Scribd Logo
Upload

Welcome to Scribd!

  • 16 views

    Class - Xii - Painting and Sculpture - Mughal School of Miniature Painting - WS - 9 - 2020

    Uploaded by

    aaryaarc7

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Class - Xii - Painting and Sculpture - Mughal School of Miniature Painting - WS - 9 - 2020

    Uploaded by

    aaryaarc7
    16 views3 pages

    Original Title

    CLASS_XII_PAINTING AND SCULPTURE_MUGHAL SCHOOL OF MINIATURE PAINTING_WS_9_2020

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

    Did you find this document useful?

    Is this content inappropriate?

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    16 views3 pages

    Class - Xii - Painting and Sculpture - Mughal School of Miniature Painting - WS - 9 - 2020

    Uploaded by

    aaryaarc7

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 3

    INDIAN SCHOOL MUSCAT

    DEPARTMENT OF FINE ARTS

    CLASS: XII – PAINTING & SCULPTURE


    WORKSHEET No. 09

    Unit – II (A) Mughal School of Miniature Painting


    Mughal Miniature Painting
    Mughal school of Art was not a new style in itself but it was the same Indian School of Art,
    well-refined and polished by the Persian Artist with the help of Indian Artist. Mughal Art is a
    mixture of Indian (Rajasthani) Art and Persian Art.
    The origin and development of Mughal Art
    The beginning, rise and fall of Mughal painting are associated with the beginning, rise and fall
    of Mughal Empire. A new culture of painting developed under the protection of the Mughal
    rulers of Timur dynasty. Babar was the founder of the Mughal Empire in India. Babar was not
    only a brave soldier and an able commander but he also had a great liking for painting. Babar
    was mostly in the battlefield and his son Humayun had to spend thirteen years in Banish in Iran
    after pushed out by Sher Shah Suri from India. Humayun was also busy in battles but he got
    the painting of ‘Dastan-E-Amir Hamza’ done in his time. Humayun’s only son Emperor Akbar
    was keenly interested in the Art of Painting and Architecture. His era is called the golden
    period of Mughal Art. A large number of Indian artists from all over India were recruited to
    work in his court.
    There are many manuscripts that were illustrated in his time. They are:
    (1) The Razma Nama (Mahabharat) (2) The Ramayana- translated in Persian and painted
    (3) The Akbar Nama (4) The Ain-e- Akbari (5) The Hamza-Nama, etc.
    Jahangir, son of Akbar, was a great lover of Art and Nature. The Mughal miniatures reached a
    very high level of excellence in this period. Under Jahangir’s patronage, painting acquired
    greater charm, refinement and dignity. He had a great fascination for nature and took delight in
    the portraits, birds, animals and flowers.
    Shahjahan was a lover of Architecture. The Art of painting saw a downfall in the time of
    Shahjahan. Aurangzeb came as a fanatic Muslim ruler. He was a bitter enemy of painting and
    music. He did not patronize any Art. Culture lost its vitality and finally declined a rich style of
    painting;
    Aspiring young Artists came to Delhi to learn the art of painting from the Mughal master
    painters and they together with older Artists from the Mughal court spread the Mughal manner
    to distant parts of India known as Provincial Mughal Schools where Mughal and local painting
    styles fused.
    The main centres were Oudh, Hyderabad, Faizabad, Murshidabad and Patna where a weakened
    Mughal style flourished.

    Babur Humayun Akbar Jahangir Shahjahan Aurangzeb


    Bahadur Shah Zafar

    ISM/CLASS XII/ WORKSHEET NO. 09/PAINTING & SCULPTURE/2020-2021


    Features of Mughal School of Miniature Painting

    The Main features of Mughal School of Miniature Painting

     Historical Scenes: During Akbar’s rule, maximum numbers of historical scenes were
    made e.g. illustration of the manuscript related to the historical scene namely ‘Kissa-
    Amir Hamza’. Mostly historical scenes were painted during Mughal School.
     Linear beauty: When we look at the portrait of Mughal style, we become familiar with
    the importance of beautiful, thin and thick fine lines. The lines are so fine that even the
    minutest details are clearly visible.
     Border Decoration: All the Mughal paintings are decorated with borders which are
    ornamented. In some paintings, the borders dominate the painting.
     Profile Faces: Profile Faces is the main feature of the Mughal style. Whether the figures
    are frontal or inside pose, the faces are always in profile.
     Garments: The female figures are shown wearing transparent odhani, while the male
    figures are shown wearing Angarakhas and Churidar Pyjamas along with decorative
    turbans. Ornamental decoration stories are seen in the garments.
     Religious Themes: Depiction of religious themes like The Ramayana, The
    Mahabharata, The Nala Damyanti themes and Panchtantra stories is there in the
    paintings.
     Depiction of Nature: Nature has been depicted so beautifully that even each leaf has
    been painted separately. Trees, plants, leaves, rivers, mountains etc. have been depicted
    gracefully.
     Colour Scheme: Mostly natural colours have been beautifully used. Earlier paintings
    had flat colours, but later on, depth with the help of shading was shown.

     Calligraphy: Calligraphy was done in black colour in most of the paintings. Artists
    wrote their names beautifully also.
     Depiction of Animals and Birds: Ustad Mansoor was the main bird painter. ‘Falcon on
    a Bird-Rest’ is one of his best paintings. Animals and Birds were depicted beautifully in
    Mughal Paintings. Camel fights, elephant fights etc. were depicted beautifully. Other
    animals like goats, horses, tigers, lions etc. were also depicted gracefully.

    ISM/CLASS XII/ WORKSHEET NO. 09/PAINTING & SCULPTURE/2020-2021


    Salient Features of Mughal School of Miniature Panting
     The art of court, secular and eclectic in its character.
     The use of calligraphy with artist name.
     The portraiture-delineation of fine likeness.
     The representation of minute details.
     The depiction of nature as a special study (fauna and flora).
     The faces are usually painted profile (EK-chasm)
     The use of mineral and natural colours with silver and golden.
     Painted border decoration used in Arabic script.
     The delicacy is maintained in figures and architectural forms.
     The depiction of court scenes, hunting and battle scenes, music and dancing scenes,
    processions and wedding scenes etc.
     The depiction of foreign and religious stories especially Islamic and Indian epics like
    The Ramayana, The Mahabharata, Nal- Damyanti etc.
     The Naturalistic treatment of landscape borrowed from European paintings.
     The use of stripling (Pardaz) and delicate shading.

    ISM/CLASS XII/ WORKSHEET NO. 09/PAINTING & SCULPTURE/2020-2021

    You might also like