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Meg - 5

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0% found this document useful (0 votes)
357 views50 pages

Meg - 5

Uploaded by

ishant.bharti
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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No.

of Printed Pages : 2 MEG-5

MASTER'S DEGREE PROGRAMME IN


ENGLISH
tn Term-End Examination
June, 2010
O
MEG-5 : LITERARY CRITICISM AND
THEORY

Time : 3 hours Maximum Marks : 100

Note : Question No. 1 is compulsory. Answer five questions


in all. All questions carry equal marks.

1. Write short notes on any four of the following :


Rasa 4x5=20
Mode of production in Marxist criticism
Poets as unacknowledged legislators
The woman as the 'second sex'.
Cultural materialism
Deconstructing the text

Explain and discuss Aristotle's view of literature 20


as imitation.

Compare and contrast the views of Wordsworth 20


and Coleridge on poetic diction.

MEG-5 1 P.T.O.
How are myths and archetypes examined to grasp 20
the significance of twentieth century English
writing ? Explain.

Comment on the concern for freedom in the 20


feminist critical thought in the twentieth century.

Keeping in view the Marxist theory, discuss 20


literature as an instrument with which to resist
class oppression.

What is Structuralism ? How is it helpful in 20


grasping the appeal and intent of a literary text ?

8. There is an in - built bias against the East in the 20


Western critical thought. Do you agree ? Give a
reasoned answer.
No. of Printed Pages : 2 MEG-5 I

c\I MASTER'S DEGREE PROGRAMME IN


ENGLISH
Term-End Examination
June, 2011

MEG-5 LITERARY CRITICISM AND


THEORY

Time : 3 hours Maximum Marks : 100

Note : Question No. 1 is compulsory. Answer five questions


in all. All questions carry equal marks.

1. Write short notes of about 250 words each on


any four of the following : 5x4=20
(a) Concept of mimesis
(b) Sphot
(c) Objective correlative
(d) Postmodernism
(e) 'Feminist criticism in wilderness'
(f) Literature and ideology

2. Write a note on Catharsis in tragedy. 20

3. How does Coleridge deal with distinction between 20:


Fancy and Imagination ?

MEG-5 n P.T.O.
4. What are the common features of the critics 20
associated with 'New criticism' ?

5. Evaluate gyno criticism against any one other 20


critical mode.

6. Attempt a critical evaluation of the theory of 20


structuralism.

7. Evaluate the salient features of post - colonialism. 20

8. Comment on the beginnings in new historicism 20


in literary criticism.

MEG-5 2
No. of Printed Pages : 2 MEG-5

MASTER'S DEGREE PROGRAMME IN


tr)
ENGLISH
Term-End Examination
O
June, 2012

MEG-5 : LITERARY CRITICISM AND


THEORY

Time : 3 hours Maximum Marks : 100

Note : Answer question no. 1 and any four of the remaining


questions.

1. Explain any two of the following passages with


reference to their context supplying brief critical
comments where necessary : 10+10
(a) If, then, Tragedy is superior to Epic poetry
in all these respects, and, moreover, fulfils
its specific function better as an art - for each
art ought to produce not any chance
pleasure, but the pleasure proper to it, as
already stated-it plainly follows that tragedy
is the higher art, as attaining its end more
perfectly.
(b) The IMAGINATION then I consider either
as primary or secondary. The primary
IMAGINATION I hold to be the living
Power and prime Agent of all human

MEG-5 1 P.T.O.
perception and as a repetition in the finite
mind of the eternal act of creation in the
infinite I AM.
(c) Honest criticism and sensitive appreciation
are directed not upon the poet but upon
the poetry.
(d) The only teaching worthy of the name is
scholarly, not personal, analogies between
teaching and various aspects of show
business or guidance counselling are more
often than not excuses for having abdicated
the task.
2. What are the reasons for the artist to be kept away 20
from the ideal state of plato ?
3. What roles do spontaneity, emotion and 20
personality have in Wordsworth's theory of
poetry ?
4. What do you understand by 'The Affective 20
Fallacy ' ?
5. Critically appraise the ideas of Karl Marx and 20
Frederick Engels about class relations and class
ideology.
6. Examine Virginia Woolf's attitude to the canon 20
i,e., ancestors in women's writings.
7. Present a deconstructive analysis of John Donne's 20
'The Cannonization'.

MEG-5 2
No. of Printed Pages : 2 MEG-5

MASTER'S DEGREE PROGRAMME IN


tr)
ENGLISH
tr)
CO Term-End Examination
O
December, 2012

MEG-5 : LITERARY CRITICISM AND


THEORY

Time : 3 hours Maximum Marks : 100


Note : Question No. 1 is compulsory. Answer Five questions
in all. All questions carry equal marks.

1. Write short notes of about 250 words each on any


four of the following. 5x4=20
(a) Catharsis
(b) Auchitya
(c) Superstructure
(d) 'Pleasure' and 'instruction' as ends of
literature
(e) Irony
(f) 'Second Sex'

2. What is the difference between Plato's approach 20


and Aristotle's approach to 'imitation'?

3. Consider Wordsworth's 'Preface to Lyrical 20


Ballads' as the manifesto of Romantic Literature.

MEG-5 1 P.T.O.
4. Assess two of the seminal critical concepts 20
formulated by T.S. Eliot.

5. Give reasons for Elaine Showalter's discontent 20


with existing feminist criticism.

6. What is the process of 'deconstructing' a text ? 20


Elaborate.

7. Show how literary criticism and theory have 20


developed a materialistic dimension based on
Marxism.

8. Analyze the historical importance of 20


Post-colonialism for the Third World.

MEG-5 2
No. of Printed Pages : 2 MEG-5

MASTER'S DEGREE PROGRAMME IN


ENGLISH
1-r)

O Term-End Examination
June, 2013

MEG-5 : LITERARY CRITICISM AND


THEORY

Time : 3 hours Maximum Marks : 100

Note : Question No. 1 is compulsory. Answer Five questions


in all. All questions carry equal marks.

1. Write short notes of about 250 words each on


any four of the following : 5x4=20
(a) Plot
(b) Alamkara
(c) Base
(d) Poetic diction
(e) Intentional fallacy
(f) Patriarchy

2. Write a critical note or 'mimesis' as the theory of 20


representation in Classical criticism.

3. Compare the theories of imagination as presented 20


by Shelley and Coleridge.

MEG-5 1 P.T.O.
4. How does the New Criticism make use of the 20
model of 'practical criticism' initiated by
I.A. Richards ?

5. Draw out the ideologies set forth by Mary 20


Wollstonecraft and Virginia Woolf as pioneer
feminists.

6. Examine the approaches of Structuralism and 20


Deconstruction to the theory of sign-system.

7. Assess the impact of Marxism on subsequent 20


literary/critical theories in the 20th century.

8. Trace the emergence of cultural studies with 20


reference to the theories of Edwards Said, Spivak
and Bhabha.

MEG-5 2
No. of Printed Pages : 2 MEG-5

MASTER'S DEGREE PROGRAMME IN


c\1 ENGLISH
00
Lc)
Go Term-End Examination
0 December, 2013

MEG-5 : LITERARY CRITICISM AND


THEORY

Time : 3 hours Maximum Marks :.100


Note : Question No. 1 is compulsory. Answer five questions
in all. All questions carry equal marks.

1. Write short notes (250 words each) on any four


of the following : 4x5=20
(a) theory
(b) immediagte context
(c) literature
(d) ideology
(e) poetic diction
(f) rasa

2. How does Aristotle meet plato's criticism of poets ? 20

3. Discuss the Romantic theory of art. 20

4. Evaluate Cleanth Brooks as a New Critic. 20

MEG-5 1 P.T.O.
5. How does literature represent the social conditions 20
and social structure ?

6. Explain the term gynocritic and give two 20


examples.

7. Discuss deconstruction as a method of critical 20


reading of a text.

8. In what ways does postmodernism differ from 20


modernism ?

MEG-5 2
No. of Printed Pages : 2
2678 MEG-05

MASTER'S DEGREE PROGRAMME IN ENGLISH

Term-End Examination
June, 2014

MEG-05 : LITERARY CRITICISM AND THEORY

Time : 3 hours Maximum Marks : 100

Note : Question 1 is compulsory. Answer five questions in all.


All questions carry equal marks.

1. Write short notes (250 words each) on any 4x5=20


four of the following.
(a) Linguistic sign
(b) Gyno texts
(c) The communication chain
(d) Purgation
(e) Free play of signs
(f) Dhwani

2. Discuss tragic failing and explain how it 20


leads to tragedy.

3. Evaluate P. B. Shelley as a romantic critic 20

4. What is meant by 'intentional fallacy? How 20


would you respond to this concept of the
New Critics?

MEG-05 1 P.T.O.
5. In what sense is literature a form of 20
Propaganda?

6. Evaluate Virginia Woolf as a feminist critic. 20

7. How does Derrida analyse the concept 20


of the sign to show that there can be no
determinacy in meaning?

8. Discuss lacan's main contribution to critical 20


theory.

***

MEG-05 2 P.T.O.
No. of Printed Pages : 2 MEG-5
MASTER'S DEGREE PROGRA1VIME
IN ENGLISH
Term-End Examination
December, 2014

MEG -5 : LITERARY CRITICISM AND THEORY

Time : 3 hours Maximum Marks : 100

Note : Attempt question no. 1 and any four from the


remaining questions.

1. Write short notes on any two of the following : 10+10


(a) Catharsis
(b) Myth
(c) Poetic diction
(d) Superstructure
(e) Individual talent
(f) Gender

2. For Plato, the term 'imitation' (mimesis) carries a


negative connotation : to imitate is to produce a
copy, a version that is less than the original.
Comment. 20
MEG-5 1 P.T.O.
3. Discuss Coleridge's theory of 'Imagination'. 20

4. "Writers are unable to see the truth about their


societies because they are caught up in the 'false
consciousness' of ideology." Examine the
statement in the context of the Marxist view of
literature. 20
5. Write a critical note on "The Death of the
Author". 20

6. In placing woman as the 'other' of man, Simone


de Beauvoir critically examines the issue of
`alterity' in the context of women's identity.
Substantiate your answer with reference to
Beauvoir's The Second Sex. 20

7. "The general characteristics of reading in


post-colonial criticism is that a text is 'read back'
from the perspective of the colonized." Comment
critically on the statement. 20

8. Explain the concept of a structure and discuss


the notion of a stable centre. 20

MEG-5 2 11,000
No. of Printed Pages : 2 MEG-5

MASTER'S DEGREE PROGRAMME


IN ENGLISH
Term-End Examination
10120 June, 2015

MEG-5 : LITERARY CRITICISM AND THEORY

Time : 3 hours Maximum Marks : 100

Note : Question no. 1 is compulsory. Attempt any four


from the remaining questions. All questions carry
equal marks.

I. Write short notes on any two of the following : 10+10

(a) Ethos

(b) Hamartia

(c) Emotions recollected in tranquillity

(d) Objective correlative

(e) Mode of production

(f) Signifier

2. Discuss Aristotle's theory of tragedy and its


different elements. 20

MEG-5 1 P.T.O.
3. In higher poetry, we look for "the wisdom of the
heart and the grandeur of the imagination".
Examine the statement in the context of
Wordsworth's Preface to the Lyrical Ballads. 20

4. Critically examine the role of ideology in litefary


production following the Marxist critical theory. 20
5. Evaluate Elain Showalter's `gynocriticism' and
its value in the context of feminist criticism. 20

6. What is 'deconstruction' ? Is 'deconstruction' an


effective tool for analysing a literary text ? Give a
reasoned answer. 20

7. Discuss critically the seminal issues that


Post-Colonial theory addresses. 20

8. Critically examine Wimsatt's concept of


"The Intentional Fallacy". 20

MEG-5 2 10,000
No. of Printed Pages : 2 I MEG-5
MASTER'S DEGREE PROGRAMME
IN ENGLISH

Term-End Examination
r" December, 2015

MEG-5 : LITERARY CRITICISM AND THEORY

Time : 3 hours Maximum Marks : 100

Note : Answer any five questions. All questions carry equal


marks.

1. Explain briefly any three elements of Tragedy


according to Aristotle. 20

2. Elaborate the basic distinction between Fancy


and Imagination as brought out by Coleridge in
Biographia Literaria. 20

3. Comment briefly on any four obstacles to proper


response that I.A. Richards catalogues in
Practical Criticism. 20
MEG-5 1 P.T.O.
4. Write a short essay showing how Marxism has
influenced many critics in the 20 th century.
Illustrate your answer with suitable examples. 20

5. Feminist theories do not give sufficient attention


to class conflict in society. Discuss. 20

6. Drama as a form lends itself well to the


deconstruction approach. Discuss with reference
to a drama text in your course. 20

7. Critically interpret Edward Said's concept of


Orientalism. 20

8. What according to Matthew Arnold is the


function of criticism ? Elucidate. 20

MEG-5 2 13,000
No. of Printed Pages : 2 I MEG-5 I

MASTER'S DEGREE PROGRAMME


IN ENGLISH

Term-End Examination

December, 2016
0849-4

MEG-5 : LITERARY CRITICISM AND THEORY

Time : 3 hours Maximum Marks : 100

Note : Answer any five of the following questions. All


questions carry equal marks.

1. Write a critical note on Aristotle's concept of


tragedy. 20

2. Evaluate Wordsworth's 'Preface' to the Lyrical


Ballads (1800) as, an attack on the "inane
phraseology" of many 18th century writers. 20

3. The 'truth which the poet utters' according to


Cleanth Brooks, 'can be approached only in terms
of paradox'. Do you agree ? Supply reasons for
your answer. 20
MEG-5 1 P.T.O.
4. Explain Marx's idea of dialectical materialism.
How does it help us in understanding literature ? 20

5. Assess Mary Wollstonecraft's contribution to


Women's rights and their education. 20

6. Comment on the implications of The Death of


the Author' by Roland Barthes. 20

7. How are 'lack' and 'desire' closely connected in


Lacan's theory ? 20

8. Write short notes on any two of the


following : 2x10=20
(a) Sruti
(b) Dhvani
(c) Mimesis
(d) Paradox

MEG-5 2 14,000
No. of Printed Pages : 2 I MEG-5 I

MASTER'S DEGREE PROGRAMME


IN ENGLISH

Term-End Examination

05951 December, 2017

MEG-5 : LITERARY CRITICISM AND THEORY

Time : 3 hours Maximum Marks : 100

Note : Answer any five questions. All questions carry

equal marks.

1. Why does Plato declare the role of the poet as


subversive ? 20

2. What does Wordsworth think of the distinction


between the language of prose and metrical
composition ? 20

MEG-5 1 P.T.O.: •
3. Write short notes on any two of the
following : 2x10=20
(a) Tragic Hero
(b) Hamartia
(c) Sphota
(d) Alamkara
(e) Sruti

(f) Objective Correlative

4. Discuss the ideas expressed by Cleanth Brooks in


his essay "Irony as a Principle of Structure". 20

5. Write a critical note on the essentials of Marxist


literary theory OR Freudian psychoanalysis. 20

6. Comment on the significance of the title The


Second Sex. 20

7. Why does Derrida resist definitions ? Give


reasons for your answer. 20

8. What is Raymond Williams' contribution to


Cultural Studies ? 20

MEG-5 2 14,000
No. of Printed Pages : 2 MEG-5

MASTER'S DEGREE PROGRAMME


IN ENGLISH
Term-End Examination
CP:9 C3.4 June, 2018

MEG-5 : LITERARY CRITICISM AND THEORY

Time : 3 hours Maximum Marks : 100

Note : Answer any five of the following questions. All

questions carry equal marks.

1. Write short notes on any two of the


following : 2x10=20

(a) On the Sublime

(b) Mikhail Bakhtin

(c) Deconstruction

(d) Resistance to Theory

(e) Rasa

MEG-5 1 P.T.O.
2. Enumerate the six elements of tragedy according
to Aristotle and explain any two of them with
suitable examples. 20

3. Briefly outline Wordsworth's theory of poetic


diction with special reference to the 'Preface' to
the Lyrical Ballads. 20

4. Bring out the features of New Criticism. 20

5. Explain in your own words Marx's views of the


base — superstructure relationship. How does an
artist become conscious of it in his/her creations ? 20

. State Roland Barthes' ideas on 'work' and 'text'


in his essay 'From Work to Text'. 20

7. What are the major concerns of postcolonial


theorists ? 20

MEG-5 2 16,000
No. of Printed Pages : 2 I MEG-5

MASTER'S DEGREE PROGRAMME


IN ENGLISH

Term-End Examination
paE,c)
December, 2018

MEG-5 : LITERARY CRITICISM AND THEORY

Time : 3 hours Maximum Marks : 100

Note : Answer any five of the following questions. All


questions carry equal marks.

1. Write short notes on any two of the


following : 2x10=20

(a) Signifier and Signified

(b) Apology for Poetry

(c) Structuralism

(d) Russian Formalists

(e) Dhvani

MEG-5 1 P.T.O.
2. Discuss 'mimesis' in the light of Plato and
Aristotle's postulations. 20

3. Romantics assert that "imagination transcends


reason". Discuss. 20

4. Evaluate I.A. Richards's contribution to literary


criticism. 20

5. Discuss the major concerns of feminist theory. 20

6. Examine how Waiting for Godot problematizes


the meaninglessness of life. 20

7. Attempt a critique of Midnight's Children as a


postmodernist text. 20

MEG-5 2 14,000
No. of Printed Pages : 2 I MEG-005 I
MASTER'S DEGREE PROGRAMME IN
ENGLISH
kr) Term-End Examination
rN,1
June, 2019
MEG-005 : LITERARY CRITICISM AND THEORY

Time : 3 hours Maximum Marks : 100

Note : Answer any five of the following questions. Each


question carries 20 marks.

1. Explain how Aristotle argues in favour of "drama 20


as a larger and higher form of art".

2. Give an account of Sphota theory as explained by 20


Sanskrit theoreticians.

3. Critically examine Wordsworth's view that "all 20


good poetry is the spontaneous overflow of
powerful feelings".

4. What according to John Crowe Ransom is the role 20


of the literary critic in the modern world ?
Explain.

5. Attempt a short essay on the relation between 20


literature and ideology.

MEG-005 1 P.T.O.
6. 'From the tyranny of man... the greater number 20
of female follies proceed.' In the light of this
statement evaluate Mary Wollstonecraft's
thoughts on women.

7. How does Roland Barthes differentiate a 'Work' 20


from a 'Text' ? Explain in your own words.

8. What are Foucault's views on discourse and 20


power ? Explain.

MEG-005 2
No. of Printed Pages : 2 MEG-5

MASTER'S DEGREE PROGRAMME


7q41 IN ENGLISH

Term-End Examination

December, 2019

MEG-5 : LITERARY CRITICISM AND THEORY

Time : 3 hours Maximum Marks : 100

Note : Answer any five of the following questions. Each


question carries 20 marks.

1. Explain how Plato views art as twice removed


from reality. 20

2. Attempt a critique of 'Rasa' as understood in


ancient Indian literature. 20

3. Critically examine S.T. Coleridge's views on the


esemplastic power of the poetic imagination. 20

.111 ■• AIM& IM rt r■
4. 'New criticism' emphasizes the text, not the
background. Comment. 20

5. What is superstructure in Marxist criticism ?


Provide examples of superstructures. How do
they function ? 20

6. Evaluate Elaine Showalter's contribution to


feminist criticism. 20

7. Analyse John Donne's The Canonization' with


the tools of 'Deconstruction'. 20

8. What does Spivak mean by `Subalternity' ?


Explain with examples. 20
NO. of Printed Pages : 2 MEG-05
MASTER'S DEGREE PROGRAMME IN
ENGLISH
Tenn-End Examination
June, 2020
MEG-05 : LITERARY CRITICISM AND THEORY

Time : 3 Hours Maximum Marks : 100


Note : Answer Question No. 1 and any other four of
the remaining questions. Each question
carries 20 marks.

1. Write short notes on any two of the following


(200 words) : 10x2=20
(a) Structuralism

(b) Poetry as inspiration

(c) Fancy and Imagination

(d) Simone De Beauvoir

2. Literary criticism has a social function. Discuss.

20

P. T. 0.
[2]

3. Explain in your own words Aristotle's theory of


mimesis. 20•

4. Briefly explain 'The intentional fallacy' and


`The affective fallacy'. 20

5. What is meant by 'superstructure' in Marxist


Theory ? How would you interpret it ? 20

6. What is meant by the death of the author in


critical theory ? 20

7. Attempt a critique of post-colonial theory with


special reference to Said, Spivak and Bhabha.

20

MEG-05 17870
No. of Printed Pages : 2 MEG-05

MASTER’S DEGREE PROGRAMME IN


ENGLISH
Term-End Examination
December, 2020
MEG-05 : LITERARY CRITICISM AND THEORY

Time : 3 Hours Maximum Marks : 100

Note : Answer question number 1 and any four of


the remaining questions. Each question
carries 20 marks.

1. Write short notes on any two of the following


(200 words) : 10×2=20

(a) Hamartia

(b) Poetic diction

(c) Objective correlative

(d) Orientalism

2. Compare and contrast in your own words Plato


and Aristotle as literary theorists. 20

Lot-I P. T. O.
[2]

3. Present in your own words the Romantic theory


of knowledge. 20

4. What does T. S. Eliot mean by ‘The dissociation


of sensibility’ ? 20

5. Discuss Elaine Showalter’s feminist concerns in


literature. 20

6. How is deconstructive reading of a poem


different from a structuralist reading of it ? 20

7. What is meant by postmodernism ? Discuss


with reference to Lyotard. 20

MEG–05
No. of Printed Pages : 2 MEG-05

MASTER’S DEGREE PROGRAMME


IN ENGLISH

Term-End Examination

June, 2021

MEG-05 : LITERARY CRITICISM AND THEORY

Time : 3 hours Maximum Marks : 100

Note : Answer any five of the following questions in your


own words as far as possible.

1. Comment on Plato’s views on poetry. 20

2. Attempt a critique of Romanticism. 20

3. ‘‘Honest criticism and sensitive appreciation are


directed not upon the poet but upon the poetry.’’
Comment. 20

4. How do Marxists understand literature ? Support


your points with suitable examples. 20

5. Assess the contribution of Mary Wollstonecraft to


the emancipation of women. 20

MEG-05 1 P.T.O.
6. Evaluate either Freud’s or Lacan’s contribution
to the understanding of literature. 20

7. Write short notes on any two of the following : 20


(a) Rasa
(b) Aucitya

(c) Hamartia
(d) Death of the Author
(e) Matthew Arnold as a Critic

MEG-05 2
[2] MEG-05

2. How does Romanticism differ from Classicism


No. of Printed Pages : 3 MEG-05
of literary criticism ? 20

3. Discuss Cleanth Brook’s ideas on nature and


MASTER OF ARTS ENGLISH
the function of irony in poetry. 20
(MEG)
4. How do Marx and Engels interpret literature ?
Term-End Examination
Give examples. 20
December, 2021
5. How does Simone de Beauvoir demonstrate bias
MEG-05 : LITERARY CRITICISM AND THEORY
against women as man’s “other” ? Give

Time : 3 Hours Maximum Marks : 100 examples. 20

Note : Answer any five of the following questions in 6. What are the main ideas of Barthes in “From

your own words as far as possible. Each


Work to Text” ? 20
question carries 20 marks.
7. Write short notes on any two of the

1. Comment on Aristotle’s views on mythos and following : 10 each

ethos in The Poetics. 20 (a) Alamkara

P. T. O.
[3]

(b) Sphota

(c) Structuralism

(d) Reader response theory

(e) Mikhail Bakhtin

MEG–05
No. of Printed Pages : 2 MEG-05

MASTER’S DEGREE PROGRAMME


IN ENGLISH

Term-End Examination

June, 2022

MEG-05 : LITERARY CRITICISM AND THEORY

Time : 3 hours Maximum Marks : 100

Note : Answer question no. 1 and any four of the


remaining questions. Each question carries
20 marks.

1. Write short notes on any two of the following in


around 200 words each : 10+10
(a) Plato
(b) Sir Philip Sidney
(c) Structuralism
(d) Feminist Criticism
(e) Sphota

2. Why do you think there was a tremendous


insistence on emotional experience in classical
aesthetics ? Discuss with reference to classical
criticism. 20

MEG-05 1 P.T.O.
3. ‘‘Every great poet is a teacher. I wish to be
considered a teacher or as nothing.’’ Comment on
Wordsworth’s ‘Preface’ to the Lyrical Ballads in
the light of the quotation. 20

4. Assess John Crowe Ransom as a literary critic. 20

5. What does Roland Barthes mean by ‘the death of


the author’ ? Do you agree with his views ?
Provide reasons for your answer. 20

6. Discuss the role of superstructure in Marxist


criticism. Do you think literature is an important
part of the superstructure ? 20

7. Analyse the strengths and limitations of Woolf’s


theory with reference to class or gender. 20

8. How are ‘lack’ and ‘desire’ closely connected in


Lacan’s theory ? 20

MEG-05 2
No. of Printed Pages : 2 MEG-05

MASTER’S DEGREE PROGRAMME


IN ENGLISH

Term-End Examination

December, 2022

MEG-05 : LITERARY CRITICISM AND THEORY

Time : 3 hours Maximum Marks : 100

Note : Answer question no. 1 and any four of the


remaining questions. Each question carries
20 marks.

1. Write short notes on any two of the following in


around 200 words each : 10+10
(a) Roman Jakobson
(b) Michel Foucault
(c) Northrop Frye
(d) Critical Theory
(e) Dhvani

2. Attempt a critique of the role of dance in ancient


Greek theatre. 20

MEG-05 1 P.T.O.
3. What effect did the Romantic stress on
individuality and spontaneity of expression have
on their choice of poetic forms ? 20

4. What do you understand by ‘‘Intentional


Fallacy’’ ? 20

5. Discuss the problems faced by feminist theories


using Kamala Das’ ‘An Introduction’. 20

6. Analyse the limitations of deconstruction as a


method of critical inquiry. 20

7. How do you think postmodernism differs from


modernism ? 20

8. Do you think Foucault’s views on discourse and


power influenced Said’s Orientalism ? 20

MEG-05 2
No. of Printed Pages : 2 MEG-05

MASTER’S DEGREE PROGRAMME IN


ENGLISH (MEG)
Term-End Examination
June, 2023

MEG-05 : LITERARY CRITICISM AND THEORY

Time : 3 Hours Maximum Marks : 100

Note : Answer any five of the following questions in

approximately 500 words each and in your

own words as far as possible. All questions

carry equal marks.

1. Bring out Plato’s criticism of the role of artists


in his concept of the Ideal State. 20

2. Discuss the position of imagination and


emotions as opposed to rationality in Romantic
poetry. 20

P. T. O.
[2]

3. Identify some of the important principles of


criticism according to I. A. Richards. 20

4. Bring out the Marxian concept of ‘purpose’ in


Literature. 20

5. How does The Second Sex mark a shift in


literary criticism ? Discuss. 20

6. Evaluate Derrida’s concept of Deconstruction


and his resistance to it. 20

7. Write short notes on any two of the


following : 2×10=20

(i) Aucitya

(ii) Sphota

(iii) Catharsis

(iv) Hamartia

(v) Primary and Secondary Imagination

MEG–05

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