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Types of Printing - Off

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43 views5 pages

Types of Printing - Off

Uploaded by

Aslam Pathan
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
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A creative's guide to different types of

printing
There are many different types of printing available to
creators. This guide shows you how and when to use them.

(Image credit: Getty Images)

There are plenty of different types of printing available to creators today.


Printing has a long history of revolutionising how ideas are transferred and
distributed, and it’s still going strong today.

In this guide we take a look at some of the most frequently used printing
methods favoured by artists and designers, as well as outlining what they’re
suitable for. If you’re looking to print posters, fine art images, billboards or
even magazines, you’ll find the relevant printing method here.
Despite fears that digital publishing has once again shaken up how words
and images are shared, reports of the death of print are greatly exaggerated.
Printed materials are enjoying a resurgence thanks to the unique, tactile
experience they offer. So if you want to get involved with print’s new-found
popularity, explore these notable methods.

Lino printing
 Used for: Fine art printmaking
 Pros: Cheap, easy to get started, reusable
 Cons: Cutting hazard, difficult to do multiple colours

Lino printing is a great entry-level technique for creatives looking to make


art prints. It involves scoring an image into a sheet of linoleum, covering the
raised areas in ink, and pressing a substrate (the surface which the ink will
stick to, often paper) on top.
All the materials you need to get started are available from any good art
shop at a reasonable price, and even the most basic of tools create
impressive results. Different scoring knives can be added to your toolkit to
make unique marks, although a narrow selection of blades should be
sufficient.

One thing to keep in mind when scoring a design into lino is that you're
creating a mirror image of the picture, so letters will need to be carved
backwards. Also keep in mind that only raised areas of linoleum will transfer
ink. To learn more about lino printing, including more on the basic tools you'll
need, see our introduction to lino printmaking post.

Screen printing
 Used for: Textiles printing, posters
 Pros: Versatile technique, reusable, durable method, high quality of output
 Cons: Requires specialist equipment, limited colour options
Screen printing remains a popular way to transfer designs onto fabrics,
especially T-shirts. The printing process involves forcing paint through a silk
screen with a squeegee, with stencil holes in the screen allowing paint to
pass through in the desired place.

With careful planning and clever design, multiple colours can be layered up
with screen printing, allowing for the creation of stunning images. Each
colour requires its own screen, however even single colour prints look
striking.

To cast your design, you will need to paint your screen with photo-sensitive
emulsion then expose it to UV light. A local print studio should help you with
these facilities.

Offset printing
 Used for: Newspapers, magazines, brochures, stationery, books
 Pros: Good for large print runs, can use special custom inks, highest quality
of print
 Cons: Tedious setup, equipment requires extra maintenance
Offset printing is one of the most common ways to print materials such as
newspapers and magazines. The process sees an inked image transferred
from a plate to a rubber blanket, then finally to the printing surface itself.
These rubber blankets are wrapped around a series of cylinders, and the
paper is continuously passed through them.

Given that it requires access to specialist printing technology, offset printing


is not as immediately accessible as some of the techniques on this list.
Typically it is used for large print runs, and its setup fee is soon offset
(pardon the pun) by the sheer number of pieces you are able to print.

Letterpress printing
 Used for: Posters, business cards, greetings cards
 Pros: Good for short print run, unique print appearance, straightforward
 Cons: Slow process, limited colours, difficult to produce images
Similar to lithographic printing, letterpress printing sees a raised area
covered with ink and then transferred to a substrate. Historically, images and
letters were arranged by a typesetter and locked into place in a chase.

As a method for printing newspapers, letterpress remained popular until the


mid-twentieth century when it was succeeded by offset printing. But despite
being supplanted, it has found a new lease of life in the artistic community.

Today, letterpress printing is a way to add quirky humour to your work as it


stands in contrast to the perfection of digital and offset printing. Print studios
and letterpress shops can help you with the process, and high street craft
shops often sell inexpensive printing blocks if you want to experiment with
the technique.

Flexography
 Used for: Packaging, print media, labels
 Pros: Quick production process, accommodates various inks, low operational
cost
 Cons: Time-consuming set up, equipment requires regular maintenance
Flexographic printing is essentially a modern version of letterpress printing.
Flexible relief plates are mounted on a series of cylinders in a similar fashion
to offset printing, and the substrate is passed through. Different plates are
used for individual colours, which are built up to create the message or
image.

Flexography is also suited to medium to long print runs. The specialist


equipment might put it beyond the reach of creatives looking to test the
process on a short run, however if you do choose to investigate flexography
rest assured that it is a cost-effective printing method that produces quick
results.

Digital printing
 Used for: Desktop publishing, photos, advertising, stationery
 Pros: Low cost, quick turnaround, easy to create multiple colours, good for
short runs
 Cons: limited substrate suitability, does not scale to large print runs
economically
Unlike traditional methods including lithography and offset, digital printing
doesn’t require a printing plate. Instead, the desired image is digitised to
control the deposition of ink, toner and exposure.

For creatives, one of the biggest advantages of digital printing is the


customisation it offers. The process can also produce a higher quality print
from a lower quality image. And given that it doesn’t require the creation of
plates, digital printing can be a cost-effective and accessible way for
creatives to bring their ideas to life on the page.

3D printing
 Used for: Gifts, models, art, prototyping
 Pros: Capable of complex designs, fully customisable
 Cons: Expensive, limited materials, slow
Suitable for sculpting and product design, 3D printing sees a material added
layer by layer with the assistance of CAD to create a desired shape. Despite
being a relative newcomer to the printing scene, 3D printing has come a long
way in recent years and can now deliver incredible results.

One of the main barriers to entry for creatives looking to explore 3D printing
is the access to the printer technology itself. We’ve already looked at what
you need to keep in mind when preparing your work for 3D printing, so keep
these in mind if you’re printing yourself or outsourcing to a specialist.
Monoprinting
 Used for: Fine art prints, textile work
 Pros: Expressive, one of a kind
 Cons: Can only be used once, produces simple designs
As its name suggests, monoprinting is a way of printing an image once and
once only. This is in contrast to the other printing techniques on this list,
which are geared towards the production of multiple prints, and while this is
arguably a disadvantage it allows artists to work with a degree of
spontaneity.

The simplest printing method in this guide, monoprinting is primarily used to


print simple pieces of art onto paper or textiles. Typically a piece of
plexiglass is covered with a thin layer of ink and materials are positioned on
top. These are then covered with a substrate and rolled through a press to
transfer the image.

Unlike a lino print where an image is carved into a sheet of lino and can be
reproduced multiple times, mono prints are one-offs because the print
elements have to be arranged and inked each time. This means that if you're
careful you can make two prints that look similar, but they will never be
identical.

Despite its limitations, it’s a very accessible print method and a fun way to
dip your toe into the world of printing. Prints can be produced very quickly,
and thanks to its flexibility, it encourages experimentation which can be
transferred to other methods like lithography.

A creative's guide to different types of printing | Creative Bloq

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