahead. Others reported that
abusive partners were threatening them, saying they were ‘an Amber’ and
no one would believe them.
What message does all of this send to women who might want to speak
out about their abuse? How many women will speak out if this is how they
will be treated? How many more women will have watched this case and
thought, ‘I can’t go through that’? How many women now feel unable to
confide in family members about their experiences after hearing them
ridicule Amber? How many women are now silenced and afraid to come
forward? How many more women will be sued and silenced? And how
many women have to go through this before the cultural narrative shifts
away from the oldest tricks in the book—calling women liars, gold-diggers
and whores?
As journalist Constance Grady wrote back in 2016, Amber did
everything that victims are ‘supposed’ to do. She called the police when it
happened (though she decided not to report and press charges out of
concern for the consequences for him and them both). She then went to a
court with evidence, photos and text messages to get a restraining order.
She showed she was not after the money by pledging to give it all away
(though even that was held against her later for not giving it away quickly
enough). ‘She was, in every way, exactly the kind of victim we say women
should be if they want us to believe them. It didn’t matter. We still said she
was lying.’ After that, Amber didn’t give media interviews about it. But
Depp sued a newspaper and her personally. She gave evidence in court and
a British judge believed her. But the public—and a jury—still didn’t believe
her.
Depp’s ability to litigate the case in two different jurisdictions means that
people can and will continue to believe what they want, and take
diametrically opposed positions on the case, on Depp and on Amber. But it
raises serious questions about what happens when allegations of gender-
based violence go before civil juries without the protections we have for
complainants in criminal cases. So concerning is the US verdict that it has
been described as ‘the biggest blow to the #MeToo movement since its
inception’. Amber’s own statement outside court says it all:
A woman tweets on social media that she is a survivor of abuse, using the
hashtag #MeToo. She doesn’t name the alleged abuser but he sues her
anyway.
A woman speaks in a private safe space of survivors about being raped.
She tells the group that her ex-boyfriend raped her. Information is leaked.
He takes his ex-girlfriend to court and gets a gag order that means she can
never tell anyone about the rape again. The judge finds her guilty of
‘emotional abuse’ and harassment against him.
The members of a feminist academic collective publish a report
condemning their universities for failing to tackle sexual harassment and
abuse on campus. A male professor accused of sexually harassing a male
student sues the report’s author in criminal libel proceedings, saying she has
damaged his right to honour and reputation.
The director of a domestic violence shelter is convicted for defaming a
man who accused her of kidnapping his wife and child after they fled to her
shelter.
Amber Heard writes in The Washington Post to advocate for better laws
to protect survivors, and draws on her own experience as a survivor. A
British judge finds she is a survivor in a decision based on detailed
corroborating evidence, but she loses a defamation case on the same facts in
the United States before a jury, which orders her to pay her ex-husband
US$15 million.
In each of these cases from around the world, the law failed to properly
protect women’s right to speak.
As Justitia reminds us, the law is a constant balancing act, weighing
interests and rights to achieve a just outcome. When it comes to freedom of
speech about gender-based violence, she is weighing his right to privacy
and reputation against her right to free speech and the general public
interest in reporting that speech. Yet courts around the world are too often
getting this balance wrong. The effect of this is to silence women and
silence speech that is necessary to end violence against women. Victims and
survivors of abuse are increasingly demanding that courts uphold her right
to free speech and stop privileging his right to reputation and privacy.
Through our work, we have become convinced that we need to reclaim
free speech from a feminist perspective. We want to make it clear that
speaking out about gender-based violence, in the medium of your choice, is
a human right, protected not just by the right to freedom of speech, but also
the right to equality and the right to be free from violence. As human rights
lawyers, we believe these rights must also be placed in Justitia’s weighing
scales to ensure her right to free speech is better protected in our courts, so
that we can put an end to gender-based violence.
Let’s first begin with what his rights are—and the concerns we see raised in
response to women choosing to speak out. What about his right to be
presumed innocent? What about his right to a fair trial? As any of our
barrister colleagues in criminal law will tell you, when a woman goes to the
police to report that a burglar breaks into and enters a house and steals an
iPhone, she is believed. But once she mentions a sexual assault, a cloud of
suspicion descends. In the wake of MeToo, where women are choosing to
speak to the media or post online rather than go to the police, even more
questions arise. Why didn’t she report it to the police? What if she is lying?
What if she ruins his reputation and his career with a false allegation?
Shouldn’t he have the right to a fair trial, rather than trial by media?
In the opening essay in The Right to Sex (2021), ‘A Conspiracy Against
Men’, Oxford philosophy professor and essayist Amia Srinivasan explains
how in the United Kingdom only ‘0.23 per cent of rape reports led to a false
arrest, and only 0.07 per cent of rape reports led to a man being falsely
charged with rape’. Srinivasan concludes that ‘a false rape accusation, like a
plane crash, is an objectively unusual event that occupies an outsized place
in the public imagination’. She also explains that the myth of the false rape
accusation is ‘a predominantly wealthy white male preoccupation’.
Nevertheless, this myth—that women make false rape and abuse claims
—is having a resurgence alongside other regressive forces that threaten to
undermine decades of feminist activism and legal progress on women’s
human rights, gender equality and LGBTQI+ rights. Authoritarian right-
wing figures have built platforms arguing that feminism and feminist
activism have made gains at the expense of men and that MeToo has been
an overcorrection. Some have described feminist reforms as a ‘backlash
against masculinity’ and ‘reverse discrimination’. Some argue that domestic
violence perpetrated by women against men is under-reported and left out
of media narratives. Some say that public allegations of gender-based
violence undermine the presumption of innocence, a fundamental tenet of
justice.
These views, which perpetuate old sexist myths and are not supported by
empirical data, have filtered through digital spaces, with a growing online
subculture of men who hate women. The New Yorker has reported on the
violent political ideology of ‘incels’, who believe that women have unjustly
refused certain men a ‘right to sex’ and often ‘subscribe to notions of white
supremacy’. Incel ideology has inspired murders, and aims for ‘absolute
male supremacy’. This is the extreme end of the misogyny spectrum, but
offers important context to the idea that there is a conspiracy against men—
or that there is inevitably discrimination against men in any development
for equality for women. This is all part of the backlash against the MeToo
movement, and has led to calls to strengthen the presumption of innocence
and privacy protections.
In 2017, the same year as the MeToo social media movement took off,
the UK Supreme Court handed down an important judgment about open
justice and how it interacts with the presumption of innocence. The case
known as Khuja concerned the arrest by the police of someone suspected of
being involved in sexual offences against children. He was never charged
and wasn’t prosecuted, but his name came up in court. He sought to keep
his identity secret but the newspapers challenged it. The Supreme Court
explained that the constitutional principle of open justice meant that Mr
Khuja could be named. ‘The law must of course take the presumption of
innocence as its starting point,’ the court said. However, the court also said
that, ‘experience suggests that as a general rule the public understand that
there is a difference between allegation and proof.’
This ruling affirmed the presumption of innocence as a fundamental legal
principle guaranteeing and protecting the rights of the accused in a criminal
trial. The presumption of innocence is protected by the laws of contempt,
which make sure that the trial is fair and that a jury isn’t prejudiced by
media reporting (for example, by reporting that states a person is guilty
before their guilt is determined at trial). But the court’s ruling also affirmed
that this principle must be balanced against other interests, including
freedom of speech and the open justice principle. This means that when
accusations are made in the courtroom, they can be reported by the press,
subject to contempt of court laws.
The debates in the wake of MeToo have not been over whether alleged
perpetrators can be named in court (clearly they can be), but rather about
whether newspapers and survivors can name those alleged of abuse online
or in newspaper articles before any court proceedings have commenced.
Many have argued that doing so amounts to ‘trial by media’ and ‘violates
the presumption of innocence’.
Men’s rights groups have argued that the naming of men online in
relation to allegations of sexual assault, rape or abuse violates the
presumption of innocence. They have even claimed that online movements
such as #IBelieveHer (or #YoTeCreo in Spanish) violate this legal
presumption. This is a basic misunderstanding of the principle. As Amia
Srinivasan explains, this is a ‘category error’, since ‘the presumption of
innocence does not tell us what to believe. It tells us how guilt is to be
established by the law: that is, by a process that deliberately stacks the deck
in favour of the accused.’ She explains that believing women operates
therefore ‘as a corrective norm, a gesture of support for those people—
women—whom the law tends to treat as if they were lying’. As the UK
Supreme Court said in Khuja, the public understands that there is a
difference between an allegation and proof.
The right to be presumed innocent is already well protected—by both
contempt of court and privacy laws. As we explained in Chapter 3,
contempt of court laws protect his right to be presumed innocent once he is
charged. But even widespread media reporting on allegations does not
amount to ‘trial by media’ or necessarily violate his presumption of
innocence. [redacted text]
As Justice McCallum said, ‘[e]xtensive media reporting of allegations of
criminal conduct is not a mischief in itself ’ and recognised that ‘the media
play an important role in drawing attention to allegations of criminal or
other misconduct and any shortcomings in the treatment of such
allegations’. But the trial was later postponed after certain media reporting
[redacted text] failed to respect the distinction between an untested
allegation and guilt. In postponing the trial, the judge warned everyone
about reporting, publishing books and even making comments [redacted
text] in order to protect his right to fair trial. This is a good example of how
his right to a fair trial is well protected and will, in certain circumstances,
trump everyone else’s right to free speech.
As we explained in Chapter 4, in the United Kingdom, there are
increasing (and problematic) privacy protections that protect him from any
media reporting while under police investigation and until charge. And, of
course, there are also defamation laws. Our point is that his rights are well
established and protected in law. The danger is that the creeping mythology
that his rights are under threat is leading to ever greater restrictions on her
right to speak.
A person who has suffered in the way that the appellant has suffered
and has struggled to cope with the consequences of his suffering in the
way that he has struggled, has the right to tell the world about it. And
there is a corresponding public interest in others being able to listen to
his life story in all its searing detail.
‘Women are being blamed for not using a system that has consistently failed
them,’ Sibongile Ndashe told us.
Sibongile is the director of the Initiative for Strategic Litigation in Africa
(ISLA), a pan-African feminist organisation that works with the law to
obtain justice for women there. Sibongile has identified a pattern in cases in
Africa, which we are also seeing around the world: women are being asked,
‘Why didn’t you go to the police?’ Too often, negative inferences are made
against women who speak out about gender-based violence simply because
they did not report their claim to the police when it occurred. Too often, her
decision not to report him to the police is being used to deny her right to
speak out about it. This is despite the fact that we know, as Sibongile points
out, that ‘the system is broken when it comes to violence against women’.
ISLA supports women facing gendered violence, but Sibongile told us
that their work had to shift when they became aware of an avalanche of
defamation and libel suits against women and survivor groups in Africa. It
wasn’t only defamation cases: women were being prosecuted for cyber-
bullying and facing all kinds of legal actions to silence their allegations of
rape or sexual violence. They created a targeted project, ‘Women Who
Speak’, in response to the incredible surge in these claims across the
African continent.
In one astounding judgment from South Africa, the judge used the facts
that the woman hadn’t reported the assault and no charges were laid to grant
an order that would prevent the woman from ever repeating her claims of
rape again. The District Court in Cape Town provided a man with a
Protection from Harassment Order (PHA), which prevented his ex-
girlfriend from ‘disclosing to anyone in any manner that the Respondent
had allegedly raped the Appellant’ and that he had committed emotional
abuse.
Before the court case, the judge explained, the couple had been in a
relationship for three years. They both worked in the fashion industry. The
woman victim described having suffered emotional and mental abuse; her
ex-boyfriend’s mother had even placed him in a clinic to deal with his anger
problems. She said that she was raped and she was advised by a social
worker not to report the rape to police. She decided to apply for a protection
order, but she withdrew the application at a later date and instead they made
a settlement agreement not to make contact with each other. Over time, she
told the court, she began to tell people in confidence about the rape. She
started talking about her experience in a private group of survivors of
gender-based violence. She said she needed to speak out as a way to heal,
and that she had never publicly named him as her rapist.
She was then alerted to the fact that private messages she sent to others in
the survivors’ group about the rape, including her ex-boyfriend’s identity,
had been made public—they were leaked and posted on Twitter—without
her consent or her permission. She was devastated. But the court held that
the case involved ‘cyber-bullying’, ‘gender-based violence’ and the MeToo
movement. The judge stated that while he empathised with her belief that
she was a victim of abuse, ‘she cannot continue to tell others that the
applicant had raped her’, given it ‘is a very serious allegation’. In the
judge’s opinion, even though the victim had only told members of a safe
space group, her case confirmed that ‘no one can be trusted with your
secrets’. The order the judge granted meant that she was completely
censored and unable to talk about her experiences at all, to anyone,
anywhere and at any time.
She appealed and challenged the silencing order, arguing that it
constituted a regression in the national fight against gender-based violence.
She also explained that she did not want to press criminal charges because
she didn’t have faith in the criminal justice system. He argued in response
that ‘rape culture in South Africa is endemic, but that [she] cannot make
him the poster child for rape’, since he claimed never to have raped anyone.
He told the court that her conduct illustrated malice.
In the appeal decision, the High Court of South Africa held that the
magistrate was wrong to draw a negative inference from the fact that she
had not gone through the criminal justice system. The court set out detailed
evidence about her fears, the context of the relationship, the circumstances
in which she said she was raped, and contemporaneous text messages in
which she accused him of raping her and asked him for an apology. The
court held her version of events to be more credible. It noted that he did not
deny the allegations in reply to her texts, and that he had started harassing
her directly and indirectly through family and friends and on social media.
The court described ‘damning evidence’ against him.
According to the High Court, ‘there was no need for her to lay a charge
against him and to have him prosecuted and convicted to be labelled as a
rapist, based on the evidence in this case’. As in the case of Tölle v. Croatia
heard by the European Court of Human Rights we discussed in Chapter 6,
the court explained that the absence of a conviction does not mean that a
person who committed an offence like theft ‘cannot be called a thief or, as
in this case, a rapist’. That is, there doesn’t need to be a criminal conviction
for you to call someone a rapist if the facts show that he is a rapist.
The court went on to explain that this is particularly important when
speaking about an accusation of rape, since ‘it is a notorious fact, which has
been judicially recognised, that most victims do not report rape to the
police. It does not render the true facts, that a victim was raped, untrue or
non-existent.’ The court said that survivors are often threatened and shamed
into silence, and that the characteristics of sexual violence often make it
seem impossible for victims to report what happened to their friends and
loved ones, never mind to state officials.
The court found that the woman in this case was a survivor of gender-
based violence, and that ‘she was trying to be heard, to find healing and to
protect others from suffering the same fate’. She had ‘the right to speak and
to express herself about the experiences she had endured’, and it was her
right to talk about her rape with other victims.
This was not a defamation action, though, and the High Court made it
clear that its finding was confined to the facts of this case. It was a case in
which a man brought his ex-girlfriend to court, arguing that she was
harassing him by calling him a rapist. She had never published or publicly
named him as her rapist. Instead, he brought her to court for telling other
victims of rape, in a private group, that he had raped her. This information
had become public without her consent. The court found that the magistrate,
in granting the protection order, ‘perpetuated the notion that victims of
gender-based violence should not speak out, should remain silent about
their experiences, and should be careful who they speak to’. Unsurprisingly,
the High Court set the protection order aside and found that she had not
harassed him.
This is not a unique case. In another case from South Africa, the judge
found against a woman who made allegations of sexual assault on Twitter
and awarded damages of 65,000 rand. The court emphasised the damage
caused to the accused man by allegations of this nature: ‘at a time of
increased awareness of gender-based violence and when the general public
is increasingly vigilant against it (rightfully so), the mere accusation of
being guilty of sexual assault and of being a sexual predator can ruin a
person’. The court also placed emphasis on the fact that she had not gone to
the police at the time:
The problem with this legal reasoning, which requires a conviction before a
woman can speak publicly, is that it fails to acknowledge the reality that the
criminal justice system is deeply flawed. There is no regard for the context
in which these laws operate: instead, it relies on an idealised version of how
allegations like this should be investigated and prosecuted. In England, as
we mentioned in the Introduction, only 1.6 per cent of rape allegations are
prosecuted. The figure is even lower in many other places—and given how
under-reported rape is, the actual figure is likely a fraction of this.
Given this reality, requiring criminal prosecution before a woman speaks
out severely undermines the ability of survivors to speak. It completely
ignores the fact that many survivors of abuse do not disclose their abuse
immediately, it can take time before they feel able to approach police, and
too often the police fail to act. Many choose not to go to the police at all—
to protect him, to protect their children, to protect herself or for a range of
other reasons, including because she has no trust in a broken criminal
justice system. It does not mean that what she says is not true or that she is
not permitted to speak about it. But in too many cases, the courts are
blaming women for the law’s failures: by finding she shouldn’t speak out
before he is convicted—or drawing negative inferences from her not going
to law enforcement. It is vital that the courts recognise her right to speak
even when she hasn’t gone to police or other state officials. Her right to
speak is her right.
The cases Sibongile has highlighted in her work are important because
they are taking place in magistrates’ courts. These are disputes at the lowest
levels of courts, which often go unreported and unnoticed. Such cases
demonstrate that this isn’t a problem that only actresses and celebrities face.
It has permeated the legal system, across cultures and social classes.
Around the world, there are women today who have been gagged by court
rulings, and we will never know about them because she cannot speak.
One of the most incredible things that we have found from speaking to
women from around the world is not only that they are highlighting lawfare
—the use of the law to silence them—but they are using the law to fight
back.
We have seen more and more women around the world taking
defamation claims against men who accuse them of lying about gender-
based violence—and winning. It is defamatory to be called a liar, and we
are seeing a growing trend of women countersuing men for defamation for
accusing them of lying for speaking their truth about their experience of
violence.
Often women have decided to take legal action in order to push back and
defend themselves when libel proceedings have been brought against them.
By countersuing, the women have made a strategic decision to take a stand,
often to make it easier for themselves and for other women to speak out, by
setting a precedent that might deter other people from suing women. These
examples show that the age-old technique of suing someone for making an
accusation can be countered.
In Chapter 2 we set out why Shiori Ito, the Japanese journalist, decided to
go public with her experiences and frustrations with the Japanese police and
the prosecutor over their decision not to charge the man she alleged had
raped her, Noriyuki Yamaguchi. Here we pick up her story again to explain
what happened after she decided to go public.
Shiori was deeply affected by the tragic suicide in 2020 of Terrace House
reality TV star Hana Kimura after she experienced online trolling. Around
the same time, Shiori was contacted by a young girl who said she was too
scared to talk about her own abuse, given all the abuse she was seeing
online against women who had spoken out, including against Shiori. This
spurred Shiori to action: she decided she had to do something to tackle the
online harassment and abuse she was receiving, not only for herself but
because of the impact it was having on other young women who were
witnessing it.
According to newspaper reports in Japan, Shiori filed a number of
defamation cases against people who tweeted that she was lying about her
sexual assault. She also sued an anonymous Twitter troll for defamation.
Through her legal action, she discovered that the troll was Osawa Shohei, a
former associate professor at the University of Tokyo, the most prestigious
university in Japan. Shiori won in court, and Osawa was ordered to pay
compensation and apologise.
This was an important symbolic and personal victory for Shiori, but it
also sent a clear message to those who were trolling survivors, and to the
survivors themselves: the people trolling them could and would be held to
account.
Shiori also sued a cartoonist for insinuating that she had slept with
Yamaguchi to help her career, which was also effectively calling her a liar.
She won that case in November 2021, and the people who retweeted the
cartoonist were also found to have libelled her.
She is now bringing a case against Mio Sugita, a Japanese politician and
member of the governing party. The female MP has courted controversy
previously for saying that ‘women lie’ about sexual assaults. The Japan
Times has reported that she apologised in the following terms: ‘I am sorry
for offending people by giving the impression only women lie when lying is
not restricted to a gender.’ So—sorry not sorry, it seems.
The case might be one of the first of its kind anywhere in the world. In a
suit filed before the Tokyo District Court, Shiori is seeking damages from
Sugita for liking tweets by other people who had called her a liar, including
tweets claiming that she is pretending to be a rape victim, which are
defamatory. The idea behind the suit is that the liking of tweets criticising
Shiori and attacking her credibility is itself defamatory and a form of ‘group
bullying’. For Shiori, it’s important to hold prominent people who are in
positions of power to account when they participate in and even encourage
online attacks and campaigns against survivors.
Suing someone for liking tweets for defamation isn’t a crazy idea. Back
in 2018, Law Technology Today, an online platform, published an article
called ‘Think Before You Tweet’. It reported that, in Switzerland, a court
fined a defendant for liking a defamatory comment on Facebook: the Zurich
court had found that the ‘defendant clearly endorsed the unseemly content
and made it his own’.
The use of likes on social media platforms to intimidate and undermine
women in public spaces has become part of a wider debate in the United
Kingdom around the policing of sexual violence and protests against such
violence, and how likes on social media can be used as a form of
intimidation designed to silence women. In Chapter 2 we discussed the vigil
for Sarah Everard. During the vigil, Patsy Stevenson, one of the protesters,
was arrested. Images of Stevenson pinned down by a large number of male
police officers went viral and led to criticism of the police’s handling of the
protest (even though the independent police complaints commission later
exonerated them). Stevenson spoke out about her experience and the
problems of policing of women’s protests. After the controversy around her
arrest, the 28-year-old said that she received 50 likes on her Tinder account
from police officers and security guards. She told The Guardian that it ‘is
almost like an intimidation thing, saying, “Look we can see you,” and that,
to me is terrifying’.
Shiori’s decision to countersue Yamaguchi for defamation is part of a
global trend. [redacted text]
[redacted text]
But fighting back in defamation claims doesn’t always work, and can
have mixed results. For example, in Australia, Wendy Dent decided to sue
TV personality Don Burke after he claimed that she lied when she said that
he had asked her to audition naked for his TV program Burke’s Backyard,
and that she had made a false allegation as part of a ‘witch-hunt’ against
him. He had made the comments on the national TV program A Current
Affair in response to the many allegations of sexual misconduct that he
faced in the wake of MeToo. Dent said of her experience of Burke, ‘I went
from feeling like this talent with a future to feeling like I was just a pair of
boobs to him.’ He defended the case, arguing the defences of truth and
qualified privilege. But the case turned on the meaning (or imputations) of
what he said in the context of the entire broadcast. Burke himself argued
that what he said, considered in the context of the entire program, was not
defamatory because the presenter, Tracy Grimshaw, had made clear that she
was ‘utterly rejecting’ his assertion of a witch-hunt—and that, as a result, a
reasonable observer of the program would not have come away thinking
Dent was lying. The judge agreed, saying that the reasonable member of the
public would have understood the allegations against him were credible,
and his denials were not, but noted the ‘irony of the defendant obtaining
judgment in his favour on the basis that he has will be obvious’. When one
considers how easy it is to sue for defamation in Australia, and how many
men have successfully sued women and newspapers for defamation for
making allegations of sexual misconduct, the irony that a woman suing
would lose—and on this basis—is immense. Dent’s lawyer claimed it was a
‘pyrrhic victory’ for Burke: he had won, but the judge agreed Dent was the
one to be believed. Dent had been maligned by him as having lied and
being part of a witch-hunt, and yet when she sued, he won and she was left
with the costs of the case. Dent said she felt vindicated by the judge’s
comments about her credibility— she had defended her truth—which is
what ‘counts most’. But she added, ‘I have been through hell 100 times
because of Don Burke, and because of this ruling today, it was 101.’
Instead of suing for defamation for calling them a liar, some women have
taken a different route and instead countersued for the assault itself.
Consider, for example, the case Taylor Swift took against the man who sued
her for defamation and then claimed she lied about him groping her. In
2015, a radio DJ, David Mueller, attended Swift’s concert. Before the
concert she hosted a meet-and-greet for fans, where she met Mueller. When
they were taking a picture together, Swift said the DJ groped her by
reaching under her skirt and grabbing her bottom. She had him ejected by
security, and he received a lifetime ban from her shows; according to news
reports, he was also fired from his job over the incident. Mueller then sued
Swift for defamation, claiming she had lied and ruined his reputation,
asking for US$3 million in damages.
Swift responded by countersuing him for assault, claiming only US$1 in
damages. She sued him back not to win damages but to hold him to
account: by defending and winning the defamation case, she would prove
the truth of her allegations. In 2017, Mueller’s defamation claim was
thrown out of court, with the jury finding he had assaulted her.
Swift’s victory was lauded at the time for drawing attention to the under-
reporting of sexual assault and as a bigger symbolic victory to empower
women to speak out. Swift herself has said that she countersued to take a
stand and to help other women come forward. Many of the women we have
spoken to told us that they were motivated to take action in the hope that the
precedent they set might make it easier for the women coming after them.
For others, countersuing was simply the only option to fight back against a
suit and to obtain some form of justice.
Where the domestic courts fail, international and regional mechanisms—
including the United Nations and its special procedures—can be important
alternative sites where silence-breakers, campaigners and journalists can
fight back against silencing. These mechanisms have been extremely
important in upholding women’s right to free speech and in setting out how
gender-based violence affects free speech and women’s rights more
generally.
For example, in the case of Amal Fathy in Egypt, Jen and some Doughty
Street Chambers colleagues, working with the free speech organisation
Index on Censorship, obtained a ruling from the Working Group on
Arbitrary Detention that her imprisonment and prosecution for speaking out
on Facebook about sexual harassment was unlawful. While Amal has since
been convicted and sentenced to prison in Egypt, the United Nations’ ruling
in her favour—showing that Egypt’s silencing is unlawful because speaking
out about sexual harassment is protected speech under international law—
has assisted in demonstrating that Egypt’s actions are wrong and continues
to form part of her ongoing advocacy from Switzerland, where she now
lives in exile.
In another example, the UN Human Rights Committee issued a landmark
decision in 2018 about the case of Lydia Cacho, the Mexican journalist we
mentioned in Chapter 2; it recognised that the inhuman and degrading
treatment she suffered after being arrested for criminal defamation
amounted to gender-based violence and violated her rights to free speech.
Her UN case has been used by free speech organisations to advocate for
better protections for women journalists in Mexico and elsewhere.
We have acted in cases before international and regional human rights
courts to ensure that women can speak out and to challenge gendered online
attacks against women journalists aimed at silencing them in online spaces.
Human rights courts can provide important remedies, ensure state
accountability and provide recognition for human rights violations suffered
by women speaking out about their abuse and by the journalists trying to
report on it.
While women are fighting back with the law, their ability to do so
depends upon having the funds to do so—or finding lawyers willing to act
for free. The cases take a huge amount of time and resources, and the fact is
that women shouldn’t be put in the position of having to countersue: the
legal action they face shouldn’t have been brought in the first place. Are
there other solutions to shutting down abusive legal claims?
The main sources cited in the chapters are listed below. A full bibliography
is available here: www.allenandunwin.com/howmanymorewomen
Prologue
The description of Stocker v. Stocker has been taken from the High Court,
Court of Appeal and Supreme Court judgments. All these documents are
available online through the UK Supreme Court’s website or through other
free court service websites such as BAILII. The term ‘himpathy’ comes
from Kate Manne’s book Down Girl.
Stocker v. Stocker [2016] EWHC 474 (QB)
Stocker v. Stocker [2019] UKSC 17
Manne, K., Down Girl: The logic of misogyny, New York: Oxford University Press, 2017
Introduction
The introduction draws on the work of the New Yorker journalists who have
written about the MeToo movement and on the work of academics,
including Cynthia Enloe, who have been discussing the broader
implications of MeToo for women’s security.
Chandra, G., Enloe, C. & Erlingsdóttir, I., ‘No peace without security: Shoring the gains of the
#MeToo movement’, in S. Smith & K. Yoshida (eds), Feminist Conversations on Peace, Bristol:
Bristol University Press, 2022, pp. 76–91
Johnson, H., Enough: The violence against women and how to end it, London: HarperCollins
Publishers, 2022
Tolentino, J., ‘One year of #MeToo: What women’s speech is still not allowed to do’, The New
Yorker, 10 October 2018, <www.newyorker.com/news/our-columnists/one-year-of-metoo-what-
womens-speech-is-still-not-allowed-to-do>
Chapter 1: Silencing Justitia
For a historical overview of the treatment of women by the law, and of the
gendered nature of the legal system, we have drawn on the work of
academics and practitioners who have been influential in the United
Kingdom and in Australia. Susie Alegre, Harriet Johnson and Baroness
Helena Kennedy QC, barristers and part of Doughty Street Chambers, have
all written about human rights and the biases in the legal system in a
practical and accessible way. Susie Alegre currently sits as a Deputy High
Court Judge. Baroness Kennedy QC is a founding member of Doughty
Street Chambers and a member of the House of Lords. Harriet Johnson is
an author and practising criminal barrister. This chapter has also drawn on
the seminal book by Brenda Hoggett (now Baroness Hale, a retired UK
Supreme Court judge) and Sue Atkins, which has recently been reprinted in
a digital format as part of the IALS open publishing series. For those who
wish to study this topic more, we highly recommend reading the book. This
chapter refers to a number of legal cases, UN reports and newspaper
articles, all of which are also detailed on the website for further reference.
Lachaux v. Lachaux [2017] EWHC 385 (Fam)
Lachaux v. Independent Print Ltd and another [2019] UKSC 27
Alegre, S., Freedom to Think: The long struggle to liberate our minds, London: Atlantic Books, 2022
Atkins, S. & Hoggett, B., Women and the Law, 2nd edn, London: Institute of Advanced Legal
Studies, 2018
Barr, C. & Topping, A., ‘Fewer than one in 60 rape cases lead to charge in England and Wales’, The
Guardian, 23 May 2021, <www.theguardian.com/society/2021/may/23/fewer-than-one-in-60-ca
ses-lead-to-charge-in-england-and-wales>
Johnson, H., Enough: The violence against women and how to end it, London: HarperCollins
Publishers, 2022
Kennedy, H., Eve Was Framed: Women and British justice, London: Vintage Press, 1993
Kennedy, H., Eve Was Shamed: How British justice is failing women, London: Chatto & Windus,
2018
Macfarlane, J., Going Public: A survivor’s journey from grief to action, Toronto: Between the Lines,
2020
Morgan, J. & Graycar, R., The Hidden Gender of Law, 2nd edn, Sydney: Federation Press, 2002
Noel, A. & Oppenheimer, D. (eds), The Global #MeToo Movement: How social media propelled a
historic movement and the law responded, Washington: Full Court Press, 2020
Opeskin, B., ‘Dismantling the diversity deficit: Towards a more inclusive Australian judiciary’, in G.
Appleby & A. Lynch (eds), The Judge, the Judiciary and the Court: Individual, collegial and
institutional judicial dynamics in Australia, Cambridge: Cambridge University Press, 2020, pp.
83–115
Thornton, M., Dissonance and Distrust: Women in the legal profession, Melbourne & Auckland:
Oxford University Press, 1996
Thornton, M. & Luker, T., ‘The Sex Discrimination Act and Its rocky rite of passage’, in M. Thornton
(ed.), Sex Discrimination in Uncertain Times, Canberra: ANU Press, 2010, pp. 25–45
Wilson, A., In Black and White: A young barrister’s story of race and class in a broken justice
system, London: Endeavour, 2020
Chapter 2: How many women are silenced?
Contemporary newspaper resources and our own interviews form the
backbone of this chapter. In the bibliography on the website, you will find
the details of the cases, reports and academic work we cite in this chapter.
But we imagine our readers will be most interested in knowing more about
the women’s stories we tell in this chapter, and in their own words. Shiori
Ito, Mónica Roa López and Catalina Ruiz-Navarro have all written their
own books. We have also included reference to Louise Tickle’s article for
Tortoise, which tells the fascinating story of how the media agency
overturned an injunction.
Griffiths v. Tickle [2021] EWHC 3365 (Fam)
Griffiths v. Tickle [2021] EWCA Civ 1882
Rosanna Flamer-Caldera v. Sri Lanka, Communication no. 134/2018, UN Doc
CEDAW/C/81/D/134/2018, 21 February 2022, CEDAW
Ito, S. (translated by A.M. Powell), Black Box: The memoir that sparked Japan’s #MeToo movement,
New York: The Feminist Press, 2021
López, M.R., Elefantes en la Sala: Una mirada íntima, crítica y amorosa a la familia, Colombia:
Ariel, 2022
Media Defence, ‘Las Volcánicas: Sued for reporting on allegations of sexual abuse’, Media Defence,
29 July 2021, <www.mediadefence.org/news/las-volcanicas-sued-for-reporting-on-allegations-o
f-sexual-abuse/>
Ruiz-Navarro, C., Las mujeres que luchan se encuentran: Manual de feminismo pop latinamericano,
Barcelona: Grijalbo, 2019
Tickle, L., ‘Griffiths v. Griffiths’, Tortoise, 10 December 2021, <www.tortoisemedia.com/2021/12/1
0/griffiths-v-griffiths>
Chapter 3: What happens when women speak?
Between ourselves, we have been affectionately referring to this as ‘the
Australia chapter’, since it tells a contemporary story about what happens
when women in Australia speak—or try to speak—about their experiences
or allegations of sexual assault and violence. In Australia, many of the
women’s stories have been reported in newspapers, magazines and social
media. But outside of Australia, they might not be so well known. We relied
upon these media resources to tell some of the stories, but we also drew on
our interviews with Chanel Contos and Dhanya Mani. A number of the
women whose stories we describe are writing their own books ([redacted
text], Grace Tame and Chanel Contos), and we encourage you to read them
when they become available. Some key resources relate to the Australian
MeToo movement, and more recent movements. A range of material from
various legal proceedings discussed can be found on the Federal Court
website; it has been made available by the court due to the public interest in
these matters.
Dyer v. Chrysanthou: <www.fedcourt.gov.au/services/access-to-files-and-transcripts/online-files/dyer
-v-chrysanthou>
Porter v. ABC: <www.fedcourt.gov.au/services/access-to-files-and-transcripts/online-files/porter-v-ab
c>
R v. Lehrmann (No. 3) [2022] ACTSC 145
Rush v. Nationwide News: <www.fedcourt.gov.au/services/access-to-files-and-transcripts/online-files/
rush-v-nationwide>
Crabb, A., ‘Christian Porter is correct—this is an extremely unsatisfactory state of affairs’, ABC
News, 4 March 2021, <www.abc.net.au/news/2021-03-05/christan-porter-rule-of-
law/13216806>
Dart Center for Journalism & Trauma, ‘Reporting on Sexual Violence’, 2011, <https://dartcenter.org/
content/reporting-on-sexual-violence>
Ethics Advisory Committee of the Canadian Association of Journalists, ‘Naming Sexual Assault
Complainants in the Media: Ethical considerations for journalists’, Canadian Association of
Journalists, 16 February 2016, <https://caj.ca/images/downloads/Ethics/caj_ethics_report_sex_a
ssault_revised_march_5.pdf>
Ferrier, T., ‘The March4Justice women who are raring to rally: “A time of reckoning for Australia”’,
The Guardian, 10 March 2021, <www.theguardian.com/australia-news/2021/mar/10/the-march4
justice-women-who-are-raring-to-rally-a-time-of-reckoning-for-australia>
[redacted text]
Hill, J., ‘The reckoning: How #MeToo is changing Australia’, Quarterly Essay 84, 2021
La Rosa, L., ‘Trickle-down white feminism doesn’t cut it’, Eureka Street, 27 June 2018, <www.eurek
astreet.com.au/article/trickle-down-white-feminism-doesn-t-cut-it>
Mani, D., ‘Why victims of sexual harassment in politics are still forced to suffer in silence’, Women’s
Agenda, 24 March 2019, <https://womensagenda.com.au/latest/why-victims-of-sexual-harassme
nt-in-politics-are-still-forced-to-suffer-in-silence>
O’Connell, K., ‘The MeToo movement in Australia: Silenced by defamation and disbelief’, in Noel,
A. & Oppenheimer, D. (eds), The Global #MeToo Movement: How social media propelled a
historic movement and the law responded, Washington: Full Court Press, 2020, pp. 341–53
Chapter 4: Her guidebook to his playbook
This was the first chapter we sat down to write, based on our own
experiences of legalling news stories at various national newspapers. The
chapter was significantly enriched by our interviews with Pia Sarma and
Gill Phillips, two legal media powerhouses. Due to the legal risks
associated with this chapter, we decided to explain the different legal steps
in reference to Jeffrey Epstein. The chapter is therefore indebted to the
investigative work of journalists who contributed to the uncovering of
Epstein’s abuse and those who have written since about the media’s failure
—because of legal risks—to publish women’s stories about his abuse
earlier.
Chotiner, I., ‘Why didn’t Vanity Fair break the Jeffrey Epstein story?’, The New Yorker, 8 February
2022, <www.newyorker.com/news/annals-of-communications/why-didnt-vanity-fair-break-the-j
effrey-epstein-story>
Folkenflik, D., ‘A dead cat, a lawyer’s call and a 5-figure donation: How media fell short on
Epstein’, All Things Considered, NPR, 22 August 2019, <www.npr.org/2019/08/22/753390385/
a-dead-cat-a-lawyers-call-and-a-5-figure-donation-how-media-fell-short-on-epstei>
Kale, S., ‘“Everyone failed these young, Black girls”: Journalist Jim DeRogatis on his decades-long
battle to expose R Kelly’, The Guardian, 4 May 2022, <www.theguardian.com/us-news/2022/m
ay/04/everyone-failed-these-young-black-girls-journalist-jim-derogatis-on-his-decades-long-batt
le-to-expose-r-kelly>
Pogrund, G., ‘Charlie Elphicke: The predator MP and his protection racket’, The Sunday Times, 26
March 2022, <www.thetimes.co.uk/article/charlie-elphicke-the-predator-mp-and-his-protection-
racket-3kb30pl6w>
Chapter 5: Contracted to silence
This chapter largely draws on Jen’s perspective, and on our conversations
with Zelda Perkins, an incredible campaigner. It has also benefited from
conversations with legal experts in the United Kingdom and Australia. We
drew upon the investigative reporting by the journalists in the United States
and the United Kingdom who broke the Harvey Weinstein story, as well as
an analysis of the leading legal judgment on this issue in the United
Kingdom, Jen’s submissions to the Women and Equalities Committee and
the committee’s subsequent reports.
ABC and ors v. Telegraph Media Group Ltd [2018] EWHC 2177 (QB)
ABC and ors v. Telegraph Media Group Ltd [2018] EWCA Civ 2329
Farrow, R., ‘Harvey Weinstein’s secret settlements’, The New Yorker, 21 November 2017, <www.ne
wyorker.com/news/news-desk/harvey-weinsteins-secret-settlements>
Garrahan, M., ‘Harvey Weinstein: How lawyers kept a lid on sexual harassment claims’, Financial
Times, 24 October 2017, <www.ft.com/content/1dc8a8ae-b7e0-11e7-8c12-5661783e5589>
Gordon, J.S., ‘Silence for Sale’, University of Sydney Law School Legal Studies Research Paper
Series, no. 20/34, vol. 17, June 2020, pp. 1109, 1111
Marriage, M., ‘Men only: Inside the charity fundraiser where hostesses are put on show’, Financial
Times, 24 January 2018, <www.ft.com/content/075d679e-0033-11e8-9650-9c0ad2d7c5b5>
Newell, C., ‘The British #MeToo scandal which cannot be revealed’, The Telegraph, 23 October
2018, <www.telegraph.co.uk/news/2018/10/23/british-metoo-scandal-cannot-revealed>
Proops, A., McColgan, A., Connor, N. & Robinson, J., ‘Submission to the Women and Equalities
Committee on Sexual Harassment and the Abuse of Non-Disclosure Agreements (NDAs)’,
2019, <http://data.parliament.uk/writtenevidence/committeeevidence.svc/evidencedocument/wo
men-and-equalities-committee/sexualharassment-in-the-workplace/written/80878.html>
Chapter 6: Defamation on trial
This chapter provides a general overview of libel and defamation law in the
United Kingdom and Australia. We were very pleased to have been able to
cite the musical Hamilton! alongside academic work, case law and the work
of journalists in this chapter. We also draw upon our own work in this area
in the United Kingdom and the perspective we have gained as practitioners
in the field. This is a book for a broad audience, so the chapter aims to give
readers a general overview of libel. Those who wish to read further on this
topic might want to delve into Gatley on Libel and Slander for UK
defamation law and the two defamation texts on Australian law we cite
below. The details of other sources that enriched our thinking for this
chapter are also provided.
Craig v. MacGregor [2019] NZHC 2247 and [2021] NZCA 156
Economou v. De Freitas [2018] EWCA Civ 2591
Lachaux v. Independent Print Ltd [2015] EWHC 620; [2019] 3 WLR 18; [2021] EWHC 1797 (QB)
Lee v. Brown [2022] EWHC 1699 (QB)
Porter v. ABC: <www.fedcourt.gov.au/services/access-to-files-and-transcripts/online-files/porter-v-ab
c>
Rush v. Nationwide News Pty Ltd (No. 7) [2019] FCA 496 (see also <www.fedcourt.gov.au/services/a
ccess-to-files-and-transcripts/online-files/rush-v-nationwide>)
Stocker v. Stocker [2016] EWHC 474 (QB)
Stocker v. Stocker [2019] UKSC 17
Tölle v. Croatia, Application no. 41987/13, 10 December 2020, ECtHR
Edmondson, A., In Sullivan’s Shadow: The use and abuse of libel law during the long civil rights
struggle, Amherst: University of Massachusetts Press, 2019
George, P., Defamation Law in Australia, 3rd ed., Chatswood: LexisNexis Australia, 2017
Parkes, R. et al. (eds), Gatley on Libel and Slander, 13th ed., London: Sweet and Maxwell, 2022
Pring, G.W. & Canan, P., SLAPPS: Getting sued for speaking out, Philadelphia: Temple University
Press, 1996
Rolph, D., Defamation Law, Sydney: Thompson Reuters, 2015
Chapter 7: Her truth on trial, twice
This chapter is about the two high-profile defamation trials in the United
Kingdom and the United States involving Amber Heard’s allegations of
domestic and sexual abuse against her ex-husband, Johnny Depp. It is
written from Jen’s perspective based on her experience representing Amber
in the UK proceedings and on the publicly available material and
commentary on the US trial (Jen did not act for Amber in the United
States). The key resources we used to write this chapter were: the reported
UK judgment in the case Depp brought against The Sun, the subsequent
appeal judgment, the trial transcripts and court documents (for the UK trial)
and court files relating to the US case that Depp brought against Amber. All
information contained in this chapter is already available on the public
record or from Jen’s personal perspective. In respect of the UK trial,
journalist Nick Wallis has compiled most of the relevant court documents
on his website, including submissions and witness statements. The US trial
materials are available on the website of Fairfax County, Virginia.
John Christopher Depp II v. News Group Newspapers Ltd and Dan Wootton [2020] EWHC 2911
(QB)
John Christopher Depp II v. News Group Newspapers Ltd and Dan Wootton [2021] EWCA Civ 423
Gray, M., Liar Lawsuits: Defamation and sexual violence in Canada, Vancouver: UBC Press
(forthcoming)
Srinivasan, A., The Right to Sex, London: Bloomsbury, 2021
Conclusion
Rather than list the sources we relied upon, which you can find online, here
we point to a number of campaigns and websites that readers can access for
more information on these issues and what is being done to free her speech.
https://cantbuymysilence.com
https://southallblacksisters.org.uk
www.teachusconsent.com
https://volcanicas.com
INDEX
Abbott, Diane 37
abortion 18, 44, 45, 49, 77–81
activists, silencing 76–82, 277
adultery 27, 61–2
Africa 252, 359–64
Ahmed, Sara 356
Ailes, Roger 195
Akbar, M.J. 252, 352–3
Alegre, Susie 13–14
anonymity of victim 67–75, 147, 151
Arapova, Galina 88–90
Archer, Jeffrey 278–9
Atkins, Susan 16, 17, 27, 29, 39, 41
Bacik, Ivana 77
Baird, Vera 2
#BalanceTonPorc 251
Banks, Arron 248
Banks, Julia 259–60
Bardem, Javier 311
Barkin, Ellen 322, 323
Barr, William 164
Bazzi, Shane 251
Bedoya, Jineth 83
Bejarano, Ana 87
Belousova, Anna 352
Bester, Nicolaas 70, 71
Bettany, Paul 314, 318–19
Bieber, Justin 251
Birmingham, Simon 128
Bishop, Julie 128
Black Cube 175–7, 215
Blackburn, Tom 269
Blair, Cherie 48
blaming women 2, 5, 27, 30, 31, 70, 189, 359–64
Bligh, Deborah xi
Bloomberg, Michael 195
Boies, David 165, 175, 197, 198, 215
Bredehoft, Elaine 334
Broadfoot, Fiona 93
Brown, Julie 150, 163–4
Brown, Patrick 251
Burke, Don 101, 105, 368–9
Burke, Tarana 2, 104
McClymont, Kate 55
McColgan, Aileen 224
Macfarlane, Julie 30–1, 162, 233, 241
McGowan, Rose 176–7, 215
McGreal, Aoife 122
MacGregor, Rachel 267
MacKinnon, Catharine 21
McLachlan, Craig 101, 102, 103, 105, 251, 275–7, 279
McQuire, Amy 135
Maddow, Rachel 243
Magna Carta 13
Mahdawi, Arwa 338
Maiden, Samantha 55
male-centred law 11–16, 38–43
male-dominated media 53–7
Maley, Jacqueline 55
Mani, Dhanya 105–14, 121, 122, 125, 126, 132–6, 274
Manne, Kate 179, 282
Mansell, Mark 227
Manson, Marilyn 251, 336
March4Justice protests 121, 123, 124–5
marital rape 17–19, 22, 33, 34
Maroney, McKayla 194
Marriage, Madison 218–21
Marriott, Catherine 102–3
Maxwell, Ghislaine 146, 150, 155, 164
May, Theresa 218, 220, 221
Mayorga, Kathryn 201–3
media 53–7, 82–91, 146–87
defamation actions see defamation actions
identification of victims 66–75
language used in reporting claims 158–9
minimising male violence 54
naming accused 344–5
offender undermining journalist 178–80
police advising against speaking to 147
publishing allegations without consent 269–70
reluctance to report claims 149
silencing of journalists 56, 82–91
speaking out to 146–87
victim self-identifying 69–75
Melville-Brown, Amber 164
men’s rights 343–7
MeToo movement xiii, 1–3, 7, 30, 91, 99–101, 149, 169, 186, 301, 306, 330
Africa 252, 360
Australia 100–15, 128, 250, 268–70
backlash 100–5, 339, 344
Britain 7, 172, 229
China 60
defamation and 100–5, 250–3, 262, 301, 317
France 251
India 53, 252, 264, 352
Japan 94
Latin America 355
media response 53, 100–5
men’s rights and 343
NDAs and 189, 191, 229, 239, 243, 244
right to reply 159
United States 100, 104, 251
migrant women 63–5
Miller, Chanel 40
Miller, Maria 38, 242
Milligan, Louise 55, 120, 123, 272
misogyny 37, 88, 298, 300, 325, 329, 330, 337–9, 344, 379, 381
Mochama, Tony 252
Morgan, Piers 312, 313
Morrison, Scott 110, 115, 119, 120, 123, 124, 127, 128, 135
apology to victims 132–3
Mosley, Max 166–7, 172
Msimang, Sisonke 134–5
Mueller, David 369–70
Mullaley, Tamica 66
Murray, Pauli 44
Mwangi, Wambui 252
myths and stereotypes 5, 22–4, 29–35, 58, 331
credibility of victim 31, 121
delay in reporting 32, 33
domestic violence, about 29, 34, 319
false accusations 34, 281, 343
guides to prevent perpetuation 32–5
juries influenced by 31, 32, 331
‘participation’ by victim 32
provocation by woman 29
rape, about 22–4, 31–4
rape perpetrated by strangers 33
Tame, Grace 1, 66, 67, 70–2, 115–16, 127, 133, 134, 293
Taylor, Bronnie 130
Taylor, Jessica 330
Teach Us Consent 41, 130
teal independents 127–8
Teigen, Chrissy 194
Thomas, Imogen 168
Tickle, Louise 73
Tingle, Laura 123
Tolentino, Jia 6
Tölle, Neva 286–8, 361
Tortoise Media 73, 75
TrollBusters 381
trolling see online abuse
Trump, Donald 150, 178, 195
Turnbull, Malcolm 115, 260
Turner, Brock 40
Twohey, Megan 56, 215
Xianxi 60
Yacob, Zera 14
Yamaguchi, Noriyuki 94–6, 285, 365, 367
Zhu Jun 60