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Lycinema Basiced Script

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0% found this document useful (0 votes)
13 views8 pages

Lycinema Basiced Script

Uploaded by

euxlexi
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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TITLE:

We’r e Home
FILM SCRIPT

Genr e: Psychological Thriller/Horror/Suspense

LYCINEMA - ENTRY
BY: BASIC EDUCATION
SCENE 1:
INT. THE DAFFODILS HOME - VARIOUS SHOTS - DAY
Quick shots capture the young girls inside The Daffodils home—all immaculate, following strict
routines. A VOICEOVER overlays, setting the tone:

VOICEOVER
"Beauty… In this place, beauty is everything. It’s a power. Every girl is expected to be beautiful,
polished, and proper. Beauty is something every girl desires because it’s what will take them
somewhere."

LEILANI, REESE, AMIR, and KEJI step inside the grand entrance of The Daffodils, greeted by
VALERIE, a beautiful yet unsettling woman. She smiles.

VALERIE
(smiling)
Welcome to The Daffodils. We’ve been expecting you.

She leads them inside, her attention primarily focused on LEILANI and REESE.

VALERIE
(smiling)
You both look wonderful… Don’t you?

LEILANI and REESE exchange smiles in response to the compliment.

Servants quickly take LEILANI and REESE’s bags but ignore KEJI and AMIR. They notice how
massive and spotless the house is. KEJI discreetly snaps photos of the surroundings.

CADELL
(smiling)
I’m Cadell, one of the servants. This is your room.

KEJI and AMIR start to enter but are stopped by CADELL, who directs them to a smaller, adjacent
room. They exchange puzzled looks.

SCENE 2:
EXT. BACKYARD - DAY

The friends walk through the backyard. KEJI snaps a few photos of the young girls playing.
WILLOW, a girl sitting alone with a book, glances at the group curiously.
The YOUNG GIRLS are laughing and smiling until VALERIE appears and calls them.

VALERIE
Girls! It’s time for lunch!

The GIRLS immediately lose their smiles and follow VALERIE inside in silence. While walking,
they glance at the group of friends, seemingly trying to communicate something.

VALERIE
(smiling)
Come eat with us.

The group of friends nod and follow.


INT. DINING AREA - MORNING

On their way to the dining area, WILLOW whispers nervously to the GROUP OF FRIENDS.

WILLOW
(whispering, scared)
Help us…

The GROUP OF FRIENDS freeze, shocked by her words.

Everyone sits except KEJI and AMIR, who are left standing due to the lack of seats.

VALERIE hands LEILANI and REESE plates of food.

VALERIE
Eat up, dears. You need to be in your best shape.

LEILANI observes how healthy the food is and how disciplined the girls are—composed, quiet, and
demure.

VALERIE
So, these are my girls. They’re young ladies who have either been victims of abuse or have no parents.
That’s Seilah, Heidi, Emerie, Hope, Lucia, Jade, and… Willow.

She gestures to each girl as she introduces them. They smile politely, but their eyes show fear and a
silent plea for help.

HEIDI discreetly waves, sending a hand signal that reads “help.”

AMIR notices and frowns in concern.

LEILANI and REESE return uncertain smiles.

REESE, trying to settle in, picks up her fork and knife, but the clattering echoes awkwardly. She
glances up, noticing the other girls staring at her—calm, poised, and silent. LEILANI whispers a
warning.

SCENE 3:
INT. GUEST ROOM - NIGHT

LEILANI and REESE prepare for bed. LEILANI writes in a notebook, while also glancing at the
camera. REESE stares at the ceiling, uneasy.

REESE
I feel something strange. The girls are saying weird things, and it’s… disturbing.

LEILANI
I’m kind of concerned.

They hear a soft knock on the door. Opening it, they find a letter slipped underneath. LEILANI picks
it up and reads:

PAPER
Go to the first room on the right.
They cautiously open the door and notice KEJI and AMIR exiting their own room with a similar note.
They exchange looks and nod.

The GROUP OF FRIENDS walk down the hallway and slowly open the door to the indicated room.
Inside, they find the girls sitting on the bed, some on the floor, wearing their nightgowns. They look
terrified—some tearful, some quietly crying, and some trembling.

LEILANI
(concerned, scared)
W-What is it…?

WILLOW rushes to them, desperation in her eyes.

WILLOW
Help us. Please, this is our only chance to leave this place.

KEJ I
Why do you want to leave?

HEIDI steps forward, holding a photo.

HEIDI
Jade, A riella, and Lilah. These are girls who used to live here, but they disappeared after being
recommended by Valerie to modeling agencies, elite schools, and job opportunities. Valerie claimed
she was helping them have bright futures. But… the girls never left.

The GROUP OF FRIENDS exchange confused looks.

SEILAH
They’re being eaten. Valerie is a… monster.

WILLOW
Everyone here is evil—the servants and Valerie. She’s sick. She thinks that eating young girls makes
her absorb their beauty… And notice how focused they are on you two (referring to LEILANI and
REESE)? I bet you’re next, we’re next.

LEILANI
How… do you know that?

WILLOW
I saw it.

LUCIA
We all did.

— FLASHBACKS —
WILLOW secretly follows Jade, a girl planning to leave, only to witness the servants brutally kill and
chop her body, serving it to Valerie.

EMERIE feels sick, clutching her stomach. HOPE steadies her.

WILLOW trembles as she speaks.


WILLOW
Help us escape this place. The key…

HEIDI
The key is in Valerie’s room.

They all stare at each other—horrified, disturbed.

SCENE 4:
INT. VALERIE’S ROOM - NIGHT

The TEENS quietly approach VALERIE’S room, but find it locked. KEJI takes a pin from REESE’s
hair and uses it to unlock the door. They successfully open it.

LUCIA and HOPE stay outside, watching for the servants, while the rest of the group enters the room
quietly. The key lies on the bedside, and REESE reaches for it, but VALERIE suddenly wakes up and
grabs REESE’S hand.

VALERIE
Girls, what are you doing?

REESE screams in fear and pushes VALERIE away. LEILANI quickly covers her mouth, mindful
that the servants may hear them. The other girls hold VALERIE’s hands as she continues to question
them.

VALERIE
What?! What are you all doing—

WILLOW covers VALERIE’S mouth with a pillow to keep her from screaming. VALERIE struggles
and fights, causing the GIRLS to panic. They notice VALERIE’S skin is peeling and covered in burn
scars. VALERIE breaks free and grabs EMERIE, trying to restrain her.

HOPE
Do something! She’ll kill us!

In a moment of panic, REESE grabs an object and hits VALERIE in the head. VALERIE collapses.
EMERIE seizes a pen and stabs VALERIE. The servants arrive, with DAEMON being the first to
enter.

HEIDI rushes to DAEMON and tries to push him down the stairs. DAEMON grabs HEIDI by the
neck, halting her.

HEIDI
(choking)
H-help...

LEILANI intervenes, stabbing DAEMON in the eye with a pen, causing him to lose balance.
Together, they push him down the stairs.

CADELL
What’s happening here?!
HEIDI grabs an object and hits CADELL, making him dizzy. LUCIA moves behind him, attempting
to choke him with a cloth. HEIDI strikes him again in the stomach but is kicked in return. REESE
rushes to help LUCIA choke CADELL.

MARTEL grabs REESE, making her scream. LEILANI kicks CADELL to free REESE, while AMIR
strikes MARTEL.

SEILAH picks up an object and hits ARES, who falls. HOPE begins to choke him, but ARES
manages to push the girls away.

SEILAH
Help us!

KEJI runs from the kitchen, grabs a knife, and stabs ARES. Shocked by his own actions, he helps
HOPE to her feet. EMERIE assists SEILAH up, and they notice VALERIE is still alive, crawling on
the ground. Before EMERIE can reach her, WILLOW grabs a lamp and strikes VALERIE repeatedly.

EMERIE pulls WILLOW back.

EMERIE
Let’s go before someone from their team arrives.

All are scared and shocked. REESE and LEILANI tear up.

SCENE 5:
EXT. FRONTYARD OF THE HOUSE - NIGHT

As they walk outside, the GROUP OF FRIENDS lead the way but stop when they notice the girls are
no longer following. The girls stand outside the house.

LEILANI
What are you still doing there? Let’s go!

The girls smile and reveal knives.

WILLOW
And you believed all of that silly stories?

The GROUP OF FRIENDS stare in disbelief.

The GIRLS attempt to harm themselves with the knives.

KEJI steps in front of the others, shielding them.

KEJ I
I think we should run…

The GIRLS approach slowly, and the GROUP retreats cautiously.

Suddenly, the GIRLS speed up, waving their knives, and the GROUP OF FRIENDS run for their lives.

WILLOW grabs LEILANI’s hair.


WILLOW
Now… you killed Valerie and the servants, and you tried to kill us too…

AMIR attempts to fight back against WILLOW, but EMERIE stabs him in the back.

EMERIE
We’re the victims… and you’re the killers.

EMERIE cries and laughs.

KEJI kicks EMERIE, grabbing the knife and stabbing WILLOW.

KEJ I
Run!

LEILANI supports AMIR on her shoulder, and they try to escape. WILLOW moves to follow them.

EMERIE stands and stabs KEJI several times. KEJI, despite his wounds, stands and momentarily
pushes EMERIE away, blocking WILLOW from reaching LEILANI and AMIR. KEJI grabs a stone
and strikes WILLOW’s foot.

WILLOW stabs KEJI, leading to his collapse. HEIDI encounters LEILANI and AMIR on one side,
with EMERIE closing in behind them. They are trapped and soon killed.

REESE runs, abandoning her friends, with LUCIA in pursuit.

LUCIA
We’re going to kill you too. And then we’ll be the survivors.

REESE hides, thinking she has escaped, but LUCIA, HOPE, and SEILAH appear and kill her.

The girls stand over the bodies.

WILLOW
Now we can pursue our dreams that Valerie denied us because she had her favorites.

HEIDI
She deserved to die. She’s a bitch. I just want to be a model.

Suddenly, JADE, ARIELLA, and LILAH unexpectedly visited, shocked by the blood and dead bodies.

J ADE
What h-happened here…?

ARIELLA screams and stumbles back in panic, trying to escape.

LILAH stands in shock, too stunned to move.

EMERIE
No… It’s not what you think—

The GIRLS exchange glances and silently agree to eliminate the girls that used to live there.
SCENE 6:
EXT. OUTSIDE THE DAFFODILS - MORNING

NEWS REPORT
“A community home was attacked by a group of teens, leaving eight dead and several injured. The
victims, all young girls, survived and are now being treated.”

The GIRLS are wheeled into ambulances, appearing shaken and traumatized.

Secret smiles flash between them as the camera pans away.

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